Publishers Books

The size of the book is appropriate for carrying in the field. The narrative is concise and well presented. The pictures of the birds are easy to reference. The real test of a field guide, though, is how useful it is when there is an unidentified bird in front of you. I will not know that until I get back from S. Africa in March but this book appears comparable to the better guides for US birds.

We wanted to label all the photos of birds we took in South Africa. This book made it easy to locate the drawings of the birds. . .drawings that were very lifelike. . .and attach the names to the photos. We highly recommend this guide.

This guide looks perfect for my needs. I have looked it over carefully, even though I haven't had a chance to use it in the field. I definitely like the quick reference guide to bird types inside the front and back covers and the color-coded reference to bird groups. Look forward to using this guide in the field.

Well worth the money to enjoy your trip to South Africa even more. Even with a good guide (like we had with Transfrontiers) it is well worth taking a strong field guide like Birds of Southern Africa. That way when your guide is trying to tell you what you are looking at, you can see the picture up close and get a better idea. We have done many trips to various parts of Africa and this is one of the best guides we have used.

Warning: using this field guide will make you dissatisfied with many other field guides. You will enjoy studying and using this guide.
The illustrations are large and detailed, distinctly more accurate than most guides. In addition most are just beautiful works. They are grouped in species settings with juveniles, alternate plumage, flight and significant field marks highlighted.
On the opposite page: written description, habitat, abundancy status and call descriptions with a range map plus the Afrikaans name.
As an example of the illustrations: the Laughing Dove is illustrated by two flight poses and a profile. The profile has arrows noting 'no hind collar', 'cinnamon back' and 'black-flecked necklace'. The written text notes marks that distinguish this bird from a Cape Turtle-Dove.
The cover is plastic coated and the pages have a lesser water resistant coating.
A lot of attention to detail went into creating this book --colored coded page edges according to bird group, groups of waterbirds and hawks in flight for comparison, a checklist near the index and internet addresses of birding resources in the area.
All this in a work that I carried in a large pants pocket every day.
It just makes me wish such books were available for many more areas.

Rosenberg's new volume has been joyously received and devoured by this reader. Even though the length (some 700 pages) is formidable, I was not able to leave it for long since receiving it this week. I find R's account thoroughly accurate, engaging, and stimulating. The book's account of Szell's life and Cleveland tenure finally fills the void for any such account (save a scattered few articles and Robert Marsh's volume on the Cleveland Orchestra published in 1967). For this alone, Rosenberg deserves high praise, but goes so much farther in presenting and illuminating all the significant on-stage and behind-the-scenes personalities in the life of this estimable musical institution. This is essential reading for anyone who, as I, grew up in the golden era of the Cleveland Orchestra. Bravo and thank you Don Rosenberg! ...

Certainly anyone who loves the Cleveland Orchestra or George Szell's work will want to have this, although most of the famous Szell-as-heartless-martinet stories have been widely told elsewhere. I enjoyed the section on the orchestra's early years, which were much more unfamiliar; it really is amazing how an orchestra like this has survived and even thrived in a "mid-market" city like Cleveland. Great photos, too, including Artur Rodzinski with his goats. However, I felt the book ultimately depended too much on lists of tour cities, lists of works played at concerts, and endless excerpts from contemporary newspaper reviews. I would have liked less time in the archives and more time interviewing musicians (in Cleveland and elsewhere) on what Szell (and Maazel, and Dohnanyi) really did in terms of working with the orchestra, the details of what they asked for and how the "sound" evolved over time. I guess that's hard to accomplish in the same book where you need to mention every time the orchestra went to New York, but it would have made for a more interesting read. Still, anyone who enjoys orchestral biographies (as I do) will want it.

This is an enjoyable, comprehensive, and inside-out read. The Cleveland story is dramatically conveyed, the personalities come to life, from Leinsdorf's bad luck to Szell's *&^**%$ "personal" style in the pursuit of excellence. If reading something recent on classical music in the US, one is well advised to go here. More than the Bernie bios or the Solti (whom I love) memoirs. Serves well as both a continuous and a here-and-there random read. And depicts rather objectively all the intrigue, dedication, personal foibles underlying the external results through the 80+ yr history, and before. And very well documented appendices. You can believe the positive professional critics' reviews above.

I've been a fan of the Cleveland Orchestra for many years but have heard them live only once, at the Hollywood Bowl during a West Coast tour in mid-70's. It was an unforgettable experience - I had never heard an ensemble play with such clarity and precision.

Rosenberg's history nicely blends details about the musicians, managers, performances, and the music itself. Others have summarized many of the topics covered. I was particularly impressed by the sacrifices of the musicians, who did not have a full-year contract until the late 60's, despite being acknowledged as one of the 2 or 3 finest orchestras in the world. Many had to work odd jobs to keep their bills paid (still the case for most smaller market orchestras). And arrogant union leaders wouldn't allow the musicians to have a representative present during contract negotiations with management until well into the 70's.

Three separate collections of photos allow one to associate names with faces, and I find this helpful when listening to recordings. There's Myron Bloom heading up the wonderfully precise horns; and Josef Gingold playing a beautiful violin solo; and Robert Marcellus with his definitive performance of Mozart's Clarinet Concerto. Most of these fabulous performances are available as digitally re-mastered CD's on Sony's budget Essential Classics series. More recent, equally outstanding performances are led by soon to retire current conductor, Christoph von Dohnanyi, who has maintained and enhanced the orchestra's reputation. There are no better values in recorded orchestral music.

Anyone who loves orchestral music should enjoy this book. I recommend it most highly.

Among serious fans and critics of classical music, the "Big Five" of Boston, Chicago, Cleveland, New York and Philadelphia are America's finest symphony orchestras, equal in quality to their peers in Europe. Yet only one of these is universally regarded as the equal to Europe's very best, the Berlin Philharmonic and Vienna Philharmonic orchestras: surprisingly, the one often mentioned as among the world's top three is the Cleveland Orchestra. Having heard the Cleveland Orchestra performing live under the batons of Dohnanyi, Boulez and Welser-Most at Carnegie Hall, I must concur with this popular opinion since this orchestra may now be the world's finest, or at least, on par with the venerable Vienna Philharmonic (Under Simon Rattle's leadership, the Berlin Philharmonic seems to have slipped somewhat in quality, and I would add yet another orchestra, Amsterdam's Royal Concertgebouw Orchestra, to my list of the world's top four symphony orchestras.). I have yet to hear a disappointing Cleveland Orchestra recording or live performance; this is without question, a precision quality ensemble always capable of flawless, lovely playing.

Cleveland newspaper music critic Donald Rosenberg tells an engrossing saga of the Cleveland Orchestra's history, from its founding in 1918, through the George Szell years which ensured the orchestra's rise to prominence as a world-class symphony orchestra, and finally, the close of Christoph von Dohnanyi's successful tenure as the orchestra's music director over the span of eighteen years. This is a fascinating inside look at the inner workings of a major American symphony orchestra, pointing out how Cleveland's wealthy elite were determined to create a fine music ensemble, and noting the importance of early conductors such as Artur Rodzinski and Erich Leinsdorf in the orchestra's rise to national artistic prominence. It is a story that is in a sense, miraculous, for no one would have expected that a small Midwestern city like Cleveland would be the home of one of the world's finest orchestras, and maintain that excellence inspite of the city's waning economic fortunes over the latter half of the 20th Century. And I fervently hope that Cleveland continues to support the artistic excellence demonstrated by the Cleveland Orchestra, which recently was the first American orchestra invited as a resident guest orchestra at Vienna's Musikverein, the celebrated concert hall that is home to the Vienna Philharmonic.

This book was purchased for a college research project and it was just perfect. It talks of Kandinsky's color theory and how music and color co-exist. The seller was professional and I got the book when it was promised. I would order from this seller again...definately!

Wassilly Kadinsky was a 20th century painter and his CONCERNING THE SPIRITUAL IN ART provides a blend of philosophical, spiritual and artistic reflection as it examines the premises and presence of spirituality in art. This new edition is a recommended pick not just for art students of modernism, but for readers of spiritual works: it includes letters between Kadinsky and Sadler, unpublished prose poems, and a fine attention to artistic reflection and analysis.

Diane C. Donovan
California Bookwatch

I enjoyed reading the book. At times it was over my head,but still it was worth the effort!!!!

Kandinsky throws his ideas out in a slightly esoteric manner. It make take a few rereads to really grasp the quality of discourse he presents. But, in the end, his commentary shines brightly through his comparisons of music to painting. The spiritual triangle is comparable to Maslow's Hierarchy of Needs. It is important to remember that Kandinsky is not using the term "spiritual" in a religious sense.
This book is a very good read for anyone feeling slumped in their art making. And for anyone who wants to expose themselves to ways of thinking about art. By the third time I had read the material I had underlined and highlighted almost every line and filled all the margins with notes. The book is fantastic. It is especially good when paired with Hans Hofmann's essay "In Search for the Real." Although the ideas in the two books do not parallel. In fact the lines aren't even on the same page. Kandinksky's critiques of other familiar artists are very interesting too. Names like picasso and Cezanne pop up quite a bit.
I'll stop rambling now. Read the book, it is very good.

Kandinsky had risen to positions of influence in other disciplines (political science/economics and law) before directing his considerable intellect to painting. His insights extended into the historic 'meta' trends of the arts and sciences, including the physical sciences, and had his interests been directed more to the history and philosophy of science instead of the history and philosophy of art, he might have written Kuhn's observations regarding paradigm change a half century before Kuhn did: "Here and there are people with eyes which can see, minds which can correlate. They say to themselves: 'If the science of the day before yesterday is rejected by the people of yesterday, and that of yesterday by us of today, is it not possible that what we call science now will be rejected by the men of tomorrow?' And the bravest of them answer, 'It is possible.'"

Instead, Kandinsky extended the frontiers of painting and authored philosophic writings on the future of art that are among the most important of such works. M.T.H. Sadler, who translated this work into English, was a friend of Kandinsky's and was among his early admirers. The notes he has written in the front of the book (Translator's Introduction) are therefore more helpful than could be the opinions of many other critics, including myself:

"Anyone who has studied Gauguin will be aware of the intense spiritual value of his work. The man is a preacher and a psychologist, universal by his very unorthodoxy, fundamental because he goes deeper than civilization. In his disciples this great element is wanting.

"Kandinsky has supplied the need. He is not only on the track of an art more purely spiritual than was conceived even by Gauguin, but he has achieved the final abandonment of all representative intention. In this way he combines in himself the spiritual and technical tendencies of one great branch of Post-Impressionism.

"The question most generally asked about Kandinsky's art is: 'What is he trying to do?' It is to be hoped that this book will do something towards answering the question. But it will not do everything. This--partly because it is impossible to put into words the whole of Kandinsky's ideal, partly because in his anxiety to state his case, to court criticism, the author has been tempted to formulate more than is wise. His analysis of colours and their effects on the spectator is not the real basis of his art, because, if it were, one could, with the help of a scientific manual, describe one's emotions before his pictures with perfect accuracy. And this is impossible.

"Kandinsky is painting music. That is to say, he has broken down the barrier between music and painting, and has isolated the pure emotion which, for want of a better name, we call the artistic emotion. Anyone who has listened to good music with any enjoyment will admit to an unmistakable but quite indefinable thrill. He will not be able, with sincerity, to say that such a passage gave him such visual impressions, or such a harmony roused in him such emotions. The effect of music is too subtle for words. And the same with this painting of Kandinsky's. Speaking for myself, to stand in front of some of his drawings or pictures gives a keener and more spiritual pleasure than any other kind of painting. But I could not express in the least what gives the pleasure. Presumably the lines and colours have the same effect as harmony and rhythm in music have on the truly musical. That psychology comes in no one can deny."

Some aspects of Kandinsky's color theory are dubious, at best they cannot be universalized, and Kandinsky sees this. But other of his ideas and arguments are widely accepted among artists, even as being self-evident. Stating that "there is no 'must' in art, because art is free," that is, free to address external representations OR "the inner need," to merely chase after material 'objects' OR to wrestle with the mysteriously spiritual, to somehow meld the two visions OR to stay purely to exploration of the spiritual high ground, Kandinsky absolutely rejects the materialistic expectation of an art "explanation" that has been articulated by EO Wilson in his unfortunate daydream 'Consilience' (Wilson knows ants better than he knows humans, and is given to understanding humans to be essentially ant equivalents).

Anyone interested in art history, painting of the past century, or the relationships/correlations/divergences of the various arts (visual, musical, literary), as well as anyone interested in the meaning and purpose of art, or in the philosophy of aesthetics, should read this important book, perhaps more than once.

I tend to side with free market economists on many issues, but I am always open to convincing arguments against that thinking. For me, Bernstein almost gets there. I agree that power is a major issue in many of the decisions that are made regarding economic policy, I just don't know if things play out as nefariously as Bernstein suggests. His approach also is a little too glib, which makes it a bit of a turn-off and a distraction from his fact-based arguments. For example, don't just repeat your claim that certain businesses are "addicted" to low-wage employees - show something empirical. Some of the Mexican workers in New York City's service industries may find this addiction beneficient.

Bernstein does have some serious and strong claims. For example, that growth is not benefitting people equally but rather mostly those at the top, leaving the vast middle class trailing, is a major problem. Also, the fact that the middle-class is hit hard by higher than overall inflationary increases in areas like housing and higher education, is also a serious issue that needs to be addressed.

I'm just not so sure that his solutions are the most workable. Where, ultimately, does sustained job creation come from? Is it from small businesses or from the large invesors whom Bernstein so disdains?

I think that Bernstein poses serious questions but is weak on the answers.

My Dad and I have been having this running debate about the direction the world is going. I say better, he says worse, and we never seem to come to any consensus. Crunch, by that rare bird a progressive economist, could be exhibit #1 in the evidence Dad presents to support his case. Bernstein makes the (valid) point that while our country has gotten much richer on the whole over the past two-decades, most folks feel economically "crunched" due to stagnating wages and significant increases in costs for housing, health care, and education. While some things have gotten cheaper due to globalization (like computers), this has not made up for the rise in expenses for the most important things we need, and just to keep up families have had to work longer hours in jobs that are increasingly less secure. Bernstein is an excellent writer, a clear minded economist (one of the first to recognize the growth in low-wage workers and a big source for my dissertation), as well as a player on the Washington policy scene. So is Dad right? I think that Bernstein's time horizons are simply too short, and the growth in living standards, health and longevity over the long run due to increases in technology and the spread of market economics are the really big stories. Sure, we should fight for a progressive agenda (and elect Obama), but Bernstein's observations and policies ideas are not in conflict with recognizing that on a macro sense we would not want to trade life in 2008 for life in 1958.

Let's start by understanding that Dr. Bernstein is not an economist. His Ph.D. is actually in the area of Social Welfare. And that tells us a lot about this book. In general, the only place in American academics where Marxism is still taught as a legitimate theory of economics is in Departments of Sociology.

Dr. Bernstein is correct to raise the concern that rigid adherence to certain economic assumptions can "lead to ideology." But he would do better overall to recognize that it is just as likely that ideology can lead to certain economic assumptions -- as is the case with his thinking.

In general, when reading this book, it is essential at the start to recognize that Dr. Bernstein's worldview is fundamentally Marxist/Keynesian in nature. He is a proponent of government action. He is a proponent of regulation (just better written). He sees corporations and wealthy people as unduly powerful. He exhibits a marginal belief in and understanding of markets, their functions and their powers.

Bernstein blames many things on so-called "bubbles." Unfortunately, he takes no pains to understand the nature of these events and he adopts a generally feckless approach to reasoning about these events and their effects. His conclusions are doubtful simply because his starting point is not solid.

I have rated the book a five not because I agree with any of its premises or conclusions, but because I would want fair minded people to read and understand how a left-leaning economic thinker approaches the issues of the day. I agree with almost nothing in the book, but I still think it is a good specimen of leftists' economics-styled politics framed in more formal economic terms.

At this point, I am going to reread the book and be back with specific commentary on important arguments in the book.

I would recommend this book to anyone who wants to understand the facts behind the newspaper headlines. Bernstein doesn't bother with dry theories. He delves right into explanations. The book is worth reading just to debunk some widely believed myths, such as Social Security going bust and benefits of lobbying against technological changes.

Bernsein has made technical information accessible and even humorous. Commenting on a random graph, he writes (p 32): "I kind of see a little doggie running, but that's me."

The key to this book also comes on page 32:
"We're clearly kickin' back, spending money hand over fist, with little regard for what works and for what's cost effective and what's' not."

Although he's writing here about the medical system, this statement also applies to our programs of education, criminal justice, economic development, employment and poverty. Let's face it: societies don't run on scientific or logical principles.

I do have some quibbles about some of Bernstein's specifics and solutions.

To revamp the medical system (I like his term, "Medical Industrial Complex"), Bernstein supports a single payer system like Canada's. I lived in Canada for a few years (although as a certified medico-phobe, I never saw a doctor).

Countries with single payer systems have huge tax rates - higher than 50% at the upper levels. If you're earning $40-45K or more, you may be able to buy a comprehensive policy in the US for less than the additional sums you'd pay in taxes for a single payer system.

Single-payer systems require huge investments of time. I knew someone whose operation kept getting delayed till she got an infection and had to be admitted as an emergency. Others told me they had to return a dozen times for a simple check-up because doctors got paid small amounts for each office visit, whether it took 7 minutes or 70.

Often these systems are supplemented by private care or the overload is handled by paying US providers. I kept hearing about an underground market for health care: for as little as $1000 you could jump the queue.

I would also supplement Bernstein's answer to, "Why are teachers paid a lot less than stock traders?" Value and ability to measure output matter, but so do supply and demand. Desirable jobs pay less. Big companies pay more because they want to choose from a larger applicant pool. Airlines offer very low salaries to flight attendants, but thousands apply.

Of course supply can be controlled artificially, through rigid or even bizarre licensing requirements. Unions also can control supply. Unions tend to be most powerful with employees who feel powerless and/or are just not marketable or in demand. In unionized universities, English professors support unions and finance professors often wish they'd go away. On a micro-level, I would recommend staying marketable, not appealing to unions or waiting for the government to get around to fixing things.

On page 171, Bernstein notes that unions face organized opposition. Folks who have been in unions can be quite cynical too. The combination of dues and a long strike can wipe out financial gains. Union presidents tend to get very close to company presidents, not their own members. Unions make deals and enjoy wide latitude when deciding who they will help and how much, with little real accountability.

Finally, Bernstein addresses the opportunity costs of war. We could make an even stronger case for the opportunity costs of the criminal justice system, which is based on ideology and emotion, not scientific analysis of human behavior.

Overall, though, the book is intended more as a primer than a stimulus to thought or action. For this objective, Crunch is more successful and far more enjoyable than most.

This is a fantastic book. I love the author's no B.S. approach to the economic troubles that face Americans.

He explains why much of today's economic policy is little more than rationalized greed. In particular how the Federal Reserve Board's hiking of interest rates when labor markets get tight is great for the large investor class, (lowers wages by increasing the number of unemployed in a slowed economy), but hammers working people.

I also enjoyed the explanation of the "education myth", how it is naive to think the 70% of the population that does not attend college should somehow do so and all will be well. The author pointed out this is an easy way for the free market apologists to place the blame for gross inequality on "other people"...if only they would do this, or that, they could live worthwhile lives. Right. The devaluing of others labor and the addiction of American business to cheap labor in general is an age old sport.

Mr. Bernstein seems to enjoy poking fun at the free market zealots and economists who think all will be well for everyone through the magic of the market place. As if greed and injustice do not exist. This "Easter Bunny/Santa Claus" economic approach is ripped by the author and I loved every single line. Finally someone from Washington with the guts to tell it like it is.

This was just a great book. Easy to read, and gets to the heart of real issues impacting average Americans. I loved it.

Chefitz' book is a delicious collection of sweet, subtly moving stories inside an overly pretentious wrapper. As a Jewish inspirational storyteller, I have found his tales to be powerful without being heavy-handed; two of them are now part of my core repertoire.

You don't need to be Jewish to appreciate these kabalistic stories, however. Read them out loud, savor their sweetness, and be prepared to be touched gently and deeply.

This is the kind of book you want to buy and give to everyone. I gave a copy to my mother in her 80s and she said it was the most wonderful gift she had received this year. These stories sink into your soul and resurface to uplift your days. I definitely remember more to count my blessings and to give them too and thus I receive more blessings and am open to more coming as well. Reading this book, life seems full of miracles!

I purchased this book, The Curse of Blessings, based on the reviews here. I have to say that I am very disappointed with this book. I struggled through it and found little to recommend it. For me, it didn't live up to the high ratings given here. The stories are often convoluted, flat, and without inspiration. I feel duped for having purchased a real clunker. Instead, I would recommend Irwin Kula's book, Yearnings, which I have found to be exceptional in its ability to inspire and provide insights into life's challenges.

This marvelous little collection of stories are good on the first reading, and even better on subsequent readings. Some are mysterious stories, some are sweet, and all have the ring of truth.

I liked it so much I bought other copies as gifts. Enjoy!

These ten short stories by Mitch Chefitz are meant to be read aloud. Each time, as a reader or a listener, I find the stories to be enriching, inspiring, and, in a few, delightful and humorous.

"Dawn of a Thousand Nights" intrigued me about the WWII time period of our American history. This is a story about two pilots in Hawaii. Libby and Dan met in Hawaii before America was attacked. They fell in love and then Dan was sent out to the Philippines. After the attack on Pearl Harbor, Libby joined the Women's Auxiliary Ferrying Squadron, a civil service unit. The WAFS were used to ferry planes inside of the country. The Philippines was also attacked with thousands of troops being captured. Libby didn't hear from Dan but she never gave up hope on being with her beloved. Will their love survive Dan's captivity and their separation? Read "Dawn of a Thousand Nights" and you won't be disappointed. ~Shelly of Chadron MOPS

"Dawn of a Thousand Nights" is a touching story of new love and the war that threatens to tear that love appart. The main characters, both pilots, are separated by the war just as they decide to give their hearts to each other. The book follows the trials and truimphs of each person as they struggle to find their way back to each other and end up finding a part of themselves in the process. I found "Dawn..." a fantastic story of love, heartache, dedication and finding the way back to God.

This is a wonderful book. I couldn't put it down. The story woven in with the history was perfect. It couldn't have been better. I loved it so much I ordered a copy for my husband's grandfather who was in the pacific during WWII.

Tricia Goyer touches the heart of every reader who was in WWII or had a family member involved. I read this with my heart remembering my uncle who was a POW, and what he gave for each one of us to have the freedoms we enjoy today. This is a precious book that is exciting and breathtaking at the same time.

I've always been fascinated by stories about World War II, and this one is great. Libby Conners, pilot trainer and Don Luken, hotshot pursuit pilot, meet on a beach outside of Honolulu. Although it's June, 1941, and the U.S. is sending scores of pilots to Hawaii and the Phillippines, they are young and unafraid. They're in love and for them nothing can change. Then Don is transferred to the Phillipines, leaving Libby behind. On December 7, the Japanese bombed Pearl Harbor, and launched a similar attack on the Phillipines, and now nothing will ever be the same. This book is an honest, gripping portrayal of one of our country's darkest times. The research is accurate and incredible. The reader has a strong sense of place, whether in a plane, on a beach, or in a prison camp. You'll come away with a greater appreciation of the men and women in the military who risk their lives daily in the service of their country. I had never read anything by Tricia Goyer before, but I'm looking forward to the next one. She's an excellent writer.

Not that detailed but great if you are not going to sit down and read an involved design book. Quick tips.

Most of the books of the same kind, you'll find 500 pages just with theory, things that you should do and you shouldn't. This one is just plane and simple, if you are an expertise graphic designer, it will show you really cool and fresh ideas.
If you are a designer with no background education, it will guide you step by step in the process of creation.
For the price you pay and the content you get, this book is one of its kind.

I've read literally hundreds of design books and frankly find most of them to be long on theory and have precious little to offer by way of concrete learning and real-world usability. This book (and The Design-It-Yourself Newsletter also by Chuck - which I also own) doesn't overburden the reader with "fluff." It's a pleasure to find a book that tells me what I should know and need to know rather than what some "expert" wants to tell me. These books are practical, useful, clear, and easy-to-follow. Do yourself a favor and invest a very reasonable sum in this book (or any of Chuck's books for that matter), and you will be a better designer for it.

Who is this book for? Non-designers trying to design their own logos, letterheads & businesscards.

How good is it? It's the best I've come across. And I've gone through hundreds of them. This book helped me design a logo and stationary for more than one business, got my creative juices flowing, gave me a lot of ideas - that I would've never thought about otherwise - and to top it all, gave me STEP BY STEP instruction on how to achieve simple but very elegant, clean & professional results!

The design of the book itself makes you want to buy it the very first time you look at it - very well organized, simple, elegant. Inspires confidence.

Does it deliver the goods as promised? SURE!

Another of Chuck's books that I read ages ago and is highly recommended and valuable even today: The Desktop Publisher's Idea Book. It still sits on my desk/bookshelf, and I go back to it often to get new ideas.

Finally, Chuck's web site - ... - is equally impressive, a treasure chest of ideas & resources for budding or amateur designers exploring the world of design.

Request to Chuck if he reads this - please let us have more of these in a series - Design It Yourself Logos 2, 3, 4... etc. PLEASE!

Bharat Suneja

I recently purchased this book at a local bookstore on my lunch hour. It was so difficult to eat lunch with my new treasure and then have to return to work. Right after dinner that evening I sat down in a comfortable chair and just read and read until I went through the entire book. I just couldn't put this book down. It was wonderful, interesting and very informative. The recipes were great and I will incorporate their use in my at home graphic design business. I have been doing graphic design for about 8 years and cannot get enough to read on the subject. I am self taught and this is just the kind of book that will help those who are just like me, or even give fresh new ideas to those who are experts. Thanks Chuck! I need more of this -- got any more like this coming?

I would have to say that I was not expecting very much from the book.
Got the shipment and couldn't stop reading. The text is simple to understand, the printing is in very high quality and the information is amazing.

i just bought this book with "tres logos" and wow, this book is amazing. this one explains the process, the reasons, etc of how to get to a great logo and the other book is a collection of great logos. this book stimulates your creative juices and guides it in a fashion that leads to great concepts for logos which from there can spring into many other medias and beyond (collateral pieces, ads, web, etc). this is a must have book for anyone at any stage of their design career. five stars to rockport and this book for another success. i have just about all the books published by rockport. awesome book.

Logos 01 is an excellent examples of the modern approach to corporate identity logo design. Case studies and examples illustrate the requirements and execution of a wide variety of businesses in regards to the need for a mark to help themselves in their marketing efforts. I have actually purchased and given this book to my marketing practice clients and prospects in order to provide good direction for their expectations and planning on this subject. The book is also beautifully designed, easy to read, and even though I use it as a tool, could easily be an attractive table-top book for the office.

A well designed, designer resource. The samples are large and the explanation text is informative. A great book for designers to have on hand.

This volume on design is both beautiful and insightful. In a bookcase full of vacuous logo "collections", Capsule's effort stands out as a genuinely intelligent, useful, and inspiring work.

This is an exciting story that really makes you feel like a part of the adventure. I couldn't put the book down once I got to the last 100 pages. I was particularly fascinated by the detailed descriptions of the surroundings and the complexity of bigfoot. I highly recommend this to anyone who enjoys a thriller.

I very much enjoyed this novel. I've read up quite a bit on the legend of sasquatch and bigfoot over the years. The author uses quite a bit of actual reported "bigfoot signs and occurences" to illustrate the adventure of his characters.

This is a very quick-read and fast-paced, definitely not a heavy, lose-yourself-in-the-storyline novel.

It is what it is: an enjoyable 1 or 2 sitting read, about a man and his desire to come to terms with something terrible and nearly mythical that happened to him in the woods as a child. He definitely finds the answers he is looking for, but probably not in the way he expected.

When I received this book, I started reading and finished it the next day. It was truly a book full of suspense and the reason I read suspense novels. It was very well written, and I could see the events in my mind playing out. I was scared out of my wits and terrified for the people who survived and those who didn't make it out of the woods. This book would make a great movie.

I like it when I can form imaginative images of the scenes in a book as I am reading it. I did this for Bergeron's "The Devil's Ridge." This story, especially the concluding scene, would lend itself very well to the screen. Although the characters of Brad and Jesse are on stage most of the time, it is the silverback waiting for his entrance who dominates not only the two main characters, but also the reader. It is the silverback who engenders in the characters the fear of something that has not been faced, which often becomes more frightening because it has not been confronted. Bergeron's characters resolve this problem in different ways when they have to ultimately face their fear.

Wow! This novel is a real page turner, the type of novel you read too late into the night because you just can't put it down. Mr. Bergeron has given us a novel filled with details of the hunt and with a new twist on the Bigfoot legend. Definitely not the book to bring along on your next camping trip if you expect to get any sleep! The final scene with Brad is the most unsettling scene I've read in a long time; truly frightening on so many levels. A great story so give it a try and enjoy!

I acquired the leather bound edition of this book when it was published. It wasn't at all what I expected it to be. The book was better. It transformed the way I thought about devotion. I have kept my edition in excellent shape all these years despite using it. If you are thinking about buying the book, I highly recommend it. I don't know what the newer versions are - whether republished or rewritten.

This book has been a continual inspiration and source of God's voice to me. As I read and re-read the content, I find God speaking to me each and every time. I even had my own copy rebound, so that I can be assured to always have it. I have bought copies for others, and am sorry to see it out of print.

This book has really helped me in my daily walk. The book is divided into 52 topical sections like silence, meditation, fasting, distractions, etc. with scriptures to read for each day of the week. There are also hymns, meditations by Christian authors and prayers for each week that relate to the topic. It's something you can do in 10 minutes a day if you're just starting and need to develop the discpline or you could spend 20-30 minutes each day if you want more time in prayer or to meditate on the readings. I highly recommend it and am about to buy a second copy for a friend.

I first read this book on a professor's recommendation in 1985. Disciplines uses a weekly format, including a 2-part reading schedule (1 part for use, and 1 for reading through the Bible in a year), and writings from classic Christian writers through the centuries. Like others, I have started reading many authors after reading their words in Disciplines. The heart is grabbed, the brain is engaged, and God speaks to you every day. My only negative is that there is no sequel, although it is similar to a Guide to Prayer for Ministers and Other Servants, an excellent book from the Upper Room.

There are so many choices confronting anyone looking for a half decent devotional guide today. This is the only one I have read that I cannot imagine anyone being disappointed with. I would recomend trying to get a hold of the leather bound edition from 1985 even though it will be a bit spendy. The reason that I recommend that edition is because it is quite a bit sturdier and it will take you through the whole bible in a year as well as the daily devotional readings. The Benson's have gain an incredible balance of focus on spiritual formation with practicle life application. They have avoided the error in many modern devotional guides of just giving a little two minute self help blurb to make you feel better about yourself for the day. They have also avoided the tendencies of certain older guides which seem to focus almost exclusively upon what wretched sinners we all are. If you make the effort to go carefully and patiently through the entire book in a year the Spirit will use it to transform you from the inside out. This devotional is both encouraging, challenging, and will serve you well for years to come. It is structured enough to give solid direction, but flexible enough to work for just about anyone. You also will have gained a great introduction to almost all of significant writers on Christian spirituality throughout history. I just can't for the life of me understand why it has been taken out of print, maybe because it will require more then a five minute commitment each day, but it is well worth it.