Photography Books

Join Jeff Corwin as he shows us the dry, hot desert of Arizona, the life and death struggle in southeastern Africa, the rain forests of Costa Rica, and the grasslands of the Venezuela. Along the way we learn about life, death, love, and the web of nature. He also pops in facts and short stories, many of which are as funny as you can get without a Nun's outfit, a donkey and a jar of peanut butter.
The book itself is a lovely hardcover, with full color photos and something I would be proud to have on my coffee table if I had a coffee table. And it is so enjoyable to read you could easily finish it in a day if you wanted to.

Jeff Corwin is not only a great tv personality but is also a very good author. I have read his book like three times already and each time I read it I like it even more.The pictures, all of which he took himself, are great and I like how he goes into his life experiences with animals. Also, I like how he sprinkles humor throughout the book. I have learned so much from Jeff Corwin and he is the reason I am majoring in Environmental Science. He has made me realize how important it is to protect the environment and all of the animals in it.

Gives good complex look at the animals in different environments and shows the environmental issues challenging each place. Filled with stories from Jeff Corwin's life and his own encounters with both exotic and extraordinary animals.

This book is great! Altho I am a big fan of Jeff's and the Jeff Corwin Experience, I am still blown away by this book. Jeff describes everything vividly, yet in a beautifully poetic way (i've never heard of so many diff ways to describe the sunset). I was really surprised b/c he isn't like that on the show. I loved that many lesser-known animals are introduced, as well as the more common ones. Also, I loved that Jeff gave us the pecularities/specialties of each animal so I'm not just reading the same old boring stuff that I've read in too many nature books or seen on tv. I've learned a lot of things that I never knew about (ie: the symbiosis btwn strangler fig & wasp) and Jeff describes them all so vividly that it was even better than watching the show. The only complaint I have is that there's not enough pictures. But as I read along, I realized that Jeff already painted the whole scene for me that photos would just be icing on the cake. I totally and whole-heartedly recommend this book to any nature lover!

This is a very entertaining and educational book. I'm a fan of The Jeff Corwin Experience, and this book did not disappoint me. It is very well organized and well written, and I was amazed at the way it managed to drop me right down into the middle of the Costa Rican rainforest or the African savannah. What I particularly liked was the variety of bizarre and fascinating details that Jeff adds. I found myself sharing these bizarre facts (like giant anaconda orgies that can last for weeks and weeks...woohoo!)with all sorts of people who, no doubt, thought I was some sort of animal expert now. But best of all is Jeff's obvious enthusiasm for the subject matter, particularly the topic of conservation. It's hard not to enjoy his stories when he presents them with such passion and humor. I definitely recommend this book to Jeff Corwin fans and any readers who want to take a walk on the wild side.

I was extremely happy with the service I receivec. I requested that this book be sent to the county jail, via Overnight Mail, for my son, and it wzs received the next day. Time was of the essence and you delivered. I can't rate the book myself, because it was not for me. I would definitely use Amazon.com again.

I have been admiring and studying the Art of Boris Valejio since 1988. This is a collection of Art (late 1970s-mid 1980s) from his career PEAK. Details and tones duplicated from a MASTER Painter. If you buy ONE collection of Boris's fantastic Art, IT MUST BE MIRAGE...

There are some beautiful pencil renderings with precision use of the eraser to bring his sketches to life. An added bonus to pages of glorious full color women and men in the god-like exploitation of the human form.

I'm a long-time Boris fan. I actually own this in hardback, purchased over twenty years ago. It still is one of my favorite art books even after two decades.

Okay, why "Mirage" and not some other Boris book? This isn't a just some anthology of book covers. Quite simply, it has the finest collection of sensual fantasy art I've seen. I say sensual and not erotic because there is a difference. Boris paints lots of skin in this collection... plenty of gorgeous female pulchritude, but it keeps to the tasteful side lecherous. Oh, there are a couple of male figures as well, and they're just as well executed as his females, so you can't fault him there, either.

But don't think this is a series of illustrations with some poetry (by the artist's then-wife) thrown in to justify a book full of nudes. There's always a heavy element of high (or sometimes low) fantasy in every scene... that's fantasy as in mythic, not fantasy as in Penthouse Letters, even though Bob Guccione would have jumped at the opportunity to have any of these women grace the pages of his magazine. And to the surprise of some, there are several very humorous images as well.

Yet there is some truly incredible art in this collection as well. There is one painting of a triton and mermaid... uh... "disporting" themselves underwater that still stands out after twenty-plus years as one of my favorite pieces of art regardless of style, genre or medium. That's saying something.

If you find nudity objectionable, skip this book... you'll never get past all the skin to see the art behind it. Some of the images are slightly disturbing. Some are what I'd consider "filler" to add volume to the book, not as appealing or creative as many of the others. Yet there are some that are simply stunning... breathtaking in color, style and subject, and that makes up for any weaknesses the rest might suffer.

And as I mentioned, there is poetry included as well, contributed by Boris' wife (before Julie Bell). As far as open verse goes, she does respectably well. Some of the poems are rather forgettable, but others may appeal to the individual reader. I like Dylan Thomas and a few other modern poets who use free verse, so the style doesn't bother me a bit. Still, on the whole, the art is why I got the book, not the poetry.

If you want art by daVinci and verse by Tennyson, save your money... you'll be disappointed. Personally, I enjoy art by Boris and poems by Doris just as well.

Overall, an incredible collection well worth the acquiring.

This book collects a series of Boris' paintings, plus a few very detailed pencil drawings, done between 1979 and 1982. If you're not already familiar with Boris' work - well, you probably are whether you know it or not. He has done years work of book covers for Edgar Rice Burroughs, as well as reams of posters. The one constant through all his work is passion for the human form and human power, both male and female.

These paintings range from the lush and sensual to humorous or macabre. A hookah come to life has a demonic presence, but a bar of soap come to life (and licking the bather) is more charming and a little silly. Even the simplest pictures have overtones - that bather is truly a beautiful woman, leaving me just a little envious of such close contact. Maybe not envious either, but off in thoughts of my own. And the preface is right, 'erotic' is much too simple a word for all the different feelings and combinations of feelings that come from having or holding a strong, healthy body.

My only complaint is a sameness in the female figures presented. The faces are beautiful, long and elegant, but mostly the same. The figures - the one figure, really is beautiful, but I value the uniqueness of a figure and the differences between figures. Cloning can serve a narrative purpose, certainly, but sameness wears. Even the loveliness of Danielle Anjou, acknowledged as a principal model and collaborator, wears.

Boris is the master of the figure in fantasy art, and has been for many years. This is a great sample from an earlier time in his career. It's almost impossible not to like.

//wiredweird

If you are a fan of Boris Vallejo, or are thinking about buying a book of fantasy art -- this book should be the first one you buy. This is an absolute must-have for any art book collection, fantasy art or otherwise. Of all of Boris Vallejo's work to date -- this book by far has all his best art.

Boris Vallejo is by far the best fantasy artist EVER! His 1970s and 1980s art is by far much better than his current work, as is evident from the Mirage book. The figures/subjects in his early work in the Mirage book look like they actually belong in the painted scene. Many other fantasy artists draw subjects in scenes that look like models posing for a painting -- and look really stiff like cardboard. Boris meshes the scenes perfectly and transports you into another world with his vivid depictions of fantasy characters.

I recommend buying Boris Vallejo books in the following order:
1) Mirage
2) Fantasy Art Techniques -- buy it even if you're not an artist.
3) Enchantment
4) Dreams
5) Sketchbook

Verdict: Buy it!
Reviewed by Harrison Chua.

This is the Mother Goose of my children's generation. It was always a favorite. The illustrations are humorous and not too frightening (as in "A Real Mother Goose." This book is beloved by all three of my children, and was often their bedtime story pick well into elementary school. I would recommend this book to any parent looking for a comprehensive Mother Goose.

This book is in excellent condition and is exactly as I remember it as a child. It has brought fond memories back and I am sure my god children will enjoy it as much as myself and my brothers did growing up.

As a small child, I read Gyo Fujikawa's Mother Goose with my mom almost every night. As much as I loved the rhymes, I loved Ms. Fujikawa's drawings even more. Her little line drawings created a little world for each rhyme, and her full color illustrations--stretching across both pages--were gorgeous and mesmerizing. How wonderful that it is back in print so that my 2-yr old son can enjoy this book, too. (My own 40-yr old copy is lost somewhere in my mom's garage.) He loves it and clamors for "Goose! Goose!"

They don't make them like this anymore. A beautifully illustrated book. I had "Oh, What a Busy Day" as a child and we looked at the pictures over and over again- never got tired of it. Hoping my child will think the same of this one.

This is more than a kids's book to me: it is a treasured family heirloom.

The Volland Edition of Mother Goose Nursery rhymes is a well-worn book that sits on our lowest shelf for our kids to access freely. This has resulted in a bit of fraying on the edges of the pages and a binding that has started falling apart. But I have no regrets that my kids have returned to this book often and with anticipation when I announce that it is story time.

In this Mother Goose collection, you will find all the favorite rhymes in their original form; beautiful, sentimental, at times seemingly savage to our 21st century sensibilities - they were all written without regard to political correctness. For instance, the little old woman who lived in a shoe actually whipped all her children soundly before sending them to bed (not "kissed"), and Jack and Jill really do "break their crowns" instead of their hats or just bumping their heads. A few other selections mention the deaths of children and animals. Parents will have to prepare to explain some serious things to children after reading some of these rhymes.

The language back then was apparently more sophisticated than modern versions: consider "The Cat and the Fiddle" in which the little dog laughed to see such craft, which rhymes rather better than the later versions' (dumbed down) sport or play. In my opinion, that only adds to their color and charm. Hey, you can use it as an educational opportunity to teach new word usages to your kids.

But the real reason to choose this rhyme book is that the Volland Edition of Mother Goose is illustrated with an eye to beauty that you simply won't find in modern nursery rhyme books. That is what really sets the Volland Edition apart from all the modern collections; magical, perfect watercolors for each rhyme. No picture book since the Volland Edition has matched the quality here and I do believe that children enjoy good artwork and benefit from it greatly. In my case, this very book was inspirational in setting a high standard for my aspirations to become an artist someday.

As a great way to teach children poems and rhymes that will stay with them their whole lives, or as a valued heritage from another century, the Volland Mother Goose is one book every family should experience IMHO.
-Andrea, aka Merribelle

The images in this book are great and truly inspiring. The panoramic format really adds to the impression. Mangelsen has shot the images around the globe from Alaska to the desert in Africa.

What a beautiful display of God's wonderful creation! The books great, but there are two pages that are smudged. However, I can live with the smudging for the price I paid.

...this is the one. Tom Mangelsen was named by American Photo as one of the "100 Most Important People in Photography" and this book shows why. His work is not what one would usually expect in nature photography. He breaks through a genre that has become something of a cliche and surprises the viewer/reader with a broad, holisitic look at nature that astonishes and moves. This is my favorite book on nature, ever.

This book makes a great gift. It's big and beautiful and unusual, and the photography is spectacular. The book is bound at the top for optimal viewing of the panoramic scenery. Mangelsen is a genius with a sophisticated eye for composition, color, depth... The text is wonderful, explaining the story behind the photographs. This is the consummate coffee table book. It lives on our coffee table and everyone who sits on the couch instantly becomes mesmerized with the beauty of each page.

I was a fan of Mangelsen's photos before I bought the book, but wow! Page after page of excellent photos. it's the coffee table book that is rarely ever on the coffee table because people are oohing and ahhing over the wonderful content

Gillian Zoe Segal's book, New York Characters, is outstanding- the best photography book I've ever seen/read! The photographs featuring prominent New Yorkers are incredible. Each one captures the true essence of the "character" and truly comes to life on the page. The characters are all photographed in their natural environment, and as Segal points out and demonstrates in her book it is New York's characters that make "it the greatest city in the world". In addition to her photographic genius, Segal writes beautifully. The vignettes's about the characters are intersting, informative, humorous, and touching. No coffee table should be without a copy of New York Characters. It makes the perfect holiday gift for New Yorkers as well as out-of-towners because everyone loves or has an interest in New York, right? Furthermore, all of the proceeds of the book sales are going to the September 11th fund. So what could be more gratifying than supporting the city's recovery effort by buying this wonderful book for yourself, for your friends, for your family...? I feel confident in saying that anyone who picks up New York Characters will enjoy it immensely. What will Segal do next? I can't wait....

Gillian Zoe Segal's book, New York Characters, is outstanding- the best photography book I've ever seen/read! The photographs featuring prominent New Yorkers are incredible. Each one captures the true essence of the "character" and truly comes to life on the page. The characters are all photographed in their natural environment, and as Segal points out and demonstrates in her book it is New York's characters that make "it the greatest city in the world". In addition to her photographic genius, Segal writes beautifully. The vignettes's about the characters are intersting, informative, humorous, and touching. No coffee table should be without a copy of New York Characters. It makes the perfect holiday gift for New Yorkers as well as out-of-towners because everyone loves or has an interest in New York, right? Furthermore, all of the proceeds of the book sales are going to the September 11th fund. So what could be more gratifying than supporting the city's recovery effort by buying this wonderful book for yourself, for your friends, for your family...? I feel confident in saying that anyone who picks up New York Characters will enjoy it immensely. What will Segal do next? I can't wait....

I got a copy of this book and the other night three friends and I made a bet as to who had seen the most "characters" in real life. Sad to say I was not the winner but did pretty well with 24 and came in second. Anyway, it's a great book and a kick to get the real stories behind some of the interesting people we see around town. Highly recommended.

If you admire great photography and exquisite prose and feel the slightest attachment (or wish you did) to New York, then Gillian Segal's book is for you. I moved from New York a little over ten years ago and was determined to keep in touch with the city I love. However, it was only a matter of time before I lost touch with what really made New York special: the people's unique personalities. Gillian's book has allowed me to reestablish contact with the city that I still like to call home. Now, when my colleagues in Providence ask me what to do in New York, I no longer provide them with a mundane and outdated list of restaurants and sites. Instead, I refer them to Mrs. Segal's book. I inform them that in its pages is where they can find the real New York. Everything from great food, The Egg Cake Lady, to a wonderful opera on 57th street, performed by Opera Man, to a great jogging partner, the Mayor of the Reservoir (he is featured on the cover) can be found in "New York Characters".

If you are a New Yorker, a former New Yorker, or someone new to the City, you should own this book. The photography is both penetrating and compelling, and the characters featured are truly fascinating. It's like the Zagat of New York people. I hope the author comes to Los Angeles to do a book on characters here (there are plenty)!

It's the greates visual experiens in body's beaty. As a dancer I want to thanks Howard's work.

...The embodiment of perfect human physical condition captured in a way that could not be imagined. OUTSTANDING!

Amazing beauty. This book makes me want to practice all aspects of photography. Waterdance was boring, but this one is true black-and-white tangible vision in print.

Any serious artist should have this text on their shelf. The simple anantomy of the human body is not enough as found in other similar texts, but this text offers not only dancers in motion but still poised with lighting that shows the muscles we completely miss in full light. The silver gelatin prints darken the skin enough to show each nuance. A must have.

It's art for artists.

Passion and Line is one of my very favorite books and I have thousands of books. It inspires me. It motivates me. It is the zenith of what the human body can be. I get chills each time I view this thrilling book. The hard work, the incredible discipline of the dancers is exquisitly captured by Howard Schultz. Bravo to the Artist Schultz and bravo to his subject dancers.

I found this photography book to be informative and beautifully illustrated. One of my favorite pictures is of a new born. It shows only part of the head, a shoulder and curled little hands. We see no clothes or blanket,just soft baby skin. Photo Workshop is a good description. The chapters are complete enough to instill confidence to try the different techniques. The assignments at the end of each chapter are motivating. I would recommend this book to those who are trying to capture the spirit and innocence of children. These techniques also work in capturing a pets personality. I have given this book to each of the parents of my grandchildren,and am looking forward to receiving some great pictures.

The book was exactly what I was looking for. Help with the how to on the technical side,but was helpful on setting up shots. Looking around my house and seeing how the book would "shoot it" then applying it with my DSLR. Composition and Lighting was extremly helpful to me. This book was well worth my investment.

I've read this book from cover to cover. I love it. As a beginning photographer, this book was very helpful. Not a lot of technical info. Just enough guidance to get me going on my own.

In addition to Ginny's inspirational photography I found this wonderful book to be informative beyond taking portraits of children. I am new to photography and found lots of ideas and tips for taking better photos of any subject. An additional bonus is the assignments at the end of each chapter to put the techniques into practice. This is a book that I will refer to often. I highly recommend this and look forward to more books by this photographer.

Having three daughters, documenting their childhood with photographs is a real priority for me. But I really lacked knowledge on how to take good photographs - I always relied on the auto settings on my camera and the pictures seemed so ordinary. In the attempt to learn more about photography, I purchased this book along with a couple of others. This book, by far, was the most helpful for me. I had been having a hard time wrapping my mind around the concepts of aperture and ISO, but this book really helped me understand! Each picture listed the shutter speed, aperture, and ISO, which helped me see what those things were doing to affect how the picture looked. Also, the pictures were so inspiring and gave me tons of ideas on composition. The assignments at the end of each chapter were helpful in developing my skills. The book was very pleasent to read and it's definitely a book for parents aspiring to become better photographers! My only wish was that the pictures also listed what type of lens was used (so that I could buy it and have the lenses that the professionals used!).

All Evelyn Cameron wanted was to be able to say she had lived a worthy life. By the end of her life, she thought she had not achieved that goal, but this book proves otherwise.

I was fascinated by Evelyn's life, especially the hardships she endured, trying to make a living off the dry summer land and the bitter winter cold in eastern Montana, with a husband who barely lifted a finger to help her work the ranch.

It was Evelyn, a woman brought up to live a leisure life in England, who milked cows, churned butter, did laundry by hand, plowed fields, tended a huge garden, dug coal, patched openings between slats in the house, painted walls, butchered livestock, broke horses, autopsied her own animals trying to discover what caused their deaths, and even stitched her own wound when she accidentally cut herself with an ax. She went on Fall hunting trips to provide meat to last through Montana's extreme winters. While her husband hunted, it was left to Evelyn to skin and dress the meat. She accompanied her husband while he researched Montana's birds, often waiting for hours for the perfect photographic shot from dangerously high rocky outgrowths.

She rode horses for miles to sell her vegetables and to photograph other farmers, cowboys, and sheep herders far afield. Her neighbors counted on her when they wanted a photo to send to family, but Evelyn was also the person everyone called on when they were in need. She was a no-nonsense woman who learned to eke out a living in the worst of conditions. (After a month of such hard work, I would have been on the train back east.)

Yet Evelyn not only worked like a horse all day, she found time to read and keep a detailed diary every day. She listed chores she had completed, how long it took to churn and how much butter resulted, every penny earned and spent, copied every letter she sent ---creating an invaluable record of her life. Some of her details were also invaluable to her ---figuring exactly how much coal was used one year so that she could estimate how much to dig for the next winter. When she became interested in photography, her detailed records of lighting conditions and exposure times helped improve her craft.

Her photographs create a comprehensive record of her life and the times in which she lived. Considering she had to carry heavy camera equipment and fragile glass plates in unbearable heat (or cold) on horseback, deal with dust on the plates and guess at exposure times, her photos are remarkable.

I would recommend this book for anyone interested in photography, women, or frontier life. (You could give this book to your teenager the next time s/he complains about doing a few chores around the house.)

(I learned about Photographing Montana by reading Bad Land by Jonathan Raban. Raban found photographing Montana extremely difficult, thus he admired Cameron's photographs that much more for his own failures.)

The main feature of this book is its 150 photographs taken by photographer Evelyn Cameron in eastern Montana during the years of its earliest settlement, first by ranchers in the late 19th century and then by streams of homesteaders in the early decades of the 20th century. In the latter regard, it is an excellent companion to Jonathan Raban's "Bad Land." Most amazing is the vast range of photographs, including family portraits, group shots of cowboys, threshers, and sheep shearers, ranch buildings, open prairie, wild life, store fronts, wild horses, herds of sheep and cattle, badlands, social gatherings, and farm equipment.

We get glimpses into the lives of the wealthy and the dirt poor. None of the photographs were shot in a studio, and taken together they represent a broad sweep of frontier life across a handful of decades. The text provides a detailed life of the photographer herself, a remarkably spirited and self-sufficient English woman who has left us this marvelous and revealing record of a time long passed.

This work is a treasure. Evelyn Cameron and her husband, born into English society, established a ranch in eastern Montana early in the development of that part of the west. A need for additional income and a love of photography lead Evelyn to produce a large number of high quality photographs. Those photographs represent a historical archive of enormous value. The photos show the people of the time, how they made a living, and the tools that they used. My personal favorite is a photo Evelyn took of herself in her kitchen; she sent it to relatives in England to show them her life on the Montana frontier. It was a life of hardship, but also of achievement. The quality of Cameron's work is the equal of other great western photographers of the era, such as Jackson or Huffman, and it records a side of life not represented by anyone else. There is a balance in this book between text and reproduced photographs. It is a biography of Evelyn Cameron, including excerpts from her journals, as well as an exhibition of her photographs. A museum and gallery in Terry, Montana, is a repository of Evelyn Cameron's work and the total number of photographs is several times what this book is able to present. One hopes that other volumes of Cameron's photos will be published in the near future.

I live in the area of the photographer's subjects, and totally enjoyed the book and its' subject. The photographs, along with Evelyn Cameron's diary accounts of daily happenings, gave a captivating decription of what many of our homesteading ancestors endured. This is very enjoyable reading for anyone.

This book, by Time-Life books editor Donna Lucey, has some very interesting photographs of Montana, taken about halfway between the Lewis and Clark expedition of two hundred years ago and today. Yes, the early 1900s were right in the middle of Evelyn Cameron's career.

Cameron, nee Flower, was one tough and talented lady. She moved to Montana with her husband Ewen, going there initially in 1889, on a hunting trip for their honeymoon. I found the stories and pictures of life in Montana fascinating. Much of the book deals with the growth of Terry, a town in the eastern part of the state, on the Yellowstone river.

At the time, the Kodak camera was the instrument of choice for most American photographers, however Cameron did much of her work with a 5x7 Graflex. There are dozens of her photos in this book.

Although Cameron died in 1928, Lucey was lucky enough to obtain many of Cameron's photos from one of Cameron's friends, Janet Williams, who was 95 years old by the time Lucey met her in August of 1979.

In 2002, PBS began shooting a documentary about Cameron, and it was released last year. It includes over 200 of Cameron's photos (over 100 of which are not in this book), and it won four regional Emmy awards. It was the first high-definition documentary for Montana PBS.

I recommend this book.

I'm not a student, but I've found this book to be the best reference available for a comprehensive introduction/reference to photography. I obtained my copy at half price books (1st ed.) for [...] $, and were it not for that store i would have never known this excellent resource as I'm neither a "student" nor rich. The only other book that I've seen that approaches this one is René Bouillot's "La photographie argentique", which approaches that of Mr. Warren's in content and exposition but lacks the excellent paper/pictures and may be a little pretentious for néophytes as myself. Bruce Warren's Photography is by all accounts the best photography book i've encountered.

This book goes through the very basics of photography and is great for the student photography major or for someone wishing to further their knowledge in photography. Warren does not specialize in one specific area, but gives an over all to photography, it's special effects and bits of darkroom information

As everyone knows, college books are quite expensive and often hard to find. It's good to turn to Amazon.com and quickly find the textbook, for less than retail, and shipped in time for class!

This book should be on every new photographers buy list. In fact I think I'll put together a photo list and add it!

It's a largish textbook that is both well designed and clear. A rare find in textbooks, it actually teaches! I've found it very useful, very comprehensive and it's taught me quite a bit.

It's stylish, color, and will replace a lot of other books simply because it covers so much ground (not just technical aspects, but stylistic and subject matter). Amazon has it for a good price. I found this while shopping at Fry's and Amazon had it much cheaper.

I actually attended classes taught Mr. Warren and was around when he
was developing his first edition. He loved what he did and it showed in his
teaching and this is what is in his book. A love and practical understanding
and teaching to bring out the "best photographer" in you.

When a newspaper goes out of business, it's sometimes as if it never existed and everything it did is buried, rarely to be exhumed again unless it is some researcher.

Wire service people have labored in obscurity for decades and only in recent decades have credit lines become common for photos in newspapers or other print sources. Even Magazine credits were sometimes astonishingly small.

There is a UPI still in business, but it is unrelated to the great wire service that competed with the powerful Associated Press. But the photographs made by UPI photographers and others for UPI will live on in the Corbis library, much of it buried in cold underground storage.

What this book has done is to reach down into that vault and pull out some of the more memorable pictures from the UPI days when it covered the world. The names of the photographers may not be familiar except to those in the trade, but they are among the best as these images demonstrate.

An excellent book, well-written and well-edited. More please.

If you like pictures - news pictures that tell a story even after 70 years - you'll love "Picture This! The Inside Story and Classic Photos of UPI Newspictures." If you like good captions that flesh out the images with background information, you'll love Picture This!. The book of 238 black-and-white photographs, written and compiled by Gary Haynes with a foreword by Walter Cronkite, showcases the work of UPI's band of aggressive, talented and serious photojournalists who chronicled the life of the world in images that resonate even after 70 years.

You'll recognize the world-famous photograph of a saluting John-John Kennedy following the funeral of his father and discover the photo of the Dionne quintuplets and the image of George H.W. Bush campaigning in a Chicago suburb.

I have no vested interest in whether you buy Picture This! and never met Gary Hayes. But, I was a newsman with United Press International for 18 years in four states and I am, obviously, partial to UPI and have a sense of the toil and trouble UPI photographers encountered in chronicling news events.

A word of warning, however. When you try leafing through this book with the intention of spending only a few minutes, you will find yourself stopping to peruse an image, reading a caption and re-discovering, and perhaps discovering, forgotten events. Invariably, you will ask yourself: What was I doing at that moment in time, captured by a UPI photojournalist.

Unfortunately, Picture This! does not have the glitz and glitter of a huge table top book. Perhaps, however, that is the charm of a wire service book that underscores the art of black-and-white photographs and the talents of UPI photographers worldwide. These pictures and these photographers never tried to be pretty or charming, only tell a true, accurate story.

PICTURE THIS! THE INSIDE STORY AND CLASSIC PHOTOS OF UPI NEWSPICTURES comes from a veteran syndicate editor and photographer who pairs the best of UPI news photos with an insider's account of the stories behind them. But it's more than just a gathering of key photos linked to major news stories: it follows the wire service industry as a whole, providing a history of its development and evolution, competition with other news services, and how its library ended up in a Pennsylvania cave. An outstanding survey essential for any student of journalism.

Diane C. Donovan
California Bookwatch

We all take the camera for granted ;but someone having a camera availible at the right time and place;has meant that memorable moments and events have been recorded for posterity.There are many books that have tried to sum up the best photographs of the Century;some are very average,some are very good,and some are excellent;this one is that type.
I often wondered which I would choose if I had to pick 3 favorite photographs.It is very difficult;but three that come to mind immediately,and I don't really know why,are;

The Marines raising the flag on Iwo Jima ,as the best photograph from
the Second World War.

Oswald being shot in Dallas,probably since iI saw it "live" on TV.

and,

Marilyn Monroe singing Happy Birthday to President Kennedy,again
watched "live" on TV.

Anyway those are my picks,but with a little more thought,I could think of others just as momentous;such as the collasping of the World Trade Center on 9/11;which I watched being built;when I worked in the next block at the corner of Broadway Ave. & Nassau St.
UPI published many of the great photographs of the Century and if you've wondered what happened to all their 11.5 million photographs;they ended up in a cave in Pennsylvania,owned by Bill Gates's Corbus.
Gary Haynes has put together this wonderful collection from these archives ,along with comments on the photographs,circumstances and photographers.
In this large book of 256 pages and 238 B&W photographs, Haynes will enthrall you and bring back many memories. You'll remember seeing many of them,you may have even watched sone take place (live or on TV);and others will be new to you.But one thing is for sure,you'll enjoy this remarkable collection.
Here are some of what is included;

The Hindenbury exploding in 1937.

Barrels of wine being dumped in the gutter in Los Angeles,in the
1920's.

The KKK parade in Long Branch,NJ,on July 4,1924.

Truman holding up the Chicago Times announcing "Dewey Defeats Truman"
November 3,1948.

People viewing John Dillinger on a slab,July,1934.

Rare photograph of JFK in a hat;and not the top hat at the Inaugural.

Hermann Goering ,accustomed to ostentatious luxury,eating from a tin
plate during a break in his Neurenberg tria.

JFK and Sinatra as best of pals.

President Truman playing a tune with Lauren Bacall draped across the
piano.

Louis Armstrong serenading his wife Lillian in front of the Sphinx.

and even some humor ,such as;

Lee Travino ,emerging from a rough ,holding a large snake on the end of
his club.Though it was a prank rubber snake,it always startled the
bystanders.
What a wonderful collection of photographs and many thanks to both Haynes for putting them together and least, but not all,to the photographers who took them.

My husband worked for UPI Newspictures from 1961 to l981 and shared the ups and downs of UPI and Gary Haynes has captured the story of the wonderful photographers and their work who were always out numbered by the AP and were able to compete and win many stories by sheer determination. UPI Newspictures had a great planner,Charley McCarty who out thought the oposition and two fantastic photo editors Ted Majeski and Larry Desantis who could find the best images on the film they edited. This books shows some of the photos they found on the film made by the hardworking photographers who never were willing to let the AP beat them. Thanks to Gary Haynes for putting it all in this book.