New York Books

With so many memoirs out there, it's hard to imagine a fresh or enlivening take on the genre. But in "The Bookmaker" Michael Agovino bring searing honesty and a novelist's observational powers to the telling of his family's story. The characters are so rich and complex, and the storyline so riveting, that in fact, I felt like I was reading a literary novel. That the story is true makes it all the more compelling. I felt like I grew to
truly know these people, and to care deeply about what happened to them. "The Bookmaker" is funny, moving, intense, sad, and, ultimately, redemptive. Agovino has
written an amazing story that many people will relate to, even if they're not Italian-Americans, New Yorkers, of the sons of bookies. A genuine achievement!

The book was just OK. It was a slow read and difficult to get to know the characters. He refers to Louie I and Louie II and Louie III. It gets confusing keeping track of his Dad, his Grandfather and their friends; much less his friends. I thought that there was too much editorializing (he uses italics when he does this). Thus, he jumps around. While in a chapter in 1986, for example, he will jump back and spend several pages talking about 1977.

I finished the book - actually forced myself to do so. I would not recommend it to anyone to read.

I grew up in Co-Op City during the exact same time Agovino did, so reading this story was fascinating and nostalgic for me. Gun Hill Road, the QBX1, Truman High School, the demographic expansion and then ultimate contraction of the neighborhood were all vividly described.

This book, in many ways, is similar to Al Lubrano's "Limbo." I recommend it to anyone who grew up in a blue-collar family in the outer boroughs of New York City during the 1970's and 1980's. Great job Michael, the first one is always the hardest and you nailed it! Way to go.

Although the memoir is primarily about the acceptance/forgiveness of a loved one whose addiction rules/ruins the roost, I enjoyed the local boy makes good aspect. So many NYC success stories revolve around people who've come to the "big city" from somewhere far away and how they make it here...so they can make it any where. This book shows that we natives have a time of it trying to make it here as well. The way the dialogue recalled from childhood just shows up in italics is brilliant. His parents are interesting for just being regular people trying their best; and even though there are no Godfather-esque moments, the way these people lived -- eviction notices on the door one minute, heading off for a European vacation the next -- is mind boggling and head spinning. I just had to keep reading. The Bookmaker hits the trifecta: funny, infuriating, poignant.

Agovino, unlike so many first-person writers, uses the trees to evoke the forest--the human forest we all inhabit--rather than make it "all about me." Doesn't matter if you care about gambling dads, coming of age stories, the 70s, or NYC past or present, you still end up on the inside looking out. You can't not connect.

What a book! This is a great story. If you have a kid in Little League and you don't know what to say to them when they are just starting out, or when they lose a game, or any of the other stuff that goes with being a kid in sports, this book is for you.

i purchased this book for my 9 year old fanatic baseball fan of a son last Christmas. It was then, and remains still, his favorite book ever. I truly hope that Mr. Bosworth has more books just like it.

Great book not only about baseball, but also about working hard and doing the right thing. It's easy to read and once you pick it up, it's hard to put down. I recommend it to all parents and kids involved in sports. The book's price makes it affordable to everyone.

I am a college student, with an undying love for baseball. An old coach recommended it and i could not put it down. It's easy enough for any child to read, and entertaining enough for any baseball lover-no matter what age! It touches on all of the real issues of a little leaguer and how they feel. I felt like i was being transported back into my little league dugout. Then the magic of the story is an added bonus. This book is a "must read," and will be finding itself a home on every sports lovers bookshelf in the very near future. Wow what a book! Great Job Mr. Bosworth! You are a great author and a true baseball story hero!!!

Finally a sports fiction for both children and adults. The Box Seat Dream touches the heart and soul of anyone who has ever played baseball or any sport for that matter. My son is not an avid reader but loves to play ball. He couldn't put this book down. He even brought it to the dinner table. I loved it as well. Exciting baseball games, realistic life obstacles, skills learning and fantasy all wrapped up in one book. Mark my words, this story will one day become a movie. If books were honored in the Baseball Hall of Fame, The Box Seat Dream would be inducted. It is that good!

I FIRST HEARD ABOUT THIS BOOK WHEN I READ JEFF CHANG'S (AUTHOR OF "CAN'T STOP WON'T STOP: A HISTORY OF THE HIP-HOP GENERATION) GREAT REVIEW ABOUT IT IN THE VILLAGE VOICE. THEN I HEARD HARRY ALLEN (THE MEDIA ASSASSIN ON PUBLIC ENEMY'S "DON'T BELIEVE THE HYPE") RECOMMEND IT ON HIS RADIO SHOW AND I KNEW I HAD TO GET IT. "BROKEN WINDOWS" DID NOT DISAPPOINT. IT'S FULL OF HUGE COLOR PHOTOS OF BOMBING, PIECES, PRODUCTIONS, AND EVEN PAGES OF TAGS FROM ALL OVER THE BOROUGHS OF NYC. OVER ONE-THIRD OF THE BOOK'S PHOTOS ARE OF ILLEGAL PIECES AND BOMBING. THERE ARE EVEN 5 FOLD-OUTS ALONG WITH THOUSANDS OF QUOTES FROM THE ARTISTS THEMSELVES. THIS IS DEFINITELY A MUST-HAVE FOR ANYONE INTERESTED IN THE GRAFFITI SCENE. I EVEN SAW THAT BOMBING SCIENCE'S WEBSITE DESCRIBED THIS BOOK AS THE NEW "BIBLE" IN THE WORLD OF GRAFFITI.

Yes! This is must-buy for any graffiti fan whether you make them or not. Good story with beautiful photos shows you magnificient graffities from the center of graffiti zone, New York.

Anyone who loves graffiti and knows anything about it will not be able to put this book down!!! It is packed full of illegal bombing, tags, pieces and huge productions from all over NYC( and yes, pieces can be illegal too- check out some of the great spreads along the Amtrak lines of NYC in the first part of the book). There are so many awesome and original quotes from the graff artists on all types of topics like the paint they use and how they describe their style and even how they got into graffiti. It is really cool that the authors interviewed ALL the graff writers themselves and even have their tags and action shots to prove it. You can really get inside these guys heads!! Overall this book is a must have for anyone interested in graffiti. The panoramic double-page photo spreads and 3 FOOT FOLD-OUTS along with the unforgettable interviews are INCREDIBLE!!!

This volume provides the reader with a pictorial and written description of the New York graffiti scene. This is a variety of information presented in a unique format which provides the reader insights into the various artists.
Pictures are well laid out , with gatefolds supporting a plethora of photographic depictions of a variety of talents.
The reader is provided with visual detail of the NYC graff, while text provides additional detail.
Artists are depicted practicing their craft, the reader is exposed to a thorough overview of individuals and groups who represent street art in NYC.
A required addition for an grafitti library , and an excellent introduction for the reader looking for their first graff lit, a nice volume to build a collection from.

THIS BOOK IS BUMPIN'

Awesome book on New York City Graffiti with illegal bombs and pieces, legal walls, tons of tags,action shots and crazy quotes from hundreds of artists. Sick fold-outs, mad color and all the boros represented.

What a wonderful tapestry of relationship stories set against the backdrop of New York City in the mid-1800's. The vivid details and realistic characterizations make the reader feel as if these stories must surely have taken place. Each of the characters faces a challenge in his or her relationship to another person or persons, and the resolution of each dilemma is both satisfying and delightful.

I was once again drawn into the lives of each intricate character. I didn't want to put it down, but had to at times. (You have to eat and sleep at least a little, right?)

Susanna, haunted with fears of failure, refuses to play for Michael's orchestra when he asks her to.

Dr. Andrew Carmichael tries to find a way to tell Dr. Bethany Cole his feelings for her-and his secret past.

The MacGovern family finds that America (so it seems) is not so glorious as they had thought it would be. Will Mr. MacGovern ever find a job to keep his family afloat?

There are also other intriguing and entertaining characters such as police officer Frank Donovan, young Renny MacGee, and Paul Santi, Michael's gentle cousin.

The ending was so glorious and beautiful that I was actually weeping with joy, hearing the music Mrs. Hoff spoke of.

It was ALL wonderful-I loved it so much and want to read it again (many times, perhaps) in the future! I would recommend reading the equally good Book 1 first, of course, but this book stands on its own, too. Masterfully written! Bravo!

Love LOVE LOVE these characters!! Just as in Prelude, I jumped in this book with both feet and didn't emerge until the last page was turned. If possible, this book was even stronger than Prelude...the characters more defined and even more rich and colorful. The ending left me breathless...I almost stood up and cheered along with the audience in the scene! I cannot wait until the next one... hurry!!

"Fiction can illuminate Truth beautifully. There are few adornments more lovely and compelling than good fiction artfully woven around the neck of Truth to bring out the eternal beauty of the face of Truth."--Christian author Jeri Massi

Nowhere is that quote more aptly illustrated than in the fiction writing of B. J. Hoff, and her latest book, Cadence, is no exception.

In this second book in Hoff's American Anthem series, we become further acquainted with the appealing cast of characters we met in Cadence. There's the handsome and brooding composer, Michael Emmanuel, and Susanna, the sister of his deceased wife, who acts as a governess for his young daughter. In Cadence, Michael and Susanna deal with the growing awareness of their feelings for each other...and Susanna must face her fear of failure in regard to her own musical talent.

We get to know more about the altruistic Scottish doctor, Andrew Carmichael, and his medical partner, Dr. Bethany Cole, and discover that there is something significant in the good doctor's past. Meantime, Andrew and Bethany are another couple that realize their dawning love for one another.

The Irish immigrant, Conn MacGovern, continues to be one of the most engaging characters in the series. Proud and strongwilled, he embodies the strong immigrant spirit, and you can't help but like him and his equally strong wife, Vangie.

I suspect --and hope--we'll be learning more about a few of the characters in the next book, including the intriguing Irish police officer, Frank Donovan, as well as Renny McGee, the former busker girl taken under the wing of the MacGovern family.

I really enjoyed this book's predecessor, Prelude, but I do believe I liked Cadence even more! Maybe it's because the characters now feel like old friends, and I'm even more involved in their individual stories. As always, I relished B.J. Hoff's lovely and evocative writing and the smooth flow connecting the characters' scenes.

Most of all, this book touched me on a spiritual level, causing me to look inward and challenging me to face my own fears with the help of God's Word. An entertaining, absorbing read that points you to spiritual truth...can you ask for more?

Just one problem, though. Now I can't wait until the next book in the series!

In her true story-telling fashion, B.J. Hoff brings us the next mesmerizing instalment in her American Anthem series. Revisit the characters first introduced in PRELUDE, and be swept away in the saga that unfolds, where love grows amidst heartbreak and misconception, and hope is restored despite grievous loss. The colourful setting of late 1800's New York is punctuated with the music of the era, presenting trials and triumphs that will resonate with the reader. Old and new fans of B.J.'s historical fiction will love this story. ~~Ellie Schroder, owner of The Christian Fiction Site

There are numerous attempts at producing illustrated versions of the classic tales from around the world.

The series called "Classics Illustrated" is the definitive attempt at bringing all the great classics to the easy reach of us with beautiful illustrations, in the grand form of sequential art also known as Comics.

It invovled some of the finest artists, and produced a huge collection of stories. These were the results of the dream of Albert Kanter, materialising during the 40s,50s and the 60s, thrilling and educating and entertaining a generation with vivid, simple and beautiful versions of the well known classical tales such as the Three Musketeers, Ivanhoe, The Count of Monte Cristo, Arabian Nights, Robinson Crusoe to name a few.

I remember as a kid, I got hold of a used copy of 'The Salt Mountain' this was part of the Classics Illustrated Junior series, there was something absolutely stunning about it, the story, the pictures, the adventure. it captured the imagination.There was something special about it, which I could not find in any other story book, or series. I wasn't aware what series this was part of, who the publisher was, who the artist was. I was a kid, I simply enjoyed it. not a collector or a history buff. But several years later, when I tried to figure out more about that book, I simply couldn't, until recently the omnipotent WWW helped me learn about this amazing series. I was hooked. I am sure many of us can relate to this, and have a similar tale.

Now to the book.

This is a fantastic chronicle, of the happenings of the Classics Illustrated series, beginning with the beginning, Alber Kanter's dream, it takes us through the publications history of the various stories, and the involvment and influences of the numerous artists invovled in the effort. The evolution of the style and presentation of the books, such as the evolution from comics style to the painted covers etc. are all full of interesting information.

There were several editions, and series... Classics Illustrated, Classics Illustrated Junior, Classics Illustrated Specials, etc and several republishing attemts up until the turn of the century. All of this is detailed in the book with interesting facts.

This book lists all the stories that were published with details about the author, illustrator etc. as much as is available, also the listings from several publishers, and variations.

The book also contains pages and covers from several Classics Illustrated, mostly in black and white. There is a section of about 8 pages in color in special paper.

For the Classics Illustrated collector this sure will be a delight, as it would be to anyone interested in the grandeur of sequential art.

When I was just a boy (many years ago), for a treat to myself, I bought the Classics Illustrated comics. The art work and plot were so engaging that I still carry some of those images around in my mind. Jules Verne's "Mysterious Island" and Dana's "Two Years Before the Mast" and many others were indelibly imprinted on my brain so that they could never be forgotten. Little did I realize that these illustrated novels were real literature, that they would lead many years later to actually reading those works. When I spied the life-sized book "Classics Illustrated: A Cultural History with Illustrations," I could not resist buying this book. When it arrived, I began reading a serious history of the Classics Illustrated publications, their awkward beginning and about the lives of their illustrators, and how the U.S. Postal Service effectively drove Classics Illustrated out of business. (It seems that the post office considered this comic a book and not a periodical.) Colorful images taken from the book abound throughout this edition. It's ironic that this very volume of literature is in danger of becoming a classic itself.

CLASSSICS ILLUSTRATED comprised such a crucial, influential, and above all, entertaining part of my youth that they have never entirely left me, and in fact I still have my entire childhood collection, and then some. The author of this book, William B. Jones, notes that his approach to the subject is meant to be objective in nature; but of course anyone raised on CLASSICS ILLUSTRATED can never be completely objective about them, and time and again Jones' understandable passion for these books seeps through. Nor is it simply nostalgia: when I go back to reread old issues it is mainly for the inherent richness of the storytelling and artwork they contain. Where in all comic book history is there a work so profound and moving as the Norman Nodel-illustrated LES MISERABLES, or as sad and tragic as the Angelo Torres-illustrated TOILERS OF THE SEA? Where is the comic book art that can excel, for its sense of historical time and place and fine drawing, John Severin's treatment of the Alamo and the Mexican War in BLAZING THE TRAILS WEST? Has there ever been a swashbuckling comic book so superbly ALIVE as George Evans' treatment of THE THREE MUSKETEERS? As for THE WAR OF THE WORLDS, I wholly agree with the author that it was never adapted so effectively, in any medium, as it was in CLASSICS ILLUSTRATED. I could go on. This is not to say that there weren't issues that were pretty bad, especially in the early days, and Mr. Jones freely admits this. But for those who are already familiar with this series, and especially for those who aren't, I cheerfully recommend this book as a kind of bible to CI and its several related series. I learned so much that was new to me about the issues, the artists, the editors, and the evolution and ultimate decline of the publishing house, Gilberton Company. The packaging and layout and paper quality of the book is a delight. Bravo, Mr. Jones! And bravo, CLASSICS ILLUSTRATED!

Ever said that line? Then you'll love this beautifully written and lovingly researched book about the history of Classics Illustrated.

Jones manages to evoke the characters of the men and women who contributed to this fascinating niche of Americana: illustrators, editors, publishers, and even its detractors. Interviews were obviously thorough, chapters are meticulously footnoted, and yet it reads like ...well, like an engrossing classic tale of adventure! Pick a chapter at random or read from cover-to-cover... it's consistently a winner.

While occasionally too ready with a disavowal of nostalgia, Jones does not hesitate to reveal his personal lifelong love of the comic book series. Truly, the best works of fandom itself can be so endearing, so contagious with admiration and awe. This book is no exception. Like myself, Jones loved the comics when he was a kid. Just as publisher Albert Kanter intended, as an adult I've managed to read every word of the real Count of Montecristo and War of the Worlds and The Moonstone, but I first learned these vivid and amazing tales by reading the Classics versions. Jones augments my personal appreciation and gratitude in this excellent book.

His work was in-depth and, while certainly using a critic's eye, relatively even-handed when it comes to the series' contributors. Now, reading the book, Jones has even made me appreciate the work of Classics artists whose pages I'd previously disliked.

Excellent illustrations, particularly of rare pages and covers, fill the book. Nice personal photos of the artists and editors are a great touch, seeing as this is a book of both down-to-earth and scholarly sensibilities.

Only fault I can find is that the text sometimes refers to a page or panel or other artwork which is not actually reprinted in the book. It can be maddening, at times, because we want to see exactly what he's talking about. My family's incomplete collection lies in another continent, otherwise it would be nice to have it at hand for referencing these things. Keep yours at hand. The book, I suppose, would be gargantuan if Jones did include these bits. So, by rights, it is an excellent book, and I did enjoy reading it.

From 1941-71 Classics Illustrated comics introduced millions to abridged, comics-style version of literary masterpieces. Classics Illustrated tells of the birth of this popular medium, founded by Russian Jewish immigrant Kanter whose operations saw both the heyday and decline of the golden age of comics. The focuses on artists' creations is particularly involving.

Clear Blue Sky is a glimpse into a day in the life of street cops starting on September 2nd leading up to the events of September 11, 2001.

"Greater Love has no man than this that he lay down his life for his friends." This is what firefighters, policeman and other rescue works gave on that fateful day. The main character Tony Cavalucci is a macho Italian who has been a patrol policeman in New York for the past 11 years. Tony's father had 22 years on the force before that. Tony's precinct is Midtown, Manhattan, in a brick building off 9th Avenue. His partners name is Joe, another macho Italian man who is a born again Christian.

Anyone remember the TV show NYPD BLUE? That show was kind of a day in the life of real policeman on the job and off in their personal lives. September 2nd Tony & Joe volunteer to get some overtime on Labor Day patrolling for a parade heading downtown. The events are similar to the ones I remember NYPD BLUE show to be.

Tony Cavalucci is a new Christian and his Italian family is not so happy about his decision to follow Jesus. Tony is engaged and his brother Vinny wants to give him a bachelor party that will include lots of drinking and prostitutes. Tony and his bride to be don't want any part of this party. Vinny and the rest of the family think that there is something wrong with Tony when he doesn't embrace the bachelor party with open arms. His family and brother think he's no fun anymore. He doesn't want to drink with them, and he doesn't want to have bachelor parties. What's up? The family thinks it must be his fiancé Michelle. Tony's family hopes he hasn't taken this Jesus stuff serious. They think Tony will come around to his old ways soon it will just take a little manipulating by the family to control the situation.

Tony struggles to honor his family and follow Jesus. On an early morning fishing trip with family and a few friends Tony explains why it's ok sometimes to miss church. "If you are only going to church because you're afraid God's gonna punch you, you're going for the wrong reasons anyway. I don't like to miss church and I don't do it very often. But the Lord likes fishing, and He'll be there with us!" I like how he said that.

Tony says to himself "I took Joes' advice (about praying) but I found I couldn't focus trying to pray, drive and keep my eye on the cab at the same time. Joe seemed to be fine with it, so I left the praying to him."

I get a kick out of Tony sharing his struggle as he says "Honestly - Okay - I didn't' say crap, I said the "S" word and was feeling guilty about it. Then I thought about what Joe says, that God forgives me if I ask Him to, and I felt confused that I cursed and now I expected God to forgive me when I did something wrong. ; Then I got aggravated that I had all this crap in my head when I was trying to cuff this guy and was glad when Rooney jumped out of the car and ran over to help me." It's funny and gut honest. I can see this macho Italian man doing this on the streets of New York.

As I read about Tony and Joe and their lives as policemen I kept wondering when September 11 events would happen as I turn the next page. These patrol men are not search and rescue personnel. They are street policemen walking their beat when tragedy strikes. No one was quite sure of what happened when the first plane hit (like the rest of us). I'm sure everyone remembers where they were and what they were doing on that day when that first tower got hit. The first mission for the patrol cops was to keep some kind of order on the streets by keeping the traffic and people moving away from the towers. No one was sure of what would happen next. They wanted everyone out of the city and out of danger.

I know that I could not fully grasp what was happening on the streets of New York after that first plane went into the building and then the second when I watched the video clip on TV over and over that day. F.P. Lione interviewed policemen that actually lived thru this. They describe what happened through not only what they saw, but what they heard, smelled, touched and felt physically and emotionally. It was really enlightening to read the description.

TONY Cavalucci actually starts to pray for each person that jumped from the building. He says "I remembered what Joe said about going ino God's thrown room, and I asked God if I could come in and talk to him. I felt inside he told me yes, to come in and pray for these people."

I liked how this book showed Tony and Joe's faith in action on the streets of New York; it's funny, sincere and edgy. It is a heavy subject that the authors handled really well. I know this book will be hard for some to read (because of the subject matter) but I really recommend it.

Nora St. Laurent - Book Club Servant Leader
www.psalm516.blogspot.com

This book is a Christian themed police procedural. The protagonists are patrol officers assigned to the midnight shift of NYPD's Manhattan South Precinct, especially partners Joe Fiore and Jerry Cavalucci. The patrol vignettes are an interesting snapshot of NYPD activity in the commercial center of the city. The authors draw a compelling portrait of Cavalucci's struggle with alhocol and a dysfucntional family, especially the strains placed on his fiance and her son. Cavalucci's attempts to bring order and sense to his professional and private lives lead to the Christian component of the book. Joe Fiore, Cavalucci's partner, and Michele, his fiance, are deeply religious Christians who try to help Tony resolve life issues by example and references to scripture and the power of faith. The characters are engaging and the reader is caught up in Tony's struggle. The best part of the book is the account of 9/11 from our police officer characters' perspectives. It is at once terrifying and inspiring. We all saw the tragedy. The characters lived it. The authors vividly describe it. The last eighty pages alone make the book well worth buying and reading. An outstanding effort.

In CLEAR BLUE SKY, Frank and Pam (F. P.) Lione continue the story of New York Police Detective Tony Cavalucci in a stand-alone novel (their first in hardcover). The talented husband and wife duo have three previous NYPD books under their belt, and the experience shows as they pen their best --- and grittiest --- police novel to date.

If you missed the now (mostly) out-of-print Midtown Blue series that chronicles the time leading up to this novel, you're in for a treat here. Tony is engaged to single mom Michele and looking forward to being a full-time dad to her young son, Stevie. With a wedding in the works, the couple has lots to talk about --- and plenty of tension.

The chief stressor is a bachelor party that Tony's loud and argumentative Italian family is insisting on. Michele lets Tony know that if the bachelor party goes as planned, she's calling it quits. Of course, this isn't the real reason why Tony's family has mostly turned against him. They don't care for his hard-won sobriety (his sister Denise calls him "Mr. Twelve Stepper"), and they're not crazy about the fact that he's marrying Michele, a single mother. They also don't like his new-found commitment to faith. It's not long before the inevitable showdown occurs, and Tony finds that he must choose between his family and his fiancée and her son.

And what a family. Tony's divorced mom is dating a Harley biker. His father's trampy second wife is pregnant, which his father seems to find unusually upsetting --- and we discover why, as the novel unfolds. Add a few Mafia relatives, and the sparks (and punches) are sure to fly at any family gathering.

Underneath the tension is Tony's insecurity about his own worthiness. "The truth is, I felt kind of like a fraud with Michele. Like maybe if she really knew me, she wouldn't be so quick to marry me.... It was like I kept waiting for the hammer to hit me and things to crash and burn around me like they always did."

Joe Fiore is Tony's wise Christian partner, and one of the reasons why Tony has been able to stay sober and deal with his Italian family. He's also the reason why Tony has found a renewed faith. But Tony has stopped going to church and hasn't been able to talk to Michele or Joe about why. His conversations with Joe reflect the reality and messiness of church life.

Tony's life as a cop provides some of the best moments in the book. Speed chase scenes, almost-too-strange-to-be-true incidents (a dog that is electrocuted when it pees on open live wires on a lamp post vandalized by the homeless for their boom boxes), the ins and outs of a grand jury trial, and even a burglary in a geisha house all score high on the "wow, I didn't know stuff like this went on" scale. Insider lingo also enlivens the text --- one man with a bandaged head injury is said to be wearing a "Bronx party hat." As in the other Lione books, there are plentiful descriptions of Italian food that will make your mouth water. It's a wonder Tony doesn't weigh 300 lbs.

For those readers new to Tony's story, F. P. Lione is an Italian-American married couple, Frank and Pam, who are both children of NYPD detectives. (Frank has also served with the NYPD). Their direct experiences with the police force and love of the city lend authenticity to the novel. The narrative isn't without some troubles --- lots of consecutive sentences that begin with "We" and "I", for example. But they pen some killer descriptions, such as this one about Friday bingo night at St. Michael's: "Kind of like offtrack betting, with old Italian women in rolled-down stockings."

The twin towers on the cover and prologue clue in the reader that CLEAR BLUE SKY's story will climax in the events of September 11th. In a post 9/11 world, where it seems as if every emotional drop has been wrung out of the fictional and nonfictional publishable possibilities, I was skeptical that anyone could write a moving scene six years after the fact. But the Liones handled the tragedy well enough to give me goosebumps. It's also a crucial and believable way for them to literally nudge some of their characters into a stronger belief in God.

The Liones just keep getting better in every novel. They adeptly blend Italian life, relationship issues, fascinating stories from the New York City streets and faith into a page-turning read that will hook new readers while continuing to please fans of their previous books. Don't miss it.

--- Reviewed by Cindy Crosby

It's several months after the release date of Clear Blue Sky but I don't want to neglect writing it up. I've not read any of the Lione's previous novels so I don't have a feel for their voice overall. However, I will be picking up previous and future books because the story of Tony and Michelle, New York and his life as a cop, a son, a new Christian and a man were intriguing and gritty and real.

I was surprised that the majority of the book didn't deal with September 11th, that this huge and very well written and gut-wrenchingly told event was only a small part of the lives of Tony and Michelle.

The writing is narrative and to-the-point and through the eyes of Tony, an Italian New York cop, who is at a crossroads in life. He is facing changes within his close knit and very dysfunctional family. He has chosen to marry a woman who doesn't please the majority of his family members because she is not willing to put up with the dysfunction, the alcoholic brawls and the mind games. Tony, a reformed bad boy, has a fledgling faith and a strong friend/partner/mentor in Joe. But Tony is pulling away from church because something just isn't looking right and he doesn't know what to do about it. Tony's brother and father are closer than ever and edging Tony out and Grandma, the sweet old lady, is losing control so she's pulling out all the stops and not looking quite as sweet. All of a sudden alcohol is looking really good to Tony and he's wondering what it's going to cost him to have Michelle as a wife.

There is so much to this story. The writing is a little more nuts and bolts than I generally dig into, but the characters and descriptions and details pulled me in and didn't let me go. I want to read more about Tony and Michelle. I want to see the entire family healed. I want to hug Joe because he acts like Jesus. There are situations and words that would offend folks, so be forewarned. But if you aren't easily offended and squeamish, look into this novel.

With the Labor Day weekend and its feasts over, the overworked NYPD police know they can catch a breath after tons of overtime mostly involving crowd control. Police officer Tony Cavalucci did his job, but crowd control is a part of his patrol work he hates as he dreams of getting "out of the bag" and into a plainclothes anti crime unit.

He and most of his peers fear the new mayor will return the streets to the perps as his aids are not impressive; still he does his job of patrolling the streets. Following a graveyard shift on the morning of 11 September 2001 on a warm clear day he stops for coffee and muses unhappily about the demands his family have placed on him. His brother wants him to host a wild last fling bachelor party to remind him what he is giving up by marrying. His extended Italian family especially his mother hates his fiancée Michelle as she is ethically and religiously incorrect and had a child Stevie out of wedlock. They insist he drop her or else. As he ponders whether he will have to give up one of the two families he loves, all that changes when he notices smoke coming from one of the Twin Towers.

CLEAR BLUE SKY continues the insightful look at the life of a New York City cop (see the previous three Midtown Blue novels: not read by me - THE DEUCE and THE CROSSROADS; read by me SKELLS). 9/11 is important to the plot, but comes towards the latter part of the novel as readers follow Tony's personal and professional life in the days just before the tragedy (much of the setting), during the rescue attempts, and immediately after. Fans of police procedurals will appreciate this series that focuses on the cop on the job and off the job as readers obtain a perceptive glimpse of the work pressures and family demands on a police officer.

Harriet Klausner

A theatre writer, Riccardo Molteni, cannot write anymore because his wife, Emilia, does not love him anymore. Moreover, she despises him, all of a sudden.

The search for the reasons which led to this sudden change of feelings, makes Moravia rewrite a modern versin of Ulyse's myth. In a few words, Penelope did not love Ulyse anymore, though she remained faithful to him even before he left for Troja. Why did she not love him? Because the king's behaviour was not masculine enough towards her admirers at the court.
Therefore, Ulyse wins his wife's contempt and consequently leaves for Troja to free himself in a way. After the war, he postpones sine die his return to Ithaca, obessed by the same thing: Penelope's contempt.

When he finally decides to go back home, he knows he has no other solution but to violently kill all Penelope's admirers, in order to get her admiration and love.

And this is how Homer can be well combined with Freud. The moravian style, vivid and direct, manifests itself in this novel, keeping alive the pleasure of your reading.

I think Alberto Moravia is one of the greatest Italian writers of all times. All his novels deal with important issues our society has to face, problems we all have. Many of us will recognize ourselves in his characters.

It will be a very challenging reading that will make you ask a lot of questions about yourself and your life. Enjoy it!

After a second reading of Contempt, I feel compelled to call the short, tautly written novel a masterpiece. Told from the perspective of a neurotic egotist, the narrator accounts how he "sacrificed" his literary writing career to debase himself in the tawdry task of writing screenplays so that he can afford to lavish his wife with a bigger more opulent living quarters. The narrator convinces himself that not only does his wife not appreciate his "sacrifice," but that she no longer loves him. It's horrifying to read this narcissist's account of his marital disintegration because you begin to realize that he is projecting his own lack of love toward his wife (a pefectly fine, loving woman) and you realize that he is so emotionally arrested that he is incapable of loving anyone. Further, a close reading reveals that the narrator never sacrificed his writing career for his wife's opulent tastes, but rather is debasng his writing talents for his own greedy materialistic acquistion.

Many see Moravia's novel as the quintessential example of "modernism," the movement that emphasizes the human limitation for self-understanding and the understanding of others. Also, the novel explores Freudian themes of projection, paranoia, and the powers of the unconscious.

The novel is fast-paced save for a few chapters where the writer and director indulge in long-winded discussions about the mythical exposition of their film but overall the novel is a real page-turner full of suspense and psychological realism.

If you enjoy this suspensful novel told from the point of view of an unreliable narrator, I recommend Asylum by Patrick McGrath, Despair by Vladimir Nabokov, and The Horned Man by James Lasdun.

somehow there is a new found celebration for contempt and everything associated with it. a year and a half ago, godard's contempt was finally re-released; a couple of months ago, two new books about casa malaparte allowed us to view the importance of the film's setting, most notably capri and it's culture, but now this new publication of moravia's contempt will allow everyone to view the masterpiece it truly represents.

Finally, someone had the common decency to reprint Moravia in translation. And they also picked the best titles. Il Disprezzo (The Contempt) is the best, most honest, unflinching look at the disintegration of a relationship that I have ever read. Last released in the States in the 1950's under the title A Ghost at Noon, this is the same excellent translation by Angus Davidson, who translated almost all of the authors works up until his death in 1990. If you've ever experienced the conclusion of a long-term relationship and for some masochistic reason want to remember what it was like, this is the book for you. I guess that's not a ringing endorsement. But trust me, Moravia's penchant for psychological details is so devastatingly on-point, you'll find yourself nodding nauseatingly at the pathetic delusions and convoluted rationalizations taking place between the couple. It should be noted that this isn't the book's only focus. Quite uncharacteristically, Moravia tackles popular culture and the highbrow-lowbrow dichotomy in a darkly humorous fashion. I haven't seen Godard's film adaptation but I understand that it is an incredible achievement in itself.

Moravia's writing which I would not have encountered were it not for these elegant new paperback versions of his work is open to the bone. His honest revelations through his all too human characters are poignant, pointed, and penetrating. To any one interested in looking deep inside themeselves and their relationships: I recommend Contempt. Prepare to squirm.

A Cross Estate was a book that I decided to read against my better judgement. I suspected that it would not be my cup of tea. But there was something about the idea that appealed to me-- something honest and fresh. I really appreciate that Mr. Kinsella gave me an opportunity to read the book. I rarely accept reading copies these days, since my work commitments make it difficult for me to promise to respond in a timely fashion.

A Cross Estate is, indeed, not my cup of tea. It is a kind of fable about human nature told against the backdrop of 9-11. I actually give him quite a few points for attempting the subject at all. It is such a hard topic that just about the only writer who hasn't given me hives when he/she tried to approach it is Paul Auster in The Brooklyn Follies: A Novel. It is really difficult to do the material justice. The book struggles against the weight of that image, and I am not sure that it ever really recovers from that fight. The base story (a young man torn between several sets of goals) is one that could have been written without the twin towers falling behind the characters.

This said, there are a lot of really nice moments in this book-- writing where the image flashes, and stands out from the rest of the pages around it. There are times when I found that he told too much-- using the narrative voice, conversations, etc. I wish that he had let his images do more speaking-- trust them a little bit more. To some degree this is the nature of a fable. And then we are back to my original problem. I do not really like fables.

I guess that it says something about the strength of the book and the writer that in the end, I almost liked this. The characters of Jack and his parents are naggingly human, and I found myself thinking about the issues raised after I closed the pages of the book.

This was Kinsella's first novel, and there is (for me) enough here to hope that he continues to write more work. Like I said, I would hope to see a whole lot more showing and a whole lot less telling-- but, again, that may just be a matter of personal taste.

Three stars with an extra star for several kinds of bravery.

I found the book, " A Cross Estate" a very poignant, moving novel. Much of the story is centered around the tragedy of September 11, 2001, and the resulting emotional aftermath, the families of lost ones faced. I found myself "feeling" those same feelings of sadness, anger, sorrow, and loss that touched so many Americans on that tragic day.
The novel tells the story of "Jack", who, upon graduating from a prestigious college, must make a choice of either following his own dreams, or his parents wishes and heading to Wall Street to follow in his fathers footsteps. He chooses his parents wishes, leaving them, his girlfriend Veronica, and his dreams behind. His new job moves their offices to one of the twin towers. From there the story tells of how each of his loved ones dealt with his death.It is a story of heartbreaking loss, the healing that eventually comes, hope for the future,and love that never dies.

In A Cross Estate, William Thomas Kinsella weaves together a cast of characters whose internal and external struggles are complex and quite sad in its rendering. It is a world that straddles two eras in the lives of a young college graduate Jack Conroy, his girlfriend Veronica and his parents, Catherine and Alexander.

Book I revolves around Jack's quandary concerning his career choices. Should he follow in his father's footsteps and join a financial company on Wall Street or accept an offer from a nursery as a landscape designer? In the first few pages we learn that during Jack's college summer vacations he had worked at the Durham Nursery and prepared a few landscape design sketches-something he had enjoyed immensely.

Kinsella portrays Jack as a kind, competitive and energetic young twenty-two year old, graduating Magna cum Laude in the Class of 2001 from Duke University, majoring in finance with a minor in landscape design. He was captain of his university's swim team and above all, he deeply respected his parents as well as their choices pertaining to his future, particularly his father's desire that he emulate him and find his fortune on Wall Street.

However, matters become a little dicey when Jack tears up a letter he received from a Wall Street investment firm extending an invitation to him to be interviewed. He now finds himself torn between staying in Durham, North Carolina near his girlfriend Veronica or pursuing a career on Wall Street following the hopes and aspirations of his parents. What complicates matters is that Jack omitted to tell Veronica or his parents about the interview invitation he received.

Weighing his options, Jack feels that Wall Street is more attractive, as he feels it presents more opportunity to make a difference in the world and as he mentions to his uncle Browne, "I am my father's son," to which his uncle retorts, "Indeed. And from the time you were young, you've been made into his image."As for Veronica, she only wants what will make Jack happy, although deep down she would be terribly sad if he left for Wall Street.

Jack's dilemma begins to unravel when he and Veronica spend a week-end with his parents. It is here where Jack learns that his parents had received a copy of the interview invitation and they are quite perturbed as to why he has not followed up and arranged for his meeting. Moreover, they blame Veronica for his actions.

Jack defends his girlfriend, although she in turn is confused and angered by Jack's mother Catherine; she also feels betrayed in that Jack had excluded her from his confidence.

Book II picks up where Jack decides to accept the Wall Street offer; however, unfortunately within a very short space of time he becomes one of the tragic casualties of 9/11. The ramifications are far reaching as Kinsella depicts the extreme sorrow and fragility of Veronica and Jack's parents as they try to come to terms with Jack's death. Ultimately, some important event in the lives of Jack and Veronica is revealed and the souring relationship that existed between Veronica and Jack's parents is resolved.

There are hints in the novel that Kinsella would like to see his readers examine broader connotations to such concerns as parental guidance pertaining to counseling children as to their career choices. When dishing out career advice to our children, at what stage do we fall into the trap of becoming overbearing? There is also the issue of guilt and the blame we sometimes attribute to ourselves if our children's lives don't pan out as a result of our influence in their choice of careers. Most parents try to do what is best for their children however at what point must we stand aside and permit them to decide for themselves.

How often have we encountered individuals who are in the wrong job or profession and are miserable, often leading to health and family problems, all due to the wrong occupational choices. In the case of A Cross Estate, the result was tragic, as it resulted in Jack's death, for he happened to be at the wrong place at the wrong time. As so often happens, the "what if" syndrome looms in the back of our minds even when the ramifications may not be as shocking as the one depicted in this novel.

While A Cross Estate is inarguably a thought-provoking novel of issues, the entire novel doesn't completely hang together. For one, it would have been much better if the players had been more vividly and richly constructed, as I failed to become emotionally attached to them-something that generally is expected from a story of this nature. I also felt that there was not enough of a psychological charge illustrating how Jack was struggling against contradictory visions and indecision. And in the case of Veronica, in Book I she seems to be peripheral at best and only towards the end of the second book do we have some idea as to what she is all about. There was also an overwriting of chapters considerably slowing down the pace of the story particularly when Kinsella describes the property Jack's parents purchase after his death. I also found it odd that a prologue was included that serves little purpose.

In the end, however, A Cross Estate is a good yarn worthy of reading as it is a poignant and touching story depicting the experience of the human condition in moments of bleakest sadness to future hope.

Norm Goldman, Publisher & Editor Bookpleasures

Jack Conroy is living life on his terms. Being the only child of Alexander and Catherine is a challenge at times, but the mutual love is always there. Jack is competitive in everything he tries and he loves to succeed. His Wall Street job after graduating from Duke University has him conflicted.

Jack is torn between following in his father's footsteps and his own passion for landscape design. Moving away from Veronica is difficult, but the couple agrees their relationship can work while Veronica finishes college and Jack pursues Wall Street knowing that once he succeeds there, he can pursue the life he truly wants. After all, they have all the time in the world.

William Kinsella uses his personal experience of losing some of his fellow commuters on 9/11 to create an intense story of true love, compassion, and the struggle to go on after the loss of a loved one. He brings the reader into the hearts of people directly effected by the tragedy. Compelled to write this novel for "everyone who never made it home," Kinsella has produced an emotional and historical work of fiction filled with hope.

Kinsella, a husband and father of two, commuted daily into the city to his offices in Lower Manhattan. He was there when the towers fell. He hopes 'A Cross Estate' keeps the spirits of those who died, alive. He lives in Basking Ridge, NJ and is currently working on a personal memoir.

William Thomas Kinsella has written an amazing first novel. The strength of each character's voice keeps the reader turning the pages. It is a thoughtful and powerful highly recommended read. Reviewer: Lisa Haselton, Allbooks Reviews.

This is not another 9/11 account, but rather an story of a family's journey through pain and grief, using the event as the catalyst. The characters are richly drawn and wholly believable, and almost everyone will find someone here to whom they can relate. Kinsella is a beautiful writer. There are many passages of pure poetry as he tells of feelings, places and moments of simple observation. The depiction of Catherine's emotional ride through her grief are particularly moving and dead-on. In the end, this is not a book of sadness, but one that is uplifting and affirming of the resilient nature of the human spirit.

dada: zurich, berlin, hanover, cologne, new yorkk, paris

This book is wonderfully informative, plus it has so many full-color reproductions--the type of terrific catalog that inspires one to stroke its pages with a sense of seduction (works in my mind!).

Coupled with Hans Richter's: "Dada, Art and Antiart" and movement's philosophy and works are clearly understood. Graphics are truly great and commentary enlighten. It might be noted this book is German published as the Max Ernst book "Life and Work". Both with numerous colored plates of the highest quality. The Dada book though excels in text.

I have always had a weakness for Dada, and within this quixotic movement a special liking for Schwitters. So I visited the Dada-exposition in the Paris Centre Pompidou last year, and there bought both the Dickerman catalogue of the American exposition, and the (French language) catalogue of the Centre Pompidou itself, which differ in many ways. The exposition was wonderful by the way, and one of the best I' ve seen in many years. Thinking that a morning would be enough to see what I wanted to see, I changed my mind, decided to take dinner in the Pompidou, and stayed for the rest of the day. The immense amount of material was stunning. And the same thing really goes for both impressive catalogues. The American (Dickerman) version (520 pages) follows Dada by way of the cities where Dada developed, and does so in a more or less chronological fashion. Essays are excellent, photomaterial looks great. It is the sort of catalogue you would expect from an exposition like this. The European catalogue, more than thousand pages, printed on very thin paper, treats subjects, artists, and everything else connected with Dada according to alfabet. It seems to me that the catalogue has just about everything that could be seen at the exposition, with exception of the films of course. Although I felt a bit silly after buying both catalogues (spending some 100 euros), I was in the end very glad that I did. Everybody who buys catalogues now and then, know how disappointing these sometimes are. Well, these aren't. They are both superb, knowledgeable. And the people who made them have done a terrific job. In the end you wind up thinking: Hey, these guys (and girls) must have loved Dada as much as I do.

IF YOU LIKE ART THIS IS THE PERFECT MEAL.
BREAKFAST LUNCH DINNER AND SNACKS
I WISH I HAD ONE OF THESE BOOKS IN EVERY ONE OF MY ROOMS
OR ANYWHERE I VISIT WHERE THERE MIGHT BE FREE TIME TO LEAF THRU IT!

Like a lot of Maurice Sendak's books - you love it as a kid, and you love it as an adult for very different reasons.

I guess I need Dear Mili afterall to remind me of other things than life's mandane, and to help me see our seemingly unsatisfying life in a different light.

Maurice Sendak's drawings enhanced the classical beauty of the Grimm's fairytale. You can almost see the elegant images listlessly brings the words to life as the best storytellers do.

This story is sad, but told beautifully. It is also inspiring and comforting.

A little girl is sent into the woods alone by her fearful mother when war comes to the village. She manages to find peace and loving care in the home of St. Joseph. When it is time for her to return to the village so much has changed.

This tale by Grimm is beautiful. In my opinion it is translated well as the words are rich and descriptive and there is a satisfying pace to the story throughout. The introduction itself is nearly as moving as the tale that follows. Sendak's illustrations magically combine reality with imagination and the double page spreads grow out from the page and allow you to fall into them.
The setting and scene changes are enough to tug your emotions. This story's scene sequence is as follows: a quiet country village, a village in panic at the threat of invasion, a child wandering alone in the woods, a child in the comforting care of St. Joseph, back to the village which has now changed.

The subject matter is not light in this tale about love and two hearts coming together. A tale like this could not be as well told if one were to attempt to tell it lightly.

Dear Mili was a surprise in many ways. While Maurice Sendak has never failed to amaze, this tender rendering a newly discovered fairy tale set as a metaphor of children hidden in the holocaust is one of the most beautiful experiences a reader can have. This is my favorite children's book of all time: the artwork is I believe the peak of Sendak's career. A small girl living alone with her mother is sent for safety in the forest when a terrible foreboding threatens. In the forest she meets St. Joseph, and another small one, who keep her safe. Returning after a pleasant journey, she finds her mother aged and alone.
Their is joy and reunion: this is a poignant story on many levels. Looking deeply at the artwork one will see shoah themes:
Sendak in premiere Jewish sensitivity has done a remarkable thing: taken ancient Grimm Catholic legend and woven it into a metaphor for all of us, for all time. If this book does not tender the heart of the older who read to the younger, they have no heart. Absolutely 5-stars: Should be a classic and not out of print.

This book scared the crap out of me as a child. The images, the story are dark and nightmarish. The pictures are incredibly striking - I haven't picked up the book in years but I still remember many elements - fire licking from the sky, greyish tangling trees and flowers, the ghostly quality of the little girl. I wouldn't recommend this book for children. I don't think I've encountered anything in children's *or* adult literature since that has so disturbed me.