Performing Arts Books

I was one of many young kids in 1977 who was overwhelmed by Star Wars and who spent the next several years writing letters to ILM and John Dykstra trying to get a job! The whole thing just seemed like the ultimate description of fun.
I never got any responses but this book has made me smile allot. I'm learning so much about what was really going on while me and other slobbering, special effects wannabes grabbed our super8 cameras and made our little FX films.
I ended up as a cinematographer and know several others who now have impressive credits in the area of filmmaking...all due to our new found young love of filmmaking started by a little space opera in 1977. I have always wondered if George knows how responsible he is for the start of numerous film careers.
I really have enjoyed this book. Worth the read!

This is a great book, entertaining and intricate, which tells an important story. The guys a DroidWorks pioneered the digital audio industry that exists today. In 1981, I desperately wanted to break into computer music, having studied electronic music and electrical engineering. I visited Andy Moorer at DroidWorks in 1982, who gave me an incredibly generous hour long tour of the headquarters, and showed me the prototypes of their Audio Signal Processor.

I eventually did break into computer music when I went to work at E-mu Systems in 1983, where I implemented a computer audio editing system. I certainly wanted to have my own system like the astounding machines I saw at DroidWorks, and designing my own was the only way that I would ever get my hands on one. I invented the concept for the program "Sound Designer" and worked closely with Evan Brooks of Digidesign to implement this program on the brand new Macintosh computer.

Moorer and his friends blazed the trail for the whole audio industry, publishing and lecturing extensively on what they had done. Today, tape recorders exist only in museums. All movies, sound effects, and music are produced using digital systems, and DroidWorks showed the way. There were many other people working in digital audio, but few published as much, or were as bold, or had such a broad vision of how far the technology could go to replace the existing technology, or how dramatic the new technology could be.

It was as vivid as a Lucas Film movie, and as futuristic, but it became real.

I am a borderline technophobe whose mind goes blank whenever I am forced to read any computer product user's manual. The brains of the people that write these things are obviously wired very differently than mine. The leaden, sterile word choices and phrases used by this engineering culture make the sense of disconnect even worse.
The good news is that I finally have found an Electronic Moses to lead me to the promised land. His name is Michael Rubin. "Droidmaker" is a remarkable book, bringing the story of computer animation to life, allowing non-technical people like me to understand how this process evolved. The photographs of the people and events involved in the story are particularly well chosen.
This book is required reading for anyone with a basic level of curiosity on how the digital revolution came to be. There isn't another one out there like it

I can't tell you how much I enjoyed this book. If you have a passing interest in modern movie making, the history of Pixar, or are a fan of Star Wars/George Lucas, you really have to read Droidmaker. The first half, dealing more with Lucas and the history of Star Wars is probably a little more accessible, but the back half, with its detailed telling of the evolution of Pixar and other Lucas-driven technical innovations, is equally fascinating. Oh, did I mention all the stuff about video games? Seriously, this is among the best books I've read in the past five years.

For anyone who is inspired by the use of technology for creation of art, this book is wonderful. I enjoyed learning the connections between computer, film, and sound pioneers, and how they inspired each other.

This is a beautiful and lovingly produced book of George Harrison's life in pictures with comprehensive articles and tributes written about George and heaps of great photographs and more. George's wife, Olivia Harrison wrote a moving personal Foreword that brings tears to the eye and touches chords of hearts. No George Harrison fans could miss this much sought-after item. However, whether or not you are a George Harrison or Beatles fan, this is a great book to read and a wonderful gift to give.

Geroge is consider one of the quiet one in the band "i think" but not on the music, his talent surpass any
other musician and is really sad not to have him anymore . In this book you'll find a great deal of pics since
the Beginning and from his solo career , a must have book to put in your collection

I must challege Candace Scott's remark in her review :

"But it's a stretch, to put it mildly, to place Harrison in the same league as Lennon & McCartney as a songwriter. Ouch! I love George as much as anyone, but still expect truthful history to be written"

I agree, George should not be placed in the same league as Lennon & McCartney because he was totally in his own league ! What is Candace making the comparison to here ? It was George, partially inspred by Pattie, his first wife, who led the other Beatles into the rich Vedic culture of spiritual India that inspired so many of their finest musical and lyrical masterpieces.

So in that context, the "truthful history to be written", is that George was even partially responsible for some of the finest compopsitions of Lennon and McCartney.George gave great emphasis to the chanting of the Holy Names of the Lord, as in the chanting of the Hare Krishna maha-mantra, as found in "My Sweet Lord", and "It Is He ( Sri Krishna )", which is the ultimate function of music, according to the ancient wise sages, gurus and spiritual masters . This Krishna mantra has helped millions of people to give up harmful drugs, animal killing, etc...How many song-writers are doing that with their music today ? George was the innovator, to turn scripture into pop songs. He was divinely empowered and had the integrity to do this, not caring if he was "fab" to the eyes of the masses, unlike anyone before him.

To minimize George's ability as a song writer in anyway only helps to disclose one's own superficiality, and lack of spiritual consciousness.

George's songs overflow with essential messages of the futility and temporality of things material, such as "All Things Must Pass", the dangers of becoming too materially attached "Beware of Darkness" , the concern for living in harmony with this planet "Save The World", etc...

In "Isn't It A Pity", George gives the essence of spirituality, by prompting us to develop equal vision and gratitude toward all beings, including animals :

"Some things take so long

But how do I explain

When not too many people

Can see we're all the same

And because of all their tears

Their eyes can't hope to see

The beauty that surrounds them

Isn't it a pity

I was very disappointed by Candace Scott's inabiity to see that "beauty that surrounds her" and lack of gratitude towards the very substantial and deep contribution George made through his music in transforming the lives of millions of people. I went on to become a Hare Krishna monk over thirty years ago because of his music, and devoted the best years of my life to feeding free vegetarian meals to tens of thousands of people, helping others off drugs, and so many other volunteer activities.

George Harrison is my first guru, and awareness of his contribution to the upliftment of the world will only increase as time goes by. Please read this book for it's deeper purpose.
gaura_acbsp@yahoo.com

For the recent Birthday of Georgie Boy, I can review this item as the best way of remembering one of the best humans that have ever walked this earth.

Having been a "LLOG" (Lifetime Lover of George)I have read plenty about him. In general, his music is the best way to get to know George: it is unique, multi-textured, honest, witty, loving and spiritual. However, for reasons I certainly can't fathom, generally his post-Beatles work (with about two exceptions) got no respect!
Of course I loved the photos, but in my opinion the written tributes from his wife, Olivia, and his friends/fellow musicians are what sets this book apart. Paul Simon's is particularly descriptive: I felt as though I was visiting Friar Park (the Harrison's home in England) right along with him; walking through George's beloved gardens, sitting in front of the fire, listening to an impromptu ukelele concert, receiving a thoughtful surprise upon returning home to the U.S. "He wasn't particularly quiet, he just didn't DEMAND to be heard." Beautifully put. (Note to Paul Simon: you just might have a second career there; I would buy your first novel!)
This is also a great book for aspiring guitarists, as it gives mini-descriptions of particularly noteworthy ("Essential") Harrison performances, illustrating the subtleties and unusual but brilliant choices George made (at times even innovative or ground breaking) musically. People who previously believed that Lennon and McCartney were the ONLY geniuses in the Beatles will re-think that belief after reading this section particularly: they might even listen for certain passages in certain songs and think, "YEAH, WOW! That IS amazing!" They might give George's solo work (besides "All Things Must Pass") a listen and be pleasantly surprised. But we "LLOGs" have heard and appreciated the subtle brilliance of George Harrison all along.
This book is a must-have for any George Harrison or Beatles fan, or any guitar or rock history aficionado.

Excellent parody of those military, natural disaster, camping survival guide books that by the end of it has you ready to survive when it suddenly dawns on you - hey this situation looks like I'm in a horror movie! Oh no what do I do? If you're not sure you are in fact actually in this situation a handy chapter at the front will allow you to be sure.

Various chapters that follow are Slasher Survival School, where you'll learn about the five types of slashers and how to defeat them. What to do if you did something last summer, how to survive a night babysitting and much more. Inanimate Evil - The Manmade Instruments of Death teaches readers how to survive a haunted house, an evil vehicle, killer doll and importantly how to tell if an object is indeed evil. Crypt-Ography-Ghosts, Zombies and the Reanimated basically teaches you how to survive against various undead foe. Plus this chapter makes a good point against those killing zombies not really being "big man" type heroes, pointing out how slow these things move, their minimum brain capacity meaning you could just run away instead of stupidly barricading an isolated house and so forth.

Fangs of Fury - Aliens and Beasts tackles space set movies, aliens, as well as animals back here on earth. Chapter 666 The Satanic Versus-Curses Demons and The Devil Himself teaches those rural readers amongst us what to do if your cornfield is infested with children. For everyone how to perform an exorcism, what to do if you've only got 7 days to live and the biggest task of them all, how to defeat Satan, where girls, you'll learn the male population, well if you come across Satan you'll be wishing you were a man.

If humorous human peril survival guides against what we hope we will only ever come across in the movies, is your type of thing, also get Max Brook's The Zombie Survival Guide: Complete Protection from the Living Dead as well as Daniel H Wilson's How To Survive a Robot Uprising: Tips on Defending Yourself Against the Coming Rebellion.

The Superman Handbook: The Ultimate Guide to Saving the Day and The Action Hero's Handbook: are also good tongue in cheek entertainment themed survival guides. Whilst not survival guides How to Rule the World: A Handbook for the Aspiring Dictator and Hardly Working: The Overachieving Underperformer's Guide to Doing as Little as Possible in the Office are also good and written in the same sort of tongue in cheek style.

This book is hilarious and so well-written. I picked it up in a theater gift shop while waiting for friends, and ended up buying it to give to someone who loves horror movies. But I had to read it myself before passing it on. It's great - so funny.

This Book is hilarious from the begining till the end. Basically all the questions you ask yourself while watching a horror movie is in this book.The writer covers everything like the rules in I know what you did last summer.Do not read this book in company of people they will think you are nuts for laughing constantly.

I have to hand it to the author, he certainly knows his horror movies. This book was fun to read; very entertaining and brought back a lot of memories about many of the horror movies I'd seen. If you want some light, funny, laugh out loud reading, this is a great book to read. I'm still boggled by the author's knowledge! Fun read!

As the senior reporter and reviewer for horror dot com, I have seen *a lot* of genre spoofs in my time; but I must say, this book is not only a must-have keeper for any horror fan's library, it's a great gift for friends. I bought a dozen copies. Seriously. (And because of that, I'm doubly-doomed -- wait till you read the part about "how you got this book" ... it's hysterical!) In addition to being just a plain funny (and nicely illustrated) book, the foreword by Wes Craven is worth the price alone.

I met Larry Flynt once. It left an impression on me. It wasn't good. The man just seemed to have sleeze permeate out of his pores. And he seemed all spaced out, like way too many drugs had interacted with way too much debauchery, intermixing in a personality that was pretty degraded right from the get-go. What must it be like to work for such a man?

Allan MacDonell knows, and he tells all the dirt in PRISONER OF X. An inside story of the man who rose to top of the pond scum at Larry Flynt Publications, it is a story well worth reading, boys and girls. Well worth reading.

For some quirk of personality that would require years of therapy to explain, MacDonell had always wanted to work for a smut mag when he finally landed the job at Hustler. What he found was a work environment that was akin to a school of piranhas, with each fish trying its hardest to eat the flesh off of anyone higher up the ladder. And with Larry himself often enjoying the spectacle, like a Roman emperor enjoying the modern day gladiators of smut trying to take one another down. Amazingly, the dude lasted 19 years.

During that time, MacDonell met his share of pornstars, celebrities, and, of course, downright degenerates, many of whom were on the payroll. But many were more famous, and no details are spared. Even if you are familiar with the Godfather of Soul's reputation with the ladies, you wil still be really, really alarmed at what you read here. MacDonell also was there for some of the high times, like when Hustler took down Congressman Livingston, who was set to become Speaker of the House, or the offer to Jenna Bush to pose naked for a cool $10 million.

Often hilarious, often mermerizing, PRISONER OF X also often leaves you with the same feeling as you have after looking at porn. You known, all empty inside and a bit embarassed. But for some reason, you keep going back, don't you? Yeah, you know you do. And you want to check out this book, too. Don't you? Well, do it. It won't leave any permanent damage.

This is an interesting book by a writer who worked his way up the ranks at Hustler magazine for twenty years. He's brutally honest about the inner workings of the magazine including his descriptions of the pedophile Dwaine Tinsley and the sociopathic Larry Flynt, as well as about his own moral and social failings. This is good reading for anyone interested in the history of the magazine or in learning about what it was like working inside the porn magazine industry during the latter part of the Twentieth Century. As to be expected it's sexually explicit so if that bothers you, you might want to skip this one. The sexual descriptions were not gratuitous and I felt they were necessary for the honest story-telling this book provides.

You'll laugh, you'll cry, you'll wish that once in a while you had actually read some of the articles. This book is as hilarious as Hustler often was during Allan's tenure. A common misconception about this book is that it is about Larry Flynt. This book is not about Larry Flynt--it is about Allan MacDonell. If you want to learn more about Larry Flynt, you should probably visit his website. If you want to learn more about what it is REALLY like to oversee the day-to-day operations of America's most notorious stroke rag--penile scabs and all--then this is the book for you! My only complaint about Prisoner of X is that Allan has not yet recorded an audio-book version, but that's coming up next, right Mr. MacDonell?

Is it possible to write a book where the main character is yourself and you are the hero only because everyone else is insane, a sleazebag or just generally unpleasant? The author, MacDonell, at least, proves that you can. I kept thinking, "Boy, this guy's a jerk," at the same time I feverishly sped through his 20 year memoir of working at Hustler magazine. The stories he tells are at times shocking, sad, hilarious, occasionally boring (but these bits pass quickly), titillating and raucous (hey, kind of like Hustler magazine itself!). One can't help but feel for the guy at the same time one might not want anything to do with him.

The first half of the book is probably the toughest on his character (and interestingly he doesn't spare himself much). He was abusing drugs, women and himself, paranoid that he would be fired on a daily basis, and basically existing hand to mouth on his low wages (dating a girl at one time because she owned a VCR!). At a certain point time (after a particularly scaring DUI incident) he gets cleaned up and doesn't even drink. It's somewhat downplayed, but his success at the magazine soars at this point.

While he bashes almost everyone, (name dropping Dennis Hopper, Frank Zappa, who at times were friends of Flynt or connected to the magazine, and he cares for neither), he is particularly nasty to his fellow inmates at the asylum and of course hardest on his pyscho boss, Larry Flynt. (Once again these people probably deserve even worse criticism), but it would be nice to hear a more good tales (he admits at one point that his staff - when he rises to power - was actually a good one).

Comparison's have been made to Hunter S. Thompson, and while I think these are somewhat accurate as far as characters and subject matter, that should not indicate that the writing (and or editing) is nearly in that league. The book feels a little flabby (and repetitive near the end), and probably could have been 50 pages shorter.

Another complaint is no photos - it would be nice to know what some of these people looked like. The great cover art is by Daniel Clowes but there are no further illustrations (that would have been better than photos!)

Besides all the juicy gossip about the mag there is also some poltical stuff that is very fascinating (as they destroy one Republican senator's career, defend Clinton and try to trash Bush (Jr.). If you've ever read the magazine this book will be of interest to you. Even better on the porn industry itself is "The Other Hollywood: The Uncensored Oral Histroy of the Porn Film Industry" by Legs McNeil (also reviewed by yours truly).

Although the prose is a little self consciously rich at times, this is the most laugh out loud funny book I have read since Howard Stern's Private Parts memoir.The most inside look at not only Flynt and Hustler but the entire porn scene from the 80's and 90's. His description of porn legend Tori Welles on page 118 is uncanny-"Complexion the color of cinnamon or bourbon, brunette mane of body and bounce, flaunting the defiant cheekbones and chin of an urchin empress, the sublime Ms. Welles stepped with the self-assurance of the lifelong stone fox." (See what I mean about the prose?) When he's done describing her, you will know exactly what she looked like and what her sexual magnetism was all about even if you have never seen her. Hilarious, insightful, sarcastic. Would make a great movie.

This book really helps me learn all the ballet steps and poses. Anyone can read it and understand it. It teaches different styles, such as Cechetti, Russian, etc. I highly recommend it for any ballet lover at any level. This book is an EXCELLENT tool.

If you are a learning (or even trained) dancer,, you should definitely buy this book. Teachers- you should keep a copy in your studio library. My old dance teacher introduced me to this dictionary, and I continued to use it in my college dance classes and when I taught dance on my own.

It's small enough to slip inside your dance bag, so you can take it with you to class. It's a fabulous resource for terminology, which is priceless to learning dancers. Because, there's nothing worse than going to a class when the teacher is of a different methodology. This one features several, including the more popular methods, like Cechetti. There are also some drawings to help you understand more clearly.

This book will help you learn all your arabesques, positions, and more.
A great tool!

It helped me visualize my eight body positions in order to put them in practice. It also helped me with spelling of different positions.

This book best serves those who have had enough experience with ballet to be able to understand the terms within the definitions themselves. Almost all ballet terms in this book contain other ballet terms within the definitions, and pictures are minimal (positions of the feet/arms, body in space, head, stage terms). If the dancer is not familiar enough with ballet terms, technique, and form, then this book can be overwhelming. I recommend this book to all teachers as well as teenagers who are serious about ballet (it's a must have). For younger students (9 years old and up), I recommend any ballet book that contains basic terms as well as pictures showing proper form/execution of these terms (pictures will also include proper alignment and proper turn-out as well as a clear explaination on how to work toward both).

First published in 1950, this ballet reference guide has stood the test of time. Who's it for? Ballet students and teachers, choreographers, or any ballet enthusiast. Here's what the book covers:

-descriptions and definitions of over 1100 ballet steps (in alphabetical order)
-how to say the darn words (worth the price of the book alone!)
-illustrations showing you body positions for the more common ballet steps and movements
-cross-references to other names for similar steps/positions that vary from the Russian, French and Italian schools

A must have book that can easily be toted around, I doubt most readers will regret buying it. Other ballet resources I recommend include The 5-Minute Plantar Fasciitis Solution for practitioners who have trouble with their feet.

After graduating from film school, I had no idea how to start my career as a writer in the film industry. "The Writer Got Screwed" not only showed my how to start my career, but showed me the different kind of careers which exist for Writers in the Entertainment Industry. Most books don't explain what WRITERS working in the entertainment industry need to know: THIS BOOK DOES. If you want to work in the legal department of a studio, take classes in copyright and contracts. If you want to work as a writer in the entertainment industry, THIS IS THE BOOK FOR YOU.

Very few books explain how to start your career, the different forms of representation (agents, managers, and attorneys), how to protect your work (copyright registration vs. registering with the WGA), how to protect yourself (contracts-what do they mean?) and give lists of available resources (scholarships, WGA approved agencies, production companies, legal resouces/attorneys) for writers working within the entertainment industry--"The Writer Got Screwed" delivers on all of these areas. Whether you are working in film, television, feature animation, soap operas, or interactive, "The Writer Got Screwed" provides interviews with writers who work in these areas and valuable, RARELY FOUND, information regarding how these started their careers. This book is a terrific, must-have book for anyone who wants to write for the entertainment industry, and now is joined by a companion website at [...].

This book is one of those needles in a hay stack. It's not out there like all the other books for writers. But if you find it... you have found gold. It is written so that it is easy to understand and has tons of great information in it. A must have.

There are a lot of books out there on writing for the entertainment industry, but this was the one book that got me started. A lot of writers tend to pass around gossip and poor information, but this book set me straight from the beginning, and is now joined by Wharton's website/blog: brookewharton.com(rated in top 10 for film blogs). This is the one book that anyone writing for film or television should START WITH. I'm mystified by a previous reviewer who said that Wharton doesn't talk about the WGA (there's a whole chapter on the guild), and also that she doesn't discuss acquisitions vs. development (it's called spec sales vs. assignments in the 1st 10 pages of the chapter on writing for film). Clearly this person couldn't have read the book. If you need real answers, buy the book.

Given all the 5 star ratings, I expected better. Not that this isn't a good book, but it depends on the reader's sophistication. If you don't know anything about some of the basic legal and business aspects of the publishing biz, this book is a good start. On the other hand, if you're a detail oriented person who really wants to dig in deep into this subject, you may find the content a bit light.

This coverage of the making and cast of the show Xena: Warrior Princess is downright hilarious. Granted, I have an odd sense of humor, but you can tell that the author went out of his way to make this as entertaining as possible. There are lots of spiffy pictures, and two sections of large, full-color photos. The cast bios are particularly interesting, in my opinion; many things you might not know about these crazy actors/actresses (ie. apparently, Ted Raimi is a fantastic swing dancer; who'd have guessed, oh, wait, I always have...never mind). There are little mini-interviews and comments scattered throughout the pages, along with amusing production anecdotes, and episode synopses in the back (paired with commentary by Lucy Lawless/Xena). My only complaint is that this book only covers the first couple seasons. Perhaps there's an upgrade version that I missed, and if not, there should be. I highly recommend this book for even the casual Xena: WP fan, and particularly the rabid ones, though if you're a rabid fan, you probably already own this...

....being a hardcore nutball Xena fan ranked for me - but only for a short while - among the highest!But then,now that I've embraced this pleasure wholehartedly, let's put things like this: if anyone wants to understand the ideological linings of postmodernity, understanding the Xena phenomenon provides one of the shortest roads, and if anyone wants to study XWP one has to begin gathering extra information here. I would recommend, however to order this book with Ariele Dorfman's & Armand Mattelart's _How to Read Donald Duck_, if the purpose is scholarly; if you just like Xena, order the two neverthless.

What can I say? If you love Xena, you gotta have this!

Robert Weisbrot's paperpback book `Xena: Warrior Princess, The Official Guide to the Xenaverse' is an entertaining and informative presentation which chronicles the first two seasons of the immensely popular television series that lasted six delightful seasons.

Making good use of the same format used in his episode companion for the Hercules series, he provides not only a synopsis of each show from season 1 and 2 but also loads of behind the camera information providing the reader with a thorough grasp of what is involved in bringing the Xenaverse into existence.

Definitely an enjoyable and informative read sure to be treasured by Xena fans everywhere. The only question I have for the author is "When are you going to complete what you've begun and release a follow-up covering seasons 3, 4, 5 and 6?"

This book is great. I have the Warrior Princess Costume all ready! Lucy Lawless Looks sharp on the front cover of this book and I got this with my staff at the Joyce Warner House... I really have to say is that it has great pictures! :) <3Cheeeeeyyyyaaa!Young Xena Warrior Princess

If you can get past an idiotic short introduction by Bill Murray, you'll enjoy a wonderful experience. Billy Collins has created true poetry that will make you think and laugh.

I heard Billy Collins speak in Wellington early one chilly Sunday morning. He commented that he was amazed anyone would want to get out of bed and listen to him on such a cold day ...he wouldn't! Of course we all thought it worth the effort, nothing beats hearing a really superb poet reading his own work superbly.I heartily recommend this cd, it's always in the most played pile near my cd player and on my ipod,so that I can listen to him any time.
A great selection of his work and interesting pre-ambles before each poem.

As always, Billy Collins is above and beyond in his poetry readings. Great humor, great heart and an accessibility rarely found in intellectual circles! You will fall in love with him and with poetry all over again.

This is a figure of speech of course - once upon a time... never mind, but you'd burn your dinner or if it's cooked, then the food on your fork will miss you mouth, if you try to cook or eat as you listen to Billy Collins read. It's a treat.

My high school students fell in love with Collins. Even the chronically apathetic perked up during his reading... use this in your classroom, and follow it up with selections from Poetry 180. You'll be glad you did.

I am not your typical book reader ,but after finding a book about your favorite comedian I could not resist.This was litterally the first book I read in over 20 years.I loved the book and was well entertained.I now have a more insight on how Robert's last decade really was.

It's always encouraging when someone beats cancer. And non-Hodgkins lymphoma is especially tough to overcome. Robert Schimmel had the advantage of age, good health, and caring support in his battle. And no doubt his determined sense of humor helped a lot too, besides bringing a welcome uplift to his fellow chemo patients. His book demonstrates that humor grows out of even the direst situation and that horniness survives all assaults.

There are no profound lessons in this volume beyond illustrating that mental attitude can make a bad time a little better. And whether attitude influences healing or not, it usually just feels better to be positive than negative.

I started reading after lunch today, and couldn't put it down. The writing is compelling and real, and inspiring in so many ways.
I am grateful that Mr. Schimmel lived through it all, and even more grateful that his book enriches our lives by reminding us about what really matters. As a survivor myself, and having lost many relatives to cancer, the book had my emotions all over the place...but through it all, the humor prevails. I can't remember ever reading a book that had me laughing and crying at the same time.

This book is in my collection after seeing him on Conan, and it's going to get a lot more readings from here on out. It's a keeper.

Robert has been one of my favorite comedians since the mid 80s. This is a very touching book. It sounds cliche, but it'll make you laugh and it'll make you cry. Being one of the worlds top comedians he is really able to tackle such heavy topics in a amusing way.

Definitely a must read for anyone experiencing something similar or for any of his fans.

Humor is a gift, and Robert Schimmel has the gift.

While some readers might think: "Cancer is no laughing matter", Schimmel's story shows how the use of laughter can lead a patient through the terror of cancer diagnosis and the devastating effects of treatment.

If you or someone you know has heard the dreaded words: "You have cancer", get this book. It's absolutely inspiring, and will help you to laugh through your tears.

Exhaustive variations, small printing and illustrations, pages jam-packed with examples. Good for the price; some readers will probably prefer a more modern volume. Talented author. Worth a look.

This the best cartooning book around. A classic. A must for entry level cartoonist or professional.

I'm always looking for the perfect book of whatever variety, & speaking as a former library employee, a cartoonist & art teacher, Jack Hamm has written THE book on cartooning. It is so packed with examples & not so much text, as it should be, it has tips & then TONS of examples. The style ranges from early American cartooning style to 50s/60s modern style. Fantastic examples of different expressions, hand positions, walking positions, drawing women, all of it. All good. If you want a great guide for old fashioned American cartooning, this is the one to get. Then get the Preston Blair book from Walter Foster.

This book is full of great ideas and tips. There's plenty for the beginner, like little tutorials on highly-stylized eyes or noses or mouths, or straightforward examples on common poses, but it's not just a book for beginners. There are a lot of highly-finished drawings as well, and examples of moving from simple to more complex drawings. Plus tips on various penciling and inking techniques, and various cartoon genres. All in all, there are literally thousands of examples and sketches, enough material to keep anybody busy for a long time. I've pulled this book down from the shelf more often than any of my other numerous drawing books, and I've filled page after page with exercises based on the material. A classic and worth far more than its price.

If you're a cartoonist this is a book you have to have. It has been in publication for quite a while but nothing better has been created in the way of a great, all-purpose reference book. I've gone through a couple copies of this book and no matter how many times I looked at it I was still able to come up with ideas. Whether you're just starting out or have been doing cartoons for years you should have a copy of this book.