France Books

I got much more than expected when I read this book. As others have stated, it reads like fiction but you have to keep reminding yourself that the characters of the book actually existed. I can't believe this book has not yet been turned into a movie. I was absolutely caught up in the excitement and danger as the lead character, Roy Allen, tries to get back to allied lines to fly again after being shot down over France. It is amazing that he survived the ordeal, as he looked into the eyes of death so many times. In the end, I was disappointed to read that Allen had passed away prior to publication, because I would have made every effort to try and meet the man, just to shake his hand. In reality, Roy Allen was quite representative of those who fought in WWII --- humble, polite and ever adept at doing the right thing. I love meeting the former soldiers of that era, who truly were of the greatest generation. You will not be disappointed with this wonderful book, and I will keep it to re-read in the future! Well written. -- Terry Mindham (silverwings442002@yahoo.com)

I just finished this superb work a few moments ago. Warning: once you start, you will not be able to put this book down.

As others have said, this is a true story which reads like a finely crafted work of fiction of the historical "thriller" genre. The constant tension is palpable as our heroes, the downed American airman desperately seeking help in occupied France, the young, small town schoolteacher who decides to risk all to hide him, the brave French Resistance fighter, all attempt to evade capture and death at the hands of the Nazis. That's all you need to know. Treat yourself...get this book and find out what happens to them. As the story draws to its end, you will truly care. I promise.

I love stories of the WWII era in occupied Europe and have read many, both history and fiction. Alan Furst's works of fiction are good, especially the earlier ones. Robert Ryan's works, The Blue Noon and Early One Morning, are both superb. They are based on actual events and real persons, with additional fictional characters inserted. A central "real" character in the latter, race car driver Robert Benoist, appears briefly in The Shadows of War.

Airey Neave's They Have Their Exits is a thrilling true memoir of escape from a Nazi prison camp. Neave also appears briefly in Ryan's The Blue Noon. Clare Francis' Night Sky is by far the best fictional work I have enjoyed of this genre.


All these books are excellent page turners. If you only read one, however, read In The Shadows of War. Whether you are interested in WWII and/or clandestine operations in occupied Europe or not, you will love this book and be moved by it.

I first encountered Thomas Childers in his excellent courses for The Teaching Company. His full history of WWII and his course on Hitler's Empire are excellent. Childers is a highly regarded U. of Pennsylvania professor of history. I recommend those works as well.

This is a very well written story of both the French resistance and the story of one of our pilots that crashed and was helped to avoid the Germans in occupied France. It also documents the experience of the pilot when he is captured by the Germans. It is a chilling example of the cruel treatment the pilot and other prisoners had to endure.

Thomas Childers has done it again - a truly amazing recount, from a very personal view, of another air war story from WW-II. His previous "Wings of Morning" was spell binding and yet here is "In the Shadows of War", another captivating book to be read over and over.

this book is fascinating as it ties in a captured American pilot's story with that of the French underground. A sobering view of the stranglehold the Germans had on occupied France and the tragic and heroic struggle of ordinary people.

If you appreciate an 'old fashioned' tale free of graphic intimacy and violence, if you appreciate vivid description, romance and intrigue this is for you. I read all but one of Mary Stewart's books in my early twenty's through late thirties. Now, nearing seventy, I am rereading them and cherishing the stories I read in my young years. I have divested myself of hundreds of books. Mary Stewart's remain a constant. Though I prefer some over others "Madam Will You Talk" is one of my favorites. It tells of a young widow vacationing in Southern France who accidentially stumbles on murder, betrayal and intrique. Of course there is a romantic touch, but who is the object of the heroine's affection? Good read...

Yes, yes, yes to all the earlier reviewers! That's why I put Madam, Will You Talk? on my listmania list of favorite romances - along with my alltime Stewart favorite: Nine Coaches Waiting. They both hold all the essential ingredients for a good read - not the least being excellent writing. It's all too true that most contemporary love stories, suspense thrown in or not, are written at an elementary school literary level. I've submitted 3 manuscripts to Avalon, all of which were returned with comments that my writing was excellent and my characters engaging but I spent too much time on plotlines and peripheral characters outside of the central love story - which is exactly what I prefer in a story! Thank goodness Stewart never followed Avalon's "Rules for Writing"! Unlike some other reviewers, I lost interest in Stewart with her Merlin series. It's her early first-person narratives that enthralled. Her sense of place, plot, and people cannot be beat in this genre! Sad to say, my local library does not carry a single one of her early romantic suspense novels, so I'm on a quest to build my own Stewart library. I don't reread many authors - but Stewart just gets better with time. Madam, Will You Talk? holds a line I've never forgotten over 30 years: "Who's Johnny?" Not what I expected the hero to ask in that scene but what an impact! Read the book and see if you agree. Lily's Sister

First Sentence: The whole affair began so quietly.

WWII war widow Charity Shelbourne whose holiday in France becomes life changing. It starts with a large dog and a young, clearly troubled, boy in Avignon and progresses with a suspicious step-mother, an Englishman who reads poetry and a way-too-handsome Frenchman via a thrilling car chase to a man who had been accused, but acquitted, of murder and is desperate to connect with his son in spite of others desperate attempts to prevent it.

I love Mary Stewart's pre-Merlin books. The story starts off placidly but you are told things are going to quickly change as all the players are in place. Stewart's writing is incredibly visual. Her sense of place is vivid to the point that you feel the heat and smell the flowers. Her use of analogy is wonderful. With only a few words, you know who these characters are. Her protagonist is strong, smart and very capable. Her friend, Louise, plays a minor role but is memorable in her own right. I don't always like the way children are portrayed but, again, Stewart has drawn a lovely character in the boy, David. Stewart creates and builds the suspense, but adds just a subtle, mostly off-scene, dash of romance to make a wholly satisfying read. Even the chapter headings add to the story. My only personal nit-pick is the use of portents, which is just a personal irritant for me, but so minor when compared with the rest of the story. This book was an absolute pleasure to read.

I first read this nearly 30 years ago (yikes), and it left such an indelible impression that when I recently started visiting this genre again, I had to have another taste of this story. There are a couple points where it's obvious this is an early work, but they are few and do not detract from the vivid descriptions and characterizations. By the end of the novel, I have been to Avignon and Marseilles, and I'm quite fond of Charity and her friends. Even Louise, a minor character, is well drawn and you feel you know her.

Time to revisit all of Mary Stewart's books, I think. I remember the Merlin series fondly as well. If you like this genre, you may also like the works of Victoria Holt, Susan Howatch, and Phyllis Whitney. And if you liked the Merlin series, I highly recommend The Mists of Avalon by Marion Zimmer Bradley.

Mary Stewart writes great romantic suspense. This novel has the beautiful settings, fast-paced mystery and charming protagonist of all her suspense novels, plus an edge-of-your-seat climatic car chase that will leave you wanting to rush out and get her other books.

A decent if disjointed book. You can tell from reading it that Jean had great respect for his father and loved him very much. Unfortunately, there was a large gap between his father's death and the writing of this book, with Jean working from memory and not notes, and it shows. There are times where it's hard to see where Renior stops and Jean starts, and this can make things a bit confusing. If you are a fan of Renior's however,don't pass this book up.

A biography written by a child of someone famous often carries more than one burden, similar to the responsibility or encumbrance of the overshadowing parental fame. However, in filmmaker Jean Renoir's lovingly detailed remembrances of his Impressionist painter father, the reader gleans more than a timeline of an artist's rise to prominence. The author shares a richly detailed account of life in a culture that--in most areas of France save for Paris--was still foremostly agrarian. In this burgeoning Industrial world, Renoir tells of the rise of his father's art and the changing cultural behaviors, shifting societal patterns and troubling questions within that framework.

Beginning at Louis-Philippe's "July Monarchy" (1830-1848)-- generally seen as a period during which the haute bourgeoisie was dominant and the 1840's which saw financial crisises and bad harvests with an ensuing economic depression--we are reminded of the general and specific trends vis-à-vis how they affected the Renoir family's world. Curiously descriptive, this was a world of street oil lamps and chamber pots; anesthesia was not yet invented (nor any antiseptics); butchers slaughtered the animals on site in the back of the shop; great debates about the inferior railroad system and the overall safety of locomotives were waged (could a pregnant woman harm her unborn child by moving a such great speeds? Did the smoke and soot emitted hinder crops in nearby fields from growing). Adding to the vivid and graphic storytelling of French life are vignettes of the senior Renoir's dealings with fellow Impressionists and art dealers as well as his painting process behind some of his masterpieces. Family life, the defining touchstone of the artist as a man, is shared in humorous and matter-of-fact style ("My mother brought a great deal to my father: peace of mind, children whom he could paint; and a good excuse not to have to go out in the evening.") This book, which was first published in the mid-1950's, affords the reader a complete picture of the life of a great artist during a time of vicissitude and excitement in all facets of French society.

An affectionate remembrance of Renoir by his son, concentrating the years up to the turn of the century.

Renoir considered himself an artisan rather than an artist, disliked anything artificial, from margarine to ready-to-wear clothes, had among his friends artists, and musicians who are household names today. "It is when you have lost your teeth that you can buy the best beefsteak" he would say, and considering that he became more infirm with age, this truism affected him no less than the rest of us.

Impressionism is my favorite style of painting so I was really enchanted with this biography. Written by Renoir's middle son, Jean, Renoir, My Father not only gives us an intimate look at the life of Auguste Renoir, it gives us an intimate look at the Paris of Renoir's day as well.

As we get to know Renoir we get to know his contemporaries, too. Jean Renoir writes about Monet, Cezanne, Manet, Sisley and many other great artists. We learn many "little known" facts, such as Monet's penchant for lace and his "artful" way with the ladies.

Paris really comes alive in this book. Many of the places Renoir writes about still exist and can be visited today. This book makes any art lover's trip to Paris more meaningful whether he's a Renoir fan or not.

When reading this book, one must remember that this is not a "run of the mill" biography. This is a son writing about the father he adored. The portrait we are given is very intimate, detailed and loving. It's obvious that Jean Renoir adored his father, just as Auguste Renoir adored his family.

Ultimately, this book is a beautiful tribute from a loving son to a father who was one of history's consummate artists. If you have any interest at all in art, this is one book you simply must not pass up. The last page alone will break your heart.

We adopted "Renoir, My Father" as bedside reading while my wife was recovering from hip surgery, and (aside, perhaps, from "Goodnight, Moon,") I can't imagine better therapy. This is odd, in a way: Claude was an old man (and in pain) when Jean got to know him, and Jean was an old man when he finally brought his recollectios together. You might expect cranky, but nothing of the sort: it's a book full of sunny afterglow. Every parent would hope to be rememnbered so well.

The book might take a bit of getting used to: Jean has his own pace and his own way of telling his story. We did it in small doses and I'm not certain yet that I quite catch the rhythm. None of the rough edges have been smoothed off which, come to think of it, is just as Claude would have wanted: Jean speaks with his own voice. You have to listen well, but you know that the voice is nobody else's.

I suppose it helps to know a bit about the Impressionists to enjoy it all, but I can't say I know all that much, and I didn't feel impaired. Anyway, God bless Google: more than once, when Jean talked about a painting or a subject, I key-clicked my way to an image and completed (as it were) the picture.

Kudos also to NYRB (this time) for producing what it does not always produce: a finished physical specimen The paper feels like quality; the binding is sturdy, and there is a small but satisfying selection of pictures, both colored and black-and-white. There is even an index of sorts (I assume from the original translator) but it is patchy and incomplete. That last is a shortcoming, but forgivable in light of the book's other virtues. In the NYRB firmament, this is surely a star.

This book gave me information and insights I had never known or been aware of before. Reading it, I felt like I really understood Marie Antoinette for the first time. I have been to Versailles and Le Hameau before, but am going back again this summer, and I will go with a fresh eye and insight into the very misunderstood Queen of France. This book was just wonderful!!! I found it to be a fabulous read. I am just beginning the sequel, Madame Royale, as Paul Harvey says, 'The rest of the story...'

For someone who is not particularly interested in French history, I am amazed at how much this novel moved me to find out more. More about France. More about how removing the Jesuits from France earlier contributed to the Philosophes poisoning the French mindset. More about how all the past sins of the French Monarchy are heaped upon two basically decent people. It intrigues me to think that not only was the first King Louis a saint, but the last one may be one as well. History books can be propaganda tools until someone does real research, as this author apparently has done using quotes from actual memoirs and other historical documents. You can see an interview of the author on YouTube with Doug Keck of EWTN. If you want to be surprised at how moral and inspiring King Louis XVI and Marie-Antoinette were, get this book. Warning: This is a real tear-jerker. I am still haunted by poor Louis XVII. God rest his soul!

Elena Vidal writes as if she is there at Versailles observing the inner workings of the French Royal Family before the calamity of the french revolution. The writing is wonderful but I kept feeling the horrors on the horizon for King Louis XVI, his Queen and all the Royal Family. How differently for France's history if people of intelligence and moderation had sat with the king to give real reform for the nation and not a future of bloodshed and chaos. Sad for France, sad for the thousands to be butchered under the Reign of Terror and Napoleon.

Rarely have I come across a book that combines the genres of history, romance, art and literature such as 'Trianon' by E.M. Vidal. Among novels about the French Revolution, I was given a fresh perspective of the events behind the scenes. Among novels of Marie-Antoinette and Louis XVI, it is second to none. The early vignettes are like of the paintings of the era, Hubert Robert and Elisabeth Vigee-Lebrun, brought to life. In the later scenes the author reveals the apocalyptic magnitude of the tragic events endured by Louis and Antoinette in a manner both heart-rending and inspiring. My only criticisms are that some of the narratives are overlong and that there are too many minor characters. Such flaws do not detract from the flow of the story. Well-researched and authentic in details, I recommend this book for all ages.

Its often easy to forget today that the office of King in old Europe was as much a religious one as it was temporal in most countries. This novel of the life of Queen Marie-Antoinette and King Louis XVI shows their lives from a religious point of view. The first section of the book is rather heavy with Catholic services and prayers as a result. The author can write well however, and does manage to show realistic scenes in the King and Queen's life and how they placed a greater trust in their religious convictions as a result of their trials later in life and the story rounds out with people you can easily like after the first third of book is read.

This book is an interesting, and I think valid look at the spiritual life of Marie-Antoinette and Louis and casts a somewhat unusual view of their life that is nevertheless a reasonably true reflection of those who truly believed in the Catholic church doctrine. I'm not sorry I read this book, but at the same time the heavy religious emphasis means that its not something I'll be in a hurry to read twice. I have to admit I would have been happier with this novel if the balance between the spiritual and the temporal had been a bit more even handed in the story telling. If I could I'd give this 3.5 stars.

Quite simply as my review title indicates, every Division or unit that served in the Normandy campaign, deserves an author of Mark's calibre. I am a working tour guide of the D-Day battlefields, and I wish that every unit was covered in the same incredible detail as Mark Bando covers the 101st Airborne in his books. If you want to really get "under the skin" of a WWII combat division and hear true and verified stories of young men in combat, then this book is a must have. The only danger is that after reading this author's books, works by other authors on other units will seem dull and lifeless in comparison.

If you have gained an interest in the 101st because of computer games or a TV series, then BUY THIS BOOK. There is nothing to compare for personal stories of the men who jumped into the area behind Utah beach on D-Day. Unlike other books, these are not re-hashed anecdotes relayed third-hand from other works, these are fresh, exciting, gripping and moving accounts from the author's 35 year hobby of interviewing and more importantly befriending the veteran Screaming Eagles.

Mark Bando, the author of this exposition of the bigger-than-life adventures of the fabled 101st Airborne "Screaming Eagles" at Normandy, is an old acquaintance and comrade from the Detroit Police Department. We spent time together years ago as writers for our police patrolmen's union newspaper, the Tuebor. We have happily renewed our acquaintance of late, and while I remember Mark as an astute and accomplished writer, my less-than-passionate interest in military affairs had, until recently, kept me from reading this fine book. Now that I have finally done so, I deeply regret that I waited so long.

"101st Airborne: The Screaming Eagles At Normandy" is a marvelous work on several fronts:

It is beautifully bound and presented; the layout and format are perfect for the subject matter; the photographs (many of them rare and quite beautiful) are heartwarming or bone chilling, as the case may be; the narrative is painstakingly researched from personal interviews of old soldiers and authentic military records; and, most importantly, the writing is masterful...accurate and careful as from a shrewd reporter's practiced and skeptical eye...loving and lyrical as from the pen of a writer of first rate fiction. I suspect Mark's experiences in "combat" on the dangerous streets of Detroit over the years have engendered in him a unique capacity to understand the special sensibilities of the combat veterans depicted in his book. Quite simply, "101st Airborne" is an astonishing accomplishment, worth reading more than once, and worth buying as gifts for the whole family, whether students of military history or not.

Mark has been very kind in his assessment of my own work elsewhere on this website. I am only sorry that I took so long to offer my heartiest endorsement of this first rate book. Get it. Read it. You'll be very happy you did.

Using the mixture of photography, facts and quotes, 101st Airborne: The Screaming Eagles At Normandy, can serve as a great historical document. Within the pages of this great book, eye-catching photographs bring to light those events from World War II and the Normandy Invasion. The actions and reactions of the soldiers that fought in that war are caught forever through the historical eye of a camera, through famous and infamous quotes and accounts of the heroes from World War II.

The pages show the heightened moral and anticipation of the men prior to the invasion. Then the reader is brought into the middle of the battle with stories and quotes not just eye-opening photographs. This technique brings you side by side with the people of the villages and into the ranks of the soldiers marching off to fight another battle. I believe one of the best chapters is the true story of the movie ýSaving Private Ryaný. This chapter, Saving Sergeant Niland, shows the true-life drama of a man that Hollywood has made famous.

The book brings to light some of the things that are never seen in movies and footage of events of the war. I am sure that this book, as well as its predecessor The 101st Airborne at Normandy, will bring back memories of the way it was behind the lines during that part of the war to those who served. Even though there is a predecessor to this book both stand independent of each other.

When my uncle past away last year, my aunt showed me the 101st Airborne in Normandy, a book by Mark Bando. In the section on combat experiences, the first soldier profiled was my uncle Manny Gesulga. Manny was part of the 101st paratroop drop behind enemy lines at Normandy and his combat exploits read like something out of a GI Joe comic book. After living his harrowing experiences in Normandy, he went to fight in Operation Market Garden (wounded by sharpnel) and the Battle of the Bulge (wounded by sniper fire) and came out to live a full, productive life. He never mentioned his role in WWII but I am glad Mr. Bando gave credence to him and other heroes of the 101st. This book is a must read for all history buffs and really brings home the sense of duty and committment to freedom that is the legacy of the young men of America.

Outragous book, my father was in this book and I had to call him to recount the details to me first hand. Because of this book, I now know more of the war my father fought in.

Excellent. With a very interesting plot, the author uses a plain language that becomes an adictive reading, and as a bonus...educative!

Excelente. Resulta un ejemplo perfecto de cómo una historia debe ser contada.
Con un argumento extraordinariamente interesante, el autor utiliza un lenguaje siempre claro que redunda en una lectura adictiva y como valor agregado resulta educativa.

From the first pages M. Druon takes you back into the history, centuries ago when France was devastated and nobels were gods, whilst people were treated as nothing. The dirt of relations between royal personas, conspiracy, accusations, treasons and love - all in The Accursed Kings.

M. Druon's language is so easy to understand and the way he buit all the volumes makes you feel living in France, in 14th century; when you close the book for a moment, you still feel the presence of that time...

Admirers of classic literature and world history will be addicted to reading The Accursed Kings over and over again.

Thumbs up! Six stars! Sure this series ranks as one of the best (perhaps the best) historical novels I have read. From the first book to the seventh one, it is impossible to stop reading. The books are historically accurate and M. Druon depicts the events in the most amazing and gripping way. Read the whole series (seven books).

This historical novel deals with the extermination of the Knights Templar and the curse that came upon the french monarchy as a result.

However interesting and easy to read, lacks a bit of character and plot depth. The author builds up a situation or conflict, only to resolve it in very few paragraphs, and to a certain extent in very predictable ways.

If I compare it to the Alexandros Trilogy (Manfredi), I'd have to say this one is not as good and left me with a certain sense of emptiness.

This is the first of 7 volumes and based on this one, I'll go as far as one more and see what happens.

This is probably the best historical novel (or series, as there are seven of them) ever written. Entrancing, vicious, beuatiful, innocent, short-sighted people get caught in this story of fate and destruction. Great, thumbs up!

David Homsher's book made me want to explore the AEF's battlegrounds around Chateau-Thierry. He has created a very tidy scrapbook of personal accounts and period photographs that provide snapshots of the doughboy's world. His organization is geographically shrewd: he begins at the Paris airport, and identifies AEF and Great War landmarks as a traveler would encounter them along the route to Chateau-Thierry. Through an eclectic treasure of first-hand accounts, you see the towns and fields as the doughboys and leathernecks did in 1918. The progession of accounts builds a sense of impending drama, recreating the essence of the unfolding crisis of the Chateau-Thierry fighting. The book culminates in a highly detailed description of a small but significant engagement between the 7th Machine Gun Battalion and the German attackers in and around Chateau-Thierry. For serious historians of the AEF, Mr Homsher's guidebook neatly complements the crusty but important military histories of the these battles. To get the most from Mr Homsher's book, plop down in a French cafe the evening before you visit the battlefield and let the wine & words bring you back to 1918.

Subtitled: Chateau Thierry--Then & Now

It is unfortunate that many of us fail to remember the efforts put forward by the American Expeditionary Force (AEF) in bring the Great War of Civilization, better known as World War I, to a close.

Without much doubt, France and Britain were on their last legs. Germany had what proved to be better tactics and a slightly stronger will to see the conflict thru to the end.

It wasn't until General John "Blackjack" Pershing and the men of the AEF landed in France in 1918, and finally made their way to the front, that the conflict slowly began to swing in the allies favor.

Chateau Thierry was what could be considered the linchpin of the Germ salient that was moving inexorably toward Paris and the ultimate capitulation of the French Army.

Davis Homsher has produced a welcome addition into the current library of non-fiction accounts of what took place in and around Chateau Thierry and how the AEF was able to move into the line. With fresh troops and fresh momentum, the allies pushed the German lines back to not only the spring front lines of 1918, but ultimately handed them such a thorough thrashing as to make the cessation of hostilities a reality.

This book is replete with maps, photographs and personal account from the men that were there. American Battlefields of WWI Chateau Thierry--Then & Now is what I hope is the first volume in what should be many and a necessary addition to any Great War Library.

Armchair Interviews says: This book will prove to be a wondrous testament to the men and woman that saved the world from the first German aggression of the past century.

This is a book about fighting men, infantry men whose world was often limited to the view from a hole in the ground, told in their own words.
This is the story, told by those who were there, of the men of the American Expeditionary Force of 1917-1918.
It is the clear and engrossing story of the first battle in America's first European War. It is also an illustration in prose and pictures of life as it was then; a world that is long gone both for the French and the "Sammies".
The "then and now" photos are useful and interesting, as are the town and street maps. Altogether, this a book that will be very useful in exploring the battlefield of Chateau Thierry. It will tell present-day Americans very clearly what Grandfather did in France nearly 100 years ago.

Christina Holstein, author and battlefield guide.

Reviewed by Joe Graham for Reader Views (8/06)

David Homsher has created a guide book for the American battlefields of World War I around the village of Chateau-Thierry. The book is a remarkable accomplishment and it operates on several levels.

First, if the reader is interesting in actually visiting the battlefield sites, Homsher gives the reader detailed instructions on how to reach each location up to how to find the location, where to park, and what precautions to take and what to do once the reader is on the site. And his directions start with the arrival at Charles De Gaulle airport and how to get out of the airport and onto the correct road.

Secondly, if the reader is an armchair traveler, they can enjoy the written text along with a wonderful collection of photographs of the area with pictures of the same buildings or locations before and after the war. The photographic collection also contains many pictures of the German and Allied forces, French refugees and other pictures taken during the war. Homsher also includes maps so the reader can accurately pinpoint the locations of the area in France.

Finally, Homsher has included first hand accounts from the participants in the war. The accounts range from descriptions of field hospitals and battle formations to diaries of the combatants. This material lifts the book above just the casual guidebook. Reading first hand accounts of an event brings an immediacy to the reader that can not be achieved any other way.

A good example is this quote from Pvt. Leo J. Bailey, 9th Infantry, 2nd Division, who wrote in his diary:
"Eighteen hours of marching hip to hip with a seventy-two pound pack, dry
throated in a cloud of dust, had wearied them. Most men lay in full equipment on the cobbles and slept, but some scroungers with keener nose smelled brandy."

This book should appeal to a wide range of readers. Scholars and teachers will appreciate the first person accounts that give a more complete picture of the action than is typically given in the dry accounts of battles that relate who attacked who, and with what results.

I would highly recommend this book for anyone with an interest in the battles of World War I. The book is in a coffee table book format that the reader can pick up and refer to easily. This is a wonderful book because Homsher gives you an actual guidebook to the area, then pictures and maps of the area both before and after the war and then finally the first hand accounts that bring the action of the war to life through the words of the participants.

I want to express my feelings about this book. It has been many years since I read a book so compelling. I took it from the mailbox a little after noon yesterday and save for the time I took to eat dinner, read straight through till 12:30 am, then finished it the next day.
I don't anticipate that I will ever travel to France, but David Homsher's book makes it seem that I have been there already. It has been really an emotional experience - running the gamut from humor, to sorrow to anger and to bursting with pride at the actions of the American troops there. The many descriptions put forth by various people "in their own words" results in a more thorough understanding than could ever be given by just a straight narrative from any single author. I also found so many little "nuggets" of information in Homsher's book that I was unaware of before. By the time I finished the book, I felt that I not only had a thorough picture in my mind of exactly what took place, but that I understood it well enough to explain it to others in detail. I congratulate David on doing such a fine job and highly recommend his book. As a former schoolteacher, I wish it could be a part of the education of every American so that they could truly appreciate what was done by this country in World War I.

I have used these calendar books for years. Anyone who likes France and looking at charming pictures of France will enjoy using these books as their combination daily calendar and address book.

i love these photographs! i feel as i am there! thank you linda for taking me to france every time i open your book!

This is the tenth year I've used a "French Country Diary" as my appointment calendar, and I don't know what I'd do if they stopped making them! Beautifully bound - a page a week - with just the right amount of space to mark several appointments each day along with notes, etc. I'm always complimented on the gorgeous souledo fabric hard cover. It's a discreet and lovely accessory that'll bring joy to your every day!

This item was for my wife; she really likes it. Perfect for her.

This is the third year I have used a French Country Diary and will continue to record my years in this fine diary as long as it is published. The photography is outstanding and reminds me of treasured visits to France. Quality is excellent. I was delighted to find it on Amazon.

Excellent book with truly dramatic descriptions of WW1 flying and ground wars and their impacts on British class structure.

Like most others I know of who have read Derek Robinson's novels of British fliers in WWI and WWII, I think him far and away the best writer on the subject. With relentless humor and realism he gets us to imagine what it was like to be pretty certain you were going to die there, just unsure when.

And he is unsparing of staff leadership that didn't have a clue. In Robinson's war, you fly to kill people--neither more nor less--or die yourself.

I like this novel of the 1918 campaigns a bit less well than the hard-to-find Hornet's Sting about the early war, 1915, in which the humor, suitable to the absurd reality really works. But I like it better than his best known and very good WWII book about the RAF in the Battle of Britain stripped of myth, A Piece of Cake. It is a shame that his books aren't more easily available.

It is still the same today...and probably always will be.
Retired USAF Pilot (220 combat missions per war)

This is a stunning book. Wonderful characters, biting humour. This would make an absolutely stunning film provided it wasnt made by an American studio, and just left unadulterated. I even started to draft a stage version when I was at school because I thought the strength of the characters could come across without even being able to realise the aerial combat sequences. Its hard not to think of ourselves in terms of the youngsters posted to the squadron, and revile in the northern cynisism of Major Woolley, but as the story unfold, you start to see the cracks in his veneer and how very hard he is trying too get the message across to his young charges, they are here not to survive, but to kill. Like the "municipal rat catcher".
They went into combat in what were basically powered kites, structural failure was common, often pilots went into action with less than 10 hours flying experience. No time to train at the front, just the hope that as "anti-Woolley" Biggles used to say, "if you survice your first couple of trips, you might survive a week, if you get to a month, then you have a chance of becoming a bigger danger to the hun than you are to yourself."
Ask youself that if you were to go into combat, what sort of leader would you like? Hopefully, you will never have to, but read this book and remember those who did.

_Goshawk Squadron_ tells the story of a WWI squadron of pilots in the winter and spring of 1918. Robinson is ruthless in the treatment of his characters, tragic death following tragic death as both replacements and old hands fall from the sky as part of the randomness and unpredictability of war. This, and Robinson's portrayal of daily life within the squadron are its strong points. Each character struggles to cope with the stress and uncertainty of their job, compounded by the hard and heavy-handed leadership of the protagonist, Major Woolley - an anti-hero whose training methods are unconventional but effective.

Perhaps it is because the book is over thirty-years old, but many of the characters have become cliched: Woolley, for example is seen in film again and again (from the Dirty Dozen to the Die-Hard franchise); even some of the pilots are stereotypical (the fire-and-brimstone son of missionaries, the simple country bumpkin, the blue-blooded aristocrat unaccustomed to being treated with disdain and disrespect by the stern, common-man commanding officer ...) I also had difficulty keeping track of characters - partially because so many of them arrived to the squadron before they were killed, but partially because in only a few instances was there any remarkable feature that made them memorable or distinguishable from the others. This, of course, could be intentional, as Woolley himself doesn't expect any of them to live beyond the next three months.

Even with these shortcomings, though, I give the book four stars. Through Wooley, Robinson strips the veneer of "honor", "fairplay" and "sportsmanship" from combat, instead emphasizing what war really is: cold-blooded killing in as quick and efficient a manner as possible. He also shows the helplessness men underfire feel, and his descriptions of aerial combat are among the best I've read.

We keep buying this for children, but all the adults who see this are mesmerized! A winner!

This is a great book that my 21 month old daughter loves. She has been learning her colors and this book helped.

This is such a cute book! My 3-year-old daughter loves to have it read to her, and "read" it back to me as well. She always gets a kick out of the "wrong" colors for familiar objects. I plan on buying this book as a birthday gift for another young child very soon.

My grandchildren, ages 6 and 3, and I enjoyed this very simple but most pleasurable book. The kids giggled and I smiled. Beautiful colors; cleverly arranged cut-outs. The idea that lemons are NOT red and other items are NOT colors that they're not, has great appeal to these young minds.

A terrific book for thinking about color, enjoying beautiful art, and just having fun. Clever take on the tired color concept book. Your kids will be laughing and thinking and immersed in high quality art. What could be better?