Journalism Books

I am completely crazy about this book and I don't normally read poetry books or books about writing poetry. But as a HS librarian I was trying to find something to help my English teachers who struggle every year to come up with lesson ideas for their poetry units. I struck gold with this book. I actually took six of Wooldridge's ideas and created lesson plans from them which I share with the teachers. For example, I cut up an old wildflower book, laminated the pictures, so that teachers could do an activity about naming plants and then writing poetry about the names. Though I dabble a little in writing my own poetry, I find that I always enjoy following little formulas to help unlock my creative juices. This book has several cute and fun formulas to assist the beginning poets. I highly recommend this book!

This book is not a how to write a poem book. It is how to live your life so that maybe you can write a poem in 6 to 8 years.

Get it! I dare you! This book is awesome! I learn something new every time I pick it up. I love the freedom it promotes in creativity. Buy it!

Over the last few years I've begun to explore my own talent for poetry, and among the books I've read to help me is this one.

I've yet to try the exercises, but just reading the book gives me some food for thought.

Lots of ideas and techniques to try as the spirit moves you.

I confess that I've never been a poetry fan in the past. But thanks to this book, I may very well become one now! I only bought it because Teesha Moore (mixed-media artist, editor of the Art and Life 'zine, and creator of ArtFest) had raved about the author. So I gave this book a try. I'm so glad I did as it has really opened my eyes to what poetry is all about!

"Only as Good as Your Word" is a witty and engaging account of one writer's ability to make a career for herself doing the thing she loves most. Shapiro tells the story of her successes and stumbles with humor and humility, while sharing sage advice of her own and words of wisdom from the mentors who guided her along the way. "Plumbers don't have plumbing blocks," said her cousin, the writer Howard Fast -words anyone who has frozen at the sight of a blank page would do well to remember. Shapiro's insights are helpful, entertaining and inspiring. One can't help but admire her perserverance and appauld the success she has achieved. "Only as Good as Your Word" is a great read.

The adventures of making it as a professional writer - it's more than an endless stack of rejection slips. "Only As Good As Your Word: Writing Lessons from My Favorite Literary Gurus" is author Susan Shapiro's memoir of her life trying to make it with her pastime of writing. Focusing on the wisdom imparted on her from her countless mentors over the years, it serves as an excellent source in itself for writers and aspiring writers. "Only As Good As Your Word: Writing Lessons from My Favorite Literary Gurus" is highly recommended to community library memoir collections.

Susan Shapiro brings the same lively, smart, hilarious prose to the history of her writing life as she brought to her sex/love life in Five Men Who Broke My Heart. Who would have thought this book could be just as compelling and entertaining? In writing about her mentors, Shapiro is full of priceless advice about writing--and about living in general. She was a girl who never gave up, who fought hard and worked hard and listened and learned when older and wiser writers spoke. Most of us would do well to read this book with as much attention.

Susan Shapiro's memoir sparkles with humor and insight that any writer could put to good use. Every chapter chronicles her courtship of and relationship with a different literary mentor, each of whom she psychoanalyzes into a substitute familial role - the emotionally available father, the kind older brother, the intellectually-minded maternal figure. What makes this work is Shapiro's endearing candor about her analytical bent, and the way it shapes the narrative into a cohesive whole.

As Shapiro navigates the rocky world of the NYC literary scene, she never hesitates to admit her own mistakes and point out the pitfalls to her readers. The stories are engaging and poignant, and most importantly, they demonstrate that mentors are cultivated in all the expected places in unexpected ways. This book is a useful and entertaining choice for anyone curious about the New York publishing world, and an invaluable resource for those who want to become a part of it.

Shapiro's "Only as Good as Your Word" is an informative, well-written, humorous and heartening book that should be mandatory reading for any aspiring writer. The mentor-protégé relationship plays such a crucial role in the literary/journalism world--which is why the author's no-holes-barred insight on its highs, lows, psychological underpinnings and ramifications as they relate to her are breathtaking. She pulls no punches when it comes to indicting her own neurotic behavior--and in doing so deconstructs the myth that having it all means having it all together. That Shapiro does it with such seemingly effortless yet loaded prose makes for quite the feat; her poetry training has obviously served her well.

If you've ever, had, been or needed a mentor, this book is for you.

I had an original post WWII copy of this book and gave it away when I moved from W.Va..... Boy, was that ever a mistake!!!! I needed a copy for an event here honoring the Veterans, and so I was very pleased to see this one in print..... Bill looks at war from the dogface's perspective, and I'm quite sure there's a Bill Mauldin in Iraq somewhere.... but he's tied to the Internet and I'm not sure if we'll get good pen and ink sketches outta him now..... Bill had the way of seeing the ironic, the humerous, and the just plain sorry, in the average G.I.'s battle to survive....... I'd recommend it to school teachers for a look at WWII (AND I'd hustle up some of the last survivors... that first hand look isn't going to be with us much longer).............the Students would actuall LEARN something useful!!!

I am very satisfied with my purchase.The book itself is a pleasure to look at.The drawings are just as funny as I found them as a kid.The writing itself is new to me,but superb.It will allways be among my favourit books.Again marvellous

Indispensable depiction of the face of the Second World War. War and the pity of war. The humour is in the pity.

It's a gift, the ability to draw, to have perspective, to create, to be able to portray human misery as humor, for a reader to see the image and words and turn to laughter. Bill Mauldin had this gift that gained prominence in a time of war where talents rise to their greatest heights or sink to their lowest depths.

Truth is portrayed in humor or the humor isn't funny. Sergeant Bill Mauldin, an infantryman, barely twenty, and serving in Italy picks up a pencil and anything he can draw on, and begins to sketch two characters named Willy and Joe, two, brave, disheveled, irreverent, likeable and crusty infantry soldiers that give meaning to the names infantrymen were referred to as: ground-pounders, dogfaces, legs, and grunts. Mauldin portrays their grim and grimy existence with fatalistic pictures and captions--or grunts. One called "Breakfast in Bed" finds one of them waking up under a cow's utters, or the one where both are in a rain-filled foxhole and Willie touches Joe's shoulder saying, "Joe, yesterday ya saved my life an' I swore I'd pay ya back. Here's my last pair o' dry socks," or with rain pelting down on a scrawny dog facing the opening of their make-shift shelter, one of them says: "Let'im in. I wanna see a critter I kin feel sorry fer." My all-time favorite is a drunk German staggering toward a hidden Willie and Joe, holding a bottle of schnapps, unaware that he is wandering into American lines: "Don't startle `im, Joe. It's almost full."

These cartoons show the comradeship that soldiers developed for each other that would last a lifetime. Each man knew each other better than his own family or spouse ever would, and they could see the good and the bad in everything. They would carry a wounded lieutenant back to safety because he wasn't a "salutin' demon," or curse the Germans as vile, evil Nazis for scuttling a large keg of cognac before their retreat. These soldiers were miserable without being despondent. They were scared without being cowardly. They complained about their predicaments, but carried out their mission as American soldiers always do--attacking silently. The viewer cannot help but feeling empathy and admiration for soldiers who sometimes spent thirty months "in the line."

Mauldin goes further than just making us laugh at the miserable existence of two men trying to stay alive. His real success is that his humor defines the very best and most humane in the human character when it is engaged in its most destructive behavior. It is also timeless. Seventy years later, civilians and servicemen can still see the gallows humor in Willie and Joe's death-defying predicaments.

"Up Front" is Mauldin's account, of what he was doing when he created a particular drawing, why he made sure to include medics, engineers, chaplains, and even Tommies. The writing is matter of fact, well-written, and interesting, but without fascination. That was saved for the cartoons. The author is explaining each one in his text. It's the drawings and the captions that make this book a winner and a conversation piece.

Bill Mauldin died January 22, 2003. Willie and Joe occupying a foxhole filled with water and several cubic feet of complaints, live on.

Think about this the next time you put on a pair of dry socks, and marvel at the simple pleasure of just how good they feel.



May 26, 2008 Memorial Day (observed)

In Memory of the Fallen and all our Gold Star Mothers--especially today.

Of course, this is not a novel. It's a collection of cartoons as they appeared in the Armed Services newspaper Stars and Stripes. The cartoon began to appear in 1944 as the invasion of Europe was underway and millions of Allied troops were fighting their way through Italy and France and into the heart of the third reich.
After a few false starts, Mauldin settled on two characters, Willie and Joe-infantry men. Willie and Joe (who were barely distinguishable from each other) were concerned with all the things that veterans said concerned them during the war. Lousy food was as much of a concern as enemy artillery, fear of cold, wet feet as annoying as the fear of death.
The cartoons, and Mauldin's self-effacing recollections together form a kind of narrative that is at once immensely personal and deeply historical. Mauldin was a pioneer. It was ten years before Cornelius Ryan The Longest Day: The Classic Epic of D-Dayturned personal narratives into history and almost forty before Ken Burns came along.The War - A Film By Ken Burns and Lynn Novick
Mauldin was, in effect, the only war reporter who was relatively uncensored. Since his cartoons carried no strategic information, his only worry was the military's possible perception that he might be lowering troop morale with his swipes at the brass and the rear-echelon. Fortunately, some American sensibility that 'it's good to laugh at the boss even if the boss is us' prevailed.

Up Front was one of the few books that my parents kept by their bedside. This is the book that helped the post-war generation remember the war as it was fought by the men who did the hard work. A quiet masterpiece.

Lynn Hoffman, author of bang BANG: A Novel

I'll be brief. My mom told me about this book years and years ago. I finally read it a few years ago.

Style-wise, I thought it was a bit melodramatic and I thought the author was stretching for words for emotional impact. Thus, I deduct a star for that.

What this guy's been through and what he's accomplished? Five stars isn't enough. I'd give him a million if I could on this site.

His journalistic travels to the middle east, especially his ride up the mountain on the back of a donkey, leaving his wheelchair behind - intense and beautiful.

I look up to John Hockenberry. I have a travel site, Wheel Adventure, and I am a paraplegic in a wheelchair. I think about this guy when I travel alone. If he can do it, I can travel solo as well. And I have and continue to do so.

Glad mom suggested this. One of the best reads ever and I was an English major and have read a slew of books.

I bought this book immediately after a close relative was injured in a car accident. It seemed different than the others (Although some of the others have been a great help in other ways). I know NPR and I had seen Hockenberry on NBC. The book was over the top better than I could have hoped. It is unique because it is written with such a clear voice in language that really grips you and takes you for a ride, it is funny--even laugh out loud funny and I'm a cynical person, it is witty, it has a political edge (which is why he and I would have some loud arguments at the dinner table), and it is not sugar-coated so while you are interested and amused you do get an education about what it's like to be a "crip." The best part is that when it was done, and I read it pretty passionately, I knew for a fact that I probably would not like him as a person, but I do respect him. Interesting take on "crips" for a newbie to that world. Thank you so much for this and I do hope that my dear cousin will be up to reading it one day.

John Hockenberry has a declaration to make, and he does it in an incredibly moving and entertaining manner. I highly recommend this book. It is poignant, very funny, and educational--about Middle Eastern geography and politics and about life from the perspective of those in a wheelchair.

From buying it (i think) 2 days early and reading over a very nice summer weekend in june 1995, i knew this book was - just- different. Amazing use of the language, probably the best crip biography to date (and it's well over a decade now. Based my Honors Thesis in College on what Hockenberry wrote in this book, traveled miles and miles to see his off broadway play, speaking dates across the country, and even got to know myself - and him, better as well, he ain't on nbc anymore, but this still stands as probably one of the must reads in disability studies or crip liberation.

I want to keep my review short because, if you have not read this book, reading my review will take up some of the time in which you could be reading the real book. When "Moving Violations" was first published, I heard a review of it on NPR. John Hockenberry is an NPR alum so I expected the book to be almost as good as the review led me to believe. I ordered it from Amazon and devoured it in almost no time. It was actually better than the radio review had led me to expect. A month later, I got a call from Seattle that delivered horrific news. My 21-year-old son had been in a contest with gravity and gravity had won. Although he had just had 18 hours of surgery, there was no way to know if he would ever walk again. Through the years since that time, I have read "Moving Violations" many times. It initially gave me entrance to a new world and was much more helpful to both my son and I than all the rehab publications combined. I knew, from the moment I answered that phone call that both my son and I had crossed into the Twilight Zone and nothing would ever be the same again. The Twilight Zone, however, had at least one map. My son's journey was, and continues to be, unique (as all such journeys are). I did feel, from the very beginning, that we had a preview of some of the directional signposts and even some of the scenic overlooks. I cannot help but think that our family has been living and learning about this new life in a richer way than would never have been possible if we had not read this book. As soon as my son came home from rehab it became clear that he had lost his will to live. I had a captive audience and started reading "M V" aloud. It is well written and mirrors many of the dilemmas in the life of a young male with spinal cord damage. I think it only took two days for my son to get interested enough that he started reading it himself. This book was truly one of the first things that helped him recover his will to live. Living with a catastrophic spinal cord injury is not even at the bottom of the list of interesting travel sites, and while I cannot believe that anyone would take that path voluntarily, "M V" is proof that, along with the horror, there can be adventure and possibilities in life; possibilities that could be so easily missed. So...READ IT! While spinal cord injury may never be a part of your personal life, sooner or later something awful could be. As the Eagles remind us, "The wolf is always at the door." In whatever guise the wolf presents itself, you will have learned something useful about what to do when or if the wolf appears.

I have taken this book apart and used it in the classroom. I bought it used and didn't receive a CD-ROM with it. My students are able to glean many ideas from it for our school newspaper.

Tim Harrower provides a very practical guide to newspaper design. The art of newspaper design tends to be very subjective, so this book lays down some facts and guidelines to put to rest some of the indecisive elements of design.

For a beginner, this is a book that will give you the confidence and understanding to conquer page layout.

The CD gives the novice an even more practical guide than the book can deliver.

One criticism is that the book is printed on light gloss stock and is spiral bound. I am not sure how it was survive rough treatment.

Brian Hurst

This textbook is awesome. I've never seen a better textbook. It lays everything out, and makes it simple to understand. It tells you what to do and what not to do in simple language and clear pictures. It's one of few textbooks worth keeping for future use in your career (provided you're going into the newspaper industry)!

When I accepted my first "real" job in journalism as a page designer for a local weekly I was struck by a horrifying thought, I really knew nothing about newspaper design. I had done it before for my college paper, sure, but this was the big time. I needed a refresher course and I needed it fast... Tim Harrower and this spiral-bound book came to my rescue.

Although it was first published in 1989, this book will be relevant as long as newspapers exist, even in this age of computer design. Harrower explains and shows why certain designs are good and bad and he approaches it in a situational, problem-solving format. For example, he explains what should be done when you have to design a page with no art, when you have butting headlines, or two horizontal photos etc. Harrower says that most page designers stumble into the job and from this point of view he explains what exactly, a good design is. This book will always be on my desk.

(I wish my publications professor used this instead of the worthless $105 monstrosity he made us buy (and that we never used by the way).)

So, after some mild freaking out followed by a lot of reading, I can start my new job with confidence thanks to this book.

I am an editor these days.
I came on this book quite a few years ago when I was a sub. It was recommended to me by an old hand in the newspaper game.
Without doubt, it is the single best aquisition I have made in terms of newspaper design.
In the places I have worked, I have been regarded extremely highly for my layout skills.
This book, with a little creativity, is the basis of almost everything I do in terms of layout.
If you are serious about the newspaper game, get it, study it and then apply what you learn. It will help our career enormously.

I picked this book up hoping to write a cookbook, and I have to say that I love it overall. Dianne's style is lyrical, and she's got the friendly tone of a beloved mentor. It's a comprehensive guide, and while it covers any topics, if you want to delve into deeper detail on any one of them, you need to do more digging for further resources. This guide, though, is a great introduction and inspiration. Highly recommended.

In a profession without a road map, this book is essential. A skilled editor, Jacob's tone is at once motivating, demanding, and kind. In her chapter on recipe testing, she brings you into famed kitchens--i.e. those of Deborah Madison, Mark Bittman, and Alice Medrich--to show that recipe developing is both hard work and loads of fun, like food writing itself.

I stumbled upon Dianne's website while I was researching for my book proposal. I wasn't planning to write a cookbook but since I love food and this book is so unique, I got myself a copy anyway.

I'm pleasantly surprised! I've learnt a great deal about raising one's platform/profile before publishing a book, as well as the nuts & bolts of the publishing industry. This book is a MUST-HAVE for all aspiring cookbook writers!

An inspiring food writing with a stack of gastronimic literature to read through over a long weekend, I had a goal of finishing at least two of three books that were sitting on my coffee table. The first one I chose was "Will Write for Food" by Dianne Jacob. A food writer who's been writing since 1978, Dianne also instructs and coaches individuals and groups on becoming successful food writers. As she mentions in her book, she used to tell students to go check out books at the library about food writing to gain perspective of the business outside of class. After students repeadedly came back to her stating there were no books out there on food writing, Dianne decided she'd be the one to write it. So I guess one could say this is the first book published on the nuts and bolts of becoming a successful, professional food writer. I found the book incredibly helpful, honest and no-nonsense. Dianne has a gift for mixing honesty (don't quite your day job right away) with pep talks (just keep writing, you'll get there). She delivers practical advice and covers topics from writing cookbooks to the art of restaurant reviewing, pitching food article ideas to magazine editors to writing memoirs, and getting ficiton and nonfiction pieces published. The book also features a number of exercises at the end of each chapter for readers to stretch their creative muscles, like brainstorming exercises that assist in developing magazine article topics, writing your own food recipe and researching food and book publishing markets. Finishing the book inspired me to march forward and capture all the ideas floating in my head onto paper to get them closer to being published pieces of work. This is a book I will refer back to regularly.

I have read many advice/guidance books on writing, and I truly found this book to have more practical and thorough information than all others I have read - and solely on the subject of food writing! The 'Interview Subjects,' 'Bibliography,' and 'Selected Web Sites' sections knocked my socks off. It is obvious that Dianne Jacob put a lot of time and effort into this book. I read it completely in just three days, and I will refer to it regularly for my food writing pursuits.

I read a lot about the Michael Jackson case and most of the time, everything written about it is superficial and redundant: reporters repeating the same lines over and over without thiking about it. I was pretty convinced about Michael's guilt. With the information broadcasted by the media, all pointed out to that conclusion. I was naive to think that we were well informed. This book, to my surprise, brings up new facts that were brought in the trial, facts that, you would think, everybody should know. As I read the lines, I just couldn't believe it! How come nobody mentionned it? To prevent from revealing interesting details from the book, I won't divulge it here, but I can say that now: Michael Jackson won that trial because facts proved his innocence.

I must say, that before I bought this book I was a little apprehensive. A media person commenting on the case. I figured it would just be another book bashing MJ. Much to my surprise the book gave a non-biased point of view of the actual occurances inside that courtroom. I have watched and read the cases in many criminal trials. NEVER have I seen the media, law enforcement, the D.A., and such an immoral, resprehensible group of people (the Arvizos), go to such lengths to destroy another person all for the sake of money.
What was done to Michael Jackson I would never wish on my worst enemy. I was so sad and so angry at the lies that were being told. At how this family tricked their way into his home, how they ransacked his home, and how they grifted money from several celebrities. What hurt me the most was that his mother had to sit through every vile detail that was made about his personal life and alleged relationship with the Arvizo boy. After reading this book, you will understand why the jury found MJ NOT GUILTY on all criminal and misdemeanor charges.
I must commend Aphrodite Jones for having the courage to write this book. Everyone in the media shunned her and refused to publish it. They only wanted to hear the negative. They didn't care about the real facts. Remember Ms. Jones is one of those media people who was "out to get Michael Jackson" also. But after sitting through the trial, and listening to the testimony she had a change of heart. What you saw on CourtTV was a biased, slanted point of view. After reading this book, I believe many people will change their negative opinions of Michael Jackson.

Wonderful. That's the only word I can use to describe this book. If you want to know why it's wonderful, BUY IT!!! It's definitely worth the money!!

And one last thing... MICHAEL JACKSON IS 100% INNOCENT!

I trust this author. She went into the court room a full fledged believer in the accusations and left dumb found. A few years later wrote this book.
Mr. Jackson is an easy target for indictments. He wears more make-up than the Avon lady and he dresses like Captain Crunch. He is not your average "Joe".
I don't know for sure that he didn't do these terrible things. Nobody does really except for him-- and of course the accusers.
What I do know, is he has been very loving to those who know him well and to those who don't, and enormously generous giving over 300 million dollars to charities around the world.
Lets face it your gonna believe what you wanna believe. But if you are really in search of the truth behind all the speculations and sensationalisms that have surrounded this famous case pick this up. My heart broke for him, and yours will too.

A book to own for an MJ fan, it is full of anecdotes and it tells the truth with reliable sources: the woman who attended the trial herself!! It's a mine of information, really worth your money.

A previous reviewer compares the author's work to Bill Bryson's A Walk in the Woods. Considering a usually successful use of self-deprecating and anecdotal humor, I can understand the comparison between the author's style and Bill Bryson's style. The author is undeniably funny. Relying entirely on the author's passion for adventure, the narrative describes a theatrical series of events fit for a screenplay.

However, that is all this book offers and why the comparison to Bill Bryson falls well short of accurate. The strength of Mr. Bryson's writing is the purpose underlying the humor, especially self-recognition through experience. The reader can internalize Mr. Bryson's experiences, see the world from Bryson's vantage and ultimately identify with Mr. Bryson's motivation for writing the book.

Mr. Davis' The Underdog falls short of Mr. Bryson's achievements. Instead of relating to narrative, the reader must watch from the sidelines. In this case the author's strength is also his weakness. How many readers can identify with first hand-experiences of bull-fighting or sumo wrestling? The effect is, essentially, a Hollywood blockbuster in a book. What you see is entertaining, but fails to stimulate any further thought.

Furthermore, and what was most disappointing to me, was the lack of conclusion. I kept waiting for the author's epiphany to explode off the pages and into my conscious, but instead of an explosion I got a series of undeveloped thoughts more analogous to a shotgun at 200 yards than a grand-finale. In the final passage, the author's last chance to tie the whole book together, he opts to wander off on a completely new tangent relating his experiences to the untapped potential of the internet (Did Wired ask you to plug The Long Tail, or was this your idea?). Instead of finishing the book with an appreciation for how this author's struggles to find his purpose in life might assist me in finding mine, I was left with questions:

Was this about the unquenchable American spirit? Or, was it about the changing definition of achievement and success? Alternately, it might have been about appreciating your own family, your talents, your opportunities, etc instead of admiring your neighbor's lawn. Honestly, I don't know.

In essence, The Underdog is a funny one time read, but certainly not deserving of such glowing reviews as it has received here on Amazon.

This author sent me an invitation to be his amazon friend. Hello! All of my reivews are bitter and sarcastic, why would I want to buy your book? Maybe I should you spam about "enlargement" products. How would you like that? The book might be a great story. Frankly, I don't care! I would rather read a book about the mating rituals of worms than me spammed by an author that wants me to buy his book.

From the moment I read the first three pages of the introduction I was hooked. This book speaks of and to the American spirit with humor and wit. Not only did I laugh out loud every time I opened it, but I cried a few times too. It's the kind of book that you read so fast because it is so good, but you don't want to so that it will last longer.

If you are looking for a book that inspires you through narrative and challenges you to go beyond your day-to-day life, or, if you want a hilarious window into the zany life of some "average" Americans, look no further. We are told to follow our dreams in a culture that is not set up to handle it when all of us do. This book is for us an answer to that problem. I look forward to many more insightful books from this talented author.

I think this book was funny and adventurous. My favorite part was the sumo wrestling. I recomend this book to parents and older kids.

A quick read; fun and emotionally transparent. Our little hero graces his way through eccentric adventure after eccentric adventure, all the while proving that even the least talented among us can be champions (or at least, very nearly so). There is a tenderness in this book. In its Quixotic madness, it transports us into worlds of danger, adventure, greatness, and saunas in Finland. A true story of sporadic unshakeable dedication and glorious redemption...and courage. The Underdog clearly underscores the ideal: it's not whether you win or lose, it's how many fat guys you can yank by the g-string. A great read.

Like the other books of his I've read (Black Book -- really great book), this book manages to be extremely factual yet at the same time emotionally gripping. Grossman's reporting narrative puts you in the time and the place and gives a strong sense of what it was like to be there - the senses, the feelings, the despair, the players, the impact to real people. If you are interested in the Soviet side of the war, or WW2 in general, this is a must read.

Grossman, most famous for his Tolstoyan work, 'Life and Fate' was, first and foremost, a journalist. He spent the majority of the Second World War on the front lines, witnessing some of the most violent confrontations of the war. He was in Stalingrad, widely acknowledged as the bloodiest battle in history. He was at Kursk, the major tank battle of the war and the military turning point-Stalingrad being the psychologic hinge-of-fate for Nazi Germany's imperialistic and ideological ambitions. He was at Treblinka during it's liberation and in Berlin during the final death-throes of the Nazi beast. In other words, he was an eye-witness to all the major events on the Eastern Front.

This book, cleverly and unobtrusively edited and translated by Vinogradova and Beevor excerpt relevant segments from Grossman's diaries. These wartime diaries were kept at great personal risk, since such activities were prohibited by the Stalin government. While many of the depictions of the attitudes and behaviors of Soviet soldiers seem redolant of 'socialist realist' propaganda, the descriptions of Treblinka and the author's sentient observations on Soviet military men are obviously the product of a gifted writer and psychologist.

The reader should recall that these diary entries were not intended for publication but rather were kept by Grossman to provide source material for future literary efforts. Unfortunately, Grossman fell afoul of Stalin, largely for his efforts to publicize the fate of Jews at the hands of the Nazis and secondarily for failing to sufficiently promote the role of Stalin's leadership and the Party in the Battle of Stalingrad. As a result, 'Life and Fate' was only published posthumously and stomach cancer claimed the author's life before much of the raw materials presented in this book could be crafted into a final literary effort. Any serious student of WW-II should read this book, as it is a major contribution to understanding the Soviet perspective on the 'Great Patriotic War'.

Vasili Semenovich Grossman was a decorated Soviet military journalist best known in the West for his epic novel, Life and Fate (New York Review Books Classics). In 'A Writer at War' editors and translators Anthony Beevor (Stalingrad: The Fateful Siege: 1942-1943), an esteemed historian and author in his own right, and Luba Vinogradova, follow Grossman's progression through the war by piecing together stories from his notebooks and writings. At times one would have liked a bit more context to be provided by Beevor, but that is a minor quibble.

Grossman, while still a loyal Communist at this point, managed to maintain a relatively objective viewpoint. He often pushed his editors to allow him to write stories they did not want written, in particular regarding the fate of the Jews in the Ukraine under German occupation and the role of the Ukrainians.

While at time the stories have to be stitched together from bits and pieces, `A Writer at War' is a gold mine and provides a rare view into the inner workings of the Soviet military and Soviet military journalism in particular. Grossman experienced the initial German onslaught and the Russian flight from it, Stalingrad, the tank battle at Kursk, and the death camps. The book includes an extensive article on the workings of the German death camp Treblinka. Earns the highest recommendation.

I'm very glad I've read this book, because it is truly one of the greatest, if not the greatest eye-witness account of the war on the eastern front. The chapter about the liberation of Dachau and the writer's thoughts about the Holocaust made me shiver, I've read dozens of books on the Holocaust but nobody ever put it to paper like Vassily did. If you haven't read this book, please do. You will never forget it.

Parragraphs of intense live experiences on the Eastern Front are interspersed with the introduction and analyses of historian Mr. Beevor. If it had been in a linear sort of narrative, so we could feel the progression of the drama, and we could get used to the comings and goings of our narrator, it would have been a great book. But we have only scattered pieces, fading images of a soul soaked in the pain of war, glimpses of horrors witnessed and stories that remain untold.

It's what it hints at that gives it its precious value: the authenticity and honesty of the man, Grossman. But it lacks a linear storytelling; it leaves a chaotic impression of imprecise locations and hard-to-pronounce names. I'm the first to be sorry about this impression, nevertheless it is what it is. I would have packed the best passages into a short book, made it more concise and more precise.

This is a great read. It brings another perspective on the war in Iraq.

First off, full disclosure. I have met Kimberly, and we have exchanged emails. I respect her as a journalist, and now as an author.

Her book is a quick read, but not always a pleasant one. In her brisk style honed as a broadcast writer conveys a candid and authoritative narrative. I found three themes of particular interest.

Her description of military medical practices is fascinating. She gives a detailed yet comprehensible explanation of the life-saving methods practiced by corpsmen and medics on the battlefield. Procedures immediately after the explosion are clearly spelled out, and I think that has to be a comfort to anyone who has a friend or relative in harm's way.

She also tells us about the long and agonizing rehabilitation process from start to finish. Too often we only hear about the tragic incident and then the outcome, whether it's happy or bittersweet. The gut-wrenching middle gets left out or short-changed. But Kimberly clarifies the recovery process without being maudlin or grotesque. This book is highly recommended for anyone facing long recovery from serious injury (and for their family and friends).

Kimberly's decision regarding the choice of psychotropic drugs versus counseling is instructive and can be a guide to others in similar situations. She recognized, or perhaps just sensed, that she did not need drugs. Of the three states of mental health problems -- stress, distress and disorder - she was battling the first two, but not the third.

Her counseling references also are in stark contrast to the situation for many active military personnel. DOD recognizes other mental health professions for independent insurance reimbursement, but not certified counselors. This is a disturbing disincentive, particularly at a time when the shortage of mental health care services for military personnel and their families is well documented. Maybe her book will prod (or shame) the military establishment into making counselors more readily available to service personnel and their families.

Her editors let her down in a few places (dropped words, redundant passages), but otherwise "Breathing the Fire" is a good story told well, with interesting information and revelations for just about any reader.

This is an excellent book, contemplative and moving in its detailed descriptions of a U.S. news reporter's first hand experience of war. Dozier's discussion of her near death and recovery from severe injury and loss is as captivating as it is frightening. Written in the prose style of a scrupulous reporter but with the rhythm of fiction, the book brings the reader into places of desire, anticipation, shock, betrayal, anger and triumph.
Breathing the Fire is recommended for anyone concerned about the Iraq war -- a real war that permanently affects the lives of journalists and photographers, soldiers, translators, health care workers and their families.

Remarkably unflinching - Kimberly Dozier's narrative voice in "Breathing the Fire" describes her road to recovery after being seriously injured on Memorial Day 2006 by a horrific car bombing in Iraq which killed four others, including the CBS cameraman and soundman she worked alongside. In meticulous detail, Dozier dissects the details of the bombing and day-to-day decisions around her medical care and rehabilitation, and punctuates them with her observations and feelings, allowing a rare peek into the mind of someone who has survived an extremely traumatic experience. Even after she learns how to walk again and returns to the newsroom - the author learns that there is no textbook for adjusting to a "new normal" and how to respond to people as they react to seeing a walking miracle. The book sheds light on the experiences of many struggling to recover from the wounds of war. You also learn what drew her to journalism and led her to be a foreign correspondent in a war zone. Readers are introduced to a wealth of supportive people who played pivotal roles in her recovery - from Iowa National Guardsman Staff Sgt. Jeremy Coke who tied the tourniquet on her leg after the bombing that saved her life, to her friends at CBS, innumberable medical and rehab personnel, her parents, and her boyfriend, Pete. Destined to become one of the critical memoirs chronicling the Iraq War.

I read this book thinking, "I am not sure if I can relate to this". War stories are not my reading genre of choice. But, I had met Kim over the phone one day and so received an e-mail from her letting me and all her address book addressees that her book had been published. So, I ordered one from Amazon not quite knowing what to expect. This book is so NOT a war story. It is the courageous story of a woman with a goal who achieved that goal, a goal which led her into combat where a life-changing event changed her life forever, as well as so many other lives. I was drawn in the moment I started reading. Kim's writing is clear, concise, factual, with just the right amount of emotion and personality. She lets people in to her very personal yet very public experience without a hint of self pity or any reference to a "poor me" attitude. The book is an inspiring one about a woman of intelligence, bravery, dedication, and love who dared to follow her dream, went through a nightmare, and is today a source of strength to people chasing a dream or living with their own struggle.