Places Books

In UNEARTHING ATLANTIS (1991), Pellegrino, a professional paleontologist, offers his own theories about the legend of Atlantis in an approach designed to appeal to general readers as opposed to academic audiences. He concludes that the Atlantis of Plato and the ancient Egyptian texts that were his sources refers to the Minoan culture of the ancient Mediterranean, a civilization that was disrupted (though not destroyed) following a succession of volcanic events on the island of Thera that occurred about 1628 BC. Pellegrino shines in his attempts to prove this theory, as he places the destruction of Thera within the context of contemporary historical events (such as the Biblical Exodus and the rise and fall of the Minoan culture), modern knowledge of volcanology, modern science's ability to date events from the distant past, and modern underwater archaeology. In addition, he also details efforts by modern archaeologists to rediscover ancient Thera.

Pellegrino's study is interesting and genuinely informative, though there are some major issues that readers need to bear in mind. His narrative is presented out of chronological order (in fact, the text jumps around a lot), while his prose tends to ramble at times (often repeating himself, as other reviewers note) and includes long sections that tend to distract one from his argument (for example, a fifty-page odyssey into prehistoric times that ends at the Big Bang). Also, Pellegrino appears to have been deeply affected by his study of Thera and the Monoan civilization, and he tends to criticize most other periods of human history--the Middle Ages receives particularly harsh criticism.

This is simply the best book I have read about archaeology since Gods, Graves, and Scholars. And it is the first book about the scientists who search for the past (actually written by one of them) that teaches us how to actually think in terms of deep time. Read this book and you will emerge from the "Mediterranean Genesis" chapter never viewing your own town, or anyplace on Earth, quite the same, ever again. The story of Atlantis itself, following the Frost/Marinatos hypothesis about the Minoan catastrophe of 1628 B.C. (a date finally fixed in stone by the Pellegrino synthesis), fitering down through history as the "kernel of truth" behind Plato's cautionary tale, is really the first book ever to approach this unsinkable subject from a purely archaeological and geological perspective, with no particular ax to grind. One learns why not even a small island, much less a continent, could have plunged through the ocean floor without leaving a significant and very easily seen geologic trace. Either Plato's Atlantis was based on an (only marginally) embellished and poorly understood account of history's largest known volcanic explosion (Thera/Santorini), or, according to Pellegrino, Atlantis did not exist at all. And to top all: the whole archaeological adventure is wrapped in some of the most elegant prose I have ever read.

I'm a history buff with a better than average knowledge of the Eastern Mediterranean, but I was astounded by Pellegrino's extraordinary ability to integrate and analyze data from seemingly disparate sources and disciplines. His argument for Thera as Atlantis is totally convincing and captivating - you won't want to put it down. He skillfully recreates the advanced civilization that flourished there and truly moves the reader - this book will haunt you long after you finish it. I loaned my copy to a friend who was going there on vacation - all I got back was a postcard of the excavations! If anyone hears of a pending reprint please let me know.

YES: this book is about the real Atlantis. It really did exist, but not in the literal way that Plato described it, and certainly not in the way that New Age speculation "theorists" want it to.

I really wanted to give this book a perfect five-star rating, as the subject matter is immensely important, and the author's enthusiasm makes this book a truly exciting experience. The long story made short is that "Atlantis" was in reality a small island in the east Mediterranean way back around 1600 BC. Thera was a part of the Minoan Empire, and, being a group of islands between Egypt and Greece, had not only the world's first navy, but aquaducts (long before the famous Roman water systems) and a surprisingly highly-evolved culture. Then one day, the volcano at the center of Thera exploded with as least six times the power of Krakatoa (the 1883 eruption that was heard over 2000 miles away), and within seconds 2/3 of the island was in the stratosphere.

This was all before even the Greeks became the dominant force in the region, and so the sudden disappearance of the Minoans (who dominated trade between Europe and Africa) not surprisingly became various stories passed down through the generations, which is where Plato heard it. Plato's description of an entire continent all the way out in the Atlantic that sunk into the sea turned out to be an embellishment on what was, by then, just a myth. He was essentially trying to make a point about how quickly even the most powerful civilization can crumble, and what he said was passed down through the ages, in one form or another, to us. This is how and why these Art Bell "experts" have hijacked this subject and nailed it onto their "theories" of other subjects that have been blown completely out of proportion, such as the Bermuda Triangle, life on Mars, Bigfoot, etc. Case in point: just because Atlantis was advanced by ancient standards, NO: THEY DID NOT HAVE AIRPLANES OR LASERS. Sorry to burst anyone's bubble, but REAL history isn't "Spear of Destiny" garbage: it's how real people really lived, not whatever garbage you want it to be.

Of course, this book was an emotional one to read: an ancient culture creating such high technology (a millenium ahead of its time), only to be totally annihilated in just seconds. If the downfall of Rome and the unsuing loss of knowledge and the onset of the Dark Ages is considered to be historically tragic, this story is then the most epic catastrophe EVER. The author points out that if they were doing what took another 1000 years for the Romans to figure out (such as running water through pipes), who knows what these people might have managed to do? Maybe we would have been on the moon 2000 years ago. We'll never know.

The downfall of this book that I hinted at earlier is that 90% of everything important is said immediately: none of what I've said here is a "big mystery" that gets unravelled through the course of the book. It's like getting hit from all sides with amazing (and very enthusiastic) information about who the Therans might have been, how the world was at the time, and the excitement that Atlantis did exist after all. As great as all of that is, the book suddenly takes a left turn into endless archaeological stories and theories that simply don't have much of anything to do with the subject. At first, it's the author trying to put Theran history into perspective (he says that people have a hard time comprehending what happened over 2000 years ago, and he's right), but he just starts beating this idea to death. He'll occasionally get back to Thera and the ongoing excavations, and then he'll launch back into a whole list of other things that become more and more distracting. By the last 100 pages of the book, it becomes a chore to get through to the end, in the increasingly dismal hope that he'll say more than just one or two things about Thera itself.

This book isn't written as much badly as just way off target. The author's enthusiasm will make you picture him as a kid playing in a sandbox for the very first time (which is probably how he'd actually describe himself), but unfortunately, he runs out of steam when he runs out of things to really say. On the other hand, this subject is fascinating and important, and I would, of course, still highly recommend this book to anyone wanting to find a huge missing piece of history, or to anyone trying to scrape that layer of filth known as "New Age speculation" off of some really solid history: the real thing is far more interesting than the National Enquirer version.

This book makes me want to catch a plane to Thera and help with the excavation. Lots of history and PLENTY of concrete evidence to turn the hardened cynic into a believer. It's a complete journey through time back to the dinosaurs and more. Like the author stated, the brain is a 3-pound time machine. This book is only 1 pound.

The best book on vegetable cooking I have ever owned, am on to my third copy.All dishes are easy and delicious, her relaxed
approach to food is one we should all embrace.

After having the eggplant torta from this book at a friends house, I immediately went home and ordered the book. I'm working my way through it slowly since I'm not a consistent maker of dinner, but I have used several recipes repeatedly for home and entertaining. The praise has been universal. Having experimented with lots of recipes, it is such a thrill to make something that people rave about and tastes as good as it "sounded." The pasta with fennel (a fresh sauce perfect for summer) is gourmet in quality and my husband raves! The ricotta torta is another delicious treat. You have to have time to slice and dice, of course, but when the results are this good, I don't mind. I highly recommend this book for amateur cooks like myself who will suprise themselves and increase their confidence through the splendid results!

I received this book as a gift from my father because I kept checking it out from the library. This past weekend I used the Risotto with Swiss Chard and Winter Herbs as a stuffing for winter squash and Rapini with Garlic Bread Crumbs as the main course for a fund-raising dinner for 60 at my daughter's high school. The diners absolutely raved about it! The recipes are simple and straightforward and sooooooooooo good. It's one of my favorite cookbooks.

I am a huge fan of Viana La Place, I have several of her books...Verdura is another fantastic addition to the foodie's library. I have prepared a number of the recipes in this book and they have all been winners. Her descriptions are spot on, and her cooking advice is always appreciated. I'm a little annoyed to see people complaining about this not being a "true vegetarian" cookbook. Guess what, folks, it's not supposed to be!

There's some of everything in this cookbook but if you're vegetarian or vegan be prepared to alter the recipes here and there. There's a recipe for chicken broth and another for beef broth and they're used in a bunch of the recipes -not a big deal - I just substitite a nice vegetable broth and all is well. Anchovies are used here and there too. For the vegan - you'll need to do your own substititues where cheeses are called for and there are a few egg recipes.

Anyway, that said, there are lots of great recipes in here. Here's a quick view of the table of contents and a few of my favorites:

- Antipasti (vegetables, fruits, cheeses, marinated vegetables, hot antipasti) - Artichokes Griti Style is really tasty - it has olive oil and parm. cheese; also some really easy recipes for things like raw vegetables with olive oil, marinated eggplant, spicy carrots, etc

- Salads (leafy, little, and salads as main courses) -lots of nice, mostly simple salads. I made the one called Warm Cannellini Bean and Herb Salad and served it at our Christmas dinner alongside raviolis etc and it was a hit

- Grilled bread and sandwiches - haven't tried any of these but they look tasty

- Soups for every season (minnestrone soup with rice was excellent - I did it in the slow cooker - yum! There's also an escarole soup similar to what my grandmother used to make - it was good but not as good as hers :)

- Pasta Sauces (excellent, fresh ideas straight from the garden. pasta with 10 herbs was great. I haven't tried it yet but there's a recipe that uses tomoatoes and avocados that sounds really good. These sauces are pretty much all things you can whip up fast, no cooking for hours on the stove - its focus is fresh and almost raw - really good - and good for you :)

- Rice and Polenta dishes (I haven't tried any of the polenta dishes - had some bad experiences with that so far)

- A sampler of Main Dishes (many interesting recipes here like zucchini stuffed wit mushrooms, gnocchi, ftittatas.)

- Side vegetables (I love side dishes and there are some good ones in here that I've tried and were great. The ones I've tried are: artichokes w. sundried tomatoes, artichokes braised with thyme, broccoli w. garlic and red chili pepper, etc. There are some tasty sounding bean dishes that I haven't tried yet but plan to)

Overall great cookbook - I've tried a sampling of recipes and they've all been good, just need to modify ever so slightly to make them vegetarian.

I'd buy it again!

This book is just gorgeous to look at. The artwork is wonderful. I really enjoy cultural books like this.

What child wouldn't want to learn how to count such exotic creatures as leopards, lions, ostriches, giraffes, hippos, wildebeests, zebras, warthogs, monkeys, and elephants. It is an extra treat that the swahili names are added too.

This is so much better than an ordinary counting book with it's interesting creatures and cultural introduction to Tanzania. A great way to encourage kids to learn about far away places.

We combined this book with Mama Panya's Pancakes and had a wonderful time learning about Africa.

we love this book. after reading it once, i'd learned to count to ten in swahili. now, after a couple more readings, my 2 and 3 year old are counting in swahili, too.

Did not receive the first shipment; notified the seller who promptly sent another copy. It was a softcover edition which was fine, but it appeard to have been folded in half. I probably could have sent it back but by that time so much time had passed and it was needed for a specific project.

This is a favorite for my 2 year old. Counting is represented 3 ways on each page spread - in the text, a visual number in the same location on each page, and by the number of animals on each page. Great picture book for counting, nice text for reading.

The back of the book offers a bit of material that we read over as well - descriptions of the Masai people, and their way of life, a map of Tanzania, and visuals + descriptions for all of the animals.

Our whole family loves this book. My son, now 3, learned to count to ten in English by reading this at bedtime almost every night. We are just now starting to read the Swahili words too. The information, spellings of the Swahili words and their pronounciations, even the names of the children are all accurate (I speak Swahili to moderate fluency). One note... Most Maasai do not even speak Swahili, rather they speak Maa! But that doesn't really matter. We love the book anyway, and the Maasai do live with all of the wildlife depicted on this wonderful safari! I would say this book is appropriate from age 1, as it has a very nice cadence to it that is calming before bedtime and the pictures are very engaging. Don't wait until age 4!

Great book for teaching how people are different but how we are really all the same!

This is a very cute book and is age appropriate for my daughter who is turning 3 next month. She loves to pick out who she looks like, which is typically cookie monster or the honkers. I am glad I purchased.

This book is so sweet and my 3 year old loves it. I love the fact that it teaches that deep down we are the same but at the same time being different is a good thing. How boring would our world be if we were all the same?

This is a wonderful book for all kids. I read it with the children in my life and have them point out which one is their nose, eyes, mouth, skin, etc. and point out that we are all different and the same and isn't it great?!

This book is absolutely great for young children. It stresses the importance of how even though we are all different, we are all basically the same. It teaches children to accept everyone no matter how they look, what race they are, etc. This should be on the bookshelf of every child. It is also great for those with multi-racial families.

You'll reach for this book time after time when you need a quiet moment for yourself or the perfect gift for someone. Shanahan's beautiful illustrations are the perfect complement to Murphy-Morrical's tender words. Shanahan is the master of depicting a world where diversity is the acceptable norm. I believe this book will be on my shelf and my gift giving list for a long time.

This is a beautiful book, both in its message and in its exquisite artwork. The drawings are incredible, completely realistic, yet imbued with fairy-tale magic. This book reminds me of a wedding day , a Christening day, or an Easter Sunday, when everything is a perfect promise and we are our best selves.

This beautiful little book makes your heart sing. It pulls together uplifting word gems and soft gentle visuals that perfectly illustrate the absolute innocence, wonder, awe, unconditonal love, and trust of real children, whose souls shine in their eyes. No cute cartoons here, just Truth. The heart of the artist Is the art, the genius gift that comes by Grace through her and reflects the perfect child within. This is a book for all ages. You don't want to stop looking into those beautiful little faces.

WHAT I BELIEVE is a beautiful book with an inspiring message for readers of all ages. The uplifting words and lovely illustrations come together perfectly. It is a great gift for any special young person in your life. Get a copy for yourself too. This one is a keeper.

"What I Believe" by Jennifer Murphy-Morrical, illustrated by Sue Shanahan, is an absolutely gorgeous book. The language of the story is charmingly to the point: "I believe life can give you the best you can imagine," and the proses are matched with bright, gorgeous illustrations of children in various games of play: dress-up, dancing, playing cars, riding a rocket to the moon. This lovely book should be on everyone's Christmas list.

I really enjoyed this book, and read it cover to cover the day I got it. One unfortunate reality is that only well-built houses survive - so we have minimal knowledge of how "the other half lived." But the author did his best to deal with this issue, and I , for one, was delighted that he did not waste pages going over well-trodden ground. Mount Vernon, Monticello, Montpelier, and other grand houses have already been covered in excruciating detail by other authors. In this book, the author concentrates on the homes of the "middling classes," and also on as much of the data as can be found on the huts, hovels, and cabins of the poor. The scope of the book is really the eastern seaboard and the original colonies, so the reader who is primarily interested in the architecture of the Southwest will not find it here. I wish that he had included some coverage of the Native American dwelling places indigenous to these areas of the eastern seaboard, and also perhaps some discussion of how Native dwellings changed in response to exposure to White ideas and building materials. (But that topic would properly fill an entire book of its own.)
This was an expensive book, by my penny-pinching standards, but I consider it money well spent and it will be a permanent addition to my library.Early American Houses: with A Glossary of Colonial Architectural TermsHow Buildings Learn: What Happens After They're Built

I am so pleased with this book. It's one of my better purchases. I started reading it immediately after receiving it and could hardly put it down. I read it from cover to cover very quickly but I am going to re-read it for "remembering".

From the moment I saw this book I knew I had to have it. It's fascinating to read about what everyday life was really like in early America, not only what it looked like but also what it SMELLED like. You can get lost in the photographs, some of which take up two pages. Different regions of the country are covered, from New England to the South, and you get the sense of living in the houses from that past time. Not just a picture book, this gives you a real history of early America, and it's well-written.

I bought this book because I heard an interview with the author on NPR radio and he sounded very interesting. I am loving this book! I thought I would use it more as a reference book, but am finding myself reading it from front to back, gobbling up the photos and other interesting bits of information that he packs in to the pages and sidelines of each page. I love the historical journal readings that he has inserted to make points such as in the bed bugs section he quoted the Farmers Almanac "let a tired farmer be tormented all night" by bed bugs - and another traveler, Joseph Fowler in 1828 found "filthy beds swarming with bugs ... notwithstanding the repeated onsets of the bugs and other vermin with which I was molested." Very funny, written very well and extremely enjoyable historical book. I no longer yearn to live in the 1800's! And have a much deeper understanding of what our forefathers endured ... enjoy!

A fascinating account of the homes folks lived in 200 years ago and what each space and room in the home was used for. Mr. Larkin vividly describes by area (New England, the Middle States, the Southern States, and the Western States - as far as what was considered west by 1840), how the people of the past utilized their living spaces. It also describes in detail the many different styles of housing in the geographical areas mentioned, and how the Middle States structures may differ from the, say, New England area.
As mentioned in other reviews, it truly is amazing how many human beings could sometimes be squeezed into a small house with, most likely, little complaining.
In addition to the lively, well-written text, there are many photographs - most taken 50 or more years ago and are in black and white - to enhance the reader's enjoyment.
As an amatuer social historian, I can honestly say this wonderful book is a great find to add to any collection. I am thankful we have historians like Jack Larkin to help us in our quest for real American History.

If you only buy 1 Oz book for your collection, make it this one! In Oz circles, this book is known as "The Green Book" and it is a virtual encyclopedia of Oz information. The research and work that went into the writing of this book is truly astounding!

The rare photographs will amaze you (including Judy Garland in her blond wig and Buddy Ebsen as the Tin Man).

This book is full of little-known trivia. After reading this book, you can wow your friends with your new-found Oz knowledge!

There have been a few books that have given us all a look into the making of MGM's movie version of "The Wizard Of Oz!"? But The John Fricke,Jay Scarfone manuscript surpasses all of the other books.Because it's filled with wonderful photos and info that takes us beyound the making of the film and gives us a look into the continuing popularity of the Oz characters.Using rare photos,extensive research and interviews from the people.Who were involved with the project.Messers Scarfone And Fricke.Show us the early stages of the making of the film.From the many drafts of the script..to the problems with the changes in cast,storylines,music,mishaps with props and special effects.To the promotions of the film on radio(NBC Radio's "MaxwellHouse Coffeetime")and at stage shows to the many other interpretations of the story that appeared on tv,in the movies,on radio, in the theater and at parades and theme parks.The book even gives some more biographical info about the cast and crew and some more insight into the man.Who created this legendary tale:Mr.Lyman Frank Baum.For the fans of this classic story.Who want to know the full extent of it's geniss? This is the one book to have.Kevin S.Butler.

There have been a few books that have given us all a look into the making of MGM's movie version of "The Wizard Of Oz!"? But The Jay Scarfone,John Fricke manuscript surpasses all of the other books.Because it's filled with wonderful photos and info that takes us beyound the making of the film and gives us a look into the continuing popularity of the Oz characters.Using rare photos,extensive research and interviews from the people.Who were involved with the project.Messers Scarfone And Fricke.Show us the early stages of the making of the film.From the many drafts of the script..to the problems with the changes in cast,storylines,music,mishaps with props and special effects.To the promotions of the film on radio(NBC Radio's "MaxwellHouse Coffeetime")and at stage shows to the many other interpretations of the story that appeared on tv,in the movies,on radio, in the theater and at parades and theme parks.The book even gives some more biographical info about the cast and crew and some more insight into the man.Who created this legendary tale:Mr.Lyman Frank Baum.For the fans of this classic story.Who want to know the full extent of it's geniss? This is the one book to have.Kevin S.Butler.

Since this is "The Wizard of Oz: The Official 50th Anniversary Pictorial History" of the beloved 1939 film, it is not surprising that John Fricke, Jay Scarfone, and William Stillman have put together the book that tops the "must have" list for fans of the film (after, of course, L. Frank Baum's original novel, which just had its centennial edition come out in 1903. After an introduction by Jack Haley, Jr., the volume's prologue, "The Marvelous Land of Oz," begins with the story of how Baum came up with the name for Oz and looks at the history of his stories prior to the movie. Also included in this prologue are stills from some of the vaudeville and silent movie versions (the 1925 film had Oliver Hardy as the Tin Woodman), the original book covers for the 42 Oz stories, and Technicolor test shots of the movie cast, which includes Judy Garland wearing a blond wig as Dorothy. By the time you finish this prologue you will know that this book is going to be everything that you would want as the table of contents indicates:

Part One - The Oz Diary: Creating a Classic: (1) Acquisition and Casting contrasts the signing of the cast with W.W. Denslow's first pictures of the characters; (2) Scripts, Songs, and Staff focuses on early drafts of the scripts and ideas for song more so than what actually ended up in the movie; (3) Wardrobe and Markup details the evolution of the look of each character with corresponding photographs; (4) The Thorpe "Era" is about Richard Thorpe's short tenure as the film's director, when Gale Sondergaard is the Wicked Witch and Dorothy is a blond; (5) There'll Be Some Changes Made is short but sweet and is about the changes George Cukor made as a stop gap under Victor Fleming was signed to direct the film; (6) "The Wizard" Comes to Life is a lengthy chapter covering the making of the film with its various legendary stories; and (7) Post-Production and Previews, which details what was cut (including "Over the Rainbow" at one point), when and why.

Part Two - The Oz Diary Continued: Promotion and Reception: (8) The Oz Campaign contains everything from Judy Garland telling Frank Morgan "Anybody can be a wizard at Jelly-Making" for a newspaper ad for Certo (never heard of it either)to a two-page full-color spread in "Life" and a special "Wizard of Oz" ad for the Sunday comics; (9) Hollywood Party is about the movie's gala premier; (10) "Capitol" Times in Manhattan is about the show at Loew's Capitol Theater In New York City that showed the movie along with a life performances by Garland and Mickey Rooney. This chapter also shows some of the first product tie-ins for the movie; and (11) From Coast to Coast is a brief look at promotion of the film across the nation and includes what might be the first editorial cartoon that used the Oz characters to comment on a real situation (Hitler is the Wicked Witch of the West and Mussolini is a winged monkey, while Dorothy is European civilization, the Scarecrow is Poland, the Lion is Britain, and the Tin Woodman is France).

Part Three - Raves and Accolades looks at (12) The Reviews, which includes a look at foreign books and domestic record versions; and (13) The Twelfth Annual Academy Awards, where the film won Best Song for "Over the Rainbow," Best Original Score for Herbert Stothart's underscoring and adaptation of the Arlen/Harburg songs, and Garland for best performance of a juvenile during the past year.

Part Four - Oz and Ends, includes brief looks at (14) Original Ozzy Merchandising; (15) Oz Abroad; and (16) Theatrical Reissue.

Part Five - Television Perennial covers how most of us first saw the movie, including (17) Guest Hosts on CBS (I always liked Dick Van Dyke); and (18) NBC Interlude/CBS Comeback.

Part Six - The Legend is another set of brief chapters on (19) Reunions and Reminiscences; (20) Merchandising; and (21) Icon, which ends the book on a perfect grade note with editorial cartoons on the death of Garland in 1959, Jack Haley in 1979, Margaret Hamilton in 1985, and Ray Bolger in 1987.

This volume includes more than 400 illustrations, half in color and many never before published, including over seventy makeup and costume portraits, behind-the-scenes and production photos, and not only stills but script pages from the musical numbers and segments that were filmed but cut from the release print (including "The Jitterbug," Bolger's extended solo dance to "If I Only Had a Brain," and the "triumphal return" sequence). The photographs of all the movie posters, toys, and other items associated with "The Wizard of Oz" can be found throughout the book instead of being collected all at the end of the book corresponding with when the movie came out. The last three parts could essentially be individual chapters to avoid the sense that you are racing through the end of the volume, but that is a minor complaint all things considered.

There are many, many books out there about the making of everyone's favorite film, "The Wizard of Oz". There aren't any I've seen that I wouldn't recommend, but if you are looking for pictures, pictures, and more pictures, this beautiful coffee table size book is a great place to start. Pictures, both in color and black and white, of every aspect of the making of the movie fill this attractive volume from cover to cover, and the text, by Oz authority John Fricke is all-encompassing. Although released for the 50th Anniversary of the film's 1939 release, it is still relevant 13 years later, and a great book for the collector or casual researcher. It has yet to be topped.

We recently returned from a 5 day getaway to Mount Desert Island and had a wonderful time exploring the park and entire Island. This book was an excellent companion to our journey and helped us use our time wisely. We love to swim and without the book, we would never have found the hidden gem of a spot this book recommends on Echo Lake.

I've been visiting Acadia for years, so most of what is in this book is not a surprise for me, but it does include info on a few things I haven't done. Does a good job at giving an overview of the park and the towns located on the island. I have James Kaiser's book on Joshua Tree (which is what inspired me to get this despite the fact that I could probably write my own guidebook on Acadia with little effort), and they're both really quality guidebooks, and the perfect size to throw in your backpack and carry around for the day, yet manage to have a lot of info in them. They both include good descriptions of the most popular hikes and attractions in the park, as well as historical and ecological information which I find is great to really appreciate a place. They're also filled with lots of amazing full color photos, which is great. I highly recommend this book and hope that the author publishes more guidebooks on other national parks as well.

I really enjoyed this travel book. We're heading to Acadia National Park this summer and I feel like I'm well equipped to make good use of our time. I particularly liked James' style ... young, smart, no BS. I'm taking him up on some of his off-the-beaten-path recommendations. I feel like I've gotten the inside scoop from a local down at the corner diner. Keep up the good work Jim. I'll look for your book when we get around to heading out west.

Only used the Bar Harbor and Acadia stuff, but overall it's a great guide to Mt. Desert Island. Hike the Beehive!

Terrific book! We visited Acadia for the first time this year. The author's descriptions are excellent, but most important his recommendations (on restaurants, things to do, which hikes to make, etc) are excellent. He gives clues on where to go for those seeking to avoid the crowds, and he also describes the 'must-do' tourist things on Acadia. Of the various guides we brought with us on our Maine trip, this was hands down the most useful.

I was drawn to this tarot after believing that I would never find a tarot that was right for me. Something about it interested me. Before finding it,I had no knowledge of Alchemy other than it involved something to do with turning metals into gold. This book gave me an insight into the true meaning of Alchemy, and showed how this can so easily be found in the tarot. I found that the meanings of the cards were enhanced by the reflections from Alchemy, and have provided an insight into the cards which I had not previously experienced. Although I would not recommend this set to the tarot beginner, it is well worth a read by the experienced tarot reader, or the Alchemist who is looking for a further way to refine experience as they seek the "philosopher's stone" within.

This deck is simply stunning--not just for the artwork, which is clear and classical and modern and surreal all at the same time--but also for the visual interpretations of the cards.

Generally, there is a flavor of classical alchemy, but I find that it does not overwhelm what is very much a TAROT deck.

I just find myself staring at the cards with their beautiful colors and mystery. In the context of a tarot reading, they sing.

As a long time user and fan of various incarnations of the Rider Waite Smith deck, I went looking for something different, but not radically different in a new deck. The Alchemical Tarot does depart from some of the familiar symbology, but in a very constructive and well-defined way. Nonetheless, this is a Tarot deck in the grand tradition.

The book: I came to this deck and book with almost no knowledge of alchemy, but as I sat reading the opening chapters, which give a concise, well-written overview of the long history of this art and its eventual integration with Tarot, I found many dissaparate elements I've picked up and drawn from coming together into a cohesive whole. For those who believe that Jung's collective unconcious is a good modern explanation of why Tarot works, this is a must read.

The deck: Again, WOW! Some of the images may look strange at first, but with a bit of insight into the rationale of the artist, they are rich, fresh, and inspiring. I look forward to meditating with them, and they should raise a few eyebrows in public readings, too.

Excellent, not only as an introduction to the Tarot, but also if you want to explore its links and convergence with the wisdom of ancient alchemical tradition. Rosemary Ellen Guiley and Robert Place really know what are they doing and writing.

The book is excellent. It includes introductory sections to the Tarot and to Alchemy. Their work is not without bases; their references list includes important works of the esoteric studies and tradition. In multiple occasions there are fragments of the Rosarium Philosophorum to introduce a section of the book. There are also references to Jungian Psychology and Qabalah, to enrich an already excellent work.

Robert Place's pictures resemble traditional alchemical images, but with Place's artistic touch. If you use to contemplate the cards in a meditative exercise, you'll find these are excellent because they are beautiful, not grotesque or unrelated to traditional symbolism of the Tarot like other decks. If Place painted a few images different from some decks, it was to introduce important and congruent images from the alchemical tradition. This enriches the understanding of the Tarot from the alchemical perspective, and vice versa.

A beautiful book and deck package. It fills me with good vibrations. Good job.

This deck with a soon to follow re-written and updated book by both authors has been re-issued and is now available! I've had this edition and now own the new one....

The new version is far superior! And it's $35. Don't pay these ridiculous prices offered here.

I read this book as a child and I loved all the art work and the wonderful story. In fact, I loved the story so much, some 30 years later I gave my son (now 4) the middle name of Anansi. My son and daughter (age 3) love the story of Anansi and his six sons. Even when we don't have the book with us, we talk about Anansi, his sons and their adventures. This story is great because children learn that we each have a skill that makes us unique and we each contribute something important to the family.

I am a big fan of the Anansi tales, and the spider's adventures are delightful as well as thought-provoking. For edutainment (educational entertainment) and discussion, I include them in my high school / college level introduction to mythology / humanities survey courses. All ages can enjoy a clever trickster hero who possesses many human qualities, the good and bad--who makes us think about our own deeds and behavior.

In Anansi The Spider: A Tale from the Ashanti, Gerald McDermott retells an Anansi story with warmth, cultural sensitivity, and bright, attention-seizing illustrations. Among the children's books about Anansi, McDermott's efforts stand in a unique place because the text is used sparingly and with great effect, conveying important events only and not burying key ideas in lavish descriptions or dialogues. In this book, the elaborate, geometric illustrations paint the "descriptions" that the text omits.

Features that I like...

The map in the opening that shows the continent of Africa and the country of Ghana. (I'm always happy to see a bit of geography dropped into stories, especially those designed for children.)

The Prologue, which describes the importance of folklore, mythology, and legends. I especially appreciate this statement: "Folklore prepares man for adult life. It places him within his culture."

Rather than beginning the story with the familiar "Once upon a time...," the author uses "Time was..." which is cool! :)

Each of the spider sons in the story is unique in design, appearance, and talent, which makes him easy (and fun) to identify as the tale unfolds. The six sons are See Trouble, Road Builder, River Drinker, Game Skinner, Stone Thrower, and Cushions.

The character of Anansi is rendered with an expressive personality and face while his sons' faces are not shown--just their designs, bodies, and talents. Anansi's face changes emotions based on his experiences, and this would be an excellent teaching element for very young children upon hearing / seeing the story.

Themes & Talking Points the book offers:

Counting, colors, shapes, animals, teamwork, family, intro to Africa [Very Young Children]

Reading; Cause & Effect; Critical Thinking & Response; African Culture. How does Anansi get into and out of trouble? // Each spider is an individual with a specific skill or trait; each spider has a place in the family. What does this suggest about the culture of the Ashanti? // The rescue of Anansi is really a team effort by the sons, but who should get the reward? Does the ending solve this problem? [For children 5-12]

Reading & Design; Symbolism; Critical Analysis; Author Intent; Culture. Why did the author / illustrator choose not to show the faces of the six sons in the story? How does this choice affect the story? How does Anansi's face tell his story? What is the relationship between a son's name and his unique design? In what instances is Anansi's face NOT shown and why? What lessons are taught in this tale? What universal themes are present? Does this book deserve its "honor" designation? [For tweens through college students]

Anansi and his sons are popular guys in our home. My son and daughter (nearly 4 and 6) just adore them, and I enjoy the fact that this book demonstrates how well cooperation works. Not to mention that we get to discuss the story, Ghana, and how people are both like us *and* are different from us.

In this story Anansi heads out for a walk only to be besieged by problems, first from a hungry fish, and then from a falcon. He would have been lunch were it not for his caring sons who fortunately have super-arachnid abilities.

Four Stars. Good Read-aloud. Good story with a moral. My daughter even decided to practice reading this fun and exciting story.

Anansi is one cool African trickster, and he does it again in this book! When he tries to determine which of his six sons to reward for saving his life, he becomes responsible for putting the moon in the sky.

The Anansi stories have been handed down through generations of Ashanti culture. This book is a wonderful, vibrant and vivid story for children of all ages. Born in Ghana I left at aged 3, leaving much of the Ghanaian culture behind. At aged 30 I can still remember a song about Anansi the spider, the only remnants left of my native tongue. I was given the Anansi book as a child, it captivated me, I read it over and over again, and it provided a connection to my past. At 16, I spent hours crafting a cushion embroidered an illustration from the book that was a childhood favorite. Sadly, the book was lost and I never thought I could get it again. Now, some 14 years since I last saw the book I can still visualize the pictures and hear the wonderful tale of Anansi the spider, his sons and the moon. I have just bought two copies, one for my niece and one for my two year old daughter. I absolutely cannot wait to read them again and again and pass this memorable story to a new generation.