Germany Books

A poignant and well-written memoir filled with humor and pathos. A young man's struggle with the philosophical and social conflicts of being a German fighting on the side of his adopted home, America. Frazier describes some interesting pre-war times in Berlin and then describes his wartime experiences with intelligence and passion. I highly recommend it.

A poignant and well-written memoir filled with humor and pathos. A young man's struggle with the philosophical and social conflicts of being a German fighting on the side of his adopted home, America. Frazier describes some interesting pre-war times in Berlin and then describes his wartime experiences with intelligence and passion. I highly recommend it.

I was gripped by it. It is a great contribution to the history of that era. Dramatically a young boy's story builds, from his childhood in Germany to his naturalization in the U.S. to his return to the Fatherland (as an American soldier), all the way to Dachau and beyond. What a sweep of history, to cover a huge swath of 1940's history in a single character's participation.

This is a unique and fascinating true story of a young man caught up in some of the darkest and most dramatic moments in history. Through his adventures, questions, and insights he demonstrates that life and even war can take us on a profound spiritual journey. Shakti Gawain, author of Creative Visualization and Living in the Light.

This book is a wonderful account of the Luftwaffe fighter units in the Eastern Front, presenting all the leading personalities, the aces and a wealth of statistics and little known facts. The color profiles are top quality and with the exception of a few minor mistakes (like the date of Gunther Rall's return to the front in August 1942, or his total Eastern score when he left for JG11) the text is very accurate, fascinating and extremely useful as a reference. To the readers that are enthralled by this book and the unbielievable achievements of the Jagdwaffe in the East, I would recommend also Werner Held's excellent pictorial book "The German Fighter Units over Russia" as the perfect companion to Weal's work.

This book details the Units like JGs 51,52 and 54 which flew the Messerschmitt fighter from the "Emil" to the final "Gustav" variants in combat against the Soviets from the massive Russian slaughter in Barbarossa 1941 to the Defeat of the Third Reich in 1945. The book details the aces of Gunther Rall(275 kills), Gerhard Barkhorn(301 kills) and Erich Hartmann(352 Kills). Who all scored the bulk of their amazing tallyings against the Red Air Forces. The last of four volumes in the Aces series on the Messerschmitt BF 109 in Luftwaffe service, this title includes all the high-scoring aces, and explains how the pilots achieved such overwhelimng scores.

if youre a Bf-109 fan, buy it. Good color drawings and great info.

Although a little expensive for a short book, it is well worth the price. This book isn't meant to be a definitive summary of the air war in Russia, but it is a wonderful introduction to WWII air combat on the eastern front. The book is packed with great photos (and descriptive captions), comprehensive ace statistics and beautiful illustrations of their actual planes. It is very balanced between giving an overall summary of the eastern front war and providing actual accounts of real German pilots. Naturally it is centered around the Bf-109 but it doesn't read like a list of statistics; it is well-written enough to read all the way through, captions and all. This is a perfect supplement for anyone interested the Luftwaffe, the Soviet-German war, or especially the Messerschmitt Bf-109. Everyone will learn something from this book.

She talk about ALL the details you need, the equipment, the clothes, the type of bike, everything you can or can't imagine, all the trafic signs and the diferent words in Dutch that you can need for you trip.
All the routes are very good explained, with a lot of details, road signs, maps. She includes a lot of tips to make more comfortable your plannig and development of your trip.
Very good decision if you plan bike trips by reading diferent books

Printed and bound for extra durability on the road, Bicycle Touring Holland With Excursions Into Belgium And Germany is an exciting guide to exploring a nation where one can travel virtually anywhere by bicycle - just as the natives do. Written by an Australian-born journalist who has toured the Netherlands by bike for many years, Bicycle Touring Holland covers pre-departure planning, basic information about the country including language and money matters, food and lodging issues, basic cycling facts, the best routes and sites in various parts of Holland, tips for further reading, and much more. A wealth of black-and-white maps clearly marking travel routes adds a definitive touch to this "must-have" for any cycling enthusiast visiting Holland.

My boyfriend and I just returned from cycling a loop around the Netherlands, starting and ending in Amsterdam, completing about 1300 km. This guide was almost perfect. Widing's descriptions are very detailed, and she recommends great sight-seeing. We loved the cue-sheets - sometimes the roads were hard to figure out, so knowing the exact numbers of kilometers was very helpful, and handy for ripping out of the book to put in our handlebar bags. Widing also does a great job of recommending places to eat and stay for a variety of budgets. There were a couple of gaps between routes if you want to make a loop; Holland's designated bike routes easily bridge those gaps. I recommend getting an ANWB map of those routes - this will also help you to visually plan out your route. We had a lot of trouble with the Drenthe part of the book; it seemed out of date and/or confusing. I would also recommend more detailed maps of each region, because the maps for each of Widing's routes are not detailed enough. Overall, this book was very helpful and helped us to have a low-stress, interesting, and fun cycling vacation.

Printed and bound for extra durability on the road, Bicycle Touring Holland With Excursions Into Belgium And Germany is an exciting guide to exploring a nation where one can travel virtually anywhere by bicycle - just as the natives do. Written by an Australian-born journalist who has toured the Netherlands by bike for many years, Bicycle Touring Holland covers pre-departure planning, basic information about the country including language and money matters, food and lodging issues, basic cycling facts, the best routes and sites in various parts of Holland, tips for further reading, and much more. A wealth of black-and-white maps clearly marking travel routes adds a definitive touch to this "must-have" for any cycling enthusiast visiting Holland.

The two greatest land battles of English/British arms are universally thought to be Waterloo and Agincourt. Charles Spencer and others (including Winston Churchill) would add Blenheim as the third greatest battle in the list. Louis XIV (the "Sun King" of France) was dominant in European power and had been for a couple of decades. He was an imperialist at heart, taking land when it suited him, on the flimsiest of pretexts. When the inbred and sickly Hapsburg king of Spain died without direct heir, Louis decided it was time to put a Bourbon king (i.e. his own family line) on the throne of Spain. This naturally angered the other Hapsburg monarch - the Holy Roman Emporer (leader of what was later known as Austria-Hungary) and would result in Louis's power increasing significantly, both in Europe and the Americas. Thus, the Emporer and the British, whose Dutch-descended King William III had long fought Louis as Prince William of Orange, formed an alliance to combat this new threat from Louis.

Charles Spencer is known to most as the 9th Earl Spencer, sister of the late Diana, Princess of Wales. His well-spoken and eloquent eulogy of his sister is an indication of his ability as a narrator. Fortunately, Spencer does not herein rely on his titles, nor on the fact he is a descendant of the winning British general: John Churchill, Duke of Marlborough. Instead, knowing the book will only be judged by his ability as a writer and historian, he presents a very readable and enjoyable depiction of the battle between the two Allied armies - commanded by Marlborough and the Imperial general Prince Eugène, and the opposing Franco-Bavarian forces. Taking place in and around the Bavarian village of Blindheim (Anglicised to Blenheim), the Austro-British forces are outnumbered and facing a foe that has not lost a major engagement for a generation. Included in the French ranks are a number of highly-decorated regiments (both of infantry and cavalry). Unfortunately for the French, they are badly outgeneralled, especially in the centre of the line where Marshall Tallard faces Marlborough. The English general has rapidly gained a reputation for initiative, timing, and daring only equalled by Prince Eugène, who is left to pin down the flank against a second French army and the Bavarians.

Spencer wisely takes a third of the book to set the scene - i.e., the politics of the age. No account of the battle would be complete without a detailed look at the people involved, of course, so much of the narrative alternates between the setup of the political situation and the personalities of the people involved. John Churchill was much maligned by both parliament (because his anscestors fought for the crown in the Civil War) and the protestant King William III (because he so easily switched allegiances to himself from the Catholic Charles II after Charles was deposed). It was not until Anne, protestant daughter to Charles II and sister-in-law to William III, came to the throne that Churchill rose to become commander of the British army. This did nothing to placate his detractors, of course, and he was dogged continually by his enemies. Spencer manages to avoid sounding the champion of his anscestor, instead presenting these facts in a straightforward but very readable fashion.

Similarly, when we move into the campaign phase of the book, and that of the Battle of Blenheim itself, we get to see the conflict from all sides - in the camps of all five armies present, and from the generals to the non-commisioned officers, many of whom kept diaries of the events (presumably many in the lowest ranks were illiterate and couldn't keep diaries).

There aren't a lot of accounts of the Battle of Blenheim (compared to, say, Waterloo), but this is a good read for anyone interested in the era, or in European history in general. Especially for those shy about tackling Winston Churchill's mammoth biography of Marlborough (which is also hard to find), this book gives a good description of the man, his age, and the battle he is most famous for winning.

At the end of the 17th century Louis XIV of France was at the peak of his power, the most powerful sovereign in Europe whose power was enforced by an victorious army with a reputation for being unbeatable. With the rise of his relative to the throne of Spain and his coercion of Bavaria into his sphere of influence it seemed that total dominance of Europe was within his grasp.

The fact that this did not come to pass was the result of the formation of the Grand Alliance by William III of England, combining the forces of England, the Holy Roman Empire and the Dutch free states.

The leadership of the Anglo Dutch forces was entrusted to John Churchill the Duke of Marlborough a handsome dashing General of only limited military experience. It was Marlborough who devised and implemented the daring plan to march across Europe to attack Frances ally Bavaria thereby relieving the threat of invasion from Vienna the capital of the Holy Roman Empire. A march which would ultimately see him join forces with the Imperial army commanded by the proven and driven General Eugene of Savoy to confront the Franco Bavarian forces near the village of Blenheim.

The resulting battle displayed the qualities of both of the allied commanders, Marlborough's dash and daring, his command of the battlefield, his husbanding of resources and the judgment which allows him to unleash them to the greatest effect and Eugene's tactical genius, charisma and steely resolve to achieve victory no matter the odds or the cost.

Overall this book provides a well written narrative of a battles which has been largely forgotten, which changed the face of Europe.

Based on diaries and letters of the participants and other sources, Charles Spencer gives a very readable, informative account, not only of the Battle of Blenheim, but of a whole period of history. BLENHEIM, BATTLE FOR EUROPE, is the story of how two friends and military geniuses, the Duke of Marlborough and Prince Eugene of Savoy spoiled the Sun King's splendor. Louis XIV's army, considered invincible for forty years, was crushed at Blenheim, a small Bavarian village on the Danube, signaling that the Sun King would not conquer the Continent. Mr Spencer describes not only the everyday lot of the common soldier: his arms, medical treatment and food, but he also delves into the personalities of the major participants involved, from the Sun King to the field generals to Sarah, Marlborough's wife. This is popular history at its best, although the term "popular history" somehow seems dismissive; would it be that all history was written as well and as entertainingly. The book comes with color reproductions of portraits, three maps, including two battle maps showing positions and movements of troops, and order of battle and unit strength tables, useful for those who might like to recreate the battle as a simulation. He also describes the battlefield terrain quite well and the morale and quality of certain troops. Valuable as a reference, once read for pleasure, I recommend BLENHEIM highly.

"Blenheim: Battle for Europe" by Charles Spencer is a riveting account of that great battle fought between Allied forces under the command of John Churchill, Duke of Marlborough, and the French Army of Louis XIV on August 13, 1704. This is a splendidly told story, not only covering this pivotal battle but the events leading up to it and the main characters involved, including my favourite, Prince Eugene of Savoy.

This battle possibly changed the course of European history with the near destruction of Louis XIV's army. Up to this point the French Army under the command of many capable marshals had never been beaten. It was virtually unstoppable until it met Marlborough, the Captain-General of the armies fighting against France. In this book Charles Spencer describes the outcome of that meeting at Blenheim.

The story telling is first-rate, the narrative flows fast and smoothly, is packed full of information but never over-loads the reader with too much. The colour plates are excellent and the maps sufficient for the story however I would have appreciated maybe a few more.

The account of the fighting is excellent and once you start reading it's hard to stop. The narrative drags you into the fighting as the allied infantry assaults the villages of Blenheim and Oberglau and then mass in the centre for the decisive offensive that was to break the back of the French forces. In the end the allies lost 12,000 men killed and wounded but the French lost more than three times that number.

This is an excellent account and adds much to the military history of this period, no decent library should be without a copy on their shelves.

This is an incredible book. It's just that simple. The level of detail and precision of the research involved is better than any other "battle" book I've ever read, air or ground.
But if there is any criticism of this book to be had it is just that, there is so much information here that it can be a bit overwhelming. Not to say that it isn't well written, it most assuredly is, but it is not a book for someone with a casual interest in the air war or someone looking for some light reading on WWII.
Bodenplatte was the ill conceived last gasp of a desperate Lufwaffe. And while it succeeded in causing considerable damage at some fields even if it had done so everywhere it would have still proven a pyrrhic victory as it killed very few allied personnel, mostly it destroyed equipment... equipment that, at that point in the war, the Allies could rapidly and easily replace. But it was a fascinating battle, and if you want to understand what happened and why it happened, this is the book to read.

Bodenplatte is an excellent book and very interesting, the more so since I was at Eindhoven on New Year's day 1945 and was wounded with many others. I can certainly confirm the verocity of the attack.

Hikoki Publications has a well-deserved reputation for producing high-quality military aviation history books.

BODENPLATTE is a perfect example of Hikoki's commitment to quality. There have been other books on the Luftwaffe's ill-fated attacks on Allied airfields on 1 January 1945, most notably Norman Frank's book, but the Manrho and Putz book must stand as the definitive book on the subject.

The depth of research in this book is truly impressive. Comments from dozens of German and Allied personnel help trace the fate of each Jagdgeschwader over France, Belgium and Holland. The book's final chapter detailing actual losses on both sides is especially helpful in showing what a pyrrhic victory Bodenplatte was for the Luftwaffe.

The book is well-illustrated with over 400 photos, including shots of Luftwaffe aircraft caught in the act of strafing Allied airfields. (I wish Hikoki had included color profiles of some of the FW 190s and Me 109s involved but that's a minor quibble).

In short, Buy this book! Military aviation history doesn't get much better than this!

Bodenplatte proves to be Luftwaffe's last major aerial offensive of World War II and this book shows why this raid proves to be so ill-fated, ill conceived and badly planned. Superbly researched by the two authors with hundreds of first hand accounts that gives much clarity to this often overlooked one day effort that totally compromised the Luftwaffe military effort along the western front for the rest of the war.

The book is divided so each fighter wing (Jagdgeschwader) who took part of the operation had their own chapter. Each chapter shows how they prepared and how they fared during the New Year Day raid. As in most cases, these Jagdgeschwaders did not fared very well at all. It pretty interesting to read that almost 50% of all Luftwaffe losses were due to anti-aircraft, mostly Allied although German lost some more to their own anti-aircraft units. The lost of German pilots proves to be the hinchpin of doom for the Luftwaffe while Allies easily replaced all pilots and planes lost in that raid.

The book read pretty well, there are over 400 black and white photos that goes with the account given and many of photos proves to be interesting ones. The book is written with certain German centric point of view although first hand accounts were given from both sides. There is also a very detail appendixs of who shot down who, what unit lost what planes and pilots and host of other material that reflect on the details of the raid. The research, as I write again, proves to be superb.

If there was a weakness, I would say that the maps could have been better design. Also, this book wasn't meant to be read by beginner reader. The authors fully expect their readers to understand the full aspect of World War II history during this period and readily be able to tell the difference between a FW190D and ME109G. There isn't much in this book for elementary education on World War II. The authors take you straight into the military narrative of the raid.

Overall, a definitive account of Bodenplatte Raid and as it turned out, it wasn't much hope for the Luftwaffe after this. The book come highly recommended for experience readers. (Funny, Hikoki Publications - Hikoki is Japanese word for "plane".)

clearly inspired by hieronymus bosch, these 2 artists spent 6 years working on the most beautifully engaging and surreal illustrations i've seen, which elevates the story to a new level.

The little tailor has to kill two giants to win the King's daughter and half the kingdom. He does this by using the kings soilders and clever thinking. This book shows that no matter how big the job is you can get it done.

This book is a beautiful masterpiece, with a subtle influence from Hieronymous Bosch. They don't make them like this any more. Very few illustrated children's books show the level of love and care put into this one. It would be a lovely addition to a child's book collection, or for anyone who loves and appreciates art.

This retelling of the Brave Little Tailor is a suitable vehicle for the breathtaking illustrations throughout. Subtle details hide on every page waiting to be discovered. While I was rendered breathless by the depth of each drawing, my son thought the book was scary. He didn't really follow all the mollusks and creatures. That's ok though, there is a sophistication to this children's book that makes it more at home on my coffee table than on his bookshelf. Well worth a look.

Dr. Bruno Walter (1876-1962) was born to an upper middle class home in Berlin. He was a child prodigy composing and conducting with such ensembles as the Berlin Symphony. Walter became the assistant to the genius Gustav Mahler (1860-1911) winning the admiration of the prickly man of music.
Walter's music room was all of Europe and the great concert halls and recording studios heard his majestic music making in operas, symphonies and chamber music. He composed until 1910
forsaking creative compositon to become a peerless conductor of
works by Mahler; Beethoven;Brahms; Bruckner; Wagner; Verdi and
the other gods in music's pantheon.
Walter had seen and experienced tragedy. His younger daughter
Greta was murdered by her husband; he lost his homeland as the
Nazis conquered Austria and expelled him and other Jewish geniuses from the Reich; he had extramarital affairs but was a
decent, honorable and serious man. Walter loved literature becoming friendly with Thomas Mann the great novelists; he enjoyed reading, writing on music and was a strong but understanding conductor. He and Toscanini were friends.
This is a book for those who are familiar with classical music .
The book is very detailed and one almost feels like he/she
has seen a review of every concert conducted by Walter!
While this can become tedious to the general reader the overall
effect is one of respect for Walter.
In a time when classical music is a minority taste
the co-authors have done their homework producing a well written
and researched biograpy of Dr. Walter.

To say that the book "Bruno Walter: A World Elsewhere" is both a godsend and a delight would be an understatement-I cannot say enough good about this work. "A World Elsewhere" is a detailed and concise look at the conductors' life and career from birth until death-and in English.(My definite language of choice) It offers a style that is smooth and a pleasure to read and obviously involved alot of meticulous research. I have been an admirer of Bruno Walter for many years, and this biography is the perfect companion to my collection of Walters'recordings.It is an even-handed, multi-faceted depiction of the conductors' experiences. In reading "A World Elsewhere", I have learned much about the man that has enabled me to understand his life better; although the book does not go into alot of detail about Bruno Walters' connection with Anthroposophy, it has still inspired me to investigate this movement further. "A World Elsewhere" is a definite "must read" for anyone who admired Bruno Walter- a great conductor whose involvement with music touched and enriched many people's lives, and still does today.

Doug Rea

Finally, a full-length biography of Bruno Walter in English that devotees of his work can savor. Walter was widely recognized in his time as one of the master conductors, but his lack of flashiness, and sometimes fake air of saintliness, are off-putting to our star-obsessed age, so he hasn't received the recognition he deserves. SONY is sitting on a large back-catalog of important mono recordings by him that may never see the light of digital distribution -- or perhaps the imminent changes in music distribution wrought by the internet will eventually make it all available. Meanwhile, this very well-done, comprehensive biography will have to do. My biggest complaint is the lack of a complete discography as an appendix to the book - referring people to websites won't cut it yet, as too many folks still don't have regular internet access. Apart from that failing, this is a model of what an arts biography should be, a well-researched life, a serious consideration of issues of personal performing style, and decent pictures.

I probably qualify as a representative of the tribe of general readers, being mostly an interested amateur in what this book covers. As such, I found "Bruno Walter: a World Elsewhere" a very satisfying window into an era of music (and my childhood) that I was heretofore only vaguely aware of. In other words, it helped me fit together and fill out a picture of the musical and political and social history of the twentieth century, and that alone made it worthwhile.

But aside from that, it was simply great fun to read personal vignettes about so many eminent musicians, composers, conductors, and others. I found the book entertaining reading too, I mean to say--a dandy thing, in the summer (or any other time as well)!

While I may be an amateur as far as the contents of the biography go, I am also a professor and teacher of writing, and it was gratifying to find a biography written so smoothly that reading it was a pleasure, which is by no means the rule in scholarly biographies. There are notes and indeces aplenty for the scholars, but these should not dissuade the general reader--they do not get in the way in the least.

Add to this the fact that the volume is a handsomely designed one, with splendid pictures and an attractive typeface, and you have a book truly worth owning--or giving, for that matter.

This is one of the best books I ever read. Historically authentic, thrilling, decadent, sublime prose with an ingenious plot.

I found a flimsy proof version of this book at a garage sale circa 1998 and it has since been read by almost every member of my family and crossed the country two times.

If you like the idea of pre war Berlin cabarets and espionage, then I promise you you will more than like this book.

This book was absolutely thrilling, heartbreaking and enlightening. I actually read it with a pencil to underline passages, foreign expressions and historical references to conduct further research---and I've never before done that. Although fiction, this book entices the reader to learn more about the era in which it took place. As a student of German, French, and Arabic, I was especially appreciative of the way Mr. Nebenzal included the spice of foreign words and references. (Showing respect for the intelligence of his readers.) This is rarely seen in books today. As for the story itself, the characters are rich and moving---the descriptions are vivid. The story is mesmerizing. This is a must read---But make sure you're not busy--you won't be able to put this book down!

I read this book in a matter of days because I just could not put it down. I recommended it to a friend who said that he was reading it on an airplane that slid off the runway and he didn't even notice! (True story)

This is the best collection of essays on the "uses" of history and construction of national "memories" that I have read. This should be required reading in every high school social studies/history teacher certification program, and should be read by all who want to enter the debate on standardized testing and prescriptive curriculum content. I have used selections of it in my college level Japanese history course, my college level world history courses, and recommend it to my colleagues and also to the many high school teachers with whom I work. It shares valuable lessons on the manipulation of history for nationalistic and/or militaristic purposes. It should also be read by educational, defense, and foreign policy-makers as well as journalists who often seem too quick to pass on widely held myths as truths. Alas, I am afraid that many in these positions are more comfortable with the myths.

Censoring History: Citizenship And Memory In Japan, Germany, And The United States is a fascinating, challenging, well written and highly informative anthology of essays about how history is almost inevitably distorted and revised by subsequent generations to meet their social, political and cultural needs and myths -- and how such unwarranted revisions must be countered with an coherent understanding of the politics of education, from the writing and publication of textbooks to curriculum development and classroom instruction practices. Censoring History is critically important reading for anyone seeking to understand how and why the needs of nationalism would and do distort the recording and transmission of history, and the peril future generations are put to as those who do not know their history are so often doomed to repeat it in an age where nuclear war could end civilization and even the human race.

In Censoring History: Citizenship and Memory in Japan, Germany, and the United States Laura Hein and Mark Selden provide a critical investigation of how Japan, Germany, and even the United States recognize, think about, and then articulate their role during times of war. Hein and Seldon place their work within a larger viewpoint and try to concentrate on two main issues: [1] the connection between citizens and the state, and [2] a nation's actions in wartime and its implications vis-à-vis other countries. Censoring History is "really" about what has been left out of the public space in the development or reification a national narrative. The focal point of Censoring History is the many manifestations of such censorship and how it seeps into particular national spaces of memory. Vis-à-vis the Japanese, Germany has made tremendous strides in terms of how it deals with its past. Reading Hein and Seldon one gets the impression that on a "self-reflexivity" scale of 1 to 10 Germany is perhaps an 8 while the Japanese gaze thorough a less critical lens situating themselves in about a 5 position and the United States perhaps at and about the 3 positions. Different angles of war and internal conflict not only create problems within a nation-state, but also increasingly affect the state of affairs between them.

Germany not only looks at issues such as textbooks but they also perceive themselves as part of a developing European Community, as per Hein and Seldon a key distinction from how Japan deals with is history, hence its "place" in the region. Compared with Japan, German textbooks contain large segments analyzing controversial issues and creatively augment those entries with projects and field trips. Perhaps unfairly judged and there is movement in this area but vis-à-vis their Japanese counterparts, German textbooks have more of a propensity to motivate students to investigate and explore historical and juxtapose those sites and sounds against present-day similarities and contrasts. Not only that, a student is made to poke and prod and reflect on people's prejudices and such.

Kathleen Woods Masalski, an American high school teacher, communicates exchanges between American and Japanese teachers. In a lot of ways, most master narratives can be pegged to a sense of nationalism. Nationalist master narratives are created to make people feel good about being part of that national community. However, historians introduce self-criticism by problematizing histories makes history 'messy' (258). Masalski writes in Teaching Democracy, Teaching War: American and Japanese Educators Teach the Pacific War (258): "National narrative, master narrative, textbook narrative, counternarrative, multiple narratives - the language, though not the ideas behind it, was new to me and to most if not all the high school and college teachers in the audience when our keynote speaker at a National Endowment for the Humanities summer institute in 1994 challenged us to "problematize the national, the master, the textbook narrative ... to make history messy!"" (258). Masalski further writes: "The speaker was Jonathan Lipman (a historian at Mount Holyoke College), one of many scholars in the Five College area in western Massachusetts who has collaborated with social studies teachers throughout New England (and across the country) to bring serious historical thought and controversy into precollege classrooms" (258).

Not known to many in the United Stated but to a few interested scholars and teacher is the epic struggle of Ienaga Saburo. In Censoring History such notables as Nozaki Yoshiko and Inokuchio Hiromitsu offer a more sympathetic description of the decade-long effort by historian and educator Ienaga Saburo who challenged the state authority in censoring and sanitizing textbook content in Japan. Understandably in problematizing the hegemony we can expose the limitations contained within the narratives, much to the chagrin of most comfortable unreflective folk. At this point I wish to bring in Edward Linenthal who penned Anatomy of a Controversy in History Wars: The Enola Gay and other Battles for the American Past - who also focuses on issues of pedagogy - when he quotes Michael Kammen, president of the Organization of American Historians and a member of the Smithsonian Council during the Enola Gay controversy, "Historians become controversial when they do not perpetuate myth, when they do not transmit the received and conventional wisdom, when they challenge the comforting presence of a stabilized past. Members of a society, and its politicians in particular, prefer that historians be quietly irenic rather than polemical, conservators rather than innovators" (Linenthal 60). Such is the struggle of Ienaga Saburo. For those interested in pedagogy, Gregory Wegner's article on the Buchenwald Concentration Camp in educating youth is very informative.

Turning to a topic of a very different sort, Hein and Seldon present the argument that unlike the two "defeated" countries, the US has somehow managed to escape outside scrutiny and accountability over is "narratives" of its discredited war - Vietnam. The one thing that Censoring History does is drag the U.S. into this circle of examination. Hein and Seldon's research shows how the resulting clashes, wars, etc. have been sanitized, at times even deliberately ignored, when textbooks circulate this part of American history to its young. Taken together, these essays reveal that Japan is far from the only country caught in an ongoing conflict over its past. Masalski's essay reveals some instances of differences among American teachers over an American historians interpretation of World War II. Potential teachers like myself wish to view the work do Laura Hein and Mark Selden (and including, but not limited to, the works of Edward Linenthal and Tom Engelhardt) as unfinished projects. Pedagogical development is something that should be constantly and vigorously attended to, lest we forget.

Miguel Llora

The premise of this book is that "schools and textbooks are important vehicles through which contemporary societies transmit ideas of citizenship and both the idealized past and the promised future". The 10 chapters look at how World War II and the Vietnam War are represented in school history textbooks in the 3 countries. Almost 50 years after the end of the war, controversy over Japanese text books continues to rage, and this book is useful to put that into some sort of perspective. Of the 10 chapters, 6 deal with Japan, including a chapter with all the details of Saburo Ienaga's famous textbook lawsuits against the Japanese government, and a couple of chapters on joint history projects between Japan and Korea, and Japan and the U.S. The common conception is that Japan has not yet faced up to its wartime past, and while I agree, after reading this book my view has been somewhat softened. Compared with the U.S.A., Japan has done more to teach its young about the negative side of its wars. If you enjoyed reading Ian Buruma's Wages of Guilt, then you will enjoy this book.

As far I can say, this is one of the most charming and beautiful houses in the world. Is not that this is house is grant, or magnificent; Charleston is so special, because it's got character and lots of personality. I love this book.

i stumbled across this book on a beautiful indian summer sunday afternoon....it is a treasure for those unable to physically saunter through the rooms and out to the walled garden that is charleston. all photos in colour, all rooms as they were when vanessa bell, duncan grant, family and friends lived and worked there. inspirational.

I agree with the previous reader, this is it ... the definitive book on Charleston Farmhouse. Although I think this book is more than a glimpse of the house and garden for those unable to visit, it is a surperb reference for those of us that have visited and wish to recall the house, etc. The photography is stunning, the text is informative. A worthwhile addition to any Bloomsbury book collection.

For this genre of books, 5 stars. A nice gift for a Bloomsbury fan, but it is only "nice-to-have," not required for one's library.