Video Books

This was a very good read, masterfully told and researched. This is the only book that tells the COMPLETE history of indie movies. Highly recommended.

This book blew me away. I love the way it covers the whole spectrum of indie film, not just "art" but "exploitation" as well. The story of how these films came to be against great odds makes for great reading. I learned something knew on every page. Highly recommended for fans of non-Hollywood films.

This was a great read. Very well-written. It covered more than any other film book. I especially liked the exploitation stuff and how it mixed with art films: the yin and yang of indie cinema.

This is the best book ever written on independent film. I wish I could give it move than 5 stars, because Celluloid Mavericks is a pure pleasure to read: witty, informative and always extremely entertaining. No other book comes close to its breadth and detail, especially in regards to the previously uncharted territory between 1896 and 1960. This is my all-time favorite film book, well deserving of its many raves reviews.

from the New York Press 3-29-2000 - copyright Matt Zoller Seitz

Merritt's book covers a century's worth of off-center cinema, including 1890s nickelodeons, 1940s chitlin-circuit black films, Sam Fuller's genre-busting work in the 50s and 60s, blaxploitation and hardcore porn in the 70s and the Sundance wave of the 80s and 90s. The central idea of free spirits bucking the system unifies waht might have been a too-broad historical text, and Merritt's tart wit enlivens the fact-packed narrative. His prose isn't merely amusing; it's lovingly polished, a real pleasure to read. He's honest enough to admit that most 70s blaxploitation films were garbabe, "rarely as much fun as their posters or soundtracks." He coins a wonderful new phrase to describe the hillbilly flicks that flooded rural drive-ins around the same time: "Whitezploitation." He describes Tom Laughlin's "Billy Jack" as a movie about pacifists who "come to worship a man of violence," and declares, "the real hoot is seeing the messiah take off his boots and kick the grins off rednecks."

This isn't one of those fuzzy, ruminative books where the author writes whatever strikes his fancy and crams it into a bulging thematic suitcase after the fact. The preface carefully defines "independent" to mean any movie "financed and produced completely autonomous of all studios," and "semi-indie" as a movie that received studio funding at some point. The definitions cast certain well-known American films in a fresh light. I didn't know, for example, that the Oscar-winning "One Flew Over the Cuckoo's Nest" didn't get a dime's worth of funding from any studio.

Chapter to chapter and page for page, "Celluloid Mavericks" is an indespensable book, as entertaining as it is informed.

David Robinson has written the definitive biography of Charlie Chaplin. It is largely the basis for the movie "Chaplin" because it was authorized by the legend himself and thoroughly explores his life to a greater extent than his autobiography. It is truly a moving and informative work.

Robinson begins his chronology of Chaplin's life in his childhood. He was largely orphaned by his alcoholic father and was only allowed to spend time with his mother while she was mentally healthy. It was through a failed performance of his mother than he got his first taste of acting as a child. From this point, he would devote almost all of the rest of his 87 years to entertainment. In his youth, he specialized in the stage productions which entertained England. He got his first taste of America on one of these traveling tours. On a later tour, he was offered a contract by an American film company. Chaplin agreed to honor his stage contract before beginning his film career.

The book documents with reasonably precise details the process of each film he released in addition to one the public never saw and the final project he never started. Through this filmography, we see the development of "the tramp" character. With each film, the character moves closer to the final product we know.

Chaplin's personal life is well documented. Unlike the autobiography all four wives are addressed, even the one Chaplin was not very fond of discussing. The fact that his first two wives were young is not avoided. However, it must be put in perspective that people did marry and have babies a lot sooner in those days. It is only unique in Chaplin's case because the husband/father is famous and much older. Despite his work for America during war time and a professed love for the country, the slanderous allegations of McCarthyism, also known as the 1950's witch hunt for communists, forced him to finish his life away from the country he loved. Truly the red scare is made to be a more terrible embarrassment to America by this result.

Today's cinematic audience has little appreciation for the roots of the art form. Charlie Chaplin was a revolutionary and founding father in the film industry. Reading about his life is only a step in appreciating his brilliant work.

Robinson is the premier researcher on the life of Charles Chaplin, and this book is the result - a fact filled, balanced book that allows equal focus on Chaplins films and personal life. Most books tend to focus on WAY too much personal life and innuendo, but Robinson avoids this problem, and makes a good book that truly encompasses the entire life of Chaplin.

Robinson's book includes a well detailed filmography, scripts from several early Keystone films, excellent appendices, and many rare pictures. My only complaint is that many of the pictures could be printed much better, and larger too.

Superb reading!

David Robinson's book is the finest biography extant of this indispensable genius of movies. I first read this monumental book 22 years ago and it has remained an indelible part of my understanding of movies and of the life and work of this complex, infuriating, somewhat naive but always questing and humanistic comedian, whose movies are finally being issued on DVD in luminous copies of his own carefully preserved originals.

At the time of Robinson's book, and for a number of years after, Buster Keaton was the preferred choice in silent comics. To take nothing away from Keaton, whom I regard as sui generis ("The General" is a masterpiece, and "The Navigator" is the funniest movie I've ever seen) this may have been more a reflection of the then-current attitudes of "cool," reacting against Chaplin's perceived sentimentality, than an argument for Keaton as the greater artist. Chaplin has recently become of greater interest, and at present his star seems much more firmly fixed, due in large part I think to the recent availability of his work on DVD. Robinson himself, in tandem with the silent cinema scholar Kevin Brownlow, is partly responsible through his access to Chaplin's mint copies of his own movies, which resulted in the superb Thames documentary "The Unknown Chaplin." In any case, it's much easier now to see and to recognize Chaplin's innate (yet painstakingly arrived-at) genius for mixing uproarious physical comedy and subtle pathos; if there is a more moving finale in all of American movies than the last moments of "City Lights," I'm not aware of it.

Robinson's approach is both scholarly and eminently accessible. And he dispels a great many erroneous "facts" that have accrued to Chaplin over the decades, many of them directly attributable to Charlie's own myth-making. The author also refutes some aspects Chaplin's late (and appallingly egocentric) memoir "My Autobiography," whose appearance in the 1960s shocked and saddened many of his former creative collaborators, who found themselves conspicuously absent from Chaplin's over-stuffed tome. If this book is not definitive -- and who can say what future writers may produce in the fullness of time? -- it is at the very least the one fixed starting point for all serious Chaplin research.

There are only two books necessary for the true Chaplin fan; "My Autobiograpy", by Chaplin himself, and this book by Robinson. While there are scores of other books on the market concerning Chaplin's life, Robinson's is THE definitive work.

If Charlie had been around to read this work, he might have amended his famous phrase from "If you want to know me, see my movies," to "If you want to know me, see my movies and read this book".

This book, though thicker than brick, is a swift and fascinating read. You'll wish you'd known old Charlie, you really will. Robinson doesn't care for those who don't care for Chaplin, and that's a little too evident. It's hard to blame him. Overall, a stupendous piece of work.

It's a toss-up as to which of Mick LaSalle's great pre-Code books (his previous is COMPLICATED WOMEN) is superior. COMPLICATED WOMEN is a work of advocacy, in a sense -- he wants to rescue the women of pre-Code from obscurity and critical neglect, and he does so ably. This book is more cool-headed amd critical. It's also funnier. It feels more grounded in the real politics and culture of the early 1930s. The research goes deeper. The book is longer. I think they're both essential reading, demonstrating a passion for film and an understanding of history that's impressive, rare and indispensable.

The Golden Age of movies is sometimes taken as the glorious silent era. However, it can be argued that the films made right after the advent of sound provided more realism and more to think about than movies before or since. In a vital and entertaining study, _Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man_ (Thomas Dunne), Mick LaSalle lovingly analyzes the films and movie heroes from around 1929 until 1934 when censorship took over. Those interested in the history of film, and in learning more about giants like Cagney and Gable, as well as about important but forgotten former stars like Richard Barthelmess and Warren William, will find this book irresistible. After 1934, it was a long while before American films were made without a censor able to clip scenes, and LaSalle demonstrates that the pre-censorship (or "pre-Code") era was a time for realism as well as idealism in the movies.

LaSalle demonstrates that silent films were really productions of the Victorian era; men were expected to have sobriety and character. World War I, Prohibition, and the Great Depression changed all that. There was a deluge of pre-Code gangster movies, and every major actor played a gangster, even Spencer Tracy and Boris Karloff. The gangster movies, and the war movies, provided a new look at how a person might live in the world and live with himself; there was a good deal of introspection within the characters displayed on screen that would vanish when the Code came into force. Along with serious evaluation of such moral matters, pre-Code movies were full of pacifism. Repeatedly the young idealistic heroes go into battle only to be shocked at the destruction they themselves have wrought. These movies exalted individuality and distrust of governments that led citizens into pointless wars. Pre-Code films emphasized the heroism of getting wise and taking care of oneself, not the heroism of battles and bugles. There is a good brief history of Code censorship here, showing the role of the Catholic Legion of Decency and its regrettable effects. Not only did the Code enforcers impose wholesomeness on future movies, they insisted that when the pre-Code films were re-released they be re-cut into more acceptable form. Sadly, sometimes the censored version of a pre-Code film is all that remains. It was not until the ratings system came in 1968 that the Code was dismantled.

Partly LaSalle's book is a warning, and one especially pointed now that certain forces within the government find censorship in various forms appealing. LaSalle has enormous admiration for the films described here, but says, "Even vitality such as this can be squelched if a close-minded faction is obsessed, pernicious, and willing to organize." He has seen a lot more of these pre-Code pictures than his readers have, but anyone who enjoys the movies will be eager to take a look at these films after reading this book. Pre-Code films showed war brutality, governmental corruption, and harnessing courage to subvert the system. LaSalle writes, "These may be healthy things for individuals to know, but they aren't what governments like to see pumped into the public consciousness."

I wish I could have given this book 5 stars, but Mr. LaSalle had made a minor mistake. In the book's first chapter, he made the mistake of comparing most of the major actors of this era - especially Clark Gable - to the recent film star, Tom Cruise. In some attempt to put Cruise at a disadvantage, he described the actor as being "amiable" and youthful in compare to Gable. One, Cruis is more than an "amiable" actor. He has made a career of portraying some rather ambiguous and/or dark characters during the past twenty-five years. And two, he stopped being youthful a long time ago. I think that Mr. LaSalle may have been blinded by Cruise's famous smile and failed to give a more accurate portrayal of the actor's career.

Mick LaSalle has done a fine job in recording the accomplishments of actresses before the pre code "censorship" era (1929-1934 or thereabouts!) . If you are at all interested
in films of the thirties this is a MUST! And if you are just interested in films in general this will surely be "of interest". And if you are a Norma Shearer fan it is a MUST!

I guess it's too early to have a favorite book of the year, but I can say with certainty that, had I completed it in 2002, Dangerous Men would qualify as one of my top two or three -- and probably the best non-fiction book I've read: So smart, so authoritative and, as some other readers have pointed out, so funny -- funny, even as you're learning something fascinating on every page.
It is hardly the usual sort of film book. Rather it's a brilliant investigation into the nature of manhood in the twentieth century, using these films as markers along the way. At the same time, it is a movie book in the sense that you come away dying to see the movies. I'm going to be using the list that the book provides to help make my video choices in the coming months.
What a wonderful Christmas gift. I already ordered Complicated Women, because now I can't get enough of the subject. You'll probably feel the same way, too. By all means, this is a book to get.

It's Friday night, you're tired after a long work week, and you're wandering the aisles at Blockbuster looking for a good family film. No need to go through the brain damage of reading millions of obscure DVD sleeves when you have Michael Booth's fine book, which recommends some little-noticed but still-great films appropriate for the schoolkids in your house. Screenit.com is OK if you have a specific idea for a rentable movie, but Booth's book is much better when you need recommendations (and for the fun writing, too).

This book is both helpful and enjoyable to read. The commentary addresses its audience with insight and intelligence. Best Family Films has been really helpful - particularly with concerns on the wide range of whether PG-13 movies are more of a PG or an R rating. This book has taken away parental angst.

Booth has a great feel for which movies work for which audience/age group. His recommendations have been 100% when selecting movies for our family.

Michael Booth is the thinking person's alternative to that other Michael (Medved) who professes an interest in family films. Booth's reviews are informative, helpful, witty, and a real pleasure to read. Highly recommended!

This guide's succinct reviews are really useful. Every review is on one page, with an entertaining tidbit, age-appropriateness and run-time on the facing page. I found several of my all-time favorites, but what's better is that I found a few gems that weren't on my list yet.

I don't normally write reviews, however in this case I felt compelled to do so. If you're looking into the topic of family films, let me save you some time. Get this book. As others have noted, Mr. Booth's reviews are entertaining, informative and spot on. His selections include films off the beaten path. Good stuff!

This book really is the definitive source of all things Disney by the keeper of its archives. It is fascinating and complete, containing information about theme parks, characters, movies, television shows, music, and more. It is the must-have reference for Disney fans like myself.

This is a must have for Disney fans. Everything from ABC's LOST to the Alice Comedies and from Steamboat Willy to Meet the Robinsons is covered here. Some articles are more detailed than others but everything is covered. Makes an interesting read just on its own. Film historians and students will find a wealth of connective material here to jump start them on research and fill in the dots on hard to find questions. A beautiful display of pictures is included with this volume. If you can't actually visit the archives (and I certainly would like to) then this is the next best thing.

"Disney A to Z" is an awesome book that a true Disney fan cannot live without. It is a great book that will help you find out about old Disney movies, that you might have not seen. "Disney A to Z" encyclopedia is also an essential source for those that love to play the "Disney Seen it" board game. It gives a short description of ALL Disney movies including the short ones that came out after the World War II. I LOVE IT!!!

This is a great gift for any Disney fan. Many listing bring back great memories and coll trivia.

This book is a great resource for all Disney fans. All the characters, all the movies (unfortunately, the Mephisto movie made in collaboration with Salvador Dali is not in the book) and all the attractions, parks, properties and influentials employees are mentioned. Maybe just not as exhaustive as I would like it; it is, however, a great resource.

This book is an awesome book. I remember reading Famous Monsters of Filmland back in the 60s. The quality printing of this book is incredible. I love that they had printed a hard bound version. It's well worth the money. The color of the paintings pop right of the page.

I'm in agreement with another reviewer that mentioned the book could have been better written. That being said, it is well worth the price for all the fantastic paintings and drawings. A must for every fan of horror and sci-fi art.

Even without text, this book would've earned 4 stars, just for the impressiveness of Gogos' work. Within this book are large, crystal-clear repros of his most famous monster cover paintings, as well as samples of his illustration work.
The only setback for this book is its lack of depth in the text. It seems that whoever was sent to interview Basil didn't ask too many questions, didn't want to really know too much about him except for his general acheivements, and didn't ask him for a demonstration of how he works. Among all of the great pics, some candid ones of the artist would've been nice, most notably a pic of his studio.
Still, the images are so rich in color and character. Worth it!

First of all...Like so many reviewers before me have said; almost every boy that grew up in the '50s & '60s anxiously collected our 35 cents every month so we could go to the local candy store & buy the latest issue of Famous Monsters of Filmland. This magazine became our bible & 4E Ackerman became our surrogate father. More than 45 years have passed; but I can still remember those magnificent covers as though it were yesterday. Basil Gogos painted the cover of the Gorgo issue which had a blue background & also the Vincent Price issue which had a white background,etc. This Book displays all of Basil Gogos outstanding cover art which graced the cover of FM for so many years. Don't take my word for it...ask Stephen King, Rick Baker, George Lucas, Stephen Spielberg, John Landis, Rob Zombie & a host of others..This book is an absolute delight for the senses & like fine art is meant to be treasured,

this book is great.Very happy to included this one in my collection.Already have a tattoo planed of bride of frankenstein.

I've only read about half of this book for my History of American Film class this semester at Century College,and I must say that the books Bruce writes are just as cool,calm,and collected as he is in person!Anyone who would like to get a better understanding about film in general should think of this book as an overview;it's full of interesting vocabulary terms,tidbits about some of the best films ever created,and just the way the material is presented:slow-paced with humor to keep your mind involved in the material.If you want to learn how to accomplish more at the movie theater or in your living room than sitting and watching,get this book;soon you'll be thinking about films the way the director intended!

For people who want to go beyond Hollywood and explore the real world of film, this is a great starting place. Here is a book that covers the whole gamut of film study. Concise and precise, this book is eclectic and bold. It is hard to put down. If you are at all interested in film, or if you are tired of the Hollywood offerings, then this is the book to begin with. It includes all the essentials, but in a compact form. I loved reading the author's way of writing and opinions. Not just facts, but passion is displayed in this amazing book. I look at films differently now. I appreciate them more, and feel much more comfortable talking about them because of this book. A great introduction to the cinema from an academic point of view, as well as offering a wealth of recommended films that are very up-to-date and historically important.

This is exactly the book you need if you are at all interested in films. It covers everything, is short, easy to read, well-written, and fascinating. A wonderful introduction including lots of film titles, opinions, vocabulary, history, art, and genres. There is information on film history, techniques, and artistic evaluations. Also, the appendix includes a list of great films organized by date, by foreign and American films. A marvelous book about films and art.

Being a movie buff,I love the fact that this book helps you to be a critical viewer as well as a fan.Written for experts & the lay person alike, you find concise definitions & explanations of all movie terminology & nomenclature.It literally teaches you how to be a film critic and familiarizes you with the technical aspects as well.A highly recommended read.

Being someone who ordinarily uses movies purely for escapism & entertainment value,I was a little skeptical as to the notion of film as art.However, after reading Mr. Hinrich's book,I am forced to rethink my sensibilities on the subject.Because now,I am able to enjoy films on multiple levels, and appreciate the way he was able to cater to the layperson and the expert alike.This book (if comprehended properly) literally teaches you how to critique movies & films from both the film student and casual viewers standpoint.Mixing both professorial as well as easily understandable terminology & nomenclature,Film & Art hits the mark accurately.If Gene Siskel were still with us, I'm sure he'd give it a well deserved thumbs up.

If there was only one book I could recommend about firefighting, this would be it. It is filled with easy to read, interesting, and quite possibly life saving tips and techniques based upon the real world experience of Chief Norman and the many other leaders in the fire service that he has learned from. I had the first edition, then the second edition, and now the third. If there is ever a fourth, I'll probably buy that too.

THIS BOOK HAS TO BE A CLASSIC AS FAR AS FIREFIGHTING IS CONCERNED. IF YOU ARE A FIREFIGHTER, THIS BOOK SHOULD BE IN YOUR LIBRARY. YOUR LIFE MAY DEPEND UPON IT.

It is widely discussed in fire service circles that this text is an amalgom of FDNY tactical bulletins and other internal documents, such as Ladders 3 and Ladders 4. If so, it offers useful information for fire problems most of us routinely encounter. The 3rd edition has hideously tiny print and is over run by wordiness, but does have additional chapters on WMD issues as well as townhouse/garden apartment fires. There is new text intersprised all through out the book. Norman is a tough read - passive voice, run on sentences and double negatives - but the material is still worth digging through. And hey, the bulding classification codes from the 1st and 2nd editions got corrected.
A must for any working firefighter.

I found this book to be very informative. It helps answer the "what if this happens" questions that every firefighter ponders when they have time to reflect. I definitely recommend picking up this book whether you are an actual officer or firefighter.

I bought this as a text for a class but I'm finding it very thorough and easy to follow with tons of good info.

Didi Conn's book is OK for fans of the movie "Grease". Most interesting is her behind-the-scenes info on everything from famous scenes from the movie(like the "Greased Lightning" musical segment) to the premiere of the film. Some of her interviews with the stars are insightful and some of the photos are OK. But Conn should have perhaps hired a ghost writer as her style is a bit weak. Also, it would be nice if there were more color photos in here as well. True Grease fans will appreciate this book.

If you love the movie Grease this is a book you have to have. It is full of behind the scenes information about the cast,play,and movie. It also is full of candid pictures from cast members. It also tells about the casting and production,and is an overall wonderful book!

This book is all a Grease fan needs except the video.Full of rare B&W and color pictures.Bio's+interviews with the cast.General info and lots more.I recommand that book to not only Grease fans but also Olivia,Didi,Stockard,Jeff and John fans.

There's not a lot of new information in this book, unless it's about what the stars are doing now. There are lots of cool photos, although they're in black & white which is pretty disappointing. There are maybe a page or two towards the end, which are colour photos, but the black & white photos don't seem too clear for some reason.

There's not much reading to do either, and it took much about an hour to read right the way through. Didi Conn (Frenchy) was the perfect person to write a book about Grease. Whether she's babbling on about how drop dead gorgeous John Travolta, or that the actors were only a "little bit older" than the characters they were playing, she does it in such a bubbly way that you smile right the way through.

This is a terrific book, and well worth hunting it out on Ebay, or buying it used from Amazon. Mine was brand new, and managed to entertain me for a morning. But you have to be a serious fan of Grease. There is not a lot of new information, but the pictures are well worth it.

This book is full of rare information that the average Grease fan would love to know! The photos and facts are very interesting and fun to look at and learn. I would recomend this book to anyone that loves Grease, Olivia,Stockard,John,Jeff... It is truely the best asortment of information,and pictures I have ever read and or seen of the movie Grease!

what are the ideal set of properties that effective market segmentation should possess. Why this element are necessary in global marketing process.

This update edition offers the best insight into various aspects of the Asian financial crisis and how Asian companies are developing their competitive strategy. Truly a great insight on how strategic trajectory differs from country to country. HP

Kotabe/Helsen team has really set the standard for the international marketing textbook market. I have read three other similar textbooks, but there is no other book measuring up to this one. They offer an excellent analysis of market converging and diverging forces adding to the complexities of global marketing and how to cope with them. Although I am not an academic, this book provides great conceptual foundations so useful for me to use in preparing my own presentations to the executive board at my company. They have plenty of excellent, well thought-out real-life examples, and those examples are so well built in along with conceptual frameworks that I come away with a lot of useful, and more importantly, usable knowledge.

I am a doctoral student and have taught international marketing at a state university for a couple of years so far. Among several books I examined, Kotabe&Helsen book stands out in the crowd. It is a joy seeing my students actually enjoy reading the book and learn from it. This book is full of useful insights and timely examples. It is a must reading if you want to be a true professional in the international marketing area. Great!

I teach Global marketing and I think this textbook is the best. It is not full of anecdotal stories about global marketer's failures or successes but very analytical with straightforward methods students can try out. The cases are excellent and support the theorical lectures very good. From my experience with the research literature it is state of the art.