New York Books

This book is a must for Dodger fans, and the best of its kind.

But by 1957, Ebbets Field was no longer a suitable ballpark for a major league team. The park and its neighborhood were deteriorating, there was no public transportation, and attendance had been steadily falling even in their pennant-winning years (the previous review notes that the powerhouse Dodgers were drawing around 10,000 fans per home game). Renovation was not an option because there would be insufficient additional revenue projected to cover the cost. The Dodgers simply could not stay there. But Walter O'Malley did not want to leave Brooklyn.

In reality, he wanted to stay in Brooklyn and build a brand new ballpark at the corner of Atlantic and Flatbush, near public transportation. Walter O'Malley was not the villain of the piece; rather, it was Robert Moses, then the most powerful man in New York City, who refused to let him do so, insisting that he build instead in Flushing Meadows (where Shea Stadium stands today). They would no longer have been in Brooklyn, and O'Malley naturally refused. He left reluctantly, narrowly choosing Los Angeles over Minneapolis. In doing so, he brough Major League Baseball west of the Mississippi, and forever changed the game. He deserves to be in the Hall of Fame (plenty of even tougher businessmen are), but East Coast writers like Roger Kahn and misinformed fans like the one who posted that he "hates O'Malley" to this day have blocked his entry. Shame on them.

I liked this book ... it's one of the better street-insight books from the Brooklyn-as-the-center-of-the-baseball-universe genre, and I got a better feel from this book than from any other of what it would have been like to see a game at Ebbets Field. But as usual with the Brooklyn revisionists, the book ignores the fact the Brooklyn Dodgers were a doomed franchise from the time Walter O'Malley was thwarted in his effort to obtain land for a new ballpark.

Few, if any, owners in the major leagues then or now would have remained in a rotting ballpark with no parking in one of the worst neighborhoods in a dying borough. The Dodgers' attendance in 1955, their World Series title year, was just over 1 million, almost a 50 percent drop in only eight years, and if any other franchise had suffered a similar attendance drop, it would have taken wing also. The Dodgers also had to deal with the Milwaukee Braves phenomenon, which is mentioned hardly at all as a factor in the Dodgers' departure, even though it played a very important role.

McGee, and other self-styled Brooklyn historians, also glosses over the fact that Ebbets Field was a very dangerous place in its final years, with many beatings, assaults and robberies - many of them racially motivated, the Jackie Robinson experience notwithstanding - inside and near the ballpark.

Brooklynites of that era claim that the Dodgers leaving killed Brooklyn ... it's my belief that Brooklyn would have killed the Dodgers if they'd stayed at Ebbets Field much longer.

At any rate, this is a well-written book, but I'd like to see someone write a Brooklyn Dodgers/Ebbets Field book that isn't an exercise in Pollyannish literature. If you're sick of hearing about Brooklyn as the fulcrum of society as we know it, don't bother with this book.

Even though I grew up a Senators fan, having lived in Washington, DC., my parents, both of whom are from Brooklyn, instilled in me a love and respect for that grand old city/borough. I was born on October 16, 1956, 8 days after Don Larsen's World Series perfect game, but this book brought me in a time machine, allowing me to sit with Charley Ebbets as he planned to build this park, talked strategy with Uncle Robbie, laughed as the three Dodgers ended up on third, cried as those close chances in the World Series of the 1940s, cheered for Pee Wee, the Duke, Gil, Oisk, Campy and Jackie, booed Walter O'Malley and cried as the wrecking ball wiped out a landmark. Read this book today, immerse yourself in an era that was simpler, more neighborly, more alive. Take those memories and share them with all people, your kids, grandkids and their kids. Keep the memory of Ebbets Field and the Brooklyn Dodgers alive forever.

THE GREATEST BALLPARK EVER is a paean and a song of love to Ebbets Field, home of the "original America's team," the Brooklyn Dodgers, from 1913 to 1957. Author Bob McGee writes a detailed and crisp history of the team and the place, but far beyond the FACTS surrounding the history of the physical structure of the park, and the men who played there, he manages to capture---amazingly enough, and very well---the SYMBOLOGICAL importance of the Brooklyn Dodgers and their home in the American, and particularly Brooklynite, psyche.

Of particular joy is the fact that McGee refuses to fall for the revisionist dreck presently being touted by the O'Malleys and their supporters, that "The Big Oom" had no choice but to hijack the Dodgers from Brooklyn in 1958. He relegates their arguments quite properly to the floor of the horse stall where they (and Walter) belong.

If McGee's symbologizing of Ebbets Field sounds awfully highfalutin', it isn't. McGee loves the IDEA of Ebbets Field, and in communicating that love, recreates the ballpark in words, an almost impossible task, considering that, like much of his reading audience, he never experienced the reality. That he could succeed at all is a measure of how fine this book is. THE GREATEST BALLPARK EVER comes VERY HIGHLY RECOMMENDED.

---Order me dogs and beer. Here comes the Duke of Flatbush to the plate---

What differentiated this book from the countless others witten about the Brooklyn Dodgers was the author's attention to small detail. Now being from Brooklyn myself I appreciated this. The references to Steeplechase and the clown with paddles, Jim McElroy bring the Torre brothers to games at Ebbets field, the old Washington Park, Jack Kaiser, etc. For the average baseball fan outside of Brooklyn this is a great way to experience what once was. Even though I was only 6 when the Dodgers left and never saw a game at Ebbets Field the only logo's I display on anything I wear are Brooklyn Dodgers hats or shirts. You can't believe how many compliments I get. McGee in his writing really connects the Dodgers into the everyday life of every Brooklynite. I could only imagine what it must have been like (neither of my parents were sports fans nor did I have brothers or sisters). Growing up on the streets of Brooklyn you never had to worry how much junk food you ate because you would constantly burn it off playing stickball or basketball in the schoolyards. I find it interesting the players lived right in the neighborhoods, todays players live in castles and mansions, how could they ever connect to today's fan. I read this book very slow in order to digest every detail, there are plenty to digest. I highly recoomend this book to anyone baseball fan or not to get a glimpse into what was the "greatest place in the world" to grow up in. I only regret the Dodgers were not there when I could have appreciated them. I had the pleasure of meeting the author at a book signing and if he is ever in your area make it your business to meet him. The only thing better than the book is actually meeting Bob McGee.

I have a deep love for history. More than just the fact, it's the lore - the oral lore that is woven through it. To me history always surrounded me, the curiosity of what a place was, what had happened there, who had owned it was like a big mystery waiting to be unraveled. It surprised me so many people dislike history, or see it as a dry list of dates and events. Britain was loaded with castles, duns, brochs, and stone rings. Layers of the people who inhabited the lands, not just The Picts, Scots, Gaels, Brits, Angles, but the Roman invaders. I found the South of the US was loaded with intriguing history. So many homes were touched by the War Between the States. Beautiful antebellum giants that survived the era, all carrying colorful tales. That is why I really enjoyed this book by Cheri Revai. Obviously, Revai loves history around her and sees it as a living thing reaching out to those curious enough to want to know the secrets.

She has an easy writing style and does a good job of portraying events, researching this history and the lore of places believed to be haunted. Every time I pass some structure I always wanted to know what happened there. If someone says a place is haunted, it drives me to want the facts behind the tales. Revai does this. She gives you the roots of the tale, but then very thoroughly checks with the various owners to see the experiences - or not - of the different owners. She also tells
you when a site is "by invitation only" so you know beforehand if you can actually visit the place.

The book is a fascinating, spine-tingling collection of about 30 tales covering northern New York - Jefferson County, St. Lawrence County, Franklin County and Clinton County. So those of you planning a leisurely tour of the area to see the fall colors might wish to have this little guide to give your trip even more excitement. For writers, there is a wealth of tales to spur your imagination, so I highly recommend this wonderful book.

P.S. It might interest you to know Cheri Revai is the sister of bestselling Sci-Fi Romance writer C. J. Barry!

i'm from massena ny, and i have actually been to some of these places....quite bone chilling knowing all these things occur espically when you are from that place.

Scared the living HELL outta me. Excellent, well prosed stories from the bottom of the heart.

This book is written so differently from any ghost books I've read, the author has a wonderful gift of story telling. Once you open up this book and start reading, you won't be able to put it down until your done!

This is a great book on the supernatural with amazing photos, especially those contributed by Chris Sharlow (his photos are amazing - he should have his own book)! I highly recommend this book for anyone who has ever had any interest at all in, or who has ever questioned, what lives beyond. If the stories don't put a chill down your spine, the photos of Chris Sharlow surely will. I look forward to the next book and set of photos. Get this book!

This is a darling book for girls and boys of ALL ages! It was given to my girls as a gift and now we give it as a birthday gift regularly! Cute and a little educational.

A story about a very special little dog which should appeal to all ages.. Beautifully told & superbly illustrated.

My daughter and I both fell in love with this charming story. Henley and his owner, Lulu are both absolutely fabulous! The artwork and poetic storyline is charming and imaginative. I am planning on stocking up on this wonderful book as Christmas presents for my family.

What a darling book about a Japanese Chin and his adventures. The art work is wonderful. Although it is officially a children's book, I appreciate it for the art work and the cute extra details put into the book. If you love dogs you will love this book, especially if you know about the Japanese Chin breed.

This is a must-have book to add to your holiday shopping for children of any age. My 6 year old and 3 year old boys have an extreme love for all sort of dogs and instantly fell in love with Henley. We hope Henley and the author will make more journeys together.

I randomly picked this book up at the local library not realizing how magnificent it would be. I wanted a breather from all the romance novels I've been hooked on lately and boy what a difference! It was a very depressing story. There are particular lines in the book that are still lingering in my mind. I don't want to spoil it for anyone, but when Evan gets back with his ex-wife and they're talking of the past and he realizes the child she had with another man could have been theirs, but it wasn't.(please read the book and you'll understand) As a reader I felt his pain and misery for the mistakes he made that he couldnt take back, but was trying to mend. When I finished reading this book I could not stop crying; it's that touching!I read a review somewhere where the reviewer is saying this book is not depressing, but I beg to differ! It is very depressing and nostalgic, yet I got the message the author was sending. I highly recommend it.

I read this book over the past 4 days, and it is still with me. I found myself doing something I rarely do when reading... going back and re-reading certain passages because of the pure, simple beauty of Long's writing and clarity of his observations on love, live, and death. Evan Molloy is certainly flawed and not the most sympathetic character, but this is what makes him so utterly likeable... he could be you, me, our sibling, our neighbor, anyone. As his mother tells him early on, he has a charmed life - a happy childhood, education, meaningful work, and marriage to his soul mate, who he then wrongs in the worst way. Later, given the chance to love again, he is betrayed by his own mind, suffering from mental illness. His suspension between the living world and the afterlife, and his 'relationship' with the new owner of his home, 30-something Maureen, herself struggling to find her footing after leaving her job and fleeing a destructive affair, allow him to reflect and uncover the mysteries of his own death, and ultimately for him to be free.

The premise of a lonely ghost observing life going on in the house in which he died is what attracted me to David Long's novel. But that idea is actually a rather slight portion of this story.

For reasons neither he, nor the reader, ever understand, Evan is doomed to remain in the house in which he committed suicide 10 years earlier. While the premise is fantastical, the tone of the novel is not. We see Evan's life is fragmented, almost swirling snapshots, which seem appropriate for a lost soul still piecing his recollections together. Long writes beautifully in a very literate style and much of the story is Evan reflecting upon his life. And the events of his life are rather prosaic and mundane. He meets his wife, marries her, has an affair, is divorced, reunites with his wife and her troubled daughter. Perhaps Long's point is that life is mundane. But Long's elegant, somewhat melacholy prose holds the reader more than the story itself.

There's a slightness to the narrative. And Evan's connection to Maureen, the woman living in 'his' house doesn't seem fully fleshed out. What is it about her that touches him more than the previous tenants in the house? (She seems to most resemble the woman with whom he had an affair, but that connection is never made explicit.) We follow Evan's mental collapse leading to his suicide in the flashbacks, but it feels a bit arbitrary. There's a slightly aloof quality to Long's story and prose and Evan remains an oddly generic character. It's clear long before the reader gets to the end of this book that there will be no tidy conclusion to this story. And there isn't. And since the emotional impact of the ending hinges on Evan's connection with Maureen, it's puzzling that this connection is what is slighted for much of the novel.

This is a lovely novel -- readable, if not entirely compelling, but perhaps not what many readers might expect from its other-worldly premise.

I have not, in the past, felt compelled to write reviews on the internet, but this book is so haunting, smart, poetic, and strange, I can't help myself from asserting to potential readers: read it. This is an author who has such a sense of the nature of human beings, their motivations, the depths of the psyche--it changed the way I'll ever again see some of the people in my life. While I was reading it, I found myself talking to its characters, recalling its details, singings its praises to strangers. It entered my dreams! I'm not doing it just, but will say, you won't find another novel like this, and you won't forget it.

Evan commits suicide and returns 10 years after his death to his Seattle area home where he tries to understand "why" he did it - he reflects on his life and his quest for strength to escape his battle with depression and failed relationships. The book is dark and often foggy and rainy like its setting in winter in the Pacific Northwest. However, it is beautifully written and places the reader in the shoes of one where if your DNA was off-kilter just a tad - you can imagine that it could happen to you...

THis book is awesome mix of "Don Quixote," "The Life and Opinions of Tristram Shandy," and the "Colloquies of Erasmus." ... With a dash of Rabelais and Boccaccio for good measure.

In other words: playful bawdy post modern meta narrative where carnivalesque stories weave in and out of each other. Ive read a few things by Diderot and this is my fav so far.

I'm a big fan of The Manuscript Found in Saragossa - so its shocking to learn that it leans so heavily on Jacques. I found Jacques to be more entertaining than Sterne's work.

It may be your destiny to read and adore the pithy wit of Diderot. At a time when the novel was new as a genre as a contemporary of Sterne and Richardson, Diderot confronts the religion and philosophy of his day entrenched in the idea that man's fate was written on a scroll on high and that man only acted out a bit part devoid of real choice in his slavery to destiny. Pre-destination did not sit well with Diderot and Jacques is the novelist in this "dog's breakfast" he has served up railing aginst his own genre to assert his humanity and freedom on his picaresque journey to nowhere. "Does anyone know where they're going?" certainly sounds like Beckett who lived in France and may well have read Diderot. Jacques is forced to conclude that people think they are in charge of their destiny when their destiny is in charge of them. What choice does the fatalist really have except to resign to his fate? Because life is a series of endless misunderstandings, it isn't easy to be captain of one's own soul. The epigrams are deliciously well phrased: "Virtue is an excellent thing. Both good people and wicked people speak highly of it." Or this: "I think there are some very odd things written up there on high." The wicked fable of the Sheath and the Knife is certainly memorable. Jacques is genuinely hilarious in many places and despite Diderot's scathing complaints of the early novel, he wrote wrote an enduring classic beloved because of its pure wit, audacity, irony and uncanny phrasing. I urge you to read this great early novel destined to foretell the promise bound to follow for the genre.

This book is amazing. It will make many of your conceptions of where things belong in the history of the novel fall apart. Not coincidentally, that is one of the points of this book, being an exercise more than a message: that all apparent armatures of order are one more perspective away from disintegration. This book is really quite sneaky as well. In the beginning, the constant references to the inscriptive certainties in the heavens seem silly. But then little explanations come along (like the geneology of Jacques' crazy horse), and the novel heads down a dark, yet very enchanting road, into a fuzz that's every bit as modern as any you've read. This thing alternately looks like Bunuel, Zola, Stendhal, Faulkner, Kerouac. The picaresque, the uncertain narrator, the structuralists, all seem to be swimming around in this amazing book.

Surely many writers and artists from this era (like Goya) depicted the nobles as effete and incapable of carrying out the governance of the most basic requirements of existence, but here, they also appear (in the image of the 'master') as so withdrawn from the world as to be blind. If you take away all the stories that are told, the only thing that's left of a plot here is the master having his horse stolen right from under his nose while Jacques was gone and then Jacques finding it for him at the end in a beautiful, mock sort of deus ex machina.

Two centuries or so before "modern" writers began writing experimental novels, Denis Diderot, the force behind the Encyclopaedia effort, wrote this strange and indeed very "modern" novel in which the author leads a conversation with the reader, asking him where he (or she, of course) would want to go and what to do with the characters and the story. Here we see the author in the very process of creation, exposing his doubts, exploring his options, and playing with the story.

There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.

The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.

Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.

Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.

Yeah. Believe all the reviews below. This book really is amazing. It would feel like it was written yesterday, if it was more derivative -- but it's fresh! The language is incisive, no waste, and the pacing and structure are brilliantly fluid. It's smart and funny, too, and completely unpredictable, filled with weird offhand bursts of bewildering narrativity. And yet balanced, apparently sane. I truly enjoyed reading it. It's great.

GET IT. It was a good one. I picked this book up with no expectations and found myself drawn into the world of law enforcement and the pressure of what I can only imagine being in the main character's (Ray Dolan)position. Lots of twists, you will try to figure it out chapter after chapter! A good reminder that everyone is walking through a minefield of temptations.

While there is nothing truly original here, this is nevertheless a very well done noir novel in the classic mold: as the back cover says, a cross between Body Heat and The Postman Always Rings Twice. Very true. This is a gripping read for sure; Kelly does know how to make you keep turning pages.

Officer Ray Dolan lives just down the way from the Travises, a very wealthy couple--Lance and Sheila--and their teenage daughter Brie. Dolan, single, has ambivalence about his job, possibly stemming from his father, also a cop, having committed suicide. But he gets along well with his fellow officers, especially Frank Kaiser, who, after many years of marriage, finds his wife having an affair. Also on the scene is Leanne Corvino, a local TV news anchor.

Dolan and Corvino hook up briefly, but after catching sight of his sexy neighbor, Sheila Travis, Dolan forgets about Corvino and develops serious hots for Sheila. Needless to say, complications ensue. Turns out Sheila's husband has questionable morals. Turns out Sheila is not happy with Lance. Turns out Sheila and Ray (Dolan) get something going.

It also turns out that Sheila, Lance, Frank, Ray, and Leanne all have stuff going on involving each other that does not seem apparent initially and that definitely makes for noir-themed fiction at its best.

This is a great read for those who like their noir juicy and involving. Yeah, I liked it a lot.

Jack Kelly explores sexual obsession and how it leads good to become evil in this sharp and moody novel. The characters are thoroughly modern (a girl named Brie can only happen in modern America), their situation as timeless as Adam and Eve. The writing is funny, acute, and poetic. Ray and Sheila propell the plot to its cathartic conclusion, completely believably. This is a writer who knows how to combine the best crime writing with the best literary writing. Don't miss it.

Line of Sight is full of classic noir-cop-detective elements, so I thought I was nestling into comfortable fiction territory as I settled into reading the book. But Jack Kelly has written a book that is simultaneously familiar yet new, nostalgic yet fresh. Kelly's characters are familiar with a twist, predictable yet surprising. His telegraphic style at first seemed choppy and awkward to me, yet by page three his concise words were painting vivid scenes of landscapes both psychic and physical. I thoroughly enjoyed the synthesis of familiar and new in this book. Its images and emotional mood will stay with you for a long time.

"Nobody's innocent," says Sheila, one of the key characters in Line of Sight.

Ain't that the truth?! In fact, plain, ordinary, law-abiding folks can easily be drawn into a wicked web of lust, intrigue, greed, and power. The beauty of this book is in the way that Jack Kelly explores how any of us can be tempted to cross the line.

A Living Lens is a wonderful collection of photographs that not only demonstrate everyday life of Jews throughout the United States but it is accompanied by a rich text authored by witnesses to this history. Of all the photography books about the Jews of the 19th and 20th centuries thids one ranks at the top. A must see and read.

This collection and commentary was great....and more than met our expectations. It sits now on our coffee table for all to review and reminisce.

Beautiful book, well written. A book for anyone to share with their children to teach them an important part of our US history.

As the grandchild of Polish / Ukraine immigrants who read the Forvitz, this book lovingly captures the memories of a time long gone.

Earlier this year, I had participated in a tour, including the old Forward Building in Lower Manhattan, with our guide being one of the photographers for this beuatiful book. I was so happy with the book which arrived in exellent condition.

Thank you.

Renate Stone

This book was excellent. Any Italian cookbook with Aglio Olio in it (pasta in garlic oil with cheese) has got to be OK! This was a favorite dish of mine while growing up. The tomato sauce recipes were worth the price of the book alone! The author is a skilled writer in spite of what one reviewer said. I found the stories entertaining and interesting. And the recipes were as authentic as any my Sicilian mother or aunts had ever prepared. I love this book!

Great book. Great read. Just love the stories and folklore from Sicily. This the food my grandmother made and I never could find the recipes. Well, they are in this book. The sauces, pizzas, fritattas are great. Francesca Romina just won the contest in Newsday for the best Sesame Seed (Regina) biscuits in Mangia Little Itay. They were terrific and easy to make. There are recipes in this book that I have never seen before and great hints and tips along the way. The author seems to go to great lenghts to be specific for her readers. These recipes work and are well tested. I'm buying several copies for my family members.

The recepies in this book remind me of all the wonderful dishes that my Grandma used to make. I have found the pizza dough recepie tastes very close to my Sicilian Great Grandmother's pizza dough. I tend to agree that Italians keep these spicial recepies to themselves which unfortunatly die with the generations. This book brings them all back to life along with the wonderful stories and pictures that go along with them. I'm purchasing another copy for my father, who loved mine so much! I just couldn't part with it!

After so many copies of Italian books that I've thrown out, this one works. It was recommended to me by several professional cooking teachers. I made the Cassata cake, the mother or all Sicilian cakes, and it was fantasik. Romina's 7-Hour Sunday Sauce is the best I've ever made. The family went crazy with the results. I even found pizzas here I have only heard about, such as "Sicilian Christmas Pizzas" stuffed with pork and spinach, and Salted Sardine pizzas. These recipes are impossible to find, and they all worked. I also made her Lemon Cakes which has that homemade taste in the crust topped with cinnamon that I remember Grandma making. This is a book you can read for folktales or cook with. That is rare. I particularly loved the author's tips called "Secrets of Success" on the side of the pages, it helps to make cooking easier. So if you want to make an authentic Lasanga the way it was at the turn of the century or a real Sicilian pizza, the way it's made in Sicily, this is the only book that I've found that is the real thing. Bravo Francesca Romina!

This book brings the Sicilian Kitchen to every home. It's a style of cooking that is rare in my area of the country, but memories of Sausage & Peppers and fried meatballs on Sunday made my childhood complete. Some of the items here I've never even seen in print before. A little slice of Grandma's house teeming with garlic!

This is a phenomenal resource for the Mikado. The piano reduction is imminently playable, and the libretto includes the spoken dialogue between each of the vocal selections. The chorus parts are included, so this little score is the whole show in a complete package, with the exception of not being scored for the orchestra. Unless a person would want to alter some script, or lyrics (such as is commonly done in certain songs, i.e. I've Got a Little List) This Dover Vocal Score ranks right up there with the Stratford Video Production from 1982 - which is one of the best productions of this Gilbert and Sullivan classic.

This well-priced score is a great edition for student productions because it's legible and affordable!

Well, I don't know if it is perfect or not. However, it does have bar numbers, which is more than can be said for most of the vocal editions out there. AND they match the published full scores.

When you are rehearsing or doing any type of serious work with the music, being able to reference bar numbers is invariable. "Second bar of third system on page #148", just doesn't cut it.

Great for learning both dialogue and vocal score for anyone who is taking part in this production or who is just considering auditioning.

Being a serious fan of Gilbert and Sullivan's work and a performer in several of their collaborations, this is a wonderful score. It has every piece of dialogue, every song, and a great cover. If you are ever going to be in a production of 'The Mikado', buy this score!

"Mountain Shadows" is a bittersweet story of true love and endurance.

Joe Devlin's unselfish love for his tuberculosis stricken wife, Alice, first sends him trekking through the snow covered Adirondacks on frost-bitten feet to reach Saranac, New York. She has been sent to this cold and refreshing clime to seek the "rest cure" prescribed for T.B. patients in one of the areas' curing cottages. Later, in order to pay her continuing medical expenses, Joe is forced into a life of illegally running bootlegged liquor from Canada during the prohibition era of the 1920s.

The descriptions of the old-fashioned cures for tubercular patients are fascinating and the characters are all exceedingly well-drawn. The beauty of the surrounding countryside comes alive in this well-written and heart wrenching novel. I loved the book and will certainly give it a second read.

Having just read Mountain Shadows and being the principal of Lake Placid Middle/High School, all I have to say is "Wow! What a Book!" I look forward to having Brooks speak at a dinner meeting of our Adirondack Book Club, a group of male community leaders. In the past, we have heard from Russell Banks and Brian Mann. Brooks will also speak to several classes of history students, where Mountain Shadows is assigned reading.

This historically-accurate novel is a wonderful exploration of both the natural and cultural environment of the Lake Placid/Saranac Lake area of New York's Adirondacks during the 1920's. The enjoyable story of a couple that is introduced to the region by necessity also provides a glimpse into the area's rich heritage, and illustrates to those of us that live in the Adirondacks that some aspects of that time period remain the same today.

Brooks presents a well-researched description of Saranac Lake's tuberculosis cure cottages and the affluent nature of Lake Placid during prohibition, from the working-class perspective of a young man who finds himself immersed in the conflicting settings of both.

In its exploration of the cure cottages, the book provides an accurate account of this very important time period in Saranac Lake's history, and it showcases many aspects of the High Peaks of the Adirondacks in a different era. However, to those of us lucky enough to live there, it is clear that some characteristics of the mountains in the story haven't changed much.

As the main character makes his way to Lake Placid on foot after his Model T breaks down less than 100 miles away, the reader is taken to a time when the winter made what is now a short drive into an epic journey. In the book, the beautiful, yet remote wilderness is contrasted by the warmth and hospitality of the region's inhabitants.

Today's technology allows easy travel through the mountains; a great advancement from the impassable winter roadways of the prohibition era. But the residents of the region still abide by the same conventions with respect of hospitality as the welcoming rural folks in the book. Though eighty years have passed since the time in which this story is set, that remote wilderness is still there, forever wild, to be enjoyed by visitors and residents alike. And, although the development of antibiotics eliminated the need for the tuberculosis cure cottages, visitors continue to travel to the region seeking a different kind of cure. Today, the High Peaks region blends a rich Olympic history, countless outdoor recreational opportunities, and the chance to get away from it all.

The historic significance of the tuberculosis cure, in the context of such a well-written, heartwarming story, would translate beautifully onscreen, allowing a much larger audience to learn about this important part of our region's past. And, the largely unchanged geographic surroundings here in the Adirondacks would make a spectacular backdrop for a project of that nature. As the President of the Lake Placid/Essex County Visitors Bureau, I am pleased to have had the opportunity to read and endorse this book as a wonderful resource that enhances our efforts to promote the heritage of our region.

We just got back from a wonderful "Mom's weekend" in Lake Placid. All 12 of us had read the book for bookgroup and just loved it. Coming up to Lake Placid and Saranac Lake brought out all of the questions and interests we had had from reading the book. After all, a five hour car ride with 6 Moms per car can bring about a lot of discussion. One of our highlights of our weekend was actually discussing the book with Patricia Brooks. What an honor it was to hear about how she so thoroughly researched all the aspects for the book. Our curiosity was so high that after our discussion we actually drove around Saranac Lake and found Helen Hill and while in Lake Placid drove past where Joe worked at the Lake Placid Club. Mountain Shadows was a wonderful read and I highly recommend it. It brought about more discussion than any book we have read.

"Mountain Shadows" is a delightful read. I am impressed by the sensitive and often dramatic treatment of historic detail. Even those of us who thought we knew a lot about the unique story of Saranac Lake, during the half century that we were the premier place in the Western Hemisphere for the treatment and cure of tuberculosis, found new insight and understanding in the telling of a very personal story. The reader learns of the shifting emotions of patients as they see friends improve and return home, and others pass away and leave in coffins at nightfall. We see the strains on family life when one member is sent to Saranac Lake for the cure - some families writing, visiting, sending packages, others distancing themselves from the feared contagion. The supportive and encouraging attitude of residents and caregivers in Saranac Lake toward the thousands of tuberculosis patients who stayed here comes through as well, the positive attitude that surely helped many to survive the "White Plague." "Mountain Shadows" tells a story that is relevant and inspiring today as many struggle with serious illness or strive to provide for the emotional and physical support of loved ones who are ill.