Satire Books

this book took me a while to appreciate and find funny. Then i would bust out laughing at any given time during the day thinking about it.

I laughed until I snorted Coke out my nose in the Walden's Bookstore when I first saw this book twenty years ago. I ignorantly let a high school journalism teacher "borrow" the book, and it was never returned. I bought another copy years later for a friend's 50th birthday, and he said it was his favorite gift! It's hilarious. I'm now Christmas shopping for another one and hope one day that I'll get to keep a copy for myself. It's so hard to explain how it's so funny, but it just is. I LOVE the picture of the twins side by side with the only difference being the second sheep's head being cocked to one side. It's a classic.

I picked up my copy in 1985, not long after it was published, and shared it then with my entire family. You see, we were all born and raised in Schellville (note the spelling) and raised farm animals. What a riot this book is! Sheep really do look like people I went to school with, and the same dumb things were written in my yearbook way back then. I most enjoyed studying the photos and placing each familiar building and scenery here in Northern California.

If you like movies like "Waiting for Guffman", then this is yer kind of book. Not for everyone--thankfully!

This truly is the best book ever, and my opinion on this hasn't changed over the last twenty years, since I first bought the book. I'm an English teacher with two degrees from elite institutions, but to my mind none of the classics of world literature come close to this one in terms of sheer entertainment value. My favorite part: the club photo in which Betty Fulton is the only member. We are about to have our first baby, and I tried for weeks to convince my wife that we should name her Betty, in honor of Ms. Fulton's memory (may she rest in peace). Alas, she vetoed the suggestion.

It is crazy that I would have to pay over $200 to own this book! Is it bound in human skin? Does it have the secret of eternal life and youth?As another reviewer noted,reprinting this book will NOT result in frenzied card throwing mobs overturning cars and looting stores.The first press run seems to have come and gone without causing civil unrest on the part of card throwers-I've never met a card thrower in my life.In fact,I've never met anyone who mentioned WANTING to learn card throwing.The audience to whom this book appeals is tiny and nothing will ever change that.Relax, folks.This will turn out to be "too hard" for 9 out of 10 people who try it-all 50 of them.Now, REPRINT THIS BOOK, Please!

I was "forced" to get this book online without paying for it because no economical alternative exists. I completely disagree with the people on here who don't want this book reprinted because they think that the world would soon become saturated with card-slingers, thus taking away some of the glory of being the only guy in town who can chuck an Ace of Spades through the Washington Post. Please keep in mind that like ALL hobbies that require:
a) reading a book
b) lots of practice and dedication
...means that 99% of the population will buy the book, skim through it and put it on the shelf next to their dusty diet, magic coin trick and gardening books.
Even if his fellow slingers & magicians busted his ballz for releasing trade-secrets, Jay should definitely reprint this book so 1% of people who read the book and follow through with it will keep the art alive.

If you want a hobby and might try sticking a target on the back door and spending your nights throwing cards at it ... you will find this practical guide just as helpful as I did. Fully illustrated with good pictures.

This book is amazing, as previously stated, but I am STRONGLY against any reprinting of it. One of the things that makes card throwing so amazing is the fact that so few people know about it / how to do it. Imagine everyone being able to throw cards. Personally, I think this book is perfect in its current rare form, and should NOT be reprinted.

I am a semi-pro card thrower in the national card throwing league (ctl), and I have to say that this book is the bible of card throwing. The techniques I have learned from Jay's book have helped me a lot. I was struggling on the tour last year when I got to talk with the famous Bill 'the Hand' Strongtide who recommended I read this book and it has really helped my form this past year.

A good addition to this series. The only let-down is that we're seeing more and more strips that have already been collected in other Peanuts books. It was bound to happen though, so I'm not knocking off a star for this.

There are two real gems to this book.
One is the story where Linus (my absolute favorite Peanuts character) runs for class president. I'm betting Schultz had a lot of fun with this. He lampoons the entire election process. This includes the speeches and promises, the press coverage, the polling, and everything else.

The other gem is even more important to me. This is where the title of my review comes into play. They had the great Bill Melendez write the foreward for this book.

Mister Melendez was an animator who wound up directing every single Peanuts movie and special ever made. In addition to this, he also did the voices of Snoopy and Woodstock on most of them (the exceptions being those few specials where Snoopy actually talked). Considering his close association with Schultz and his creation, he really should have been the one to write the foreward back in book 1 when this series started. Instead, throughout this series, we'd get nothing but celebrity endorsement after celebrity endorsement.

I was actually afraid that they'd do this entire series without so much as mentioning the man. Thankfully, these fears came to naught with the release of this book. Like I said, "they finally got it right".

The foreward itself is only 3 pages, but the quality makes up for it. Melendez talks about the events that led up to him meeting Schultz, his first impressions of the man, and how they went from a car commecial to a Peabody Award-winning special ("A Charlie Brown Christmas"), and then to a long and enjoyable career making other animated Peanuts titles (some great; some not so great). This is a story that certainly merits more than 3 pages, but Melendez takes the space he's given and manages both to inform and to satisfy.

If you're a Peanuts fan (especially if you're a Linus fan), click on that buy button. Trust me, you won't regret it.

This book, along with the rest of the collection, is simply marvelous. The complete work of Schulz is nicely presented. It reads itself so fast that we can't keep up buying the next one!

Much of this was more of the same, the continued development of the characters. There is a set of new characters (Five, with Four and Three coming later) but they turn out to be little more than props, good for a week or two and afterwards for when Schulz needed a generic male for Charlie Brown (Shermy now only shows up for group strips). Three and Four look like little Peppermint Patties, and since Peppermint Patty ends up coming from a single-parent family (father only) one wonders if this is sort of backstory for that.

Foreshadowing some of the changes coming up on the next volume are a couple of developments. The baseball mound has become a scene itself, where the characters come up to chat on various things. As for this volume (1963-64), it's just a couple of characters coming up with things to talk about.

As for the red-headed girl, she has changed from a merely distant figure (distant implying "out of Charlie Brown's League) to a seemingly active source of shame and humiliation. Not that Charlie Brown needs her to humiliate him (as some of the baseball groups show, he could do that all by himself), but it definitely adds an accent point to what's going on around him with those he talks to.

One of the most interesting comics has Charlie Brown actually coming on top, although it's more his father than him. Violet spends a few panels bragging about her Father, which Charlie Brown doesn't so much parry but amplifies by explanation. However, CB stops Violet short and explains that his father makes an honorable living and always has a minute for him no matter what he's doing. The last panel has Violet walking with a slight downward tilt of her head and a seeming sadness in her eyes, as if she had finally been devastatingly bested.

In the end, this is worth getting, although I'd get the 1959-1960 and 1961-1962 before this one.

This edition of The Complete Peanuts covers the years 1963 and 1964. Probably the most significant event during this time period was the introduction of "5", along with his sisters "3" and "4". 5 may not be well remembered, but he is still a pretty interesting character. These are classic comic strips from one of the masters of the medium. Great stuff, highly recommended.

I came to peanuts cartoons late in my life, but for the past five years I have bought every book available. Luckily for me as I have been a customer of amazon both in america and england and bringing out yearly books has been marvelous. Whenever I feel down I just read a few pages and I'm fine. The trouble is Im' going to be around 80 years old before this complete series is printed!!!! Is there anyway we can move this along? Doreen uk

I am so excited that The Complete Peanuts is being made available. I started with the first volume and have gotten each new volume. Charles Schulz was a master of understatement and pathos. HIs view of the world through the characters--Charlie Brown, Lucy and Linus, Snoopy and the rest--is honest and real: skeptical, funny, pitiful and hopeful and very humanistic.

How can you review Charles Schulz? You're kidding right? He's an icon! As far as the collection, it's a must have if you're a Peanuts fan. My husband and I have all the collection books up to this point and they are wonderful. There are drawings from the minute you open the cover and that's even before you get to the comics. For a long time fan like me (Ok my first stuffed animal was a Snoopy) to see the development of the characters from their creation to when Mr. Schulz finished is delightful. As for the book, the quality of the paper is superb and the comics-priceless.

All the Fantagraphics Peanuts volumes are top notch, but this is my fave so far because it is at the beginning of my favorite Peanuts era. I love Peanuts, but the 60's strips will always be the ones I love the most.
The great thing about this series is that it reprints everything in chronological order. Previous Peanuts collections have either omitted strips or printed them out of order. The reproduction quality is also outstanding.
I'm looking forward to the Pogo series!

This book contains all the Peanuts comic strips from 1965 and 1966. The most significant events from this time period were Snoopy's first imaginary battles with The Red Baron and the first appearance of Peppermint Patty. Charles Schulz was so good for so long, it's hard to choose a "peak" period of the strip, but the strips here are definitely great. Highly recommended.

I gave this collection 5 stars because the strip was still at its peak; but, ominously, this is where Peanuts starts to go down hill. The introduction of the Peppermint Patty character is the turning point, where the peak of Peanuts ends and the long decline from greatness begins.

Not that there was anything wrong with the Peppermint Patty character to begin with. The character was amusing as an occasional intruder into the Peanuts World; but, eventually, Peppermint Patty and the other characters introduced over the coming years came to take over the strip. This new concept of the strip was not as good as the original, and it got worse as years went by. This corruption of the "pure" original concept of Peanuts, combined with the shocking deterioration of Schulz's drawing ability in later years, clearly marks the end of Peanuts as the greatest of comic strips. Greatness is not the permanent condition of anybody or anything, and no peak lasts forever. Schulz had as long a peak period as any other comic strip artist (George Herriman being a possible exception), and I highly reccomend this volume because it was in that peak period, though towards the end of it.

Peanuts was a great strip from the beginning, and it was on a continuous upward arc from there. By the early 60s, the cast of characters was as complete as it had to be, the addition of Charlie Brown's nasty little sister Sally being the last necessary addition. Schulz possibly started running out of ideas for this cast and felt, to keep fresh, he had to bring in new faces. Unfortunately, the new faces weren't as good, or funny, as the originals. Peppermint Patty was the first of these newer characters. Peanuts was still pretty darned good for ten or so years after this, up to the mid-to-late 70s, but here is where Schulz started abandoning the original Peanuts characters and the newer cast was distinctly less inspired than was the original.

The newer characters reflected a creeping mellowness in his outlook, which is common for an artist growing older. (Some, like Mark Twain, get nastier and bitterer as they grow older, but, as in the case of Twain, this doesn't necessarily make them better either.) The newer characters were too "nice". Peanuts, for all the (mistaken) talk of its "heartwarming" humor, was not sweetness and light on the comics page. It was a tale of rotten little kids being rotten to each other. This was the source of its greatness. That was the originality and innovation behind the strip. Once it became "mellow" and "nice", it lost its originality and cutting edge.

However, though this volume represents the downward turn, it is still great stuff. Rereading it all these years later, I found it better than I remembered. When I was younger, I didn't really care for the Red Baron & Snoopy strips, thinking them too far away from the true gist of the strip. Now I found them very funny. Schulz started to play heavily on the "Bleah" vs. "Nyahh" arguments between Lucy, Violet and Snoopy, which were peaks in silly (but accurate and on-the-mark) humor. The "grit your teeth" baseball sequence, and Sally and her troubles with the "New Math" were other very inspired highlights.

Though there were bad signs of the decline to come towards the end of this volume, that decline hadn't set in yet. Peanuts had at least 2 more peak years to come, then 5 or 6 more very good years. Buy this, because it is one of the best volumes in the set, but mourn also, because here is where it starts to go down, down, down.

Just like Ricky Gervais said, "I've seen him blossom from an idiot into an imbecile." Karl has such a different way of viewing the world and it's like no other. Maybe it's because he's borderline retarded, yet extremely observant and curious. This book is HILARIOUS!!!

P.S. WE'RE ALL WAITING FOR SERIES 4 OF THE PODCAST, KARL. HURRY UP AND FIX YOUR DAFT BOILER AND GET BACK IN THE STUDIO WITH RICKY AND STEVE.

Great book. Karl IS a genius, Ricky is the idiot, I know this cos im a genius and if Karl isn't one then im not, but I am, so he is, so there. Love it!

Karl is the king, but he has become a lazy king, and his subjects are getting restless. MORE PODCAST NOW YOU ORANGE HEADED MONKEY FREAK!!!!

...And there better be new monkey news included in the podcast...I'm just sayin'....

But about the book....Great book. Karl's an idiot, but strangely, his book creates a very enjoyable read. I esp. liked when he talked about the squirrles in Carmel, CA. I live by there, and I've seen those squirrles, and I want to go back and see if they've been traumatized by meeting Karl.

Steps to making your own Karl Pilkington doll.

Step 1. Get an Orange and draw two eyes, a mouth and a nose. No need for hair.

YOUR VERY OWN KARL DOLL!

Karl Pilkington: World's roundest head.

I loved this book full of Karl's cretinous observations, but Karl, mate, it's time to start doing podcasts again. Auntie Nora enduring 5 minutes of wind is more work than you've done since this book was published. The poster campaign is in full swing. I've got Karl's little roundy head on the t-shirt I'm wearing to the Mall of America this afternoon. You can't hide in a jam jar like an octupus, you walking Pez dispenser. Ricky, we await further instructions.

I absolutely laughed till I cried. It all makes sense now... This is a must read for anyone who has ever taken religion tooooooo seriously.

This book is easily in my top 5 favorite books. I might even say it's #1.

When I laughed out loud at the first page... I knew I was going to love this book. I could totally see everything in the book unfolding back in the day.

Some people didn't like the ending, and I must admit I was a little surprised... but when I thought for a minute, 'I got it' and it was the perfect ending.

Definitely a conversation starter... definitely a keeper for rereading over & over again.

I love this book for how it incites great conversation and it is a welcome addition to my small collection.

This is one of those books that really gets people talking. Conversations range from the story itself, to the historical truths or lack thereof, the religious implications, and now its look.

I really enjoyed reading this book the first time around when I would find myself laughing out loud when I would least expect it, and most recently with this edition where a friend thought I was laughing about something in the Bible itself.

This new edition was a great idea, with only one flaw: It can be difficult to hold open because it is bound tightly. I'm afraid of causing too much wear to the spine of the book, but in retrospect I guess that would only add to its charm of looking like a Bible.

This is one of my favorite books of all time! Yay Christopher Moore!

Anyone who has any interest in Christianity should find this book hilarious! Moore clearly knows his Christian and world history then and now. His treatment of Jesus and the people who worship him is outrageous and irreverent and strangely loving at the same time. I'm an athiest who went to Catholic school (I LOVED it) and while I don't believe a word of it, have a great appreciation for all things Catholic, especially Catholic humor (the movie Dogma Dogma (Special Edition), the play Sister Mary Ignatius Explains It All for You.Sister Mary Ignatius Explains It All You and the Actor's Nightmare: Two One-Act Plays) I also appreciate a big dose of skepticism, and this book delivers on all fronts. Moore is such a great writer that this is a PERFECT BOOK! This new Bible edition is sexy and great!

At first, I have to admit I was a bit put off by the look of this gift version of "Lamb" when first saw it at a Barnes and Noble while doing some window shopping. I'm not very religious now, but as someone who basically got ten years' worth of Catholic dogma engrained into my DNA, well...the irreverence in the very look of this book made me worry just a little. I picked this book up and cracked it open to a random page, not expecting to see anything particularly interesting, and was pleasantly surprised when I ended up reading something that made me laugh. I ended up reading a few pages farther, and even though I hadn't read the rest of the book, the stuff I did read was very funny and clever, and I knew I had to have this book. So...I bought it here instead because I wanted to save a few bucks. :P

This book is definitely worth reading. It's irreverent, yes, and there's a bit of coarse language sprinkled throughout the story. And there's one gross (but funny) experience involving Biff, turnips and a toothless old Chinese woman. Despite that, however, I really don't feel this book is disrespectful to Jesus or to Christianity at all. If anything, it pokes gentle fun at what Christians are taught to know about the Bible--you have to know your stuff, as a Christian, if you expect to understand all the references made to it in this book. But I don't feel it makes fun of Christianity itself. So if you want a clever, funny, well-written book to read and you don't mind laughing at least a little at what you've been taught over the years if you're Christian, this book is for you. :)

What a wonderful piece of work! Very reminiscent of Walt Kelly's Pogo. Thought provoking yet,warm, sensitive and charming. It is topical in looking a society - the society of children in school. Pogo was more into politics. This is more into life. Look at what you really have and live it to the fullest. I have to restrain myself and ration it a few pages at a time. I do not want this dream to end!! Thanks Jeff.

Once again, Jef Mallett is proving himself to be the best cartoonist drawing these days. I read him on-line on a daily basis, but reading the cartoons sequentially instead of waiting 24 hours between each one (as they were written), gives the stories continuity.
This is an intelligent cartoon strip with sophisticated yet endearing characters. It is both a statement of the shortcomings of education as well as a hope for its future. And its comments on physical fitness are both poignant and humorous.
Buy this book. Keep Jef Mallett in the cartoon business.

Larry Bush

There is no doubt in my mind that Jef Mallett is the finest cartoonist working in the United States today. When the newspaper comes in the morning, before I get my coffee, before I pet the cat, before I do anything else, I read Frazz.

Then, no matter how things go wrong the rest of the day, I have at least started the day with a smile.

Not only is each strip a well-written, clever (and often startlingly ingenious) bit of good, clean fun, Mallett can draw. As other strips tend towards infantile cartooning, Frazz harkens back to an age when the great cartoonists were also superb artists.

Trust me, if you start reading Frazz, you will be hooked.
-Bill McGann, Author of The Story of the Tour de France

I've read Frazz before on the comics dot com website, and it's always been very clever and funny. Jef Mallet does a nice job of creating subtle jokes that are definitely upscale and require some thinking as well. This is actually great brainfood.

Imagine a middle-aged mom wrestling with her two grown sons - over a comic book! I bought the two "Frazz" collections for my husband for Christmas, and had to commandeer them away from our 17- and 20-year-olds so I could wrap them.
Mallett's strip offers "be-a-kid-again" fun; the lovable characters and their escapades are spot-on every time. He also presents valuable attitude checks with a light touch. Our paper does not carry the "Frazz" strip, so finding the books amounted to discovering buried treasure. We all loved every page.

A Charlie Brown Christmas: The Making of a Tradition is a treasure for those -- like me -- who love this Christmas classic. It is a great "behind the scenes look" that includes photos of the cast of characters whose voices are so familiar. Give it as a gift to the "Peanuts Fan" in your life.
Philip D. Halfacre
Author, Genuine Friendship

While we've been treated to many Charles Schulz documentaries and remembrances over the years, "A Charlie Brown Christmas: The Making of a Tradition" is the first book to focus on the first Peanuts' television special. The book includes in-depth interviews with producer Lee Mendelson, animator Bill Melendez, and Vince Guaraldi's children. This book is the ultimate backstage pass to the recording studio, with interviews with the original child actors who voiced the characters and sang on Guaraldi's "Christmas Time is Here." As a bonus treat, the script and original animation art round out the book.

I loved this book! It has material for every fan of the famous TV special, "A Charlie Brown Christmas". I may not be musical, but if you are, this book includes the music. I am fond of the discussions of the people involved in creating the production of the TV show and the script. I will be using the script in my classroom for Reader's Theatre. The book has a lot of material that has meaning for me personally. I was young when this special was shown on television and it was always one of my favorites. The book was not a disappointment to read and own. I am very glad I bought it.

This is the ultimate companion to the tv show. The art work is from the original show and the dialogue is a great bonus! The book is also packed with great trivia and information about the decisions "behind stage" that led to the creation of the ultimate Christmas Special.

"Charlie Brown Christmas" is the crown jewel of Christmas specials. Heavy on holiday introspection, but with the dry wit and humor you'd come to expect from Charles Schulz's creations.

"A Charlie Brown Christmas: The Making of a Tradition" just expands that experience, by outlining how the famed special came to be -- the music, the animation, the voice acting, even the advertisement to get people to watch it. It's a charming, nostalgic little book, and a good accompaniment.

"A Charlie Brown Christmas" was spun up quickly, when Coca Cola wanted a Christmas special in less than a week -- and Charles Schulz's lovable loser Charlie Brown seemed to be the ticket. But the special was made very differently from other cartoons -- 2-D animation, no laugh track, uncutesy kids, and (horrors!) a jazz soundtrack. It was doomed to fail, they said.

Well, instead it became a booming hit, and has been running every December ever since. Lee Mendelson and Bill Melendez reminisce in here about the much-loved Charles Schulz, and about Vince Guaraldi, who made the distinctive piano soundtrack, and why it's so beloved -- it dares to approach holiday ennui and commercialization, then dashes it away with Linus' description of Christmas' meaning.

As for the "making of" portion, there are storyboards, musical scores, test photos, clips of television reviews, and rare photos like Melendez and Schulz doing the football gag. Finally, there is the entire script of the special, framed by colourful stills from the cartoon.

You couldn't wring this much information from most half-hour animated specials, no matter how much fun they were. But it's a bit different with "Charlie Brown Christmas." It was so completely unusual -- and has proved to be so timeless -- that a book on the making of it, and its effect, seems completely right.

It's a very conversational, reminiscent book. It feels like sitting in a room with Melendez and Mendelson, listening to them reminisce about "Sparky." And we also get input from other people involved in the project, such as Christopher Shea (Linus), who talks about his famous "Second Chapter of Luke" speech, as well as odd bits of trivia (the little girl playing Sally had to be fed her lines).

The Christmas special is more than able to stand on its own, but "Charlie Brown Christmas: The Making of a Tradition" is a wonderful accompaniment. Full of interesting tidbits and history.

I bought this book as a Christmas gift for a friend who is a hypochondriac. She got a kick out of it which is what I wanted. I'm not sure how informative it is but works good as a conversation piece on the coffee table.

This is the FUNNIEST book you'll ever read. Hands down. Fast delivery with good packaging (bubble wrap) for protection.

This book was funny. All the diseases shown are some of the worst diseases anyone could ever imagine. You won't even want to shake hands with someone after reading about Bejel. *ew*

If you have the nerve, and are into perverse entertainment, this is the book for you -- or someone who will appreciate midnight black humor with a glossy blue sheen. We're talking forty-five horrifying ways that Nature is out to get you, with plenty of gruesome details on how she will succeed, and the pitiful or nonexistent steps you can take to protect yourself.

The writing is excellent. The author has a way with words, content aside. It really takes talent to make me laugh out loud, all the way through a book, especially when what I'm reading is also giving me cold sweats and an irregular heartbeat. I couldn't put the book down, and now I'm afraid to move or breathe. Other people have to get their thrills on mountain tops -- me, I can sit right here, white knuckled, waiting for unspeakable dangers to come to me. I am now regarding my cats and coworkers with suspicion -- no, outright terror.

Three days ago, I had no trouble making the leap from tiny flickering pain in my head to malignant brain tumor. Now I look at that self-diagnosis as a sign of childlike innocence. Do you have any idea how many truly unspeakable, debilitating, and deadly diseases start out with a simple rash or swelling? Numbness, coughing, itching, of course headaches, the list of innocuous symptoms is comprehensive, and all symptoms seem to lead to blindness and loss of body parts.

I find the ailment Fibrodysplasia Ossificans Progressiva, where your immune system decides to replace your sore muscles with bone, particularly insidious, although I feel better about not going to the gym now. Another favorite: Fatal Familial Insomnia, in which you never sleep again. (It's now 2 a.m. -- I'm feeling perky, and worried.) Furious Rabies, Norwegian Scabies, very bad. And let's not ignore good old pinworms, which 1 in 10 of us have at this minute and everyone has a 50/50 shot at getting at some point before they die (probably not from pinworms, which, by the way, are IN your butt and come out at night to lay their eggs ON your butt. Remember that time you scratched your itchy butt? Yuh huh. Trust me, the least of your worries. You want to be focusing on Scleroderma, in which your skin and organs slowly harden and you begin to resemble a statue, or Myasis, in which maggots crawl around beneath your skin. If you're lucky you'll get off with Chronic Idiopathic Diarrhea or Cyclic Vomiting Syndrome. Both of which sound marginally better than the Mycobacteriosis I could get from changing the water in my fishbowl, or Bacillary Angiomatosis (cat scratch fever).

Giving this book to a full-blown hypochondriac is what passive aggressive behavior is all about. Or, you just think your mom will really get a kick out of it.

What better way to bond to the sweet hypochondriac in your life than by giving them this book? The diseases are real, the commentary is hilarious. Guys, believe me, you won't want to swim in the Amazon after you read this.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.