Humor Books

After reading these books I can understand why she is always on the Best Sellers list. After reading these 3 I went out and bought the whole series. Stephanie Plum is sassy, sexy and funny. Love the whole cast of characters. I laughed at loud at the antics of Grandma Mazur and Lula, love the sexual tension between her and Morreli and Ranger and the nerve-wracking situations she gets her self into. I like her better than Sue Grafton and Mary Higgins Clark put together. TRISH PFAFF

These books are wonderful! I am almost addicted to them. I highly recommend them to anyone who likes a good mystery/murder novel mixed with humor.

Evanovich's series with Stephanie Plum as the sometimes bumbling bounty hunter is very entertaining. I started with #1 and have read them straight through to #8, enjoying every single one. I take the books with me to the gym and they take my mind off of pedaling on the Lifecycle (I hate exercise so if that happens, the book must be good). I'm sure by the time I'm done I will have read every single book i the series.

Stephanie Plum is sassy and yet a clumsy bounty hunter that you can't help but love. This set is just as entertaining and fun to read as the first three. I find myself laughing out loud while reading, seriously I do! The suspense gets you too and can't believe she is still doing this crazy job. Fast and fun reads.

The books arrived quickly and in perfect condition. I was very happy with my purchase. Thank You I can't wait to read them.

In Andrew Roe's Retreat, we're introduced to David, a character who yearns to fall into the cracks of everyday life where he can detach, listen to his music, do his mundane job and just be left alone. He even struggles with the point of "don't you need to be somebody first" to then disappear and have it produce the "maximum effect." Maybe his search for solitude is really just his way of reaching out?

David has been through a stage we can all relate to; a place where he can't seem to gain momentum in any aspect of life - work, relationships, creative endeavors and the like - and reaches a point of disconnection where even one of those points of "demarcation" for the entire planet isn't enough to rouse him from his perpetual slumber.

This story made me laugh, pause to reflect a bit and even think twice about saying "hello" to my neighbors when picking up my mail each day (so who's the loner in my building???). I had an instant connection with the character and the settings and stages of his experience are made to seem all too familiar (I hate cubicles too). Andrew Roe has that rare gift every writer seeks - a witty and engaging style that makes you want to read on.

I'm hooked - I want to know more about my new friend David and his plight. Will he succeed in his plans to disappear from society? Will he find solitude and peace? Will he be able to keep his sanity deep inside the gray fabric walls of corporate America? I want to know...

These brief chapters from Andrew Roe's novel are concise, insightful, and funny. He has a great sense of life in a giant mega-corporation, a place where, after four years, someone can still ask the narrator if he's new to the company, and where our narrator can work all morning and not realize until lunch that the building has been abandoned because of news of terrorist attacks. Essentially, Roe is exploring the many ways it is possible to be invisible in our society, and he does so with warmth, humor and honesty. I would recommend this to anyone who has ever had a job.

'Retreat' is a glimpse of a guy named David, whose life is a melancholy cycle of one living as a meaningless figure within a corporate cube-farm. In a sad way, he's a poster-child for an entire populous of single men who are stuck in the monotonous daily cycle of 'work, microwaved lunch, more of the same work, home'.

David lives for nothing of great substance, and doesn't stop his routine of samedom, even as the entire nation stops. In a poignant moment, David realizes (after remembering to remove his ear-plugs the he uses for sleeping) that his entire office is devoid of life--and this realization not only sums up this character in a few short sentences, but also makes me think that his internal narrative must be incredibly loud (even if his external self doesn't reveal as such)...for him not to realize that the lifeless day at his office is Sept. 11, 2001.

This is a brilliant read, and Andrew Roe should be commended for creating this truly touching piece of literary art.

Retreat by A. Roe offers a witty insight to one young professional's disenchantment with everyday life. American culture has lead to a disenfranchisement with the immediate world around him. Rather than have have his obscurity be based on not being 'somebody first', David Leiter takes charge of his own social withdrawal.

This is a funny and well written take on the dilemmas of the modern fabricated-for-you life. It easily conjures up the humor seen in other pop-culture favorites as 'Office Space' and Dilbert, yet doesn't get carried away with its levity.

I found that many of the authors lines were filled with a simple blend of comic poignancy and general observation, such as:
~'...later turn out to be this big before-and-after demarcation, when your life forks elsewhere and you aren't even aware of said forking at the time.'
~'...the cube next to mine had been vacant ever since the welcomed departure of the satanic Matt Henderson...'
~'...yet another report, this one about the cognitive ability of young children to recognize company mascots and logos.'

While this excerpt overall read as the slow downfall of David's worldly involvement, I was lost at times with regard to chronology. If this was meant to be linear, then I missed that. I missed what order this presentation was in, generally speaking.

It starts with an overview of things, then starts to recollect his time from college graduation onward. After the 'are you new here' piece (establishing he'd been there for 4+ years) and the bit about his apartment neighbors, we find out he has a new cube-neighbor. From there, David's still thinking on the new cube person, when, in short order, he's approached by Casagrande (lovely name) about his editing. There's mention that David's 'new' at this point. I reread this sequence four times wondering if I missed the indicator for time shifting. Is this still four years later? Did he start thinking about when he was new again? Did his direct supervisor really think that David was new? It was rather confusing.

Outside of this time slip, I enjoyed reading this piece. The humor, pace and character had a general appeal that kept me engaged as a reader and wanting to see how David finally manages to escape it all.

David Leiter - an anonymous and typically dissatisfied, uninspired and dismayed resident of corporate cubeville, one document processing specialist in a veritable army of hundreds of lacklustre wordsmiths, an English major whose sole editorial task (in the words of his domineering tyrannical supervisor) is "to make shit stink less" - takes us on a meandering, hilarious Seinfeld like tour of the existential angst of his unchallenged intellect and rather forlorn, mundane existence.

Andrew Roe has chosen to let David Leiter tell his own story in his own words - a particularly engaging first person style in which I felt as if I was sitting on a bar stool beside David as he told the story directly to me, a very private and entirely engaging one on one session. Despite David's obviously retiring, introverted personality in which he almost shuns human contact, David is also a VERY funny guy. He is self deprecating, utterly charming and it would seem blissfully unaware of his own wit despite his sparkling mastery of the craft of words.

If Andrew Roe can maintain that style and level of interest throughout his entire novel, wherever it may be headed, then he will have penned a literary prize well worth the reading.

Thanks so much, Mr Roe, and good luck with your writing efforts. I'll look forward to reading the finished product.

Paul Weiss

I would wager that more than a few adults who favor science fiction or fantasy were set on that path as youngsters by the works of Daniel Pinkwater. Speaking for myself, Pinkwater instilled in me an interest in fiction that was reflective of more than just the ordinary world me (or, more than likely, awakened an existing, but dormant, interest in such literature). In the case of Avocado of Death, we are presented with aliens posing as realtors, a supercomputer fashioned out of a single avocado, and an international criminal mastermind who employs orangutans to do his dirty work, just for starters. And Pinkwater's books are without a doubt offbeat, zany, absurd, and certainly whichever other such adjectives the critics proffer. But their zaniness is beside the point, or at least it is subordinate to a larger point.

Though Pinkwater's books have a wide appeal, I can say from experience precisely who they're aimed at, and to whom they appeal the most: the kid who's bored with school, who looks in vain for something new or unusual to engage his interest; the kid who knows how much he doesn't know, who knows that there are things that his parents and teachers aren't telling him and is almost certain that there's a great deal that adults don't know either. Pinkwater's protagonists slog through the mundane world of the everyday, until some circumstance allows them to catch a glimpse of what's behind the curtain and have some idea, for the first time, of What's Really Going On. Generally it involves conspiracies, outlandish coincidences, and general wackiness, and generally none of it makes any less sense than what we normally think of reality. In fact, it occurs to me that a reader of Pinkwater's could graduate to Douglas Adams without too much trouble.

I'm not sure that Avocado of Death is Pinkwater's best work; if I were to make a recommendation, I would start a kid off with Lizard Music. But whichever you begin with, I have to recommend giving a kid who enjoys reading a Pinkwater novel; there's no telling what kind of imagination you might unlock.

I first saw this book in my school library . I was in middle school and was not into reading very much. We were required to check out a book so this one caught my attention with the colorful jacket. The first page pulled me in and I was able to see the characters in my head. I have been an avid reader for 24 years since this book. My kids are "lovin' it", too.

I did not discover this book until I listened to it this week at the ripe old age of 23. As such, I did not feel the book was long enough.
Pinkwater is engaging beyond my understanding how he does it, although the absurd characters and their stranger actions are a sure start. Take Uncle Flipping Hades Terwilliger who has not missed a late night movie in 17 years despite being kidnapped numerous times, or Walter's mother who is paranoid of communists beyond all rationality, or the fellow with the painted on sideburns. A few of Walter's exploits were things I did as a kid. Others were opportunities I wish I'd had. Except for the orangutan wrestling. I frown upon that. The silly care-free writing, and the flawless speaking performance by Pinkwater had me wishing my commute were longer.

I've been meaning to sign up for bookcrossing and this is a prime first candidate. Or maybe I'll send it to my silliest friend.

My "hippie" aunt and uncle, in New York City, sent me this book, and Fat Men From Space, when I was about eight. I loved it!
I am now almost thirty; yet I remember these books with great affection. Mind you, what you remember and what was true are two different things; but a book that can make you smile more than ten years later is worth the investment.

I remember reading (and rereading) this zany, gripping, urban adventure when I was in third or fourth grade (and its worthy sequel, The Snarkout Boys & the Baconburg Horror). On a whim, some twenty years later and with a law degree to my name, I tracked down a copy at the public library and ... wow! I enjoyed it every bit as much. Daniel Pinkwater deserves major kudos for such a book--someone buy that man a Napoleon or twelve.

The fast-paced story is told from the viewpoint of Walter Galt. Walter is a teenager on the verge of dying from boredom at Ghengis Khan High School, until he meets Winston Bongo, another suffering student and the self-proclaimed inventor of 'snarking out'. The boys' late-night snarkouts eventually bring them into contact with a smorgasbord of oddball characters (such as Ms. Bentley Saunders Harrison Matthews, aka Rat) and places, from Blueberry Park to Lower North Aufzoo Street to Beanbender's Beer Garden and beyond. Ultimately, with the help of the world's greatest living detective, Walter, Winston and Rat must locate the world's largest avocado and save the world (or at least the nations' realtors)--but watch out for stuffed Indian fruit bats!

Pinkwater is a true original and writes this surreal, comic yarn simply, cleanly, and hilariously. Highly recommended for kids, parents, avocado lovers ... and even lawyers who used to be kids. Five stars!

Probable-Possible, my black hen
She lays eggs in the relative when
She doesn't lay eggs in the positive now
Because she's unable to postulate how.

One of the guilty pleasures of reading Old SF, is seeing just how badly the imagined futures of the past tend to hold up, "..as the room-sized master computer blinked and clacked in the background, our hero picked up the heavy handset and dialed the number of the rocket taxi company on the black and white rotary video phone...", but you will have to forego such joys with this surprisingly modern half-century old wonder. Not to worry, though, because the timeless hilarity more than makes up for it!

Contained within its covers are some 45 hysterically modernized Mother Goose classics with a few originals tossed in, charmingly illustrated by Marian Parry's deceptively simple line drawings, ending with a useful though slightly warped glossary to help you (or hinder you as the case may be) in getting the jokes. (Some recourse to an unabridged dictionary or a good encyclopedia may also be required.) Open the book, and you will enter a marvelously twisted universe in which Miss Muffet's arachnophobia is eased by a force field, Little Jack Horner extracts cube roots, three men go to sea in a Klein bottle, and Jack builds a Theory.

Defects? None that I can think of! One can argue that many of the in jokes will not be gotten by young children but such is true of the original nursery rhymes: Heavy Words Lightly Thrown: The Reason Behind the Rhyme. Frederick Winsor tragically passed away while working on a sequel, but one might hope to someday see an expanded edition containing whatever he managed to produce before his death. Meanwhile, thanks to Purple House Press, here is a back in print book you won't mind reading over and over to your children...

in fact your children might have to remind you to quit giggling about it all to yourself and share the fun!

This wonderful little book is one that I have owned several times since I first read it around 1961. Unfortunately, every time I managed to find a copy, I loaned it to someone. Of the several people I loaned each hard-won copy, none ever returned it. I guess that means people like it. For me, it has been a never-ending source of delight, even though I didn't understand most of it when I first read it at the age of 12. (Be warned: This is not a book for children. Nothing offensive; they just won't get it.) This time, I am not loaning my copy. Get your own. (And thanks, Amazon.)

Rubber-band mathematics, telekenisis, Moebius strips and Klein bottles, multi-dimensional space-folds, a model of a scientific theory, postulates and relative time frames would not seem to be material suitable for children, but this slim book will quickly disabuse you of that idea. This book is a marvelous re-working of the old Mother Goose rhymes, updated to today's scientifically oriented world.

I first read this book just after it was published, when I was about eleven years old, and was immediately captivated. It made no difference that I didn't understand some of the terms being used. The thing that caught me was the skill with which these modern-day and science-fictional items were folded into those well known rhymes, how well they fit and gave new, quite twisted, and in many cases hysterically funny meaning to them. Reading them today, these verses are still just as funny, if not more so than I found them to be in my youth, as I now can catch the fact that Winsor buried many sly references to Greek literature, outmoded scientific theories, and even satire about academic politics within their brief lines. My favorite along this latter line is `The Theory that Jack Built', which contains a fatal flaw, hidden by mummery, obfuscation, and bells and whistles, which all gets blown away when the Space Child presses the `Go' button.

The illustrations are just as marvelous, and do much to help someone who might not completely understand the scientific terms to see just what is being referenced, while being very individualistic in style and maintaining the humorous tone of the whole book. Along with these visual aids, there are often `definitions' at the bottom of the page, some even more abstruse than the item being defined, but just as funny.

Don't forget to read the `Answers' at the back of the book, which in addition to some appropriate real definitions, also provide some rather unique explanations of some of the terms used in this book, including one which takes a viscous dig at Congress.

Give this one to your son or daughter, but not till you've read it yourself. You might get a few questions, and there might be a few puzzled frowns, but I'd almost guarantee you'll also be the recipient of some laughs and smiles.

--- Reviewed by Patrick Shepherd (hyperpat)

I was born in 1952. This is the second book I remember having owning, after Dr Suess. I can't place the year exactly, but it was in the 50s.

I still have that first copy. I still read it. I enjoy it just as much or more now than I did way back when dinasoars roamed the earth.

Books don't come any better than this.

Perhaps looking forward to this book raised my expectations. I thought the previous two in this series were simply some of the best space opera combined with social commentary scifi available. This book simply does not deliver.

First, there are continuity errors. In one page of the novel, literally, one page, prepackaged meals are called 'prepacks'; in the rest, they're suddenly 'preheats'. Huh?

Second, she changes POV character waaaay too often. You can't even really call this a Koscuisko novel because he appears in less than half of the scenes, and is very rarely the POV character. I don't mind multiple POV novels, but someone as accomplished as Matthews should know that readers need some kind of clue at the beginning of a section as to who is narrating that section. Even just some geographical locator "on board _ragnarok_" or some such would have been an immense help. Half the time I had to go back after a page, when I'd figured out where and who 'we' were, to realign that information in my brain. Sometimes I had to stop in the middle of a section and wonder if she'd changed POV character on me or just got her pronouns confused (which she did, at least twice).

The whole novel has a sloppy feel to it. There's no compelling plot for Andrej; one never feels an awful lot of empathy for Ivers, and even though the surface plot tensions are resolved at the end, the internal problems for Andrej or Ivers are never resolved. And I don't mean 'unresolved' in a way that screams 'sequel'. She wraps everything up pretty tightly, so that I wouldn't be surprised if this is the last novel in the series--everyone's off to a Brave New World, inside the Judiciary or not, and hope is in the air, and.... all the loose ends are just oh so conveniently tied up. (Except the rioting and bombing and looting and why have a prologue in a place that's never EVER mentioned again in the novel?) It's a fuzzy and unfocussed novel that actually at times was a chore to read. I loved her other Andrej novels, but this...well, I wish I could go back in time to a week or so ago and still have hopeful expectations for this novel.

I think Matthews is taking the Conan Doyle approach and chucking Holmes off the cliff in a hope to be done with the whole mess. A shame, really.

You should buy this book.

HOWEVER, I reccomend doing so only if you've read the other Jurisdiction novels-- Exchange of Hostages, Prisoner of Conscience, Hour of Judgement, and Devil and Deep Space. It's not that Warring States isn't a coherent tale on its own-- it is, and a good one. But you won't enjoy it as much if you don't know the context, especially since a fairly major plot in the book hinges on a conflict begun two books ago. Besides, these are all fine characters who deserve some getting to know.

To those who have read the others-- Warring States is a little different from what we've seen before. There's a little less focus on Andrej Koscuisko, and a little more on the workings of Jurisdiction. It isn't a bad thing. All the old themes are still there-- love, and sacrifice, and willful stupidity, and good intentions. And they're just as satisfying as they've ever been.

As in the previous books, the author demonstrates a really refreshing grasp of a universe that exists outside of her main protagonists. Conflicts do not arise in a void; they exist because of other characters-- whose point of view you also get to see things from. None of the characters in Warring States are just handy plot devices.

One of the really nice things about reading Susan Matthews' writing is that if a person is antagonistic, she does not tell you so. She shows you so, by letting you into their head and letting you see how they understand the world. Look, ma, they've got motivations! Ditto her protagonists, and she doesn't exactly attempt to gloss over their flaws, either. None of these people fell from Krypton to leap tall buildings in a single bound. They're just people-- like the villains-- doing what makes sense to them.

It's nice.

So she's got a bunch of great characters. And? And they exist in a well-planned world. There are well defined cultures and governments and it makes SENSE that thus-and-such a character came out of this-and-such a culture. It's all internally consistent, which means there's nothing to jar you out of what is really a fascinating universe.

In the end, Warring States is a compelling book (and we shouldn't expect anything less of this particular author) and a well written one (ditto) and a satisfying one (see previous).

Well, as satisfying as a cliffhanger could be.

Susan R. Matthews returns, after a long wait, with "Warring States," the latest in her "Judiciary" novels featuring Andrej Koscuisko. It's packaged well--a large-size paperback on good paper, and it solves the murder of First Secretary Verlaine that occurred at the end of "The Devil in Deep Space." This time Andrej, after setting one of the two plots in motion, becomes more or less tempest-tossed as the action switches to the doings of Bench Specialist Jils Ivers, who's part of a convocation assembled to pick the next First Judge (while also being a suspect in the murder).

Ms. Matthews tries hard to overcome the inherent clunkiness that she's set for herself by blending the two plots together, and if she doesn't quite succeed, she certainly fails honorably, and it's definitely worth your time. As before her sense of place is extraordinary (when Jils orders a meal in a luxury hotel suite, you'll almost taste the food; when she descends underground where the convocation is being held maybe you'll feel claustrophobic too), and her chilly prose is as lucid as ever. Unfortunately, Andrej, who's worked hard to overcome his sadomaschoism (he refuses to torture people anymore), is a crashing bore after the tempest starts tossing him about after that opening act of his--he seems to have no willpower, nor control over his own life, and his motivations seem principally to have become those which Ms. Matthews assigns him, rather than having grown organically from the story.

In short, the author probably would have been better off writing two novels instead of cramming two stories into this one.

Notes and asides: Bench Specialist Vogel, who used to be Garol Vogel has become Karol Vogel. The handsome cover, by Christian McGrath, depicts, almost certainly, Jils Ivers, but who the man in uniform is could be any one of several characters. That might just be the point.

This is a thoroughly enjoyble book! Especially if you've been reading Susan Matthews before, you'll like this one.

Why? I think that, in the previous 2, Susan couldn't make up her mind about giving Koscuisko a happy ending or getting him killed. The fact that she couldn't make up her mind, hurt those plots. Now she's made up her mind: not to kill him, not to give him a happy ending and nevertheless to change his entire universe. And that brings so much new freshness to this book...!

The plot? Warring states (I think) refers to colliding realities: the Judiciary order with its rules and regulations versus the chaos and turmoil because of the departure of its Enlightened ruler (the First Judge). Free individuals versus slaves. Loyalty to principles and people, versus loyalty to ambition and selfishness. In Koscuisko the warring states are guilt (over the anguish caused by his legal exercising of torture) versus eagerness to relive the thrill caused by the adrenaline rush provided in the act of torturing.

It's a good book in this series, on many levels. Sometimes it's a bit slow, because the dramatic tensions makes you want the action to speed up (skipping forward solved that problem for me).

You'll enjoy it.

The eagerly awaited next installment of The Life & Hard Times of Andrej Koscuisko is here! All major points having been covered in previous reviews, I'll just add my opinion that Susan has done it again. Our beloved favorite characters are all here (even Joslire through his family), including cameos from those we might have forgotten about. The emotions run just as high or higher than in previous books, despite the reformation of certain characters. Hints of what is yet to happen in this universe will keep you checking to see when the next novel is scheduled for release.

I will reiterate the warnings of previous posts, however. This is a volume of a series, so it's best to begin at the beginning with Exchange of Hostages. Otherwise, some of the shocking page-turners in this book just aren't as shocking.

A great book with many lighthearted, thought provoking stories. It gives real life situations in which everyone can relate. It is definately a book that you would read on more than one occassion. I have recommended it to all of my friends....

This is a great book to read together with a non-Christian. No matter the religious beliefs of your friend, he or she will find Babb's writing witty and entertaining. But the nuggets of Christian truth are written in a non-threatening way that can foster conversation on to something deeper.

This book can simultaneously tickle your funny bone and bring a tear to your eye! The author has laced this book with precious memories and experiences of his own that are relative to mine, and he does it with great perception and wisdom in the "lessons." Both humor and insight--there's not a better combination!

What an uplifting and inspirational book! Martin Babb has a way of making real life situations down right hysterical. Babb has an amazing ability to make you smile and laugh all while learning a valuable lesson. This is a book that I could read over and over!

This book was not only funny and entertaining, but each story had a thought provoking message that hit home. Babb took everyday situations that we all encounter and made us realize how they fit into our life as Christians. This is a book you can read over and over again.

This book was fun to read, quick to read and super to re-read when I need a little extra motivation in my quest for healthy eating.

I love this book. Janice is inspiring and funny and the artwork is wonderful. Very cool! This book has kept me motivated as I am doing my own "permanent fat removal." It's working. Her approach is unique and completely different from "diet" books. It is inspiring and offers a new way of looking at the whole "body image" thing. I get so caught up in the fun and cool way she has of thinking about food and removing fat permanently that I am losing weight without the struggle. It is a wonderful way to think about caring for yourself. I highly recommend this book!

This is a must-read for those who want a fresh, new perspective on weight-loss and "permanent fat removal"! I recommend it all who are looking for a new way to love ones self.

Janice Taylor is simply delightful! She is cheerful, creative, and super-spirited about her work...and all of this comes across in her writing. There is no way to look at, listen to, or read Janice Taylor and be unhappy. No way! I am not on a personal quest for weight loss but "All is Forgiven", I have discovered, encompasses so much more - it's about renewing your outlook on life, your journey and, most of all, your esteem. It is the type of book that I like to take a little bite out of everyday - just for a boost of inspiration or a little yummy food for thought. The art work (graphics as well as Janice's artwork, present throughout the book) is an added boon. Even if I'm not reading, it's fun to just peruse the pictures, marvel at Janice's art, and enjoy how beautifully formatted the book is. If you are battling with your weight however, as many of us are, this book is a MUST READ before you even THINK about starting another diet! Everything about "All is Forgiven" will make you feel good, and better about what might have seemed an impossible journey to "Sveltsville." Sometimes you simply need a change of perspective :-)

I am in the middle of this book and I can't put it down. I am enjoying it so much, I just ordered her first book as well.

I dont want to ruin the book for you. If you loved the show then buy the book. I got it for my wife as a birthday present. Enjoy its funny.

This book is super fun! It has tons of awesome details about the writer and the story's background. Lots of pictures from the show. And I really enjoyed reading the whole script! It's all in here! From "It Sucks to be Me" to "You Can be as Loud as the Hell You Want" to "For Now"! The entire script is there so you can make sure you didn't miss anything from the show!

The only problem with this book is: you may be picking monster hair out of your mouth when you read it! This book is super hairy! But it's all part of the fun!

After seeing the touring version of AVE Q, I had to get this book. It has become my favorite show ranking over Phantom of the Opera and Les Miz. (I nerver thought that would be possible.) The book is colorful, full of fun information and most important the full text of the show. Lots of pictures and interviews including other casts besides the original Broadway cast.

As for the mentions of the orange fur shedding, I immediately sprayed both covers with a couple coats of hair spray and it has not shed at all.

Only fault I have is the book was published before the tour so no pictures of that excellent cast headed by the wonderful Rob McClure.
Don't wait BUY THIS BOOK!

Fun and whimsical, this book servers as a great "coffee table" companion to the play itself. It contains the usual info about the creation of the show and its original cast, as well as the full script. If I've any criticism, it's with the "furry" orange cover, which, though fun, tends to shed.

The show was great - the book is wonderful with the lyrics and such. The key downside to the book is that it sheds.

I am a big matt groening fan so I bought this. One out of every 10 was funny and the others...

This book is really funny,and yet so realistic (apart from the talking bunnies). You can definitly see some simalarities between the charactors in the Simpsons and the characters in the book. I plan on buying all 5 books

I must say, Big Book of Hell is 10 times better than Huge Book of Hell. Funnier, less preachy, bigger, and just plain better. It's honest, and extremely observant of the little stupid things we do every day. Matt's detailed descriptions of school and work are so true, I wish I would have written them. Bongo's anti-school agenda is so funny and true. The strips with the eyes and Bongo strapped in a chair are among my favorites. Another thing Big Book has that Huge Book doesn't, is that it is TOUCHING! Witness the 8 Steps of Handling a Divorce (or something to that nature). I almost cried when I read it. In some ways, its more personal than Huge Book, other times, more universal. Which is why Greoning's work (and the Simpsons) are so brilliant: touching, personal yet universal, bitter yet hilarious, observant without being fake. Big Book also has TREMENDOUS re-read value. I highly suggest anyone looking for a laugh or some delicious insight to purchase Big Book of Hell.

It's one thing to say that life is hell and sit back and sulk. It's another thing to turn it into hysterical, scathing humor. Matt Groening's "... is Hell" series is by far the darkest and funniest exploration into our modern life. If Mark Twain were a cartoonist, this is what he would have produced. Compare these cartoons to those animated yellow people (Bart, Homer, et al.), and The Simpsons are no longer a dysfunctional family.

I've been a huge fan of the Simpsons since they first aired, and recently I decided to check out Matt Groening's other works. I bought this book used and it was worth every penny. The comics here are unlike any other. I particularly enjoy them because they are totally irreverent, yet honest about the state of American society today. Many of the 'School is Hell' series appear in this collection. They are my favorites--they get me through long nights of studying. It makes me wish there was a 'Life in Hell' TV series to go along with the Simpsons.

This is an excellent book detailing Bill Peet's life from a small town in Indiana to becoming an award-winning children's book writer/illustrator.

I am a children's librarian and I am often perusing our collection for items that look interesting. I recently discovered an extremely old copy of "Capyboppy" by Bill Peet and absolutely loved it! As a result, I decided to look for other titles and realized we had his illustrated autobiography. His drawings are heartfelt and comforting and his (seemingly) effortless talent is stunning. His description of various parts of his life are engaging and I believe that children and adults will enjoy the book equally. I can't recommend this book enough.

Bill Pete started out as a daydreaming, doodling boy, and made it all the way to Walt Disney! Bill was born in Grandview and was raised in Indianapolis. He lived happily with his Mother, two brothers, and grandmother. His father was a traveling salesman, and didn't really come into his life until later. Ever since Bill was young, he loved to draw. During class, he would doodle in between the margins, and his books were a big favorite amongst the other kids when he sold them as second-hand. His childhood was fun filled, and he had some big hopes and dreams. First of all, he wanted to go on a safari and sketch the animals, but most of all, he wanted to be an artist. One day, in the summer of 1928, Bill's father returned "home" broke, travel weary, and demanding money. After arguing for many days, Bills mother gave in and paid his father. With that, his father drove away. Not long after that, Bill's grandmother tragically died, which put the family in complete shambles. They had to move, and everything changed. The Great Depression started, and Bills father kept taking money, so he kept them poor. Bill went through school well as a student, graduated, and went to college. That was when the work became harder. Bill was facing flunking some of his classes. One night, he ran into an old friend from school, and was persuaded to start taking some arts classes. Bill began painting, and it is there that he met his beautiful wife Margaret Brunst with which he eventually had two sons. He graduated with flying colors, and took a job as a painter. Finally, he realized he didn't have a steady income, and applied for Walt Disney Productions. He became a good friend of Walt Disney himself! Bill helped create many classics starting with Snow White, and going all the way to Jungle book. As time went by, Bill decided that after 27 years, it was time to leave. Bill had become attached to the company and his job, but mostly Walt. It was hard to say "good bye." About one year later, Walt Disney died. Bill went on to writing stories and illustrating them for children of all ages. They all relate to him in one way or another, but the one that felt the most connected to him was "Chester the Worldly Pig". Chester was who he was, and he had always been so. And like Chester, Pete "had grown beyond his expectations."

I can see myself in Pete sometimes. He never gave up and kept dreaming and kept his spirit alive. He has an easy flow to his writing that makes you feel relaxed and know that you're in for one heck of a good story. I loved his book for the truth that it told, and for the wonder that makes up Bill Pete. Keep dreaming, if you strive, you can reach the stars and soar beyond.

The book that introduced me to Bill Peet as a child and helped in inspiring me to push my art and chase my dreams. A must have for any lover of original Disney art or aspiring artist.

I nevertheless found it quite fascinating and engrossing.

Peet is a self-professed reluctant student, especially of English classes, but he is nonetheless quite the good writer. Peet's illustrations add a lot to the pace and feel of the book and are a joy in their own right. His stories of life in Indianapolis before World War II will be interesting to any native Hoosier (as am I).

However, the most interesting part details his jobs at Walt Disney studios. His descriptions of how they made movies in the old days as well as the insider's look at Walt Disney himself are fascinating. Peet worked on several Disney movies, including Pinnochio, Fantasia, Cinderella (he created the lovable mice) and the original 101 Dalmations.

Peet brushes over his life after he left Disney a little too quickly. I would have liked to have read his descriptions of life in the publishing world as well. Also lacking is much history of his family life.

That being said, it was still fascinating, entertaining and totally worth the reader's time.

I give this one a grade of A-