Weather Books

There is a small amount of text at the front of the book, which is moderately interesting. It contains a description of how to take these pictures for yourself, if you'd like to; and a classification of the kinds of snowflake and other ice forms depicted here. The bulk of the book, however, is made up of well over two thousand black and white photographs, the vast majority of them of single snowflakes. You can get an idea of what they look like by clicking on Amazon's image of the cover picture, above; in the book, the images are white on black. You may also want to visit snowflakebentley.com, which contains more examples, and more information about Bentley himself (there is almost none in this book). In most or all cases, Bentley went to the trouble of making a duplicate negative of each snowflake and then cutting out, by hand, the finely detailed image, so that the background to the picture would be pure black.

The results are spectacular. The snowflakes are ethereally beautiful, and the variety is just stunning. However, in case it's not clear from what I've said so far, this is a contemplative book. It's not a book to read: it's a book to browse through, put away, and get out again another snowy day. Children will like it, but just to glance at, not to go through steadily.

Recommended.

However, the tragedy of having Amazon encourage reader reviews is that you court the opinion of folks who are often frustrated writers, and who---because they don't have to sign their name---will say amazingly stupid and uninformed things. In re-reading DeBlieu's "Wind" once again, I am astounded that anyone as fully ... as the reader who gave it only one star [and very rudely called it a 'yawn'] could actually be taken seriously. This sort of uncivilized and uninformed behavior must originate with the dot com flame geeks, nasty little people who don't have the courage to sign their names to such 'critiques.'

Jan DeBlieu has written nearly 300 pages not only about the wind, but also its effects. Her inspiration came from living on the Outer Banks of North Carolina and watching the wind blast this land, break the trees, scatter the wildlife and discourage the people.

In the book, DeBlieu discusses many facets to the wind and its effects: mythology of the wind, the effect of the wind on history (due to prevailing winds, Europeans had sailed to Brazil long before they set foot in western Africa), as well as trees, birds, sand, ocean currents and man himself. Man's attempts to confront the wind (such as skyscrapers whose windows are blown out in strong winds) and to use the wind (such as windmills for energy) are also discussed.

But the facts presented in this book are only half the story. This is not a scientific book written in dry language. If that were so, this book would not be particularly interesting to a casual reader. But, as the blurb on the back cover states, "Jan DeBlieu brings a poet's voice and a scientist's eye" to her study of the wind. And that is what makes the book so interesting. DeBlieu takes scientific descriptions and transforms them into sentences where you think "I wish I could write like that". For example:

"Just as it has shaped the history of mankind, the seasonal paths of animals, and the spread of vegetation, wind chisels the crust of the earth. It whistles around mountains and through passes, eroding rock as it gains speed. Bit by bit it skims the tops off plowed fields. It scatters ash from volcanic explosions and so creates some of the richest soil on earth."

If you enjoy learning about the world around you, but are put off by the scientific language, you will find this book to be - I can't avoid it - a breath of fresh air.

The author, an aquarium director in coastal North Carolina, does a remarkable job (especially for a non-meteorologist) of documenting the impact of every hurricane which affected North Carolina since 1875. Each storm -- including some hurricanes that made landfall elsewhere but passed across the state -- gets its own narrative which variews in length according to the storm's impact. Fran (1996), the costliest and fifth deadliest hurricane in state history, gets big coverage with 32 pages. The chronological stories of each storm are spread across several chapters covering most of the book, which are in turn sandwiched between a general introduction to hurricanes and a chapter on Nor'easters. The final few chapters -- on Nor'easters (cold core winter cyclones), hurricane effects on fauna, potential for future danger, and hurricane safety -- appear roughly cobbled together as if there were no logical order for them. Still, the collection of stories of animals' life and death in North Carolina hurricanes is quite interesting, and unique among books dealing with the impact of weather phenomena.

For a historical volume, the writing style is engaging, vividly descriptive and occasionally humorous. Nowhere else in weather related literature have I read about local speech patterns ("Hoigh toide on the sound soide") together with graphic descriptions of mayhem's aftermath, like "...battered caskets and bones lay scattered, unearthed by the hurricane's menacing storm surge."

Some of the stories of human survival, heroism and death in hurricanes are more bizarre and ghastly than fiction could conjure. These tales, together with an accurate factual record of the storms and a rich collection of black and white photos, show the tremendous effort and attention to detail by Barnes in his historical research.

The book does suffer aesthetically from its drab printing, with only cover color, by UNC Press. Such obvious parsimony, unfortunately, exemplifies the policies of many university-affiliated presses. But since substance trumps form; I deem this to be a fine non-technical addition to the literature of any hurricane enthusiast.

I think this makes a great gift and can start some wonderful conversations. Anyone in New England who lived through the great "Blizzard of '78" and has a story to tell, will enjoy this book as a keepsake and rememberance.

Varon outlines and explains why some anti-war and civil rights protestors moved from passive resistance to the state to outright acts of terrorist aggression.

The author is particularly good at tracing the "development" of the ideologies radicals used to justify their violence, and at explaining the difference between US and German radicalism.

Thankfully, "Bringing the War Home" is free of the post-modern jargon polluting much academic writing today, and thus is a joy to read.