North America Books

I purchased this cookbook so I could cook something for a Native American presentation in my sociology college course. This book is great because it has lots of pictures and info about where the recipe came from or something else interesting about it. I haven't cooked anything from it yet, but I look foward to using the recipes for everyday cooking in adition to my presentation.

This is a "must have" cookbook if you'd like to prepare authentic Native American food. The ingredients are easy to find in any well stocked grocery store, and the recipes are not difficult. No "weird" ethnic foods here- just good meals made with what's available. The historical background for the foods of different tribes is an interesting read. The photographs and drawings are absolutely beautiful- those alone are good reasons to purchase this book!

i loved the book it gives you many different ideas to make things out of the ordinary

The photography is unbelievable and the recipes work! The book gives us a palatable way to enjoy the true native american way of cooking. I would highly reccomend this book to everyone that loves to experience the enjoyment of cooking new recepies and the even greater enjoyment of eating what they have re-created. A great book for all ages and ethnic backrounds. Good food and lots of it!

Great recipes...I orignally bought a copy of this book in 1994 and have tried virtually every recipe in the book. I subsequently purchased a copy in 2006 as a gift for a family member. I asked my family to consider a new tradition in 2006; replacing the standard Christmas dinner with a "Native Harvest" the outcome was brilliant. Consequently my entire family agreed to embrace this concept and pass it along to the children. We found inspiration in the recipes from this truly amazing cook book and an opportunity to honor our ancesters and Native American culture as a whole.

This tome covers corn "ear" to toe. I love the sassy tone and contrarian viewpoints.

I must admit, I am actually a beet person (well, root vegetables generally) and bought this book to get ammo to goof on my corn enthusiast friends. But how the worm has turned! Corn and human history are inextricably linked, a bonding of nurture and social evolution. This book lays down the facts.

I guess in retrospect my "hubris" about beets was misguided and wrong. I now think the lesson I learned, whether it pertains to vegetables, politics, music or whatever, is that YOU SHOULD NEVER UNDERESTIMATE DIFFERENT OPINIONS. It's too easy to do, and is an easy way to miss out on fundamental truths.

In that sense, this book transcends it's core audience of corn folk (cornies?) and teaches a much deeper lesson if you are not really interested in corn - that well disciplined research into unfamiliar topics can instruct and delight the receptive reader.

Read it, enjoy and reflect.

Food historian Betty Fussell's survey of corn history blends folklore, anthropology, botany and social and art history to provide a lively blend of anecdotes and facts about world corn, from its influence on war and ritual uses in the Inca and Aztec worlds to its use as a key ingredient in different cultures' cuisines. The Story Of Corn isn't a cookbook; it's a specialized food history which will appeal across many different lines, from students of anthropology and sociology to culinary enthusiasts and history buffs.

Everything you want to know about corn is found in this book. And I mean everything. We see corn growing in fields everyday but do we actually stop and think about it? Do we pull over to the side of the road and LOOK at it? It's amazing how corn has been around longer than anyone will know. This book covers an overwhelming amount of detail. If you don't find it interesting you're just not a corn person. In fact, the only thing it doesn't answer is why I threw up over a bad cob one time. I don't throw up.

I love corn. Whether it's cobbed, creamed, breaded, or popped. This book is non-stop corn!

My mom borrowed two of the Olga da Polga books for me from the library when I was a little nine-year-old girl with her very first pet, not surprisingly, a guinea pig. I instantly fell in love with the bragging Olga, who loves to tell tall tales and considers herself quite a celebrity. If only her animal friends would agree with her! We searched in vain to find any purchasable copies in the series for many years. Words can't explain how much I enjoyed these books as a little girl . . . and still do!

I'm so pleased that the books are back in print (there are several titles, but it's best to read them in order). If you have never read these books, you're in for a treat, whether you're young or old. For those not familiar with Olga da Polga's inventor, Michael Bond also wrote the Paddington Bear novels. His love of animals is evident in both series, as is his wit.

This is the story of a guinea pig named Olga, told from her perspective. From it you learn what a guinea pig likes. How they want their beds to be made, their fur combed, how to pick them up and all of the other aspects of the day-to-day care of a guinea pig. She is also a bit of a scamp, escaping, starting incredible rumors among the animals, and sometimes being pompous and self-centered. In many ways she is a typical pet.
A combination of being an engaging tale about a lovable small pet and her thoughts on her treatment, this is a book that will help teach young children how to care for small pets. The gentleness that is required and to understand that they are creatures with feelings that need to be considered. I recommend this book for the child approximately nine years old.

This book is a charming story about a sassy, clever, adventurous guinea pig with a style all her own. Bond is imaginative, insightful and succintly well written. Olga is self possesed, somewhat mischievous and weaves a web of characters around her into a colorful tapestry of her own creation. I'm sure by the end you'll agree that her ventures end all too soon.

Olga da Polga was read to me at bedtime by my parents when I was about five. 25+ years later, I still remember Olga's antics and stories. As a child, I even went so far as to name my guinea pig "Olga da Polga". A super book for youngsters!

Olga da Polga is a wonderful book from the creator of Paddington the Bear. It begins at the pet shop where Olga dreams of the world outside, and moves to her "house on legs" in the Sawdust family's garden. Along the way we meet the family she belongs to, her friends from their garden, and are entertained by both the tales about Olga, and the ones she creates for her friends. It's a low-key but charming book for those who love animals, and find humor in the little things they do. Children who favor the WWF,Yugio and Power Rangers will probably find the stories a bit tame, but my seven-year old son enjoyed the series of Olga books as much as I did when I was his age.

I have loved this book for years. Hugh Nibley was not only a brilliant man, a great scholar, and a dedicated teacher; he also had the gift of being able to cut past all the endless intellectual distractions to focus on what is important. When I first read this book, frankly, I was blown away. There was so much richness about the temple that I did not know. However, more than all that are the essays and talks on what the implications of all this are for the way should live our life here with regard to what comes hereafter.

A temple is the House of the Lord and God uses it to teach, enrich, and endow the lives of his children. Brother Nibley is right that the temple is a scale model of the universe. It shows not only our place and purpose, but sets us on the correct path through teaching, covenants, and ordinances. Temples make eternity understandable and unite all ages of time in one eternal present with our Father. In this book we not only see what was restored with the Church through revelation, the author also shows us echoes (not sources) of the true teachings in ancient and pagan temples and ceremonies.

There are a wide range of essays on various aspects of the theme of the temple and the cosmos (the everything). In one of them, Brother Nibley even talks about science fiction and the gospel! It is full of interesting illustrations.

Hugh Nibley enriched my own appreciation of the temple through the essays and talks collected in this wonderful book. If you are interested in what he had to say on this important gospel topic, I recommend it to you. The author makes so many great points of so many details that are easy to miss that you will never be able to look at the temple the same way again. And opening your vision to seeing the world anew is what a great teacher does.

I'm no scholar, but I foind this book to be very readable and extremely stimulating. Nibley's thought is astounding. While a couple of his statements on science are now a tad dated, the thought itself is as sound as ever. The coverage of the essays in this volume is astounding--you name it. Nibley's thought is very helpful to all who wish to supplement faith with intellect

Nibley's work on Temples, ancient and modern, are incredible. Many of the articles in this book were previously unpublished works. Others are from firesides and addresses at BYU and other places. All are generally aimed towards the LDS audience.

Scholars have, in the last 10 years, expanded on many of Nibley's proposed ideas. Scholars, LDS and non-LDS, have found similar conclusions as Nibley has proposed and have expanded on them (as one example on Nibley's "One Eternal Round" see Mircea Eliade "The Myth of the Eternal Return" (Princeton: Princeton University Press, 1954) for more on "parallelism" see John M. Lundquist's "The Temple: Meetingplace of Heaven and Earth" and it's respective bibliography). Many students of temples of the ancient world would find few qualms with the conclusions expressed by Hugh Nibley as they relate to the temple.

This book is mostly directed toward the LDS audience. Despite this it may be informative to the beginning non-LDS student of the temple (especially as seen by the LDS mind). Other books may be suggested but many of the conlcusions would be the same.

This book is amazing. Nibley's grasp of the subject matter is truly astounding. While it is true that Nibley is a mormon apologist, this work is not skewed like many of his other works. This is his best effort. Whether you are mormon or not this book brings up a lot of intersting similarities with almost every ancient religion and their temple type. Zoroastrian fire temples being the most notable exception. a pure joy to read.

Nibley does not go into depth concerning mormon temple ceremonies but many of the things he discuss will still be easily understood by the non-mormon reader. In addition, a large portion of the book is devoted to the actual structure of the temple as a microcosm of the universe. Also of note is his discusion of sacred vestments through the ages.

Often the scholarly become so involved in proving their thesis that they lose sight of where they are going. In other words they can't see the forest for the trees! Such is the case with Nibley's Temple and Cosmos. Although very informative and well documented, in his zeal to justify the existence of Mormon temples by showing many amazing similarities to temples and temple rituals of the past, he fails to notice that nearly all of his examples are from pagan cultures. Nibley proves well that the origin of Mormon temples is paganism. While the Mormon Church claims its origins stem from ancient Hebrew culture, any real evidence supporting such a claim is conspicuously absent from Nibley's book. ...Go figure!

The Ten Grandmothers, required reading for a course in anthropology, inspired a lifelong interest in and appreciation of Plains Indian culture. It is romantic without romanticism, sentimental without bathos, realistic and uplifting.

I stumbled on this book years ago, and I joyfully re-read it each year. It is a wonderful, engrossing look at a long-ago time, beautifully captured through the words of Spear Woman, Hunting Horse, and their families and friends.

Although not a novel, it sure reads like one!

My favorite parts? The chapter where Spear Girl and Hunting Horse elope, the poignant journey of Apiatan and the piece where the grandmother and granddaughter go to visit the buffalo. Truly a wonderful read!

This should be required reading for anybody interested in Indian culture, lifestyles, history. Heck, for anybody who's a student of human nature.

i loved this book. as did everyone in my family. i borrowed this book from my mom three years ago to check it out and i ended up keeping it and reading it all the time. as a matter-of-fact, i'm currently re-reading it.

for me, this was a great look into the past and at the old ways. it proved to me that the Kiowa are some of the strongest people on the plains. and i am proud to be one.

Having grown up in Kiowa/Comanche country for all my child and adolescent life and having been immersed in the attendant legends, though from a white perspective, I began to research Southern Plains Indian culture much later in life. During my early investigations I came upon Alice Marriott's "The Ten Grandmothers". This was the book I was looking for but didn't know it. Other research had served up books "about" the Kiowas. This was as close to a book "by" the Kiowas as could be expected given that the Kiowas had no written language. Ms. Marriott has done a superb job of not only recording these stories of the old ways, but has let the Kiowa voice come through loud and clear. As you read these stories you feel yourself sitting around the fire in an 1800s Kiowa camp listening to these stories being told first hand.

One of my favorite chapters was about the day the children made a play camp and built a defensive earthen berm and ditch (I believe the Kiowas were about the only plains tribe to employ such a defensive tactic). Later that night White Bear began blowing his "liberated" cavalry bugle as he led the victorious raiding party back to camp. The women in the camp, awakened and thinking they were under attack by the cavalry, began tearing down the camp as the men mounted and rode out to meet the enemy and cover the escape of the women and children. Not knowing about the children's ditch, both incoming and outgoing parties of mounted warriors careened into this obstacle in the darkness. Those within earshot of the melee were in a panic thinking their worst fears were being visited upon them. The next day, a rule was announced by White Bear that, while play camps are good, children were not to make play camps with ditches; only the men could make ditches.

We owe Ms. Marriott a huge debt of gratitude for preserving these treasures that might otherwise have been lost.

This is an absolutely superb book. It's the story of the Kiowa people, a native American tribe of the southwestern plains & Wichita Mountains, told from the point of view of individual Kiowas. The "Ten Grandmothers" are sacred bundles with special powers which are important to the spiritualism of the Kiowa.

The stories in this book are marvelously crafted, and full of life and sensation, and they spread new light on old ways. The chapters feel mythological, yet they help the reader to understand the shared culture behind the daily life of the Kiowa people.

This book was first published in 1945, when there yet remained some very old people who remembered the old-time buffalo days. Historically, the book reads very true. The events of each chapter are fixed within historical times-lines which appear in the back of the book.

The author, a woman, has gifted us with wonderful portrayals of the life experience of female Native Americans. So often, women's roles and labors go unmentioned in other accounts of the old days. Alice Marriot wrote an account of the Kiowa that includes the experiences and interactions of people of both genders.

Notable chapters include one in which a young woman of seventeen - about to be forced by her relatives to marry a man she doesn't care for - runs off during the annual Sun Dance with a young man her own age. The exacting ritual of the Sun Dance is interspersed with the tribulations of this personal love story.

Later, when their first baby is small, Spear Woman struggles unsuccessfully to fulfill all her home-making responsilibities. Her unhappiness leads to conflict between the couple, until eventually, he realizes that she has too much work to do and needs female help and companionship. Such a moving story, for people of any era.

And the author brings us forward in time with the Kiowa tribe, from nomadic life into settled agriculture. And, by knowing what has gone before, the reader can perceive how their shared cultural history and mythology has colored and formed the Kiowa response to this sweeping change in lifestyle.

I can't recommend this stunning book highly enough. What a good read. Definitely a remarkable book for those interested in Native American culture. Do read it if you are interested in the old ways of the plains tribes. An excellent book.

This is a must have for anyone interested in learning more about the traditions and cultures of Native Americans. Thoroughly researched, well written, beautiful color photos, respectful.

This book is very well researched, and it makes one want to spend time traveling and learning more about Native American culture.

This book is worthwhile for readers new to Arizona as well as for those who may already live there.

I lived in Arizona for 28 years and traveled to many of the sites in the book, yet I still discovered a lot of new things reading it. I particularly enjoyed the sidebar stories about people, places and events that presented anecdotes and little-known facts about Indian Arizona.

In fact, in reading the book, I actually became a little nostalgic for many of the prehistoric sites I personally visited and explored over the years. This includes a moving experience that I had while visiting the Heard Museum In Phoenix.

One final note, the writing style is very clear and easy to read.

When you launch your own discovery of Arizona's Indian cultures..., I suggest you begin by reading a comprehensive new book, "Traveling Indian Arizona," by Anne O'Brien... Anne is an experienced hand in the Southwest, working with museums in Denver, Flagstaff, and Phoenix. She has assembled something much more than an instructive travel book; this is a small encyclopedia of the many native peoples that continue their customs, and their arts and crafts, in Arizona. The many color photographs and the essays by elders and by anthropologists provide an additional dimension. --Richard Sims, PhD, Director, Sharlot Hall Museum, Prescott, AZ

This is a very well written guide for anyone traveling through the Southwest. The author provides excellent historical information as well as suggestions for routes, places to stay and nearby places of interest. On a recent trip to Canyon de Chelly, we used the book to plan our route, stops along the way, and as a reference for the history of the area. The author obviously feels strong ties to the native people of the Southwest..

"Unearthing Gotham" is the story of historical archaeology in the city of New York. Historical archaelogy is the archaeological study of eras that might also have written documentation - so what can digging around in old privies tell us that the paper trail does not?

Cantwell and Wall prove the answer is "an almost infinite amount." From a painstaking analysis of shards of pottery found in various privies, for example, we learn how the world changes for women when New York became too big to walk (they no longer lived above the shop, so to speak). In landfill in lower Manhattan, the charred ghost of a ship that sunk in the harbor in the 17th-century tells us something about trade back then. Most touchingly, the discovery and excavation of the old African Burial Grounds tells us something about the lives of the enslaved (did you know that over 20% of the residents of colonial Manhattan were enslaved? I didn't; I learned it from this book).

The book is extremely well-designed, liberally illustrated with photos of digs, but also old maps and engravings. If you have lived or walked New York, it will inspire you to look at the city in a new way - the ground you tred on still bears the marks of centuries past.

By the way, the authors have also brought out a book of walking tours based on their discoveries - next time I'm in town I'm tucking it under my arm and having a good look around at the vestiges of the 17th-19th centuries presented here.

New York, like no other city in the world, is a city of spectacular heights and many books have been written about the buildings that rise to the skies. How many people, however, think about what lies beneath the vast weight of edifices and human life that exists above the ground? In this compelling and instructive book, Anne-Marie Cantwell and Diana diZerega Wall have a given us a lesson not only about the artifacts and remains that have lain dormant for centuries but also in the history that surrounds their burial and ultimate exposure.

In a time-line fashion (11,000 years before present to today) the authors reconstruct a picture of what life might have been like during these times. Lest one think the unearthings are limited to Manhattan, they are not. All five boroughs are represented. There were moments during the reading of this book that I wanted the authors to spend more time recounting the actual excavations to which they refer, but in the end their historical perspective is the link that saves the day. Without it, their offerings would be no more than a field trip.

My future trips around the city will be made with a new awareness as I ask myself, "I wonder what lies beneath....". It is a question we all can ask.

This is the very best book one could have if he is interested in the early history of New York City and the area immediately surrounding it. The coverage of Native Americans is especially strong, fascinating from beginning to end. The authors know their subject thoroughly, write beautifully, and have given us an exciting, scholarly work that will be a classic for some time to come.

This book was good but I must admit it was extremely repetitive and very over written. Facts that could've taken 1 sentence to reveal took pages. More like a long essay then a book. But still very good.

As a long-time student of and writer about old New York, this book held so many surprises for me that I felt like a college freshman again. For so many years I had read about the Native Americans who occupied this city, but the illustrations, maps and photos that accompany this complex narrative give it new, more vivid life for me. The experiences of the Dutch, African-Americans and British that followed are given a face, so to speak, by the detailed, but lively, narration. The graphics, especially of the extreme southern tip of Manhattan, are generous, clear, and highly educational for newcomers to and veterans of this history. (By the way, as a Brooklynite, I want to kiss the authors for covering all five boroughs, and not just focusing on Manhattan, as do most histories of NYC.) This is a book that can be enjoyed on so many levels. It is a great introduction to a relatively--and undeservedly--obscure subject.

As the author/editor of Unnatural Phenomena, I apologize for the immodest five stars. Unfortunately, Amazon won't accept a submission without a rating, and what the hell, I am fond of the book. It is among my own favorites of the ones I have written. This is not being written, however, to praise my own efforts but to correct some serious misinformation in T. Christopher Smith's review.

First of all, the book is not self-published. As Smith could easily have determined, ABC-CLIO is a successful, highly regarded publisher of reference books for libraries and the academic market. I am somewhere between stunned and perplexed by this sentence: "But remember, [Clark] is the one setting the price tag, not the retailer." Where in the world could Smith have gotten this impression? The retailer had everything to do with setting the price, and the author precisely nothing. Then Smith follows a baseless claim with a malicious charge, based apparently in mind reading with faulty reception, that "money now seems to be [the author's] only motivation." What did I do to deserve this?

As Smith would have learned with even the most minimal research, reference books are very expensive. I wish they weren't, but I have no say in the matter. If I had had some say in the matter, I would have liked Unnatural Phenomena to be a trade paperback, selling in the $15-17 range, so that just about everybody who wanted to read it could afford it.

I'm glad that you liked the book, Mr. Smith, but next time you feel the compulsion to throw around nasty charges, you would be better advised to make sure you know what you're talking about.

This is a wonderful reference book full of material that will inform much future research.

Such books are made for libraries, most often, and have high prices due to the time it takes to comply them, their length, the amount of time to edit and produce them, and more. A criticism of the price from someone that borrowed one from a friend seems immature to the extreme and should be removed from consideration as a valid critique.

Buy it if you have the money. But please, don't whine if you don't.

Clark and ABC-CLIO have rendered a priceless service to Fortean readers and researchers alike with this collection of 645 entries spanning the years from 1729 to 1935. The vast majority are verbatim quotations of newspaper stories commonly cited only in footnotes by other authors (or with excerpts taken out of context, frequently misquoted). Every library should own a copy of this book, and no serious researcher or would-be writer on Fortean subjects will begrudge its cost.

North America has seen some of the strangest natural phenomena in the world: some accounts yet to be proven and possibly fantasy; others well researched, documented science. UNNATURAL PHENOMENA: A GUIDE TO THE BIZARRE WONDERS OF NORTH AMERICA is a compendium of the former of these eyewitness accounts, gathering findings and events from the last 200 years that keep defying rational explanations, from strange lights and sky battles to sea monsters and huge flying starfish ghosts. Each documented sighting includes a description and a dated source reference. This could've been reviewed under 'New Age' but many a science student will find it fascinating, and not to be missed.

Not really organized like a traditional book this is really a collection of newspaper and magazine articles from the early 1800's through the mid-1900's. The original articles are repeated verbatim complete with comments, misspellings, and colloquial word usage. I found this to be one of the endearing qualities of the book. The author takes a very broad look at unnatural phenomena and includes everything from strange things falling from the sky, to strange apparitions, animals, visions, and just about anything else you can think of that has been reported over the last two hundred years. While it is interesting reading it is not a book that I would suggest if you are looking to do a serious study of strange phenomena. On the other hand, if you are just looking for some light reading and a collection of incidents as reported by the media you will probably find this an entertaining read. The articles are all arranged by state instead of by type of phenomena so it is easy to look through your state and see what has been reported over the years. Unnatural Phenomena: A Guide to the Bizarre Wonders of North America is a recommended read for anyone interested in this subject or light enough reading for the merely curious.

There aren't too many books written about African American marriage. It's unfortunate because information is the key that opens many doors. Yet we are left with limitations placed on the information we have about marriage. Our ancestors and parents were so busy avoiding the often painful task of analyzing the past of failed relationships. We were left ignorant to the tools of what works. We need to discuss what doesn't work in order to understand what actually works.

Donna L. Franklin has begun to open the doors to communication in this secretive area for us. Thank you, Donna. We need to move forward. Let's talk about our African American relationships. The youth are learning by the failed examples they witness. Let's leave them with more than that.

[....]

This books hit the nail on the head. Not only do we as black people have to constantly fight for our respect, but we also fight each other. I think this should be a book that is read in every book club. The only way black men and women are going to solve our problems is to discuss them and communicate. The only thing I didn't like about this book is all the numbers. I think the author over did it with the statistics. After a while I started skipping whole paragraphs. Other than that this is a must read.

Donna Franklin's new book, What's Love Got To Do With It, is a passionate,unequivocal indictment of racism and white supremecy in American society. Impeccable scholarship becomes a tool for her laser-like examination of what has gone wrong with black male/female relationships, and no stone is left unturned. No-one is let off the hook. Not white males. Not white females. Not black males or black females.

A crime has been committed. Who is guilty of this crime? Who must pay? Who must be held accountable? For the destruction of black male/female relationships? The destruction of the black family? The destruction and denigration of African culture and consciousness? The insanity of homocide, suicide and fratricide in the black community? Slavery is Donna Franklin's answer. Miss Anne and Uncle Charlie out back, in the cabin, in the bushes, in yo bed room, in de school room, in yo mind.

Insanity passing for sanity. Black man walkin' down the street mumblin' to himself, holdin' himself like he gotta piss. Black woman standing on the street corner with a blond wig on her head charging two dollars. Apein' mr charlie. Apein' miss anne! Playing in the dark, writin' blues for mister charlie, wearing black skin and a white mask, with no name in the street!! Because - Nobody knows my name!!! Not even me! What's yo name Boy??

Franz Fanon said it best: "The Negro is a slave who has been allowed to assume the attitude of [the] master. The white man is a master who has allowed his slaves to eat at his table." "Relationships between black men and women in America are in crisis," says Donna Franklin. "The current divorce rate for blacks is four times the 1960 level and double that of the general population." "Interracial marriages have risen from a reported 51,000 in l960 to 311,000 in l997." "The rates of violence between black men and women are higher than those of other races." ". . .Seventy-two percent of the African American husbands reported using a confrontational style of dealing with marital conflict. . ." "Forty-four percent of married black men admit to having been unfaithful to their wives, almost double the percentage for whites." Sixty percent of young black males between the ages of 18 and 24 are caught up in the criminal justice system.

In the end Donna calls for healing. But healing in this instance must be spiritual as well as social. The cancer has spead too far. The community is too sick for surgery or psychotherapy. To heal the rift between black men and women will take time. But time alone won't do the job, as Donna implies. We must understand the history and place today's black male/female relationships within the context of that history. This book goes a long way toward helping us to understand -- to understand that history and context. Holding up a mirror to American society, Donna Franklin reveals strange fruit hanging from the poplar tree. No matter how painful, America, you must have the courage to read this book!!!!

I doubt that I would even consider another relationship, unless I knew that we were both conscious of the information provided by Donna L. Franklin's book.

It contains well written and informative validation to theories and facts that serve to answer the largely ignored phenomenon of why it has been so difficult for too many black couples to enter into and remain in stable relationships.

Even the therapy sessions I once attended, in an attempt to save my family eluded this dynamic. The therapist was seemingly unaware or otherwise unable to implement this information in addressing the unique circumstances associated with black couples...

As a matter of fact, I realize later, and as a black woman herself, she was probably struggling with many of these dynamics in her own relationships...

The answer begins with awareness!!!

This book should be standard required reading for all African Americans and Americans in general need to be aware of this information also. It's just part of the healing process for the whole country.

There is no more time to ignore the combined effects of racism and genderism.

I apologize to no one for being strong, but I sure am sick of being strong all of the time, especially while being resented and disrespected for it in the home...that I bought....

Thank You Donna!

This book provides a much needed historical analysis of the emergence of the current tensions found between black men and women. I have always been interested in africian-american history and this book is one of the best history books I've ever read. It is supebly written and carefully documented. The author even provides hope by asking the reader a series of questions that can help him/her determine (if answered honestly) whether they are part of the problem or part of the solution. This book is both informative and thought provoking and I highly recommend it to anyone interested in the black family or gender relations in the african-american community.

It's a beautiful book but I would have liked to see all of his work and not just a small part of it. The book could have showed more of his earlier work, like "The Family Tree" and a few other that were very successful paintins and sold out as print. I had to buy the book "Song of Creation" to see 15 of the paintings that were missing in that book.

For the fan of Carl Brenders, this book is a must although it is not complete. I hope he will eventualy publish a book with full reference to his work and in larger size. I don't mind if it would cost 100$ or more.

Carl Brenders is one of the most amazing artists in existence when it comes to realistic animal paintings. His work is so fine and detailed that it would be easy to mistake one of his pieces for a photograph. Being a fan of realism, I can't help but love his exquisite paintings. This book contains over fifty beautiful pieces, depicting a wide array of North American wildlife, including bears, deer, foxes, raccoons, wolves, cougars, squirrels, many species of bird, and more. Each painting is accompanied by its title, dimensions, media information, and year of completion, as well as a few paragraphs explaining the inspiration for that particular piece (written by Brenders himself). With some he has included preliminary sketches, all of which are fine drawings in and of themselves. The margins are large and there is plenty of "white space" (but not too much) so that the pages look balanced and uncluttered. At the end there is a short biography of the artist, discussing his childhood in Belgium, how he came to love animals and nature, his schooling in art, his career as an artist, and a little about his technique. This book would be a terrific coffee-table item or gift idea for any lover of wildlife art.

If you love wildlife art that shows every hair, whisker or feather of a wild creature and every blade of grass, leaf or branch in the "background", Carl Brenders is your man. His work is technically brilliant and acutely observed, resulting in paintings that are more real than reality.

This man can draw! There are a few pencil sketches included in the book. They are a little looser than his impeccable paintings and they appeal to me more than the paintings.

So much art is a matter of taste - I am awe struck by the patience Brenders must possess in order to produce these images, but I personally prefer a more spontaneous approach. I subscribe to James McNeill Whistler's view: "To say of a picture, as is often said in its praise, that it shows great and earnest labour, is to say that it is incomplete and unfit for view." Brenders manages to achieve a fusion of "great and earnest labour" (he must take months to do each painting!) and creative excellence. That's the only reason why I give a four- and not five-star rating! It's just a little TOO slick for my taste.

The layout of this book is clean and fresh, allowing his detailed paintings lots of white space. Accompanying the paintings is a brief commentary from the artist. This text reinforces the artist's absolute love of his subject.

Carl Brenders is a fantastic artist. I had his calendar hanging in my office and people thought his drawings were photographs. This is an excellent book of his works.

I love the works of Carl Brenders and Robert Bateman, and this volume is not a disappointment. Brenders paints with a realism that doesn't look like wildlife photographs; his works look better than photographs. If anyone can improve on the depiction of nature's beauty, it is Brenders.