Oklahoma Books

The book x-files "voltage" by Easton Royce was very well written and had many issues and events to deal with including suspence. The story starts off in a small Oklahoma town when a 17 year old boy is struck by lightning and is able to tame electricity...
A must read book for all ages that will get you hooked!

This book is written extremely well throughout. It is the kind of short book that you feel you want to and should just read all through, from front to back. I almost did (if it wasn't for starting it late at night!) It is almost exactly as the episode on TV portrayed it, which is also a good point. Well worth a read even if you're not an x-phile, if you are, then it's a must-read book.

This book is rally good because it has a good climax. The story they give is expression because Darin loved Mrs.Kiveat and he wanted to show her how he feels.Darin has power to make ligthing strike any time he wants.The book is good I recamended.

How is lightning so accurate to kill residents in a small Oklahoma town every time it strikes? Lightning can't do that...can it? Ask Darrin Oswald, a big video game wiz, but a big geek who has a crush on Sharon Kiveat, married to Frank Kiveat. His crush won't go too far...will it? Does he have any paranormal powers? Naw...that's Mulder talk, a boy can't make lightning. Right?

While I had to use this book for a class I particularly wasn't interested in - Western and Cowboy Art - with this book, I have actually began to appreciate its contents for what they are. The book has some amazing paintings and sculptures included as well as details about the artists and information about the art included within the book as well as some other art by the artists. It has a good sampling of Western art from George Caleb Bingham to Frederick Remington and has a wide variety each artists work so the reader can get a good idea of how the artist worked and what sorts of pictures they favored. I only gave it 4 stars because of the subject matter, but all in all, a very good book.

An outstanding work by an outstanding scholar. I too am a former student of Dr. Goetzmann -- twenty years or so ago. His work really changed the way I look at America -- American history and American landscape. Try to rent or buy the PBS television show this book went with....

I first read this book as a student in Dr. Goetzmann's undergraduate class at the University of Texas at Austin. Although not an Art History major, this is the best course I have ever taken. The book is an excellent compilation of the influence of History/Culture on the Art of the American West. There is also a PBS series which accompanies this book. I highly recommend both. I keep this book on my coffee table, and enjoy reading it regularly.

As of this writing (Aug. 2002) this fine book is out of print, and shouldn't be. It is an informative and well illustrated survey covering almost 200 years of pictorial representations of the American frontier.

Because of my interest in the mythology that developed around the cowboy, I found the chapters on Frederic Remington, Charley Russell, and Buffalo Bill Cody especially absorbing. Magazine illustrators who further developed imagery of the "wild west" are represented here in discussions of N. C. Wyeth and Maynard Dixon.

On a parallel track, the authors give a chapter to the early silent Westerns, highlighting the careers and contributions of Tom Mix and William S. Hart (a precursor of Clint Eastwood). Another chapter is devoted to the Hollywood Western during the sound era noting similarities between Remington's imagery and that of director John Ford. There's also a discussion of the evolution of western movie themes from "The Virginian" (1929) to "The Ballad of Cable Hogue" (1969).

This book is a rewarding study of the American West as its visual artists inspired the imaginations of people around the world. Definitely worth having.

This is the best resource available for an overview of America's eight National Scenic Trails. It is a MUST for anyone with an interest in our National Trails System.

This is one of those rare travel books that will inform and entertain the armchair traveler while at the same time provide invaluable information to the trekker setting out to explore one of the Congressionally sponsored National Scenic Trails. Congress established the National Trails System Act in 1968 for the purpose of creating a trail system that would provide long-distance paths through some of the most scenic country in America and preserve trails that contributed to our history. Since 1968 the trail system has designated twelve national historic trails, some eight hundred national recreation trails and eight national scenic trails. This book focuses on the eight National Scenic Trails in the system and is a great guide to the almost 16,000 miles they encompass through 30 states. The trails range in length from 694 miles (the Natchez Trace National Scenic Trail) to the 4,300 mile North Country National Scenic Trail. The trails, due to the diversity of their locations, can be traveled in all four seasons and contain some, if not all, of the best scenery and animal life, not to mention historical significance, that the United States has to offer. The National Scenic Trails are Appalachian, Continental Divide, Florida, Ice Age, Natchez Trace, North Country, Pacific Crest, and Potomac. The book is a combination travel guide and history lesson that is written in a highly readable, fact-filled manner. For each of the eight trails there is a history of the trail, a description of the trail today, a list of points of interest, detailed maps, state-by-state tourist information, a listing of the total mileage of the trail, and the states it traverses. For those of us that probably will not attempt to walk the Appalachian Trail "straight through"(it's 2,144 miles long!) the author thoughtfully gives suggestions on where one can enter the trail at numerous locations and walk for a few hours with time for a picnic lunch. This is a splendid general reference book for the National Scenic Trails. For the reader desiring more specific information on any of the trails the author has included a complete, up-to-date listing of all state and public land agencies, an exhaustive bibliography, an index, and 87 color illustrations and detailed, yet readable, maps. June 2nd is National Trails Day and what better way to learn about those national treasures that getting a copy of this book. This is a perfect example of the quality publications one can expect from the University of Oklahoma Press. Armchair travelers and wanderers of all types will be delighted.

This book provides and excellent overview of eight National Scenic Trails, from the Appalachian to the Pacific Crest Trails, and including the Natchez Trace, Potomic Heritage, Florida, Continental Divide, North Country, and Ice Age Trails. Each trail gets a separate chapter, and within each chapter we get an historical overview, what each trail is like today, and a fairly comprehensive listing of points of interest for each NST. Maps are also included, though they are not very detailed.

Some of the trails will probably be familiar to most people (the Appalachian and Natchez Trace, for example), but others may not be. I'd never heard of the Florida NST until reading about it here; it stretches from Big Cypress Swamp in the south all the way up and over to the western end of the panhandle near Pensacola. The North Country NST, one of the newest of the trails, is still very much under development and incorporates many local trails in state parks and national forests in the seven states it crosses (NY to ND). The Potomac Heritage NST runs over much of the C&O Canal Towpath along the Potomac River, where there are many historical points of interest.

Armchair travellers might find this book more pertinent than hikers: those in the field might want more detailed information than is provided here. But for anyone planning on hiking any of these trails, or part of them, you will find much good material here to get you started and direct your attention to the more general things you can expect to encounter along the way. The book is well-illustrated, has an excellent index, and is printed on slick, sturdy paper. Highly recommended.

"Annie's Soup Kitchen" would make a dynamite movie!
Here's a game I invented, and played as I read the book: Choose the movie stars you would cast as members of the Soup Kitchen gang. Samuel Jackson as the General!
Can you beat that?
And here's another idea: Get the book to those movie stars. Samuel Jackson, where are you? Here's your role!

Annie, we love you! Who else but a nonagenarian Irish woman straight from the Age of the Potato Famine would undertake to nourish the bodies and souls of the multitudes, the castaways of society who populate a soup kitchen in the shadow of the Valley of the Rich (notorious Orange County, Calif.,where never is heard a discouraging word over the sound of Hummers in the morning, Hummers in the evening). Annie, you're a saint! Tubs of food, tanks of pasta, bushels of greens resurrected (like the souls you cherish) from the supermarket dumpsters (yes, vegetables have souls, too--don't we talk and play Mozart to them?).

And what a motley tribe who feed from your table of viands and inspiration. In fact, filled with your spirit, they conspire with you to subvert the establishment--an oil company, a food-packing company-- Ladies and gentlemen of the jury, you don't want to miss the scatological just desserts channeled by mysterious means into a food-packing company. (Ahem, I use the word "desserts" advisedly--don't try this at home, without professionals at hand.) Or the disbeliever brought low by the burning bush, whence speaketh divinity. Poor Betty, she'll never badmouth a person of color again. Or the General--now here's a dude with his mojo mojing. When he sniffs the air, the birds listen; his magic hands choreograph the powers that count against the powers that be; he speaks his own mojo language--those who have ears let them hear, those who have eyes, let them see. He will invoke imprecations and maledictions on the non-readers of Smith's pages: why, I had the audacity to put the book down in an unguarded moment, and the heavens thundered against me. I barely escaped His wrath by feverish catching up. Beware. These powers are best not affronted.

But sometimes even magic, the will of a Saint, and the best laid plans of cagey conspirators are not enough to cleanse the dross of the world, to transmute the lead into gold. It takes an act of divine nature--all those politicians, all those media hounds, all those wanna-be's who wanna prevail by prevarication and jumping on the bandwagons of the holy. We see it every day. Here's someone doing GOOD. Let's act like this is our bandwagon. Annie's Soup Kitchen, like all mythic books, is REAL. You'll know it when you see it. Everything in it happened, just like you saw it on the evening news, only without the fictionalizing. The rains fell, the dams broke, the unwashed masses were washed in a universal baptism, and the world tried to reconstitute itself under the new order. Only Grady, like Ishmael, is left to tell the tale.

So, read this book: fall under its spell, or try in vain to escape the conjurings of the General: he knows who buys, and he knows who only window-shops. He's tapped in. The lookers-in-windows live in glass houses. Fortunately, they're only a stone's throw from the Truth and a good meal.

Once in a while-not often-a writer comes along with a voice and a story so good-humored, hopeful and compelling that the reader's world-view is changed for the better. Lawrence R. Smith is one of those writers, and "Annie's Soup Kitchen" is one of those stories. It might fall roughly into the category of magic realism, but it's more accurate to say this book is just plain magic.

The cast of well-drawn, unforgettable "marginal" characters starts with Annie O'Rourke herself, a ninety-five-year-old nurse who runs a soup kitchen from an abandoned lot by the railroad tracks, and includes hard-nosed Betty, who undergoes a startling conversion after talking to a burning palm tree out back (who says miracles can't still happen?); the General, a powerful black man who delivers mystifying monologues while wearing knee-high rubber boots filled with soapy water; John DeLorean-is it that John DeLorean?; and a host of other mostly good-natured eccentrics. In response to a frightening "shadow plague," they form the monkeywrenching Magnificent Seven in an attempt to stop the disease at its environmental source. Though antagonistic, the authorities are impotent against the power and good-will of these quirky and magical souls.

Especially in these dark and discouraging times, "Annie's Soup Kitchen" is a wonder and a joy.

WOW!

This book not only shows you the relationship between politics and war but also uncovers the real reson why politicians do what they do. Pitney uses well known events as examples to support his writing. From Nixon to Clinton to Newt, Pitney discusses their triumphs and pitfalls, and what they did to achieve them.

The Art of Political Warefare is not just a guide to war and state and local politics but can be applied to corporate politics as well. I am requiring my staff to read it.

John, keep up the good work!

This unique book breaks a lot of new ground as a practical guide to modern political campaigning, but it has a greater hidden value: "The Art of Political Warfare" is a manual, of sorts, for those leading the global war against terrorists. Pitney takes the elements of military conflict - strategy, leadership, coordination, morale, deception, intelligence and the rest - and applies them to politics. A politician who follows this guide is likely never to lose a race.

More importantly, this book illuminates the battlespace for those involved in fighting terrorism around the world. It shows the warfighter how the strategic application of political warfare, as part of an overall military strategy, can often be far more effective than ordnance and bullets in achieving military objectives. The terrorist enemy already knows this lesson. It's time the civilized world learned it and practiced it. Pitney helps show the way.

In light of the recent election and it's fallout, we've all become familiar with the use of military terminology in political commentary. In The Art of Political Warfare, Pitney shows how similar the philosophy and strategies are in these two seemingly seperate arenas. Perhaps Pitney's greatest achievement is writing a book that is clear and interesting enough for anyone to enjoy while also breaking new ground and writing on a level suitable for academics and political experts. Anyone who truly wants to understand American politics in the 21st century simply must read this outstanding work.

Dude, H.W.F. Saggs you are THE MAN (Notice how THE MAN is capitalized). This book really dishes out the skinny on ancient Mesopatamia, and homey take it from me this civilization is DOPE!! He begins by describing the studs(archaeologists, historians,etc.)who rediscovered a lot of the ancient Mesopotamian stuff. Then he breaks it down from the neolithic all the way to the end of the superfly Neo-Babylonian Empire. Saggs style is quite lucid and the pics add a lot to the material Saggs presents in this work. He really does an awesome job at introducing the amazing civilizations that made up ancient Mesopotamia. I especially like the part with the III Ur that dude Shulgi was totally sweet!! Saggs you must be butta' cause you on a roll!! In other words I highly recommend this book.

Saggs puts together a very intriguing review of life in Early Mesopotamia, using archaeological evidence and historical texts. I thoroughly enjoyed this book, even though the title is a bit misleading. I highly recommend this book to any student doing research on the early settlements in the Sumer and Akkad region. The book covers briefly the Uruk period and in much more detail the Agade , Ur III, and old babylonian periods. Another book that you would also find of great interest is H. Crawfords book called "Sumer and the Sumerians". She examines the Uruk period in more detail than Saggs. Both books are of great value Professor, Student, and novelist alike.

I found myself unable to put this book down. However, I feel that the title is a bit misleading in that while it does cover the Babylonians it also covers a whole lot more. To me the book served as an excellent summary of the history of ancient Mesopotamia from the Sumerians right on through the Babylonians. I borrowed it from the university library and ordered my own copy after I had read it. mwp

I bought this book more than six months ago. Ms Albright doesn't turn out a book a year, so I hoarded this treasure for awhile knowing that I would then have to wait until the next installment. Well, it was worth every minute of waiting.

I live in middle America and appreciate the magic that this author gives to her subject. I appreciate her local color. She is a master at writing dialogue and pacing her story. Her characters are flesh and blood real.

I have read all three novels of Ms Albright and sincerely feel you won't read a more realistic or well written work in the mystery genre.

I am a sucker for Sue Grafton novels about Kinsey Milhone. I know it is largely because of her personality and humor. I suspect that is also true of Viv Powers. This character just resonates with me. The setting of the stories are authentic and well described. This writer has a great gift. I feel a sadness because I am afraid that not enough people are reading this talented woman's work.

Letha Albright has done it again, guiding her spare and stylish reporter through another fast-paced mystery. With realistic dialogue, ripping plots, and dead-on settings, "Bad Luck Woman" is another great read by one of America's finest mystery writers.

Letha Albright is one of those writers that make other writers grit their teeth in envy. She often says more in a sentence than others do in a page. Her books are not cluttered with cardboard characters, but alive with real people you quickly get to know and think you understand - good, bad, or (apparently) irrelevant.

The central character, Viv Powers, is a quick-witted but very human reporter for a local newspaper, who frequently finds herself caught between the interests of apparently respectable bad guys, and everyday people who are trying to keep things on the up and up. This story takes place in and around Tahlequah, OK, the county seat of Cherokee County, which is also the Capital of the Cherokee Nation (and Ms. Albright's stomping grounds for eight years). The location alone opens up unusual possibilities at every turn.

Bad Luck Woman pits a group of Native American activists against the powerful owners of a nuclear power plant - with stories they don't want told, particularly to the NRC. Death to those who talk is clearly an option to protect their plans and fortunes. But Viv is only doing her job, while trying to protect her sister, her friends, and the town.

This book is a page-turner, so clear some time from your calendar so you can enjoy it to the max.

This book is exceptional in so many ways. The writing is good, the photographs outstanding. Good research and intellectual honesty makes it a good source for history, ecology, and natural studies.

The approach to creating the book worked extraordinarily well but at its inception must have seemed very chancy. The author chosen to write this account of the Nature Conservancy's Tallgrass Prairie Preserve was unfamiliar with the Preserve and its surrounding area in Oklahoma. The advantage was objectivity but there are lots of hazards in such a choice. Annick Smith is from Montana's Rocky Mountains, separate from the Oklahoma grasslands in many ways. Her recognized writing skills, coupled with drawing on three years of research, getting a first-hand feel of the Preserve, and interviewing a broad cross-section of local people produced this fine addition to any library.

At first glance, the beauty and physical appearance tempts a person to call this a "coffee-table book." However, this is a book with depth. Although easy to read, it takes far longer to read than a person expects at first glance. There are several photos and illustrations per page. Harvey Payne, director of the Preserve, took the majority of current photos over the Preserve's relatively short existence. His skill with a camera is extraordinary and complements Smith's writing well. The photos are mostly well captioned, although the people responsible for writing the captions and laying out the format made a few errors - one of only two negative comments that you will find in this review.

Smith chose to organize her chapters by major subject and then present them in rough chronological order. It was the correct choice to provide smooth flow, and she avoided the trap of duplicating information from chapter to chapter.

After several tries at preserving something of the vanished tall grass prairies that covered much of the central United States, the dedication of the Tallgrass Prairie Preserve was in 1993. Mostly local issues kept it from being federally administered and The Nature Conservancy stepped in to keep the drive for protection from failing. The Preserve includes over 30,000 acres carved from one of the big Oklahoma cattle ranches. To think of the Preserve as being the same as the original tall grass prairies, is incorrect. It will never be. For one thing, we don't even know for sure what that was; what plants were there, how it changed in response to climate and chance events over centuries. This bit of Oklahoma is an infinitesimal part of the original and each acre of the original differed. Obviously, the historic prairie was unmanaged except for minor burning and other efforts by the Indian tribes. The Preserve is highly managed, albeit with a goal of creating something close to the original. The administration sets fires to represent the random burning which natural forces might have caused. Cattle are gradually being replaced with buffalo to recreate historic grazing patterns as much as possible. However, tourism is a significant source of gaining funds and public support. Oil drilling and pumping continues through agreements between the Preserve and the oil companies. Fencing is required not only at the perimeter, but also in the interior.

Annick Smith first gives the history of the Preserve, and then circles back to that at the end of the book. She begins with the character, plants and animals of the Preserve. At that point, she steps back and covers the Native American history of the area, including the dismal record of broken agreements and various Indian relocations. The Osage are the predominant Native Americans in the area today. Smith's narrative then goes through a progression of white incursions of buffalo hunters, settlers, cattle ranchers, and finally oil exploration. It is necessarily a summary history but still provides a lot of detail. There is a generous amount about people in this book; those who created the Preserve and run it, the past and present inhabitants of the area.

At this point, I must interject my second negative comment. In portraying the community surrounding the Preserve, Smith adequately covers the people of lower income, as well as the large cattlemen and oilmen. Although mentioning some of the people in the middle, she goes too quickly past those who operate businesses in the towns that support the preserve. There isn't any mention of mini-ranchers running a few head of stock while holding other jobs to make ends meet. The people who attend PTA meetings, lead 4-H clubs, and cooperate in soil conservation districts are part of the core element in such a community.

Now back to the positive. The final chapter is "The Politics of Preservation," and the book ends with a delightful Epilogue, a great resource list for further reading, and a helpful index.

Thanks to those who brought the Tallgrass Prairie Preserve into being, and I wish them the best of luck. Thanks to Annick Smith and Harvey Payne for a great book.

I fully enjoyed this book. In her discussion of the prairie preserve, Annick Smith delved into cowboys, cattle drives, Indians, The Trail of Tears, Oklahoma land runs, buffalo, cattle, oil, the Civil War, controlled fire, prairie grasses, outlaws: all the makings of 10,000 Western movies. The book is beautiful: oversized and full of color photos. I especially enjoyed it since I was born in Oklahoma, still live here, and have spent some time on the prairie. But for anyone who likes Western history, prairie photography and preservation, this is a spiritual journey into a new home of grasses and buffalo in Oklahoma.

....this is a book you must own. Harvey Payne is one of the greatest outdoor photographers you will ever find. If you have lived in Oklahoma or are at all interested in this area or ecosystem, you will find this book fascinating. There is so much beauty in our state that is overlooked, and this book brings it to life, along with engaging stories of the people who tamed this rough wilderness. This is a book that makes me proud to be an Okie while looking at it. If you have ever been entranced by the stoic, proud majesty of the bison who once ruled the prairie, and are now relegated to wildlife preserves, buy this book!

The Black Regulars is an excellent book. Drs. Dobak and Phillips have told this story well, with truly exhaustive research that never suffers from what I call "academic" writing. It is lively and interesting from beginning to end. Along the way, they debunk an old myth that the black regulars were given the poorest equipment, garrisons, quarters, etc. They point out that in the post Civil War army, all soldiers suffered from the above difficulties. The lot of the black man was difficult, but the army did offer more equality. My only quibble is that the book ends with 1898. Perhaps we can look forward to black regulars from the Spanish American War to the present. I heartily recommend The Black Regulars.

This complex, richly documented treatment of the activities, lives, and relationships of black soldiers in the West during the generation after the Civil War is the single best book on the subject. It is one of only three books on the frontier army singled out for recommendation on my website. ...

This book offers a detailed survey of the black enlisted men in the regular army who served from the end of the Civil War to the Spanish-American War in 1898. It is not concerned with the campaigns of the black soldiers (the authors do not use the term Buffalo Soldiers, deeming the designation an insult and one the black soldiers never used themselves), but more with their enlistment, organization, and treatment within the regular army ranks.

When the Civil War ended, most of the soldiers returned to civilian life. The army needed men and one place to get them was from the newly-freed black population. A bill was passed in Congress in July 1866, after much debate, that provided for six black regiments (two cavalry, four infantry), to be on equal footing with the other 54 white regiments. Ironically, the equality of treatment in terms of duty and responsibility was greater for post-Civil War black regiments than it was for black army regiments in the first half of the 20th century. Equally ironic, many blacks thought the army a safer place with more opportunity than what civilian life offered them, especially in the South.

The authors hope to correct two misconceptions regarding their subject: that the army itself discriminated against the black regulars, and that they "had become elite units . . . and the most professional, experienced, and effective troops in the service." The bottom line, and it's an important one, that the authors reinforce over and over with specific examples, is that both black and white regiments were treated pretty much the same, and that one group did not out-perform the other. Prejudice did exist against the blacks, but it was on an individual basis and not universal or policy generated. And if life was a combination of the dull, the dangerous, the brave, and the incompetent, it was so for everyone in the army.

The book is a scholarly account but not deadly dull. The authors write clearly and with style. The book is well-annotated, with many of the footnotes presenting further examples or deeper explanations to things mentioned in the text. The book is an excellent reference resource on the subject of the black regulars. Highly recommended.

This book took me back to a time and place I have only seen in my dreams. The descriptions and the family tales are truly exciting, interesting and the stuff western ledends are made of. What a wonderful family history and place. I plan on visiting in the near future.

The current generation of Selman's offer a retreat for birders, outdoors people and horse riders. I am looking forward to my late spring adventure along the Buffalo Creek.

If you are at all interested in natural history, history, the prairie, Oklahoma, or families in general, this is a book you will greatly enjoy. It 's also a beautiful book with generous numbers of great black and white photos. Definitely a "must read."

The Buffalo Creek Chronicles is a team effort, uniting the photographs and commentary of Don House, memoirs by Sue Selman and observations by Gary Lantz focusing on the personal, cultural and natural history of the Selman Ranch, some 16,000 acres of native prairie along Buffalo Creek in northwest Oklahoma.

The ranch dates back to when founder J.O. Selman herded longhorns up from Texas during the 1890s while he accumulated land of his own in the big, unfenced cattle country known as the Cherokee Strip.

J.O., or "Jimmy Few Clothes" as he was called due to the stark poverty that inspired him to join a trail drover crew at age 15, eventually amassed more than 60,000 acres between the North Canadian and Cimarron Rivers. Today Sue Selman's children represent the family's fourth generation to live and work on the ranch.

Lantz and House spent over a year exploring the ranch from every angle-on foot, through the window of a pickup truck, in the saddle, in a wagon pulled by a team of draft horses.

During that time they became acquainted with Selman family history, the sodbusters who lived in dugouts carved into dirt bluffs, pioneers who arrived here in covered wagons, epidemics that swept the countryside, plagues of grasshoppers, cowboys with a taste for whiskey, the last horseback bank robbery in Oklahoma, blizzards, dust storms, droughts. The authors found Indian artifacts and ancient buffalo bones half buried in the banks of Sleeping Bear Creek. They rode with the Selmans as they celebrated their family heritage during a two day longhorn cattle drive held on the ranch. The men dodged rattlesnakes, made the acquaintance of a few porcupines, helped guide hunters from as far away as Buffalo, New York and watched a remnant flock of lesser prairie chickens stage a spring courtship drama that once thundered from every suitable knoll stretching from the Cimarron River sandhills to the rainshadow of the Rockies.

A sampling of some of each can be found in this book, along with Sue Selman's recollections of growing up in the rough `n tumble Buffalo Creek cattle country during the 1950s, a time when little girls learned to rope as well as cope in what was traditionally a man's hard-edged, sunburned world.

This book is about cows, grass and a proud heritage and culture seeking new ways to survive. Fickle cattle markets have prompted Sue and her children to explore nontraditional land use practices, including fee hunting and nature tourism, to keep the family together and the ranch intact.

A special section devoted to Don House's black and white photographs seeks to portray the stark dignity of a landscape that oftentimes unnerves visitors due to the encircling bigness of it all. Capturing he Buffalo Creek country on film is an exercise in interpreting overpowering horizons, a landscape that must be dissected and examined in increments, then somehow visually and philosophically reconnected to grasp the sum of all the parts.

Don's camera examines not just the landscape, but also moments of time and space contained within that landscape. In addition to his contemporary photographs, he has judiciously selected and edited historical pictures that add faces and places to the personalities represented in the text.

The mission of the Buffalo Creek Chronicles was to write the biography of a ranch that continues to defy all odds and exist under the founder's name, along with the people, the plants, the animals and the weather that comprise the character of this particular place on earth. The Buffalo Creek country can have a hard edge to it, and the people must acquire a special toughness to survive here. Yet at the same time this land can be beautiful and brimming with life. The writers hope this book will give readers a new appreciation for not only our rapidly disappearing native grasslands, but also the ranchers who do so much to preserve what little remains