North America Books

[Backcover Review]: "PEOPLE OF LEGEND by acclaimed photojournalist and author John Annerino is a stunning and evocative portrait of Native America and the mystical landscapes they call home. "This largely photographic essay...offers a rare glimpse of coming of age ceremonies and feasts, and vivid re-enactments of ancient dances."-San Francisco Chronicle. "Contemporary Native American culture is revealed by a photojournalist who spent over 20 years exploring the Southwest...a stunning visual display of modern tribes and people: a blend of cultural history and art book."-Reviewers Bookwatch. "Annerino's work is outstanding." -Arizona Daily Star. "PEOPLE OF LEGEND tells a history, in words and pictures, that we all need to know." -American Photo Magazine. "Extraordinary."-Sandia Review." [Backcover Bio]: "Praised by Newsweek as one of the finest photographers of the West, John Annerino has worked in the frontier of Old Mexico and the American West for two decades. The Washington Post has lauded his "reverant and ravishing photographs," The Denver Post described his work as "fabulous," Publishers Weekly calls it "stunning." Represented by Gamma-Liaison, Annerino's credits include Time, Life, Newsweek, and Scientific American, among many prestigious publications worldwide. The author of nine books, Annerino's works include the critically acclaimed 1999 border saga DEAD IN THEIR TRACKS and his new photo/art book on American cowboys and cowgirls, ROUGHSTOCK: THE TOUGHEST EVENTS IN RODEO."

[Backcover Review]: "PEOPLE OF LEGEND by acclaimed photojournalist and author John Annerino is a stunning and evocative portrait of Native America and the mystical landscapes they call home. "This largely photographic essay...offers a rare glimpse of coming of age ceremonies and feasts, and vivid re-enactments of ancient dances."-San Francisco Chronicle. "Contemporary Native American culture is revealed by a photojournalist who spent over 20 years exploring the Southwest...a stunning visual display of modern tribes and people: a blend of cultural history and art book."-Reviewers Bookwatch. "Annerino's work is outstanding." -Arizona Daily Star. "PEOPLE OF LEGEND tells a history, in words and pictures, that we all need to know." -American Photo Magazine. "Extraordinary."-Sandia Review." [Backcover Bio]: "Praised by Newsweek as one of the finest photographers of the West, John Annerino has worked in the frontier of Old Mexico and the American West for two decades. The Washington Post has lauded his "reverant and ravishing photographs," The Denver Post described his work as "fabulous," Publishers Weekly calls it "stunning." Represented by Gamma-Liaison, Annerino's credits include Time, Life, Newsweek, and Scientific American, among many prestigious publications worldwide. The author of nine books, Annerino's works include the critically acclaimed 1999 border saga DEAD IN THEIR TRACKS and his new photo/art book on American cowboys and cowgirls, ROUGHSTOCK: THE TOUGHEST EVENTS IN RODEO."

Acclaimed author and photojournalist John Annerino is known for his high-risk journeys through the frontiers of Mexico and the American Southwest, seeking stories untold and photos unseen. For the past two decades, with his pen and his camera, he has told the stories of indigenous people -- their struggles and triumphs, their political strife and quiet dignity. His chronicles about the Tarahumara [WHERE SPIRITS STILL DANCE, in press] and Inde [APACHE: The Sacred Path to Womanhood, Marlowe & Co.], and his journeys across the desert with Mexican citizens looking for work in the United States [DEAD IN THEIR TRACKS: Crossing America's Desert Borderlands, Four Walls Eight Windows], can be found in several books as well as in frequent articles. Annerino share[s] his journeys and experiences, reflecting on how indigenous cultures have retained their traditions while dealing with outside influences. -Heard Museum

PEOPLE OF LEGEND. Annerino's book examines Indians' ties to land...A dozen figures raise crooked sticks toward the twilight sky. In the shot, Annerino manages to bring an almost monumental quality to the circle of students at San Simon High School, on the western edge of the Tohono O'odham reservation, as they play the ancient stickball game. At first glance, it appears to be some ancient ceremony. In a way it is. "I wanted to show the spirituality of the game of toka for the Tohono O'odham," Annerino said. -Daily Star

I am a Norwegian journalist/photographer and I have just by chance discovered the impressive book PEOPLE OF LEGEND. Superb photographs -- all of them rich of dreams and poesi. I myself have always dreamed of visiting Arizona and especially the sacred mountains of my childhood heroes, the Western Apache -- and today centuries later -- I share a universal sadness for what happened to the indigenous people. For me their care and understanding of the nature/environment has been an important inspiration in my participation to preserve rivers and mountains in my homeland Norway. At this moment we are trying to save the last river system in south of Norway -- producing super 35 movie -- a documentary -- and hopefully a photoexebition next summer. There are a lot of people around who care for mother earth and this book is a valuable contribution.

I remember some of the media coverage about Camille but Bechtel takes the reader inside the storm for a thrilling, if harrowing, ride. I confess I was ignorant of the damage in Virginia and I certainly did not put Woodstock and Camille together before reading this book. For disaster junkies like me, this is a MUST for your top shelf. For anyone interested in those reacting to a disaster, this book introduces you to some unforgettable people. And, for anyone living on the Gulf Coast, it should be required reading. Every week.

review posted in the American Geographical Society newsletter, "Ubique":

The past as prologue: The story of Hurricane Camille, which until recently defined the apex of tropical energy and fearsomeness, as told by Stefan Bechtel in ROAR OF THE HEAVENS.
During the summer of 1969, nature opened her Pandora's box and released Camille. She perhaps took her first steps as a tropical wave of energy out of the Ethiopian Highlands, made a lazy parabolic arc through the southern Atlantic, then hit the cauldron of warm sea air in the Caribbean.
Bechtel follows nimbly on her heels and issues moment-by-moment reports. He provides a skilful, basic understanding of hurricane science -- readers walk away with a firm grasp of orographic effects, the nature of the tropopause and the fluid mechanics of storm surges -- as well as a "disaster culture" that spurs people to take the storm head on, a culture of cataclysmic ignorance.
What drives that point home is the vivid reconstruction of what it was like to be in the storm, fashioned out of interviews with a few principle actors and dozens of bit players. The storm made landfall to the east of New Orleans with winds that at times approached 200 mph and carrying a storm surge three stories in height. Survivors talk of darkness and howling, being raked by flying glass, having their clothes stripped off. Entire communities were obliterated, while farther to the north, the Woodstock Music Festival was being pelted by rain from all the atmospheric disturbance.
Bechtel relates how then the storm started to disintegrate as it moved up the Mississippi Valley, falling off the radar, only to gather itself once more, dropping biblical rains -- perhaps thirty inches in a nightlong deluge -- on a confined area in Virginia's Blue Ridge Mountains. Once again, Bechtel's storytelling power takes on a terrifying clarity. Scores would die as towns were scoured clean away, the rain so heavy it was nearly impossible to simply breathe. A mountainside sloughed off, writes Bechtel, leaving the eerie "smell of deep time."
Camille was a meterological event of the first order. So is Bechtel's recreation.

Being from Nelson County and having lived in Nelson County during the fate of Camille in 1969 - this is a GREAT BOOK!!! My, how it bought back the memories of that time in a 'story' fashion, I couldn't put it down and I was there during Camille. I wish there had been more pictures that others reading this book could truly understand how devastated our county was and why the good folks from Nelson would cringe at the site of a continuous rain fall for a couple of days and schools would close for years to come. However the author did an excellent job in describing just how bad it was without pictures. We still talk about that time and 'where we were', and remember the families and friends that were lost to 'A LADY CALLED CAMILLE' because there was no warning or opportunity to get to higher grounds.
Thank you Stefan Bechtel helping others to understand what a hurricane can do to a town, community and people for years to come.

I was on my way to a Poetry Festival on a Friday, and
I started reading Roar of the Heavens Thursday night.
Instead of getting rested for the Festival, I was up
until 1:30 am, When I arrived, and pitched my tent, and
got to the Festival grounds, I immediately sat down and
started reading the book. Instead of strolling the village,
breaking into a discussion on Craft with a Poet, I sat
down and kept reading. Friday night was freezing cold,
and I kept reading. In the cold, I kept thinking about
the fascinating dynamics of the structure of a Hurricane,
and Warren Raines freezing as he clung to tree branches.
On Saturday, during a readings break, I climbed into my
car, and finished the book. Finally, I could stop thinking
about what happened to Mary Anne, Buzz, etc, and etc, and
starting absorbing some POETRY. Saturday night it was
raining, and I was terrified driving to the campground,
and hearing the rain on the roof of my tent, and it was
pouring Sunday morning, and I wondered if having been
isolated from Weather forecasts, something was coming of
which I was unaware. And thought of the unidentified bodies
perhaps hiking the trails as Camille roared through.
What a riveting read, and the adrenaline is still pumping!
The scientific explanation of the mechanics of a Hurricane
were so clearly described, and fascinating. And the interweaving
of what was happening in the country and world, with
the life and death dramas of those trying to survive
Camille really put things in time and place that connects
the reader intimately to the events. And the families and people
were so real; their pain and suffering, and the incredible
devastation. I know I was thinking about going to college
that summer, at that's all I remember. I remember going
to Mardi Gras in 1972 and seeing the steps going to no where
on the Coast, Biloxi. And I used to drive Rt. 29 going to
Conn. from N.C. in the seventies. Congratulations on writing
such an intense and absorbing, and well researched book.

The afterward and epilogue of this book resonate very closely with observations made by author Jill Fredston in her book "Snowstruck." Humanity seems to have an enormous capacity to forget disaster and to overestimate it's ability to tame nature. News media covering natural disasters regularly describe them as "unprecedented," a patently inaccurate description which has more to do with our collective memory than with reality.

Stefan Bechtel has done good research and assembled a wealth of first hand narratives and scientific explanation. I appreciated the reflections in his aftermath, epilogue and afterword.

In fact, my only criticism of the book is that it becomes rather repetitive at times, grasping for new superlatives and heaping disaster upon disaster and sorrow upon sorrow. Interspersing more analysis between some of the narrative accounts would have suited my reading tastes better, but that takes nothing away from the fact that this is well done book about a truly horrific natural disaster that most Americans probably have no knowledge of.

This story is about a mouse who wants to go to a far off land. While he is traveling , he is named jumping mouse, he gets better legs to jump with, he stays with an old mouse,he gives a buffalo his sight,and he gives a fox his smell. Jumping Mouse gets to the far off land and is named Eagle by Magic Frog.Jumping Mouse then turns into an eagle.
I loved this book!

This lovely Caldecott honoree related the Native American legend of a mouse that morphed into an eagle by magic, determination, and force of character. A mouse listens to tales told by older mice that include visions of a far off land. He determines to visit the far off land even though he doesn't know much about traveling and is sure to encounter dangers. Shortly after setting out he meets the Magic Frog, who kindly transports him across the river. The Magic Frog also confers the gift of jumping legs on the mouse, which will serve him well the rest of the journey.

Along the way he meets an Old Mouse, whose pessimistic attitude of ever reaching the far off land is rewarded when the Snake comes along and eats him. "Poor old friend," thought Jumping Mouse. "He lost hope of finding his dream and now his life is over." Subtle this tale is not.

After giving up his sight for a blind bison and his sense of smell to a smell-disabled wolf, Jumping Mouse proves that he is unselfish and worthy of good things. Magic Frog turns up when Jumping Mouse's hope of seeing the far off land is fading. He magically turns Jumping Mouse into an eagle.

The illustrations are more compelling than the story, drawn with charcoal pencil (I am guessing). They are lifelike and vivid, adding charm to the simple tale. The standard animal figures of buffalo, wolf, and eagle seem to turn up in most Native American literature.

This is a great book. THe artwork is worth the Caldacott medal and the story is a good one for all ages. It is about a mouse trying to reach a far land which is supposed to be beautiful and about learning to keep hope and selfishness alive in you and you will be rewarded. It is a great story that people now a days need to consider more often the world would be a better place.

John Steptoe's 40-page illustrated version of The Story of Jumping Mouse is a Native American legend of a Magic Frog who gives his jumping legs to a discouraged young mouse that had recently set out on a quest -- a journey to a far-off land. The frog also tells Jumping Mouse to remember three words -- "never lose hope." Rejuvenated and able to travel much more quickly, Jumping Mouse continues on his journey. On the way he encounters a fat mouse who invites him to stay with him the rest of his life in a safe haven. But Jumping Mouse is determined to continue his quest and later discovers his acquaintance is eaten by a snake. When his journey brings him to a vast prairie Jumping Mouse is surprised to meet a lonely buffalo just standing there. Upon inquiry, he learns that the buffalo is blind, so Jumping Mouse imitates Magic Frog by giving his eyes sight to a blind buffalo and the buffalo leads him across the prairie on his back. At the end of the prairie the buffalo can go no further and Jumping Mouse recalls Magic Frog's words, "never lose hope" and thus journeys animal that identifies himself as a fox that can't smell. Jumping Mouse tries his magic once more and is able to give the fox his nose. The fox, delighted at his cure, accompanies Jumping Mouse through the forest. But as the forest ends at the foot of a mountain and the fox can not go any further, Jumping Mouse goes to sleep in despair in the face of this seemingly hopeless barrier to his goal. Suddenly Magic Frog appears again and tells Jumping Mouse to jump as high as he can and remember his words, "never lose hope." He gathers his courage, leaps as high as he can, and discovers himself soaring over the mountain as Magic Frog below shouts out Jumping Mouse's new name -- "Eagle." This is a wonderful story to teach children about Hope, Determination, Sacrifice, Hardship, and Compassion.

This book tells a Native American story about a small mouse who must endure great hardships in order to reach his dreams. I purchase it over and over to give to children experiencing grief and loss in my work as a school social worker. The ending has a "never give up" message for the reader and the animals (mouse, frog, buffalo, wolf, eagle) are especially meaningful to Indian children. The black and white illustrations are beautiful. Written for elementary aged children, but a book to be cherished by teens and adults, too.

My whole family loves this book. We catch ourselves saying the chant all the time!

My 5 year old son loves everything about this book, the pictures, the rhyme, the information about the fish at the end. It's very unique and educational, and fun at the same time.

We are a nature center that teaches fishing classes. This is a fantastic book. Even though the fish are fun and cartoonish; they have very good features!

I grew up on a lake and love fish- so the BEAUTIFUL illustrations, and cute chant is wonderful. It's creative and fun. I have spent a lot of time reading it to my nephew!I think even if you don't like fish it's still a cute, cute book. Even as an adult I still adore great kids books, and beautiful artwork!

The illustrations are humerous and entertaining! Any fish lover would appreciate this book. My 15-month old daughter even likes it (her dad reads it to her more like a cheer and she thinks that's GREAT!!!) Grandpa will be getting a copy for Father's Day. The variety of fish in here is unlike any other book I've seen (besides my fish identification book from college). If you do not know what all the fish are, there is a section in the back with an informative write-up on each of the fish in the book. I wish that Trip Park would come out with cards and stationary...or another book, maybe a child story book on fish life cycles or natural salmon runs? (I'm hoping he'll read this! Fish people are left hungry for more!!!) It's AWESOME.

Rita's book is the best guide book written to date. We found it very informative and the coupons in the back were wonderful! We used most of them. The maps were extremelty helpful! We copied them and handed them out to all our family members. We have been going to WDW twice a year for seven or eight years, and have purchased many books, this book is outstanding!

After being disappointed by other guidebooks, I finally bought Aero's book and was amazed by the wealth of planning insight. This book is nothing short of empowerment for family vacation planning. For the first time we enjoyed a vacation where we all equally loved the hotel, restaurants, and rides. This book is a vacation saver.

We thought this guide book the best of the bunch - it is well laid out and easy to read with great maps of every area in the 'World'. Best of all, buying it enables you to access Rita's great Website, which is chock full of up-to-the-minute, detailed tips and trip reports as well as updates on attractions and happenings at WDW. A great plus!!

Having been to WDW several times, and always purchasing a guidebook before leaving to get recent updates, I came upon Rita Aeros book, Walt Disney World for Adults by accident. I initially purchased the book for the coupon values and was disappointed when discovering they were no longer valid. I intended to return the book after discovering the expiration of the coupons but decided to check out the website before I did. This was the BEST decision I could have made. Not only did I keep the book and read it thoroughly, but I have discovered a wealth of information on her web site. It is truly the most informative, user friendly web site you could possibly find anywhere. I have already saved hundreds of dollars using the information I have gleaned. This book and its accompanying web site are unsurpassed for value. Rita Aero's book has done a marvelous job in breaking down all the different areas of WDW (hotels, transportation, restaurants, theme parks, etc.). with honest evaluations, in an easy to read and comprehensive style.

This is the book that has it all. Resorts, Restaurants, Parks, Attractions, Night Clubs, Sports, Kids, Family, Groups, Discounts, Charts, Ratings, Reviews, Tips, Tricks, Secrets, etc, etc.

The information in this edition is still fresher and more accurate than any 1999 guidebook, and I should know, I visit WDW at least four times per year. Other guidebooks are just repackaged every year with a new cover.

Note: I found the Animal Kingdom chapter in this edition to be a bit weak, but I found marvelous AK information on the book's website.

This is the only book to have ever included useful coupons, but they expired recently. The book's website has lots of good electronic coupons in the Readers' Clubhouse. The clubhouse has excellent information and wonderful community! I saved $768 last trip. NO other guidebook (and I have them all) can match the quality of Rita Aero's work, and no other major guidebook has a website or a supporting author. This one is a MUST HAVE!

Thanks for the magical vacations, Rita!

What a wonderful book. APACHE is beautiful.

What a beautiful book. It's really stunning. I'm envious. I hope the publisher does as well with it as I think they should.

APACHE is a beautiful, really beautiful book.

APACHE: The Sacred Path to Womanhood is magnificent. It, the photography and writing, deserves an award.

Apache is graphic & well-told as a photo story, which is rare indeed.

Lekson insight on Chaco culture is a brilliant overview based on indigenous pre-history. A history based on indigenous reality rather than a Eurocentric overlay.

I was alerted to Lekson and this book in the course of reading "House of Rain" by Craig Childs, which touched on many different theories concerning the Anasazi in the Southwest. In a way, that tip was the most important piece of information I got from Childs's book. I don't mean to disparage "House of Rain" (I reviewed it and gave it four stars), but THE CHACO MERIDIAN has been a real treat to read.

Other reviews outline Lekson's hypothesis. I certainly do not have the background to evaluate that hypothesis on professional or academic grounds. I understand that much of what Lekson has to say is controversial, maybe even heretical, but if I were to bet, I would place a small sum on Lekson vis-a-vis the academy. THE CHACO MERIDIAN strikes me as thoughtful, sound reasoning (I won't say "sound science", because I don't believe archaeology is pure science; it is equally akin to history). And it is eminently readable. If only other books by acadmics were as readable, I -- and probably many other interested lay readers -- would know a lot more about the "pre-history" of the American Southwest.

The Chaco Meridian is strictly for those already familiar with studies and locations in Southwestern archaeology. The author's theory about a common meridian linking Chaco and Aztec (N.M.) and Casas Grandes (Mexico) is interesting and well-argued, but far-fetched.
The book is cluttered with hundreds of references placed in middle of the text, which make for choppy reading. Many of the references are to Dr. Lekson's own work.
Four Corners archaeology has been studied by many, many scientists for many, many years. The result is a cloud of literature which turns over stone after stone; potsherd after potsherd, attempting to justify the cost of each new study. There is lots of dust, not much pure light.
Dr. Lekson raises more dust, pointing out the coincidence of three major sites on (almost) the same meridian. Hundreds of other sites don't line up with anything. One can connect any two sites with a straight line. Extended far enough, the line will probably strike something else. My hometown is on almost the same meridian as Oklahoma City and Waco. So?
To his credit, Dr. Lekson gently slams the fetish of Chaco astro-archaeology and its limitless imagined alignments of doorways and rocks with certain stars on certain nights. Most of the "alignments" are pure Hohokam. The bend of a creek (we don't have mountains around here) viewed from my attic window lines up perfectly with sunrise on May 17. You have to stand on a chair in just the right spot to make everything line up. Is this a magic place, or what?
I'd like to give Dr. Lekson five stars for this clever work, but it grinds too fine.

Lekson's book the Chaco meridian is an entertaining read for those who are previously aquainted with southwestern puebloan archaeology. The book does well to keep the reader engrossed but as one hits the last few chapters you may wonder where the jokes left and the SAA conference began. It does provide an interesting perspective that could be used for further reasearch in the connection of ancient puebloan sites. Overall a fairly decent text, but simply unacceptable for the neophyte to this field of study.

Lekson, an expert on Southwestern archaeology, presents a provocative thesis about the civilization that produced the great houses in New Mexico's Chaco Canyon. He proposes that Chaco Canyon was one of three successive capitals of a politically integrated region. According to Lekson, a ruling elite emerged at Chaco and perpetuated itself by moving a ceremonial city along Chaco's meridian. Lekson writes in an engaging and often deliberately provocative style. This is as fun as serious archaeology gets, though Lekson sometimes repeats his points. The book is well illustrated with diagrams and black and white photographs.

I read this book after visiting Arcata this summer. While there, I went on a BLM ranger-guided hike into the Headwaters, the "lush, mysterious, ancient, holy" (p. 82) subject of Dunning's book. I wanted to see for myself what all of the protesting was about. Enjoy this book, then experience the Headwaters' redwoods.

Dunning's book is about many things. Trees. Community. Redwood politics. Bearing witness. The destruction of "one of the most magnificent ecosystems on Earth" (p. 3). Saying "enough!" Non-violent civil disobedience. Protecting America the beautiful. It is also about Dunning's personal journey, or "metamorphosis" as she calls it (p. 239), from naturalist to activist. "What is an 'environmentalist'," she reflects, "but simply a citizen who has shed denial, who has opened his or her eyes and said, 'it does matter nature does not have an infinite capacity to heal herself, himself, itself . . . I am responsible'" (p.228).

Dunning's book reads like an insightful journal, in which she sets out to tell it like it is. "This book is not about happiness," she warns her reader on the first page. Rather, it is about "yielding to conscience. It is about a forest, and it is about us" (p. 1). She reveals that the destruction of old-growth forests like the Headwaters isn't someone else's problem, but our own. Dunning reports that in 500 years, we have destroyed more than ninety percent of our country's ancient forests, leaving only 3.5 percent to protect (p. 263). By saving the redwoods, we save ourselves. Dunning writes, "I want nothing more than to dissolve the polarity that plagues this county and this country, to bring us all back to center--the owls and the pussycats, the loggers and the environmentalists, the business community, everyone--to put us all in the same life raft, which is our Earth" (p. 61).

Dunning also reports that redwood civil disobedience is nothing new. We learn, for instance, on November 19, 1929, Laura Perrott Mahan (1867-1937) lay down in the area now known as Founder's Grove in California's Avenue of the Giants to halt redwood logging. Dunning also writes, and her collaborator, Doug Thron's photographs show that clear-cutting "is an act of violence that affects trees, rivers, air, water, earth, and every person, owl, toad, or human who lives there" (p. 88). "Our whole earth is suffering from the cumulative effects of a million minute daily actions" (p. 240).

Although much of Dunning's book is downright depressing, her real message is this: "Find a corner of the world and fix it" (p. 240). Turn your driveway into a garden. "For each of us," Dunning says, "regardless of where we live, there is a valley, a mountain range, a beach, a whale, a peregrine, a gnatcatcher, that if we merely give our time as a witness to the loss, will gradually unite the being of its existence with our own, will ground us by putting us in touch with what is wild and speechless, will empower us when we speak out in defense of the powerless" (pp. 14-15). (Those interested in how each of us can make a difference might also enjoy Thomas Berry's, THE GREAT WORK (2000), which I also recommend as one of my favorite books.)

In addition to Thron's amazing color photographs (note the cover photo), Dunning's book is also illustrated with her own drawings of redwoods (p. 17), salamanders (pp. 25, 174, 179, 260), a banana slug (p. 41), flying squirrels (p. 56), frogs (pp. 67, 187) and an owl (p. 103), among other subjects.

In our world of "Cars. Cars. Cars." (p. 124), Dunning's book triumphs in showing the value of silent, "dark, dripping, ancient" (p. 37) redwood forests, that tell us to "Be still." For its insights, photographs, and drawings, this book about the wonders of tall trees should not be missed.

G. Merritt

I learned so much by reading this book. Joan Dunning has a way of tackling difficult, cumbersome and emotionally charged subject matter and making it easily digestible. It's a compelling read and the photography by Doug Thron is extraordinary.

No book has ever moved me the way this one has, I have tears in my eyes as I write this. I've just read many of the other reviews, and I don't have the way with words that some do, but they tell it like it is. Joan tells it like it is. Books don't get any better, and this one will change your life, like someone said it isn't all about happiness, and I have become informed and aware of too much to not so something about what is being done to our Redwood Forests, and what is being allowed to be done to our envirnment and watersheds. It's a true story, happening right now, this book documents it succinctly with amazing one of a kind pictures. It will open your eyes. Something needs to be done about Charles Hurwitz from Houston, Texas and his company MAXXAM. He is savaging The last of the Virgin Redwood Rainforest in California. I cannot beleive the CDF and the department of Forestry are "letting him get away with it." Not to mention the way he "aquired" the land, which is explained in the book. Please read this book. This book will light a fire in you, and like me you will have to do something. There are several websites listed in the back to point you in the right direction. I beleive this book is THE BEST one on the subject and if you plan on reading only one this should definitely be it. It has the most facts, information, and insight and is so well written, I couldn't say enough. And 57 pages of priceless color pictures! I am buying used copies for people, I would give one to EVERYONE if I could, and I have only said that about 2 books, and I read alot. The book is priceless. Thank You Joan

I had the opportunity to listen to Joan read from this book. It touched my soul, and I have started to give it to some of my friends to read.

This book explains in simple terms the descruction that P.L unloads on our earth. We are all suffering from the greed of hurwitz. When they "take" a tree alongside a stream, the sun hits the water. Then the water becomes silted, and the water heats up. Then the salmon do not come anymore. Then the eagles have nothing to eat, so they leave. With no trees, no air is cleansed, and with bad air we die. Somone else needs to leave.

I love this book. I flip through it frequently. It is not much in terms of a field guide, but it really covers a lot of insects and the pictures are fantastic. I would do, however, prefer to see a bit more information on range/habitat/size, but to include that for each of the insects listed in this book would make the volume too large, and likely prohibitively expensive.

This is an Excellent book. When I picked up the box that it was shipped in out of my mail box I was surprised at the weight of it. I started to ask myself if I had any other books on order that may of been shipped in the same box. This is an excellent book really nice pictures of the insects. The only problem I have is that I like to see bigger descriptions of each bug. I'm in the landscape and lawn care industry and you need to know the habits of each insect/bug that you are dealing with. But I would not drop a star rating because of this. It is a very nice book that it layed out well.

This guide is a bit pricey, and too heavy to serve as a field guide, but it is an excellent research tool for the Master Gardener, Master Naturalist, Entomologist, or anyone with a serious interest in insects.

The descriptions of each insect family and the many color photos of representatives of each family are interesting and memorable. This book gave me a fun overview of most insect families, and has a nice picture key that is much easier to use than conventional keys. I am a novice to insects, but as I learn more and more, I have no doubt that I will continue turning back to this book with its wealth of information and photos. This book is truly an intellectual gem - fun to read, and packed with interesting information. A MUST-HAVE for anyone interested in insects.

Stephen A. Marshall's INSECTS: THEIR NATURAL HISTORY AND DIVERSITY isn't for the general-interest holding so much as the college-level collection catering to entomologists or students of such. Insects of Eastern North America are the focus in a jam-packed colorful reference displaying insects within their order and including notes on their introduction, habitats, coloring and more. It's the professional's solid reference to identification and habits, making it a top basic reference pick for serious science libraries.

Although the author was clearly writing for an audience in their teens, I thoroughly enjoyed this book. It is a quick read for an adult. The text is large and the sentence structure simple. The plot is easy to follow. I would recommend this book to anyone who is interested in the story of Roanoak Island and the mystery of the vanishing villagers who made friends with the Croatoan Indians off the Outer Banks. I would not, however, assume that this author is a historical expert on the subject. Nor would I assume that her perspective is necessarily the only possible explanation for the disappearance of these settlers.

The book is an excellent tale! I recommend it highly!

Ive read all of the books so far except for the last one which i cant wait to read. I can assure myself that it will be great and its better since I know the illustrators daughter in my school and i tell u i couldnt wait to get the fourth one i searched everywhere every library i could go to and when i got it I was amazed once more my frends like them to but this book was stuck in my mind for weeks until i found the fourth one but before then i couldnt get it out of my mind i was just so hooked on the book its like my life depended on the book i definitely think this book deserves a 5 stars i advise all kids to read this book ill definitely look for more of miss Steiners books, they're just the best. if i new when the final one was coming out it would be great(...)

M. L. Stainer is a wonderful writer. The Lyon's Roar tells the story of Jessabel Archarde and her family, who travel to the New World in 1587 and get stranded on Roanoke Island. The characters are believable and there's a lot of action. Everyone should read this book!

Highly palettable presentation of a reasonable explanation for the disappearance of the first colonists in America, on Roanoak Island off Virginia. They were stranded there in 1587 (a year before the Spanish Armada distracted Queen Elizabeth's attention from exploration and colonization of the New World). Related in the first person by 14-year-old Jess, this book reads swiftly, thanks to many short chapters and extensive dialogue. The author includes non-judgmental references to native religion and medicine, while offering a viable alternative to the theory that the entire colony was brutally wiped out by hostile Idians.

But this is no boring history book; rather it is more a coming-of-age tale with some gentle romance. Jess confides her dreams and fears, her doubts and plans, as her family emigrates to the Chesapeake Bay--to found a city called Ralegh. We suffer with her on the ghastly ocean voyage; we observe life in that island colony which has since disappeared into the misty myth of time. Jess shares the gradual dawning of her womanhood--both physical and emotional--as she writes in her diary. This young protagonist is torn between George, her first crush, and the allure of the forbidden "savage"--the son of one of the camp's two native guides.

Being blond was something special even back then, as this daring girl matures from selfish child to compassionate young woman, pursuing her private quest for love, while remaining steadfast in her family loyalty. Excellent for middle school, partiuclarly girls; it will stimulate discussion about the fate of the Roanoak colonists. Well-researched, the LYON Saga will entertain and hold the interest young readers. History made Human!

More people need to learn about this book. It's a really great story, full of adventure, first love and coming of age. The time period is America's early colonial history, with few people realizing the Lost Colony was here long before the Pilgrims. Only they vanished without a trace. As a new teacher, I would recommend this book to all literature and history classes in the middle schools.