New York Books

GET IT. It was a good one. I picked this book up with no expectations and found myself drawn into the world of law enforcement and the pressure of what I can only imagine being in the main character's (Ray Dolan)position. Lots of twists, you will try to figure it out chapter after chapter! A good reminder that everyone is walking through a minefield of temptations.

While there is nothing truly original here, this is nevertheless a very well done noir novel in the classic mold: as the back cover says, a cross between Body Heat and The Postman Always Rings Twice. Very true. This is a gripping read for sure; Kelly does know how to make you keep turning pages.

Officer Ray Dolan lives just down the way from the Travises, a very wealthy couple--Lance and Sheila--and their teenage daughter Brie. Dolan, single, has ambivalence about his job, possibly stemming from his father, also a cop, having committed suicide. But he gets along well with his fellow officers, especially Frank Kaiser, who, after many years of marriage, finds his wife having an affair. Also on the scene is Leanne Corvino, a local TV news anchor.

Dolan and Corvino hook up briefly, but after catching sight of his sexy neighbor, Sheila Travis, Dolan forgets about Corvino and develops serious hots for Sheila. Needless to say, complications ensue. Turns out Sheila's husband has questionable morals. Turns out Sheila is not happy with Lance. Turns out Sheila and Ray (Dolan) get something going.

It also turns out that Sheila, Lance, Frank, Ray, and Leanne all have stuff going on involving each other that does not seem apparent initially and that definitely makes for noir-themed fiction at its best.

This is a great read for those who like their noir juicy and involving. Yeah, I liked it a lot.

Jack Kelly explores sexual obsession and how it leads good to become evil in this sharp and moody novel. The characters are thoroughly modern (a girl named Brie can only happen in modern America), their situation as timeless as Adam and Eve. The writing is funny, acute, and poetic. Ray and Sheila propell the plot to its cathartic conclusion, completely believably. This is a writer who knows how to combine the best crime writing with the best literary writing. Don't miss it.

Line of Sight is full of classic noir-cop-detective elements, so I thought I was nestling into comfortable fiction territory as I settled into reading the book. But Jack Kelly has written a book that is simultaneously familiar yet new, nostalgic yet fresh. Kelly's characters are familiar with a twist, predictable yet surprising. His telegraphic style at first seemed choppy and awkward to me, yet by page three his concise words were painting vivid scenes of landscapes both psychic and physical. I thoroughly enjoyed the synthesis of familiar and new in this book. Its images and emotional mood will stay with you for a long time.

"Nobody's innocent," says Sheila, one of the key characters in Line of Sight.

Ain't that the truth?! In fact, plain, ordinary, law-abiding folks can easily be drawn into a wicked web of lust, intrigue, greed, and power. The beauty of this book is in the way that Jack Kelly explores how any of us can be tempted to cross the line.

A Living Lens is a wonderful collection of photographs that not only demonstrate everyday life of Jews throughout the United States but it is accompanied by a rich text authored by witnesses to this history. Of all the photography books about the Jews of the 19th and 20th centuries thids one ranks at the top. A must see and read.

This collection and commentary was great....and more than met our expectations. It sits now on our coffee table for all to review and reminisce.

Beautiful book, well written. A book for anyone to share with their children to teach them an important part of our US history.

As the grandchild of Polish / Ukraine immigrants who read the Forvitz, this book lovingly captures the memories of a time long gone.

Earlier this year, I had participated in a tour, including the old Forward Building in Lower Manhattan, with our guide being one of the photographers for this beuatiful book. I was so happy with the book which arrived in exellent condition.

Thank you.

Renate Stone

This book was excellent. Any Italian cookbook with Aglio Olio in it (pasta in garlic oil with cheese) has got to be OK! This was a favorite dish of mine while growing up. The tomato sauce recipes were worth the price of the book alone! The author is a skilled writer in spite of what one reviewer said. I found the stories entertaining and interesting. And the recipes were as authentic as any my Sicilian mother or aunts had ever prepared. I love this book!

Great book. Great read. Just love the stories and folklore from Sicily. This the food my grandmother made and I never could find the recipes. Well, they are in this book. The sauces, pizzas, fritattas are great. Francesca Romina just won the contest in Newsday for the best Sesame Seed (Regina) biscuits in Mangia Little Itay. They were terrific and easy to make. There are recipes in this book that I have never seen before and great hints and tips along the way. The author seems to go to great lenghts to be specific for her readers. These recipes work and are well tested. I'm buying several copies for my family members.

The recepies in this book remind me of all the wonderful dishes that my Grandma used to make. I have found the pizza dough recepie tastes very close to my Sicilian Great Grandmother's pizza dough. I tend to agree that Italians keep these spicial recepies to themselves which unfortunatly die with the generations. This book brings them all back to life along with the wonderful stories and pictures that go along with them. I'm purchasing another copy for my father, who loved mine so much! I just couldn't part with it!

After so many copies of Italian books that I've thrown out, this one works. It was recommended to me by several professional cooking teachers. I made the Cassata cake, the mother or all Sicilian cakes, and it was fantasik. Romina's 7-Hour Sunday Sauce is the best I've ever made. The family went crazy with the results. I even found pizzas here I have only heard about, such as "Sicilian Christmas Pizzas" stuffed with pork and spinach, and Salted Sardine pizzas. These recipes are impossible to find, and they all worked. I also made her Lemon Cakes which has that homemade taste in the crust topped with cinnamon that I remember Grandma making. This is a book you can read for folktales or cook with. That is rare. I particularly loved the author's tips called "Secrets of Success" on the side of the pages, it helps to make cooking easier. So if you want to make an authentic Lasanga the way it was at the turn of the century or a real Sicilian pizza, the way it's made in Sicily, this is the only book that I've found that is the real thing. Bravo Francesca Romina!

This book brings the Sicilian Kitchen to every home. It's a style of cooking that is rare in my area of the country, but memories of Sausage & Peppers and fried meatballs on Sunday made my childhood complete. Some of the items here I've never even seen in print before. A little slice of Grandma's house teeming with garlic!

This is a phenomenal resource for the Mikado. The piano reduction is imminently playable, and the libretto includes the spoken dialogue between each of the vocal selections. The chorus parts are included, so this little score is the whole show in a complete package, with the exception of not being scored for the orchestra. Unless a person would want to alter some script, or lyrics (such as is commonly done in certain songs, i.e. I've Got a Little List) This Dover Vocal Score ranks right up there with the Stratford Video Production from 1982 - which is one of the best productions of this Gilbert and Sullivan classic.

This well-priced score is a great edition for student productions because it's legible and affordable!

Well, I don't know if it is perfect or not. However, it does have bar numbers, which is more than can be said for most of the vocal editions out there. AND they match the published full scores.

When you are rehearsing or doing any type of serious work with the music, being able to reference bar numbers is invariable. "Second bar of third system on page #148", just doesn't cut it.

Great for learning both dialogue and vocal score for anyone who is taking part in this production or who is just considering auditioning.

Being a serious fan of Gilbert and Sullivan's work and a performer in several of their collaborations, this is a wonderful score. It has every piece of dialogue, every song, and a great cover. If you are ever going to be in a production of 'The Mikado', buy this score!

First, Kropotkin discusses mutual aid among animals. His first point is that Darwin had nothing to do with Social Darwinianism. In fact, he quotes Darwin as saying, "Those communities which included the greatest number of the sympathetic members would flourish best, and rear the greatest number of offspring."

He gives numerous examples. One of his examples is about the crested screamer, a bird species which holds massive song recitals. Would Lorenz agree that those birds are chirping merrily? Or would he insist that they are marking their territory?

Next, he discusses mutual aid among savages. Note that he uses a word which is scientifically unacceptable today.

Since K. cannot travel back in time, he surmises how our earliest ancestors lived by observing how isolated tribes today live--which is in clans. Although such tribes are still called "primitive," there is some question of whether or not these tribes live like our prehistoric ancestors did.

Since isolated tribes tend to live in clans, Kropotkin claims that the marital bond is not as strong as in the nuclear family system. In the appendix, he debates Westermarck on this matter.

Next, he discusses mutual aid among barbarians--another taboo word. According to K., there was a wave of migrations in ancient Europe, in which "races were mixing with races." The social institutions seemed to be wrecked as a result, but K. assures us that they instead "underwent the modification which was required by the new conditions of life."

Next, he discusses mutual aid in the medieval city. Now we are up to the Tenth and Eleventh Centuries. Our next institution, then, is the professional guild.

Finally, he discusses mutual aid among ourselves. He sees a faint vestige of mutual aid today. K. sees the union as the successor of the clan, the village, and the guild, so he calls for more and better unions. K. also speaks highly of organizations with special interests, such as garden clubs and glee clubs.

However, K. cautions us against the "reckless individualism," or "the war of each against all," which he sees as prevailing today.

Kropotkin's discussion, persuasive as it is, can be counterbalanced with arguments in favor of individualism and competition. I wonder how Kropotkin would respond to the famous anecdote about the Jamestown colonists.

One can also question Kropotkin's claim that only the most sociable animal species prosper. The feline order is renowned for the aloofness of its members, and the lion has been dubbed "the king of the beasts."

I would like to close this report with an ad hominem attack against Kropotkin himself: If individualism is so reprehensible, what is he doing writing a book by himself and claiming credit for it by himself?

Anarchist classic, rooted in observation of natural phenomena and history. Challenges the conception that capitalism is a natural progression of Darwinism at work in the wild. The author cites numerous examples of compassion and innate goodness at work outside the bounds of a structured power-based society. The study covers cooperation among animals, instances of non-hierachical interactions from primitive tribes to mediaeval cities, and on to his contemporary labor unions. It has been some years since I read it and I plan to revisit this title soon.

This book, which appears to be about the only surviving scientific text from Kropotkin's work, is very interesting and insightful. The first two chapters which deal with animals I found most interesting, because they address the roots of the falsehood of social-darwinism. Kropotkin then proceeds to move through the different stages of human society and describes the mutual aid a compassion fetures therein. It is a fantastic book and I highly recommend it. It is a scientific text, but it has major political implications and is very accessible.

Este libro es uno de los pilares fundamentales de la teoria del anarco comunismo tan desvirtuada por el imperialismo, y nos da la esencia que el anarquismo, lejos de lo que se cree comunmente es una doctrina que se basa en el amor y la ayuda mutua, quitando las barreras de desigualdad entre las personas y haciendo un recuento de cómo la ayuda mutua es un factor de evolución hcia una sociedad más justa.

Peter Kropotkin is one of the most noteworthy anarchist thinkers over the last two centuries. As with other political thinkers, so, too, with Kropotkin--his analy¬sis of human nature is critical for understanding his overall philosophical position. For his view of human nature, "Mutual Aid" is a key for understanding his views. His work is a harbinger of more recent studies of sociobiology, many of which explore the roots of altruism--human and otherwise.

Much of his thinking on the nature of society was formed when he was observing the behavior of animals in Siberia. While assigned to a Siberian regiment of the Russian military, Kropotkin did innovative original work on geography and geology as well as the study of animal behavior. His observation of animals led him to respond to Huxley's assertion that natural selection was based on keen com¬petition among animals with the following statement: ". . .wherever I saw animal life in abundance, as, for instance, on the lakes where scores of species and millions of individuals came together to rear their progeny; in the colonies of rodents; in the migration of birds which took place at that time on a truly American scale along the Usuri; and especially in a migration of fallow-deer which I witnessed on the Amur, and during which scores of thousands of these animals came together from an immense territory, flying before the coming snow, in order to cross the Amur where it is narrowest--in all these scenes of animal life which passed before my eyes, I saw Mutual Aid and Mutual Support carried on to an extent which made me suspect in it a feature of the greatest importance for the maintenance of life, the preservation of each species, and its further evolution."

He synthesized his observations of animals within a species cooperating with one another and concluded that, in the struggle for life, cooperation was at least as important as competition. Kropotkin did not argue that competition was unimportant in the natural selection process. However, he did emphasize that mutual aid was a factor that many Darwinists (although, as Kropotkin made clear, not Darwin himself) ignored. The data that Kropotkin utilized came from many different animal species.

Kropotkin goes on to speculate about the survival value of cooperative behavior. He states that: "Life in societies enables the feeblest insects, the feeblest birds, and the feeblest mammals to resist, or to protect themselves from, the most terrible birds and beasts of prey; it permits longevity; in enables the species to rear its progeny with the least waste of energy and to maintain its progeny with the least waste of energy and to maintain its numbers albeit a very slow birth rate; it enables the gregarious animals to migrate in search of new abodes. Furthermore, cooperation facilitates the development of intelligence, since that quality is so important for social life among animals."

Kropotkin is not content to rest his case at this point. He subsequently indicates the likely course of human evolution and the role played by cooperation. He adopts the method of using existing societies at differing levels of socio-cultural complexity to speculate about the course of human socio-cultural evolution. Kropotkin argues that, at each stage, mutual aid is apparent and important for humans. Even in the period dominated by the great states, the present for Kropotkin, mutual aid institutions still flourished despite the state's intimidating presence.

Thus, Kropotkin's view of human nature is, ultimately, that it is inherently good, i.e. cooperative toward his or her fellow. What of this assertion? Is Kropotkin's view of human nature completely inaccurate and confounded by the available evidence? That is where each reader must evaluate his or her view of humanity's nature and render a judgment on "the anarchist prince."

This is a well-crafted, very modern story about the joys and sorrows of friendship. Cant wait to read more from McKinnon.

I loved this book. It dares, which is more than I can say for most of the novels I've read in the last few years. Fiction has become all the same thing, seemingly meant to make both writer and read feel good about themselves. This novel isn't about that. McKinnon's writing is alive, her characters are vivid and her story is wickedly fun. Reading the other reviews, it is clear that the author's refusal to tell the reader what to think has [upset] some readers and perplexed others; the smart ones, though, know that she purposely encloses you in the suffocating point of view of a narcissist--here's what it's like to live in the skin of a vain, short-sighted, self-glorifying young woman 24/7--as if to say you'd better watch out, world, or this is what we'll all become. But Becky is not a mouthpiece, she is a character whom McKinnon embodies fully and without flinching. I can't wait to see who and what she'll take on next.

Recently, we've been bombarded by the fiction publishing industry with woman characters that are ambivalent about their independence and obsessed with the desire to be all things to everyone (especially to men). The women of Narcissus Ascending cannot be reduced to these banal caricatures. Instead, Karen McKinnon, in her darkly ironical first novel, gives us two rivalrous characters - Becky and Callie - whose complex, obsessive, self-delusional personalities jumps off the page. The seeming authenticity of these characters makes them fascinating to read about. This is a unique and wonderful book that I highly recommend.

Narcissus Ascending, the initial novel offering by transplanted New York psychologist and writer Karen McKinnon is exactly what you expect it to be when you first see it on the bookstore shelf. And it is things you never expected it to be.

The title of the work and its modest size (214 pages) may lead you to believe it contains the usual dose of pretentious self-indulgence that often accompany a first novel, which this one does. Two of the first four words in the opening paragraph are "I" and unless you are among the most voracious and academic of readers, not a few times will you find yourself reaching for the Roget's to get a handle on the sometimes reachng vocabulary. But don't let that keep you from picking it up. This look at the relationships between a group of late twenty-something friends that don't spend their lives huddled in a New York City coffeehouse immediately grabs hold of your interest and rarely lets go.

Written in a unique "diary-like" narrative from the perspective of the main character, Becky, McKinnon's writing structure here is perfect for the subject matter and is a large part of what makes this such an enjoyable read. The lack of dialogue punctuation and the often combined thoughts and sentences make the reader have to work a little harder, but helps to stay atuned to the story line and each of its subjects.

The story is centered around four friends wrapped up in the melieu of New York's East Village who, aside from the day-to-day travails of Manhattan life are each dealing with the mental residue deposited by a fifth character, Callie, whom, though we don't actually meet until the last 80 pages of the book, we come to know and loathe...and fear, but are anxious to meet. The setting is well written and through the interaction and thoughts of each character, we are given a look into four distinct lives and points of view; neurosis, desire, ambition and all. McKinnon walks us through their relationships, individually and collectively, and as we progress, have no choice but to make comparisons with our own lives. Their private thoughts, personal battles and betrayals and the rationalizing of sexual indiscretions and desires are upfront and honest, to the point we are left to wonder how many of the characters and experiences are autobiographical or if the writer is just this good.

McKinnon does deserve a little slap for not reaching further into the character Dahlia and how her life as an incest survivor fuels her thoughts and actions, but should be highly praised for her research into modernist artist Becky. If we didn't know the writer was a psychologist, her depth of detail regarding her artist's struggle for professional self-definition and the art world itself would have us looking forward to her next show at the MoMA.

The storyline focuses largely on the angst and fears of its main players and their shallow, adolescent need to acquire revenge for past deeds done them by the protragonist Callie. But there is an unspoken subtext you can not help but delve into, questions about the foundative solvency in today's society you can not help but ask. Because most of the character development is so thorough and well defined, we can't help but wonder if present-day adults are really this [messed] up and whether we fall into one of two categories; those as equally disfucntional and in need of therapy as the characters we're reading about or those who are fortunate enough to have grown up.

A quick-paced, cozy-up-on-the-sofa-for-an-evening novel, Narcissus Ascending is a fun read that takes an naked, revealing look into the self-centered aspects of the human condition we all enjoy...or suffer from. But don't believe for a second that after you close the cover, it won't have you thinking.

Perhaps more than you'd like to.

I came across this debut novel recently and on cracking open the cover I didn't look up until I had finished all 200 plus pages several hours later. McKinnon's style of writing is impressive and her ability to render the novel's characters into flesh and blood is mind-whirling. The examination of the complexity of friendships that form when self-absorbed people (and aren't we surrounded more and more by them) find each other is sobering...and, I hate to admit it (and so will you), familiar. I can't wait to read more of her writing.

An amazing collection of New York City's most stylish inhabitants by a photographer with a keen eye for the extraordinary. Highly recommended.

The Book is a wonderful document of what the city is all about:
Be yourself and express it with creative confidence!

This is a great book for anyone. Visually the images capture the the personality of New York, and each subjects bio is as diverse as their fashion style. Once you pick it up you can't put it down. Makes for a great gift!

A very New York look at fashion and people and style. Great interviews. Gee I miss NYC

If you love New York and New Yorkers, this is your book. The essence of New York Street Style beautifully photographed by Jake Chessum and ready to uplift any homesick New Yorker abroad. A collection of one of my favorite New York Magazine columns now available to embellish the display on any expat coffee table. If you're in New York, get up, walk the streets and enjoy the real thing, you won't need the book.

In the late 1970s, when the Mets really hit the skids and the Yankees got good again, it became necessary, if you were a kid in the Tri- State
area, to at least watch the Yankees, perhaps even to grudgingly root for them.  Forced into this spiritually untenable position, I chose to only
root for the scrubs, which made Cliff Johnson my favorite player.  I'll never forget the game where he tagged a pitch and Phil Rizzuto started
screaming that : "That one's outta here", bringing joy to the heart of every Heatchliff fan, only to have his towering popup caught by the
second baseman.  

"The Scooter" was easy to laugh at, with his myriad phobias, his propensity for saying unintentionally offensive things about minorities, his
tendency to leave the ballpark early when the Yankees were home, etc. But then there began appearing in The Village Voice a most
remarkable feature : verbatim text from Scooter's broadcasts rendered as poetry. We were suddenly confronted with the frightening prospect
that Scooter was not only making sense, but serving up literature, even profundity. Consider the wisdom, about baseball and about life [....]

As it turns out, this kind of exercise even has a name, it's called "found poetry." The Rizzuto poems are as good as any I've seen[...].

At any rate, this book is a hoot and once you read it you'll never again think of Rizzuto as just a good glove man, nor listen to a baseball
broadcast without noticing the frequently poetic nature of the announcer's line of patter.

GRADE : A

This literary gem is destined to be handed down from parent to child for generations to come.

Long before there was politics, or correctness, there was Phil Rizzuto. Rizzuto ably scoops up the essense of morality and ethics and fires to first with more deftness than Shakespeare, or that guy from Ireland (I can't remember his name--not Joyce, though; it was somebody else.) The poem we always relate and remember around the old campfire--when we go camping, and we have a fire, is the story Scooter tells in the honored oral tradition of Homer: of live-trapping squirrels in his attic and then letting them loose somewhere over by Yogi's house.

No doubt Rizzuto will forever be linked to the other great American Poets: Frost, Angelou, and Walden.

Some people are good at laying down sacrifice bunts, and some people are good at poetry. But nowadays so few people excel at both. Phil Rizzuto is that rare double-threat, and that's why this book is essential for anyone who likes bunts or poems.

My only complaint is that the editors have left out my all-time favorite Rizzuto moment, which was the time circa 1980 when Rizzuto and Frank Messer spent part of a day game discussing whether or not gorillas can swim. The answer proved elusive, but I have since learned that they can.

Even though it's a short book, a little bit goes a long way with this kind of thing. Use in moderation.

Plus, I miss Bill White's good-natured chuckling.

Still, these "poems" are pretty good at bringing back long-gone hot summer nights.

For me, nothing better epitomizes my age of baseball innocence than falling in love with the WPIX broadcasts of Phil Rizzuto, Frank Messer and Bill White during the late 1970s. This offbeat collection of the Scooter's unintentional poetry in his broadcasts is a graphic illustration of why Rizzuto was a true joy in the broadcast booth even if he wasn't a professional in the Mel Allen-Red Barber mold. I loved the format so much that I've actually reviewed the hundreds of old Yankee radio and telecast tapes in my collection searching for supplements to the collected verse of the Scooter and have found enough that could fill a sequel volume. Thanks to Seely and Pyer for this wonderful collection that no Yankee fan should be without.

I'm Salvadoran and I'm married to a Jewish-American woman. She bought this book for us to take a tour in El Salvador. Let me tell you, this is the best guide book I've ever read. It's so easy to use and it has ALL the information about this little beautiful country that you need. I even used some of the information on my website, of course with the permission from the authors. Thank you Jeff, Julian and Veronica for making this possible.

For years I looked for a book that would cover travel to El Salvador. I have been married to a Salvadorena for 16 years and have made five trips to the country since 1991. I love El Salvador, its beauty and its wonderful people. You can't travel there without this book! Buy it today!

I found this book quite helpful. I'm a native from El Salvador who had been out of the country for 20 years. I found it a good supplement to other sources of information (e.g., local phone books in El Salvador, people and friends). Although some of the directory information may be dated, most of the facts and directions still hold. It's best to cross-reference the book with a local phone book for more accuracy. Yet, the book is a great trip planning tool. It allows you to pick and chose places and things to do at a pace that not even locals can keep up. It's clear that a lot of good work went into making the book. The level of detail is beyond what any local can know all by himself (e.g., bus routes, mores, festivals, local rituals, etc.). I found the hand-drawn maps most helpful and the history/background informaiton information least helpful. Advisories should apply to all locations outside the central city or popular foreign tourist attractions. Also, the book does not address which locations are most ideal to visit depending on the small universe weather conditions, e.g., heavy rains or dry, hot to extremely hot temperatures. I recommend this book. I've found no other books as helpful as this one but feel that the book and its contents could be much improved, e.g., day-trips, sports events, local festivity schedules, shopping information, entertainment options, ground and non-ground recreational activities, specific coverage and related-activities regarding aviation, boatin, sailing, surfing, fishing, golf, lakes, rivers and bodies of water, etc. (perhaps on future editions, beyond the 2nd). I currently own both of the first two editions. They're both pretty much worn out and it's because they go with me and take me places each time I visit there. I just wish the book were more expansive and provide material for all the other sites that one encounters while going from place to place, yet this would make it too thick and heavy. Also, if you ever go to El Teleferico, please say Hi to Mr. Moon (a local cartoonist) there for me!

This is really the only comprehensive guidebook to El Salvador that is widely available. The Lonely Planet and Let's Go and other books have chapters on El Sal in their books on Central America, but none of them go into real detail. In fact, I've noticed that most of the guidebooks don't recommend going to El Salvador, or skipping it if you're short on time.

Well, you should go. There is a lot to see and do but it's important to realize that it's different from the other Latin American countries. It's maybe a little less pretty and the people are a bit more hardened from the long guerra civil. This book does a good job providing sociopolitical background and anecdotes from important periods in history. Other than that, it's your basic guidebook, going region by region in the country, detailing sights, hotels, transportation, all that stuff. There are also several pages of decent color photos.

The one problem is that the book is now nearly ten years old. While most of the things are still accurate, a lot has changed. Things like prices and bus routes especially. There are also many different sights, museums, roads and enormous Kentucky Fried Chicken franchises that did not exist when the book was published. Likewise, some things no longer exist. The only way to find out, unfortunately, is to go and discover these things for yourself.

El Sal is not the most tourist-friendly nation in the sense that the infrastructure is not really there to support a heavy flow of tourists. The people are _wonderful_, don't get me wrong (don't think for a second that it's the people's fault), but to give one example, some of the bus routes to tourist sites make absolutely no sense and can be very frustrating to navigate. This is the fault of the government. Likewise, the El Sal government tourism agency could do themselves a big favor by publishing or funding an up-to-date guide.

But this book is as good as it gets.

If you are going to spend any time in the country and want to tool around, you'd be a fool not to get a copy of this book for your backpack. I just got home and gave my friend a hug for grabbing this book out the the bargain bin at Borders for me. In several cities I was able to pick it up and quickly flip through to find a map and make my way through the town. Or simply discover something interesting within or nearby my location. It's an absolute must for anybody going into the country. Well put together and concise - 5 stars for sure!

My son is 5 and absolutely loves this book. It's a story about young boy and how he must help to care for his large Italian family that has come to America in hopes of having their dreams fulfilled. Disappointment of a father leads his young son to think his job is meager. But in the end one little boy does make a difference, for without his light the whole world is a dark place. The book just gives you a warm wonderful feeling when you finish reading it. The illustrations are beautifully drawn and give you the contact to really feel what Peppe and his family are feeling.

A young boy of modest means seeks a job to contribute to the needs of his family. Initially, his father is disappointed in the lowly responsibility that his son fulfills. The young man takes inspiration from his sister's admiration of him and finds that his job as a humble lamplighter blesses others beyond his understanding. The breath-taking illustrations span the entire two-page spread. This is a beautiful story of how everyone has their important role in life and can embrace it with excellence and passion.

I purchased this book for my husband for Father's Day (he's Italian American")--I didn't really think that our then 2.5 year old would really care for the book. But he loves it! It's a good story, although at times the messages can be a bit confusing for a very young child--but my son seems to enjoys the illustrations, the sounds of the Italian names, and of course the most elemental aspects of the story.

There's a whole genre of picture books that examine the working class members of American society throughout history. These stories are usually based on the lives of the relatives and ancestors of the authors. "Peppe the Lamplighter" is no exception. Loosely based on the grandfather of author Elisa Bartone, the book examines one boy's occupation and his struggle be accepted in the eyes of his father.

Peppe lives with his sick father and seven sisters (not including the one in Naples) in the section of New York known as Little Italy. Taking place in what looks to be the 1910s, Peppe moves from store to store, attempting to find work. His father, is too sick to work himself, and all the children in the family must strive to find some kind of money. One day, old Domenico the lamplighter asks Peppe if he would light the lamps for him while he returns to Italy to fetch his wife. Peppe agrees readily and is delighted with the prospect. Delight slowly sours to shame, however, when his father is horrified by the job. Says he, "Did I come to America for my son to light the streetlamps?". As time goes by, Peppe's disenchantment with the job grows until he doesn't light the lamps at all. Only through the discovery of how important his job is to others can Peppe find the strength to return to lighting the lamps of New York City.

The pictures in this book are wonderfully rendered. Here we find the New York City tenements in all their filthy glory. At the same time, we see the strength of the people living in them. The first painting in the book shows Peppe and his family staring at the viewer as if they were posing for a formal family photograph. The light from a single latern lights them all, and illustrator Ted Lewin shows off his talents. In many ways, the book is similar to Chris K. Soentpiet's style (of "Molly Bannaky" fame). Reading this book is to actually find yourself in early New York itself. Crowds come alive and individuals display a wide range of emotions. The best picture in the whole book, to my mind, is the image of Peppe lifting his little sister so that she can light the lamp on the street herself. The light is above them, illuminating their faces with incredibly intensity. The two stare up at it, entranced.

The story itself if good, if not overwhelming. Peppe's father has a somewhat unbelievable change of heart towards the end of the tale. For a man who has harbored so much bitterness towards his son's chosen profession, he seems to come around to it mighty fast when the mood calls for it. Otherwise, it's lovely. Peppe compares the lighting of the lamps to the lighting of candles at Mass, and even goes so far as to say a small prayer for each. Small details like this truly bring the story to life.

The book celebrates one small boy who can, in his sister Assunta's words, "scare the dark away". It is a book about how every human being, if they've a mind to, can bring light into the world in their own humble fashion. Peppe may only be a lamplighter, but even his father recognizes by the end that this honest job gives safety and comfort to others. We should all be so lucky as to have jobs that do half as much.

"Peppe the Lamplighter" combines a story by Elisa Bartone with illustrations by Ted Lewin. The story takes place "[a] long time ago when there was no electricity and the street lamps in Little Italy had to be lit by hand." The hero of the book is Peppe, who lives with his widowed father and sisters in a tenement. Peppe's decision to get a job as a lamplighter leads to conflict between Peppe and his father.

This is a good story that is greatly enhanced by Lewin's superb artwork. Most of the illustrations are two-page spreads that are packed full of energy and emotion. Lewin's realistic style is well-suited to capturing many colorful details: the sausages hanging in the butcher shop, a crowded street scene, the old-fashioned iron stove in Peppe's home, etc. Overall, a memorable celebration of Italian-American history.