Texas Books

The back cover of this small volume boasts a blurb, which proclaims, "Monterroso is certainly the leading living Guatemalan writer..." Not being quite an expert on Guatemalan literature myself, I cannot personally vouch for this statement. What I can swear to, however, is the fact that this compilation of writings by Augusto Monterroso is a collection of brilliant short fictions, which quickly call to mind the works of Swift, Sterne, Kafka, J.L. Borges, and Italo Calvino (among others). Reminiscent of Borges, Monterroso is a master of the self-referential (art about art/books about books); his fictions abound with tales of writers (and other story-tellers), readers, reviewers, critics, researchers, musicians, artists and historical figures who may or may not be "real." Like his predecessors, Monterroso's fictions often challenge our assumptions about literature and its conventions. He freely plays with the forms of fiction; there are "short-stories" disguised as letters, essays, and aphorisms. Several of his stories are shorter in length than the literary quotes he uses to introduce them. One of these, "The Dinosaur," (perhaps his most well-known work) is a mere 8 words long ("When he awoke, the dinosaur was still there."). In other instances, his fictions mirror the rambling nature of the spoken word itself, as they amble on and meander for 3 or 4 pages without a single bit of punctuation prior to the concluding period.
Like his (above mentioned) literary forbearers, Monterroso is a master of satire, irony, and the absurd. Resembling Swift ("A Modest Proposal"), Kafka, and Borges before him, Monterroso uses a precise, crisp and almost dispassionate writing style to put forth the most absurd and outrageous of fictions. In "Finished Symphony," for example, he casually relates having overheard in passing, someone tell of the discovery, and then destruction of the two lost movements of Schubert's great "Unfinished Symphony." In other instances, his irony can be directed at himself. "Leopoldo (His Labors)," for instance, is a short story about a reluctant short story writer who is eternally frustrated in his decades-long attempt to write his first short story. This entire piece of fiction is a virtuoso bit of satire upon the author, himself (and perhaps on all authors). And then, what could be more absurd, or more comically inspired than "Flies": "There are three themes; love, death, and flies...Let others deal with the first two. I concern myself with flies...In the beginning was the fly...It is easier for a fly to land on the nose of the Pope, than for the Pope to land on the nose of a fly...Oh, Melville, you had to sail the seas before you could finally set that great white whale on your desk in Pittsfield, Massachusetts, not realizing that Evil had long ago circled your strawberry ice cream..."
Monterroso is clearly one of the important figures in the development of modern and contemporary Latin-American fiction. Along with such writers as Bioy Casares, J.L. Borges, Gabriel Marquez, Carlos Fuentes, Tomas Eloy Martinez, Mario Vargas Llosa, and Julio Cortazar (as well as Italo Calvino, Tomasso Landolfi, John Barth, and Milan Kundera), Monterroso is a brilliant exponent of "Magic Realism". If you admire any of the aforementioned authors, I would urge you to look into this dazzling collection by an inspired writer.

The back cover of this small volume boasts a blurb, which proclaims, "Monterroso is certainly the leading living Guatemalan writer..." Not being quite an expert on Guatemalan literature myself, I cannot personally vouch for this statement. What I can swear to, however, is the fact that this compilation of writings by Augusto Monterroso is a collection of brilliant short fictions, which quickly call to mind the works of Swift, Sterne, Kafka, J.L. Borges, and Italo Calvino (among others). Reminiscent of Borges, Monterroso is a master of the self-referential (art about art/books about books); his fictions abound with tales of the weaknesses and general absurdities of writers (and other story-tellers), bibliophiles, reviewers, critics, researchers, musicians, artists and other intellectual and historical figures who may or may not be "real." Like his predecessors, Monterroso's fictions often challenge our assumptions about literature and its conventions. He freely plays with the forms of fiction; there are short stories
"disguised" as letters, essays, and aphorisms. Several of his stories are far shorter in length than the literary quotes he uses to introduce them. One of these, "The Dinosaur," (perhaps his most well-known work) is a mere 8 words long ("When he awoke, the dinosaur was still there."). In other instances, his fictions mirror the rambling nature of the spoken word itself, as they amble on and meander for some 3 or 4 pages without a single bit of punctuation prior to the concluding period.
Like his (above mentioned) literary forbearers, Monterroso is a master of satire, irony, and the absurd. Resembling Swift ("A Modest Proposal"), Kafka, and Borges before him, Monterroso uses a precise, crisp and almost dispassionate writing style to put forth the most absurd and outrageous of fictions. In "Finished Symphony," for example, he casually relates having overheard in passing, someone tell of the discovery, and then destruction of the two lost movements of Schubert's great "Unfinished Symphony." In other instances, his irony can be self-deprecating. "Leopoldo (His Labors)," for instance, is a short story about a reluctant short story writer, who is eternally frustrated in his decades-long attempt to write his first perfect(and never finished)short story. This entire piece of fiction is a virtuoso bit of satire upon the author, himself (and perhaps on all authors). And what could be more absurd, or more comically inspired than "Flies": "There are three themes; love, death, and flies...Let others deal with the first two. I concern myself with flies...In the beginning was the fly...It is easier for a fly to land on the nose of the Pope, than for the Pope to land on the nose of a fly...Oh, Melville, you had to sail the seas before you could finally set that great white whale on your desk in Pittsfield, Massachusetts, not realizing that Evil had long ago circled your strawberry ice cream..."
Monterroso is clearly one of the important figures in the development of modern and contemporary Latin-American fiction. Along with such writers as Bioy Casares, J.L. Borges, Gabriel Marquez, Carlos Fuentes, Tomas Eloy Martinez, Mario Vargas Llosa, and Julio Cortazar (as well as Italo Calvino, Tomasso Landolfi, John Barth, and Milan Kundera), Monterroso is a brilliant exponent of "Magic Realism". If you admire any of the aforementioned authors, I would urge you to look into this dazzling collection by an inspired writer.

Monterroso has a fantastatic sense of humor. I enjoyed the book thoroughly.

This book is one of the best, I own on the subject matter. Very well done and extreemely detailed. I bought a second copy and gave it away as a Christmas gift this year, at my company Christmas party. It was a great success. Everyone wanted it. I'm glad Matt got to keep it.

I must say that very few texts on this subject are as well done as Conklin's. I highly recomend it to anyone interested in "Compassionate Cannibalism" through history.

I looked into this book a source for a term paper I was writing on Ritual Cannibalism, but then chose to buy if as my summer reading material. The book is very well written and easy to understand, which make it ideal for professionals, students, and lay-people alike. Coklin does a great job letting the reader into the mind of Wari' peoples; the testemonials are engaging and thought-provoking. I must warn that if you are looking for material that is critical of cannibalism, or argues that it does not exist, this isn't it. "Consuming Grief" makes cannibalism seem rational, and makes you feel sad that these peoples customs and culture were forced away. Coklin is biased in the sense that she is an anthropologist, in that I mean she does not pass any judgement on the peoples she is studying.

This book is one of the best, I own on the subject matter. Very well done and extreemely detailed. I bought a second copy and gave it away as a Christmas gift this year, at my company Christmas party. It was a great success. Everyone wanted it. I'm glad Matt got to keep it.

I must say that very few texts on this subject are as well done as Conklin's. I highly recomend it to anyone interested in "Compassionate Cannibalism" through history.

Although I've never been to Texas, I *LOVE* this cookbook, as does everyone to whom I've given it as a gift. The recipes are all delectable, and written clearly enough for even northerners to understand. They are also preceded by clear descriptions of what makes them so wonderful (which I, myself, find invaluable in cookbooks), and many are quick and easy to prepare. You can't help but love this one!

I absolutely love this book! Over the last ten years, it has become a staple in my kitchen and the kitchens of friends who I have blessed with a copy. I am not a very talented cook, but I find these recipes easy to follow and virtually fail proof. My husband, a fabulous cook, also loves cooking with recipes from Cooking Texas Style. The book is filled with great unheard of recipes as well as Texas and Tex-Mex classics. In addition to the recipes, the personal notes that Ms. Marquez and Ms. Wagner have included are a thrill to read. There is information about the origin of some of the dishes as well as great family stories. I highly recommend this book to the novice or master chef! Enjoy!

This cookbook is the best book on regional Texas cooking that I have ever read. The recipes are clear and informative, spanning Mexican, German, and Southern dishes. The work is made all the more interesting by its insights into Texan life and culture.

I purchased this book not knowing whether I would like it, but I loved it. It is a fascinating collection of stories from people who participated in WWII in numerous diverse ways. Recounted here are the experiences of bomber pilots, men on submarines, infantry soldiers from the wars in the Pacific and in Europe, POW's, and countless others. The author steps aside and lets the soldiers tell the stories in their own words, yet the narrative is consistently compelling. You get a realistic view of what WWII was like from the perspective of people who were there. I highly recommend this book.

``The Courage of Common Men: Texans Remember World War II'' is a must-read for Texans and World War II history buffs.

The book contains stories from 19 veterans across Texas and is thoroughly engaging. It's an extremely quick read. The stories are tragic and at times humorous. It's told in an interview-style, so you feel the emotions that the veterans are experiencing as they relive their personal accounts. One of my favorite chapters is of the Gibesons, a couple from San Antonio, who met during the War and are still married today. What a love story!

The names you'll find in ``The Courage of Common Men'' aren't those that you have read about in history books. They are your neighbors and family friends. Ordinary people who lived through extraordinary times. After reading ``The Courage of Common Men,'' you'll gain a greater appreciation for the sacrifices these brave men made.

I have read this book and the author, Stephen Manning, has done a great job of telling stories from men, who are still living, about their experiences while serving their county during World War II.

Mr. Manning has interviewed about 20 veterans from all branches of the service. He tell thier story just like they tell it to him useing their own words. You feel like you have talked to the men youself.

The author has incorperated pictrues of the men interviewd taken while he was in the service and a picture of them as of today.

If you are interested in World War II this is a must read book.

Sincerely, Charles B. Harper

I love all the Hank books, and this is a great one for the Christmas season. These books are hilarious and more important to the young reader, fun to read. I'd also check the rest of the series.

Author of "Hobo Finds A Home" editor "Of A Predatory Heart"

I highly reccomend the Hank the Cowdog books if you're a dog lover, or if you just enjoy good, clean humor and fun! The books
are written in Hank's perspective, which, I think, makes them funnier than if they weren't written in his persppective. He tries to talk "intelligent," but really he is actually quite, um,
well, to be to-the-point... DUMB. And Hank's conversations with Drover are priceless. If you don't have this book, you really should get it.

I read this book about two years ago for the first time and have reread it since. I really enjoy John R. Ericson's writings and he has a good personality, too. If you or your child like Hank the Cowdog, this is probably one of the best of them all. Email me if you want at sgooch@anet-dfw.com and tell me if this review helped you. Love ya!

This book is riveting and will take the reader to places he or she may never have been before. Plotted around a gay man, his "business", and the passions of and in his life, this book is full of good old fashioned sleuthing, intriuge, and a bit of moral-values clarification. This is simply a very good read.

Let me start off by saying that I have a real weakness for revenge books. There is just something truly decadent and delicious about taking a well-orchestrated (and violently nasty!) vengeance against those responsible for the murder of...the only person you've ever loved! Even more impressive is solid writing and interesting dialogue (how often can you say that?) which are accented by a tight plot that actually avoids the usual genre-driven pitfalls. Oh, and the hero is _totally_ hot (or at the very least, smart and charismatic).

Santos De La O (yep, it's a fake name) is a half Italian, half Mexican gunrunner/enforcer for a drug cartel in Mexico. He has family connections in the Italian mob, but leaves to start his own business because he's gay and his uncle, Vito the fixer, "can't employ no finocchio in this business, if you'll pardon the expression."

We get to watch Santos be really clever, make lots of money selling cool high-tech guns and missiles, and discover his softer side by of course falling in love with Tony. (All this happens in only about 70 sparse but perfect pages. The novel is only 200 pages long.) I can't express what a pleasure it was to read a book that has NO wasted filler, yet manages to convey a clear and emotional impact. When Santos is standing over Tony's body at the morgue "he kissed his fingertips and pressed them gently against the empty face" and says "Te amo...te amo tanto, tanto. I love you. I love so very much." Yes, my eyes actually teared up.

Without giving the rest of the book away, let me just mention some of the things the book doesn't do.

(1) Santos doesn't magically know who is responsible. We have an actual witness. And a license plate number. Wow.
(2) The drug cartel has nothing to do with Tony's murder. Yes, we were spared the tired and annoying drug cartel conspiracy plot.
(3) Not all of the cops are stupid and corrupt.
(4) Not one of the cops is a genius. ;-)
(5) Santos only does "normal" stupid things and he's only mostly lucky. We are not subjected to plot holes a 12 year old can figure out.
(6) There is no impossible action. No one jumps through a second-storey window and survives.
(7) The violence is not our usual boring blah, blah, blah violence. Really. Santos's revenge against one of the murderers is, um, original.

Hopefully I've convinced you to try this book. Oh, and if you're worried about the gay sex angle, well I'm sorry to have to say, it's of the boring ...and the next morning they woke up together...variety. Alas there is no explicit sex.

This well constructed, tightly edited mystery brings a new character to the mystery/thriller genre. This is the assassin we have all been waiting for. This is the killer with a heart that we yearn to identify with in all those other books, but with whom we are never really satisfied. The "man with no name" in Conner's story is based on the stereotypes we thriller fans have met before, but succeeds somehow in a very short space of time to grab our sympathies and rivet our attention.

Tales of revenge are many. In some the hero is redeemed and returns to society, in others he goes down with his foe. This book leaves us hanging, hopeful that he will come back again in another incarnation, and wondering whether this is a character who will be able to live any other way but in the thick of deceit, lies, and greed on the grand scales of drug empires and intelligence agencies.

Necessarily short, so carefully worded that it could not be longer than it is, it reads quickly and when I came up for air I ran to Amazon looking for a sequel. Guess we just have to wait and hope.

I really enjoyed this book. The author wove together her personal experiences --the pain of growing up in a loveless yet nuturing home in Texas, and a type of everyman's history of the civil rights movement and the annonomous worker bees and vanguard her mother belonged too. She does this in an interesting and engaging way. She weaves her story of being born at the "wrong time" and coping with feelings of being an unwanted late life child which lead to an emotionally and physically abused childhood into the visual story and history of Blacks in media and film at the time Blacks created the protest movement(s) to erase injustice, and pyschological pain the african Americans experienced in America's south. Her story is a compelling one. Especially because it is so universally human. Her love hate relationship with her mother was the most poinant aspect of this book. She describes her response to the abuse of her mother yet she so admired, love, and comes to understand and forgive her finally.

There were some unanswered questions the reader might have , like what about her brother. What kind of relationship did they have? Was he too mistreated by her mother? Is she still married and what role did being married have on her relationship with her mother? but this is a story about a tragic and troubled and mother and daughter relationship.

IT IS A VERY INTERESTING READ for anyone interested in autobiography/civil rights movement and the media.

This is one of the most creative approaches to autobiography I've read in a long time. I enjoyed reading and studying it. The book is a highly visual autobiography---part prose, part poetry, part history and historical images. I particularly enjoyed how Ms. Blue revealed the nuances of an African American middle class mother-daughter relationship. Telling her story against the backdrop of the movies that were coming of age when she was growing up provided an enlightening perspective on the powerful influence of American movies on the human psyche. This book is a wonderful gem!

If you appreciated Angela's Ashes by Frank McCourt for its presentation and viewpoint of growing up in poverty, you'll like this book for the same reasons--not on the subject of poverty but on race and understanding what it's like to grow up Black (& middle-class) in this country. It just tells, in a straightforward voice, the story of her life.

As a 10 year old, my mother had me read a book called "Black Like Me." It was a white man's experiment with wandering around in the world as a Black man. Carroll Parrott Blue's book is a better, more authentic version written by a Black woman who has lived the experience and is willing to talk about it.

I loved this book because from the first pages, with its pictures and its text, it lets the reader inside like an intimate friend--she shares what most Black people don't talk about. She lets you inside her experience. It's personal, yet it's nonfiction that reads like a novel. She shares her difficult personal relationship with her mother and her view of the world through popular culture that is familiar to all of us--but seen through Black eyes.

..."You've done it again! Another winner with "Death and Texas". It was a late night until I finished but you kept me guessing until the end. I really enjoy your books. Keep it up!"

Dear Mr. Joria,

"You've done it again! Another winner with "Death and Texas". It was a late night until I finished but you kept me guessing until the end. I really enjoy your books. Keep it up!"

After reading Joseph's first book I was waiting in anticipation for the next book in the series and I wasn't disappointed. I really enjoyed reading this book. The story keeps you guessing right to the end of the book as to who committed the crimes.
I'm now looking forward to the next book - so come on Joe get writing.

This is the 3rd book in this series and I enjoyed the first two as well as this one. I've never been to TX or Mexico but these novels make me feel like I have. This book has an involved plot that is eventually all connected and sorted out. The reader is not left with any loose ends. The characters are interesting and charming. Texana's husband is a vet, so there are even interesting animal characters. I particularly enjoy Phoebe, their pet bobcat who lives in the trading post with them. While some horrible things happen, we are not given such graphic details as to give nightmares. Simply, a nice old-fashioned mystery to wile away an evening.

Allana was my high school journalism teacher when she taught at Fort Worth Paschal High School in 1971 so I think you ought to buy several copies of this book.

One of those rare books that is a good mystery and a good novel. Not a 'cozy' but basically traditional. Reminds me of Sue Grafton. Complex characters, fascinating background (Te-Mex border)but still a good read. Ending a bit weird. My first exposure to this author, and I will definitely read the others in this series.

In DEEP IN THE HEART OF TEXAS, Miranda is the pampered rich man's daughter, and Jacob is a fugitive wanted for the murders of his wife and son five years ago. In the beginning, we find Miranda in a dark and dreary room, and Miranda knowing that she was going to die. The "hermit" aka Jacob, but we don't know that yet, finds her and sets her free. Spikes, the man who kidnapped her and works as her father's foreman, is determined to find her. The hermit hides her, then, after she begs him,tells her that he'll take her within a mile of the ranch so that Spikes can't find her. On their first night, Spikes "finds" them, and lets it slip that someone in her family did this to her. On the two day trek to her home, she and Jacob grow closer. He tells her about how his wife and son were killed, which was absolutely heartbreaking, and that he's wanted for their murders. Miranda tells him right away she can't believe that. When they get to the ranch, she rides off, with Jacob watching. When she hears gunfire, she rides back and is shot. I'm not going to spoil the story more than I already have, except to tell you that the secrets that come out of the Maddox family (Miranda's) when they try to find out who kidnapped Miranda were prety amusing. I thought Ms. Warren wrote a very romantic love story and a very suspensful mystery.
Is probably the best book I've ever read. I can't wait to read Lucas' story!

Miranda is the pampered and protected daughter of a millionaire rancher. Then she gets kidnapped and hidden in the woods, deep in the Texas Hill Country.
Her [and your] first introduction to Jacob Culver, a fugitive who is living in the Hill Country, for the past five years is a bit spooky. Jacob was framed for the murder of his wife and young son.
Jacob's finding and protecting of Miranda really changes his life. He is aided and abetted by a little dog called "Bandit" ---
You will love this one and won't be able to put it down. --- I do believe it should be rated a keeper. Highly recommended. But then I love those Texans.

I loved reading this book. The suspense and mystery mixed with the romance was a great combination. It is always amazing to see how somenone who grows up in the lap of luxury can take to a normal lifestyle.