Video Books

I really think they are stretching to come up with more "Essential" books for Star Wars, but nonetheless, this is still a good book full of all the information you knew, know, wanted and didn't want to know about the lovable robotic droids of the Star Wars movies and books. Star Wars fans won't be disappointed, however there is not much here for the non-Star Wars fan, as they probably won't even know what their reading about (or if they did, they wouldn't care). I recommend this to all Star Wars fans.

In the immortal words of Darth Vader..."Impressive. Most impressive." I found this book to be not only an excellent resource but also a great read. It touches on every major detail of the droids that it mentions...which is quite a bit. You can read about anything from C-3P0's internal computer to the technical details of the medical droid. I recommend this book to anyone who wants to scratch the surface of Star Wars and dig a little deeper.

I have all of the Essential Guides and have been pleased with all of them to one degree or another. The Essential Guide to Droids, however, is one of the better ones. The author and artists have done their homework in researching the novels, but for all their work-there are some really silly designs in here, usually written into novels or whatever, because the author thought it would be cute, but only comes across as annoying or dumb (the C2-R4 comes to mind). Other designs have not been well thought out-the M38 Explorer droid is too tall, it seems logical that if you want an automated robot for planetary surveys, then something with a lower center of gravity would be a much better design. I would recommend that everyone ignore the fact that Anakin made C-3PO and keep his manufacturer as Cybot Galactica, since that is a little more believable. As always The Essential Guide to Droids would make an ideal addition to the Star Wars role playing table as well, and it has a good spread of robots from domestic, industrial to combat and medical droids. A solid effort with great art work and well written.

This is where I go to get information on Droids. You never seem to get really good description of the droids so this is where reccomend that you go and if you can't find out what you need to know the I would reccomend th Star Wars Encyclopedia.

The Essential Guide to Droids is better than the rest of the EG series thus far. It has good pictures and relatively informative schematic drawings of each of the droids, with better art than has been seen yet in a Guide. It also has the obligatory listing and brief description of all the major droid manufacturors in known. Another helpful feature is that it lists the droids according to their function, rather than in the standard alphabetical order, a la EG to Weapons. But the author goes beyond simply describing each droid and its function. He created background lore about the droids, and their developers. He doesn't make each droid individual, but rather trases entire product lines, for example, he goes from the R1 to the end of the R- series, creating the whole product line development, etc... What he doesn't do is spend the entire allotted text space for each droid simply relating the adventures it has had. This is a very helpful, informative, and readable SW book, and I'm glad I bought it.

I have only lived in the US since 2001, and SNL rapidly became my favourite show. Hence I bought this book to have a peek behind the scenes of the Manhattan studio where it all takes place, and I was not disappointed. Some of the people in it I didn't recognise as they were before my time, but I recognised many faces. Even if I hadn't, it is great to see all the backstage shots. Particularly memorable are photos of a writer hunched over a laptop, with Norm McDonald smiling over his shoulder, and Chris Farley sitting at the head of the table in a crowded writers room. There are also lots of other great shots of people building sets, working on costumes, doing all the pre-show stills for the commercial break etc - all of this exactly what I was interested in.

What jumps off the page for me is the camraderie that obviously exists between everyone on the show - obviously there are rivalries and creative tensions, but you can tell there is a group mentality that connects everyone in the photos. There are some treasured memories in here for the lucky few that were there at the time.

This is the next best thing to actually being involved with the show yourself, and as such, I recommend it wholeheartedly. A flood of images! Lovely stuff to have on your coffee table or beside your bed.

A great book, really good if you only started watching SNL in the last few yaers and would like to know about the earlier years.

I'm sorry to say that this book was published a year too early. It went to press after the 1993-94 season which was SNL's 19th. Were the authors and publishers so anxious to get it out? I guess they were. Anyway,this book tells about the amazing history of Saturday Night Live. Every overall cast member,director,writer,producer and everyone else involved. We'll never forget October 11,1975,the day of its premiere. The premiere episode began with the late John Belushi and the late writer Michael O'Donoughue in a sketch called "The Wolverines". O'Donoughue played a psychiatrist and Belushi was the patient. At the end of that sketch and before the pre-taped opening montage played,Chevy Chase came out yelling "LIVE FROM NEW YORK,IT'S SATURDAY NIGHT!",which is said at the beginning of every show,even to this day. Chase didn't stay very long on the show. Before the end of 1976,Chase,the first Weekend Update anchorman,went to Hollywood. Jane Curtin,another original cast member succeeded Chase on Weekend Update. Shortly after Chase's departure,in came Bill Murray from Chicago. After 1978-79,Belushi and Dan Aykroyd left SNL to go Hollywood and concentrate on their Blues Brothers act,initiated on SNL. They filmed THE BLUES BROTHERS in '79,a year after Belushi's first starring film ANIMAL HOUSE. In 1979-80,Harry Shearer joined remaining original members Curtin,Garrett Morris,Laraine Newman and Gilda Radner. After that season,all five were gone. The 1980-81 season began unusually late due to the actors' strike and Presidential debate between Jimmy Carter and Ronald Reagan(the SNL studio was used for the debate). That season brought an entirely new cast,one of them being Joe Piscopo who stayed thru 1983-84. Eddie Murphy,then age 19,joined the show and departed with Piscopo. Another member was Gilbert Gottfried who was then not-so-famous. Jean Doumanian succeeded original producer Lorne Michaels,who had left with the remainder of the original cast. Gottfried was let go after 1980-81. In 1981-82,Piscopo and Murphy had new castmates,some of them Canadians. Robin Duke and Tim Kazurinsky are Canadian like original member Dan Aykroyd. Later(1984-85) came Billy Crystal who almost became an original member,and James Belushi,John's brother. Also joining in 1984-85 was Martin Short,who'd go Hollywood himself later. The following season,things finally settled down in studio 8H. Lorne Michaels returned,triumphantly(Doumanian was fired after 1980-81 and succeeded by Dick Ebersol) to serve as producer like he did for SNL's first 5 seasons. The new cast members were Nora Dunn,Dana Carvey,Kevin Nealon,Victoria Jackson and Dennis Miller who'd become the next Weekend Update anchorman. Mike Myers joined in 1989. Myers and Carvey became Wayne Campbell and Garth Algar,two hard-rocking and babe-loving buddies on the sketch Wayne's World,later inspiring two films. Chris Farley and David Spade later came and also went Hollywood. Another big SNL star is Adam Sandler,another film star. Sandler previously worked for NBC,guest-starring on a few episodes of The Cosby Show. Every show had a guest host and musical guest(some shows had more than one of each). We will never forget the Coneheads,Emily Litella,the Festrunk Brothers,Ed Grimley and Wayne's World(sorry if I forgot anything). We also won't forget John Belushi,who died in 1982 of a drug overdose and Gilda Radner who died at 42 of ovarian cancer. Farley fatally overdosed on drugs in 1997. O'Donoughue succumbed to lung cancer in '94. Oh, by the way,Bill's brother Brian Doyle Murray was an SNL member from 1981 to '84. This book should have been updated in 2000 for the show's 25th anniversary. After nearly 29 years on the air,Saturday Night Live continues to pull in tens of viewers from 11:30 PM to 1 AM,EST.

Since its television debut in 1995 few will argue the fact that Saturday Night Live was a cultural, comedic, and TV phenomenon.

Here in one volume is a collection of the sketches, characters, performers and phrases that first appeared on the show that kept many of us up late.

It's also a visual reminder of some of the great comedians who were first showcased there and the once shocking catch phrases that became a part of our collective vocabulary.

This book is an awesome book! you can learn about every castmember in the show up until 94'. You can learn about all the hosts, all the years, all the musical guests, all the backstage info, all the famous songs(including Adam Sandler's Songs), and much much more. Not only will it let you know your facts, but you will enjoy it! Trust me, buy it!!!!!!

One of the better books in my collection, and I have many on acoustics and audio from the highly technical to hands-on.

I have collected and used books on sound system engineering for many years and this book has quickly become my favorite. Mine has been borrowed by other engineers so often that I have purchased a second copy. Don and Gene are among the most experienced in the field. They have also both tried to share thier knowledge with others throughout thier careers. This combination of knowledge and desire to share it has produced a book that explains complex ideas in a way that leaves the reader with few questions. It is clear and concise, and is supported by a great number of charts and diagrams. I can't imagine a better way to capture thier knowledge and share it with others. A great number of professionals are going to benefit from this book, and I expect it will be the industry standard for many years to come.

I owned 1st version before and the 3rd revision is a more complete version and gives more information on digital processing aspect.

Sound System Engineering, 3rd Edition contains a wealth of information on the design, implementation and testing of sound reinforcement systems. Don Davis' section on audio and acoustic measurements is a must read for anyone serious about performing such tasks. The concepts he discusses about signal delay/synchronization and room acoustics will help the reader to understand what is at the very basis of these topics.

Similarly, Eugene Patronis' section on loudspeakers and arrays is not to be missed. It will have you going back again and again to find that piece of information you need about horns, direct radiators, crossovers and arrays. His presentation of signal processing starts with basic sampling and progresses through system theory and digital audio.

Two of the latter chapters on equalization and "putting it all together" are true gems. They yield practical information that you'll be using the next time you're faced with the issues covered.

Sound System Engineering, 3rd Edition takes all of the knowledge contained in the 2nd edition and augments it with up-to-date interface methods and advances in the field of audio and acoustics since its last publication. This text is equally suited for both the novice and the veteran audio practitioner. It is written in such a manner that each time you read a portion of it, something new will come to light.


Charlie Hughes
President
Excelsior Audio Design & Services

Congratulations to Don Davis and Eugene Patronis, Jr. for writing the most informative book on sound system engineering ever. The book contains all of the elements of theory, design and practical installation. The book is an excellent reference for the sound system engineer.

Sound System Engineering, Third Edition is the most complete technical book on sound system engineering I have ever read. It is a concentrated capsule of knowledge that gives the theory as well as instructions of how to implement the theory. Don has recorded for us how to do the installation process. Dr. Patronis has given us the physics back of the theory and he added the mathematics so one can reporduce the results. There are places that Doc uses the "It is intuitively obvious..." leap of knowledge that some might have trouble working through but it can be done.

Thank you for such a great work

Don Eger, Owner, Don Eger & Associates

This book is an excellent tool to expand your understanding of taijiquan. Mr. Rodell gives an excellent insight into the internal world of the martial arts. This book is not written by an external artist pretending to be an internal master, but by a pure practitioner of neigong.

the auther had a good approach to making it short simple and to the point

Scott Rodell shares his experiences, insights, and knowledge of taijiquan very openly in this appropriately titled book. There is a sense that much of the text was hand-written after a good practice or mini-revelation. It is casual in this sense, but also well organized, with an excellent balance in discussing the principes, personal thoughts and daily experiences with the art. There is a also a very strong sense of history, not to preach, but to strive to bring the art back to where it should be.

This book is the real deal. There's a great deal of wisdom in a very small package. I hightly recommend this book to anyone who is serious about their taiji.

I have been studying Tai Chi Chuan for over 10 years and have read several book on Tai Chi Chuan, finding most of them to be a dissapointment. Very few books on the subject, especially recent ones, actually discuss how to approach the practice of Tai Chi Chuan in such great detail as this book. It is small, concise, and ultimately cuts to the heart of Tai Chi practice and philosophy. There is an amazing amount of detail and breakdown of concepts that are often (intentionally) left vague or not discussed in other works, and the insights revealed are invaluable. This is an author who has steeped himself in the tradition, the culture, and the classics of the art, and made them completely accessible to modern practitioners. Along the way, Mr. Rodell has cut through the mysticism and hype, offering critiques of and solutions to the common mistakes of modern practice
I'll try not to duplicate too much of what others have written about this book as I agree with them, and would highly recommend this book to practitioners of any level. As with all great teachings, the information presented carries layers of meaning that grow with the practitioners understanding of the material. As others have said, this is the real deal.

I am a HUGE Tim Burton fan and when I saw this book I had to have one. Thank you for getting it to me with a quickness!!

This book is more of a movie companion book than an artbook, although there's plenty of art to look at.

The book's divided into 3 parts:
Part 1 - Land of the Living
Part 2 - Land of the Dead
Part 3 - Going Upstairs, The Illustrated Story

You know those behind the scenes videos from movie DVDs? This book is essentially that, except in written form.

Part 1 talks about how the story was conceived, the people involved in making the movie, project development, and the challenges to handling stop motion animation. There's a lot on character design, especially the back stories that determine who they are, and how they were created physically. There are very interesting details you'll learn in the creation process. Below's a quote on controlling facial movements:

"By inserting an Allen wrench into a socket in the ears of the puppets, the animators could control various facial movements. If you put the key into the left ear and turn it in one direction, it would make the puppet smile on the left-side of the face; if you turned it the other way it would make the corner of the mouth on that side of the face droop down, giving the puppet a slightly sad expression, and vice versa on the other side."

Part 2 is about designing the movie set. It talks about the design influences on the buildings and how the sets were designed in order to facilitate shooting. There are write ups on the voice casts, animators and the music. Interesting to note is that the movie was shot using a digital SLR. A quote on the living and dead set:

"Both thematically and visually, Corpse Bride is about inversion, with the Land of the Living a gray, dead place where people are lifeless, hopeless and sad, while the Land of the Dead is full of vivacious dead people with a lust for life and joy."

On animators:

"Some will act out before the shot, others will videotape themselves and try and piece together a performance that way. Some animators sort of just go for it and sort of feel it."

Part 3 is the storyboard of the movie. This part is filled with the script, penciled storyboards and movie stills.

There are some pictures of the book on my blog. Just do an Internet search on "parka blogs corpse bride"

I paid for expedited shipping of this book and received it two days earlier than I expected. The book was in perfect condition. I definitely recommend this seller!

If you are looking for a book with a little bit of insight into the creation of the Corpse Bride film, this is good choice. Nice selection of production pictures and concept artwork with a good description of the processes involved.

The book covers puppet making, music creation and a small scale time line of concept to film.

I bought this book several months ago in a local bookstore. The photos and images in the book attracted my attention almost immediately, although at that time I've only heard of the film but haven't watched it. Like other behind-the-scenes books, it shows how they produced the film in every detail, from beginning to end. I especially like the concept sketches and the black humor. The production process also provides a good reference to the making of stop-motion animation, which makes this book unique. If you like the the film or stop-motion animation, I believe this book won't disappoint you.

Since this is "The Wizard of Oz: The Official 50th Anniversary Pictorial History" of the beloved 1939 film, it is not surprising that John Fricke, Jay Scarfone, and William Stillman have put together the book that tops the "must have" list for fans of the film (after, of course, L. Frank Baum's original novel, which just had its centennial edition come out in 1903. After an introduction by Jack Haley, Jr., the volume's prologue, "The Marvelous Land of Oz," begins with the story of how Baum came up with the name for Oz and looks at the history of his stories prior to the movie. Also included in this prologue are stills from some of the vaudeville and silent movie versions (the 1925 film had Oliver Hardy as the Tin Woodman), the original book covers for the 42 Oz stories, and Technicolor test shots of the movie cast, which includes Judy Garland wearing a blond wig as Dorothy. By the time you finish this prologue you will know that this book is going to be everything that you would want as the table of contents indicates:

Part One - The Oz Diary: Creating a Classic: (1) Acquisition and Casting contrasts the signing of the cast with W.W. Denslow's first pictures of the characters; (2) Scripts, Songs, and Staff focuses on early drafts of the scripts and ideas for song more so than what actually ended up in the movie; (3) Wardrobe and Markup details the evolution of the look of each character with corresponding photographs; (4) The Thorpe "Era" is about Richard Thorpe's short tenure as the film's director, when Gale Sondergaard is the Wicked Witch and Dorothy is a blond; (5) There'll Be Some Changes Made is short but sweet and is about the changes George Cukor made as a stop gap under Victor Fleming was signed to direct the film; (6) "The Wizard" Comes to Life is a lengthy chapter covering the making of the film with its various legendary stories; and (7) Post-Production and Previews, which details what was cut (including "Over the Rainbow" at one point), when and why.

Part Two - The Oz Diary Continued: Promotion and Reception: (8) The Oz Campaign contains everything from Judy Garland telling Frank Morgan "Anybody can be a wizard at Jelly-Making" for a newspaper ad for Certo (never heard of it either)to a two-page full-color spread in "Life" and a special "Wizard of Oz" ad for the Sunday comics; (9) Hollywood Party is about the movie's gala premier; (10) "Capitol" Times in Manhattan is about the show at Loew's Capitol Theater In New York City that showed the movie along with a life performances by Garland and Mickey Rooney. This chapter also shows some of the first product tie-ins for the movie; and (11) From Coast to Coast is a brief look at promotion of the film across the nation and includes what might be the first editorial cartoon that used the Oz characters to comment on a real situation (Hitler is the Wicked Witch of the West and Mussolini is a winged monkey, while Dorothy is European civilization, the Scarecrow is Poland, the Lion is Britain, and the Tin Woodman is France).

Part Three - Raves and Accolades looks at (12) The Reviews, which includes a look at foreign books and domestic record versions; and (13) The Twelfth Annual Academy Awards, where the film won Best Song for "Over the Rainbow," Best Original Score for Herbert Stothart's underscoring and adaptation of the Arlen/Harburg songs, and Garland for best performance of a juvenile during the past year.

Part Four - Oz and Ends, includes brief looks at (14) Original Ozzy Merchandising; (15) Oz Abroad; and (16) Theatrical Reissue.

Part Five - Television Perennial covers how most of us first saw the movie, including (17) Guest Hosts on CBS (I always liked Dick Van Dyke); and (18) NBC Interlude/CBS Comeback.

Part Six - The Legend is another set of brief chapters on (19) Reunions and Reminiscences; (20) Merchandising; and (21) Icon, which ends the book on a perfect grade note with editorial cartoons on the death of Garland in 1959, Jack Haley in 1979, Margaret Hamilton in 1985, and Ray Bolger in 1987.

This volume includes more than 400 illustrations, half in color and many never before published, including over seventy makeup and costume portraits, behind-the-scenes and production photos, and not only stills but script pages from the musical numbers and segments that were filmed but cut from the release print (including "The Jitterbug," Bolger's extended solo dance to "If I Only Had a Brain," and the "triumphal return" sequence). The photographs of all the movie posters, toys, and other items associated with "The Wizard of Oz" can be found throughout the book instead of being collected all at the end of the book corresponding with when the movie came out. The last three parts could essentially be individual chapters to avoid the sense that you are racing through the end of the volume, but that is a minor complaint all things considered.

If you only buy 1 Oz book for your collection, make it this one! In Oz circles, this book is known as "The Green Book" and it is a virtual encyclopedia of Oz information. The research and work that went into the writing of this book is truly astounding!

The rare photographs will amaze you (including Judy Garland in her blond wig and Buddy Ebsen as the Tin Man).

This book is full of little-known trivia. After reading this book, you can wow your friends with your new-found Oz knowledge!

There have been a few books that have given us all a look into the making of MGM's movie version of "The Wizard Of Oz!"? But The John Fricke,Jay Scarfone manuscript surpasses all of the other books.Because it's filled with wonderful photos and info that takes us beyound the making of the film and gives us a look into the continuing popularity of the Oz characters.Using rare photos,extensive research and interviews from the people.Who were involved with the project.Messers Scarfone And Fricke.Show us the early stages of the making of the film.From the many drafts of the script..to the problems with the changes in cast,storylines,music,mishaps with props and special effects.To the promotions of the film on radio(NBC Radio's "MaxwellHouse Coffeetime")and at stage shows to the many other interpretations of the story that appeared on tv,in the movies,on radio, in the theater and at parades and theme parks.The book even gives some more biographical info about the cast and crew and some more insight into the man.Who created this legendary tale:Mr.Lyman Frank Baum.For the fans of this classic story.Who want to know the full extent of it's geniss? This is the one book to have.Kevin S.Butler.

There have been a few books that have given us all a look into the making of MGM's movie version of "The Wizard Of Oz!"? But The Jay Scarfone,John Fricke manuscript surpasses all of the other books.Because it's filled with wonderful photos and info that takes us beyound the making of the film and gives us a look into the continuing popularity of the Oz characters.Using rare photos,extensive research and interviews from the people.Who were involved with the project.Messers Scarfone And Fricke.Show us the early stages of the making of the film.From the many drafts of the script..to the problems with the changes in cast,storylines,music,mishaps with props and special effects.To the promotions of the film on radio(NBC Radio's "MaxwellHouse Coffeetime")and at stage shows to the many other interpretations of the story that appeared on tv,in the movies,on radio, in the theater and at parades and theme parks.The book even gives some more biographical info about the cast and crew and some more insight into the man.Who created this legendary tale:Mr.Lyman Frank Baum.For the fans of this classic story.Who want to know the full extent of it's geniss? This is the one book to have.Kevin S.Butler.

There are many, many books out there about the making of everyone's favorite film, "The Wizard of Oz". There aren't any I've seen that I wouldn't recommend, but if you are looking for pictures, pictures, and more pictures, this beautiful coffee table size book is a great place to start. Pictures, both in color and black and white, of every aspect of the making of the movie fill this attractive volume from cover to cover, and the text, by Oz authority John Fricke is all-encompassing. Although released for the 50th Anniversary of the film's 1939 release, it is still relevant 13 years later, and a great book for the collector or casual researcher. It has yet to be topped.

I've been developping applications and amateur games for a few years using C++... I bought this book along with the Director Bible... And guess what? I made a shoot'em up game in a couple of days - with the help of my brother (graphic designer - thanks for your beautiful sprites, dud! ;) )... Director + Lingo are the best way for quick games... and this book just show me how!!!
Thanks!

Gary has done the Lingo community an amazing service. With code and logic examples that illustrate nearly every variety of game you can create to be played on a computer, this book is an incredible resource.

The examples in this book made it possible to deliver a game-rich CD project with an incredibly tight timeline.

Thanks Gary!

I have a programming background and am learning Director to make professional CD products. Gary has taught me how to do this with his Using Director 8.5 book and this Advanced Lingo for Games book. He writes very well, doesn't treat you like an idiot, and is very practical. Well done Gary and I recommend this book to all people who really want to make interactive games using Director.

I am a Lingo programmer for 4 years and this book helped me advance to the next level in Lingo Programming. Using this book helped me to understand writing my own 'behaviors' and took my understanding of 'lists' to a higher level. I owe alot of my success to this book.

Rich
Multimedia Programmer
Motorola

I've been writing Lingo for some time now, and I probably own upwards of 15 books on the subject. Of all of those books, the two that I find the most helpful every step of the way are undoubtedly Gary's most recent 2 books (this one and "Director 8.5 Special Edition"). Lots of Lingo authors know Director inside and out, but what sets Gary's books on the subject apart is his colorful writing style and an uncanny ability to break down ultra-complex scripts into palatable bite-sized chunks that even a newbie will understand. Highly recommended!

This was the artbook that started all the scrapbook-styled artbooks. It's easily the best and it still is. Inside the book's cardboard cover was some really top quality dust jacket. It's comparable to movie posters and its glossy.

This book had 160 pages and was literally filled to the brim with tons of stuff. Inside were "collectible" cards, storyboards, small booklets, post-it notes and amazing beat boards. Numerous 2-page spread of the beat boards were breathtaking to look at.

Stocks do run out for artbooks, as I've realized, looking at older artbooks from amazon.com. If you're into buying artbooks, you really don't want to miss this.

I've some pictures from the book on my blog. Just do an Internet search on "parka blogs monster house"

This book is in good shape. For some reason I think that a page was missing, but I think I can do without the page. I like this book very much.

This book is like the awsome movie itself.
It has certain features you do not expect. Sometimes I could not determine at first sight if pictures were 2d or just real materials. Like the enveloppe,the playingcard holders and other "fearsome commodities". Wonderfull picturebook with well made drawings and photographs. Outstanding quality. It might have been found in the monsterhouse!
Brecht Gerritse, The Netherlands

Love the book. A Priceless addition to an animation lovers dream book collection.

This is how "art of" books really should be made. Lots of inserts, post-it notes and fun details. It looks almost like a scrapbook and is filled to the rim with drawings, renders, concept art and fun stuff. Very inspirational. It is just as great as the "Open Season" book which is also a must-have for all fans of animation.

The book has an excellent selection of art from the Noir period. I love every single page better than the last!

"The Art of Noir" is a big, beautiful book of 338 posters and lobby cards for crime films 1940-1960, plus a handful of later films. All the film noir greats are here, from A-list films to Poverty Row, though not every film represented is strictly "noir". "The Art of Noir" is 14 1/4" x 10 1/8" -too big even for oversized book shelves- but the results are stunning: Hundreds of full-page posters in bold, eye-popping color, along with a handful of 2-page spreads and some 2-to-a-page layouts. I could not overstate how great these posters look, and author Eddie Muller has made them more fascinating with informative captions and short essays. Each poster is captioned with the film's title, year, and studio, the size of the original poster, a brief analysis of the poster's style, and a little about the film.

The posters are divided into six chapters, each with an introduction by Muller. Chapter 1 introduces us to the distinctive styles of different Hollywood studios. Chapter 2 takes us on a tour of film noir poster art around the world, with examples and explanations of how artists abroad altered or redesigned the posters for their markets. Chapter 3 focuses on thematic and iconographic elements in the posters. The icons are guns, racy women, and automobiles. The themes include bad cops, private eyes, and femmes fatales, among others. Chapter 4 showcases posters that feature the prominent stars of film noir, 9 actors and 9 actresses, with an introductory essay for each. The art of Chapter 6 is organized by writer -not only the famed Hammett, Chandler, and Cain, but also prominent noir screenwriters. Chapter 6 features the films of prominent noir directors and cinematographer John Alton.

American and international posters are featured throughout the book. I had not seen foreign film noir posters before, and scrutinizing the posters and comparing the styles turned out to be a source of nearly endless fascination. Foreign artists departed from the bold color and lurid poses of American posters but created art from their own culture's perspective that is no less striking. "The Art of Noir" will absorb fans of film noir or poster art for hours. I am reviewing the hardback edition of the book, so I cannot comment on the reproduction quality in the paperback edition. But the color and sharpness in the hardback are excellent, on slick, white paper. This is Eddie Muller's best book yet.

This book is a must for all film lovers. It contains the most complete collection of film noir posters anywhere. And since the book is "cofee-table" size, the posters are big enough that you can appreciate even the smallest details. The text is also very interesting, giving a short but insightful review of each film. Get this book now!!!!

Film noir is a fascinating field with a deserved faithful and ever widening audience. Eddie Muller scored impressively with "Dark City Dames," a study of the women of film noir with intimate portraits of such notables as Jane Greer, Marie Windsor and Ann Savage.

Muller returns to a familiar theme here and achieves mightily in two respects, with glossy pictures which practically jump off the page at you, giving one a feel for time and place, as well as being a part of the scene, along with a text providing valuable information on the memorable films being showcased.

San Franciscan Muller is one of the genuine authorities of the genre. He has a real feel for the world of darkness beset by flashing neon lights, smoke-filled bars, detectives in trench coats, and dangerous women.

A feast for the eyes! Gorgeous NOIR poster repros and interesting factoids highlight this weighty tome. Fans will swoon, and the casual viewer will have his/her interest tweaked. As a NOIR poster/lobby card collector, this book is an essential library addition, because I need to occasionally check out pictures of posters I'll sadly never be able to afford(!)

This book is really a gold mine for those who look for concept art, drawings, sketches, paintings about the movie. You will find some beautiful artworks from Eyvind Earle, the guys behind every tree of the movie. Dense, full of great artworks, great book !

I bought this book prior to watching the movie. It's slightly better than all of my Pixar artbooks. Mine was bought off amazon.com.

The hardcover book was housed in a protective cardboard cover box with two holes cut into it. Boog and Elliot peeked out the holes.

When you pull the book out of it's cover box, you'll notice that there's something different about this book from other artbooks. Goodies were packed everywhere in the book. They were post cards, posters, mini booklets and even stickers!

Tons of original sketches, movie stills and story boards filled the pages. The content was so vibrant and full of life. Captions and write up were short and nice to read. A scrapbook, of top notch quality, is perhaps a better description.

There are some pictures of the book on my blog. Just do an Internet search on "parka blogs open season"

Pixar may want to review their delivery of any future art books now that Sony is delivering books like Open Season, chocked with goodies. This book is so packed full of art you would think the film was traditional. I enjoyed Open Season and wondered why since I cant stand most CG films except for Pixar's (excluding Cars). I know why now I see all the pre-production that went into it...for me Im a colour and environment lover and I was so happy to see Sony included colour scripts and beat boards! I really think this one is a great investment! The presentation is a real treat, I am looking forward to the Aardman art of books now that they are partners with Sony...keep it up.

Great artbook. really relly great!!! with lot of little details, postcards and beautiful sketches, backgrounds and3D modellings, etc and a really beaituful and perfect edition, with a "2nd cover" (I don't know how it's called in english)

I have seen the movie and wanted to walk out on it within the fist five minutes. NOT because the animation was bad, or the art direction awful, simply because the pacing and the main character's voices were just getting in the way of the experience I look for in a movie, any movie : The escape.

When I picked up the book, I was almost shocked to see that the exact oposite was happening. I found myself flipping through the pages, being brought in to this magnificent world inspired by the older Disney designers, and really enjoyed the book.
I would recommend it as a standalone Art Book, rather than a complement to the movie. In fact, you might like the movie better if you just go through the book.