New York Books

Darcie Denkert has given us a gem. Her lavish book with its incredible photographs tells Broadway and Hollywood tales with purpose. She discusses the influence of Broadway on filmmaking and the all-important connection between the two art forms in highly intelligent and most enjoyable prose. Her knowledge of the genres is huge, yet she lays it out in a natural way, never inserting herself into the stories, although she no doubt has many of her own across a distinguished career. Her passion for the subject is palpable. The people and places come alive in the telling.

This book is required reading for all budding theater impresarios and filmmakers.

You might expect that a work filled with such brilliant photography in the coffee-table sized format to be all fluff. Wrong, Ladies and Gentlemen. This work actually has something to say and does it in an intelligent fashion! Not for just anyone, but if you truly Love the American Musical it is a Must Have. Since I teach Musicals, both Broadway and Hollywood, this is a welcome reference work. Besides the photos are wonderful and many not seen elsewhere.

I couldn't agree more with the other two reviews. This is a marvelous book that any musical and/or movie musical fan will devour. And the design, layout and pics are all sensational. If only "A Chorus Line" had been included, the book would be perfect. (Maybe Denkert was precluded from writing about it for some reason.) In any event, this is a reader-friendly (not to mean dumb) coffee table book that won't break your wrists or the bank.

Being an observer of plays and movies with a particular interest in musicals I've long been puzzled by the difficulty there seems to be with moving a musical from Broadway to Hollywood. Why does a smash hit like Gypsy, sometimes called 'The best damn musical ever,' basically flop on screen?

Darcie Denkert is an expert on both Broadway and Hollywood. In this book she has carefully researched a series of the most famous musicals that were made into movies. Sometimes, like with Gypsy, the play simply doesn't translate into the big screen. The scene at the train station, for instance when Rose is shifting her attentions to Louise after June left in the play works well. The train station doesn't look like a train station, it looks like a set. The orchestra is visible, the song works. In the movie, at a real train station, you don't just burst into song. And the stars, great movie stars, just didn't fit.

This is the kind of information that only an insider with a foot into each camp could get and then put into a book. Referring to Gypsy again, the author also tells us how the stories got written, who did what, how did the music get written, what did they do in the screenplay to adapt it?

The book covers 6 big plays: My Fair Lady, West Side Story, Gypsy, The Sound of Music, Cabaret, and Chicago, and 8 smaller ones. This format gives all the space that is needed to completely tell the story. Gypsy, for instance gets 38 pages, and they're big pages. To we outsiders, not plugged into either Broadway or Hollywood, this is an absolutely fascinatin book.

darcie denkert has done a fabulous job talking about the great shows of broadway and their translation to the screen. i love this book--the illustrations are insightful and the text is very well thought out. it should be a great addition to any college course on musicals.

it is also a great thing to see a woman's voice come through on this subject that is dominated my many great writers such as ethan morrden and mark steyn.

go, darcie!

Reynolds uses a panoramic camera for the views in this book. Whether one cares for this sort of photo with itsunconventional proportions may be a matter of taste. The subjects represented are fairly conventional for this sort of picture book, and several similar volumes about the Finger Lakes are available. Little textual information is provided. On the other hand, Reynolds is a photographer of the first rank, with a good eye and technical command of the medium. The book is handsome. For this reader, it is less rewarding, however, than his subsequent "Wine Tour of the Finger Lakes," where the pictorial subjects are less predictable, while the informative text by Grady Wells makes the content more substantive. That one is a full five stars!

I live in the Finger Lakes area (Elmira) and I have either driven, hiked, or bicycled around all the lakes and sailed across several. This is a wonderful piece of work and all scenes are easily recognized. A great compilation.

The pictures are beautiful. Mr. Reynolds is a top knotch photographer. You can tell much time and effort was put into this book.

As a previous resident of the Finger Lakes area, I can personally vouch for the beauty of the area. Mr. Reynolds has captured it as well as any human being can capture the glory of nature's beauty. I would highly recommend this book to anyone with a taste for looking at beautiful places, beautifully photographed. Mr. Reynolds has presented an excellent talent with this beautiful book. I look forward to his next effort.

This book reminds all of us who live in the Finger Lks, how beautiful this area is, and how lucky we are to live here. GREAT JOB KRIS!

All I could say when I was finished was "why didn't I see that coming?" A great story by a very talented writer. I was going to give this 4 stars out of anger, because Ferrenz didn't give me MORE!!!

One writer to another -- Great job Barb!

If you've ever thought of being a horror writer, or if you ARE a horror writer, I think you'll really enjoy this book. I'm a struggling writer myself, and I couldn't believe how much I identified with the protagonist and how real the conventions seemed. The strains our solitary avocation put on a marriage seemed too familiar, too.

Since I don't normally read mysteries, I can't comment on how well it fits the format of the genre, but I will say that it held my interest, moved swiftly, and didn't disappoint.

In Edgewater, Maryland, Mary Kate Flaherty has problems with her husband Chuck and her two children over the time she spends on writing and selling her novels as well as their belief she writes trashy erotica vampire tales. Known as the Queen of Vampires with the alias Theodora Zed, her family members also resent her attending conventions though that is what sells the books and buys their luxuries like designer sneakers.

Currently, in her Theodora persona, she attends Bloodcon in Atlanta where wannabe writer Randall Valentine disparages her work as trash in a public panel. Not long afterward, her shoe is found near the corpse of Randall, who has two small puncture wounds in his neck. The police question Theodora with only fellow writer Connor Drake, who has loved her forever, on her side. When a second murder similar to the first "Vampire Killer" slaying occurs in New York while Theodora is in town, the author knows she must risk her life to uncover the identity of a murderer even as her marriage is collapsing.

Though the identity of the "Vampire Killer' seems unreasonable and Mary Kate's husband is an idiot, WORSE THAN DEATH is a pleasant amateur sleuth tale. The story line allows the audience to see behind the scenes at a convention and the impact on a family when a member attends a lot of these. The two bites are cleverly explained and the heroine's willingness to risk her life to solve the case makes for a fine reading experience.

Harriet Klausner

Worse Than Death is a glimpse into the bizarre subculture of the devotees and the wannabe authors of the horror writers convention circuit. The protagonist of this interesting and well-plotted story of deceit, infidelity and homicidal pathology is an anonymous mother and housewife, Mary Kate. She haunts the meat counter at the Farm Fresh supermarket and strip mall pharmacy blighting the tranquil tobacco country of her southern Maryland suburb. But Mary Kate bangs out pulp vampire novels in the upstairs chambers of her old house. The reader is warned early in the story of the strains in her marriage. She has kissed her husband, hugged her children and flown off to a few too many conventions. There she squeezes into thin black leather and balances on stiletto heels and joins her fellow struggling authors. As vampire author Theodora Zed she stokes the fantasies of the fans who swarm like flies to themes of sex and murder.

Barbara Ferrenz crafts a very creditable story as neck-punctured bodies follow her to city after city. There is no shortage of suspects. Her husband has grown distant. A former priest pilgrimages against her brand of Satanism. Her fans only just contain their adolescent sexuality as they gaze on Theodore's tightly wrapped chest. Her best friend's boyfriend lusts for her, protecting her even as they are stalked by an unknown killer.

The story is a quick moving engagement of the unexpected with the ordinary. In the end everything is as it should be, but nothing is the same.

Mary Kate, also known as Theodora Zed, Queen of the Vampires, is a mid-list writer of vampire romances. Theo promotes her books at weekend horror conventions and bookstore signings, much to the disgust of her husband, who would much rather have a conventional wife, and the embarrassment of her children, whose friends pass around her books at school. For Theo, promotion is just part of the job.

But, when a writer who insulted her at one of her panels turns up dead, though, Theodora has a motive and looks like a suspect. Or perhaps she's being targeted as one of the next victims. The Vampire Killer always seems to know where she is, and strange things keep happening when she and fellow writer Connor are in the vicinity.

This is a fun, fast paced mystery with unexpected twists and turns. The central characters are well drawn and credible. Mary Kate, although perhaps a bit naive, is a woman of integrity, determined to do the right thing no matter what. Descriptions of her circle of friends and acquaintances in the writing and publishing community struck a familiar chord. I am looking forward to reading more books by Barbara Ferrenz.

When the first edition came out, I purchased the first copy. I used several of the resources to move my apartment and found the book to be right on the money as far as the recommended services and contractors. I tried other resource books, but found that they were driven by advertiser money and not the quality of service. I would recommend the Franklin Report books to anyone looking for qualified home services, repair or contractors. There are a lot of unscrupulous individuals out there in this business and these books help you pick the best based upon actual user recommendations and not by advertising dollars alone. Buy this book, you will be glad you did and it will save you time and money!

Prior to buying the book I looked up some of the service providers I had already used and found that the descriptions provided were exactly as I would have written them! I have hired several more of the companies/people in the book since and again, the descriptions matched my experience. I am very impressed with this book and have recommended it to many people!

Thank goodness someone else has done the groundwork and the research to interview clients and the service providers. What an inspired idea! As a homeowner, this book is such a big help and the answer to any renovator's prayers. The quotes are extremely helpful and the ratings help me, as a consumer, sort through the people I should call. What would have taken hours of phone calls and research and questions only took me thirty minutes because of this book.

This proved to be a very useful and reliable tool for me. It gives an indepth description of each service provider. You can pick out service providers based on which styles the excell in and whether or not they stick to your budget. I think that this is particularly helpful.

Really gives a detailed description for each service provider. I feel much more comfortable about hiring someone I found from the Franklin Report than some random person from the yellow pages. A "must" for every home.

Hal Glatzer's Fugue In Hell's Kitchen provides a new Katy Green mystery. Katy is no ordinary P.I.: she's a swing violinist in 1939 who helps a friend search for a missing classical manuscript - only to find an investigation into petty theft becomes a fight for life. Gripping, especially with the unusual plot and background setting.

I only wish I were Katy Green! She's the woman I always pictured myself being, but haven't yet become. I love the way she comes at the crime and the criminal---not to punish or exact revenge or retribution but to restore the balance of things. And the author seems to have gotten the period and the location just right---New York's Hell's Kitchen just before World War II. You can almost hear the El and smell the exhaust from the cars. I thought the first Katy Green was terrific ("Too Dead To Swing"). but this one is closer to home.

The more I read about Katy Green, the more I wish she was a real person! She's just the sort of person I'd like to know and share musical tales with. The time in which she lives is a bit before mine, unfortunately (I was still in my crib) but still - she's definitely a lady of her time.

Katy is bright and funny and smart and thrifty, and above all--a very talented musician, who can look beyond the notes on the page to pay attention to the world around her. And if that world includes good looking young men, well, why not? She isn't foolish about it, though, which is a good thing.

This tale is set slightly prior to the first book - Too Dead to Swing - so we learn how Katy ended up traveling in that swing band. As a classically-trained musician, she is somewhat of a rarity, being equally capable on violin or saxophone. The period details about New York City in the late 1930s seem right on, although not having been there at that time I can't say for certain. But I'll bet anyone who did live then would be hard put to disprove them, either.

Prejudice rears its ugly head in several ways in this engrossing mystery: it's just prior to WWII, when Oriental persons were looked at in different ways than they are now, and the migration of Southern Blacks to the North was in full flow. Add in a religious young woman from Appalachia, and you have a wonderfully mixed group of talented musicians who are not always capable of seeing beyond their music stands.

Katy follows various threads with the help of a newspaper reporter and finds the solution to several crimes, not just the one she was asked to investigate--the theft of an autograph manscript by the famous Niccolò Paganini. It's a marvelous performance, all around. I'm off to read her next adventure.

It's 1939 in Hell's Kitchen, a New York City neighborhood where even plucky heroines, like Hal Glatzer's Katy Green, fear to venture. Gangs rule the streets, and World War II lurks around the corner. As the Great Depression hangs on, musicians, like Katy Green, conservatory and bandstand trained, scramble for any kind of gig they can get. A couple of bodies turn up at a failing music academy, a pal on the faculty is accused of stealing an original Paganini manuscript, and Katy rushes in to settle scores. Her investigation is well paced, and the ending surprises. Glatzer projects as detailed a rendition of the pre-war era as any cinematographer, with authentic language, cuisine, fashion, sexual mores, and race relations, against the ever-changing backdrop of New York. A Fugue in Hell's Kitchen is time travel without the sugarcoated nostalgia. Yet, traditional mystery readers will be glad to know there's little violence or sexual explicitness. A Fugue in Hell's Kitchen should appeal to anyone who likes jazz or classical music. Like Too Dead To Swing, the first in the Katy Green series, an audio version of A Fugue in Hell's Kitchen will soon be produced. The audio of Too Dead To Swing featured fine music and brilliant actors. What fun! I can't wait to hear the audio version of A Fugue in Hell's Kitchen. But definitely read it first.

In 1939 swing violinist Katy Green is as usual unemployed and walking the pavement (and clubs) for a job. Though she would prefer to say no to her pal cellist Amalia "Am" Lee Chen's request for help, a gig is a gig, but Katy would have preferred a musical job. Instead Am asks Katy to find a priceless Paganini manuscript stolen from her cello case following a performance performed at the prestigious Meyers Conservatory.

Though Katy agrees, she finds the recent death of the conservatory's dean, Iris Meyers a bit more interesting. Katy notices the high note of the tension amidst the faculty reaching discord that along with the disastrous efforts of the deceased's successor, her brother Joseph, threatens the school's existence. .A forgery of the missing composition is returned to Am that leads to the police arresting her for stealing the manuscript. Now the case is personal as Katy follows the musical notes to Harlem trying to find the purloined item even as the conservatory's librarian, know it all, Nina Rovere is killed

Hal Glazer hits all the high notes with this delightful historical cozy that pays homage to various musical styles like swing. Katy is a wonderful lead performer who keeps the tale humming as she digs the scene in an attempt to prove that the arrest of Am is racial due to the imminent war and her friend being of Asiatic descent. Fans of historical who-done-its starring a wonderful amateur sleuth working the mean streets of the Manhattan club scene will sing in harmony with FUGUE IN HELL'S KITCHEN and want to resonate about Katy's previous number, TOO DEAD TO SWING.

Harriet Klausner

A superb book - lots of fun - but digestible only in little bites. There is a lot of information in here!

This book is a must read - it was so entertaining and funny, I had pop comming out of my nose laughing! And my friends and I had a great time sitting around the piano playing and singing the composed musice enclosed! We even added a few lyrics of our own to the already hilarious lyrics ;-)
Have Fun!

If you share my growing concern at the musical cross-over tendencies in synagogue songs and how "un-Jewish" much of today's Jewish music sounds, you'll find a charming antidote in Dr. Jack Gottlieb's new and original coffee table book: Funny, It Doesn't Sound Jewish. Gottlieb's earnest musical detective comparisons and analyses invite us into joyfully playing the "sounds like" game. After we chuckle in consternation, at the Yiddish or liturgical roots of a pop song's pedigree, we marvel at the truism that there seems to be "nothing new under the sun"; especially under the show biz music lights.

Gottlieb loves to make puns and burst bubbles. This effervescently entertaining study is filled with anecdotes, song sheet covers, musical illustrations, photos of composers and performers, and even an accompanying Audio CD to bring home his astute assertions.

Some of my favorites include: Did you realize that -

George Gershwin's It Ain't Necessarity So is kin to the Torah blessing Barachu Et Adoshem Ham'vorach?

The Torah cantillation for Merchaw R'via inspired both Bach's Oh Sacred Head Now Wounded and Paul Simon's American Tune?

Rozhinkes Mit Mandlin prompted Irving Berlin's Blue Skies.... and my all time favorite

I Am A Gay Caballero, I'm back again from Janeiro is both Y'hei sh'mei rabah m'vorach from the Kaddish and Ashrei yoshvei veitecha od y'hall'lucha selah

Are you curious to follow Gottlieb's unearthing of more of these amusing affinities? There are dozens of other examples, some more apparent than others, but all will cause you to "aha!" pause, smile, and, most importantly, think about what we consider immutable Jewish traditional melodies.

Dr. Gottlieb is an engaging author and lecturer (this book began as a touring presentation with him at the piano). He is a published composer of both secular and synagogue music who most recently was honored by The Milken Archive of American Jewish Music when it distributed a CD of his works on the Naxos label. He is also a meticulous researcher, program notes writer, and former assistant to Leonard Bernstein. In all these endeavors it is quite obvious that he is also a passionate lover of all thing musical and Jewish.

We offer kudos to Dr. Gottlieb for this wonderfully endearing study of Jewish melodic ties to mid 20th century pop music and enthusiastically recommend it as both an urbane entertainment and a carefully documented study. Buy it and enjoy!

Over 30 years ago there was a famous ad campaign for a brand of "Jewish rye bread," showing an American Indian eating a deli sandwich, and the caption read, "You Don't have to be Jewish to Like Levy's Rye Bread."

With regard to this book, this was never so true. Anyone who love the "Great American Song Book" spanning the first half of the last century cannot afford to miss this book.

Especially remarkable is that it IS a scholarly book, complete with footnotes and bibliography, but the tone is also so jocular.

The accompanying CD of musical examples alone is worth the cost of the book.

Do yourself a favor - Order this book, but pass on the Most book offered by Amazon.com in tandem. It is hardly as comprehensive and definitely pales by comparison.

Don't be mislead by the title of this book. It isn't glib or lightweight--in fact, it's a brilliant analysis of the subconscious effect synagogue music and Yiddish song have had on our most beloved popular music. When I picked it up (out of curiosity) I found myself mesmerized and couldn't stop reading.

The book is peppered with musical examples that continually evoke "I never realized that song was related to that"! Gottlieb must have spent decades researching this and it seems unbelievably thorough. He doesn't stop at musical analysis; he also includes a good examination of the history behind everything, particularly focusing on the heavy periods of emigration, when most of the (now) well-known Jewish composers came to America. The book made me look at some of the best known popular songs in a new light, yielding a deeper understanding of what went into their creation.

It may seem a little expensive, but you also get a CD packed with great rare recordings that have never been released before (try Bernstein performing Blitzstein's classic "Zipperfly" or Jolson singing "Khazn oyf Shabes" in Yiddish).

Gottlieb decides to pay limited attention to some of the living composers who focus on Jewish themes (for example, Jason Robert Brown and Osvaldo Golijov are only mentioned casually) but I suspect he could write another book on them. Let's hope he does--I would line up to get a copy.

The essays and stories that make up Gardening at Ginger are about things like greenness (the color, not the movement), the author's city-born-and-bred wife's reaction to insects that get indoors (not hospitable) and where to place a bench. James Raimes' writing is by turns personable, erudite, witty and earnest, and his book goes a long way toward explaining why gardening, an activity that regularly leaves its practitioners filthy, pooped and bleeding, also makes them so happy.

Not only for the gardener, this collection of personal essays draws you right into the writer's life, and his obsession with landscaping the gardens around his second home. His insight into the nature around him--not just the flowers, but the trees, the grass, and the dirt--will give even avid gardeners something new to think about. If his garden is half as beautiful as his writing, then Raimes has done a wonderful job.

Seven years ago the author and his wife bought a country home on nine acres in upstate New York, calling it 'Ginger' and evoking in him a desire to learn about plants and gardening. Raimes grew up in England, so his instinct in this area was always there: his desire to shape a landscape proved challenging, however, and GARDENING AT GINGER: MY SEVEN-YEAR OBSESSION WITH DESIGNING AND PLANTING A PERSONAL LANDSCAPE reviews his efforts, achievements and failures alike. A vivid memoir of the 'gardening bug' involves all.

Diane C. Donovan
California Bookwatch

What an amazing and enchanting book! So different from the run of the mill "how to". The author shares his plans, dreams, hopes, experiences with the reader. (After completing the chapter on Digging in Clay, I was so exhausted that I needed a lie down to recover.) Please can we have a sequel or at least a blog with photos and maps. I want to see it all.

Raimes' recounting of his "growing" obsession is subtle, graceful and altogether involving. He includes lots of background from his English childhood, gardening experts he's consulted and absorbed, his sometimes bemused wife who nevertheless stands by his often backbreaking, daylight hour devouring transformation of a landscape into areas of inviting woods, stonework, flower beds, greensward, specimen trees and water. It made me stop and think in a new way about my own gardening and enriched my understanding of what all gardeners do.

I highly recommend this book for anyone with an interest in New York's Geology. The map included with the book is an excellent visual aid and for someone like me who is interested in finding fossils gives a good idea of the time periods represented.

A great reference book. My favorite part is the section with the historical diagrams of orogenies, rifting etc. Each diagram shows a time period and how New York was affected. There is also an abundance of information on fossil bearing strata and mineral locations. The book also does a great job with applying most geological processes to New York.

I found this book in the library while doing some research for my own book. I have for the longest time wanted to know what is below ground, what type of rock and stuff is a mile or two or three below me. And this book not only gave me an idea of these things, finally, but it was also just chock full of other little fun facts as well. I've spent hours reading it in the library ...

I tip my hat to the authors, Messrs. Isachsen and Rogers. A very good job. An excellent book for the coffee table, to rally a conversation around. An excellent edition to anyone's personal library.

This Leaflet I found was was very useful for thoses students who are researching particular areas in the Upstate Regions Of New York State. The language used with in the this leaflet is very easy to understand, especially if you are novice to the field of Geology. What is most useful is the many geologic time scales that give a vast amount of information in one page. I found this very useful especailly if I was studing for paleontology and field study classes. I countinue to use this leafel in my class room, mostly to help introduce topics in paeloenvironemnts, plate tectonics, and econmic geology. Each reading, which constits of 10-15 pages, includes questions at the end of each unit. I found these questions not only help to improve teh reading comprehension of my studnets, but also help to insite descussion and further research in these areas.

In spite of it's title, this account, weighing in at 280 pages, is far from "simplified". It is a comprehesive work, with numerous chapters on earth history, plate tectonics, bedrock, surficial materials, mineral resources, hydrogeology, and engineering geology. It is profusely illustrated with charts and diagrams. At least seven State Survey geologists prepared chapters for this book.

The book includes a New York State Geological Highway Map. This is a beautiful 1:1,000,000 scale time/stratigraphic bedrock map of the state, with lots of statigraphic charts and a satelite image A "photo mosaic of the state on the flip side.

Mr. White describes his experiences with training a goshawk for falconry. He has no guidance beyond an ancient manuscript and things go horribly awry. An outstanding book, a pleasure to read. Also an example of why current US regulations require a falconry apprenticeship period.

As a fan of The Once and Future King as well as falconry, I couldn't wait to start reading this book. It is an absolute gem. White's descriptions are extremely vivid. No one should be daunted by the fact that this book was penned in '51 or that it is about falconry; his story is immensely (and enjoyably) readable.

Thanks are due to New York Review Books for putting back in print this wonderful book. The edition is well produced. A quibble is that Marie Winn who writes the introduction is clearly not familiar with ,or comfortable with ,"field sports". T H White (and many modern writers and followers of fishing,falconry and related actities) would take issue with her distinction between being a natural history lover and a practioner of fishing,shooting,ferreting etc. More seriously, she writes that White "blithely snagged salmon". White fished for salmon and caught them fairly using a fly. He wrote many fine passages about his salmon fishing and the pieces are still found in anthologies of fishing literature. To "snag" a salmon means ,to those who fish ,that he took salmon illegally and unsportingly, by jerking a hook into the body of a salmon.There is no evidence that I have heard of that he would ever have done this.To suggest it does his memory a grave disservice. The introduction by Steve Bodio,himself a falconer, to the 1996 Wilder Places edition of The Goshawk is,to my mind, far better at exploring and explaining the reasons why this is a much loved book.

"'Sha-hou!' rang down the centuries for 3,000 years as the hawksman sent his bird aloft. In Arthurian times, every king had his eagles, every earl his peregrines, and even a knave might fly a kestrel. They brought pigeon and duck to the table, and sport to the afternoon." "Time", March 10, 1952.

In 1952 T. H. White was a young author of an Arthurian tale, The Sword in the Stone, and a short novel, Mistress Masham's Repose. White's researches for Sword inspired him to learn the ancient art of falconry for himself. He writes the attempt grew mostly out of an urge to pit himself against an exacting challenge, as another man might set out to climb a stubborn mountain. All that White knew about hawks to begin with he had learned from three tracts on the subject and from an exchange of letters with two of the few remaining hawk-masters left in Europe.

Gos was an untamed tiercel (male) of the largest European species of the short-winged hawks with a wing spread three inches shorter than a golden eagle. White lived in a cottage in Buckinghamshire wood, and he ordered the bird from a dealer in Germany.

On the first day, White caught Gos by the leather jesses tied to his feet, and set him on his gloved fist. "For an instant he stared upon me with a mad, marigold or dandelion eye, all his plumage flat to the body and his head crouched like a snake's in fear or hatred, then bated wildly from the fist." He hung, by his jesses, screaming with rage.

Thereafter, it is White against Gos. Gos bated for hours; each time White gently lifted Gos back to his fist, he bated again. All night long Gos bated and White lifted him back. Hawkmasters taught White that if he gave up or fell asleep, the hawk would know that it was the stronger, and could never be tamed.

"Oh, the agony of patience. At the thousandth bate in a day, on an arm that ached to the bone . . . merely to twitch him gently back to the glove . . . to reassure him with tranquillity, when one yearned ... to pound, pash, dismember!" After three days and three nights, the hawk fell asleep. The next day he was as wild as ever.

The rest of the story is thrilling, exhilarating, and finally tragic.

"Nothing is more certain than that Gos entangled his jesses in one of the myriad trees of The Ridings, and there, hanging upside down by the mildewed leathers, his bundle of green bones and ruined feathers may still be swinging in the winter wind."

Marie Winn has written the introduction to this book. She is a wonderful observer of wildlife, writes an excellent blog called "Marie Winn's Central Park Nature News", and is the author of the enchanting Red Tails In Love. I was delighted to find this new and well produced edition of White's classic book. I share other reviewers's concerns that Winn was not entirely fair to White. As an observer of wildlife I empathize with her point of view, but can "Sha-hou" ringing down the centuries be entirely wrong?

I highly recommend this book to anyone, even those with no interest at all in falconry. The author is so skilled and talented that I'd say that he could write an entertaining piece about paint drying. Enjoy!!

Why should we care about the oceans of the earth? This meticulously researched book poses a convincing argument: the physical and chemical cycles and life webs of the sea are under siege from humans, with consequences to reefs, plankton and whales, as well as to our weather, health and livelihood. The threat goes way beyond global warming. Cramer effectively illuminates the problems and consequences while showing how we are all accountable for protecting the great waters -- whether we live in coastal communities or in cities far inland that dump pollutants into waterways that eventually enter the sea.

In "Great Waters: An Atlantic Passage" Deborah Cramer not only takes the reader along on an ocean trip from Woods Hole, Massachusetts to Barbados, she explains the ecology and history of the Atlantic in the process. In doing so, she brings Rachael Carson's classic "The Sea Around Us" up to date and gives the reader a solid grounding in ocean biology and physical oceanography. After reading "The Empty Ocean" I was delighted to find this book, one that takes a broader look at a smaller area- Atlantic, as Cramer likes to characterize the great ocean.

Unfortunately both recent books give the same, often bleak, picture of what is happening to the oceans as humans over-fish the once huge fisheries and dump more garbage, human and animal waste, toxic chemicals and remains of machines into what is becoming a global "land fill." We have also refused to take serious steps to reduce global warming at the same time evidence for our complicity in carbon dioxide increase in the atmosphere is mounting. Unfortunately for us Atlantic and the others oceans of the planet are starting to return the favor both in lower fish catches and altering ocean circulation that may well cost us way beyond the value of the fish we extracted.

Yet there is some glimmer of hope. Humans may yet wake up, if a bit late, to the damage they are doing. There are still nearly pristine beaches and walking alone along a beach with sea birds crying is still possible over much of the planet. I hope it always remains possible. Read this book, if you are not already convinced of our lack of foresight, you will be!

Ms. Cramer has achomplished the incredible here--a historic, scientific and poetic tribute to one of our great masses of water.
This book, while inspiring and "novelesque" in scope, also presents
the alarming ecological state of our planet's seas . . . yet not without springs of hope. I love what Cramer has done for all of us.
Good for anyone who gets excited about the sea and/or science!

This is a wonderful book. A great read with incredible facts and a lyrical view. Deborah Cramer brings real journalism to the story of the Atlantic.

This is an incredible book! It manages to take the last 30 years of ocean science and craft it into a compelling, readable, and eloquent story of the Atlantic and our dependence on it. The science is first rate and up to date; there have been few examples of natural history and environment writing so well done....