New York Books

This item is out of print, and I was thrilled to find one in good shape. Many thanks.

This book features 61 traditional songs, primarily English and American folk and nursery songs. The illustrations, however, are much more diverse--from Japanese scrolls to a picture of a jeweled box shaped like a frog.

Each song has a brief introduction describing its origins or other important facts, and each image also has a description, often including historical tidbits.

The bountiful images (at least one per page, often more) make it a good book for young children to look at while singing or playing at the piano.

This looks like a book for children, and it is. But even more important, it is a book for babies! My two year old baby boy already knew some of the songs going into the book. Let me tell you that at two and two months he now requests "Bringing in the Sheaves." and "Down by the Riverside."
Every night we take that book to bed and we sing and sing until we fall asleep. This is of course after reading several other board books first. I reccommend this book as a keepsake for life!

This is a lovely book of full-color spreads & clear, easytoread music to accompany anyone singing these lively, familiarsongs. 61 classic childhood songs are decorated with some of the magnificent treasures from The Metropolitan Museum of Art. Songs for work, play, nursery, nonsense rhymes, ballads & lullabies matched to paintings, photographs, bedspreads, sculptures & collages spanning 3000 years from around the world...

Family members have been treasuring this book for almost 20 years, and I have given many copies as gifts. A great collection of beautiful melodies, good musical arrangements, and gorgeous visually. Old favorites, easy to sing, the ones everyone knows and enjoys - the whole family will sing along.

I recently attended Ruth Graham & Friends conference. Ray Giunta was a principal speaker and workshop leader so I had the privilege of hearing him speak twice. I cannot imagine the privilege of being ministered to by this man during a crisis.

I purchased God @ Ground Zero at the conference and cannot put it down. I don't want to finish it because it is superb. Although it brings back the horror of September 11, 2001, it also tells little known stories of those who minister to the firemen and rescue workers who saw so many horrors and didn't know how talk or release the tears.

Chaplain Ray Giunta personifies exactly what it means to be a mininster for Christ. Today, most people think that Jesus can only be found within the walls of a church, by reading God @ Ground Zero you will see that Christ is where pain is, He is where need is, He is any where people are. The ministry of Ray Giunta is the exactly what this world needs. Read this book and read it again! It's a word needing more expression.

There truly are few books that will touch virtually every emotion that a human can experience. Chaplain Ray is truly blessed by God with a heart and eyes that can see beyond the words of whoever he encounters. This book is a blessing beyond belief. Chaplain Ray communicates his experiences on Ground Zero so vividly and clearly that you almost feel like you are back in the days that followed 9/11 and are walking there w/him and the firemen and police officers and others who by doing their job became heros to us all. Ray Giunta is a mighty man of God and will become your hero as you read this awesome account of 68 days spent at Ground Zero. This book deserves to be read by everyone!

As a Red Cross Disaster Relief worker, I walked the same path during the same days that Giunta was at Ground Zero. It was heart wrenching to hear his stories and, yet, glorious to discover the words he used to provide comfort. Giunta tells the story of one man who suffered a terrible loss. I was stunned to read it because I actually held the same man in my arms as he told me the same story. God was at Ground Zero and every emotion Giunta writes of I felt or saw. Many lives changed forever because of the horrible choices made on September ll. I am so very pleased that Giunta just simply told his stories of his time there. I wish I could tell mine as well as he did. If you want to know what it was really like to be right there, then please read this book. It is obvious it was written from the heart, the soul, and with love and compassion for all who suffered in this tragedy.

Chaplain Ray did a wonderful job conveying the heart and soul of the work God was doing in the midst of the chaos and aftermath of Sept 11, 2001. I so enjoyed reading this book that I limited my reading time each day to make it last longer. I had worked in NYC doing volunteer relief grief ministry for about two months over the last year. It brought back many memories and reminded me how awesome it was to see how God was actively working in the lives of the volunteers, relief workers, steel workers, policemen, firemen, the people of New York City. Excellent book!

I liked this book ... it's one of the better street-insight books from the Brooklyn-as-the-center-of-the-baseball-universe genre, and I got a better feel from this book than from any other of what it would have been like to see a game at Ebbets Field. But as usual with the Brooklyn revisionists, the book ignores the fact the Brooklyn Dodgers were a doomed franchise from the time Walter O'Malley was thwarted in his effort to obtain land for a new ballpark.

Few, if any, owners in the major leagues then or now would have remained in a rotting ballpark with no parking in one of the worst neighborhoods in a dying borough. The Dodgers' attendance in 1955, their World Series title year, was just over 1 million, almost a 50 percent drop in only eight years, and if any other franchise had suffered a similar attendance drop, it would have taken wing also. The Dodgers also had to deal with the Milwaukee Braves phenomenon, which is mentioned hardly at all as a factor in the Dodgers' departure, even though it played a very important role.

McGee, and other self-styled Brooklyn historians, also glosses over the fact that Ebbets Field was a very dangerous place in its final years, with many beatings, assaults and robberies - many of them racially motivated, the Jackie Robinson experience notwithstanding - inside and near the ballpark.

Brooklynites of that era claim that the Dodgers leaving killed Brooklyn ... it's my belief that Brooklyn would have killed the Dodgers if they'd stayed at Ebbets Field much longer.

At any rate, this is a well-written book, but I'd like to see someone write a Brooklyn Dodgers/Ebbets Field book that isn't an exercise in Pollyannish literature. If you're sick of hearing about Brooklyn as the fulcrum of society as we know it, don't bother with this book.

This book is a must for Dodger fans, and the best of its kind.

But by 1957, Ebbets Field was no longer a suitable ballpark for a major league team. The park and its neighborhood were deteriorating, there was no public transportation, and attendance had been steadily falling even in their pennant-winning years (the previous review notes that the powerhouse Dodgers were drawing around 10,000 fans per home game). Renovation was not an option because there would be insufficient additional revenue projected to cover the cost. The Dodgers simply could not stay there. But Walter O'Malley did not want to leave Brooklyn.

In reality, he wanted to stay in Brooklyn and build a brand new ballpark at the corner of Atlantic and Flatbush, near public transportation. Walter O'Malley was not the villain of the piece; rather, it was Robert Moses, then the most powerful man in New York City, who refused to let him do so, insisting that he build instead in Flushing Meadows (where Shea Stadium stands today). They would no longer have been in Brooklyn, and O'Malley naturally refused. He left reluctantly, narrowly choosing Los Angeles over Minneapolis. In doing so, he brough Major League Baseball west of the Mississippi, and forever changed the game. He deserves to be in the Hall of Fame (plenty of even tougher businessmen are), but East Coast writers like Roger Kahn and misinformed fans like the one who posted that he "hates O'Malley" to this day have blocked his entry. Shame on them.

THE GREATEST BALLPARK EVER is a paean and a song of love to Ebbets Field, home of the "original America's team," the Brooklyn Dodgers, from 1913 to 1957. Author Bob McGee writes a detailed and crisp history of the team and the place, but far beyond the FACTS surrounding the history of the physical structure of the park, and the men who played there, he manages to capture---amazingly enough, and very well---the SYMBOLOGICAL importance of the Brooklyn Dodgers and their home in the American, and particularly Brooklynite, psyche.

Of particular joy is the fact that McGee refuses to fall for the revisionist dreck presently being touted by the O'Malleys and their supporters, that "The Big Oom" had no choice but to hijack the Dodgers from Brooklyn in 1958. He relegates their arguments quite properly to the floor of the horse stall where they (and Walter) belong.

If McGee's symbologizing of Ebbets Field sounds awfully highfalutin', it isn't. McGee loves the IDEA of Ebbets Field, and in communicating that love, recreates the ballpark in words, an almost impossible task, considering that, like much of his reading audience, he never experienced the reality. That he could succeed at all is a measure of how fine this book is. THE GREATEST BALLPARK EVER comes VERY HIGHLY RECOMMENDED.

---Order me dogs and beer. Here comes the Duke of Flatbush to the plate---

Even though I grew up a Senators fan, having lived in Washington, DC., my parents, both of whom are from Brooklyn, instilled in me a love and respect for that grand old city/borough. I was born on October 16, 1956, 8 days after Don Larsen's World Series perfect game, but this book brought me in a time machine, allowing me to sit with Charley Ebbets as he planned to build this park, talked strategy with Uncle Robbie, laughed as the three Dodgers ended up on third, cried as those close chances in the World Series of the 1940s, cheered for Pee Wee, the Duke, Gil, Oisk, Campy and Jackie, booed Walter O'Malley and cried as the wrecking ball wiped out a landmark. Read this book today, immerse yourself in an era that was simpler, more neighborly, more alive. Take those memories and share them with all people, your kids, grandkids and their kids. Keep the memory of Ebbets Field and the Brooklyn Dodgers alive forever.

What differentiated this book from the countless others witten about the Brooklyn Dodgers was the author's attention to small detail. Now being from Brooklyn myself I appreciated this. The references to Steeplechase and the clown with paddles, Jim McElroy bring the Torre brothers to games at Ebbets field, the old Washington Park, Jack Kaiser, etc. For the average baseball fan outside of Brooklyn this is a great way to experience what once was. Even though I was only 6 when the Dodgers left and never saw a game at Ebbets Field the only logo's I display on anything I wear are Brooklyn Dodgers hats or shirts. You can't believe how many compliments I get. McGee in his writing really connects the Dodgers into the everyday life of every Brooklynite. I could only imagine what it must have been like (neither of my parents were sports fans nor did I have brothers or sisters). Growing up on the streets of Brooklyn you never had to worry how much junk food you ate because you would constantly burn it off playing stickball or basketball in the schoolyards. I find it interesting the players lived right in the neighborhoods, todays players live in castles and mansions, how could they ever connect to today's fan. I read this book very slow in order to digest every detail, there are plenty to digest. I highly recoomend this book to anyone baseball fan or not to get a glimpse into what was the "greatest place in the world" to grow up in. I only regret the Dodgers were not there when I could have appreciated them. I had the pleasure of meeting the author at a book signing and if he is ever in your area make it your business to meet him. The only thing better than the book is actually meeting Bob McGee.

I have a deep love for history. More than just the fact, it's the lore - the oral lore that is woven through it. To me history always surrounded me, the curiosity of what a place was, what had happened there, who had owned it was like a big mystery waiting to be unraveled. It surprised me so many people dislike history, or see it as a dry list of dates and events. Britain was loaded with castles, duns, brochs, and stone rings. Layers of the people who inhabited the lands, not just The Picts, Scots, Gaels, Brits, Angles, but the Roman invaders. I found the South of the US was loaded with intriguing history. So many homes were touched by the War Between the States. Beautiful antebellum giants that survived the era, all carrying colorful tales. That is why I really enjoyed this book by Cheri Revai. Obviously, Revai loves history around her and sees it as a living thing reaching out to those curious enough to want to know the secrets.

She has an easy writing style and does a good job of portraying events, researching this history and the lore of places believed to be haunted. Every time I pass some structure I always wanted to know what happened there. If someone says a place is haunted, it drives me to want the facts behind the tales. Revai does this. She gives you the roots of the tale, but then very thoroughly checks with the various owners to see the experiences - or not - of the different owners. She also tells
you when a site is "by invitation only" so you know beforehand if you can actually visit the place.

The book is a fascinating, spine-tingling collection of about 30 tales covering northern New York - Jefferson County, St. Lawrence County, Franklin County and Clinton County. So those of you planning a leisurely tour of the area to see the fall colors might wish to have this little guide to give your trip even more excitement. For writers, there is a wealth of tales to spur your imagination, so I highly recommend this wonderful book.

P.S. It might interest you to know Cheri Revai is the sister of bestselling Sci-Fi Romance writer C. J. Barry!

i'm from massena ny, and i have actually been to some of these places....quite bone chilling knowing all these things occur espically when you are from that place.

Scared the living HELL outta me. Excellent, well prosed stories from the bottom of the heart.

This book is written so differently from any ghost books I've read, the author has a wonderful gift of story telling. Once you open up this book and start reading, you won't be able to put it down until your done!

This is a great book on the supernatural with amazing photos, especially those contributed by Chris Sharlow (his photos are amazing - he should have his own book)! I highly recommend this book for anyone who has ever had any interest at all in, or who has ever questioned, what lives beyond. If the stories don't put a chill down your spine, the photos of Chris Sharlow surely will. I look forward to the next book and set of photos. Get this book!

The book, Hear My Sorrow, is 100 percent awesome! I read it in one day I was so needing to find out what would happen! It is about a girl named Angela Denoto from Sicily, which is in Italy, and starts in late 1909 and ends in mid 1911. She is sent to work with her sister in a shirtwaist factory. It takes place during the shirtwaist workers and cloak makers strikes and ends with a horrific tragedy. I hope you read this to find out what happens.

Hear My Sorrow is the best book in the series. It was given to me by my tudor, and I read it and loved it. It is about the sorrow of Angela, who was conmanded by her father to work ina factory. She writes about how her locker and needles come out of her pay, and how her friend, Sarah, goes on strike, this all leads up tothe fire of 1911. It's a must read.

Another wonderful addition to the Dear America Series. Angela must leave school to go to work to support her family since her father is no longer able to. Angela goes to work at a shirtwaist factory where she's surprised by the horrible working conditions and becomes involved in the unions. She also records the fire at the infamous shirtwaist factory fire.

This book was very good. The book lite up with hope at every little, page but is a heartbreaking plot. Please read this book!! It's very good!!

This is the fourth Dear America book I've read with a story and characters set in turn-of-the-century or early twentieth century New York City. In what I believe is Deborah Hopkinson's first attempt at fiction, she has wonderfully captured the people and events, the trials and triumphs, the tragedies and hopes of a most fascinating period and place. Other reviews have summarized the story throughly, so I won't go into that here. I wish rather to say that as a lover of both historical fiction and an aspiring novelist, I admire and appreciate Ms. Hopkinson's work. Scholastic Inc., should consider expanding its Dear America line. I had heard that the company only accepts agented manuscripts for consideration for the Dear America series, but further inquiry revealed that even those are not being considered. It seems that at the present, only a handful of previously published children's authors are being allowed to write new additions to the series. I hope that will change soon. Again, I congratulate Ms. Hopkinson on her excellent and meticulously researched book. That and "The Journal of Finn Reardon" should be part of every public library in America.

This is a darling book for girls and boys of ALL ages! It was given to my girls as a gift and now we give it as a birthday gift regularly! Cute and a little educational.

A story about a very special little dog which should appeal to all ages.. Beautifully told & superbly illustrated.

My daughter and I both fell in love with this charming story. Henley and his owner, Lulu are both absolutely fabulous! The artwork and poetic storyline is charming and imaginative. I am planning on stocking up on this wonderful book as Christmas presents for my family.

What a darling book about a Japanese Chin and his adventures. The art work is wonderful. Although it is officially a children's book, I appreciate it for the art work and the cute extra details put into the book. If you love dogs you will love this book, especially if you know about the Japanese Chin breed.

This is a must-have book to add to your holiday shopping for children of any age. My 6 year old and 3 year old boys have an extreme love for all sort of dogs and instantly fell in love with Henley. We hope Henley and the author will make more journeys together.

I have thoroughly enjoyed the Molly Murphy series, & "In Like Flynn" is my favorite thus far. This installment combines spiritualists with a good detective story, but I actually enjoyed the characters that we meet along the way more than the mystery. As always, Molly is a very likable heroine, & I enjoy the fact that this mystery series does not focus on a wealthy woman. Many historical mysteries seem to involved a main character who is wealthy, but Molly is plain folk. Her dogged determination to make it in a man's world alone with worth the read.

This time Molly goes undercover. She runs into her worst nightmare. She also solves numerous crimes. Leave it to Molly to engross your whole attention so much that you forget where you are sitting while you are reading. This is the 4th Molly Murphy mystery and it's the best one yet.

Like the first book in this Molly Murphy series, this book is thoroughly delightful. Molly is always putting herself in danger, and just when you think she is out of trouble, trouble just seems to follow her. There were a lot of twists, turns and surprises.
Although this book is the fourth in a series, it is not necessary to read all the previous books. I did read the first book, and I plan on reading books 2 and 3 in this series.

In Like Flynn is the fourth Molly Murphy mystery. Each book gives you enough background that you can read them stand alone if you wish, but they a best read in order. I read the of them in a few days. They are easy reads that blend history, mystery and a little romance very well. Molly is a single young lady who had to leave Ireland in a bit of a rush after an incident involving her families landlord's son. She arrives in the New York under an assumed name, escorting two young children, and stumbles into a murder before she leaves Ellis Island (Murphy's Law). She has a hard time finding a "suitable job" for an opinionated female and eventually finds herself to be an investigator (Death of Riley). This book takes Molly out of NYC to the high dollar estates along the Hudson River. As always, Molly's assignment takes a turn for the strange as she discovers that the two spiritualists she has been paid to investigate are not the only mysterious people around

IN LIKE FLYNN is the fourth novel in the Molly Murphy mystery series written by Rhys Bowen. Molly is the gritty young woman who could be the poster girl for women's rights a decade later than her time. She's a fiery red-haired colleen from Ireland who lives in New York City at the turn of the twentieth century. She practices the trade of private investigation as her livelihood. But her gender gets in the way much of the time. A former boyfriend, Captain Daniel Sullivan of the New York City Police Department, gives her a job that takes her out of the city. When she spends time in the Hudson River Valley at the private estate of a U.S. Senator, Barney Flynn, she escapes the ravages of a typhoid fever epidemic in the city.

Her job is to watch two spinster sisters at their trade. They assist persons in grief by contacting the dead through a séance. Daniel authorizes Molly to investigate the two for a reason to prosecute. He thinks they are bogus and play on the tragedies of their victims. The Senator's wife, Theresa, mourns her son who was kidnapped from the estate five years before. Her second child, Eileen, reminds her more of her loss. Theresa remains inconsolable, grasping at remote possibilities to reunite with her dead child.

Molly is shown as spunky, bright, energetic and living on the verge of propriety for a young woman of her day. However, she exhibits a vulnerability to feminine emotion that makes her real. She's moved on romantically but leans on her former lover for support. She's masquerading as a distant cousin from Ireland who visits the Flynns. But shadows from her past life thwart her in the form of a man she's been accused of killing back in her homeland.

Life at the turn of the century is a pallet drawn well in IN LIKE FLYNN. Bowen writes her characters well, especially the female side. Her men are not as easy to like, with the exception of the police detective. The butler, gardener, male secretary, and even the Senator are more predictable characters then their female counterparts. The Senator is a wanderer, chasing all young skirts on the property. At the same time he indulges his wife's whims and dominates her with petty minutia.

The mystery has twists and turns that lead to a pleasing outcome, though not altogether fulfilling. IN LIKE FLYNN isn't a story that yearns for a sequel, but it does leave the details of Molly's future open-ended. Thus, we'll look for the next Molly Murphy mystery at the bookstores.

A majority of modern mysteries deal with murder, mayhem and today's technologies. IN LIKE FLYNN is a pleasant change in the genre, relying on old-fashioned problem solving, without benefit of cell phones, computers and speeding police chases. Bowen's style is deserving of the awards she has received for her suspense-filled stories.

--- Reviewed by Judy Gigstad

I randomly picked this book up at the local library not realizing how magnificent it would be. I wanted a breather from all the romance novels I've been hooked on lately and boy what a difference! It was a very depressing story. There are particular lines in the book that are still lingering in my mind. I don't want to spoil it for anyone, but when Evan gets back with his ex-wife and they're talking of the past and he realizes the child she had with another man could have been theirs, but it wasn't.(please read the book and you'll understand) As a reader I felt his pain and misery for the mistakes he made that he couldnt take back, but was trying to mend. When I finished reading this book I could not stop crying; it's that touching!I read a review somewhere where the reviewer is saying this book is not depressing, but I beg to differ! It is very depressing and nostalgic, yet I got the message the author was sending. I highly recommend it.

I read this book over the past 4 days, and it is still with me. I found myself doing something I rarely do when reading... going back and re-reading certain passages because of the pure, simple beauty of Long's writing and clarity of his observations on love, live, and death. Evan Molloy is certainly flawed and not the most sympathetic character, but this is what makes him so utterly likeable... he could be you, me, our sibling, our neighbor, anyone. As his mother tells him early on, he has a charmed life - a happy childhood, education, meaningful work, and marriage to his soul mate, who he then wrongs in the worst way. Later, given the chance to love again, he is betrayed by his own mind, suffering from mental illness. His suspension between the living world and the afterlife, and his 'relationship' with the new owner of his home, 30-something Maureen, herself struggling to find her footing after leaving her job and fleeing a destructive affair, allow him to reflect and uncover the mysteries of his own death, and ultimately for him to be free.

The premise of a lonely ghost observing life going on in the house in which he died is what attracted me to David Long's novel. But that idea is actually a rather slight portion of this story.

For reasons neither he, nor the reader, ever understand, Evan is doomed to remain in the house in which he committed suicide 10 years earlier. While the premise is fantastical, the tone of the novel is not. We see Evan's life is fragmented, almost swirling snapshots, which seem appropriate for a lost soul still piecing his recollections together. Long writes beautifully in a very literate style and much of the story is Evan reflecting upon his life. And the events of his life are rather prosaic and mundane. He meets his wife, marries her, has an affair, is divorced, reunites with his wife and her troubled daughter. Perhaps Long's point is that life is mundane. But Long's elegant, somewhat melacholy prose holds the reader more than the story itself.

There's a slightness to the narrative. And Evan's connection to Maureen, the woman living in 'his' house doesn't seem fully fleshed out. What is it about her that touches him more than the previous tenants in the house? (She seems to most resemble the woman with whom he had an affair, but that connection is never made explicit.) We follow Evan's mental collapse leading to his suicide in the flashbacks, but it feels a bit arbitrary. There's a slightly aloof quality to Long's story and prose and Evan remains an oddly generic character. It's clear long before the reader gets to the end of this book that there will be no tidy conclusion to this story. And there isn't. And since the emotional impact of the ending hinges on Evan's connection with Maureen, it's puzzling that this connection is what is slighted for much of the novel.

This is a lovely novel -- readable, if not entirely compelling, but perhaps not what many readers might expect from its other-worldly premise.

I have not, in the past, felt compelled to write reviews on the internet, but this book is so haunting, smart, poetic, and strange, I can't help myself from asserting to potential readers: read it. This is an author who has such a sense of the nature of human beings, their motivations, the depths of the psyche--it changed the way I'll ever again see some of the people in my life. While I was reading it, I found myself talking to its characters, recalling its details, singings its praises to strangers. It entered my dreams! I'm not doing it just, but will say, you won't find another novel like this, and you won't forget it.

Evan commits suicide and returns 10 years after his death to his Seattle area home where he tries to understand "why" he did it - he reflects on his life and his quest for strength to escape his battle with depression and failed relationships. The book is dark and often foggy and rainy like its setting in winter in the Pacific Northwest. However, it is beautifully written and places the reader in the shoes of one where if your DNA was off-kilter just a tad - you can imagine that it could happen to you...

THis book is awesome mix of "Don Quixote," "The Life and Opinions of Tristram Shandy," and the "Colloquies of Erasmus." ... With a dash of Rabelais and Boccaccio for good measure.

In other words: playful bawdy post modern meta narrative where carnivalesque stories weave in and out of each other. Ive read a few things by Diderot and this is my fav so far.

I'm a big fan of The Manuscript Found in Saragossa - so its shocking to learn that it leans so heavily on Jacques. I found Jacques to be more entertaining than Sterne's work.

It may be your destiny to read and adore the pithy wit of Diderot. At a time when the novel was new as a genre as a contemporary of Sterne and Richardson, Diderot confronts the religion and philosophy of his day entrenched in the idea that man's fate was written on a scroll on high and that man only acted out a bit part devoid of real choice in his slavery to destiny. Pre-destination did not sit well with Diderot and Jacques is the novelist in this "dog's breakfast" he has served up railing aginst his own genre to assert his humanity and freedom on his picaresque journey to nowhere. "Does anyone know where they're going?" certainly sounds like Beckett who lived in France and may well have read Diderot. Jacques is forced to conclude that people think they are in charge of their destiny when their destiny is in charge of them. What choice does the fatalist really have except to resign to his fate? Because life is a series of endless misunderstandings, it isn't easy to be captain of one's own soul. The epigrams are deliciously well phrased: "Virtue is an excellent thing. Both good people and wicked people speak highly of it." Or this: "I think there are some very odd things written up there on high." The wicked fable of the Sheath and the Knife is certainly memorable. Jacques is genuinely hilarious in many places and despite Diderot's scathing complaints of the early novel, he wrote wrote an enduring classic beloved because of its pure wit, audacity, irony and uncanny phrasing. I urge you to read this great early novel destined to foretell the promise bound to follow for the genre.

This book is amazing. It will make many of your conceptions of where things belong in the history of the novel fall apart. Not coincidentally, that is one of the points of this book, being an exercise more than a message: that all apparent armatures of order are one more perspective away from disintegration. This book is really quite sneaky as well. In the beginning, the constant references to the inscriptive certainties in the heavens seem silly. But then little explanations come along (like the geneology of Jacques' crazy horse), and the novel heads down a dark, yet very enchanting road, into a fuzz that's every bit as modern as any you've read. This thing alternately looks like Bunuel, Zola, Stendhal, Faulkner, Kerouac. The picaresque, the uncertain narrator, the structuralists, all seem to be swimming around in this amazing book.

Surely many writers and artists from this era (like Goya) depicted the nobles as effete and incapable of carrying out the governance of the most basic requirements of existence, but here, they also appear (in the image of the 'master') as so withdrawn from the world as to be blind. If you take away all the stories that are told, the only thing that's left of a plot here is the master having his horse stolen right from under his nose while Jacques was gone and then Jacques finding it for him at the end in a beautiful, mock sort of deus ex machina.

Two centuries or so before "modern" writers began writing experimental novels, Denis Diderot, the force behind the Encyclopaedia effort, wrote this strange and indeed very "modern" novel in which the author leads a conversation with the reader, asking him where he (or she, of course) would want to go and what to do with the characters and the story. Here we see the author in the very process of creation, exposing his doubts, exploring his options, and playing with the story.

There is really no plot as such. Jacques, a man who seems to believe everything that happens is already written "up on high", but who nonetheless keeps making decisions for himself, is riding through France with his unnamed master, a man who is skeptic of Jacques's determinism but who remains rather passive throughout the book. Fate and the creator-author will put repeatedly to test Jacques's theory, through a series of more or less fortunate accidents and situations, as well as by way of numerous asides in the form of subplots or stories.

The novel is totally disjointed and these asides and subplots blurb all over the place, always interrupted themselves by other happenings. The most interesting of them is the story of Madame de Pommeroy and her bitter but ultimately ineffectual revenge on her ex-lover.

Diderot confesses to having taken much from Sterne's "Tristram Shandy" and Cervantes's "Don Quixote". This last novel's influence seems obvious at two levels: Cervantes also talks to the reader, especially in Part Two, and also reflects abundantly on the creative process. Moreover, the tone and environment of the book is very similar to the Quixote: two people engaged in an endless philosophical conversations while roaming around the countryside and facing several adventures which serve to illustrate one or antoher point of view.

Diderot's humour is bawdy and practical and the book is fun to read. The exact philosophical point is not clearcut, but it will leave the reader wondering about Destiny, Fate, and Free Will.

Yeah. Believe all the reviews below. This book really is amazing. It would feel like it was written yesterday, if it was more derivative -- but it's fresh! The language is incisive, no waste, and the pacing and structure are brilliantly fluid. It's smart and funny, too, and completely unpredictable, filled with weird offhand bursts of bewildering narrativity. And yet balanced, apparently sane. I truly enjoyed reading it. It's great.

This book provides an armchair walking tour of the meaningful places for the writer Dorothy Parker in NYC. It is also an excellent accompaniment to the Portable Dorothy Parker.

You hear the words "Dorothy Parker" and you think of New York.
I really enjoyed this book and it was a pleasure reading about Dorothy's apartment's and frequented locations. I knew a bit about Dorothy, from her works and "What Fresh Hell is This", but did not know about New York - I did not know where Uptown was or where Downtown was (I think NY is the only place that has both) but now I do. Plus with all the other interesting items and photographs makes this an essential book for a Parker enthusiast to have and use on their visits to New York.

(A good book for a novice,like me, wanting a nice introduction regarding the life of Dorothy Parker---with photos)

This is a well-written and well researched book about Dorothy Parker.
This book is very compact and therefore this is a wonderful introductory book about the famous writer.

This book is filled with photos of all the places that Dorothy Parker lived throughout her life. Dorothy moved ALOT & therefore the author had to research all the places that Ms.Parker frequented & resided at during her entire lifetime. Also, the author interspersed information about Dorothy's life ,the famous places she loved to visit (eg: THE ALGONQUIN)and all the people that she associated with (eg: Hemingway, F.Scott Fitzgerald,etc...).

There are no places or points in time like New York in the 20s. Dorothy Parker wrote about it, and now we write about her. I wish I could slip into a time machine and drink a martini while spying on the Round Table. Amazing. I would love to take the tour.

This book is an unusual creation, equal parts "coffee table book" and truly informative resource. It's well laid-out, with plenty of direct and indirect information and trivia available in well constructed sidebars.

Mr. Fitzpatrick's gifts are such that the book is one that will appeal equally to the Parker scholar and to the those who have just stumbled over her reputation for the first time.

I recommend it!

Eileen Forster Keck
Director, Robert Benchley Society