Belgium Books

Norman Bogner's new novel, "The Deadliest Art", is fantastic! It is a sequel to "To Die In Provence", but it can easily be read on its own. If you read this book, you'll definitely want to read the first book anyway. The story follows French detective Michel Danton as he struggles to honor his promise to his new bride to give up his dangerous work, while being presented with a case of unimaginable horror. The book alternates between the actions of the criminals and their pursuers in a non-synchronous manner that works perfectly. "To Die In Provence" was a great mystery, plunging one into the customs and culture of the South of France. "The Deadliest Art" surpasses it, with an even deeper immersion into French psyche and attitude, coupled with an exploration of the Venice of Southern California. As you are simultaneously drawn into the madhouse of the killers and Michel Danton's increasing desperation, you won't be able to put this book down!

While agreeing with the other readers' comments, I was most fascinated by the storytelling device that Norman Bogner invented in this novel: Unsynchronized chronology of converging stories. This differs from standard thriller technique in which the point of view swings back and forth between the good guy and bad guy like the arm of a metronome or clock pendulum, with the story driven by advancing time.

The novel opens in Provence, France, where Bogner reintroduces us to Det. Michael Danton and art historian Jennifer Bowen, now in a state of prenuptial bliss. Next, a continent away in Venice, California, Bogner introduces murderous Garrett Lee Brant "and his beautiful Eve" who are just stepping out for a millennium New Year's party hosted mammary-enhanced Heather Malone, Garrett's benefactor and sometime lover. Garrett is a frustrated artist who is fascinated by Gauguin, with whom he "holds regular conversations." (His back story reveals the ability to speak in a number of voices.) Garrett has received no recognition for his work on canvas but is enjoying enormous commercial success doing tatoos on the Venice (CA) boardwalk. Eve is skilled in the art of makeup. Switch to Provence where Michael is called to investigate a girl's body washed up on the beach. Switch back to Heather Malone's party, an upscale S&M affair. Heather introduces to Mr. Jan Korteman, a Belgian photographer who specializes in high-grade pornography. Eve makes her own moves and a four-way psychological sex drama unfolds.

And thus two "parallel" stories evolve, with Michael investigating the girl's death and consoling the parents and with Jan taking Garrett and Eve to live as his house guests in Belgium where they engage in a sinister artistic collaboration. The stories evolve asynchronously: The protagonists working slowly to stop the crimes that the antagonists have yet to commit. This yarn is not driven by the beat of a metronome. It is driven by the fascination of the reader who realizes that by the end of the book the two stories must converge. As the book begins to run out of pages, the antagonists' story accelerates and catches up with the protagonists, with fascinating and deadly results. Bogner has invented a new technique in thriller fiction: Converging stories told in warped time.

And as if this was not clever enough, Bogner throws in one final twist which will make the reader pinch himself, turn back to the first page and read the story once more. "The Deadliest Art" is high art, every bit as clever as "The Cabinet of Doctor Caligari."

As a Southern California mystery writer, I genuinely enjoyed Mr. Bogner's previous novel, TO DIE IN PROVENCE. I was not aware of this follow-up novel, THE DEADLIEST ART, until I read a glowing review of it in THE LA TIMES. Now that I've read this new work, I can attest that that wise TIMES critic was correct. THE DEADLIEST ART is a winner. In this novel, Michel Danton is back on the scene. He is preparing to marry Jennifer Bowen, the American professor who saved his life in Bogner's previous book. Events intervene. An acid-scarred body of an American junior golfer is found on a beach and other murders occur. The police begin their investigation, and Bogner presents flashbacks of the criminals in alternate chapters. The flashbacks begin in Venice Beach in California, near my home turf. The story works. Bogner captures his settings pefectly. His characters are vividly drawn. THE DEADLIEST ART is an excellent crime fiction work.

Some might have said that Norman Bogner was playing bad poker and attempting to draw to an inside straight when he wrote `To Die In Provence' in 1998. After all, he was a writer of mainstream fiction -- Seventh Avenue, The Madonna Complex, California Dreamers, among others - and the Provence book is a mystery. But after you read it you find it is much more than a mystery. The major characters, Michel Danton, chief investigator for the Special Circumstances Section of the French Judicial Police, and Jennifer Bowen, an American art history professor, remain with you and breathe on, as well as a host of minor characters. You find that you want to know more and that is a sign of a good book. The author filled his straight and won the hand.
What is meant by `more than a mystery'? I mean that the author has widened the scope, brought more to the table. Mysteries usually present the good man or good woman, usually a detective or cop, who then pursues the bad guy who has perpetrated a crime on usually good folks. The progression is linear from start to finish with few detours. Subplots are usually absent along with any serious reflections from the hero, minor characters appear and disappear after they help the hero, the bad guys are caught, resolution is complete, and a new book will appear next year. Along the way it is sometimes difficult to suspend disbelief because the hero carries a 25 shot 6-shooter. Examples are MacDonald's Travis, Parker's Spenser, Grafton's Kinsey, Child's Reacher, White's Doc Ford and a thousand others. A lot of these are good men and women detecting, pursuing and catching the bad folks in very good books. I've read them and like them. Norman Bogner, on the other hand, takes a lot of time defining and exploring his characters. With precise use of literary hydrofloric acid he etches very real people in glass. Because the people are real they have flaws and sometimes the glass fractures because of internal struggles within the characters, as well as cracking under the pressure of the externals not under their control. The crimes, along with the accompanying mystery/detective motif, the setting in southern France, and the pyscho-killer, presented in `To Die In Provence' act as a catalyst to bring the strengths and weaknesses of Michel and Jennifer, as well as others, to the surface and we see them struggle and reflect and we wince and fret over them and we want them to `grow out of it' and overcome. We want to know the answer to the question, `If it doesn't kill you, does it make you stronger'?
Bogner uses the same deft strokes to paint the canvas of his settings and the minor characters evolving in the background. Whether we want to or not we painlessly and relentlessly learn about the town of Aix-en-Provence, a good French restaurant, food, wine, and the friends, acquaintances, and parents of Michel, the French Judicial system, and, most surprising and different, how a killer operates and what makes him tick within the clock of the mystery. As one reads larger, more encompassing, questions surface. How is a man's behavior affected by his origin? How can a rich young girl-woman be captivated by a killer? The latter, of course, is the `Manson' question. If you want to know how the author answers these, read the book
After an intervening book, `Honor Thy Wife', a `mainstream' novel, Norman Bogner has returned with another compelling mystery, `The Deadliest Art.' The author, not content with leaving Michel and Jennifer in literary limbo, brings them back in an even more intricate plot. While it is nice to have read the previous book, it is not at all necessary for Bogner, with wide reach and skill, reintroduces you with great detail. And a whole new set of questions is asked while the `mystery' evolves. A young girl's body washes ashore near Aix-en-Provence. Her back is disfigured. Why? Thus, the mystery is triggered. Danton takes charge of the investigation and the backgrounds change, ranging from the back alleys of San Antonio, Texas, to Bruges in Belgium, the ever present Provence in France and, finally, to Venice, California. Again we relentlessly but painlessly learn about art, food, places and people, French and American cultures and, amazingly, tattoos. While the mystery unfolds and the murders pile up so do the larger questions. Bogner attacks the question of why, especially in America, are we so intent on being someone else, where is the benefit in illusion, what is art, and where are we going. Along with this the author has created a killer and his accomplices so diabolical and sociopathic and tied and knotted them to art in such a clever way that future villains may be defined as Bogner-esque in scope. When the book finally and fittingly ends, it ends with exploding revelation in Venice, California. Today, standing on the Venice Boardwalk in front of the Small World Bookstore, both of which front the frequently polluted Pacific Ocean, one can watch the unending parade of current American Culture before you in all its glory. One can only smile and nod one's head at the author's choice of a concluding locale. And one realizes that `The Deadliest Art' has presented us with a slice of American culture presented as a reflection of ourselves. Whether we want to or not. If one has read `From Dawn To Decadence' by Jacques Barzun, that giant tome, or Morris Berman's, `The Twilight Of American Culture', or watched 95% of recent American movies or television, one cannot help but see the undercurrents in `The Deadliest Art.' The author has succeeded again in giving us not only a compelling mystery but a compelling novel. More important, he has asked tough questions. If you read one book, you'll want to read the other.

This is my first Michel Danton mystery novel, and I will definitely be reading the first book in this series, "To Die In Provence" and be keeping an eye out for future Michel Danton mystery novels. Hard edged and gripping, this kind of mystery novel is not my usual fare, however I was quickly won over and found it quite difficult to put this book down. The identity of the murderer and his cohorts is known from the very beginning, so that this mystery novel is not so much about the authour engaging the reader to play armchair detective; rather "The Deadliest Art" is more of a psychological study about the workings of a deranged mind, and of the sway that this mind has over those that come into contact with it.

Michel Danton is busy preparing for his upcoming marriage to Jennifer Bowen, keeping his quarrelsome chef-parents in check, getting to know his about-to-be mother-in-law, and regretfully contemplating his resignation as commander of the Special Circumstances Section of the Police Judiciare (he had promised Jennifer that he's give up his very dangerous job for something a little more sedate), when a body of a young girl washes up on one of the beautiful Provence beaches. A check with missing persons reveals that the body is that of 13 year old Caroline Davis, an American who had been on holiday with her parents in Bruges, and who the Belgian police believe was kidnapped by unknown American woman. A preliminary autopsy reveals that the girl had been sexually assaulted, and that her body had been disfigured by some kind of acid wash. To Michel, it becomes obvious that the girl had been specially selected for whatever horror she had been put through. With little to go on, Michel and his team begin sifting through every little piece of information that they can get at, hoping for a breakthrough, when they receive news that there been two more kidnapping attempts. But the women involved in each kidnapping seems to be a different one. Is there a whole bevy of crazed women on the loose kidnapping young girls? Michel would like to be able to concentrate on his upcoming wedding, but finds his attention continuously being taken up by this strange murder-kidnapping case. Will he be able to catch the mind behind this criminal spree before another girl turns up dead?

"The Deadliest Art" has two plot-lines that work quite independently of each other until they intersect in the last few chapters, and Norman Bogner does a wonderful job of juxtaposing each plot line without missing beat. One plot line deals with the police investigation and Michel's upcoming marriage ceremony. The other plot line deals with the murderer's life, motivation, the murderer's losing grip of reality, and the spell that the murderer casts on all those around. Eventhough the murderer's identity is revealed within the first few chapters, I'll not go into too much depth about this particular plot line, because it was this plot line that was gripping and held my interest. I do wish however that Norman Bogner had spent a little more time on the police investigation of this kidnapping-murder than he had done. Uncovering the sad, bizarre and shocking history of the murderer lent a touch of horror to this mystery novel that was engrossing, but I would have enjoyed it a lot more if he had concentrated more on the police investigation that he did on Miche Danton's private life.

Nitpicking aside, "The Deadliest Art" is an engrossing read, and worth all it's rave reviews.

I cannot say enough about Dorothy Dunnett's Series, THEY LYMOND CHRONICLES AND this one from the series THE HOUSE OF NOCCLO. All the books are great reads and I truly loved this one. I am on THE UNICORN HUNT, now and am enjoying it just as much. I will keep reading until I have finished all her books and then find some other good authors. These are filled with terrific characters that just grab you as well as lots of information from history that I am drinking in.

niccolo continues to learn how to use his power, and how to mittigate its impact, as he searches for meaning and love and fun

On this, the third chapter in the Niccolo series, we fin Nicholas has been "kidnapped" by the 'presumptuous' King of Cyprus who is actually trying to recover his kingdom from his sister.

Nicholas is able to help the king and at the same time obtain franchises in his dye works and sugar fields. He meets with Katelina, the mother of his only child, only to lose her once more after they reconcile. Finally, once the island is secure to King Zacco, Nicholas is allowed to return to Venice, where he faces once more his rival family, the de St Pol and Riberac.

In this chapter of the story the author makes great use of description in her scenes and they are so vivid! the characters, the settings everything is so masterfully blended with reality and fiction.

I loved this book and I have already started the fourth chapter. Good!

Ah, the frustrating pleasure of reading a Dorothy Dunnett novel :-) Her writing is dense, her plots are complex, and her characters (especially the male ones, which IMO are infinitely easier to like than the female ones) are nothing short of psychological studies. Often, while reading this book, I felt like I was way in over my head. And yet, I kept going, and the reward of Dunnett's writing, and her story, are well worth the effort, in my view.

In this third part of the eight-part Niccolo series, Nicholas is kidnapped and taken to Cyprus to fight with King James for control of the island, against his legitimate half-sister Carlotta. We meet the engaging courtesan Primaflora, who becomes Nicholas's mistress. We also see some old friends, such as Tobias the physician and Captain Astorre and the faithful Loppe. We meet Nicholas's cousin Diniz, and are reacquainted with the vengeful Katelina van Borselen.

But the vortex, as always, is the dynamic, ingenius, amazing Nicholas vander Poele. In this chapter of the story, we see how Nicholas deals with the stress of so many demands. We see how he deals with the love of two women whom he does not love in return, and the guilt associated with that. We follow him as he tries to play two sides (and sometimes more) of a dangerous game, all so that he can come out the winner. Nicholas is difficult to understand, but fascinating to read about. And in Race of Scorpions, Dunnett ensures that readers will not fail to follow him into his next adventure.

This is the third book in the House of Niccolo series. We join Nicholas as he is trying to move to a new stage of his life after the tumultuous events of Trebizond. Alas, Nicholas and his skills are too well known and he is being courted by many while still being hunted by his enemies.

During this particular journey, Nicholas becomes involved in the battle for Cyprus between the Lusignan 'Scorpions' Carlotta and James. At the same time, Nicholas becomes involved in all manner of affairs and events and also discovers some truths along the way.

Highly recommended. Lady Dunnett brings the history of this period alive while at the same time continuing to develop an enigmatic hero whose skills and abilities (and possibly an occasional flaw) are magnificently showcased.

Jennifer Cameron-Smith

My Father (a WWII veteran) and I made an extraordinary trip with Cavanagh through the Ardennes in 2005 and we both have re-lived our trip with the aid of this book many times since then.

No one knows the Ardennes battlefields like Will Cavanagh ... No one. "A Tour of the Bulge Battlefield" makes that very evident.

If you have any interest at all in the Battle of the Bulge, I would highly recommend allowing Will Cavanagh to guide you, either in person or by way of this book.

I was a battlefield tour guide in Europe for over three years. One of our most popular tours was the Ardennes Offensive aka "The Battle of the Bulge". Since we only had a day, we would drive up from Luxembourg City, paralleling the 3rd Army's relief route, and tour the Bastogne perimeter. If I had this book, I would've recommended this to my customers who wished to visit other sites of the battle. "A Tour of the Bulge Battlefield" is designed for the tourist who wishes to tour the battlefield(s) for himself/herself. Well researched and written, one could almost use this book as a secondary source in itself. The six chapters cover the entire battle, from the north around Stavelot, to the south in the Ettlebruch/Diekirch area. Each chapter is in itself an excellent capsulation of the battle and movements, both German and American. However, this is not a guidebook in the traditional sense, there is nothing about lodging, and very little regarding food, and other questions most tourists have. Also, what few maps there are inadequate, surprising considering this book is designed for auto-touring.

If you get several maps, the excellent Michelin series comes to mind, plus a traditional guidebook, and some `net research regarding transport, renting a car in Belgium/Luxembourg/Germany, this book would make for an outstanding historical vacation.

In 1985, I journeyed from Aachen to Namur, Liege, Dinant, and Libramont on the way to Bastogne. I made the journey without a guide book and so spent considerable time just wandering around Bastogne and sort of stumbling upon things in that area. What a boon it would have been to have had Cavanagh's outstanding book for reference.

This little gem is full of outstanding text and some really great photographs not found in other books on the subject. This book deftly combines period photos with contemporary ones to bring the reader in. Appropriate and detailed unit maps accompany the text and make this book a bit more than just a tour book.

In fact, this book is really one of the better overall texts on the Battle of the Bulge. It is truly one of those books that you enjoy poring over again and again, as you learn something new each time.

Really, can't sing it's praises enough. Sure wish I had had it back in '85.

I recently followed the trail of the well-known 'Kampfgruppe Peiper', with the help of this amply illustrated guide, from the then frontline in December 1944 at the German border to La Gleize/Stoumont in the Belgian Ardennes, about 60 kilometers from its point of departure. With the help of this guide it turned out to be a fascinating experience. The reader gets a very good picture, by surveying the terrain and reading this text, of the heavy fighting which took place in this area in this fateful period that took its toll on civilians and military alike. This guide provides not only an excellent description of the route Peiper and his men took but also contains much interesting background information. It also provides descriptions of the routes taken by the main German formations in other sectors of the front during their failed push to the west. A plus of the book is definitely that it pays lots of attention to the German perspective on what happened. This aspect is often neglected in other English language literature on the subject, e.g. in the Toland volume on the Battle of the Bulge. A minor point of criticism on this book in my view concerns the maps. The book contains maps, but as the author himself says in the introduction, the reader needs the relevant Michelin maps of the area as well to complete this otherwise very useful battlefield guide.

This is a must read for anyone interested in the history of the Battle of The Bulge. Will Cavanagh's latest book is a fascinating account of the battle. Take a ride in the Tiger Tanks of Kampfgruppe Pieper, feel the enthusiasm as they go on the counter offensive. Stand with the exhausted Americans, feel their terror and dread as they defend against the onslaught. All this is accomplished through numerous first hand accounts, told by the participants. The book is complete with many maps and numerous photographs of the participants. Most of the photos are from the authors personal collection.

I have traveled with Will Cavanagh and listened to his lectures. No one knows this history better.

I consider this to be one of the best pieces of writing from a Flemish author (not Dutch, as Amazon clames, for that is something completely diffrent) between the two World Wars that hit Europe. I do think that only if you appreciate the dry, understated wit of British humor would you be able to make the leap to this reluctant and dry comedy in a class of it's own about a man who just goes with what comes his way, even though it is against his better instincts.

I agree with the other posts. This is a truly delightful book. I picked up a copy when I was in Amsterdam, and laughed through my plane ride home. The satire has broad implications and is as fresh today as when it was written.

Great book, a fast read and it will make you laugh!
It might be a good idea to send some copies to the Enron executives.

Willem Elsschot was the pseudonym of Alfons De Ridder, who is widely considered a giant in Flemish literature. All of his works are very concise and "Cheese" is no different.

Within a mere 126 pages, Elsschot humorously recounts the tale of Frans Laarmans, an ordinary clerk, who tries his hand vainly at the cheese business. Laarmans is a clerk with General Marine and Shipbuilding Company and is quite content to plod along until a friend prods him to delve into the cheese business. What follows is a wonderfully wry and funny look at business. Larmaans is quite unsure about what to do when ten thousand wheels of the red-rinded Edam cheeses arrive at his doorstep. He knows he has to sell them all, but would rather first set up his office with a proper desk and typewriter. In the end, his business collapses predictably, but Laarman's failure saddens the reader. One feels for the shy clerk right from the beginning to the end.

Elsschot had a wonderful gift for telling a story in just a few pages and "Cheese" is a wonderful example of it. I was tempted to read more by the author but sadly found out that most of the rest of his work is out of print. Special thanks then to Granta Books for republishing this one.

Other pluses for the book are the bright red jacket, the price, and the crisp writing style. I finished the book in one sitting at the beach.

"Cheese" is just as delectable as the full-cream Edams featured in it. Dig in!

I cannot remember the last time a book made me laugh out loud. In public. The self-deprecating flavor of the humor in this chronicle of an inept businessman is somewhere between Jerome K. Jerome and Jacques Tati. Highly recommended escapist, absurdist fun. Also for lovers of all things Belgian: Harry Pearson's comic travelogue "A Tall Man in a Low Land," which brings the 1933 Belgium of "Cheese" into the present.

I have used this book as a reference work as part of the research into a presentation I was giving on "The Role of the Glider in WW II". The book is well written and covers the descripotion of the Fort itself and its defences, as well as the context of the disposition of the Belgian defenders and the German airborne tactical assault, and besides being well written, provides a large amount of historical material. In addition to these values, it is an excellent read for anyone interested in the details of WW II, that is better than fiction.

This book is interesting to students of military history and does not fulfil the novel reader. It does certainly show how the once wonderful defensive building fell victim to the fresh thoughts of its attackers.

The author does a fine job covering the Eben Emael and its design and the German operation that took it. Some other books in this series, like American World War II defenses, the Maginot Line, and the Western Front in World War I do not do just as good a job because their topics cover a greater subject. The book is well illustrated and the commentary is excellent.

This book was a pleasant surprise. The German assault on Eben Emael tends to be covered very briefly in general histories of the Second World War, because it was over in a flash, and was quickly followed by even more dramatic events. On the other hand, it is not exactly forgotten, because it was very novel. Even though the wrong side won, it was still an impressive feat of cleverness. The Germans realised that the fort would be a difficult target for their tanks and infantry, so they landed gliders on the roof. It shouldn't have worked, because the fort had plenty of weapons that could beat off gliders and close-range attacks, but it did work, because it was carried out with skill and daring.

This book does a super job of describing the battle, in such a way that it would be entertaining even if you didn't care about the topic. I have flicked through Osprey books that have made major battles seem dull, and it's ironic that this book makes such a small action seem intensely epic. I imagine the German paratroopers must have felt they were participating in the most incredible Boy's Own adventure, and afterwards I bet they walked tall, and got free drinks in pubs, or bierkellers, or any place in Germany in 1939 that sold drinks.

The book starts off by covering the strategic reasons for the fort, which had been under construction since the 19th Century. The fort was was supposed to be a kind of self-sufficient underground town, a contemporary nuclear submarine, except that it was a static nuclear submarine that could not attack. The book covers the political situation leading up to the Second World War, and the German preparations for the attack. It explains why the Germans didn't simply go past the fort. The glider assault plan was complex, and might not have worked if Eben Emael had been running at peak efficiency, staffed with crack troops led by top officers, but the book makes clear that the fort was going through a bad patch. The officers in charge come across particularly poorly. The book is so finely-detailed that the individual Belgian casualties are named, and I hope the men who led them so poorly feel humble.

The assault took only a few minutes, and the book does a lot of cross-cutting, but it still makes sense. In theory the fort could have peppered the German gliders with anti-aircraft machineguns, and blasted the German paratroopers with canister rounds shot from its howitzers, but it was embroiled in administrative chaos. The Germans had their fair share of technical problems - a couple of the gliders fell short, several of the anti-bunker explosives had no effect, the troops attacked dummy bunkers - but overall the Germans made very few mistakes, and successfully improvised solutions to the problems they faced. The Belgians made lots of mistakes, big and small mistakes, institutional mistakes, and they did not deal with them, and they lost.

Overall this is a great read. The assault feels like an action film, a very short action film, one in which the Germans win. The level of detail is sufficient for picky people, and it does a good job of explaining that the victory wasn't a simple matter of flying some planes onto the fort and then jumping out, throwing grenades. By the end you'll find yourself cheering on the brave Germans, and then having to wash yourself to get rid of the nasty guity feeling.

A wrestling coach of old was said to tell his wrestlers that there was no escape-proof lock, hold, or other technique in his sport. The same is true of military operations. Eban Emael was said to be impregnable--I forgot; was it politicians or newspapermen who made that claim? Germany exploited new techniques of war to conquer this Belgian fortress, and the Belgian Army appears to have provided less than adequate means to shore up this keystone of the Belgian defenses.

Most modern armchair generals claim that fortifications are holes in the ground that armies pour men and material into for no gain. Permanent fortifications are universally condemned, and even field fortifications are said to sap the offensive strength and morale of the defending armies. It was for this reason that the World War One French Army instituted the spirit of the assault--and suffered massive losses against German barb wire and German Spandau machine guns in 1914 and 1915. Simon Dustan establishes the rational for putting this hole in the ground in the first part of his book. Attempting to understand World War Two in isolation, without considering the bloodbath of 20 years prior, is to ignore reality. The first pages of Fort Eban Emael lay this out quite well, placing the concrete-lined hole-in-the-ground in context of the political and economic climate in Belgium. Note that Dunstan doesn't explore the alternatives to Fort Eben Emael--this is a book about what was, not what could have been.

Hugh Johnson's illustrations clarify how the fort was laid out. Battle is "organized chaos," with the emphasis on "chaos;" the neat diagram of the glider assault on page 50 clarifies how the Germans took the fort, and the text hints at the confusion among the Belgian defenders. Germany developed several new weapons that were first used in this attack: shaped charge demolitions, gliders capable of carrying the heavy equipment needed for reducing gun positions, glider infantry teams task-organized for this mission, and most importantly, the operation was integrated into the campaign. Simply completing a brilliant mission is not enough when that single mission does nothing else. On pages 42 and 43, Johnson's artwork shows how the Luftwaffe circumvented the Belgian wartime blackout (an air raid precaution) to land the glider troops under cover of darkness, and Dunstan's text explains the coordination so that maximum surprise was achieved by the glider assault and the necessary follow-up actions by the ground forces.

Just because the Germans found a countermeasure didn't invalidate the defensive capabilities of Eben Emael. Could the same number of half-trained troops, WITHOUT Eben Emael's powerful fixed artillery batteries, have withstood a German combined arms assault? Resources include men and material--the aircraft and tanks and field artillery used by the allies in 1940 were inferior to the German equipment, and the leadership and common soldier was less experienced and skilled than the German counterparts. I think Belgium was doomed from the moment that Hitler decided to use that small nation as a highway because Belgium couldn't muster resources enough to fight the entire German war machine, and the nation is small! Modern manuever warfare must have manuever room. Belgium tried to remain neutral--couldn't. It takes only one side to start a war. The only chance that Belgium had to remain uninvaded would have been to invade Germany during September of 1939, while most of the German war machine was mobilized for the Polish Campaign--a political impossibility. Besides, Belgium didn't have the mobile, "offensive army" this operation would have required--even if France and Britain would have had the political will and military might to seize the western parts of Germany.

I enjoyed this book because of the details of the fort's layout and construction. The text covered the German countermeasures to the fort's defensive strengths. Eben Emael's communications failed on May 10, 1940, and so the German Luftwaffe glider troops seemed to have had a cakewalk--but Dunstan's text shows that wasn't the case. The issue was in doubt until motorized pioneers arrived to help "mop up" the defenses. It wasn't an easy victory for the Germans.

This is one of the most authentic and grim accounts of fighting on the Western Front during the Great War. After three years of constant artillery bombardment, the no man's land between the lines had been reduced to an impassable quagmire. Time and time again, British soldiers were ordered to march through this waist deep treacle as German machine guns raked the men crawling through the mud. Advances of a few hundred yards were hailed in propagandistic despatches as great victories. Thousands of lives were squandered in the process of trying to advance through mires. Ninety years after the guns were silenced, farmers continue to find corpses and skeletons of soldiers who were lost in action. The locals refer to this as occurrence as "the harvest of the bones."

Given the gross ineptitude of command leadership of the British Army, it is nothing short of a miracle that the Central Powers did not prevail in the First World War. The American entry into the conflict on behalf of the Allies served to snatch victory from the jaws of defeat. In retirement, Field Marshal Alexander Haig was subject to a tacit blackballing by the British military and political establishment.

A personal aside: my late father was a friend of a gentleman who was related to John McCrae, the poet who wrote "In Flanders Fields." McCrae died on the Western Front.

Mr Wolff has captured the complex details and produced a compelling and interesting account of the bitter fighting in Flanders. This book is one of the very best and ranks beside Middlebrook's classic 'First Day on the Somme'. A must read for any World War One buff.

In these times of compassionate battlefield practices and high tech, the loss of several hundred men would be a great disaster and bring the general under closest scrutiny. It is hard for us to imagine a time when men lived in a sea of mud beneath fortified heights, drowned in shell holes, never saw a tank, and had negligible air support, while the enemy artillery turned over every square inch of ground. The loss of several hundred thousand in one battle was deemed tolerable and was to be encouraged if the general could gain several hundred yards of ground, nor was there any hope of it ever ending. If you read this book, you will understand the ideology, art and literature of the entire 20th century much better.

In Flanders Fields is the most readable World War One book I have yet come across; infinitely more so than Ian Ousby's Road to Verdun which, although starting promisingly soon gets bogged down in academic pontificating. The Road to Flanders, as the title suggests deals with the conflagration that took place there in the autumn of 1917 - also known as he Third Battle of Ypres - when the British Army tried once again to break the stalemate on the western front and push the Germans out of Belgium and away from strategic ports.
In Flanders Fields focuses on three key players - British Army Commander-in-Chief, Douglas Haig; his nemesis British Prime Minister David Lloyd George and mud.
The October offensive against the German lines was an unmitigated disaster and many historians have attempted to put the blame squarely on the shoulders of the Field Marshal Haig. This is understandable - Haig pressed ahead with his scheme despite the warnings from generals both French and British and the disapproval of the British government. Bur as you read this book you will see that there were other factors that played their part: internal bickering, vanity, bad weather, indecision, false promises, lax security (the British plans were published in advance the newspapers), and No Man's Land where the mud was so deep soldiers and mules drowned by the dozens.
In Flanders Fields is really well written - as well as depicting the whole event clearly, Wolff actually manages to bring the whole event to life and takes us into the meeting rooms and the pages of secret diaries. Entertaining but not for the easily depressed. I recommend this as a first-class introduction to anyone interested in finding out more about World War 1

I've read this book twice the last time being over ten years ago and its haunting images of slaughter on the battle are still vivid in my mind. Although I had read All Is Quiet On The Western Front previously, I was not prepared for what I read here- the senselessness of the killing was unimaginable. How in the world could General Haig (the British commander) and Field Marshall Foch (the French commander) send hundreds of thousands of men to their death? If my memory serves me correctly, up to 20,000 allied soldiers died in one month alone.

This is a highly readable history of the battle, one that will captivate your interest and keep you reading until the end. Simply put, this book is hard to put down. Time after time, you ask yourself, how could they keep up this senseless slaughter, asking yourself what compelled these men to obey orders that meant certain death for no gain whatsoever? Certainly the First World War was one of the most senseless and unless wars ever fought, laying the groundwork for even the more destructive Second World War.

When the United States entered the war, it was to General Pershing's credit that he refused to dole out American troops under the command of Haig and Foch. Pershing knew that they too would be used for cannon fodder under European command. Since the Civil War, Americans have been reluctant to give their sons over to such slaughter.

This is a gripping book. Well written and hard to put down, it will take you back to a time and a war now almost forgotten.

Don't walk, run. Go buy the first of this series, and then the second, and then the third. But read them slowly, not only for the richness of the content, but because you will only get one chance to read them for the first time. The entire "House of Niccolo"series is unique and priceless and should be read by anyone who loves historical novels. .

In this sequel, we see our hero, Claes or Nicholas, thrown into the complex situation in the middle east. Will the Sultan take over Trebizond where he has been sent as consul for Florence? If anyone can find succes in such a venture, Nicholas is the person, and he does. He succeeds not only in his trading, he saves his people from the Turks and also his step-daughter, Catherine.

Once again, the author has written a masterpiece. We are thrown from Florence to the middle east with all its complexities, but all the time we are rooting for our hero and he makes us proud!

And to think I still have more books to enjoy! I can't wait...

This is the second book in the House of Niccolo series, and sees our hero Nicholas journeying to the fabled city of Trebizond, the last outpost of the Byzantium empire.

Nicholas has become an influential trader and has the backing of the Medici. The Charetty company is becoming increasingly powerful, and Nicholas sees opportunities for trading with the East. As we travel with him we are treated to a first class ride through Renaissance trade, politics, espionage and intrigue.

The affairs of Nicholas are never straightforward and as he continues to grow more powerful he attracts more enemies. This is both a wonderful adventure story and a beautifully drawn fiction in an historical setting.

'Let all stand still, for the master of the house has come'

Highly recommended to those who love intricately plotted historical fiction and especially to those with an interest in this period of history.

Jennifer Cameron-Smith

That was my reaction after reading this superb sequel to Niccolo Rising. Dunnett's blend of intricate plotting and historical depth is amazing. Here she concentrates on the little known period immediately after the conquest of Constantinople, when the Byzantine empire struggled to survive in a corner of the Black Sea. Their allies are possible more dangerous than their enemies, making a perfect setting for Niccolo's games. This past spring we were able to visit Trabzond as part of a 5 week trip to Turkey, and while the modern town is rather dreary, Dunnett's descriptions of past glories were still fresh in my mind. I'm finishing book 5 now, Unicorn Hunt, and she continues to capture the essence of each country that Niccolo explores. Her descriptions of Cairo can serve as a guide for modern travelers.

Reading this book is like taking a magic carpet to a mystical place. Ms. Dunnett has the knack of taking her readers to whatever era and place in the world she chooses. In this book our Niccolo has matured somewhat but he still has some hard lessons to learn about how lonely it is to be a leader. He also has to learn that a true leader leads without his employees or friends knowing that that is what he's doing. In fact, these books of Niccolo could be used for demonstrating leadership. I'm surprised that no corporate videos have been made from them. This is a good book even though Niccolo fails to fascinate as much as Lymond does, but I don't think there ever can be another Lymond. I don't find the characters as likeable in this series for one, and Catherine is certainly no Philippa (at least not yet), but there is high adventure, intrigue and enough court gossip to keep anyone interested in the politics of the 15 century.

Sophisticated and moving debut novel, free of the clumsy missteps commonly found in the work of young authors. Or seasoned authors, for that matter. Krista's a skillful wordsmith, a gifted poet, and either a meticulous editor or a prodigy. She's also a lovely and gracious hostess and dedicated patron of the arts. Stain may well be the most enjoyable and comfortable bar in New York City.

This book was tremendously wonderful. I absorbed it completely from the time I picked it up. I thought it was so intriguing I could hardly put it down. The writing style was magnificent - I haven't read anything that had visual interest in addition, read this book and you will see what I mean. The book flips between two main characters which I loved, it's like 2 parallel universes! Krista Madsen really thought outside the box here - great read!

Madsen's first-person narrative is more than intense, it is intrepid, a sometimes harsh account of longing/love and how that obsession can spur creative instincts.

The novel also doubles neatly as a mini-travel narrative, expanding beyond the cliche story of a young American abroad and a coming-of-age tale. The subjects are complex: art, love, sex and the mix of European culture with young American ennui.

I read this novel in one night, devouring the prose. Recommend anyone to do the same.

highly recommend this gem to anyone that loves good fiction, can appreciate lyrical language reminiscent of Flaubert (fine chocolate!) and the obsession one carries for their art. It's the story of two ex-pats in Belgium, Adina and Zachary. Adina, in want of fodder for her fiction, heads to Belgium for a year to work as an au pair for a chain-smoking, disillusioned mother, a perpetually drunk father and a child that is wise beyond his years. A chance encounter with a painter, Zachary (who is lead to Belgium by a wealthy cousin who patrons him with a gallery and a premiere exhibition), in a bus in Prague sparks their obsession for one another. A white-haired Adina (her hair mysteriously falls out in the beginning of the novel and grows back white, the absence of color) and a man that can only paint when she is evoked, fall in love with one another or how each other affects their art. Soon, Adina is writing furiously, feverishly. Stories about the body and the mind and their mutual exclusivity and their intricate ties to each other. Zachary murals Adina, his only vision is her. Throughout, Krista is fierce in her philosophy and her prose is never precious, but smart and precise. Each chapter shifts point of view between the two characters and the flow is organic and satisfying. A highly recommended read with an unexpected and climatic ending.

Krista Madsen has a provocative voice on paper. Her work's a pleasure to read. Great debut book.

Don't read this book when you are hungry. the food descriptions will make you drool. I used this guide when friends from London came over for the weekend. Mouth-watering restaurant reviews and spot-on opinions and advice about Paris. Useful, good value and sometimes very funny. The book also has full sets of city maps and subway guides, and give very clear directions with every listing. I reckon it would be a great read on the train or the plane as well.

Having spent a busy weekend sightseeing, shopping and eating in Lille thanks to this amusing and shrewd guidebook, I have no hesitation in recommending it to anyone else travelling in France and Belgium. The book had all the information we needed for using public transport, getting to know the locals and seeing the sights without ever making us feel like hicks or gawping visitors. We will be in Paris this Easter and have already chosen our hotels and at least two restaurants from the same book. Does this guy write about anywhere else? If he knows other cities like he knows this one, I want to read about it.

Laughter and good food make an excellent combination. This book is full of annecdotes and gossipy tips and snippets, yet it also is as mouthwatering as a recipe book. The author reviews restaurants without resorting to fashionable cosmopolitan cliches. Your mouth waters as he remembers succulent sauces and naughty desserts, you smile as he gossips about the waiters and restaurant owners, you want to linger on the salivating detail of every favourote dish and each evocative evening spent in cellars and dining rooms. Yet, when he talks of history, you are as enchanted by the true human nature of kings and artists that he conveys. I love his casual and very individual approach to sightseeing. He can give equal status to a shop selling haute couture for dogs as an art gallery or monument, and he seems to know where all the good stuff is hidden away from the coach trade. I have queued for hours at the Louvre and Musee d'Orsay in Paris, yet this guy knows of a private house with dozens of Monets on view. And best of all he knows where to find the best meals in town without breaking the bank. This book is hot on the practical side of travelling as well. Following his tips, I found out how to travel first class on Eurostar for less than the price of a second class ticket. My only complaint is that this is not part of a series. I travel all over France and Europe and would love to listen to this author's advice on the rest of the country and the continent.

Just returned from road testing this book in Paris and found it to be absoutely spot on. We found ourself visiting bars and cafes and even museums that we must have passed a dozen times before, and discoverting a genuinely local welcome in the big city. The hotel listings are fabulous, the food reports astute and the insiders' perspective is invaluable. I lent my copy to a fellow passenegr on the TGV train home, who told me that the Lille pages were just as accurate. All I have to do now, is plan my next trip at my leisure. Buy this book. You will save the over price on your first day's eating, shopping or partying.
I must have a dozen guide books to France, but this is, without doubt, the most candid and passionate. I never felt as thougb I was being prushed or processed through the tourist traps.

I laughed out loud
It is a long time since I have enjoyed a travel book so much that I laughed out loud. However, I have found myself smiling and chuckling on the metro each day since I picked up this hugely enjoyable read. The author provides us with plenty of invaluable tips on where to go and how to get there, with hundreds of restaurant and site reviews. But the great thing about this book is that everything has been tried and tested by one man, and he is a man with a top sense of humour and a fund of hilarious annecdotes about his fellow diners and visitors. I have worked in Paris for many years and I recognise so many of my favourite places in his stories and listings. Yet this fellow Englishman seems to know of many absolute treasures that have been hidden under my nose for years. I cannot wait to try more of them. I might even treat myself to a visit to Brussels, on the strength of his suggestions. An enjoyable read and a genuine key to any city.

This is a great map of the city on water resistance paper. Will be with us while spending time in Venice. Have marked on it the location of items we wish to visit. We also have the Rome Rough Guide Map that we are taking on our trip.

The book filled in and added some supplemental information. The book was not used as much as planned as sufficient information was also available via the internet and the local residents.

I spent six days in Venice in April of 2006. After using the
excellent Rough Guide map of Barcelona, I purchase Rough Guide
maps when ever they are published for my destination. What I love
about these maps is that they are complete, accurate and very
tough. You can carry them around in your pocket, bend them and
sweat on them and they still remain as usable as ever.

You cannot get lost in Venice in the sense that you don't know
how to get back to somewhere familiar because there is always
a waterbus stop nearby that you can take to some place you know.
But the twisty pedestrian streets can be very confusing, ending
in canals, so it can be difficult to get from place to place
or to find a place you want to go to. For this you want the
Rough Guide map. I walked all over Venice, including some off
the beaten track areas where I saw very few tourists.

In summary: for Venice my advice is get a wasterbus pass for the
days you are in Venice and get the Rough Guide map. Oh, and
unless you like crowds and higher costs, don't stay in San Marco.

This was a great map! If you want to go anywhere in Venice other than the Rialto bridge or St. mark's square, you will need a map. I put this map through hell, folding it every which way and even dropping it in a rain puddle - oops :) the map stood up to my abuse perfectly and was great for getting us around. we didn't have to find the TI to get a map, and i liked it way better than the nice map our hotel gave us. I highly recommend this map and will use others when we travel!

I can't even count how many times we used it on our trip to Venice, because Venice is one of those cities that once you go off the main streets, you will get lost without a map.

I love that it's rip-proof and water-proof, because I've used other maps and hate when they get worn from folding and un-folding. And since we'll be going to Berlin soon, I ordered the Rough Guide Berlin Map.

It had every street in Venice on it, which when you're navigating your way back to a main street or canal it totally helpful.