Performing Arts Books

I have always been a fan of autobiographies and this book certainly delivers. I was thinking it might not be as good as all that. I mean come on, yes I was a fan of the spice girls, but so was every pre teen girl.

But I was surprised to find out actually quite a lot. Geri is very open about her battles with anorexia and her trials with the paparazzi.

She is also an amazing person having done work for the UN, speaking about birth control and also performing for the troops.

It was a smart move for her to write this book and also a very honest one as well. She has been through a lot and you see her struggle through it all. It is very inspiring to know what she has been through and it makes you realize that celebrity is not always as perfect as it seems.

I read this book after reading her 1st auto-biography If Only and it is great! If only takes you up to when she left the band and Just for the Record takes you on her solo career.
This book really shows you who she is as a person. You see all sides of her and it made me like her all the more b/c you see how human she is. She shows you that all celebrities have their good an bad days like the rest of us. She gives you an insiders peak into a fun and sometimes not so fun world of celebrity.
Loved it!

I have to admit I only bought this book because the Spice Girls were getting back together and thought it would be cool. I'm not much of a reader but, this book kept me entertained, I read the whole book in one day, "If Only" should be read first but really it doesn't need to be, this book portrays even more in depth how and why Geri left the group when she did and she writes about her struggles with what she wanted to do after that decision, she also explaines her troubles with eating disorders and her passion for yoga, a great read, even if you aren't a fan!

This book pics up right where If Only left off. This book is an excellent read, which holds your interest and it has amazing full page pictures of Geri. I would recommend reading If Only first because "just for the record" is a continuation of it. These books are great reads even if you aren't a fan of Geri's music because she has gone through so much in her life, and it is a very inspirational book with a positive message. This book is also a ,must have for any Geri fan. Even if you don't like to read, the pictures are amazing and there are many of them.

Ok, I got this book, and I am in love with it. First of all,I loved "If Only", which was her first book. But, it was story that never got finished. She leaves the first one with you wondering if her solo career is gonna make it, and this one picks up where she left off, and shows her spunky greatness. This book, along with the great pictures is very good. Anything and everything is shown about her life. This is a book that really makes you wanna change and be a better person. Going from 1998 to 2002 shows all of her triumphs and struggles. Anorexia, singles not getting number one, and break ups take up a major part of the book. But also, it shows her awards, loves , and performances, that make you feel like you are right there. READ THIS BOOK. The reading itself is good, but also, there are hundreds of pictures of her in the book that show her from then to now. If you have any intrest in this woman,you'd better buy this book.

This is the perfect book to remind children that they already possess the ultimate gift -- God's love -- expressed through His book, the Bible. If you worry that your kids or grandkids have too much of everything, this book may be the perfect, quiet antidote. The lilting verse speaks with a mother's gentle voice. The illustrations captivate with their big inviting images and attractive colors. How nice it would be to snuggle up with his book on Christmas night, when all the gifts have been opened and lay about the house, their appeal already fleeting. God's Amazing Book offers a sweet, loving reminder of those things that truly endure.

My grandchildren listened and looked intently as I read this book about the Bible, God's Amazing Book. This must-have book will allow children to learn about God's promises and is supported with bright and colorful illustrations that help tell the story and keep their interest. Bible verses are included on each page that could be read to older children. This truly is a wonderful book - it relays to children the amazing love that God has for them!

Hooray for this book! I love it's memorable rhymes and beautiful, bright illustrations. It has a timeless message that relates scripture to the little ones in a way that is positive, and is fun too!

God's Amazing Book transforms significant theological concepts regarding scripture -- protection, light, Jesus as the Word, more valuable than gold -- and makes them visually understandable for children. A rare graphic treat!

The book is simple to read and give an understanding of God's creation, the pictures are so realistic and wonderful.

Another great collection of Keillor's stories of Lake Wobegon,"His home town". I love listening to these on the way to work...puts me in a good mood!

In a time when reality television programs are wildly popular, with their narcissistic, silly people who think fame will make them important, these stories are about life. As so many other reviewers have noted, Garrison Keillor's Lake Woebegone stories look at human nature with all of its frailties and hidden dreams and hilarity and moments of grace. He can make you laugh out loud and cry in one story. I've had this cd collection for about 13 years now, and I still don't get tired of it. All the stories are good, but Bruno the Fishing Dog remains one of my all-time favorites. Try it, you won't be disappointed.

This is a fine collection of monologues from the period during which Keillor was most popular, and it also has gorgeous guitar links provided by Chet Atkins, whose trademark arpeggios are beautifully rendered on an acoustic guitar with a rich, mellow sound. I was moved by these recordings to buy several Chet Atkins CDs. "Meeting Donny Hart at the Bus Stop," "Pastor Inqvist's Trip to Orlando," and "Mammoth Concert Tickets" contain all of the elements that earned Keillor his loyal following -- an affection for the Minnesota region, fallible human characters, hope and compassion, all told with a twinkling sense of humor.

I have virtually all of Keillor's Lake Woebegon works, and this is his finest! "On Meeting Donny Hart" is perhaps the finest tragi-comedy of them all! You'll bust a gut listening to Mazumbo, Gospel Birds, Pastor Ingquist's Trip to Orlando, Mammoth Concert, and Babe Ruth Visits Lake Woebegon-- the whole set is superb. I can't say enough good about this excellent product.

Garrison Keillor is to the spoken story what Mark Twain was to the written - a kind and intelligent sense of humor mixed in with a wickedly insightful knowledge of human nature. His monologues, the "News from Lake Wobegon", have always been the centerpiece of PBS's wildly successful Prairie Home Companion, and I have found none of his stories to be superior to those contained within this collection.

Pastor Inqvist's Trip to Orlando is worth the price of these cassettes alone with the story of the humble Lutheron Minister and his desire to please his Church Deacons and Mrs. Inqvist at the same time. The Gospel Birds is another "church" story, but you'd be wrong if you came to a listen thinking that Mr. Keillor is simply a "holy roller" trying to pound his version of "the gospel" into anyone.

His stories are about what makes us human - our nobleness and our failings - and his storytelling is so skillful, he allows us to hear that our shortcomings are as important in who we are as our triumphs.

This book was purchased as a gift. The recipient was delighted with it.

It's a great book overall, well written and researched, full of
really interesting facts and trivia. I can heartily recomend it to anyone with an interest in the movies.
Brilliant stuff!!!

This is an absolute must have for any fan of classic film who refuses to let all those great facts disappear into obscurity. An absolute hit at any party!

This is the type of book, that once you pick it up, you get lost in it and can't put it down for hours. It's really fun for movie buffs and anyone else who has ever enjoyed watching movies..(and that's all of us!). The stills bring back so many memories and you feel as though you're enjoying the movie all over again. The book makes a great gift (for yourself!) or someone you love. I highly recommend it!

The Guess Who What When & Where Picture Trivia Book Series
Dave Cutler
GreyCore Press 2004
2646 New Prospect Rd., Pine Bush N.Y. 12566
$17.95
Hardcover with spiral binding - 320 pg.'s
ISBN# 0-9742074-4-6
Reviewed by: Christina Francine
http://www.CFrancine.bizland.com

You say you know movies? Can you name a film by a single photograph with a bit of trivia to boot? Okay, how about specifics? Can you remember the actors? The title? When it was released? Who was the director? Well, Cutler's book will find out. What about your friends? Can they remember film specifics better than you?

This book is incredibly easy to use. A large spiral ring binding allows for fast flipping and the pages stay put. Each movie's picture and trivia questions are neat and organized. This makes instant quizzing and reference a breeze.

For each movie presented, Cutler provides two pages. On the left is a photograph from that particular movie and on the right; is the trivia. The trivia is broken into four sections. One section features `PICTURE TRIVIA' WITH FOUR questions (who, what, when, who) and are worth certain points. Another is titled `BONUS TRIVIA' WITH three questions, worth ten points each. The largest area covers interesting anecdotes and is titled, `ABOUT THIS MOVIE.' To the far right of the page and sitting at an angle, the answers to the questions; all in small print of course.

Book Mechanics:

*150 favorite movies
*Easy-to-hold, easy to pass 6x6 format with large spiral binding.
*Color and black and white photographs (depending upon film being color or black and white).
*Snappy colors, pictures, and questions.
*Protective sturdy cardboard case enabling quick and easy slide in and out use.
*Back matter that includes a listing of all the films featured with the companies that filmed them.

Book Excerpts:
(actual picture examples of outside cover, film photographs and trivia questions available at http://www.picturetrivia.com)

Who are the actors in this film?
What is the title of this film?
When was this film released?
Who is the director of this film?

Bonus Trivia
What classic rock song did the lead characters belt out in the "mirthmobile"?
In what city and state did they live?
To whose concert did they have backstage passes?

About This Movie
Before Austin Powers and Dr. Evil, there was Wayne and Garth, one of the more successful "Saturday Night Live" sketches to be parlayed into a feature film. The stars of this comedy about a pair of friends with their own local public access show have indelibly made their mark on popular culture with the catchphrase "Excellent!" and "Party On!"

The creator of this book, Dave Cutler, is an award-winning freelance artist. His images have appeared in leading publications and corporate literature for 18 years. His fascination for moviemaking began as a little boy and continues today. He's also published a children's book titled, `When I Wished I Was Alone,' Oct. 2003.

The publisher, GreyCore Press, says "This book is the first in a unique series of picture-based trivia books that use great b & w and color photographs to test reader's knowledge of their favorite entertainment pastimes." Their next in the series will be PICTURES TRIVIA: SPORTS EDITION, scheduled to release in 2005.

My Rating

*Quality - excellent
*Style of presentation and authenticity of facts, sources, etc. - excellent
*Ability to prove points - excellent
*Target audience or age group - anyone, especially movie buffs of all ages.
*Usage - easily used as a game for one or more.

Cutler's trivia book is a treat for those bitten by the movie madness bug. A playful way to test movie knowledge and memory. Perfect on a coffee table, a desk, or as a gift.

Maurice Hinson's earlier revision of GUIDE TO THE PIANIST'S REPERTOIRE was of great assistance to me in my own college piano study, and its accuracy in listing historical content makes this text a most valuable tool for piano students who are ready for a more global vision of our history's piano composers and repertoire. Although brief, Mr. Hinson's sketch biography of each composer well captures his/her musical style, and his scholarly-detailed information allows the reader very succinct information regarding the listed repertoire and level of difficulty. In his current 3rd revision, Mr. Hinson also includes national, international and women composers! This GUIDE will continue to be one of my most valuable reference tools in shaping the young pianist's understanding of quality piano literature.

For the serious lover of piano music, this book is invaluable. For the piano student and teacher, it is indispensable. The finest book of its kind ever published, I refer to it constantly for information about availability of piano pieces and for the rating of difficulty used for piano pieces.

Highly recommended!

As a pianist, teacher, adjudicator and examiner I ocassionally find myself frustrated by the fact that I can't remember off hand the name, key, opus number or a particular fact about a work when I absolutely need too!
Maurice Hinson once again comes to the rescue for people like myself and others! The Guide is wonderfully laid out and provides pertinent facts about nearly 2,000 solo piano compositions by well known and the lesser-known composers. The information is specific and to the point, without all the non-essential material which is exactly what I need when grasping for information in the middle of a competition or when asked a question in a workshop about an obscure work or composer!
All bases are covered in this edition. For students, new, and even seasoned teachers, Hinson provides precise, formidable insight on a composer's complete compositions, as well as pianistic, interpretative, stylistic and characteristic approaches.
Overall, "The Guide to the Pianist's Repertoire", is virtually a "Pianist's Bible."

Author: Raymond Vacchino M.Mus. A.Mus. L.R.S.M. Licentiate (honorary)

"Essential," "Indispensable," "Invaluable," "Crucial." Those are a few of the labels often applied to this remarkable book. Currently in its third edition, Maurice Hinson's "Guide to the Pianist's Repertoire" is still the most sought-after reference for essentially all solo piano music of significance. Outside professional private instruction and a reliable piano technician, every serious piano student needs three tools on hand: a piano, piano music, and this guide. Hinson's reputation as both an effective and productive musicologist is firmly established in this work.

The book is structured into two primary sections. The main section, Part 1, is alphabetically categorized by composer. Each referenced work includes a list of available publications, their editors, and the composition's date if known. Hinson includes a brief yet vivid description of the style or character of a given piece and, in most cases, a comment or two on some of the technical requirements one can expect for preparatory purposes. The guide is also a reliable reference to books for further study of a given work. Both logic and common sense went into organizing the massive collection of data. The guide also proves sensibly formatted for sections of large volume by a single composer, such as the collections of Bach or Chopin, for example.

Part 2 is an impressive reference to published anthologies, subdivided into four categories. The first category, "General," lists publications of character pieces, impressionistic works, and any number of "Heinz 57" types. There is a "General: Contemporary" section for twentieth century collections. In addition to Bartók, Prokofieff, and others from the earlier years of the century, one can also find reference to works by Boulez, Kohlenz and Harbison, to name a few. The third category, coined "Tombeaux, Hommages," is a brief list of collections of works composed in honor of another composer. The fourth category, the largest of the four, is a comprehensive reference to piano collections by nationality. It is subdivided alphabetically.

The book includes an appendix of historical recital programs by Rubinstein, Busoni and Gabrilowitsch. There is also an impressive group of indexes for referencing under different category types.

The entire collection of works are broadly lumped into four technical grades. The labels are "Easy," "Intermediate (Int.)," "Moderately Difficult (M-D)," and "Difficult (D)." It may help the amateur, when focusing on technical problems, to limit the comparisons to other works of the same genre or by the same composer, rather than cross-comparing any two works that happen to have the same grade.

For example, Franz Liszt's "Transcendental Etudes" is marked "D" for difficult; likewise György Ligeti's "Etudes for Piano" is graded "D." Since the primary technical demands for these two works are as different from each other as the works themselves, the grade is really little more than a signal that both works will require extensive work and patience beyond most anything marked M-D. Naturally, the serious piano student will pursue further research for works of this magnitude anyway, but Hinson's commentary often provides key information for what lies ahead. In Liszt's etude collection, for instance, the player will confront "double-note tremolos," and a "melody with rapid tremolo accompaniment in the same hand." For Ligeti's set, the performer faces "polyrhythmic, simultaneous progressive layers of tempo" and a command in dynamics ranging between ffffffff and pppppppp. Hinson's carefully worded descriptions often prove crucial in matters such as this. It pays to note them.

This massive project is both focused and thorough. Hinson has delivered a beneficial service for the serious piano explorer. Even casual browsing proves enlightening.

One request for the next edition: since the "Tombeaux, Hommages" category is so small, and only a few homages happen to be in collections, perhaps a comprehensive list of all published piano homages would make a worthy addition. Sincere thanks from this aging amateur pianist and music-lover goes to Mr. Hinson, the publisher, and to all teachers and professionals involved in the making of this excellent handbook.

I bought the book for a student and I think it is one of the first books a pianist should buy...the piano repertoire is huge but we are always listening to the same programs.
Maurice Hinson makes a great effort to list a great variety of music. Thank you Maurice.

The collaborative work of Gary Stromberg & Jane Merrill, The Harder They Fall: Celebrities Tell Their Real-Life Stories Of Addiction And Recovery is a compendium of autobiographical accounts of self-help and recovery from alcoholism and drug addiction told by a range of readily recognized men and women who range from singer and songwriter Paul Williams, to comedian Richard Pryor, to actor Malcom McDowell, to musician Alice Cooper, to U.S. Congressman Jim Ramstad, and sixteen others. All of these stories are revealed with candor, insight, humor, humility, and hope. The Harder They Fall is a unique anthology and should be available to everyone (especially those struggling with their own addictions) in the community through their local public library.

It seems like you can't pick up a newspaper or turn on a television without hearing of some new celebrity being involved with drugs. Why with all of their success does it take drugs for them to get through their lives? And in the news you don't hear about followups. What happens to these people after they get out of their court ordered treatment (or jail)?

In this book the authors have managed to get an extraordinary collection of people to talk about their lives under drugs and how they were able to beat their habbit. In each case it was clearly a struggle, it was not easy, but they managed.

I say the collection of people is extraordinary because it contains far more than just the musicians that seem to get all the press. It includes sports figures, writers, comedians, and actors. The stories leave me with a feeling of both sadness and hope. That these people can not only accomplish what they did but that they are now will to share their experiences with the rest of us speaks great things about them.

Highly recommended.

Gary Stromberg really tells some very compelling stories of some of the biggest names in pop culture. This book offers hope, some laughs and great insights into an insidious disease that effects millions. I highly recommend this book!

Reviewed by Paige Lovitt for Reader Views (2/06)

In "The Harder They Fall," publicist Gary Stromberg and author Jane Merrill write stories about twenty-one celebrities and their experiences with addictions. Stromberg begins with his own story about how he got addicted and how hard he had to hit bottom before he could climb up on top again.

What really made this book refreshing is that the stories are written about celebrities from a variety of walks of life. They are not just movie stars or musicians, they are also athletes, politicians, writers and even a cowboy. In spite of the difference in their backgrounds, a common thread runs through the lives of these people. The substance abuse usually began as they became famous. Some of these people even thought that they could use the drugs or alcohol as their muses. As they crashed and burned, they had to go into recovery. In most cases, there were relapses. Then the real healing began and as they healed their inner selves, they made peace with their demons and found a better way to live.

This book is really well written. The first thought that came to my mind as I was reading it, was that, "This is a really good book." That is a simple statement, and I know that the authors could have phrased it much better because they write so well, but the bottom line is, I really enjoyed this book.

People who are interested in stories about celebrities will enjoy it. But, I think that a person struggling with an addiction or a person who knows someone close to them that is struggling with an addiction will get the most out of these stories. The reason I feel this is because that the underlying theme is one of hope. These people hit bottom and in many cases they also had to deal with the humiliation of having the public involved in their private lives. But they manage to overcome their addictions and rise above them to become even better, stronger people than they were before.

The authors also mention celebrities that they would have liked to include in the book, but were unable to, because they are dead as a result of their substance abuse. The most famous one was Elvis. The chapter mentioning these people provides a sobering eye opener to what can happen if you do not go into recovery.

Mariette Hartley ends her story with a powerful quote from a woman that was her spiritual advisor, "One's deepest wounds, integrated, become one's greatest powers." This quote sums up the outcome of people that survive addiction and make it through recovery. I highly recommend this book.

You don't have to be interested in reading celebrity stories to enjoy this book. I highly recommend it. I found the book really hard to put down. Because there are so many great short stories, I was able to get a broad view of the disease's nature. Also, I am very impressed with the honesty and vulnerability of the people who shared their stories. They are very human, beautiful and courageous.

The book started with Guillermo del Toro (GdT) recounting how Hellboy went from being one of his favourite comic books to become a Hollywood movie he would direct.

Major characters in the book have their own biography pages, providing a little background for readers, like me, who didn't read the original comic book series. That was helpful.

Conceptual art was plentiful and are accompanied by the movie script. Short captions by artists explained how the art was created to fit into the vision of GdT. This book's main subject is most probably artistic direction with function. From the captions, every thing drawn has form, function and purpose. Here's a little quote from GdT:

"Let me make something abundantly clear --- in case you've been on Mars --- NO RED!!! --- Except for Hellboy or the atmospheres that are intimate/related to him: BROOM, LIZ, GRIGORY, and/or colors in WWII. - GdT"

This book was heavy on character design, set design, movie story boards and props design. Movie frame stills were hard to find.

For Hellboy fans, getting this book is a no brainer.

I've some pictures from the book. Do an internet search on "parka blogs hellboy"

Mike Mignola's HELLBOY is no longer a obscure character enjoyed by unwashed comic geeks thanks to Guillermo Del Toro & Revolution Studios.
A full finished script of the film is included, as well as some background stories on some key characters.
The book's preproduction art from Wayne Barlowe, Mike Mignola, Simeon Wilkins, & TyRuben Ellingson is no less than phenomenal. Creature, Prop, & Location designs are found throughout each page. Arguably, some of Wayne Barlowe's best designs can be found here. Even Guillermo Del Toro's sketches find their way into the book. This book makes for an excellent introduction to one of modern fiction's most unique characters.

Besides a complete shooting script and lots of commentary, this has tons of illustrations and concept art done by all the artists involved in the movie. It's wonderful to see Mike Mignola's and Wayne Barlowe's sketches following the development of all the various Hellboy monsters, characters and environments, and lots of stuff that didn't make it into the movie. A must for any fan of the film.

I was unfamiliar with the world of Hellboy prior to seeing the movie. When I did and when I ordered this book, I was blown away by the wealth of visual richness that inhabit the Hellboy universe. Being a collector of "Art of..." books, I realized that the strength of Hellboy lies in the visual galore. The book is fully detailed with drawings from every level of production as well as the closeness of working atmosphere between the filmakers and the creator of the original material not commonly known in Hollywood.

My only gripe in this book is that the structuring is kinda messed up and confusing, since the book mixes up the art section with the script.

A must have for art, comic and production design lovers, has lots new designs by Mignola Barlowe and other great artists including the prop makers. Includes beautiful pages illustrating both concept and the picture of the final prop supported by the commentaries and thinkings of the artist involved in the creation of that specific prop. It also includes the final shooting script, and images from Guillermo del Toro's notebook which are nice sketches and annotations depicting the first idea behind the final design of each character. Great!!! one of the best, just do not read it before watching the movie.

"Hollywood Beauty" is a thoroughly well researched bio of the late actress, Linda Darnell. It definitely portrays a tough, life in the Tinseltown whirlwind. HB also offers a solid overview of life in the old studio system that wedded performers to one autocratic employer. We read how actors were assigned to a picture, then suddenly pulled or shuffled off to another job with no thought given to personal feelings or effects on careers. Fox boss Darryl F. Zanuck and director Joseph l. Mankiewicz are portrayed as hedonistic cads. This reviewer is too young to remember but that system broke up in the early 1950s. TV was the culprit. Fewer Americans were going out to movies so fewer films were made. Linda was cut by Fox but such stars as Clark Gable, Betty Grable, Gene Tierney, and Jeanne Crain also received pink slips. This reviewer encountered one minor disappointment with HB: He would like to have learned more about the making of that classic, brooding western, "My Darling Clementine". How did LD like react to working with director John Ford? (Do we remember that scene where she tries to cheat Henry Fonda at cards?). That minor complaint aside, HB is highly recommended to movie fans of any age. One may be too young to remember LD but that is what VHS and DVDs are for! Some may believe that HB is a sad story but this reviewer disagrees. For all her troubles, LD never gave up. She hung in there through it all and was gainfully working as a stage actress right up to her untimely death in that fire. Readers should enjoy HB more if they approach with an optimistic mindset and a desire to learn of the old Hollywood studio system that is gone forever, for better or worse. Most likely the latter.

Linda Darnell has been a long favorite of mine, so to read "Hollywood Beauty: Linda Darnell and the American Dream," was a real treat. Well written, with a good insight to this lady as both an actress and woman.

Madam Shopper
http://www.marchars.com

This was the only bio I could find on Linda Darnell and I must say, it was worth the money. The author's honest depiction and narrative of this actress is wonderfully written. I highly recommend this insightful biography!

I always liked Linda Darnell. My mother had told me about her when I was in my early teens, saw some of her films, and was quite taken by her. She wasn't a great actress, but she certainly wasn't a bad one, either. But when you look like that, who cares? Linda, born Monetta Eloyse Darnell in Texas, was blessed, or cursed, with a strikingly beautiful face. Pushed by her volatile, ambitious mother, Linda was signed to a contract at 20th Century Fox at the age of 15. Touted as Fox's "Glory Girl", she was featured in several films as a decorative brunette. With her lovely "Latin" looks (her grandfather actually was part Cherokee) and voluptuous figure, she adorned the screen in films such as "The Mask of Zorro" and "Blood and Sand", playing "good girls". When her box-office appeal started to wane, she was still barely over 20 years old. Her personal problems began to mount, dealing with her overbearing mother, a mounting drinking problem that began when she was married to her first husband, (who was some twenty-odd years older), and the fact that she could not bear children. Ms. Darnell's career picked up, however, when she started playing gorgeous "bad girls" in films such as "Fallen Angel", "Hangover Square", and the overblown costume epic "Forever Amber", in which she played an upwardly mobile woman of ill repute. Her best role, as the golddigger with a tender heart in Joseph Mankiewicz's "A Letter to Three Wives", came in 1949, but from then on it was pretty much downhill. Ms. Darnell's personal life became a series of unhappy marriages, exploitative relationships, a spotty career, alcoholism, and ultimately ended in a spectacularly awful way: she was horribly burned in a house fire in 1965, with 2nd and 3rd degree burns on 90% of her body,lingered for about 33 hours, and died, aged 41.
The book is a quick, albeit depressing read. Ronald Davis, also a native Texan, writes with compassion for his subject. Several interviews with her siblings, friends, and adopted daughter give a sympathetic portrayal of the "Fallen Angel". To put it in a nutshell, Ms. Darnell wasn't tough enough to handle the ups and downs of show business. Her tale isn't the first nor the last about the cruel world of showbiz, but it just seems even more depressing, when one thinks of the beauty with the face of a Madonna, going downhill at such a young age, and dying so horribly. I may add that there are eerie foreshadowings of her demise in three of her best known films. In "Hangover Square", she is strangled by Laird Cregar, who places her body on a bonfire on Guy Fawkes Day; in "Anna and the King of Siam", Linda, playing the runaway concubine Tuptim, is burned at the stake; and in "Forever Amber", she bears witness to the Great Fire of London. Creepy, isn't it?
Just a word of warning: Don't read this book if you're depressed!

Very well, written, but the author couldn't decide the year of Linda's birth. On the copyright page, one year of birth was given, then in the book, another year. It made me question the other facts. Aside from that, the book was very interesting-- the strange homelife, the thyroid problem, the marriages, the films, the decline of her acting career and the section on her burning and death are just gripping. I recommend this one.

I first heard of David Skal from the Universal Classic Monster series of DVD's. David was on the accompanying documentary and did the audio commentary for Tod Browning's 1931 classic, Dracula. If you own the set and have run the documentary and, particularly, the commentary, then you've already experienced about three chapters of this book. What remains is a rich mine of details about every aspect of Dracula, the book, movies, and culture. And what a lot there is.

David's writing, like his speech, is precise, educated, and loaded with literary allusions. While no dilettante, I consider myself well read and was still left with the occasional "what the hell is talking about?" moment. The language is rich and occasionally reminds me of the mental images drawn by Anne Rice at the height of her powers. However, David is no snob and is not merely parading his impressive intellect - it's just that he knows so darn much about the subject.

And if I had any criticism of the book that would be it - David seems driven to exhaustively document every possible aspect of Dracula's existence. The detailed (and seemingly never ending) battles between Florence Stoker and the makers of "Nosferatu" is described in such detail that I wanted to scream "OKAY!! We get it! Nosferatu was a Dracula rip off and Flo didn't like it!!" But eventually the tale moves on and sets the stage for intricate negotiations between the Stoker estate and Universal. In retrospect (and considering how handsomely the studio profited) it's interesting to see that Universal bought almost unlimited use of the vampire for the paltry sum of $25,000.00 and is still making oodles of money hand over fist today. David covers all aspects of vampire lore from Byron's "The Giaour" (1813) to Mel Brooks' "Dracula, Dead and Loving It" (1995). And everything in between. Trust me, if it can be construed to be in any way connected with Dracula, it's in this book.

If you have any interest in gothic culture, or the movies that spawned it, this is a must have. Reading it is like enjoying an evening of conversation with a much beloved, if slightly eccentric, old friend, preferably over brandy in front of a glowing fireplace on a cold, cold night.

Down deep, we all agree with the fly-eating Renfield. That's why we can't get his Master out of our system. David J. Skal's book Hollywood Gothic explains a lot of the reasons why.

Hollywood Gothic is like David Skal's Screams of Reason: Mad Science and Modern Culture. Hollywood Gothic and Screams of Reason both take horror motifs we know mostly from movies and trace them back to literature, where they originated.

Screams of Reason looks at the mad scientist figure in fiction, from central European vivisectionists like Dr. Frankenstein to postwar American A-bomb scientists. Hollywood Gothic is more narrow - - it covers Bram Stoker's novel Dracula, the plays adapted from it, and then the movies inspired by it - - F.W. Murnau's silent film Nosferatu, then the Universal and Hammer horror films.


Skal goes into detail about Bela Lugosi's career as Dracula on stage and film. He also digs up a lot of interesting information about the Spanish-language Dracula made simultaneously with the Bela Lugosi movie by producer Paul Kohner and cinematographer George Robinson - - who was responsible for the look of later Universal horror films like Dracula's Daughter and House of Dracula.

Kohner fell in love with and married the real star of the Spanish-language Dracula, Lupita Tovar as Eva - - the Mina Harker character - - and who could blame him. Skal calls her a "truly ingenuous ingenue." In Mexico she could barely go out in public without being mobbed.

Except for Bela Lugosi himself, almost everything about Kohner's Spanish version is better than Browning's. (That's my opinion from watching the movies, not just reading Hollywood Gothic.) Skal quotes people who worked on Tod Browning's Dracula that Browning was barely paying attention to the movie he was making.

For instance, when Dracula welcomes Jonathan Harker to his castle from the top of the staircase, in the English version a huge spider web is off to the side behind Dracula, but in the Spanish version Dracula is framed in the center of the web. We see Dracula rise from his coffin in the Spanish version where Browning just shows him suddenly standing there. (Seeing Christopher Lee rise from his coffin, or be destroyed in it, was always a high point of the Hammer movies for me.) Every night Kohner's director George Melford looked at the film Browning's crew shot during the day and improved on it for their version.

But there was (and is) something in the idea of the vampire that makes readers and audiences forgive hack storytelling.

If you haven't seen them already, you should watch the films before reading Hollywood Gothic. The Universal Legacy Collection of Dracula contains the Lugosi film, the Spanish-language version, Dracula's Daughter, and Son of Dracula. (There's more, but those are the best. Universal's release of the Legacy Collections of Dracula, Frankenstein, and the Wolf Man are the only good thing to come from the marketing of the movie Van Helsing.)

Hollywood Gothic has a lot of illustrations, many of which are theatrical and film ephemera from Skal's personal collection. (Yesterday I saw The Aristocrats - - Penn Gillette's documentary about the world's filthiest joke - - and one of the comedians was wearing a T-shirt with Dracula's face from the cover of the first Modern Library edition of the novel. SIDE NOTE: See The Aristocrats - - it's about how to tell a story and keep an audience hooked as much as it is about the history of blue humor.)

Reading Hollywood Gothic made me finally read Bram Stoker's novel. Because I've seen so many movies that tell the story I never read the book. While the writing style isn't great, at least it moves along, and you're introduced to Dracula right away.


I read over half of the 600-page novel The Historian - - apparently foredoomed to be a bestseller and a blockbuster movie - - and the character Dracula still hadn't made an appearance. I skimmed to the end and read the climax, but I was disappointed. When you build Dracula up as such a powerful being, it's hard to destroy him in a way that doesn't seem anticlimactic. (That's one of the reasons Kim Newman has given for why he started writing his Anno Dracula series - - if Dracula is such a terrible force, how could he be tracked down and killed so easily by an insane Dutch doctor and three upper-class twits who belong in the Drones Club with Bertie Wooster?)
And why do characters in The Historian struggle to find copies of Bram Stoker's novel at university libraries? It's been out in paperback all over the world since the early 1900s. Go to any W.H. Smith.

Filmmakers who've told the Dracula story understand something novelists sometimes don't - - Dracula shouldn't be just a menace offstage, he's the protagonist of the story. Dracula is the hero. He's the one we want to see - - and be. That's why our mothers were displeased when they caught us watching monster movies on TV when we were kids. Mom knew what we were thinking. The reason Stoker's novel works at all is because we're introduced to Dracula at the beginning, when Harker comes to Translyvania. What makes the novel disappointing is that we hardly see Dracula again after that.

But Skal reminds us that "La sangre es la vida." Dracula isn't going anywhere.

ADDITIONAL RECOMMENDATION: Check out Vampires: Los Muertos (see my review), the sequel to John Carpenter's Vampires, and an underrated movie. To me, it's a vampire movie that shows the monster as a Third World victim of globalist Van Helsings. (A rich white American woman can get the medicine she needs to stay alive (un-undead), while the brown vampire, stolen from her peasant family by a rich landowner, has only one way to get the sangre she needs. (I also like vampire movies that show how vampires might experience time differently than mortals - - Queen of the Damned also does this in an interesting way.) There's a scene of slow-motion slaughter in Los Muertos that the monstrous child in me responded to. Los Muertos also has the most sexist line I've every heard in a vampire movie, but you still identify with the female master vampire.

David J. Skal is as readable as ever is this newly revised edition of the definitive Hollywood Gothic as he covers the history of Dracula from his creation by Bram Stoker to the various and multiple version on screen and stage. The thrust of the story is, of course, on the novel and the iconic Bela Lugosi movie, with an additional nice, but smaller, chunk on Nosferatu. The author is particularly effective in combining, in an interesting fashion, the creative, financial, and legal elements. His analysis is always clear and interesting and will definitely send the reader on a viewing frenzy. Vampire movies seem always to be streaming forth from Hollywood and Dracula is and always will be the most tempting of the bunch. This book brings this fascination to life, as it were. A very good job.

In "Hollywood Gothic" David Skal tells the story of "Dracula" that came after the classic of gothic horror was published in 1897. It's a fascinating, fact-filled tale of colorful personalities, legal battles, Hollywood politics, and a culture still captivated by the King of Literary Vampires. The book's seven chapters begin with author Bram Stoker, end with the Count's recent incarnations on stage and screen, and include the most insightful analysis of "Dracula"'s origins that I have read in the course of my minor obsession with the novel.

Chapter 1 explores "Dracula"'s literary and theatrical predecessors before moving on to discussion of the intellectual and sexual climate into which the book was published in 1897, the life and elusive character of its author Bram Stoker, and how the novel was received in its own day. David Skal does an impressive job of pulling together the relevant details, from diverse perspectives, of the novel's birth.

Chapter 2 details the legal battle waged by the Bram Stoker's widow, Mrs. Florence Stoker, to suppress the first cinematic adaptation of her husband's novel, 1922's "Nosferatu", the unauthorized German production directed by F.W. Murnau, now recognized as a masterpiece of silent cinema. Chapter 3 sees Mrs, Stoker finally authorize an adaptation to British dramatist Hamilton Deane, whose wordy, plodding "Dracula" play nevertheless achieved great financial success, attracting the attention of American theatrical producer Horace Liveright. Liveright enlisted journalist John Balderston to rewrite the play for Broadway and make it a smash hit on this side of the Atlantic.

Chapter 4 moves to Hollywood for the protracted negotiations over "Dracula"'s film rights. "Dracula"'s path through the early 20th century was mined with legal battles, and it is a credit to author David Skal that he is able to make interminable and constantly mutating negotiations into absorbing drama. Chapter 5 follows the winding road to the production of the first Hollywood "Dracula", the 1931 film starring Bela Lugosi, which, although made cheaply and lazily, was the first horror talkie and a financial life preserver for Universal Studios. Happily, Skal has dedicated Chapter 6 to the superior Spanish language version of "Dracula" that was filmed simultaneously, on the same sets, as the English version of the 1931 film, but with a different producer, director, cinematographer, and cast.

Chapter 7 tells us what became of the principle person's associated with the two 1931 films. Then it follows the legacy of "Dracula" from the 1930s forward, through its incarnations in film, plays, musicals, ballets, and other performances. Appendix A is a list of notable stage performances of "Dracula", 1897-2003. Appendix B is a list of about 200 films, 1921-2004, which feature the "Dracula" character or name. Thankfully, there is an index.

In outlining the contents of "Hollywood Gothic", I may have made the book seem dry. But the story of "Dracula"'s continuing life in film and on stage is as lively as the novel that inspired it -and it is written a good deal better. David Skal's tireless research and engaging style never fail to impress. "Hollywood Gothic" is an absorbing literary and cinematic history that "Dracula" fans shouldn't miss.

I read this book years ago. It's good to see it's coming back into print.

Skal charts the history of Stoker's book, beginning with early drafts extant, following the tangled film history, including the legal battles over Murnau's "Nosferatu", Universal Studio's struggle to get the rights for the Lugosi pic, and everything that happened after.

It won't change your life, but its fascinating stuff. Skal's style is quick, clean, and to the point. This book is a lot of fun, giving insights into publishing, film, theater, and the audience reaction to and participation in all of those mediums. A must for all vampire buffs, film students, and those who are curious about the inner workings of popular culture.

Finally a reference book to help book authors figure out who in Hollywood is buying and selling books. It's all the sales information I need to know to get my book into the marketplace. What a great idea! I'm looking forward to the updates.

This book takes over where every other similar book leaves off. Instead of dealing in vague concepts and sales theory, "Hollywood Literary Sales Directory" gives you the facts. It tells you exactly how and where to find the contacts you need to make the sale. It's a must-have for any writer ready to take the next step forward in his or her career.

As a book author, I have found the Hollywood Literary Sales Directory to be a very useful tool in marketing my books to Hollywood. Whether you are published or not, this is a must-have resource book. Eric Dobris

I have a friend (another M.D.) who spent years putting a script together and who tells me this is the book to get! Packed with info. So, I got one and it is packed!

So you want to sell a spec screenplay, but you don't know who's buying what... Without a solid grasp of the marketplace, chances are your script will just languish in a drawer. If you'd rather see it on the big screen, you'll need to do your homework. The beauty of the Hollywood Literary Sales Directory is that Howard Meibach has done the homework for us... He's compiled market data which includes all major script sales through 7/98, and includes logline, genre, writer, purchase price, producer, agent/agency, buyer, & more. The information is cross-referenced 4 different ways for convenient access. For serious screenwriters, this book is as important a marketing tool as the Hollywood Creative Directory!