Performing Arts Books

This book may perhaps not meet your expectations regarding content: I expected to see the uncles in their own habitat, surrounded by the debris of compulsive hoarding, at one with the world they had created. Lidz does not show this world: instead, he shows mainly the two uncles who live outside asylums at odds with the outside world, fumbling their beyond-quirky way through the landscape of New York.

That difference could make or break your interest in the book. Which do you want to read about, two curmudgeons at home in the nest they have created or two outcasts in society? I'm not saying that either narrative pathway makes for a bad or good book; I merely suggest that, before you read, you be prepared for what you will be reading. You might also consider that the four uncles of the title really refers mainly to two uncles; one of the others makes a single cameo appearance, and the other uncle gets a bit of space toward the end.

Lidz takes slow steps in childhood, telling ancedotes about his times with the two main uncles. These humerous takes are made forceful because they are told against the backdrop of his mother's long, ultimately fatal bout with cancer, a narrative that underpins the first half of the book. You thus have two strong narrative themes in the first half: the bumbling uncles (and the question of how on earth they function) and the sick mother (and the question of how on earth she manages to hang on to life).

The book becomes rockier in the second half, beginning when Lidz is an adolescent and his father remarries. Time speeds up considerably and without warning: you go from the slow ascent of the roller coaster to the rapid descent, and, narratively speaking, it's a rocky ride. It does make some narrative sense to speed up this second half, but it's too much too quickly and thus disconcerting for the reader. The second two uncles are introduced rapidly and don't receive as much analysis as the other two.

The book goes on to wrap up (incompletely) too quickly as well. It's as if when one uncle dies, another uncle is plugged in to take his place, and, what with the uniqueness of the uncles being emphasized, it doesn't work in the narrative. Lidz's attempt to introduce his recording techniques is also akwardly introduced, though I don't know how he could have done it more smoothly.

All in all, though, it's a good book. The strong first half does much to make up for the weaker second half, and the character's personalities make for excellent dialogue throughout. Lidz is an excellent prose writer who simply needs to pace himself a bit better; the writing itself is commendable. Recommended.

Heard the taped version of UUNSTRUNG HEROES by Franz
Lidz, the author's tale of growing up in what might charitably
be called a dysfunctional family . . . it consisted of him and
his sister, their parents, and their father's four brothers who
played an even more significant role in his upbringing when
his mother died.

If you ever thought your family was strange, wait until you meet
this group of eccentrics . . . for example, one brother thought
Mickey Mantle was out to get him . . . another collected
shoelaces . . . how Lidz, who became a writer for SPORTS
ILLUSTRATED, managed to escape the lunacy is beyond
me.

The fact that he grew up on Long Island, not far from where
I was raised, made the book even more interesting to me . . . that
and the narration by John Turturro . . . the actor's work greatly
aided in my enjoyment of UNSTRUNG HEROES.

This story although sadding at times kept me giggling and laughing at the antics of these uncles based on the real-life uncles of the author. I can see why it was made into a movie--it is a ball of fun and yet heartbreaking in others and down-right silly at times--in the end you come to feel as if you KNOW these men and the rest of the family and you feel slightly sad that more people don't look at the world through their eyes, but instead are so quick to judge those considered "different". I hated to see it end---a great, great story!!!

The author possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic. Very, very funny.

I could show you a sentence in Unstrung Heroes as elegant in its implications as the binomial theorem, and another as economically sphinx-like as the square root of minus one. The declarative sentence, Franz Lidz makes you suppose, is perhaps a writer's highest achievement.

I really loved this book by Desi Arnaz. I recommend "Love Lucy" by Lucille Ball to go with it. I have that one also and love it as well.

This is a wonderful book! I read it in a weekend; I could not put it down. No one gives Desi enough credit for all he's done. He was very creative and innovative! I feel like he is the Godfather of modern TV: how it's written, filmed, produced, cast, marketed etc... He set the bar so high, no one in TV history will surpass his genius and his wonderful work.
This book gives insight to his personal life too. Because of the way it is written and the language used, it feels like Desi is there talking with you and telling his story. Much of the book is about before he marries Lucy, and the story continues though to 1960 after their divorce. He said that he had enough meterial written for a second publication that would be titled "Another Book". But sadly it was never developed or published; I wish I could have read about his older years too.
To understand someone is to love them, and this book makes you Love Desi!

Back in 1957 when Dad bought our first tv, there was a big battle about where it should go. Mom won the battle to keep it out of the living room and it was relegated to a tiny room near the bathroom on the first floor of our humble abode in Small Town, Wisconsin. Mother placed an unruly philodendron on top of it to hide it as best she could and, seldom to return, she left the room to my brothers and me. I Love Lucy was already in reruns, although I think it was still in its Monday night primetime slot as well. The show was on a lot because it was the only thing in reruns and I loved it! Reading Desi Arnaz's book brings those days back for me. Desi takes the reader along from his days as a conga boy for Xavier Cugat, through his tumultuous relationship with Lucille Ball. Along with insights into their personal lives, Desi relates (in an almost conversational writing style) how the show came to be produced and filmed almost by accident. Included are fun anticdotes about casting Vivian Vance and William Frawley as neighbors Fred and Ethel Mertz. Perhaps most fun in Desi's waltz down memory lane is his reminiscing about specific key episodes with stars of the day like John Wayne, William Holden, Harpo Marx and Bob Hope. It's hard to imagine today the impact that I Love Lucy had on our lives way back then. Lucy and Desi were everywhere in the media and when Ball and Arnaz announced that they were splitting up (and that the show was ending), people felt really bad for them, myself included; Everybody loved Lucy. I still love Lucy, especially after reading this, Desi's wonderful, heartfelt memoir.

I got this book and could not put it down! So much is said about Lucy (and she was talented)but with Desi and his input she was brilliant! I felt as if I was sitting and listening to a man..replay his life. It reads like a conversation! I only wished he could have done a second book! If you get the chance don't miss this book! It made me love Desi even more.

Throughout the pages of this book, one gets the impression that Desi really did love Lucy and she loved him, but they seemed to be one of those couples that could not live together. He was a philanderer and she had a hot temper and that (apparently) made for some rough living.

The singular most interesting fact from this book that I will probably never EVER forget is this: After Desi and Lucy were divorced, he called her every night for the rest of his life. They were more than lovers, they were best friends and it seems that the relationship continued, even after the marriage ended.

This book is really a manuscript-length tribute to Lucille Ball. Desi's love and admiration for her shines through its many pages. He is kind to her in this memoir and unlike the poison-pen style of today's celebs, it seems that Desi just wanted the world to know that Lucy really was the amazing, interesting and gifted soul she appeared to be.

It also has some fascinating insights and background about the program and its sequels. Plus, if you want to know the scoop about William Frawley and Vivian Vance (Fred and Ethel), it's all in these pages. Those two really did NOT like each other.

I bought this book (used, cheap) and my little paperback copy arrived tattered and worn , but I couldn't stop reading it. Very well written, very interesting and a real tribute to the star of "I Love Lucy."

This is a great book for everyone who wants to run out and do great things for God without stopping to ask what God actually wants. The only drawback in my opinion was the way "apologized" to the people he had hurt. If he would have just offered an unqualified apology it would have been great, but for some reason he felt the need to mention that he had been prompted to apologize and then follow it up with, "there, I've said it." But, part of the point is that we're all growing and learning, and I did see real humility in the way he's running his current business. No longer playing the same games as before. Very entertaining and insightful book.

I laughed and cried, but I learned as much from this as a management textbook. Very captivating, entertaining, but emotionally charged with what do we do when God allows our dreams come crashing down around us.

This book had to have been an exercise in humility to write. I have nothing but the utmost respect for Phil Vischer after reading his story. My wife and I learned about the Veggie Tales in the late 90's after receiving a recommendation from some of our friends. We've been fans ever since and have 3 kids who have all grown up with Bob, Larry, and the Veggie crew. It's hard to believe so much was going on (good and bac) behind the scenes at Big Idea as we all laughed and sang along with the Veggies at home.

A great story about one man's Christian journey through the world of business and his growing relationship with God! As an entrepreneur in the early stages of several companies, the lessons taught are invaluable. As a Christian who is always dreaming, setting goals, and striving for worldly "success" this book has made me step back and re-evaluate my life and relationship with Him.

On business, Phil talks about the early stages in computer animation world in which he was a revolutionary. He teaches about money and cash flow in relation to running a company. He discusses leadership and his struggle to run a profitable "Christian" company in a secular world with non-believers all around. What's amazing to me that through it all, this is not a book that points blame anywhere but the on it's author. In fact, the names of anyone in which others might have placed blame are not ever mentioned!

On Christianity, it's inspirational to read a true story showing the Christian walk and struggle illustrated by Henry Blackaby in his devotional study Experiencing God. Blackaby writes, "If you start something and it does not seem to go well, consider carefully that God, on purpose, may not be authenticating what you told the people because it did not come from Him, but from your own head. You may have wanted to do something outstanding for God and forgot that God does not want that. He wants you to be available to Him, and more important, to be obedient to Him."

What a powerful book! A must read for Veggie Tales fans, Christians, and business people alike. Lessons to be learned by all.

I just got finished reading this and was totally blown away. I really appreciated his honesty and openness about what happened to Big Idea and this reaffirmed my feelings about the other so-called business books out there: it's easy to look like a genius when you study successful companies and draw contrasts, but the same methods don't work for every company.

Phil is a great storyteller, and I'm pleased to have been let into his world for a few hours.

Raised as I was on Sesame Street, it took me several episodes before I realized, "Hey, there are no females here. Isn't this show about good role models?" (VeggieTales came out the same year CTW launched Zoe, Sesame Street's first popular female muppet, to great fanfare.)

But the Veggies were fun so I continued to watch, as Bob, Larry, Pa Grape, Junior Asparagus, Mr. Nezzer, Mr. Lunt, Jim and Jerry all got personalities and subtexts. Poor Little Laura remained a whiner. Junior's mom hardly gets to speak. And Esther? A one-note.

So I was interested: Did some executives force Vischer onto this lopsided stage, or did it just happen? And the answer is: he really is that way.

He says that when he and his now wife (wife of 16 years, no doubt happy) found they were expecting, she "had" to drop out of college in her freshman year. We are just supposed to accept that. As it takes longer than one school year to go through a pregnancy, he didn't mention any complications, and this was the '80s, not the fifties, I found that puzzling. He just as cavalierly dismisses her singing aspirations--again, this is the '80s.

Again and again, his theme is that "kids" and "families" need good examples. This is good. He condemns Madonna. Understandable. And it doesn't occur to him that some kids might be females who need good examples, and that families might include women. Interestingly, Vischer even quotes the Bible to explain creating Bob: (paraphrasing) The Cucumber came first, but he was alone, and that was not good. So I created a sidekick.

Wait a minute, didn't the original tale mean creating a ...?

There are many intentionally laugh out loud moments in this book, and some that I think occurred by accident. After working himself into a heart condition, he states that while his wife and in-laws played with the children, he went into his wife's childhood bedroom and started to sketch the Veggie Tales Theme Park. Shades of Harry Chapin, here.

I absolutely expected more about __valuing__ his wife and children. It would have been possible to do that without compromising privacy. But they barely get a mention.

But, to be fair, all that is puzzlement at the man. To review the book, I have to say it was well-written, humorous, and told a great deal about the writer and his philosophies. He is absolutely driven to create, and does so, despite odds. He gives as clear, and as beautifully written, an account of how CG changed the entertainment scene as I could ever hope to see.(Vischer covers so much material it would have been helpful to have had an index.)

He is true to his vision as long as he is able, and doesn't let failure tear his faith apart.

Much has already been said about the quality of the book. I personally find that the book is a due tribute. I also must say that I have not found something on Kubrick of comparable depth.

On the content side, I would have liked to see more info on the projects that were not realized, especially on "Napoleon". And I didn't find a lot of value on the CD, since it's a spoken track instead of some audiovisual material. Nevertheless, as I said before, I haven't been able to find anything comparable to this book on Kubrick. The written material is of excellent quality, as are the pictures and graphics.

I see that Taschen is issuing a new version for it's 25th anniversary. As I understand it, it will be out on Oct/2008.

In conclusion, I am the proud and happy owner of an excellent piece of work.

I have been a Kubrick fan since I was 7 and saw "Paths of Glory" - it was the only film I ever saw that I NEEDED to know who directed it, and, what other movies of his were out there. That was 30 years ago, and I still keep all his films seperate from anything else in my collection! This book is simply INCREDIBLE! Buy it if you can.....no true Kubrick fan should be without this......it is MIND BLOWING! A true work of art covering the work of a true artist. We will not see Stanley's talent and caliber in any other film maker, at least not in my lifetime. Bravo, Stanley!

If it wasn't for its hefty weight, the book is one of the items I'd take with me if my house was on fire - without hesitation. I can't even imagine how long it took for the Taschen team to assemble this incredible book; it tries to do justice to recollect Kubrick's body of work in the form of a portable archive. Seeing this book in person is an experience in itself. The conceptual design is simply impressive: details like the texture of the binding mimicking that of a real archive is a start.

A CD of a rare uncut interview with Stanley Kubrick included in the book is a real gem. The interview takes place during Kubrick's career in its earlier years, and it provides an insight of the director that no other text interview has been able to accomplish - precisely for the reason that you hear Kubrick's voice and his unfiltered opinions. Then, of course, you have a piece of 2001's film strip as an added bonus. It's just too much for a book! And I say that gratefully.

The first part of the book is filled with glossy stills of all the films made by Kubrick. It's nice, and glossy, but the real reason I purchased this book is for part two.

Part two, or "The Creative Process", is filled with a lot of archival materials for each of Kubrick's films - especially pre-production materials: production notes, correspondences, and etc. You learn a lot about how Kubrick prepares for his films by seeing just a tiny fraction (undoubtedly) of what he does before he actually goes into production - it is one of the reasons that explain the long intervals between the director's releases. In addition, the book has an extensive collection of interviews with the director from various sources. But it is little treasures like the former that make this book special.

If you are a serious fan of the master director that is Stanley Kubrick, this is the next thing to have in your possession after the DVDs. Taschen made a serious effort in paying homage to Kubrick's work as a book publisher, and they have succeeded. They could've made a lazy effort in disguise to simply profit off of Kubrick's name, but they didn't, and for that they have my respect.

Amazon now has this book available for pre-order for an October 1, 2008 release date, for $44.10 from a $70 retail cost. Look under 'The Stanley Kubrick Archives [ILLUSTRATED] (Hardcover)'. I would like information on book dimensions as the first print run was on average 40 by 30cm.

Lucky me! I scored a copy of this and I have to say it is the best book on a film artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.

A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.

A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.

Having worked in the alternative health industry for 12 years, and studied it for 17 years, I read the book having been on a similar journey as the author's. His is a very unique telling of such a tale. The first time I read the book when it was first published, I didn't agree with or understand some of his points on health or the way he was presenting them, but experience has shown me more clarity.
His is not a 'how-to' instruction book, and he gives clear reasons for why it is so. His is rather a book on his own ideas, and someone following in his footsteps will have different experiences and find different truths working for them.
And his insigts into why he still experiences physical discomforts provides great words for dealing with those types of questions one on this journey encounters from those outside.
And ordering it from Amazon is a great idea. [...]

Having now dealt with cancer in my family three times over, I was curious to read other literature about others who have dealt with cancer. My uncle currently underwent a new form of prostate cancer treatment, and is doing very well. What I find interesting is my uncle probably lives as close to Mr. Benedict's way of living, and has throughout his whole life. That did not prevent cancer. That did not cure it.

I am a daughter of a research scientist. I am a country girl and work with horses/ride/train/compete. I am also a writer(when I have a free moment). I like to think of things, read things, expand my knowledge. Knowledge is key to curing anything. The more you know, the more you can fight something.

I've watched my stepfather die of a radical cancer in short of three weeks, at the ripe age of fifty(dying on Christmas day. A rare blood cancer). He never even knew he had it. He was highly atheletic, ate healthy, never smoked. He still died.

When writing a book, I feel an author does have a certain responsibility to the public in showing a balance of information to the reader. This is the only place I found this book lacking. It was very one sided. If you eat a certain way = bad. I don't disagree with the theorires of Mr Benedict, but rather the lack of other information available out there. Truth be told, doctors CAN help patients. Patients can help themselves. There can be a yin and yang of both.

My grandfather just passed away at 93 years of age. He ate beef and eggs daily. He never smoked, was physically active his whole life, and stayed that way until his mid eighties.(perhaps because he had a vacation home in New Hampshire and retired there was part of that well-being? I've often felt of New Hampshire as a healing place and loved visiting there my whole life!)

What worries me about this book are some of the medical goings on in mr Benedicts life, and his lack of concern to reporting to a medical practitioner. There are many medical reasons of what was happening to him, not just mediphysical(excuse spelling, not my strong point).

Fact---your body will metabolize food eatten. It does not stay in your system longer than your body is able to eliminate it. There fore, the problems given(physical) were more likely due to stress, life style and other things(I believe Mr Benedict smokes cigars. Sorry, but right there, I Can give you a million reasons for why that could cause every ailment given).

HOWEVER, I am not dissing this book because I believe in it's message. HEALTHY living is key to being healthy. Enjoying your life, living your dreams, and making sure you eat a balanced diet and exercise. This is a key component that is ever disolving in today's life for kids. Childhood obesity and diabetes is on the rise, and you can thank fast food chains and their super-sized meals for that. While I do have to eat on the go with my job, I do not eat at those fast food places...the mere sight of them make me ill. When I do go with friends, and they grab a bite there, I am amazed at the portions now from when I was a child.

There are many pearls of wisdom in the book---do not fear. Many revelations that only a truly deep hearted person would want to share, and share he does--with his heart and soul. That's a GOOD thing, and so rare these days. People seem to want to profess something only if it benefits them. I did not see that in this book at all. I saw someone who went through something so huge and so overwhelming, he wanted to share that. That is to be commended.

In the end, what Mr Benedict is saying, and what I also believe in is live a healthy life. Eat right, exercise and above all else, enjoy and don't lose sight of your dreams.

I read the book, and I fell in love with it, and I hope that everyone would take their health seriously, and I hope that if someone you know is getting into health, please give them the book, it's a bible to the health-concious people everywhere, so please do take some of the things that Mr. Benedict is saying, it might save your life someday.

I believed in what Mr. Benedict is saying, and I hope that every one is taking their health seriously, and if someone is in trouble or confused with health, give them the book, if you do that you will be make making a great investment, people should take actors who have been through hell serious enough.

This is an excellent book. Dirk is an excellent author. This was the quickest read of non-fiction I have had in years. It is great getting a point of view of others, especially, when they write in a down-to-earth style you can understand. Dirk seems to be that kind of guy.

If you are looking for a bit-by-bit blow from Battlestar Galactica or the A-Team...forget it. He only tells us a little about his work. I wish he would have written more because the few parts there were a great read.

This book is mainly about how Dirk fought cancer using macrobiotics. After reading this book I am not a convert, but I learned a lot. I learned that I and most Americans need to greatly reduce our intake of fatty meat and triple our intake of good vegetables. More veggies, a balanced diet and less caffeine and alcohol all lead to a healthier person.

I do not totally agree with him on his views on modern medicine. Yes, there are many quacks out there who think that they can solve any problem you have with a pill, you get addicted to that pill and then you're hooked. But evidence shows that we are living longer today despite our intake of unhealthy food. I think we can thank some doctors and scientists for that.

For me, the power of this book was the fact that Dirk took control of his life that, to him, seemed out of control. And it does seem like his method helped beat his disease.

I hope we have more offerings from Dirk, not only on the screen, but more literary works as well.

The book was interesting,since I am an Elvis Presley fan, this is what made me buy this book.
I did not like the nude photos of her in the book, I saw no reason for them.....

Anyone who saw "Junior Bonner", and was entranced by Barbara Leigh's performance as Charmagne, cannot help but find this partial autobiography absorbing and rewarding reading. Similarly, anyone who saw and enjoyed the best of Elvis and Steve McQueen will be immediately attracted.

This book is written from the heart; it is devoid of both the taint of the popular media and casual hype. The style is almost conversational, as the writer follows different related paths in recounting her various adventures with the three titular protagonists. From her tough childhood to the loss of her son, and the failure of her marriages, you cannot help but respond; if you can keep that lump out of your throat you are a better man than I, Gunga Din.

It provides new insights into the worlds of movie-making and top-class entertainment; legendary director Sam Peckinpah needed a lot of convincing that Barbara was right for the role of Charmagne, and treated her abysmally , whilst Elvis' treatment of his lady friends and his entourage will no doubt surprise many of his fans.

As a London-based Francophile, I would have been interested to hear more of her life in Paris with Roger Vadim, and in London with her husband, but these were all incidental to the title of the book.

But be warned - this is no kiss-and-tell lurid account of an aspiring actress/model's encounters with three of America's successful men. As I said earlier, it is a candid review of part of Barbara's life which will provoke a response in the heart and spirit of any reader. I want to read it again, but my eldest daughter, a devoted Elvis fan, decided she wanted to read it first. OK, I can wait.

Thank you, Barbara Leigh, for sharing your experiences with us.

I recently finished Barbara Leigh's book The King, Mcqueen and the Love Machine. As an enthusiastic fan of Elvis and Mcqueen, her book was utterly fascinating.

There are rare, vivid insights into how Elvis lived in Vegas in the early 70s...how he demanded a very regimented world of nightly shows, post-show dressing room audiences with worshipers, late night parties back in his suite with the Memphis Mafia, a bevy of beauties, and one special girl each night ...who he took behind closed doors at the end of the night.

You'll enjoy a strange, enticing glance behind those bedroom doors: how he was a child, a rock star, a manipulator, a gentleman, an addict, a friend, and a deeply talented but utterly-flawed human. How obtusely insecure he was...and how he couldn't be left alone...insisting his woman sit next to him until he went to bed. How he doled out pills. And shower her with gifts.

Mcqueen meets Barbara at a casting and later lands her a part in his film Junior Bonner, where they begin an affair under the Arizona sky and the disdain of Martin Ritt. Mcqueenloves her in many ways (asking her to move in with him as his marriage to Neil collapsed), and again, Barbara sincerely tells it how it was with a "supe". While Elvis insisted on dresses, Mcqueen chugged brews and loved her in blue jeans. He was raw, and unpolished...but always running from his childhood of abandonment and poverty. Barbara even played a captivating role as messenger between Ali Mcgraw and Mcqueen, until she no longer wanted part of the deception.

There are thrilling moments in LA bars, Palm Springs, New York, on commercial shoots, in France, Mexico at Sinatra's...and much much more.

Also fascinating...all three men knew of each others involvement with Barbara, and were drawn to her, not only because she was stunningly beautiful, but because she was honest with them...and had her choice of the cream of the A-listers. They saw her as a sincere friend, who wouldn't settle down. She was in ways, like they were...living larger than life.

The photos of Barbara illustrate why these men were so captivated by her...she was the embodiment of raven-haired, flower-child beauty. Couple that with her sincerity and hunger for adventure and she was the angel so many men create in their mind.

Finally, Barbara saw all three men once more, near the ends of their lives. Each of these men had fallen tragically towards the end...hard for us to imagine since they are forever burned in our minds as legends. Nonetheless, this book offers unique insights into their outlooks near the end.

I highly recommend this fresh and revealing look at some of the greatest stars. Honest. Romantic. Sexy. Sad. it's all in here.

And her new 2008 audio biography is just as amazing with real people playing the parts. Check it out here on amazon!!!

If anyone ever lived a fast-paced and adventurous lifestyle it was Barbara Leigh during the 1970's. Her story is unique, one-of-a-kind and will never be duplicated. I wanted to read her book because I was always a big fan of Steve McQueen, and on that score, her chapters on Steve are informative, exciting and moving. Although these men are some of the most charismatic and powerful people of their time, it is Barbara Leigh who leaves the most lasting impression. Fame and fortune cannot compete with her kindess, inner-beauty and loving nature. Her story is well-told and is a real "page turner".

As a die-hard Elvis fan for the last 40 years, I bought Barbara's book solely to read about her relationship with him. But I was quickly captured with her entire life story, from her first recollections of her traumatic childhood, to the death of her beloved son, through her overcoming spirit of today.

I easily have 30+ books on Elvis and without a doubt, this is in the top two or three. I was riveted by her memories of Elvis and her relationship with him. Barbara was blessed to know him and she often speaks of what a good heart he had. She writes about Elvis with love, loyalty and admiration. At the same time, she does not sugar-coat the drug use, mood swings and other human frailties.

Beyond her physical beauty, one can readily see why Elvis was attracted to Barbara. One comes away with the clear sense that she is a loving, kind and nurturing person. The fact that Elvis kept in touch with her through the years is a testament to that fact. There are undoubtedly only a handful of women in his life who can make that statement.

As the title of my review states, I bought this book because of Elvis but ended up loving the entire story. I invite all Elvis fans to do likewise. Barbara writes with candor, emotion and detail, the good and the bad, the bitter and the sweet. But she is never bitter. I felt as if I were right there with her through her entire story.

The Theatrical Juggernaut is by far the most common sense, cut-to-the-chase, practical book in the entertainment industry. Period. No if's, and's, or but's about it. If you are ready to take control of your career and hold yourself accountable to your choices in this industry, then buy this book. Monroe delivers information in this book that you can objectively apply to your career....what a concept!! I have not read another book claiming to be about "acting" that has done that yet. So as the book suggests, stop blaming others, create your own breaks, put the odds of success in your favor and order this book. There will be zero percent cognitive dissonance(a feeling of having made the wrong decision)after buying this book. Don't invest another dollar into your career until you have bought and read this book, and then read it again.

The Theatrical Juggernaut is not only one of the most inspirational books any actor can read these days, but the pieces of advice dispensed by Monroe Mann, are really proved to work in the hard and unpredictable business of professional acting. I'm a living proof of it.
I am an actor who has succeeded and risen to the top of the voice-over business in Brazil and I've used almost every advice from the book, but BEFORE it got written! The actions mentioned in the book are mostly the ones I took to succeed in the beginning of my career and some others are procedures I still practice, up to today. Not to mention many other "techniques" I learned from Mr. Mann and intend to start using soon. I wish this book were available 12 years ago, when I started in the business. This way I wouldn't have had to figure everything out by myself and would probably have had more energy to get where I got faster. It was so much fun to read that I spent 8 straight hours in the tub (where I do most of my reading) and only got out when my wife barged into the bathroom saying: "Honey, get out of there or you're gonna turn into a raisin".
I recommend it to any fellow actor trying to make it out there and even to those seasoned professionals like me who have already gotten their share of success and intend to keep the good times rolling.

I was surprised at how much I liked this book. It was a quick read, very conversational in style. But, it shook me. I was embarrassed that I was not doing all I could for my career. It was the kind of tough-love scolding you can only get from someone who cares. It inspired me to get off my lazy butt to go and take some action.

I live in Brazil, where everything related to filmmaking is so hard. The bussiness is very small compared to Hollywood, but people still can work and be sucessful in this filed in this country. All they have to do is work five times harder and they will make it!

Also very well writen, and easy to read!

The Best book ever!! Monroe Mann's book really just gives you the kick you need as an Actor.I have read this book several times and it has helped my career and my outlook on not just being an artist but a professional performer.I recommend this book for everyone to read!!

If you are looking for hope and love in a world filled with chaos and fear this book is a must read. The author weaves his story and friendship with Fred Rogers into a very entertaining and heart wrenching treasure.

Tim thank you for sharing with the world your precious moments with Mr. Rogers. You have given hope, love, and IPOY to more people than you will ever know!!! I am one of the many who very much needed the words and affirmations written in this lovely book!!

God Bless you all of your days.

This is a touching story about how great Mr. Rogers was. I loved it & so has everyone I know that has read it. It is a must read!!!!!!!!

This is a sweet remembrance of the author's friendship with Fred Rogers. But it also gives an interesting insight into the spiritual side of the "Mr. Rogers" so many of us grew up with. Most of us know that Fred Rogers was an ordained Presbyterian minister, but this book shares correspondences and conversations that reveal just how deeply spiritual Fred Rogers was.

This book is about a relationship between two friends. I often give this book to friends who have lost a parent. In this world where so few people encourage and lift each other up, are able to have a heart-to-heart talk with a friend, this book is an excellent example of how to do just that! "I'm Proud of You" is one of my favorite books. I would highly recommend it and preferred it so much more than "Tuesdays with Morie"(spelling?)since the story seemed so much more heartfelt.

This book made both my wife and I cry at times as it covered the sensitive topic of a son's relationship with his father and a man's relationship with a mentor. This is a must read for all father's, son's, and mentors.

A good film comes at you slowly, like a work of art, creeping into your soul through metaphors and meditation. That is how Suber's THE POWER OF FILM comes at you. Start anywhere and read a little or as much as you want, in small bites. Then stop and meditate on what you just read. Better yet, think of the film you're working on or just watched, and note in the wide margins what you now understand anew. A good scene in a good film should be watched time and again. Each page of this book is like a good scene. Underline it, mark it up -- and then, later, read it again, and add to your discovery of why film is so powerful.

Howard Suber is a legendary film educator at UCLA, and has taught dozens of courses on every aspect of filmmaking (except for animation). In The Power of Film, he commits his wisdom to paper, gathered over many decades of teaching.
The Power of Film is not a how-to book or theoretical treatise, however. Rather, it is a lexicon of movie storytelling concepts. The topics range from Accidents to Writing What You Know, and cover such things as the most important word in storytelling (it's `but'), the `real' American religion (individualism), the characteristics of the Hero (someone outside of society who sacrifices personal happiness and contentment for the greater good or goal) and whether happy endings are really mandatory. Suber also talks about genres (the essential characteristics of each), dramatic structure (some), and specific narrative tools such as the Macguffin. Throughout the book the emphasis is squarely on the mainstream American film, so you will be able to find many exceptions to the `rules' Suber mentions here, though `rules' isn't the right word. Rather, they are `insights' or concepts which work and have done so for ages, but which are just some of the possible narrative solutions to the problems cinematic storytelling poses.
This is a book to dip into, and which is intended to spark the imagination of the reader. Not all of the topics are equally enlightening, and I disagreed with the definition of the Crisis Point, but as an encyclopaedia of Hollywood storytelling it is currently without equal.

Howard Suber delivered a lecture to a large gathering in a theater in Kansas City this spring. What was striking about the experience was how Professor Suber turned this theater into a classroom and, by asking questions, made us active participants in a search for answers to the question: "What makes a film great?".

Suber's book, "The Power of Film", uses this same Socratic Method but the technique is necessarily different. Instead of asking questions, a writer can only pose riddles, and to this end Suber employees wit and irony to provoke careful and thoughtful reading of his concise dictionary like definitions.

The films Suber examines are American films. Without being jingoistic, he says that over the decades American films have been the most popular not only in the U.S. but all over the world. The American films he focuses on are those that have maintained their appeal ten years after they were released those, in other words, which have stood the test of time and remain perennial favorites.

The question he asks is: "What makes these films classics?"

Some of the answers are surprising. The notion, for example, that Hollywood films, to be popular, have to have a happy ending, Suber demonstrates is not true. Think of the Godfather films, Lawrence of Arabia, Chinatown. Even "It's a Wonderful Life" journeys through some very dark regions before emerging with a comic ending.

So why do people go to see these films? Suber suggests that going to the movies is akin to going to church, that what people need and want is to experience time honored rituals that put us in touch with our humanity.

As a practicing filmmaker, I have spent many hours over the years thinking about how to use the power of film to move an audience and I am always looking for help. Of the many available, I have culled a few "essential" books on film theory and aesthetics. Eisenstein's "Film Sense" and "Film Form" are two, Pudovkin's 'Film Technique and Film Acting", Mascelli's "Five C's of Cinematography" and a few others. Suber's "The Power of Film" has already taken its place with these.

Why? Because first of all, the book is packed with information and insight covering every subject about American film, literally from A to Z. Second, the insights are uncannily precise. A brief example: I don't like using flashbacks because I feel they are too easy but I find I must at times because they are sometimes necessary and I haven't been able to think of anything better. This is in Suber's definition of "Flasbacks":

"The reason flashbacks came back is that they are not merely
stylistic flourishes, like iris shots; they are necessary tools
that, so far, cannot be replaced by others."

The authority of this statement is reassuring, but notice the two words: "so far"; this tiny insertion leaves open the possibility and, indeed, ecourages the search for other ways.

How to transition to a flashback?

"The camera moves to a tight close up of a character's eyes, they
glaze over and we hear an echo chamber voice..."

I fear that every time I use this device that someone in the audience is going to yell out: "Visual cliche!". It never happens and I continue to use it because, as Professor Suber says: "no one has come up with anything substantially better.".

This is a sampling of some of what can be considered Suber's practical advise; but this book is very rich and has a broad range and covers everything from the technical to the philosophical.

The entry for "Tragedy" is three pages long but delivers a store of wisdom. One paragraph in this concise definition is about "impulsivity", and the final line reads:

"Impulsivity we see over and over again leads to tragedy."

The philosopher Martin Buber in his book "Good and Evil" devotes pages of discussion to the tendancy to impulsivity and how it is an aspect of evil. Suber's book is obviously a distillation of years of thinking and study not only about film but also about human nature.

The entries that make up this book are cross referenced. This cross referencing, like the use of wit and irony, is not only an practical aid, but also an encouragement to explore the connection of ideas.

Suber has carefully culled the essential ideas of what makes a film "great" and this selection reveals that the subject in Suber's mind has a unity, that it constitutes an aesthetic, an interlocking system of ideas. It is an indication of Howard Suber's wisdom as a teacher that he does not expound this system but only indicates it; and because this system must be discovered and recreated by every reader, it will always be new.

I found The Power of Film truly refreshing and unusually spiritual. Suber compiles years of teaching experience into a few hundred pages loaded with wisdom and wit. While not a believing man himself, his reverence for world scriptures and figures of faith who have changed the world, from Moses to Jesus to Gandhi, is rare in books on film.

Also, Suber's coinage of "Aristolatry" sure could have come in handy in film school (I went to USC, grad level), along with many of his paradigm-shattering concepts. I only had one professor who dared say that some films may have four acts -- I think he got fired!

The Power of Film is a great book that will take a prized place at the top of my list of books about filmmaking.

Getting the book and reading all of the blurbs on the cover written by film experts like Coppola and several successful Hollywood screenwriters, I was a bit concerned that perhaps I had purchased an insiders handbook, which might prove too esoteric for the casual reader. The 'power of the book' Prof. Suber has written, is his ability to take substantive information and make it enjoyable reading. The book is written in bite size stories, alphabetized by topic, each insightful and entertaining. I often sat down with the intent of a quick read of one or two articles and discovered I had read seven or eight. The topics are easy to digest, yet informative enough to go back and read several times.
Certainly as Bill Cosby used to say, "Be careful or you just might learn something". Film students and pros, no doubt already know about(and swear by)this book, this review is for the rest of us, those who just like films. The Power of Film would make a terrific gift for lovers of films of all ages and is certainly a must read for anyone with film career aspirations.

Very good book if you don't have the DVD. Fills in many details not in the film. A must have for Bass Players.

I'm one of those Bass Players who discovered James Jamerson late in my bass playing life. Any young (or old) aspiring bassist should have this book. The 2 cd's that come with it are worth the price alone. Some of the greatest bass players on earth (McCartney, Entwhistele, Pallidino,Bob Babbit,Chuck Rainey..) paying homage to Jamerson and playing some of his famous bass lines. The great thing about it is that when played through headphones you get the bass in one ear and the rest of the mix in the other. I have actually listened to just the bass mix multiple times and marvelled at the Bass Lines. A must for any young Bass Player.

The book has some great stories and pictures and compliments the CD greatly.

I've always been a fan of Motown but of the singers, now I'm starting to realize I shouldn't give the singers all the credit, it was the producers, songwriters, and musicians who made the artists become hits. If it wasn't for the unique, special Funk Brothers who knows if the Motown artists would have become as successful as they did. It doesn't matter how good of a singer a singer is, if the music ain't right, the singer ain't gonna sound good. Its that something special about the Motown Sound that sparks something in our minds, hearts, and souls, the music complimented the singers excellently. James Jamerson was just a handsome, wonderful, real, interesting, talented person. Its sad he had to get recognition after he passed on. It seems the only way to become a legend is to die first then people appreciate you more, well this book taught me to love and praise people while their alive that's what keeps them going. All James wanted in his last days was recognition and to know he did make a difference in the world of music. This book taught me to appreciate the musicians, songwriters, and producers, the people behind the scenes, who made it possible for the music to become timeless, sometimes we give the singers too much credit.

It was interesting for me to read most of the Funk Brothers didn't even like Rock N Roll or Soul music, they were really jazz fans and wanted to play jazz, so it shows how gifted they were to still play soul music effectively even though it wasn't their cup of tea. Another reason why Motown sound is so appealing and fresh is because the Funk Brothers laced different genres of music into the soul music and tried new things with the music creating the Motown Sound, a sound in its own class.

My husband is love with this bass gautairist, and love this book and DVD combo.

James Jamerson is one of the top bassist of all time and this book will give bassist some insight to his genius. I never learned to read music, but I was born with an exception ear! I remember a long time ago, going for a job in a pit orchestra. The musical director was not all that impressed with my playing on the first day, because I didn't read music and I kind of fumbled through the rehearsal. I went home that night and learned the entire show from a tape. On the next rehearsal, when we started to play the opening number, the conductor stopped in the middle of the song, looked at me and said...."Turn up the bass!" ..this made me very happy, as I always felt a little inferior not being able to read :-)

The book covers Jamerson's story and shows many of his classic bass lines for those of you who do read. It's no walk in the park, but it's time well spent and will take your playing to another level.

The book comes with 2 CDs full of Jamerson's bass lines and many top bassist playing their favorite Jamerson tunes. It's all very interesting for musicians and non musicians alike and well worth the price! I never knew how much this guy influenced my playing until I really sat down and listened to him! What a great talent!