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Katherine Martin has compiled a detailed collection of feminine courage and real-life stories of going beyond one's comfort zone.

An inspirational feminist guide for young girls and women. Wonderful resources to finding a personal or impersonal mentor.

Katherine Martin's collection of stories reminds me that every woman, young and old, has natural talents and abilities to bring about supernatural results. A wonderful book that is sure to inspire readers to help make the world a better place.

There is a heartfelt need among women and girls to celebrate women's history. In her outstanding work, Katherine Martin has put before us a diverse group of role models from which every woman can learn and be proud.

41 women are featured in this thought-provoking book: some have names we recognize immediately from politics, medicine, spirituality & literature. Some for their derring-do & some for their expressions of inspiration. Some have made no headlines as they work with our homeless citizens or live with HIV, poverty or teach welfare mothers. One filmed documentaries in dangerous poltiical places. Another survived imprisonment at the hands of rebel bandits in a little known nation only to go to work, upon release, with refugees in ethnic-cleansing zones. Another stepped out of the shadow of a best-selling husband & learnt to speak her own piece while another is a pilgrim upon her walk toward spiritual knowledge.

Listening to their words, remarking upon Katherine Martin's commentary, I have found myself in good company & would willingly offer any one of these brave women my seat by the fire & a cup of hot tea! A wonderful read & a keeper! Do check out my full review!

In "Women of Courage", Katherine Martin has done a superb job of depicting forty courageous women who have followed their dreams, lived their commitments and made a difference in the world. These women are of all ages and are drawn from all professions: from art to politics; from explorers to activists. Some are famous and high-profile; some are relatively unknown. Each of these women has evinced a remarkable courage, openness and determination not to give up her dream - whether writing about the feminine identity of God, crossing the South Pole, or adopting a baby girl from China.

Too often, as Mary Pipher (the author of "Reviving Ophelia," and one of the women profiled is this book) says, courage has been defined as courage in the face of physical danger, the courage of a superhero or of Rambo. With this book, Ms. Martins suggests that courage comes in many aspects, all of which are important and valuable. I would especially recommend this book as a gift to young women, although both genders and all ages should find it enjoyable.

I had the delight of taking John Main's classes at the Yoga Tree when I lived in the Haight in 2002. I just re-ordered thsi book to read it again, my first on being purchased from the Yoga Tree. His honesty and simple, straight on writing and thoughs are inspiring and make for a great, motivating book.

As a relatively new yogi, I found Darren's book to be a fascinating read of the Eight Limbs. I hadn't a clear understanding of each until I read Darren's words. Not only do I feel a much deeper understanding of each limb, but I am able to deepen my practice. Darren's book was as wonderful as he is a person! Thanks, Darren.

I have tried to read many books about yoga and the eight limbs, but for the most part, I usually get frustrated and feel disconnected and quit. Darren Main has done something very unique. He has woven some of the more difficult concepts (and quotes from those "frustrating" books) and brought it all down to earth. I would recommend this book to anyone trying to deepen their practice, but not quite ready to isolate themselves in to the wilderness. It is a great easy read and really inspiring.

For me, this is one of those books that you cant wait to finish so you begin reading it again. Darren has a unique talent for bringing ancient yogic philosophy into modern day terms. I just attended his 3 day workshop in Denver. I am inspired to say the least.

Darren gives you insight in how one can practice yoga and spirituality while living the modern life. His stories with playfulness and compassion, illustrate how we can stay on the path. You can feel his warmth come through his writing. Urban Mystic is delightful to read and always brings a smile to my face.

Its simple...we LOVE this book. We got this when my daughter was about 1 and at 6 she still loves it. Now my 2 year old son enjoys reading it with us.
Its a great story about companionship. The rhymes roll off the tongue and the pitcures are rich with color and detail.
We have since shared this book with many of our friends and we have heard great things about it from them as well.
Howie NYC

If you know of an older toddler or preschooler who plans to visit New York or lives in New York, this book makes a wonderful gift.

Most children who visit/live in NYC will ride a taxi. So, the book's topic is very relevant to their own experience. Things about the city are subtly tied into the the wonderful rhymes of this book (e.g. dogs, Central Park, the Circus, Broadway) without being too "touristy."

This story is adorable and the illustrations are great. You will smile from the first page to the last. Definitely a great addition to your picture book library.

I have read this to pre-schoolers and they just love the illustrations. The sites of New York City come alive in this book. You'll fall in love with Maxi when you read this story and be asking for more.

Second grade boys are tough critics but I've yet to find one who didn't like "The Adventures of Taxi Dog". The story, told in rhyme, is sensitive and funny. The pictures are colorful and ripe with details. The dedication is special and should not be skipped if you are reading this one out loud.

You could say that Alice McKinley (not to be confused with Alice MacLeod) has a bit of a cult following at my current place of employ. So maybe it was just a matter of time before I too got sucked in.

A word on the series before I start the review: Phyllis Reynolds Naylor began the Alice series with "The Agonies of Alice" in 1985. In that book Alice is 11 and starting sixth grade. She has just moved and started at a new school. Since then, Naylor has been writing a new Alice book approximately every year which certain librarians have pointed out has strong addictive qualities. Until about 2002, the books ran linearly. Then Naylor did something different, she wrote three prequel novels talking about Alice as a third, fourth, and fifth grader weaving in stories that Alice had previously reflected on in other books in the series. "Starting With Alice" is the first of these prequels (followed by "Alice in Blunderland" and "Lovingly Alice"). I like to read linearly whenever possible so, after reading "The Agony of Alice" and finding out about these prequels I decided to read the series straight through in terms of Alice's age instead of publication date (the series is supposed to end when Alice turns 18 and is already well-grounded in the Young Adult genre at this point).

Now that that's settled, let's talk about the actual book.

Alice, her father, and her older brother have just moved into a new house. Alice's first friend on the block is Donald Sheavers, her weird neighbor. Along the way, Alice makes other, less weird, friends. And also attracts some unwanted attention from one of the street patrol girls. It's not always easy being Alice. I can't say much more about the story without revealing everything. This book is more about Alice's day-to-day life as she tries to fit in and make friends than about any huge event.

Alice narrates in the first person. As a result, the novel is conversational and pretty mellow. Alice is a cool girl, even though she doesn't think so, and her narration is endearing. Naylor strikes the perfect balance here. Alice's voice is consistent with her debut novel, but she does sound younger--without being annonyingly young.

Alice also demonstrates that, although she's only eight, it's never to early to develop a strong character. In the novel Alice makes new friends and stands up to bullies among her other wonderfully positive characteristics. I don't know that children read books about children in search of role models, but if they do "Starting With Alice" definitely offers up a good one.

In terms of when to read this book, I think it would work either way. I enjoyed reading it already knowing about Donald Sheavers and an unfortunate poem written to the milkman. But readers could definitely read this without knowing anything about Alice and enjoy it just as much.

wow how in the world do i start! well i read this book in 3 days. each day i came home when out on the porch and started reading for about 3 to 4 hours!

its about this girl alice her mom dies when she was young and she has a older brother lester.this was the first book i read and now i have read about 5 or 6 alice books now.alice goes through friendship trouble and other stuff too.its a really good book for girls.i also read the boys start the war by:pyills too.i read that in 3 days too.both of these books are amazing!naylor is my favorite author!in boys start the war there is pranks that the boys do to the girls then the girls do something and get them back and its filled w/ laughter!GET IT! if this review helped please click yes under my review
thanks!i reccommend it!cya later!have fun reading!

This book was free with a purchase of my Leopard Build-a-Bear when I was nine or ten. I loved it! I settled down with my misbehaving leopard plush and read the book through. It has to deal with all the fun of being a third grader--embarrassing moments galore, laughs, and mistakes! Hopefully readers connect with Alice as they learn about her bluffs through this school year. I would recommend it to anyone seven through eleven. If your twelve year old isn't too 'old' for this, then they probably will chuckle as they remember the mistakes that they made advancing towards grade four.

--Willow, aged 11

My daughter has read this book over and over again- she loves it!

For me, this was definitly the best book i have read in the alice series so far! VERY and i mean VERY few books make me laugh out loud, but this one did--on nearly every page! i engulfed this wonderful tale of an 8-year old girl and her adventures through the move from chicago to takoma park, Maryland, and how she has to start 3rd grade at a brand new school. i read this in one day! i would sit in my room reading this book, and every few minutes or so, i would laugh so hard i cried. And my parents were wondering what all that racket was about....

I love Amelia's notebook's especially this one because it is actually how girl's think when they move to a new place.

when i was in third grade my teacher read my class this book and i thought it was going to be one of those boring books they usually read. well actually, it was really cool! my sister is kind of like cleo and i am like amelia. it was real funny and i really want to own that book you peoplez should read it.

This is an excellent example of journal writing. It shows how a journal truly looks. Some students may get distracted though.

Amelia's Notebook is a great book. It is about a nine-year-old girl named Amelia. Her mother gave Amelia a notebook to record her thoughts in. In this notebook, Amelia writes all sorts of things like: her family (especially her older sister, Cleo), her friends, and Amelia draws pictures in her notebook. When her family has to move, Amelia writes about her trip and leaving her best friend. I recommend this book to girls ages 9-12. I hope you read it!

This is my all time favorite Amelia book. I especially like her doodles of cafeteria food in her new school and her dumb sister Chloe and her nice friend, Nadia. This is the best book. I've read it again and again. I recommend it to anyone who likes to laugh. Some other diarys which are good are THE DIARY OF A SLAVE GIRL, RUBY JO, THE DIARY OF PATIENCE WHIPPLE, and one boy diary called THE JOURNAL OF LEROY JONES.

Auschwitz by Laurence Rees provides a compelling look at one of the darkest deeds in human history. Including first hand accounts from SS and prisoner alike, the book traces the history of the infamous camp from its origin as a work camp through its evolution into one of the most "productive" death camps. Rees delves into the myriad factors that created Auschwitz and how the camp's mission changed as the war progressed. The history of the "Final Solution" is detailed as well and Rees also describes several of the other camps and how they paralleled or were different from Auschwitz.

I had read accounts of the Holocaust before, but this book was incredibly detailed. The personal accounts were often gut-wrenching, especially some of the SS interviews in which there was often no regret expressed, in fact often the opposite. Not only a history of Auschwitz, but of Jewish persecution, the book provided information I hadn't heard before. There were a few accounts the author concluded the book with in which several Jews returned to their homes, only to find them gone or in someone else's possession. This was a side to the Holocaust I hadn't been consciously aware of, but probably should have guessed at The book was well written and quick paced, the material repugnant, but important to remember. Books like this need to be written and read, so that we never allow these events to simply pass into history or their magnitude diluted with time.

I just visited Auschwitz and Birkenhau prison camps and the book "Auschwitz-A New History" placed all this into perspective. The author writes the book purely from a historical researched point of view rather than from personal point of view. The book is very good reading and an excellent historical document.

I expected this to be a detailed presentation on how Auschwitz worked. Instead it was all over the place, with large portions talking about Sobibor; human interest stories; and how Jews were transported from Denmark, Slovakia, and France. This book should have focused on Auschwitz.

Most history books tend to get bogged down in their own data and dry writing style. What makes "Auschwitz" stand out as one of the most important books ever on the infamous concentration and death camp (there were both in many locations in Nazi Germany) is its readability - accurate but poignant and full of the drama that the subject provided.
Rees offers staggering information concerning the camp - the horrifying conditions for those selected to work and die as soon as they were unable to work any more - others "selected" outright for murder, most commonly by gas and guns, and even the occasional breakouts and shows of kindness, sometimes even by the SS troops who ran the camp.
Combined with the horrors of other concentration and death camps like Bergen-Belsen, the first discovered by British troops, Treblinka, Dachau and smaller camps that are not as well known, over six million Jews, gypsies and political "enemies" died at the hands of Hitler and Heinrich Himmler, easily Hitler's equal for depravity and pure hatred.
It is mind boggling how anybody can deny the events here, or the Holocaust in general. Yet Rees doesn't ignore naysayers who still try to deny such atrocities ever took place. Such denials belong in the same category as those who believe the earth is hollow, the moon visits were faked in a Hollywood studio or, believe it or not, that the Earth does not revolve around the sun!! This was opined by a state representative from, I believe, South Carolina just in the last few weeks.
We must remember too that the hate that leads to genocides is present in all of us and still occurs with regularity. We cannot forget Stalin's murder of 25 million Soviets, Pol Pot's Khmer Rouge, Idi Amin, and Rhodesia and Darfur. We still have troops in Kosovo after the "ethnic cleansing" that took place in the mid '90's.
Understanding what we, as humans are capable of, good and evil, gives us a better perspective on our behavior. We see in "Auschwitz" how "normal" people, placed in horrible situations, could turn murderous, callous and numb to what they were forced to do. We also see how some preferred death to killing others. It's not a fun read, but it should be in every high school classroom.

When considering the history of the Holocaust, Auschwitz and extermination are synonymous, as it should be for the 1.1 million people who were killed by the Nazis at this concentration camp alone. Yet as Laurence Rees sets out to show in "Auschwitz: A New History", the camp's beginnings were a far cry from its final stages. Like other concentration camps within the Nazi's network, Auschwitz evolved as Hitler and the SS found themselves further forced to eliminate their self-imposed "Jewish problem".

Rees begins his history with an examination of the camp's beginnings, built by prisoners of war and meant to serve a myriad of research and industrial purposes. Heinrich Himmler and camp commandant Rudolf Hoss discussed various strategies for using the Auschwitz 'Zone of Interest' - as agricultural research center to coal factory, neither seemingly forseeing the infamous nature it would assume as the war progressed and fortunes turned for the Nazi party. Filled with eye-witness accounts and personal interviews, "Auschwitz: A New History" is a chilling testimony of the Nazi's cold-blooded attempt to exterminate an entire people.

Rees' examination, though compact, is complete. He offers not only the eye-witness accounts and hard facts, but is able to debunk the theories that Holocaust deniers and Nazi sympathizers have seized upon. The greatest power this book holds is the testimony of the SS men themselves, men unabashed in their view of what transpired within the camp, men who cannot (to this day) see their actions as anything but right. They will not just deny their actions away by claiming they were "following orders".

It can often be difficult for someone who did not experience the atrocities firsthand to understand what life in Auschwitz was like: it is rightly difficult to grasp something so incomprehensible. Rees uncovers tender histories along with the harsh, moments of joy and love and the reality of daring escapes. By comparing Auschwitz to the other camps within the Nazi system, he is able to offer a complete picture of the greatest crime in history. Yet while his book has the added title of "How Mankind Committed the Ultimate Infamy at [Auschwitz]", the greater infamy lies in the fact that the majority of those responsible for the mass murder went unpunished, free to live the life they had taken away from so many others. And at the conclusion, Rees points to the very real fear that this may one day become just another piece of ancient history: the survivors and eyewitnesses are growing fewer, and the greatest infamy may be that one day Auschwitz is just another word, just another place in the history books. Lest we forget.

It took me several days to grind through "The Last of Mr. Norris." After taking a break to read another novel, I came back to Isherwood's "Goodbye to Berlin." And it, too, took me several days to finish. My interest waned mainly because these two stories, which make up the book "The Berlin Stories," read very much like a diary -- no real suspenseful build-up, no climax. The various characters in "The Berlin Stories" are much the same -- secretive, manipulative, shallow and, in many respects, nothing more than low life. I expected more insight into the character's views of Hitler, or why Jews threatened so many people -- something to give me a better feel as to why the German people felt the way they did and what their hopes were for their country. "The Berlin Stories" does complement other books which have been written about this period.

Needless to say the story is great. It's unfortunate that the publisher, New Directions/James Laughlin, couldn't be bothered to reset the type to fit the size of the page. Also, A SECTION OF THE TEXT IS MISSING. Page 95 ends mid-sentence and page 96 picks up mid-sentence at another point in the story. Try to find another edition than ISBN 978-0-8112-0070-7

Christopher Isherwood's "Berlin Stories" is perhaps most famous for having inspired the stage and screen masterpiece Cabaret, but those who are looking for an exact match between the two will be disappointed. The divine Sally Bowles does make an appearance (her charisma and verve are the book's high point), but only briefly, and her story only contains only seeds of what would become Cabaret's plotline. The primary similarities between the musical and its source material lie in the characterization of the aforementioned wannabe diva (who is every bit as vibrant on the page as she is in performance), as well as in the central themes and setting.

Berlin, 1930 - 1933: a city caught helplessly in an inexorable rush toward history as warring political factions fight for control and the Nazi party begins its rise to power. Violence and danger lurk in every street, and yet life goes on for the citizens of Berlin - who struggle to keep a degree of normalcy in their lives and food on their tables. They desperately cling to their traditional way of life as Germany's bloodthirsty future in WWII becomes more and more a nightmarish present. They are utterly unprepared for what lies ahead for them and their beloved nation. Could they have stopped Hitler? Almost certainly, if only they had taken the threat seriously. And therein lies the tragedy at the heart of Isherwood's masterpiece: that while it may be human nature to bury your head in the sand and hope for the best when trouble comes knocking, doing so will make you a passive co-conspirator and only allow the worst-case-scenario become a fully realized reality.

"The Berlin Stories" consists of two novellas that have been published together. "The Last of Mr. Norris" delves into the failure of Germany's communist party and, through the character of Mr. Norris, shows us the war profiteer at its worst. Norris doesn't care who ends up in power or what they do to Germany so long as he can use them to turn a profit and maintain his lavish lifestyle. The one complaint I have about it is that William Bradshaw's immediate friendship with the shifty Mr. Norris requires a suspension of disbelief on the reader's part. Why would he so readily trust Norris when his every instinct reveals him to be a charlatan and a swindler? Perhaps we are meant to see in William's willingness to trust Norris the larger concept that Germans eventually embraced Hitler despite their better instincts, but if that was Isherwood's intention it is a little too vague. "Goodbye to Berlin" is a series of vignettes with a writer named Isherwood (!) as its central character. The vignettes begin when it was still possible to hope for the best, and end in a cloud of violence as Isherwood is forced to leave Berlin, his once-and-still beloved city, in 1933.

"The Berlin Stories" is, ultimately, an elegy for the lost Germany that Isherwood had once fallen in love with, and the reader will be hard pressed not to mourn with him as the once vibrant city of Berlin descends into chaos and bloodshed. What is truly terrifying is that it actually happened, and it is incumbent upon us to make sure that it never happens again.
Grade: A

While nowhere near as fleshed out as "Cabaret"--the film that was constructed from this and "I am a Camera," THE BERLIN STORIES are still great entertainment and a valuable look into pre-war Berlin and Germany.

Isherwood brings to life the squalid conditions and the "many families in one place" atmosphere that adds to the gloom and doom, and also the human interactions that makeup these stories.

If you're planning to delve into the land of Christopher Isherwood, I highly suggest this writing of his, along with his wonderful, though extremely extensive autobiographies. Great fodder about Stravinsky, Los Angeles, Arthur Kallman, and a host of others around the "LA roundtable" that is also a time capsule of an era we will never see again.

Forget all about Mr. Norris. He might have changed trains, but he never takes off. Goodbye to Berlin on the other hand is wonderful. Modernism at its best. Isherwood watches, as a bystander, how the roaring twenties Berlin slowly decays and how the Nazis are creeping out of their holes and take over public spaces.

"I don't know if I will live to finish this," begins this memoir by Paul Monette, who would ultimately live only seven years after he did complete it (and, auspiciously, several other works). Monette's account is a chronicle of the last days of his lover Roger Horwitz in 1985 and 1986: a mere nineteen months between diagnosis and death. It's an emotionally devastating portrait; yet, far from wallowing in his grief (although grieve he does), Monette instead describes this period as a battle to extend Roger's life and a determination to seize every remaining day and make the most of it.

An AIDS diagnosis in 1985, in Los Angeles, doomed the couple to an unwanted pioneer status; it was a "death sentence" mitigated only by hope and delusion. For the first half of the decade, Paul and Roger comforted themselves with the notion that the disease, whatever it was, confined itself to a certain group of fast-living libertines ("not us") in San Francisco and Los Angeles. When the reality hit home, the initial method of coping, shared to different degrees by themselves and by their friends (and particularly by Roger's brother), was a mixture of mortification and denial.

Once Roger became ill, however, the couple fought tooth and nail to pursue every potential pharmaceutical elixir or therapeutic panacea; they were on the vanguard of trials for suramin (with devastating side effects) and for the more successful "Compound S" (AZT), which Monette credits for extending Roger's life. Throughout, they struggled to present a united front of normalcy and optimism, with Roger attempting to practice law from his hospital bed and Paul flying to New York for meetings in the Russian Tea Room with the newly famous Whoopi Goldberg about an ultimately doomed screenplay ("it must've dismayed her considerably to think that this humorless man sipping broth and Coca-Cola was meant to be her breakthrough into feature comedy").

Still, if it's possible to say that one can be "fortunate" in such circumstances, Roger and Paul had the only advantages available at the time: money, connections, and (mostly) supportive family and friends. In spite of the sequence of crises and disappointments, they somehow managed to find time to laugh and to love amidst the anger and the betrayals; Monette's wit and fair-mindedness saves this work from overwhelming the reader with morbid pity and depression. Paul and Roger were often too busy chasing hope to pause and wallow; those moments were often saved for the morning. ("Waking teaches you pain.") What's most remarkable about this book is not the riveting and livid account from the front of the epidemic--such memoirs are plentiful--but the lyrical and even humorous appreciation of the "borrowed time" remaining to these two admirable profiles in courage.

Although I am a conservative Christian who has never been "homophobic", I have been 100 percent guilty of "indifference" to what it really means to be gay and and the AIDS issue. Not any more. I began to research the issues and I have been telling everyone about this book. The genuine love story and respectful relationship that Paul and Roger shared is something everyone could learn from. I don't believe I have ever read a book that portrays such courage. The pain that both of these men endured would make the average person collapse under the weight. I know what the Bible says about homosexuality, but I believe that Jesus himself would just wants us stop judging and comdemning and to simply love one another as he loves us. All of us.

'Borrowed Time' is the most unpretentious, cliche free account of love I've read. So much of it's power lies in what Paul does not say about his lover: describing him most often as his most precious 'friend' he asks the reader to understand, to implicitly know the strength of his passion. The simple assumption that readers across cities, countries, cultures will understand his emotions is what gives the story so much beauty. I fell in love with both Paul and Roger, or more specifically, the strength of what they had together.
The battle against AIDS and discrimination faced by both men made me bawl, and I hope this book is read by people working through their prejudices and moral judgements about the both the illness and its prevalence in the gay community at the time the events occurred. Surely Paul and Roger's love can only be seen as something beautiful that graced the earth, even briefly.

I don't know how this book didn't win every award the publishing world has to offer. Quite simply, this one volume is the most emotionally devastating work I've ever read. I've read about hate crimes, political assassination and Nazi persecution, but none touch this. Several times I had to set the book down because I was no longer able to read through great, racking sobs and eyes nearly swollen shut. I grieved.

Paul Monette, author of the the award winning memoir "Becoming a Man: Half a Life Story," died of AIDS not too long after losing his beloved companion Roger to the disease. That he was able to focus so much energy on chronicling the events of Roger's death in this memoir, was a mircle - and indeed this book is a miraclous gift. "Borrowed Time" is a story of pain, suffering, hope, strength and courage. However, and more importantly, it is a love story - the greatest I've ever read.

I listened to Paul Monette read from his memoir on a recorded book; and the experience was unforgettable, profound, wholly human, and perhaps the best meditation on love I've ever read. Without going into the details of the 1980's AIDS "scene," which this book also authentically and accurately portrays, this "love story" depicts and explored and revealed so tenderly and so poetically that it should be placed on all the bookstores in the relatinship section of the major chains--and recommended for straight and gay couples. And while the booksellers are at it, they should remainder all the John Gray, Dr. Phil and every other "author" who address relationships in a vapid, moronic, demeaning way. This book may be the best argument for "gay marriage," although I hesitate in recommending this in fear that such a beautiful relationship as portrayed in this work could be subsumed under such a shaky institution. It would also be a d_mn good book for heterosexual, especially "conservative Christian" couples, men and women to read together: Not necessarily to change minds about the law, but at least to change misconceived perceptions about their fellow humans. And a note to women, if you would like your guy to be a better "listener" and a better "lover," read this book--not those goofball "women's magazines." This book might also make some right-wing ideologues re-think some of their kneeejerk definitions of "values" and realize that perhaps it is their values that need some looking into, or as peanuts said, "We have met the enemy and it is us."

I've read this book at least 'more than' 15 times. I don't
know where I got it, as a birthday gift, I believe, but wherever,
I took to it as I have to few books in my life. I was unathletic
as a kid, though not as smart as the fictional Herbie, so that
helps. The book is dated, though not in a bad way, one can say
it just increased its attractiveness as a historic reference. Hard to
say how much Mr. Wouk is recalling his own childhood, but one can tell
he loves the characters, and it shows.

This is one of Herman Wouk's first books, if not his first. It is a wonderful story of a young man's growth in New York City. A perfect book for readers looking to introduce themselves to the novel; easy to read; a story of young love and of facing the universal emotional problems of youth.

This book reminded me quite a bit of the trite wisdom and stereotypes we see so often portrayed on modern family sitcoms and in fortune cookies...bullies never win, bad people always get whats coming to them, a kid who is smart enough can outsmart a whole group of teachers, love conquers all embarrassment and humiliation, rich girls are fickle snobs, the smartest kids are fat and/or ugly, and the best athletes never do well in school (and many, many more). None of which is true in the real world.

Yet, in this book, these very traits are exaggerated JUST enough to very colorfully and accurately display the vivid emotions of 11 year old Herbie just coming of age in 1920s New York, which makes the whole story a very entertaining read. What appeals most is Herbie's highly developed imagination, which brings him great trouble in his passion for Lucille, the horribly obnoxious girl who as soon snobbishly deserts him when he shows the slightest flaw as fawns over him when he shows outwardly just how wonderful his inner qualities can be.

But the same imagination also brings him great reward, leading him on a life-changing adventure with is average cousin Cliff, the final result of which wins the admiration not only of Lucille but of the entire summer camp (save for bully Lennie who has to wear a nurses dress and the unscrupulous smarmy camp owner/school principal Mr. Gauss). And, upon his return home from camp, an important moral lesson from his father.

Interspersed with this are hilarious moments, most especially with Clever Sam the perverse horse and the whole "Camper's Day" scenario.

A read I highly recommend!

At a loss for something to read, I picked this book at random - and then read it in three days flat! So nearly one of the best books I have read, it's full of true-to-life characters, plenty of touching moments and a lot of laugh-out-loud ones too.

The main character is obviously Herbie Bookbinder, an eleven year old growing up in the Bronx in the early 20th century. He is a fat but very intelligent boy, so intelligent he skips a year in school. However his main flaw in the book is that he falls hopelessly in love with a girl, Lucille Glass, a love so intense that he is led to do some truly extraordinary things. The intensely passionate feelings he has for this girl are to me what makes the character of Herbie so real.

The main event of the book is Herbie, his cousin Cliff, his arch-enemy Lennie and Lucille (among others) going to a summer camp, Camp Manitou. This turns out to be a fairly prison-like establishment, but dissent is kept to a minimum by shrewd calculation on the part of the camp owner, Mr. Gauss.

With Mr. Gauss, Herman Wouk has made into a person all those unpleasant characteristics we encounter in everyday life - greed, cunning, false charm and many more. He feeds the children ice cream on the first night, to dull their unhappiness at the dismal nature of the camp, and when the camp is defeated at games with another camp, Mr. Gauss manages, somehow, to inculcate a feeling that in fact Manitou won a great victory. As the final outrage Mr. Gauss effectively steals money from the naive Herbie.

The climax of the book comes with the confession of Herbie stealing from his father. It is very noticeable that the book gets a lot more serious towards the end, but it is never overly serious, and the warmth of it still shines through.

There are a lot of extremely funny moments, mostly involving a horse by the name of Clever Sam, and Wouk's dry humour at these points really had me laughing out loud.

The only thing that spoiled the book for me was the very end. Here it seems that Herbie and Lucille are finally going to realise their love for each other and perhaps share a truly romantic moment which has eluded them for so long - but instead the book ends with an extremely ambiguous encounter with an older boy whom Lucille seems to like. Even though this ending was obviously meant to be ambiguous in this way, I found it unsatisfying given all that Herbie and Lucille have gone through before. I really wanted to know for sure if they would ever get together.

Still, if anything this shows what real and sympathetic characters Wouk has created, and this small point did not seriously affect my view of the book as a whole. It is a thoroughly enjoyable and absorbing read, and I would recommend it to absolutely anyone!

Set in the Bronx in 1928, this Herman Wouk novel (his second) is all about Herbie Bookbinder and his experiences growing up during that time period. The scenes are warm and humorous, and move from one to another like the episodes in a good situation comedy. Two of my favorite funny scenes from the many to choose from are when Herbie and his friends are trying to get home on the subway and they don't have the nickel to ride, sneak on, get caught, and promise to send the nickel to the subway authority the next day (which they do); and the school play about the surrender of Lee at Appomattox, which has too many hilarious components to summarize. The writing is light and breezy, yet very assured, and Wouk keeps himself out of it so it doesn't come across as nostalgia in the form of a novel. It's an interesting book about growing up and childhood experiences, and deserves a place on the shelf next to TOM SAWYER and the stories of Jean Shepard.

I thouroughly enjoyed this book series in Jr. High. It has everything you could ever hope for from an original sci-fi story! I'm awaiting a collector's edition collection of all six books in one volume. I would love to see a motion picture adaptation as well...

this book is awsome action packed scifi with a twist i read this in 2 days i just couldn't put it down Tristin a boy who finds out that he was adopted and is trying to find his real identity when he alerts his clone of his presence that could be a fatel mistake find out what happens
-podus

John Peel is one of the best authors i know, and i tend to be picky about books. You can hardly put them down, and they keep you guessing. He has some character backgrounds without making it boring. The character's personalities are very distinguished, and he has a great way of discribing things. in 2099, the whole planet is almost completly run by machines. Devon (who is NOT tristans clone! Tristan is Devons clone. Devon was born first.) is set out making a virus to have complete world domination. It's devons game, and tristan is just another obstacle in his way. Genia, is the 16 year old girl who just happens to get caught in the crossfire. An exellent hacker, raised in the underworld, she manages to a vital key in devon's game. Inspector Shimada ( i think...) is the officer on the case, and is determined to track him down. Tristan is one of the accused, and is a prime suspect to Inspector Shimada, and becomes a flaw in Devons grand sheme. Now devon's out to destroy tristan, as well as the rest of humanity. (i hope i didn't give too much away...) Doomsday and the rest of the series are nothing short of exellent! JOHN PEEL RULES!

This is the best book! I love John Peel. The characters and the suspense is awesome! Tristan is 14 and in big trouble. Ever since he fell off his girlfriends roof his whole world has changed. He found out that he is adopted and has a clone! Devon is Tristans clone and is evil! He (Devon) has created a Doomsday virus that will destroy the world. It's up to Tristan to save it! With the help of Genia, an outcast,and Mora, Tristans ex-girlfriend. Can he save them? Read the book to find out! I would recommend this book to anyone who loves fiction, especially science fiction!

This is an excellent book! It's about a kid named Tristan who has to fight for his life from a super hacker. You never want to put this book down. It's the first of 6 in an excellent series. I would recommend this book to anyone.