New York Books

This book is one of the best books about the fire service I have ever read. I hung onto each and every word. It was though I was there sometimes.

During the tumultuous period of the 60s when author Dennis Smith wrote Report From Engine Company 82, the book was a cry for help from exhausted, frustrated men. Men who cleaned up in the aftermath of other exhausted and frustrated inhabitants of a society stretched to the breaking point.

As I type this, a younger firefighter in a comfortable, air-conditioned fire station among a population that by-and-large respects my profession, it's easy to forget the sacrifice of our past brothers who unceasingly fought fires, city hall and the population they served, until they had forged the modern fire service.

It's an important book for new firefighters to learn how the iron men of old did the job. And for the general reader it's a testament to both a volatile period in our nation's history, and to the timeless strength and courage by which good men have always worked to keep back the chaos of barbarism and destruction.

I spent 10 years in the fire service in both engine and truck companys. While I have many memories and stories to tell, the author, Dennis Smith, sums up the life of a fire fighter in an urban environment about as well as can be possibly told. Trying to balance the unpleasantries and sadness against the satisfaction of saving a life or helping a family overcome one of life's most agonizing moments is very well portrayed in this book. This is what a fire fighter's life is about folks. There is no other book that I can remember that tells it any better than this. If you're thinking of a career in a big city fire department or for that matter, if you're even thinking of becoming a volunteer fire fighter this book is a must!

I first read this book 20+ years ago, when I was under 20 years of age myself but streetwise from being the "wheels" (with a driver's license and a car) for various escapades all over Chicago in my raucous, hard-partying and utterly politically incorrect youth. Many aspects of "Report From Engine Co. 82" stuck with me through the years, and I've re-read it several times. Now I'm 40 and an ER RN in a Chicago hospital where we see more than our share of the extraordinarily dysfunctional lives of the people who live in poverty in the neighborhoods that surround our hospital -- the type of job and environment Smith portrays so well in "Report From Engine Co. 82."

"Report From Engine Co. 82." tells truths about the nearly inescapable poverty and illiteracy of people scraping by in lives that are marginalized in every possible way because they don't -- can't -- really care for themselves appropriately because they don't even know how. Poverty isn't what it used to be -- but it's still as screwed up as it was in Smith's first book. Most of our ER visits aren't really emergencies, just as most of the calls Company 82 responded to weren't emergencies, either. Nowadays, people call 911; when "Report" was written, that 911 system didn't exist yet. But not much has changed since then, in terms of what the firefighters/paramedics respond to and bring to the ER.

Most of the "emergencies" he sees are not emergencies. The non-emergencies, combined with the real emergencies, portray the dangerous and unthinking way poor people live through a combination of lack of resources, lack of experience with the "straight" world, lack of common sense, and minute-by-minute survival thinking. Most of these emergencies and non-emergencies are easily prevented -- if people had common sense, proper parenting, and a normal instinct for self-preservation.

These qualities, however, are surprisingly hard to come by in poverty, and this is what Smith dramatizes. The heroin overdoses. The stupid kids doing stupid things because they are constantly left unattended and to their own devices. Kids who shoot themselves in the thigh or foot -- or worse -- "playing" with guns. Fires that kill children because space heaters provide the heat slumlords refuse to provide in their code-violating buildings. The incipient hatred and distrust poor minority neighborhoods have of the white emergency personnel and firefighters who respond to their calls. The huge cultural gaps that make true communication and understanding so difficult -- even when you're both the same race and both speaking English.

What Smith accurately portrays is the way poverty-stricken people "live in the now" -- people whose entire lives are spent with no real financial or material stability or security. These are people for whom the concept of saving money for the future is impossible, either as a concept or a reality. People for whom making an appointment days or weeks in the future, and actually remembering to get to the appointment, is nearly impossible. Their main mode of thought is: what do I need to do now, what do I want to do now, what do I need or want to do in the next five minutes. This inability to think about and plan for the future is endemic, as is the inability to prioritize that which really matters -- one suspects because most of these people realize on some level they have no future that truly matters to the rest of society, and they're incapable of living as the rest of the "straight" world lives because they never have, didn't grow up with it, and don't know the language of living that life, let alone the mindset.

These are the people and children who have no insurance, no health care, no glasses when their vision is bad, no braces or dental care when their teeth are bad; who never use birth control (to prevent pregnancy OR to prevent disease transmission). People who don't understand why it's inappropriate to come to the ER with an upper respiratory infection and get pissed off when they wait hours for care while higher priority, higher-acuity patients (in respiratory distress, cardiac arrest, heart attacks, asthma attacks, and overdose, etc.) are taken before they are.

Conversely, these are also the people who shun health care until they are so sick they can no longer avoid it, and discover they have cancer... Cancer that could have been prevented or at least treated, often saving their lives, had they ever had regular health care -- but who are now consigned to an inevitable death they will blame on the healthcare providers who couldn't save them because they were at a stage beyond saving or treating in any way other than palliative.

Smith's New York is NOT the New York of Sex And The City. This is the New York of the infants whose welfare mothers don't immunize them, but have the latest, most expensive coats and boots because conspicuous consumption is how they live: you show how much money you have by wearing all that your money has bought you (rather than doing the far less glamorous but sensible things more responsible people, whose children were WANTED rather than accidental, do). The New York of the kids having kids who have kids, all of whom have never known proper parenting, nutrition, or health care. The overdoses. The children who come in with accidental poisonings or burns from household chemicals because no one was watching them. The attempted suicides with anything and everything -- cold medicine, knives, guns, illegal drugs. The kids raised by siblings because the parent is completely incapable, if they're even around, with or without the additional problems of substance use/abuse, addiction, or domestic abuse. The families which are largely single-parent families -- and where the parental figure may be an elder sibling, aunt or cousin who cares more for the children than their biological parent(s) does or is capable of doing.

This is also the world of the terrified illegal immigrants who wait so long to call for help because they're afraid of INS (now ICE) and deportation; by the time they do, they're often too sick to save. The penniless old people whose pensions don't cover their living expenses and who don't call for help because they're terrified of being discharged from the hospital to a nursing home and losing what little autonomy and material security they have left. The fractured families (with utterly dysfunctional dynamics) who interfere with the paramedics' jobs -- as well as the tight-knit families who are rich only in love for one another. The people who refuse help they desperately need because they fear and distrust the paramedics and firemen trying to help them, and because their healthcare illiteracy is such that they have no idea what is necessary to save their lives, and so refuse or avoid medical treatment that could stop problems in stages when they're still treatable. The mothers who speak no English, who superstitiously fear that emergency treatment will kill their children, yet who are so desperate to save their babies, they don't know what else to do, because all home remedies have now failed. The endless numbers of people who let their prescriptions run out or try to save money by taking less than the prescribed doses and then have severe health problems that wouldn't happen if they bought and took their meds as prescribed -- but who, for multiple reasons, can't and/or don't. The people who beg not to be brought to the hospital because "people DIE in the hospital" -- people who don't understand that their neighbors and family members who died in the hospital, died because they waited far too long to call for help, and were therefore were beyond saving when they finally got to a hospital.

Anyone who works in public service as a fireman, cop, nurse, social worker, or psych intake worker in a big city -- and in poverty-stricken, crime- and drug-infested suburbs and rural communities -- can relate to Smith's book. For everyone who majored in something else, this book opens a door and exposes the lives of people you don't even know exist, people you don't acknowledge when you're forced to share a bus or train with them during rush hour (or who you intentionally avoid by driving in your own car, despite the expense of gas, insurance, and time spent on the commute): the people who don't work, or the people who work wage-slave jobs like janitor, maid, fast-food worker, security guard, who can barely pay their bills or care for their children with what little they make -- or who blow it all on liquor and/or drugs and/or gambling (or all three) to escape the miserable hopelessness of their lives. The kids who have the latest "stuff" -- whether it's the shiny ten speed bicycles Smith writes about, or today's video games and cell phone/mp3 player/cameras -- but whose parents can't or won't give them what they really need: breakfast, lunch, dinner, and a stable environment from which to emerge every day to deal with the life-endangering risks of walking to and attending public schools that do little more than babysit and warehouse kids whose futures include teen pregnancy (and the late-term, life-threatening miscarriages that go with total lack of prenatal care, with or without drug use), repeated incarceration, and shorter-than-average lifespans due to the daily likelihood of violence in their communities and their lives.

Smith's portrayal of this kind of poverty is not pretty but it is not unsympathetic -- there are glimpses of beauty and hope, mostly in the young women and children who haven't yet been ruined by their surroundings. Smith tempers it all with a matter-of-fact acceptance that although it is his job to care for these people, he may never really understand them because he's now too removed from that life, and he takes on faith that they possess human qualities they often fail to demonstrate. But some do show their humanity, and those are the people he does it for.

Smith does an excellent job of portraying the paradox that the job of these firefighters and paramedics is to help and save these people, which by its nature includes finding them WORTH helping and saving, at the same time as they move and live as far away from these neighborhoods and the associated poverty, crime and drug problems as they possibly can. This is not merely a racial difference. There are plenty of black and Latino paramedics, cops, firefighters, nurses and doctors who straddle the gulf (some might say 'minefield') between their class and the class of the people they help, in circumstances that are at best trying and at worst nearly impossible to help them transcend for any sustained length of time.

Smith portrays the sympathetic detachment required to know that this is what you do, all day, every day you work, with only the hope that one or two out of ten people will actually genuinely and sincerely thank you for what you do or have done for them -- which is that elusive reward you get, one that can make it all seem worth it when it happens -- and to hope that when you show up and give this of yourself on every shift, there might be one kid or teen who sees what you're doing, who still has enough time ahead of them to see this glimpse into another world... A world it is just *barely* possible for them to enter given enough determination, education, mentoring and drive, and sadly also given enough instinct to discard much of what they learn in their families about how they THINK the world works, versus how the world REALLY works for the more educated and better-off people who run it.

The fact that Smith can show all this without denigrating an entire class of people -- does, in fact, portray them with humanity and the grace one occasionally sees in these circumstances -- is because he also recognizes that he is not that far removed from the kind of poverty he sees on the job (he grew up poor, too). He recognizes and accepts that he is that kid who admired firemen as a boy and saw a different world -- he is that kid who made the leap to the next class up, to the working class and blue collar as opposed to poverty-stricken. He understands the dysfunction -- the drinking, the drugs, the abuse -- that occurs in the neighborhoods Co. 82 responds to because it occurred in his neighborhood, his family, his poverty, while he was growing up.

This understanding that few "get out" -- and that he was one of the lucky few -- underscores with sympathy his otherwise stark portrayal of the job of a NYC fireman in the 70s when NYC was not a desirable place to live and people did their best to escape "the city" as soon as their financial circumstances permitted it.

The uncensored version of this book (which is the one I've read multiple times) also shows the bizarre split someone who works as a fireman/paramedic, nurse, or doctor must negotiate within themselves -- the intimate knowledge you have of the bodies of the people you must save, which is merely part of your job but which you can't really talk about to any family member or lover who isn't in one of these fields. I don't mean merely intimacy with people's genitals -- though there is that, such as the way the Smith describes heroin overdoses getting icebags put under their testicles (negative stimulus, designed to bring unresponsive, unconscious people back to responsiveness and consciousness). I mean the intimacy of seeing people stripped of their modesty and dignity, voluntarily (prostitutes) or involuntarily (the terribly sick), whose personal space and body integrity you must necessarily invade, often in less-than-respectful or diplomatic ways because there is no time for those niceties when someone is dying and you're trying to save them. People who don't work in these fields can never really understand how you can be unaffected by the nudity, exposure and/or intimate knowledge you have of these total strangers, and the disinterest or casual attitude with which you greet what would shock most everyone else.

And, of course, you're not unaffected by this knowledge. Sometimes you're disturbed, or someone or something sticks in your mind -- the things you've seen or had to do -- and is recalled in inappropriate moments with your loved ones. You're not unaffected, you're just emotionally calloused or you compartmentalize it, in order to repeatedly perpetrate and endure this violation of the boundaries between strangers and its inherent power imbalance: you, as the emergency personnel, never have to reveal any of these intimacies to your patients... but they must necessarily, willingly or not, reveal them to you. This includes the mentally ill and the hopelessly drug-addled or dopesick (or both, combined) -- sometimes the most disturbing intimacy of all: the insides of their heads and their distorted, sometimes frighteningly unhinged, perceptions of the world around them.

Before anyone decides to dedicate their lives to becoming a firefighter, they would be wise to start their research here. Some 30+ years after it was first published, this book still shows remarkable insight into the lives, struggles, and emotions of a professional firefighter. When I started on the road to becoming a firefighter, being a volunteer and reading Dennis Smith books asserted in my mind that my life would be wasted doing anything else. For others, this may convince you that the job is not for you. It isn't for everyone. Either way, this is a very enjoyable read and worth the time and money for anyone, not just firemen and wannabe's.

The Never War (Pendragon Series #3) This book came as part of a box set containing the first 3 books in the series. They are quality paper backs. They will probably stand up to a lot of re-reads. I had been in search of a series to fill in the void left from the conclusion of the Harry Potter series. I have found that D. J. MacHale's series about time travel by a teenager and his friends to be an excellent transition from Harry Potter. I am currently finishing up book 8 in the series. I have purchased 7 of the books from Amazon and will buy books 8 and 9 when they come out in paper back. I would highly recommend this series to fans of Harry Potter. Trust me, you won't be disappointed and you will love the adventure.

The Never War is the third book in the Pendragon series. I thought this book was amazing this book I think was the best of all of the pendragons. This book brings back the characters Mark, Courtney, Spader, and Bobby and a new traveler Gunny. This book brings you back into 1937 on first earth. At the start of world war two and ends with a big ending that may shock you.
I would totally recommend this book because it envolve your own world and it makes you brush up on your history. This book is definitely the greatest sci-fi I have read. The Never War is a book that you never want to stop reading it keeps you on the edge of your seat through out the whole story and this book always has you thinking of what could happen next.

This is a really interesting book for probably one reason: the historical fiction.
This book takes you to First Earth, where life is eternally 40 yeaers behind our Second Earth. The plot of this story is where Saint Dane is trying to alter things that have already happened to cause chaos throughout Halla. This is about the Hindenburg. Saint Dane offers Bobby a chance to save the Hindenburg from crashing but what will happen if he doesn't?
This is book is chalk full of good historical fiction. I liked it, A LOT!

For this book review I read Pendragon: The Never War. The author of this fantasy book is D.J Machale.

This book is mostly about Bobby Pendragon who is a traveler and Gunny and Vo Spader, another two travelers who go through the flume that killed Uncle Press. Vo Spader and Bobby Pendragon come out and see two gangsters who have machine guns pointing right at them. The gangsters take them but they both escape and that's where they meet Gunny. Gunny takes them back to his hotel because he is a hotel bellboy. He lets them stay on the sixth floor. They meet a gangster named Max Rose but Max Rose makes them go see Winn Farrow. Winn Farrow catches them and ties them up and he burns the place down, but they escape. A big blimp called the Hindenburg comes in with Max Rose's money in it, but Winn Farrow fires a rocket at it and blows it up and Max runs into the blimp and he dies. They all go back to Second Earth and see their friends.

I think this book is a really good book because it didn't get boring or anything. It was a really exciting book. This book would be best for people who like good adventure books and exciting books.

D. J. MacHale wrote for television for years before turning his attention to novels. He created ARE YOU AFRAID OF THE DARK?, a long-running series on Nickelodeon in the United States, but it also showed in Canada on YTV and Cinar.

For the last few years, he's been writing the adventures of Bobby Pendragon, a boy who's destined - hopefully - to save the world. Several worlds, actually. Bobby is a Traveler, one of those who have the power to "flume" from world to world. He's brought into the adventure by his Uncle Press. As Bobby was growing up, Uncle Press also took Bobby scuba diving, mountain climbing, to martial arts, driving, and several other things that gave him skills he needs to survive against enemies he encounters. All during that time, Uncle Press was training Bobby to be a Traveler.

Bobby's greatest foe is a villain called Saint Dane. Saint Dane has the ability to change his appearance at will and constantly hides in different worlds while working his nefarious plans.

THE NEVER WAR is the third book in this exciting series. In it, Bobby travels to First Earth, which takes place in the year 1937. The gangster era isn't new by any means, and I was slightly let down when I discovered I wasn't being taken to a new world. I especially loved Cloral, the world Bobby went to in the second book, THE LOST CITY OF FAAR, and I look forward to returning there hopefully in one of the later books.

Still, I'm older than the average Pendragon reader. The 1930s and the Hindenburg are familiar to me through several other books I've read as well as history I've researched.

For all the familiarity with the time period, though, MacHale tells a fascinating and fast-paced tale. Bobby and his new best friend Spader land in the 1930s while pursuing Saint Dane. They're immediately met by machine-gun toting thugs that try to kill them. Bobby figures out how to escape and gets Spader out as well. Spader is way out of his depth because he's never seen anything as "technologically advanced" as the 1930s.

One of the best things about the Pendragon books is that Bobby usually gets to save the day in a down-to-earth manner. He doesn't have any really special skills or powers that help him. At this point, he's fourteen years old and can do what most kids that age can. This makes the series more believable in some ways, and I think it draws the Pendragon audience in a little closer.

MacHale's sense of timing and pacing is excellent. The story moves quickly, and I got a real sense of urgency throughout the book as Bobby tries to figure out what Saint Dane is really doing. Many of the chapters end up on cliffhangers that will draw you rapidly into the next chapter. The dialogue is fantastic and sounds real.

One of the other facets of the series that I really enjoy is Bobby's friendship with Mark Dimond and Courtney Chetwynde. The closeness they share, even through Bobby's journals, feels real.

MacHale also mixes in adult heroes with his young champion. Vincent "Gunny" Van Dyke was an excellent grown Traveler in this novel. He was kind and gentle, and guided Bobby and Spader throughout the adventure.

I did miss the world-building in this novel, but I know MacHale gets back to it in later volumes of the series. But for kids who haven't researched the 1930s much, this should be a fun book and on equal footing with fans of Artemis Fowl and Alex Rider.

This is one of my favorite books and also of my daughters. The illustrations are beautiful, and the heart warming story of family visits, appreciation and love just makes you feel good. I like this book so much that I will add more Cynthia Rylant books to our home library.

We're from a large family and the images and descriptions of the family reunion really touched home. I've given it to two different sets of nieces and nephews, and hope they'll have the same great stories to tell about our family that Cynthia Rylant relates.

I bought this book to use for a discussion about how authors can paint pictures with their words. My first graders loved this book and we were able to talk about our favorite parts in the book and all the children can relate because they have either gone to visit relatives or relatives have come to visit them. They loved the pictures and the story!

I love this book, especially for kids with big families. As an adult from a big family it is equally fun to read. This account of the journey and the visit at the relatives' house is written from a refreshingly honest child's point of view. A completely delightful read-to book. I bought a copy for all my kids with children.

This story is about some
family members from Virginia came down to some other relatives that lived
far away and the family from Virginia was staying for a couple of weeks. They finished with eating, playing, and hugging. At the end of the story, the family from Virginia goes back to their house, and wait `til next summer.

I liked this book because the book was about family time and this book will be good for any kid at anytime.

A very enjoyable read and inspirational. I went out purchased a sketch pad and started drawing after finishing the book!

This is a great book! I read it in an hour and a half. I enjoy knowing the process people take in order to deal with life's occasional hiccups that knock the world out from under you. It helps to know that you're not the only one sometimes. It's always a relief when the person works it out positively and thinks enough to want to share it with others. Thank you, Danny!

love it, love it, love it !!!!
a wonderful inspiring little book.
perfect smaller size (6"x8") to carry along with your sketchbook to keep you encouraged in your drawing.

I suppose I had some misperceptions of this book. I was assuming there would be more inspiration that would cajole me into journaling and artwork. I also thought is was he who was disabled - it was his wife. There was little mention of how his wife's diability figured into the whole pictue of his life. As a disabled person, I thought there would be some insight into overcoming disability to do what you want. I do however, love the way he draws and journals. In the end I saw this as a simple journal that anyone might have done. I still have his other book and I have higher hopes for that.

i loved it! i recived the book for valentines day and finished in a day...its very intresting to examine dannys drawing and learn about his life in nyc..

I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!

If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)

If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!

This is an excellent book that will help experienced and newcomers in photography. Pay attention to the Zone system that Adams has devised. It will realy help you take total control over your pictures with a helpfull and very creative perspective. The last part of the book (developing negatives) might be ommited by the person who is into digital, although it helped me comprehend a lot about the various Adobe Photoshop features and relate them to classic photography.

One little remark I have to make is for the publisher. The book is printed into gloss paper (all the three books in the series) with a high reflectance index. This results in dificulty reading the book at certain angles.

A must read. The explanation of the zone system is outstanding. I had taken a number of skyline photographs of Austin which when reviewed by professional photographers got 2 thumbs up. After looking at them with a critical eye on exposure and armed with my new understanding of the zone - I retook those same pictures and WOW. What an amazing ability to move your camera off of matrixed metering and know how to really set the exposure for what you want to show. Also helps you understand the tradeoffs the camera is making in it's exposure settings so you can be more purposeful in changes you might make. A critical read if you also intend to ever move into large format photography.

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.

I purchased this book based on its recommendations, and I'm not sorry I did. It's been 25+ years since I touched a sewing machine, and this book definitely helped take the fright away. Perfect for new seamstresses of all ages.

I have the Rip It! book and love it. I just got this book for my niece for christmas. She wants to learn how to sew and I know this is the best book out there for her. It's very easy to understand and comes with patterns for her to learn with. I'm also getting her a sewing machine from www.sewfastseweasy.com
I love giving! She is going to be so thrilled!

I bought this book for my daughter and she has taken to sewing extremely fast. She's so proud of what she makes. Her enthusiasm for sewing now is almost too much for me to keep up with. This book was was easy for her to understand and the illustrations were very clear. She's been playing around with reconstructing her clothes so I'm thinking of getting her the Rip It book as well. I'm happy to see her involved in a positive hobby that she truly enjoys and gets satisfaction from.

I just bought this book because I wanted to delve into sewing a little more. I knew how to sew but I didn't know much about sewing techniques or terms or sewing notions and how to use them. This book was very easy to understand and explains everything I need to know about sewing and using notions and patterns. It's now my sewing bible! If I get stuck on something I grab my sew fast sew easy book.

The book is great it even comes with patterns. The book is easy to understand and has lots of detail. I would definatly recommend it.

One of the best business books I've ever read. Danny really "gets it" as far as treating his employees and customers like family and VERY important people. THIS is why he is so successful with the top restaurants in NYC. A MUST read for anyone in sales or who deals with customers and employees on a daily basis

A great book that describes how to create customers for life, with "enlightened hospitality", creating an outstanding customer experience, based on a dialog with the customer. As he puts it "picking up the rocks" (to find the info) and "connecting the dots", a process that could and should be copied for every business.

His passion for food comes across the written page, its contagious.
I'm not a wine drinker but his passion made me want to give it a try.

I never been to one of his restaurants but I now see a trip to New York to visit his restaurants.

Highly recommended not only for restaurateurs, but for every business that has contact with customers.

This is one of the best books I have ever read on the hospitality business. Given that it is the industry that I am in, I probably found it more entertaining and insightful than many may who are NOT in the industry. Either way, a great read.

I was about to leave for vacation, and was looking for a beach read. Danny Meyer had been generous enough to supply an endorsement for my book, The Art of Client Service, so the least I could do was buy his book.

I am very glad I did.

Setting the Table certainly is a book on how to provide superior hospitality to customers, but it's more than that: it's the best book I've read on what it means to provide service to clients in ANY business. Its candor, humility, and generosity of spirit are reflected in all the lessons Danny learned, applied, and now recounts as he grew to be a leader.

My only quibble, and it is a small one, is that the book lacks an index. I assume this was a conscious decision on Danny's part, possibly because he does not view Setting the Table as a "how to" guide. But the reality is, the book is loaded with practical advice on how to build and sustain enduring client relationships. An index would help readers refer to lessons that inspired or motivated them.

My one regret is that I failed to include Setting the Table in my book's annotated bibliography of the 20 titles advertising people should read. I will, however, add it to the Art of Client Service website. And most important of all, I will recommend the book to all my advertising industry colleagues.

Love it, love it, love it. Finally an empowering business book for those of us who don't believe you have to be a soulless, emotionally retarded cheeseball prick to succeed in the business world. Danny Meyer's financial results give ample validity to his approach, so while you can still get rich the "traditional" way, his experience supports the fact that you can also get rich AND make the world a better place. Gets a little blah towards the end, but all of my stars, underlines and dogears throughout the beginning and middle parts more than make up for that. Others will do a better job of dissecting and analyzing the book in detail, so that's it for me. If you're tired of getting the beat-down for having the gall to have "feelings" at work, you'll love this book.

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

I have spent some time in NYC before but had always been with a city resident and hadn't ever needed a guide. But when the opportunity came about for my husband and I to spend a long weekend there, I absolutely took it. I love the city (in small doses, couldn't ever live there), but hadn't ever had a chance to do any touristy stuff. So I read some reviews and picked up this guide.

I spent a few days reading over it, and after my trip, I would say it's a great guide if you don't know what you want to do, or how to structure your days, because it has very specific suggestions for stuff like that. It has a section for each part of the city, at the end of which is a run down on a sample day one could spend in that neighborhood.

But as far as a comprehensive while-you're-there guide? I wish I had gotten Not For Tourists. This was a great planner, and had street and subway maps that were incredibly useful, but when you're looking for a bookstore nearby to kill an hour? Nada. Also, because of the setup of the book (chock full of Top Ten lists, duh), it jumps around a lot. One museum is mentioned in four different places, and vital information is only on one of those pages, but from the index there's no way to tell which one of those pages has something important like the hours of the place, for example, so you have to check every page.

Again, great for planning, less great for a carry-along for your trip.

Great subway map! Just don't forget to read the signs in the subway, some trains only run certain days/times. AND if I remember correctly PATH is not really in the book.

For those traveling to New York City this is an essential guide to bring with you. The restaurant recommendations are top notch. The maps are detailed and a pocket subway guide is always helpful. Whether you are going in for a week or a weekend this is the guide you want to carry with you when you are out and about. You may want to use another guide if you are going in for a longer period of time for planning purposes but again this is the one you want to carry with you when you are in the city.

I've used this guide several times on trips to NY and it is absolutely terrific. Pocketable, beautifully illustrated, wonderfully organized. We went to two of the restaurants recommended and were totally pleased. Very easy to use and filled with useful information. Will add a lot to a visit.

I visited NYC for the first time a few weeks ago. I took only three books about this city with me: this guide, the "Lonely planet NYC Guide", and "The Metropolitan Museum of Art Guide". Truth to be told, this guide is probably the only one I couldn't have done without.

"Top 10 New York" is an extremely useful small guide that doesn't have as much information as the "Lonely planet NYC Guide", but that has the essentials, and excellent fold out maps in color that are more easily understandable than those of other guides. I would like to highlight the fact that even though I am very absent minded, I could easily find my way in NYC thanks to those maps. And if I can, everybody will be able to do that!

From my point of view, this guide is ideal for those tourists that don't have a lot of time, and want to see as much as possible during their visit to NYC (specifically Manhattan), if possible without a tourist guide. "Top 10 New York" points out quite a few places you simply must go to in the city, but also tells you about different neighbourhoods, and their history. There are many photos in color that help you to decide what you want to do, and historic data that allows you to learn about this city.

Moreover, most visitors will find the insider tips for tourists helpful, and the planned walks and itineraries a good option. Other useful sections in this guide are, for example, "Best shopping districts", "Best hotels for every budget" (I found my hotel through Internet, though), "Best restaurants in each area" and "Most fun places for children". What is more, "Top 10 New York" is almost pocket-sized, so you can carry it with you everywhere, even if your purse is tiny (not my case!), or if you have bought too many things and your handbag is rather heavy (yes, that often happens to me).

All in all, I am very happy I bought this guide, and I strongly recommend it to you :)

Belen Alcat

I've read other books by this author and liked them, especially "The Bear Went Over the Mountain." Perhaps I didn't read the emailed Amazon promo carefully enough because I had no idea that this book was written 35 years ago. It is a story of a druggie living in NYC in the '60s. Although I was part of that culture, I really didn't know anyone as deeply into weed as this character so it was hard to relate. Was the story supposed to be happy, funny, or just sad? It was hard to tell. And how DID the chorus get all those fans?

There has been a lot of counterculture literature since the rise of the Beat Generation in the 50s. Much of it fails to measure up to the standard of Kerouac, Ginsberg or Burroughs. There are some writers who have managed to rise up to the occasion with classic or near classic works. Terry Southern would be one that comes to mind. Another writer who has produced some fine works is William Kotzwinkle. Before, "E.T. The Extra-terrestial", Kotzwinkle was noted for producing counterculture literature. One of his most famous works is the 1974 novel "The Fan Man".

This novel chronicles the sleazy misadventures of the self absorbed hippie Horse Badorties. He is typical low life East Village for that time period, man. He knows the score and will always find the door for a quick out. He avoids things like rent and pays for commodities with rubber checks. Surely this is a time piece cause many of his ideals wouldn't fly in today's climate.

The title is derived from his continued attempts to be a salesman of small battery powered fans. He consistently uses them and tries to sell them in any store or business he enters into. It is all part of his grand scheme. He even envisions utilizing the fans in his Love Concert that will be presented at St Nancy's Church. (I am wondering if this is meant to be the famous St. Mark's Church in the East Village which conducted poetry readings for decades.)

Kotzwinkle endeavors to capture the thought process and speech pattern of an East Village post hippie lowbrow. In this, he is very successful. The narrative moves along in a hazy stream of consciousness. Horse Badorties is a slob who is no stranger to the herbal pleasures of Mother Nature. The novel begins with Horse waking up in his filthy pad. Kotzwinkle is very descriptive in detailing the encrusted, greasy condition of this pad. It would probably not be too appealing to squeamish stomachs. I found myself thinking, "Man, and I thought I was a slob." Horse Badorties is not only from another era, he seems to be from another universe.

Badorties is full of big ideas and cons. He doesn't pay the rent and destroys the pad with his junk and filth. He is trying to conduct a love concert which will feature a chorus of 15 year old girls, most of whom, he tries to bed down. He has music sheets which he claims is church music from hundreds of years ago. Suspension of disbelief is required to take seriously anything Horse Badorties says.

The narrative is written in the first person, and we get a lot of "mans" sprinkled throughout the text, man. Like, man, after awhile, it can get pretty unnerving, man. In this respect, it is similar to a novel like Huck Finn where Twain attempts to capture the slang and accents of 19th Century Missouri. Kotzwinkle is very successful in this endeavor. He manages to tap into that vein of consciousness from Badorties viewpoint. This can be frustrating to the reader. If you consider how annoying it can be to listen to a person who overuses the word man in their speech, man, well, it can be just as annoying reading this text. Some readers would probably get lost in trying to follow the narrative. You almost have to try to put yourself in Badorties shoes. That is not a pleasant proposition. Kotzwinkle is very successful in capturing this stream of consciousness.

My impression is that this book is meant more as an adieu to the hippie era and the summer of love mentality that the 60s rock exuded. This is really about the crash, man. This is when people began to drop out without tuning in or turning on. In reading the book, I get the sense that I am listening to the voice of a man whose time has passed. He is left to wallow, in his own words, in putrified wretchedness. There must have been quite a few real life people like Badorties populating the East Village during those years. Perhaps there still are a few dinosaurs and relics there today. All in all, this is a very amusing, entertaining and irreverent book, one that will certainly make you laugh. Yes, it's a fun book. Pick up a copy! Along with this novel I'd also like to recommend another East Village novel called The Losers' Club (Complete Restored Edition) by Richard Perez.

This classic captures both the sense of the drugged-out sixties--when the prevalent youth drugs were less dangerous and addictive--and the quirky character who is the narrator. I recently read a book, also funny, but more serious--by which I mean deeper--that covers the same time and place: I Think, Therefore Who Am I? Both protagonists are similarly afflicted by the short attention span that characterized pot- and acidheads of that era. But then, that book, "Memoir of a Psychedelic Year" is clearly a memoir, and Kotzwinkle's book is only putatively so.

At any rate, The Fan Man is an excellent book. One of the funniest you'll ever read, if you like pothead humor--as I do. Sadly, Kotzwinkle never reached this level of hilarity again. I Think, Therefore Who Am I?

I read this book at the age of 12! It somehow made it onto a shelf of the St Rose of Lima school library in suburban Toronto. I read it cover to cover and for a short time it was cooler than porn for a few boys on the school hockey team. I returned it without mentioning it's subject matter to anyone in a authority. It could still be there. Maybe somebody was pulling pranks, or maybe Miss Heitzner, the soon to retire librarian was more progressive than she was ever given credit for! It's been a long time, 28 years or so, but I always remembered Horse and his anticts. In particular his getting laid and the school bus scam. Let's say it made an impression.

I read this book in my youth, and try and read it every couple of years. I rank it right up there with a confederacy of dunces, another classic. horse and ignatius are two of my favorite characters to come from the world of fiction. I came of age in the late 60's and early 70's, being a former hippie [ now my politics are just to the right of atilla the hun ] this book captures that era perfectly.