Society Books

You have to check out this book if you can appreciate the art that is graffiti. Banksy also inspires you with his political satire.

there isn't much to read. the art speaks for itself.
6 sections to this book:
monkeys, cops, rats, cows, art, and street furniture.
there are a few pages that contain several paragraphs of writing. banksy provides captions for maybe.. approximately half or less than half of his art. towards the back there's one page with "advice on painting with stencils". if you were looking for graffiti instruction, look elsewhere... unless you really want to look at that one page haha. some of his famous quotes are in there.
what a funny guy. funny book. it was worth the money :)

Couldn't put it down. Images are mezmerizing. Everyone I show it to wants to buy it to. No profanity or sexually oriented photos make it a hip gift choice for young people.

Banksy is a great artist. This book is 240 pages of both his graffiti and his "gallery" or more "Piece" art. I think he is an innovator and inspiration to all artists. We could all learn something from Banksy. If you like this book you might also like some Shepard Fairey work. Also check out Banksy's website at http://www.Banksy.co.uk its really great.

If you haven't read or seen much from BANKSY - trust me, just buy the sweet book. Otherwise... make a quick stop at your favorite video search engine, type BANKSY and watch a documentary about the man...

This is one of my favorite art books. Without a doubt.

The great Polish/Lithuanian empire ruled all of central europe at one point - from Berlin to Moscow. I'm betting most of you weren't even aware of that. I wasn't either until I started reading more of european history. In developing a friendship with some people of Polish descent they recommended this author and his nobel prize winning novels to me. I was daunted by its length and by the date of when it was originally written. However, I started reading and have been hooked on these books ever since. I have come to believe that Mr. Sienkiewicz is the father of the modern novel. This is not a stilted 18th century read!
It gives you history (from a polish perspective) with fictionalized characters and a compelling story behind the backdrop of the calamitous decline of a once proud and powerful empire. The characters are heroic, tragic, conflicted and wonderful to follow. You will love this book and the several sequels in this decades spanning story.
One doesn't win a Nobel prize in literature if they can't write and Mr. Sieniewicz earned his.

I have read "With Fire and Sword," "The Deluge," and "Pan Michael" ("Colonel Wolodyjowski") and I recommend all of them highly. The characters are memorable and well-developed, the heroes are likeable, and even the villains are understandable as people with very human motivations.

Ask around a bit and you'll find no shortage of folks, men in particular, who became readers via their encounters in youth with class adventure tales: The Three Musketeers, The Count of Monte Cristo, Ivanhoe, the Lord of the Rings, etc. ask again and you'll find almost no one whose heard of half the Nobel Laureates in Literature, fewer who've read them, and none enjoyed many of them. All the more remarkable then that one of the great adventure authors of all time actually won a Nobel and somewhat tragic that so few have read him in recent decades. But Henryk Sienkiewicz has made something of a comeback and it could not be more welcome.

Sienkiewicz is the great author of Poland--indeed, to some extent his works are said to have created and helped to maintain the strong Polish identity that prevailed through the troubled 20th Century. When his books were first published -- mostly late in the 19th Century -- the English translations were done by Teddy Roosevelt's friend Jeremiah Curtin and, whether they were adequate for their time, they are are terribly dated now and have served to put off potential readers. Add in the fact that neither the Nazis nor the Communists had much interest in fostering Polish patriotism and you've the recipe for lost classics. But then, fittingly as the Iron Curtain was crumbling, Hippocrene Books commissioned a new translation of his greatest works, The Trilogy and Quo Vadis?, by the highly-regarded Polish novelist W. S. Kuniczak, and these eminently readable versions won Sienkiewicz a modern audience. New translations of other works followed, then a terrific film version of In Desert and Wilderness, and a massive Polish television adaptation of the Trilogy. Suddenly we've a surfeit of riches and some catching up to do.

If you're just starting out it might be wise to begin with Quo Vadis?, a stand alone tale of Christians in Rome that really deserves a fresh film treatment. But it's well worth your time to dive into the Trilogy, the first volume of which is the magnificent With Fire and Sword. Set in 1647, amidst a Cossack uprising against the Polish-Lithuanian Commonwealth, it tells the story of a young Polish patriot and hero, Yan Skshetuski, and his love for the beautiful Helen, who is also coveted the brutal Bohun, who fights with the rebels. Pan Yan's twin tales give us epic history and grand romance, while his compatriots offer comic relief. There's his wily servant, Zjendjan, whose semi-faithful service somehow keeps lining his own pocket. There's the mopey giant Pan Longinus, who has sworn a vow of chastity until he lives up to the example of his forebears and takes off the heads of three enemy soldiers with one swing of his massive battle sword. There's Pan Michal Wolodyjowski, whose bravery and feistiness belie his diminutive stature. And, best of all, there's the Falstaffian Pan Zagloba, who makes up in drinking capacity, gluttony, and biting wit what he lacks in zeal for battle, as he keeps his one good eye peeled for threats to his corpulent frame.

It'll take you a hundred to a hundred and fifty pages to orient yourself and get used to the odd names and nicknames, but the subsequent thousand pages go by far too fast. It's one of those stories you don't ever want to end.

I've read Kuniczak's translation of the Trilogy and greatly enjoyed it. It was my introduction to Seinkiewicz. However, while reading it, it seemed somehow incoherent, like something was missing. It also seemed impossible that the companions of Zagloba would be so credulous of his boasting.

I went and found a copy of the 1890 translation of the Trilogy by Jeremiah Curtin. What a difference! Though the language is somewhat archaic, the story flows so much better and the character of Zagloba is much more believeable. There is more context to his antics, and his companions are presented as far more skeptical of his boasting, making the story much more realistic.

Kuniczak seems to have omitted and simplified much that appears in the Curtin translation, to the detriment of the story. Many believe the Kuniczak version is superior, and maybe it is more accessible, but I recommend you find the old editon in the basement of the local library and read it first.

This was one of the most sweeping epics I've ever read. It's over 1,000 pages, but it takes little effort to finish the book. I found myself white knuckled and breathless through many of the battle scenes. This was truly a good read for both men and women.

This is a beautiful book with comprehensive text. It is written in common English that anyone should understand. I already have a copy I received as a gift and bought this copy for my grandaughter who will enter college this year to study Art History.

That may sound a bit strange, but this is a great book to take on the plane or train with you -- or even to the beach.

It is a compact volume (though about 1 1/2 inches thick). Because of this compact format the text is in front (thin paper) with the plates in back. Phaidon provides two ribbon bookmarks. That also means that it is easiest to read using both hands.

That said, Gombrich leads the reader along with a style somewhere between a conversation and a lecture -- more like what you might expect from a learned uncle or family friend. Pleasant delivery, but leaving you no doubts about the value of the information that is to be passed along.

There may even be an advantage to having the plates in the back. I found myself dwelling on them perhaps a little longer than if they had been in with the text -- and the text calling for my attention.

You can read this book in long sessions, or in little bits. It doesn't matter, because the information is always there, and in the case of this book, the journey itself is important.

Enjoy.

An excellent book in an easy to read formatt. My professor used it for my art history class. Beautirul illistrations. Highly recommended. Great reference book as well.

For somebody interested in art, a book with many pictures is easy to read and enjoy.

The convenience of the pocket edition is incredible and the quality of the images and analysis is excellent.

Simon has written a gut wrenching book with dignity and class. He has a way with words that touch the soul. This should be required reading about overcoming the most horrific of situations with dignity.

This wonderful little book will challenge every grain of moral weight you think you have, and without a doubt you will be better for reading it.
Every person should read it.

Recieved item on time, right when we were told it would arrive. Book in very good condition.

I've used Wiesenthal's The Sunflower as a text in college courses several times. On each occasion my original high estimation of Wiesenthal's narrative grows, while my dissatisfaction with the chorus of responses that takes up nearly two-thirds of the latest edition deepens.

Wiesenthal asks exactly the right questions that all of us need to confront about forgiveness. Is forgiveness always ours to bestow? Is it permissible or even possible to forgive on behalf of others? Should forgiveness be tied to repentance on the part of the transgressor? Should the transgressor try to atone for his/her wrongdoing? What if, as in the case of the dying SS-man Wiesenthal meets, the performance of overt acts of atonement are impossible? Are there certain actions that are unforgiveable, or is the philosopher Jacques Derrida correct when he insists (On Cosmopolitanism and Forgiveness) that the only kind of forgiving that makes any sense is the kind that forgives the unforgiveable? And in a godless world--a world where, as several characters in The Sunflower say, wickedness is so rampant that God seems to have gone on leave--is forgiveness necessarily a different kind of phenomenon than it would be in a Godded world?

Weisenthal doesn't pretend to answer any of these questions, but he and the other characters in his memoir discuss them, presenting different perspectives and coming to different conclusions. The very real value of The Sunflower is that it encourages readers to think about the questions.

Which brings me to the responses. Most are impressionistic, unanalytical, platitudinous, and hence totally out of step with the brutal authenticity of Weisenthal's text. A few stand out from the others: Robert Coles', Rebecca Goldstein's, Abraham Joshua Heschel's, Primo Levi's. But most can be given a pass. My suggestion would be to focus first and foremost on Weisenthal's text and forget about the responses. A nice cinematic complement to the book is the documentary "Forgiving Dr. Mengele."

Summoned to the bedside of a dying Nazi who had willingly participated in the systematic annihilation of Europe's Jews, concentration camp inmate Simon Wiesenthal found himself the captive, solitary witness to this 21-year-old SS man's confession of responsibility for committing acts of unspeakable cruelty.

Kurt had asked a nurse to bring him a Jew (any Jew would do); quite by chance the nurse selected Wiesenthal from the work detail assigned to the hospital that day. Against his will, he listened to this man recount his experience of packing a house full of Jewish men, women, and children and then setting the house on fire while lobbing grenades into the inferno and shooting at anyone who had attempted to escape this hell. Kurt watched a father, mother, and small boy leap from a window to their certain death. Before the leap, the father had shielded the child's eyes.

The image haunted Kurt, who was unable to fight again. Instead, he froze on the battlefield and suffered and injury that first cost him his sight and then took his life. Before he died, though, he wanted to confess his sins to a Jew that he might be forgiven and die in peace.

Wiesenthal, who was about the same age as this soldier, heard him out but refused to forgive. Instead, he offered silence in response to the story and returned to the concentration camp.

The experience haunted Wiesenthal; soon after it happened, he discussed it with his friends back at the camp, with a Polish Catholic seminarian. Much later, he presented the story to theologians, political leaders, Holocaust survivors, and victims of other attempted genocides and asked each of these persons what he or she would have done in the same situation.

The story itself is first book of The Sunflower; the responses to the question, "The Symposium," are the text of the second book in this volume. Broadly grouped, the respondents are Jews and Christians, primarily. There are two Buddhist respondents and one Chinese respondent who makes no reference to religion though his response is in keeping with Buddhist thinking. Within these broad categories respondents reflect on different facets of the experience Wiesenthal describes and facets of their faith and life experiences and knowledge to make a response.

The Jewish respondents point to the fact that only the person against whom a sin has been committed has the right to forgive the sinner. Therefore, Kurt cannot be forgiven; his victims are dead. The Christian respondents point out, first, that they feel they have no right to address the question because they have never been on the receiving end of genocide. Then they point out that God alone can forgive and that it is incumbent on each of us sinners to find forgiveness in our hearts for others. The Buddhists respond, as Buddhists do, in the present tense and with an eye on enlightenment--a release from suffering. Each perspective reflects a different concept of individuality and therefore of the nature of accountability.

For this reader, The Sunflower accomplishes the important task of bringing the reader into the concentration camp alongside one of its victims, into the hospital room of the dying SS man, and into the heart of the questions the Holocaust raises about responsibility, accountability, forgiveness, restitution, and grace. These are questions that refuse pat answers and therefore remain alive and active in our minds. Wiesenthal's book challenges our ability to empathize with those who suffer and our ability to think about how and why we believe what we do about ourselves and each other. It is a humble and beautiful tribute to those who suffered and died in the Holocaust. We too can honor their memory by participating in the conversation this book presents.

Philip Gulley gets it. He understands so much of what has gone from our lives, where society has fallen off the path. And though he is a Quaker Preacher, he doesn't force feed it down your throat. This book doesn't come off as preaching, but rather as Gulley allowing you a glimpse into his life.

He shows us by examples rather than telling us. His stories of neighbors and family are as heartwarming as the front cover of a porch with rocking chairs promises. He references Bible passages but not in every story, and in a manner that is easy to relate to. His humor and wit are evident throughout and gives the reader the feeling that Gulley would be just the person to sit next to in those rockers and listen to for hours on a summer night.

If you are in the need for a pick-me-up, quick and easy read, I highly recommend this book.

This book's title gives an excellent description of the book. It is a book that I will keep and read over and over. I recently gave a copy to my pastor and have also given copies to a couple of friends. The stories help me to be a better person.

I purchase this book for my elderly parents and listened to them read every night until completed. They thoroughly enjoyed the book and the large-print edition is a bonus.

Book arrived as advertised BUT shipping via USPS very slow, took almost a month for book to arrive.

Philip Gulley serves as the pastor of a small Quaker church. He was asked to write something for the church newsletter which he did, little suspecting that some of his writing would end up in the hands of Paul Harvey who read it on his radio show. This book is a compilation of the essays that Gulley wrote for his church newsletter. They contain his observations of life summed up in chapters such as "My Cup Runneth Over, and So Does My Toilet" which I'm sure many readers can identify with. His wry humor is evident throughout the book as is the genuine compassion he has for other people.

The book arrived in great time and is another classic of this famous and amazing author. It is all that was expected and I highly recommend it to anyone who is now, a C. S. Lewis fan or will be upon reading any of his works. Thanks gain to Amazon for another honest and quick transaction. Gary Krei

The Essay "The Inner Ring" moved my youngest daughter from the margins of middle school to its social center. Six years ago when she was in the sixth grade, we talked several times about a group of three girls that were the most popular in her school. Because she was so curious about the subject, I read her "The Inner Ring." She loved it. She asked many good questions, related the essay to her situation, and to her friends. By the middle of her seventh grade year, the group had expanded to six and because four of the six members of the group had siblings in the high school, the "six pack" was the subject of high school gossip in addition to being the coolest clique in the middle school. My wife believes that in reading "The Inner Ring" to mathematically minded Lisa, I gave her the rules she needed to become a permanent member of a group who all were starters on at least one sports team and continued to be close friends in high school.

I agree that this collection is often overlooked when considering the best works of CS Lewis. Among the essays, my personal favorites are Weight of Glory and Transposition. I highly recommend this book.

This book is actually a collection of essays. Lewis addresses various things such as, the glory of man as being a reflection of the glory of God, why he is not a pacifist (where he gives some pretty strong moral, biblical, and sensible arguments), speaking in tongues and various spiritual gifts (moreso on their implication, not on the technicality of each or what exactly each gift is), what he calls "is theology poetry" (or in other words, do we believe in theology just because the idea of a cosmic drama appeals to us), the affects of peer pressure and the gradual degradation of one's inner principles and also its positive affects when one surrounds him/herself with Christians, and forgiveness.

Overall a very enlightening read, in which many issues that are not commonly talked about are given attention. Not very long either, but packed full of insight.

There is a jacket blurb on The Weight of Glory from John Updike, who comments on both the comfort and pleasure afforded by Lewis. Neither should be underestimated. This is great devotional writing but it is also great writing, writing that is typified by Lewis' ability to deal with the weightiest of matters with a light touch.

It is a truism that our faith is reinforced whenever we see it embraced by great minds. Samuel Johnson believed that and it is interesting that Lewis often turns to Johnson for such reinforcement, as we turn to Lewis--one of the indisputably great intellectuals of the twentieth century. Part of that greatness comes from the stark clarity with which Lewis sees important matters. That makes his work accessible; it does not make it simplistic.

All of the lay sermons in this volume are trenchant, though 'The Weight of Glory' and 'Learning in War-Time' are exceptional. I especially like 'Is Theology Poetry?' and 'Membership' and find 'Why I Am Not a Pacifist' of particular interest and importance these days.

This is a book to be read, embraced, and shared.

I,ve tried to propagate plants by cuttings for two years now; all without any success. This book has all the answers to questions I've had and has shown where I've made mistakes. This is the "Bible" of plant propagation...

This book is so easy to use and has very detailed directions! Great book for a beginner and an expert!

Ok for basics but not specific for the varieties of plants for propagation. If you want to learn about root cuttings and division it's good, but don't expect much detail when it comes to specific plants, ie; when to take cuttings or when to divide certain plants for particular varieties. Very basic.

Beautiful color photos and illustrations, sturdy binding and slick paper, expert practical advice, with readily understood and easily adapted procedures for the whole range of plant species. Complements their other larger book on plants.

As a Texas Master Gardener, I bought the book to deepen my knowledge of plant propagation, especially out-of-patent roses. This book has excellent pictures of techniques for alternative propagation methodologies and a extremely wide treatment of many species. I cannot imagine anyone who would need any other book. I've read five other propagation books but this book has it all, written in well thought out descriptions and illustrated with great pictures. Highly recommended!!!

Have to say that this book really opened my eyes into understanding the reality of violence and how our perceptions of violence directs the methods of how we teach the martial arts. I am a third degree black belt in Shorin Ryu karate and have been involved in the martial arts for over 15 years.

I think as an instructor in the martial arts, we don't typically work hard enough in explaining to our students what to expect in a real life situation basically due to the fact that most of us have never had that experience. The information obtained in this book is a "must-have" for all students and instructors in the martial arts who wish to understand violence and how to maybe adjust our way of teaching/learning self-defense.

There are all sorts of violence in the "real world" and I highly recommend this book if you want to gain greater insights on how to survive if you should ever have the need to use the self defense you have been taught.

I have to say that without a doubt that "Meditations on Violence" is well worth the print. It is a book that has been needed to be put in the civil world to reveal the realities of violence as compared to our notions of violence that we perceive through media and martial arts "practice".

This book, written by Sgt. Rory Miller, a corrections officer, CERT team member, and rescue missions volunteer helped me to come to a better understanding of the world and myself, as well as some of the doubts that I had about both.

As a newly appointed corrections officer myself, I found some of his stories in the prison environment both affirming and comical, but seriously straight to the point and honest. I liked that.

The book is broken down into 7 chapters dealing with the complexitites of the strategic matrix in self defense and what is tries to be and what it really is, how to think in training in regards to violence, the types of violence and possible situations, description of different predators, training the "four" basic truths and for reality, some ideas on making you defense work regardless of "system", and how to deal with the aftermath of such horrendous violence.

For those with an open mind and have the experience of "being there" this is a valuable book. For others it will give you the mindset and mental skills to hopefully come out on top. The author makes no pretentions or promises. He simply offers his perception of the world and offers a piece of the pie to help make the work a bit less chaotic.

Thanks for such a wonderful book Sgt. Rory Miller!!!!!

As a 30 year veteran of three different styles of martial arts I wish this book had been written when I embarked on the journey towards my first black belt. This book is so thought out and calls BS on a lot of the conventional teachings out there that could get your killed out on the street.
When I thought back to the fights I've had (or muggings I managed to evade back when I was a kid in New York) everything that Sgt. Rory Miller talks about is spot on from the four basic truths of violent assault to what occurs to your body (and fighting skill) when the adrenaline hits your body, and much, much more.
If you're serious about self defense and your martial arts then you must own this book!

I just finished Rory Miller's book "Meditations on Violence" and found to my surprise that this book was excellent. Many of the "real world" martial arts books are not well written, not well researched, and are just plain not good books, so my expectations going into this book were not high, but this book delivers. It should be required reading for the serious martial artist. I found "Meditations on Violence" interesting and well written from start to finish. This book contains information that everyone should know, whether you are a martial artist or an ordinary person going about your business.

I highly recommend Meditations on Violence to all martial artists and to anyone concerned with their own safety in a world which is getting more and more dangerous. Many of the points which Sgt. Miller makes in his book could save your life. I cannot think of much that this book leaves out as far as dealing with physical violence goes. Highly recommended! 5 Stars!!

Having completed my second full read of Meditations on Violence, I am amazed at the depth and breadth of information provided herein. In gritty detail, the author breaks down violence into manageable chunks. Most of us will never see the same kind of combat with which Sgt. Miller deals on a regular basis, but here he provides us a look into that world, and the lessons we can learn from it. The name of the book is a slight misnomer... as Sgt. Miller points out early on, violence is huge subject. This book would be more accurately titled 'Meditations on Criminal Violence'. Nonetheless, given that criminal violence is the type most of us are likely to experience, the misnomer can be forgiven easily.

Both the martial arts practitioner and the person who has never set foot on the mat will be well served by reading this book. I have asked my wife to read through it now, as the sections on the 'predator' mindset and the patterns of 'prey' are so enlightening, I feel they should be required reading in high school health classes. As a father of 2 daughters, and as a husband, I am grateful to Sgt. Miller for laying out these patterns for me to see and help my loved ones avoid.

The work is solid from beginning to end, though there are some more philisophical leanings in the last few pages which seem a tad out of place for a book so grounded in reality. Nevertheless, they don't interfere with the overall outstanding quality of the work. I highly recommend this book to anyone who wants to better understand the nature of criminal violence, whether for professional reasons, or personal ones.

(This review based on a retail copy of the book provided by the publisher.)

I read all of her books and especially like this one and DOMESTIC ABUSE ALL SIDES.
This book I found to be very eye opening!
I recommend all of her books
Murder in New England & Closing the circle
Domestic Abuse All Sides
and of course this one.
THUMBS UP!!! And thank you!!!

I wrote this books in hope that it would bring about an awareness to the people involved in domestic violence. They need help, and we as a society need to put our hands out to these people in need and help them. Each case is similar in the respect that violence has occured. Yet, they are all different situations. We all know someone, who knows someone, who has been abused. Let's help out someone in need.


Other books I have written:
Domestic Abuse All Sides and Murder in New England & Closing the Circle

I read Domestic Abuse Our Stories and was quite moved by the many stories in this book. I checked out on the computer and her next book Murder in new england and closing the circle is coming out in January! I can't wait to read the next one!!!Wonderful writer!

Great book
Great stories
Great research
Great author

This is a very powerful book with very powerful stories...wonderful and informative.

I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!

If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)

If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!

This is an excellent book that will help experienced and newcomers in photography. Pay attention to the Zone system that Adams has devised. It will realy help you take total control over your pictures with a helpfull and very creative perspective. The last part of the book (developing negatives) might be ommited by the person who is into digital, although it helped me comprehend a lot about the various Adobe Photoshop features and relate them to classic photography.

One little remark I have to make is for the publisher. The book is printed into gloss paper (all the three books in the series) with a high reflectance index. This results in dificulty reading the book at certain angles.

Concisely written in Adams' own scholarly style, "The Negative" is a valuable resource for photographers learning the foundation of technically correct (as opposed to generally good) base exposure in a variety of scenes, both pedestrian and those that are more conflicting. One must, however, consider that more than 4 decades have passed since the techniques were founded and the technology described can be viewed, in many cases, with a quaint tug at nostalgia. Today's evaluative and matrix metering systems, programmed along the Zone System, do a remarkable job where once exposure was tedious and error prone, and this is where learning the Zone System to competently handle difficult scenes is a useful addition to a photographer's "book of tricks". But despite the clarity of explanation and steps, Adams' Zone System remains a complex, intertwining system to understand (theory) and apply (field application); it never was and never will be a five-minute task. For B&W fine art photographers, "The Negative" holds a timeless reference quality with many techniques remaining the solid benchmarks for fine art production. In summary, a tremendously good read and a most valuable addition to any learned photographer's library.

The Negative (Ansel Adams Photography, Book 2)

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.