Media Books

My younger sister is 7 years old. When she started reading the book,outloud, I was interested. The book was a little bit hard for her,but she loved it. Later, I read it. It meant a lot to me and now it is one of me and my sister's favorite books.

after reading one page, you're hooked. makes you feel lucky to live in a home. children ages 8 to 18 will definitely enjoy this book. definitely best children's book material. frances o'roark dowell did an awesome job. i give it two thumbs up!

Where I'd Like To Be is a great book by Frances O'Roark Dowell. It is about a girl named Maddie who lives in an orphange and keeps to herself. She hardly tells anyone her secrets especially about her scrapbook of dreams. Her scrapbook contains magazine clippings of things she wishes she had like a big house, dogs,etc. One day her scrapbook is revealed.One of the boys at the orphange becomes friends with Maddie. Eventually she trusts him enough to tell him about the scrapbook and dreams. This is a heart-warming book that you should read. To find out what happens to Maddie read this book.

What if when you were a baby, a ghost saved your life? Well, according to Granny Lane, that's what happened to 11 year old Maddie. She longs for a family and a place to call home and feels that it's hopeless. After all, who adopts an 11 year old? But maybe it wasn't as hopeless as she thought.
Maddie may seem a normal kid to you, she goes to school, has great friends, is in after-school activities, but then you go to her home. She has shared a room with people who come and go as often, it seems, as the seasons. Maddie lives at the East Tennessee Children's Home. She wants a home so badly she has a "book of houses" and a "book of people." Throughout the book she and her friends find that they are all a family, a strange one, but a family none the less.
Where I'd Like To Be, is a book that all people should read for a heart warming tale. I think what I liked best is that you can almost feel each character's emotions as they change. I think anyone who likes a story that makes you glad for what you've got, should read this book.

Great book, especially for young girls in their search for self. This book surely must be based, at least in part, on some observations from East Tennessee Christian Home in Elizabethton, Tennessee because the author has cited several times East Tennessee Children's Home (where the novel is set), as well as Allen Avenue (the actual location of The Home), and Elizabethton, Tennessee (the city in which the novel is set). I certainly encourage young girls to read the book, as well as their parents. I think it will lead to more understanding on both sides.

This book is called Wrong Number 2 by R.L.Stine. I'm 11 years old in the 6th grade. I think people ages 11-13 would like this book. The book is about 3 kids going into a house looking for some money. But they find themselves downstairs in the basement. A man came in and lit a candle. Will they ever get out? I guess you will have to read the book to find out. I like scary stories. I liked the part when they were in the house in the basement. And when the man tried to run them over but they got away.

I loved the book Wrong Number#2. I am in the 6th grade and 11 years old. I think people ages 9-15 should read it. It is about two girls, Jade and Deena and these two boys Chuck and Farberson. Farberson got out of jail and went to go look for his hidden money. When he went to find it wasn't there. I love the book, it is a good book and at the end it is sad because someone dies. If you want to know how and who you will have to reed the book. And there is something scary. I did not like that part, you might. But the book was good. I hope you have fun with it.

The part of the book i read from Wrong Number Two was very good. The kids I think would like this book are 10-14 years old. Also kids who like mystery And suspense stories would like this book. I am in 7th grade when I read this book.This book was about 3 kids who get trapped in a killers world. Then after a year the killer got out of jail. One of the kids went back to find money the killer had hidden. Then the other two kids go to the killers house to go and get him but the killer is on his way. So, after they get there and get him they go to leave but the killer is standing in the doorway. I don't want to give too much away so read the book to find out what happens. I liked this book because it was a mystery and suspense book. That is what wrong number 2 is about.

The story I read was Wrong Number 2. It was about three teenag kids, Deena, Jade and Chuck.They had an enemy, Stanley Farberson. Farberson was a murderer and he killed his wife. Now he was put in jail and Deena and Jade are in school. Chuck is in college. One night Deena and Jade came home from school the phone rang Jade asked if she could answer it. Deena picked up the phone 'Hello' she said no reply. 'Hello' she said again. Then a low voice answered 'Is jade there' a man with a scary said.Then he hung up the phone. As soon as Jade walked in the room Deena said ' A man was looking for you' .'Then he hung up' Deena said. 'Oh well'. So all night Deena and Jade were talking about the basketball game they were going to on Friday. At one thirty a.m. Deena went up to here room and went straight to bed. At three a.m the phone rang 'Hello' Deena said. The same man called and he said 'I already called your friend'. This Review Was Written By Ashley Estrada

Can it really be Mr Farberson on the line? He has to still be locked up after trying to kill Jade and Deena last year. Maybe the calls are just someone's idea of a sick joke. But who else could possibly know the things the caller knows?

Then they realize that someone is nearby, watching them, close enough to know their every move. Someone who desperately wants revenge. Someone who wants to reach out... and kill them..

Mr. Yagoda presents the results of his exhaustive research with clarity and style. It's a compelling story and makes a great companion to the Kunkel books on Ross. I particularly enjoyed learning more about Shawn and the Shawn years at the NYer, since many of my favorite writers were nurtured under his watch. The best one-book history of the NYer I know of.

Disclaimer: I love The New Yorker. I have been a dedicated subscriber for ten years (and I am only twenty-six), and I read the magazine for years before subscribing under my own name.

Given my disclaimer, perhaps my five-star rating is self-evident. But not necessarily: As a lover of the magazine, I approached this text skeptically. I was interested in an unbiased review, yes, but likely I would have been wounded by a wholeheartedly negative portrayal.

Yagoda loves TNY even more than I do, if that's possible, yet he truthfully approaches his biography of the magazine. The ugliest facts are laid bare, but in a sympathetic whole.

TNY writers, editors, and staff members are lovingly recreated; Yagoda writes so well that I felt I knew these people, I understood these people, and I physically missed them after turning the last page. Like others who have reviewed this book, I wanted more--more, more, more. I felt astonished and sad to have finished the book. Were it a novel, I'd beg for a sequel, even knowing that sequels rarely live up to the original. Even a second-best second-tome would be better than missing the people and the institution that this book brings to life.

Admittedly, TNY readers will love this book vastly more than those unacquainted with its pages. However, if you are even beginning to approach the magazine, you must read this book. You will understand the weekly journal better than you do now, and you will appreciate it far more. I certainly do.

Bravo, Yagoda!

There are at least two ways to view Ben Yagoda's book ABOUT TOWN: 1) as the history of The New Yorker Magazine, how it was conceived and developed and changed over time, and 2) as a social document reflecting its times. The subtitle of the book "and the World it Made" does not seem quite as accurate unless one considers that "world" to be the corporate culture created by the staff led by Ross and Shawn, the two longtime editors who built the magazine. The New Yorker certainly has influenced the world within which it existed along with many other magazines.

Harold Ross, the founder and first editor of the magazine, with the help of Katherine and E.B.White, Thurber, Dorothy Parker, and many other fine editors and writers launched the magazine in the 1920s. The sophisticated and literary focus of the magazine soon captured the fancy of New Yorkers. During the hard days of the depression the magazine actually gained subscribers as readers enjoyed the humorous repartee and cartoons that helped them laugh at their troubles. Many new readers learned of the magazine during WWII as it was handed around the barracks. The GI bill produced many educated readers who remembering their wartime contact with the magazine now subscibed to it. Following WWII, the magazine included more and more "social conscience" articles, for example, John Hershey's essay on "Hiroshima."

Ross died in the early 1950s, and during the fifties under the editorship of William Shawn, the magazine became relatively banal according to Yagoda who says it appealed to stay-at-home wives who enjoyed articles that reminded them of their college days (among other pieces, Mary McCarthy's tales of her Italian travels were featured). In the 1960s, the magazine once again became more vocal about social issues and the environment.

Yagoda says the best years of the magazine came in the 1970s when writers like Woody Allen wrote wonderful wacky pieces and investigative journalists covered the scandals in
Washington. Following a downturn in subscriptions in 1980s, the magazine was purchased by a media mogul and William Shawn departed. With Tina Brown's arrival, the magazine metamorphed into a Conde Nast publication. Garrison Keillor's comments about Brown's arrival (as he left) are amusing.

Over the years, I have read John Updike, Alice Munro, Jamaica Kincaid, Katherine White, and many of the writers who once wrote for the New Yorker. When I was a child, my mother used to quote Dorothy Parker regularly ("Rivers are damp..."), but I had no idea Parker wrote for The New Yorker until years later (we lived in a rural area and subscribed to the Progressive Farmer!!). When I read Rachel Carson's SILENT SPRING, it changed my life, but I read it in book form when it was first published as a Book of the Month Club selection. I only became aware of The New Yorker magazine when I was in my thirties and a college writing instructor suggested it. Yagoda says many people discovered the magazine when they were students.

As a social document, The New Yorker articles very much reflect the times, and to some extent, at least under Ross, the magazine seemed to be ahead of the times. In reading this book, I was reminded of National Public Radio, which seems to be the main innovator in broadcast journalism these days--though I am told there are all sorts of happenings on the Internet. The in-depth news stories, the essays by various knowledgeable citizens, the political commentaries and Garrison Keilor are all comparable to The New Yorker magazine.

If you are interested in a snapshot of the 20th Century from an educated New Yorker magazine perspective, or in writing and magazine development in general, you will find much of interest in this book. The tales concerning the origins of many innovative features of the magazine are quite good.

Yagoda suggests the magazine pretty much ended with Shawn's departure in the late 1980s. He devotes eight pages at the end of the book to the three editors who followed Shawn. He says the median age of the readership grows older every year (not replacing subscribers) and most of current readership as such is owing to the retention of loyal readers. He quotes some of these readers who no longer actually read the magazine but have not given up their subscriptions. His book goes a long way toward explaining to me why I dropped my subscription a few years ago.

There are two types of writers: those who aspire, no, dream of being published in the "New Yorker", and those who, after several rejections, bitterly deride the very institution they hoped to conquer. I am solidly of the first camp, though give it a few years and I might be a latter-day grouch.

The work of Ben Yagoda brings the magazine alive, from the heyday of such luminaries as Thurber and White to the tough war years, right up through the Shawn era and even right up to (for 1999) the present. Through it all, Yagoda examines the many lives who devoted themselves to this literary exercise in humor and good faith. The most compelling character studies, however, are the two main editors throughout the magazine's history, Harold Ross and William Shawn.

Ross, who founded the magazine in 1925 and managed it through its first twenty-six years, comes across as a gruff, thoroughly Western man who nonetheless saw the need for a magazine like "The New Yorker", and brought it to being through sheer will and fortitude. He also happened to publish significant works by James Thurber, E.B. White, and J.D. Salinger among others. Shawn, taking the reins after Ross's death in 1951, saw the magazine through 30+ years of challange and triumph, only to be forced out in 1987. Throughout the book, Yagoda makes these men the central focus of his tale, but he includes brief looks at literary and other lights of the twentieth century, some who did get published (like Donald Barthleme, Veronica Geng, and John Updike) and some who didn't (Tom Wolfe, whose scandelous expose on the magazine shook it out of its fuddiness).

Overall, the book looks fondly back at the magazine's past, with a hint that it might never reach the same heights of importance it once had. That may very well be, but there's still something to be said for a magazine that is such an institution no one could imagine starting a writing career without considering the possibility of submitting to it.

"The New Yorker" is still the premier magazine in America, and this book explains why, after almost a century, it still carries the weight it does.

"About Town", by Ben Yagoda chronicles the majority of the 80+ years, "The New Yorker", has been contributing its unique journalistic culture to everyone, including, "The old lady in Debuque". Mr. Yagoda's book stands out from many books that have been offered to readers about the magazine for while he certainly is aware of the contributions the magazine has made for over 8 decades; he does not seem to be in awe of it or the people to the point it affects his writing. He clearly admires the magazine, but this does not stop his including a wealth of information that documents the eccentric personalities that shaped the magazine. Some may not find the notes flattering, but he objectively shows some of the magazines famous quirks without committing the blasphemy of a young Thomas Wolfe.

The list of writers who either became major or occasional contributors, reads like an amalgam of winners of the highest literary awards that have been offered. The list of those names repeatedly rejected expands the list even further. The book contains dozens of examples of the famous rejection letters that often are almost apologetic about turning down a piece of work while always writing in the first person plural. Having a piece selected by, "The New Yorker", was often considered the ultimate indicator that a new writer had arrived, that he or she had entered the pantheon of the magazine's literary legends. This was true even if the work accepted for publication may not have appeared for months, or even several years. The reception of the envelope stating a writer's work had been admitted was all many authors needed to have their work given unique value and cachet, publication was a bonus.

Mr. Yagoda also spends a good amount of his book on the cartoons, their artists, and the painful process that started with an idea only to have to run a gauntlet to be published. As hard as this path may have been, the scrutinizing that a written piece received is almost beyond imagining. It is understandable that first time contributors would have their worked scoured and polished, but when some of the 20th Century's finest writers nearly drew blood over commas the action within the building must have been spectacular. There is a story of one writer who sat outside the editor's office for almost 5 hours over the issue of a single comma. This World War I trench warfare standoff continued until the early hours of the next morning. The editor capitulated, but noted to the writer, "you are still wrong".

The story of this fascinating magazine could fill many volumes. If your starting place for gathering an overview of this institution, its editors, staff and writers, is this book, you will have chosen very well. Mr. Yagoda has written a great tribute to those he has chronicled.

Cute title but the book was a little too old for my two year old grandaughter. Not sure she got the concept of animals wearing or not wearing clothes.

I work in a Nursery and I bought this book to read to the children. They loved it! They thought it was hilarious.

We use this book in our kindergarten class. The students just laugh and laugh over the pictures of animals wearing clothes.

This book is very short and the pictures just make me and ny son laugh. Well done

I enjoyed this book as a child, although even then I remember thinking that the 1970s clothing looked goofy on any one, not just animals.

This book is a classic, right down to the vintage illustrations.

I bumped into this book by way of "Head First PMP", also written by Stellman and Greene. Because I liked the PMP resource so much, I thought I should give this book a chance and I was not disappointed. Packed with useful information, case studies and examples, this book is a resource any technical project manager will want to have in their collection.
One bonus I did not count on was the companion website which includes downloadable templates, PPT slides and other electronic assets.

Highly recommended!

This is a nice book, everything about it is so neat and nice. I am glad I purchased this book from Amazon.

Applied Software Project Management
Reviewed by Steven D. Sewell, PMP
Project Management Institute, Tampa Bay Chapter

Having been peripherally involved as a software release project team member in the past, I knew enough to get my piece of the puzzle delivered. The information in this book allows me to broaden my perspective and actually comprehend the picture I see on the puzzle box cover. The book is written in a straight ahead manner. If you are one who like examples of what is being discussed, then this book is for you. The use of clear definitions makes each topic understandable and the analogies make them memorable. Tables and scripts are used throughout to exemplify each tool and technique. Most useful in practice are the sections that aid in the diagnosing of problems that can be encountered. This book definitely hits its goal of delivering a practical guide into the hands of a software project manager. The only improvement would be to have "handbook" or "guide" placed somewhere on the cover.

This book covers concisely all the modern aspects os software project management, without the complexity found in more formal PM sources like the PMBOK. Moreover, the job of translating the broad and general concepts covered in the PMBOK to practical day-to-day scenarios is the major benefit from buying it. It won't, however, cover an specific issue like estimation to the level that enables you to be an estimator (this subject, for instance, is only 17 pages long), but will provide you the guidelines and references to additional material to do so.

Do you work for a software organization who where there are chronic problems producing software on schedule and without defects? If you do, then this book is for you! Authors Andrew Stellman and Jennifer Greene, have done an outstanding job of writing a practical book that describes the specific tools, techniques and practices that a project manager needs to put in place in order to run a software project or fix an ailing one.

Stellman and Greene, begin by showing you the vision and scope document. Then, the authors cover the wideband delphi estimation process. They continue by covering project schedules. Next, the authors show you how to do an inspection. Then, the authors discuss use cases. Then, they show you how to do configuration management. The authors continue by showing you how to test plans. They also introduce you to practices, tools, and techniques to your organization's culture. Next, the authors show you why it is important to understand responsibility, authority and accountability. Then, they show you how to prevent the most common sources of failure in outsourced projects. Finally, the authors show you why it's important to understand when process improvement is useful and when it isn't.

A project manager can use this most excellent book to diagnose and fix the most serious problems that plague software projects. More importantly, this book contains essential project management tools, techniques and practices, which have been optimized to be as straightforward and easy to implement as possible.

This is not an anti-Hollywood Fundamentalist rag. It's a thoughtful compilation of essays by Christians in the film industry, each answering the question "What does Hollywood need?" In each case, the essayists insightfully turn the question back at their Christian audience and ask, "What does Hollywood need from you?" In lieu of culture wars, picket lines, and boycotts, this group of producers and screenwriters advocates engaging with the world of film on every level, from watching more good movies and TV shows, to making high quality movies of our own. As an aspiring screenwriter, I found three chapters in particular to be helpful. One titled, "So Wanna Come to Hollywood?", deals realistically with the expectations, motives and qualifications of would-be film makers. Chapters titled, "What would Jesus Write?" and "An Open Letter to Beginning Screenwriters" were both highly helpful as well.

For decades devout Christians have hunkered in their religious bunkers trying to hold off the "world" -- and occasionally tossing a flaming sanctimonious protest out of their hole, hoping to change the world so it would be "safe" for their kind. If only, while they were down there, they would read the Gospels and discover that their hero (Christ) was rarely more than an arm's reach from the kind of people Christians try to separate themselves from... and telling stories in the process. For 30 years I've encouraged Christians to "Pray for the Christians attempting to influence our society with Biblical values and ideas through their vocations in Television, Film, Art, Entertainment, Literature, Journalism, Education, Academe, Professional Sports and Politics. God has called these individuals and gifted them like Bezalel (Exodus 31, 35, 36) to be Salt and Light to our culture." And if you're so led, "Consider a career as a cultural influencer. As a Christian you can light some candles in the darkness of our society. Prepare for a career in secular media or entertainment. Then, as you excel and gain recognition, use your influence to impart Biblical Christian values to the world." I know many of the writers in this volume, and I continue to pray for them. They are doing what the rest of us should be doing en masse.

"Behind the Screen" is interesting and practical. The book offers a mix of history, theology, and advice that is particularly helpful to those wanting to enter the industry or who are just curious about the spiritual possibilities today. They know what's going on in the industry today and have experience to back up their claims.

I also highly recommend a great book Hollywood Faith: Holiness, Prosperity, and Ambition in a Los Angeles Church. From experience attending a Hollywood church, this well-written book is from a sociologist who is also a pastor. Lots of great insight on Christianity in Hollywood right up to today.

This a must-read for any Christian who is thinking of writing for the screen or TV. Each essay is a "gem of insight" both into the art and thematic substance of movie-making, especially when Christianity is concerned.

In addition to witty and thought-provoking arguments, none of the writers take a "high and mighty" posture. In fact, you don't have to "read between the lines" to find actual humililty - from successful directors, producers and writers yet! - as well as fine-tuned critical thinking.

If you're not Christian but still interested in writing for the screen, then you might want to better understand the tensions that exist between Hollywood and so much of the American Church. This book will provide many worthy angles. It's well worth your time.

This is excellent resource material for those discerning a vocation within the Hollywood entertainment industry. This book affords a clear perspective into the myths and realites of living out one's faith while working in Hollywood.

I purchased the Sweep series for my 13 year old daughter in the hopes that maybe she would read. "She hated to read." Well I was amazed, and could not get her to go to sleep, as she would spend the whole night, with a night-light on reading these books. She enjoyed them so much, and could not stop talking first about Cal and then Hunter, that I had to see what all the fuss was about.
Well after two weeks, a book a day, for a girl who hated to read, it sparked my curiosity, so I started reading, and was surprised to find out how enjoyable a Teen book about Teen Witches could be. I am not really into Wicca, but these books are really enjoyable. I am on my fifth book, and my daughter read each twice, and is know on the Circle of Three Series. I have to highly recommend these books to those parents who can not get their daughters to read. These are excellent stories, full of fantasy, horror, and fun.

This one is also good...just like the other ones. Morgan is still trying to understand her powers, but doing well when she has Cal with her. But, something strange is happening that is making Morgan scared. What could it be? You will have to read and find out, just typing this review temps me to read it again. GO get this book, you wont regret it.

Morgan is a blood witch. She was adopted. Morgan's life has been changing and is changeing still. THen Hunter another blood witch enters her life. From the very first moment she saw him she disliked him but now she absolutely hates him. Hunter is saying things about Cal that hurt her. Then things take a turn for the worst and Morgan is to blame. What did she do? Read this book and find out!

Morgan's seventeenth birthday is approaching and she should be very happy. But the rest of her life is not a wonderful as it should be. Cal is great, and her anchor. But now she has learned more about her mother and her clan. Her coven is losing some members and might be losing more. Bree is still distant and is mixed up with a strange witch. Who are the strange witches and what do they have against Morgan and Cal?

Most of these questions are answered by the end of the book which culminates on the night before her birthday.

Another fine book about a girl coming to terms with the changes in her life (adoption, love, witchcraft, friends, etc.).

Morgan is still trying to piece her life together. Bree has deserted her and her adoptive family can't even begin to understand her. The only person she seems to trust and have on her side is Cal. Cal her wonderful boyfriend who believes they are murin breatha dans, soulmates. But then Hunter comes and shakes things up. He claims that he is Cal's half brother and a member of the International Council of Witches. He says that he has been sent to investigate Cal and Selene who are believed to be practicing dark magick. Morgan denies this and refuses to believe him. But she does feel that something dark and strange is going on and if she doesn't figure things out soon she could face hte same tragic death her parents did.

I think this was my favorite volume in the series so far. The first two were fun and entertaining, but in this one the plot becomes thicker, more complicated, and we start to see glimpses of a rich backstory behind the characters Grandma Ben and Thorn. People who liked the first two books will be sure to like this one, too.

This is my 1st Graphic Novel that I have read. Jeff Smith is a great author and illustrator. The words along with the pictures tell a great story. Jeff uses many story elements in his book Eyes of the storm. His plot has several conflicts in it. He uses mainly person-against-person, with it being the Bone cousins and village people against the rat creatures. Jeff Smith uses flashbacks and foreshadowing in dreams to let Thorn know what her past was like. He uses cliff hangers to make the story more suspenseful. Amongst all of this, Jeff Smith knows how to lighten the atmosphere by putting humor in the right places. This book kept me wanting more. I can't wait to get a hold of the next volume. This will not be my last graphic novel that I read.

The Bone books are the gratest comics I have Ever read

check em' out ;)

This book I just read is about a boy named Bone. Bone's friend started a cow race, and convinced everyone to bet on a cow that didn't even exist. So now they have to wash dishes at a bar to pay back what they destroyed. They have weird dreams about their past. So they spend days trying to figure out what their dreams were about. There are furry creatures in the woods trying to kill them.
Bone was the main character in the story he is the coolest and funniest in the book. There grandma reminds me of my grandma from when I was 3. She told me that there as no such thing as ghosts. I figured out that there was such thing as ghosts when I was 5. My favorite part in the story is when Bone realized that their dreams where real. If you like comic books then you will like the Bone series. This book was made to be read by kids 11 and older.

These books are fantastic! I have two 7yr old boys that cry if I don't read this book to them at night.

Parents:
Imagine using, I won't read to you tonight if you don't stop right now, and it works...that's how good this series is. At first I thought the book might be a little too scary for them but they were hooked and it wasn't until book 4 that I had to consider sensoring some of the language (things like "idiot"). Any book that brings kids back to the well again and again is worth purchasing.

"Cactus Hotel" is one of those rare books that is highly educational without seeming so. At the bookstore I first tried to just thumb through it but I found myself reading the entire thing and being wowed by every page. Now the book has no humor, it has no people, it is a gentle journey through the desert life of a sole cactus and the magic of nature and fantastic purpose of all living things. The cactus is the star and I'm star struck! This is a must for any inquisitive little minds library age 3+.

I carried this book in our bookstore and it became one of our best sellers. It describes the long life of the saguaro cactus, from seed to full growth to when it collapses. Along the way, creatures use the cactus for their homes or food. This books shows children how a plant is so important to animals. Beautiful illustrations.

I picked this up at an Arizona Airport for my kids, and we've all been enchanted by it. The illustrations are gorgeous, the text simple and accessible. Cactus hotel is the story of a single saguarno cactus throughout its 200 year life-span, as it grows from a seed into a towering cactus that is home to dozens of animals, and then topples and dies, still providing shelter to small desert animals before it returns to dust. My children and I will never look at a cactus the same way again!

This is a perfect book to read during a study of deserts. In fact, I think the author and illustrator should team up and make a whole series of books about various ecosystems, just like this one, that focus on the life cycle of a marvelous plant that is specific to that ecosystem. What an educational bonanza that would be!

A++++. As a gift idea, a child might enjoy receiving a small cactus with this book.

If you like to read about different kinds of homes and what lives in them, you would like this book. It is about a cactus that lives for 150 years! In that time about 38 animals make holes and move in. After 150 years it falls over and 10 to 20 more animals move in. This is a great book.

Beautifully written. Beautifully illustrated. This is a wonderful story and the kids (ages 7 and 3) were enthralled. It is a science book that reads like the best kind of picture book. We learned so many things from this and had fun doing it. Very highly recommended.

My wife remembers this book from her childhood and is one of her favorites. It is one of those timeless books that thrills all children. We read it to our grand kids and they love it. This same story could be in any country. Kids are the same everywhere.

This is a book most kids and adults can realate to.Its a book about friendship and celebration.(Such a wonderful read with great illustrations) I recommend this book for ages 8 and up because of challanging vocab.But a great read aloud for all ages!

I'm an American mother living in Germany. I grew up with Pippi Longstockings - but never had much exposure to the other wonderful stories. Though the English title is a little silly, this book is so wonderful...a nostalgic look of childhood in truly the most innocent of days - it is so well liked in Germany - and is on just about every child's shelf here in Germany with other stories from Astrid Lindgren. I have reccommended it often to my friends in the states and it has been well received. This year (2007) we celebrated her 100th birthday with no small oversight - she is the best loved children's author of all time in this part of the world. I can only hope that some publisher rekindle Lindgren's charm and make the children of the South, North and Middle Farms along with Michel - Lola - Madita - Kalle and Karlsson more accessible in America.

I bought the book because of the Author - I grew up on her books and my girls listen to each chapter with great pleasure

My own son is nearly out of high school and will no longer sit on my lap to let me read to him. Imagine! The rascal! But I have two boys, children of my cousin, and a niece, who are beginning to appreciate my reading talents. Their mothers have not been slow to recognize my utility on that front.
Astrid Lindgren was famous in America, years ago, for her Pippi Longstocking books. I think those are still common in bookstores. As an ex-boy reading to a boy, I enjoyed Lindgren's Rasmus books much more, and I loved the "Noisy Village" series. Lindgren's children's books are deliciously old-fashioned and rustic. Rasmus is the Huckleberry Finn of Sweden, and the five children of Noisy Village might remind English readers of Tom Sawyer and Little Women melded together. I read all these books in Swedish, and I'm just becoming acquainted with them in English for my young relatives. The translation is good - not quite as idiomatically piquant as the original, but attractively brash and blunt. Boys will enjoy the stories as much as girls. The target age for hearing these stories is about four to six, and quick-to-read children will be able to handle them at seven.
Life in a village in oldtime Sweden was little different from life in rural areas of the Upper Midwest before TV. Parents also may feel the pull of that good-natured, fundamentally decent community. There are no tickets to the past, however, except in books.