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Purrfect ParentingReview Date: 2007-02-14
Purrfect ParentingReview Date: 2005-09-13
Just found out about this wonderful bookReview Date: 2002-04-12
Ancient secret fundamental truths about discipline revealedReview Date: 1999-04-10
PLEASE REPUBLISH THIS TITLE! We loaned ours out and it is gone. We want to give this book to all our friends with kids, but can't and now we can't lend it.
"PURRFECT" for all parents or future parents!!!!Review Date: 1999-10-19

Excellent BookReview Date: 2005-11-13
decades after it's publication, still the best!Review Date: 2004-07-22
His work on the rattlesnakes strike, on comparitive morphology of the two genera, etc. still stand. This book covers rattlesnakes in incredible depth, going over every detail of these serpents. It's a godsend for those of us interested in rattlers. This book leaves no stone unturned (herping joke, sorry). It covers it's subject matter completly and professionally, and is well worth having on the bookshelf as a reference. If you like rattlers, or for that matter find zoology interesting, this book is a worthwhile read. If only more herpetological text were near as thorough as this one...
A truly interesting bookReview Date: 2002-07-12
rattelsnakes the rattelsnake that rattels""'Review Date: 2000-07-28
Klauber rules!Review Date: 2002-07-19

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Great info on California's waterways!Review Date: 2008-07-06
California Lake'rs BibleReview Date: 2007-05-12
Nice !!!Review Date: 2002-10-30
The Must-Have Camping and/or Boating Bible for CaliforniaReview Date: 2005-07-19
VALUABLE Resource for Boating families - Helpful InfoReview Date: 1999-06-22
This is a valuable reference and will save you disappointments in chosing the wrong lake. Call ahead to the individual facilities and ask questions. This is helpful in planning trips to the lake for your family. Enjoy.
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Excellent Structural AnalysisReview Date: 2000-02-21
Very informative, great piece of workReview Date: 2005-07-21
AWSOME!Review Date: 2001-09-23
california coolReview Date: 2001-03-03
Very well written, easy to follow and insightful.Review Date: 1999-10-10

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The Best Tuesday Night TeamReview Date: 2005-12-29
Aside from all the great Kings gems that have been unearthed, there is some foreground on Jerry himself as well as documentation of his "rise" up the organization. Like everyone else, I would have liked for the book to be longer--182 pages for 20 years is just not enough. Oh well, Reynolds Remembers is a great and easy read, but to the Kings fan, it's truly great literature--the man did minor in English after all.
I "Remember" TooReview Date: 2005-12-13
Although, I wish there had been more than a single page describing Jerry's "the Carly Simon period." Maybe we'll hear more in a sequel.
His memoir celebrates their growth and provides a powerful leader's first-person experiencesReview Date: 2006-02-06
The Most Enjoyable 182 Pages I Have Ever Read.Review Date: 2005-11-27
More, More!!Review Date: 2005-11-09
If only there had been more amusing stories and anecdotes Reynolds is so well known for. These reflecting the personalities of NBA players few of us fans ever see. Maybe this will be in Reynolds next book "Reynolds Remembers More" ?? We can only hope!!

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QUALITYReview Date: 2004-09-10
Company Food that Reflects San FranciscoReview Date: 1999-10-04
Only cook book I have ever used.Review Date: 2001-12-18
My Favorite CookbookReview Date: 2004-11-07
My favorite cookbook!Review Date: 2001-12-21
I have given this cookbook as a gift several times and have recommended it to my friends who love to cook.

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Brilliant, brilliant, brilliantReview Date: 2004-01-22
While some of the poetry is political or cultural in nature (Amichai is an Israeli and Jew), don't let that discourage you from thinking it doesn't have any application to your life. Like Chaim Potok, Amichai breathes a life into his words that enlightens you toward life's simplicities, regardless of your background. Top notch stuff.
Lovely and shimmering poemsReview Date: 2004-01-12
Amichai's beautiful mapReview Date: 2006-07-22
Amichai's voice is calm, colloquial, casual. The way one might say, "Pardon me, you've dropped your pen," Amichai will say, "And in the big cities, protestors blocked the roads like / a blocked heart, whose master will die..."
So I wonder what I'm not hearing. How must one who makes easy fantastical connections, who sets single nouns and entire memory constructs equal, also play with homonym, rhythm, internal rhyme, with invented words, cousins of ancient words? This is, after all, Amichai--a poet credited with revivification, with re-knitting the bones of Hebrew vernacular. His poetry gave a country a new map into its old language.
Here's Amichai: "At the end of summer I breathe this air / that is burnt and pained. My thoughts have / the stillness of many closed books: / many crowded books, with most of their pages / stuck together like eyelids in the morning."
And Amichai, to a woman: "You had a laughter of grapes: / many round green laughs. / Your body is full of lizards. / All of them love the sun."
In these poems, the acts of watching and describing become one intention, one result. Amichai systematizes little, responds much; sees, and does not sneer; judges, not to dispose but to know. His poems are not slices of life, but core samples.
If you want to learn something about how to love a city and yet not pretend its horrors do not exist, how to cherish a person, yet not omit flawed relationship, read Yehuda Amichai. If you want to read not a declaration of love, but a proof of love, read Amichai. For to observe without flinching, whatever terrors of truth or beauty may appear, and remain steadfast, observing, is a proof of love. "I see everything about you," Amichai says to the city, the seasons, the soldiers, his woman, his father, his God, "and here I am still."
Amichai is not frightened away. He thereby makes it safe for us to look on a terrible world complete.
I suspect that in Hebrew, the one difficulty of these poems would dissipate. In weight, in flavor, the poems are like a rare, nutritive honey -- not a condiment but a dietary staple, heavy, dependable. I suspect that in Hebrew the tone dances, that the phrases don't share a single, though delicious, viscosity, as in English. But who am I to complain of manna?
What survives translation is not the full tour, not a map to Hebrew vernacular. What survives is a map through Amichai. We can navigate by these lines and points, read the poems like the knots of a safety rope -- here -- we descend into the technical truths of war, of loss, and of heretofore unimaginable love.
The most popular poet of Israel Review Date: 2005-05-08
He is a humane and profound poetry who while confronting the most painful realities nonetheless presents a voice strongly affirming the value of life.
A great collection of a great poet's workReview Date: 2004-07-17
Amichai was born in Germany in 1924, but immigrated to Israel as a boy of 12; he began writing poetry early, especially in the exuberant atmosphere of the newly proclaimed Israel in 1948. Amichai continued to write poetry throughout the twentieth century (he died in 2000), winning national and international prizes and recognition as one of the greatest poets of the age, not only of Hebrew, but internationally. As modern Hebrew is a language still emerging from the shadows of its ancient-but-still-used predecessor, Amichai was a major figure in developing the poetic nuances of the language that helped to expand the limits of meaning in words and usage.
Amichai's poetry represented here spans most of his productive life. The first part includes poems from his collections from 1955 to 1968, from the birth of the state of Israel to the aftermath of the 1967 war. One poem, 'Jerusalem 1967', is a long and majestic play on emotions and images -- Jerusalem here is likened to Sodom and Pompeii, as well as revered as the universal city that it is; Amichai's personal experience floods the historical events he witnessed with emotion that conjures up ancient memories.
The second part includes poems from writings 1971 to 1985. The maturity of Amichai's passions and writing style match the development of world affairs, into a post-war situation, with tentative amblings toward peace. Still there are tragedies and problems, and these make appearances in Amichai's poems. The weariness of the modern world is highlighted in his poem, 'Jerusalem is full of used Jews' -- worn out by history, Amichai wrote. Still there are hopeful signs, as love in its many faces is always the centre of Amichai's world. Amichai is a patriot of sorts, in that he celebrates the place and culture of Israel, but is not blind to the problems there, and by no means a 'death to the enemy' kind of writer -- a bit ironic, given that his poetry is popular among the soldier-citizenry of Israel.
Some poems have decided biblical and religious connections, even if they are not religious in tone or direct meaning. 'Jacob and the Angel' obviously takes its title from the early story in Genesis, but beyond that, the context and content is very different. Some show the international character of modern Israeli experience. Many poems, while decidedly Amichai, could have been written anywhere, and the situations and feelings of love are universal.
Stunning poetry!

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A lively series of personal and social vignettes Review Date: 2006-10-15
Diane C. Donovan
California Bookwatch
Novelist Martha Smilgis saysReview Date: 2005-11-15
The San Luis Obispo, Ca. Tribune says:Review Date: 2005-11-14
It gets weirder. And, fortunately, Etling (brother of Bert Etling, who edits the Cambrian, a Tribune weekly) has a keen eye for detail.
In a series of essays, Etling deftly describes life as an extra on the "Sideways" set (he was promoted from "bathroom walker" to "diner," though instructed not to eat the food), the chilly waters of Jalama Beach and the pitfalls of being a Realtor. ("I'm a Realtor. Mind-numbing boredom is my life.") The career might be boring, but some of his funniest writing is about people's reactions to housing prices in a market gone berserk.
Patrick S. Pemberton
San Francisco Chronicle says:Review Date: 2005-10-28
Michael Jackson, Fess Parker, Ronald Reagan and Matt LeBlanc are among those residents, but surfers, cowboys, artists, veterans and settlers get the most affectionate treatment. Etling takes us not only to Jackson's fantasy estate and the sets of "Sideways" and "Seabiscuit," but to Highway 246 on California Cleanup Day, a university lecture on gophers and numerous local festivals.
Though this is not truly a guidebook, Etling tips readers to wildflower fields, surfing spots, cave paintings and museums. Readers will forget "Sideways" and head south to eat with cowboys and celebrities at the Longhorn Cafe, watch a missile launch at Vandenberg Air Force Base and ski on Figueroa Mountain.
What Kirkus Discovery Review saidReview Date: 2005-09-29
The collected "Santa Ynez Notebook" of a Santa Barbara News-Press writer.
Etling's delightful bi-weekly editorial dishes on all things Santa Ynez Valley, an area of tiny towns near Santa Barbara, Calif.
This compilation of almost three years of work covers a wide variety of topics, including community events, regional history, locals both famous (Michael Jackson, anyone?) and not-so, and the author's personal life.
The column's buoyant tone and warm voice make for a charming read-"I still love the beach. If I had a tail, I'd wag it when I'm near the water." As a teenager, Etling moved to the area with his family, and it's clear that he has adored the area ever since.
More than just a love letter to his hometown, however, Sideways provides affecting reading for all-Etling is all over the board, from what happens when a small town kid goes to war to the peril of navigating a highway crossed frequently by deer to a Hollywood invasion, when suddenly everyone's an extra on the set of Seabiscuit.
Fruitful subject matter, a likable host and evocative writing make for an enjoyable guide to this nook of California.
-Kirkus Discoveries

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A Rich Feast of Letters, Reviews and WritingsReview Date: 2006-12-07
The over-riding reason for buying this book is that so many are collected together. So, even for an artist that you might not like enough to go out and buy their biography, atleast you get an insight in to their thoughts/motives etc. In some cases this may spark your interest in a previously less favoured artist and appreciate their works from a new perspective.
Chipp covers all the main "isms" of modern art from Post-Impressionism (Cezanne) onwards. Each movement opens with a treatise detailing the main theories/artists/concepts/techniques that made it unique. This is followed by a comprehensive selection of articles/letters/interviews etc. concerning the main players i.e. the section of Expressionism includes writings from Nolde, Kandinsky, Kokoschka, Kirchner, Marc, Klee and Beckmann. One of my favourite pieces is by Stuart Davis. He's responding to a critic's recent review..."in your review you speak of your enthusiasm for my work and call me a "swell American painter". This attitude on your part I heartily approve, but you further state that my style is French and that if Picasso had never lived I would have had to think out a style of my own. Now is that nice Mr. McBride?" and off Davis goes in his defence. Superb.
Rather than reading about these various "isms" via the well meaning but often biased views of a expert art historian, here you get the views from the artists themselves.
For any art historians dealing with the modern art period this book has to be essential. And for general appreciators of art, as well as artists themselves, this book contains a wealth of information, and pays dividends to both intense study or just random browsing.
Since it's first publication in 1968 this book has formed the foundation of any respectable art library. I just checked the bibliography of more recent books on art history - this book is referenced extensively. In my opinion, if anyone is looking for an interesting and enjoyable introduction to the world of "Modern Art" they could do a lot worse than start here. And given the way that any one "ism" owes it's existence to the "isms" that came before it*, this almost reads like a novel.
*Regardless of Dali's utterances about Surrealism being a unique movement, unfounded by anything that came before, just go and have a look at the works of Hieronymous Bosch to see that wasn't the case.
Recommended!
facinating look into modern artists thoughts and beliefsReview Date: 2002-05-19
WOWReview Date: 2004-07-20
Into the mind of the artistsReview Date: 2003-05-24
Very insightfulReview Date: 2004-06-04
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A little known historyReview Date: 2006-11-22
Coming by covered wagons or ships these women wrote about their journeys' across mountains, deserts, oceans, and jungles. The excitement of an adventure and the beauty of the land was not the whole story however; misery and death joined them on their journey. Inadequate provisions, brutal storms and sickness were common themes. And once these women reached the promise land of San Francisco, the streets were not paved in gold as they dreamed, but littered with trash.
The belief that there were only prostitutes or actresses was also not true; many women ran boarding houses or mined for gold. Some left after the gold ran out, but many women stayed in the cities that they helped create.
Though this book it is not organized in to one story, it is an insight into the women who came to California during the gold rush. You will be amazed by their bravery as they left their comfortable lives and uprooted their families for adventures unknown.
worth readingReview Date: 2008-02-26
Very much worth your time to read!Review Date: 2006-06-06
A person wouldn't even need to be interested in history of the gold rush days to thoroughly enjoy reading this book. I don't have alot of free time to read, so when I pick a book it has to be worth my while. This certainly was. And it's an easy book for reading a few pages at a time, like I do just before going to bed. I love how it organizes the accounts and groups the stories into chapters of a particular theme. Fascinating!
A Fresh and Factual Look at Women in the West Review Date: 2005-10-24
In They Saw The Elephant, Jo Ann Levy has combined women's journals and letters with newspaper articles of the gold rush era into an articulate, shining gem of historical writing. Her purpose was to dispel many of the common assumptions and general characterizations made in earlier histories about the women who participated in the California gold rush. A number of the early twentieth century histories of this monumental American event imply there were few women in California, and that a majority of those women were of questionable social standing. Levy's placement of her chapter on prostitution is wisely situated in the second half of her work. She admits there is little written record concerning the lives of these women, particularly those of Chilean and Chinese descent who came to the gold fields. The author does not fill in the blanks with supposition or fiction. By the time the reader gets to the chapter on prostitution, it is already clear that women were contributing far more to the Gold Rush than physical pleasure for males.
The Oregon Trail opened in 1847. Levy includes some of the women's stories from this trek even if their final destination was not the gold fields. This is a plus. The reader understands that women had started emigrating west for reasons other than gold and the journals and letters used to demonstrate life on the trail were vivid.
The variety of women discussed in this book was a cross section of society at the time. I laughed out loud while reading about how some of the highbrow, educated women reacted to the primitive society of San Francisco. These women adapted, and most made a good living as boarding house keepers and cooks.
Levy does an excellent job showing us the ingenuity of the women who went west. Living aboard abandoned ships in the bay, renting out rooms in, and using wood and goods from those ships are details about day-to-day life often lost in the telling of the human experience of the gold rush.
Perhaps the strongest statement Levy makes in her book is found in the Postscript. Women who went west during the gold rush continued their lives long after the three- year bonanza. Most didn't stay in San Francisco. Most didn't even stay in California. Their toil was but another blip on the radar screen of their lives. They didn't crawl back east to their families as broken women. They had seen the elephant, but had no desire to own the circus.
Several of the accounts made me chuckle and realize how little life has changed. One letter describes how quickly houses were being built in San Francisco. It goes on to describe the shoddy workmanship including gaps in the walls large enough to see through. I live in the fastest growing metropolitan area in the country. Houses go up over night here, literally. We joke about housing developments growing as quickly as mushrooms in the forest. The only reason the cracks in the walls don't allow light in now is chicken wire and stucco. Little has changed in the last 150 years.
Women civilized the wild California gold rush society. Some used the money they had made from the miners and started churches, schools, and hospitals. Others became heavily involved in various societies. In general, they went west with their husbands, to support their husbands in search of a better life, and they brought their civilized mindset with them.
This is an excellent book, appropriate for all audiences. It flows well, and contains a great deal of authentic information
They Saw The ElephantReview Date: 2000-09-21
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