New York Books

Many, many years ago I read this book to my former husband as a bedtime story. The book occasioned one of the few instances in which I laughed so hard I cried. Now I have a new husband and a new copy of the book. Who says you can't go back.

Okay, before you read too far into this review, keep in mind that I am only 13, and haven't read as many books as some of the other reviewers on this page, but I have read enough to know that I love this book. It's a fantasy lover's book. If you like E. Nesbit, C.S. Lewis, J.R.R. Tolkien, and other books by A. A. Milne, you will certainly enjoy this book as well. With a exciting plot, and humerous but loveable characters, this book is a must have.

Okay, before you read too far into this review, keep in mind that I am only 13, and haven't read as many books as some of the other reviewers on this page, but I have read enough to know that I love this book. It's a fantasy lover's book. If you like E. Nesbit, C.S. Lewis, J.R.R. Tolkien, and other books by A. A. Milne, you will certainly enjoy this book as well. With a exciting plot, and humerous but loveable characters, this book is a must have.

A.A.Milne wrote this fairytale after being in the army during WWI. the story is basically about how easy it is to get into war (and over very stupid reasons), and how no one REALLY wants to hurt every one, but they just want to look out for their own interests. The charecters are not your typical bad-vs-good and each one can be lovable in his or her own way, and there are also wonderful little stories inside the major plot line. one of the BEST books I have ever read.

This book is a wonderful story about a king, princess and an "evil" countess. The king, King Merriwig of Euralia, is in love with the Countess Belvane. Belvane has her sights set on becoming queen of Euralia. However, Princess Hyacinth is suspicious of how the countess acts. So the Princess enlists the help of Prince Udo from Araby. When Belvane finds out, she wishes for something humorous to happen to the prince on his journey - and it does! Now, Hyacinth must stop Belvane, help the prince all while keeping him from falling in love with the countess!

A. A. Milne has done it again with this story of pure fantasy. He did not write this book for children, as he states in his introduction, yet it is fun and exciting for all ages. If you need a great bedtime story, check this book out. Would you care for some light reading? "Once On A Time" is the book for you. I recommend this book with a happy heart and hope you will feel the same way too!

This just might be the most awesome book about my hometown of NYC. The artwork is fabulous and this book is put together so well. Its shown me things I never saw. I think being a tourist in your own town is great.

I'll disregard the book's one glaring omission--Saarinen's TWA Terminal at JFK is not included--and give it a five. Well written.

and come back and sit and look at this book.

Bet you missed a lot on each street.

Then go out again and do it all over.

A real treat.

The title might have been 1,000 of the BEST buildings in New York City. No city in America, and few the world over, contain the mind-boggling ensemble of outstanding urban architecture, both historic and modern, as does New York City. This city is a national and world treasure, and all of Manhattan SHOULD be a UNESCO World Heritage site, but, alas... There's simply no comparison possible. This book is a survey of 1,000 outstanding structures in the city, properly chosen in my opinion, each including a black & white photograph and short descriptive essay. With so much wonderful material from which to choose, the book is a real feast of architectural goodness! Because it isn't as exhaustive as White & Willensky, it is more thorough in coverage of the selected buildings. It's well put together. Good buildings. Nice photography. Well written short essays. Covers the five boroughs well.

America's peninsular cities; San Francisco, New York, Charleston and Boston also happen to contain the best architecture. Hmm...

Every once in a while I'll walk down a street of my busy city and spot a building that I'd never seen before, or, if I had seen it, never paid it much mind. But something about it--its age or its architecture--tells me that there's a story to be told about it. Judith Dupre, Bill Harris, and photographer Jorg Brockmann in their monumental book, "One Thousand New York Buildings", fill in the gaps left behind in the AIA books.

There are hundreds of buildings that, for whatever reason, have escaped landmark status and/or the attention of New Yorkers. Although "One Thousand New York Buildings" does discuss the familiar structures, like the Empire State Building, the Woolworth Building, and Grand Central Station, it also devotes equal time to those that have been ignored or overlooked. What are those tiny, Colonial style houses on Harrison and Greenwich Streets? How old is that building at 2 White Street? Who lived in those somber buildings at 130-132 MacDougal Street? "One Thousand New York Buildings" answers these and hundreds of other questions. In this sense, this book is much like "New York Streetscapes: Tales of Manhattan's Significant Buidlings and Landmarks" by Christopher Gray and Suzanne Braley, in as much as it pays equal tribute to the famous and not so famous structures.

One last note, this is a solidly put together book. The binding is sturdy, the paper thick and glossy, and the photos are clear and intriguing. It as well constructed as the buildings they pay homage to.

Having read just about all of the Nero Wolfe series, I have to say, this one contains all of the elements that make Rex Stout's detective novels wildly entertaining, without most of the elements that make some of them maddening

In this mystery, the utterly unswashbuckling Wolfe is revealed, in his younger, svelter days, to have been quite a romantic. Not only did he fight on the anti-Imperial side in Montenegro during the Great War, but he adopted and may even have actually sired a young girl.

To his shock, this young Yugoslav maiden--whom he had lost track of--reappears in his life, up to her neck in a particularly messy, intricate affair that may or may not include missing diamonds, a dead body or two, international intrigue, and a bellboy's uniform. For all of the peeks into Wolfe's previously unsuspected soul, he remains as crumudgeonly and as immovable as ever. Archie Goodwin, of course, remains the wisecracking, milk-drinking sidekick, flirting with anything in a skirt and even giving a Nazi agent a black eye just for the fun of it.

The joy of these books is their marriage of the American gumshoe attitude and the British cozy focus on character. Where they generally fall short is their plotting. This entry in the series is, without a doubt, the most successfully rounded out of the lot. Stout manages to keep the mystery truly mysterious, and yet never manages to confuse the reader so thoroughly that s/he can't find the exit. The plot actually ends on the last page--many of the Nero Wolfe mysteries fizzle out, wrapping up a chapter or two before the end, leaving nothing but rumination and grumbling for the final pages. Others seem never quite to wrap up all the loose ends. Here, the conclusion is both inevitable and unexpected--utterly satisfying.

Over My Dead Body is the seventh in the Nero Wolfe series. A young lady claiming to be Wolfe's adopted daughter from Yugoslavia asks for his help with a charge of stealing diamonds but this quickly evolves into a situation where she is suspected of murder. The case frustrates Wolfe no end, it gets more complicated all the while, but of course he manages to uncover the solution by the end of the story.

This book is a prime example of a Nero Wolfe novel. Archie Goodwin is in top form as a wise cracking pain-in-the-neck. Inspector Cramer is present more than a lot of stories giving Goodwin plenty of opportunities for zingers besides the ones he routinely fires at Wolfe. Wolfe himself is definitely out of his comfort zone dealing with the situation of his adopted daughter and this also adds to the potential for laughs.

This is a very entertaining book and I would recommend it for readers unfamiliar with Nero Wolfe as a great place to start or for established fans.

In this Nero Wolfe mystery-one of the earlier episodes-we encounter Wolfe's adopted daughter, who is in a bit of a fix. Wolfe comes to the rescue and along the way, shares little glimpses into his past: his tumultuous youth in Europe; the origins of his suspicion of all women; how he came to adopt a child. In this book, probably more than any other in Rex Stout's series, do we see the effect that women-especially those from the former nation of Yugoslavia-have upon Wolfe's psyche. It's a good read-a good mystery with a great plot-like pretty much all of Stout's works.

This book hits on all cylinders. The plot is excellent, intricate but clear. The characters are well drawn. The atmosphere, New York on the eve of World War II, is almost palpable. The dialogue is perfect. I'm at a loss as to what else to say about the book except, "Read it."

A Britsh undercover agent is murdered at a Manhattan fencing school, skewered by an epee with a gizmo attached that turns it into a weapon sans blunt end. Yugoslav women who are instructors there are possible suspects, one of whom is Nero Wolfe's adopted daughter from his days as an ill advised Austrian agent in the Balkans, pre World War, before we started numbering them. This alone is a startling revelation about Wolfe. Wolfe slender? Youthful? Abroad, outside, involved with people? I was astonished.

As usual, the beer drinking, orchid collecting, erudite, corpulent food lover Nero Wolfe declines, under any circumstances, to leave his brownstone abode with a greenhouse rooftop for his rare flowers. Using Archie, his assistant, as legs, Wolfe solves the baffling case. I knew he would. He's solved all the other mysteries in the Nero Wolfe books I've read.

Mystery fans who have not read mysteries from the golden age (pre-1950) do not know what they are missing. There is no sex to lure the lascivious reader, very little violence, no profanity. What there is (and this book is an excellent example of the sub-genre) is intelligence.
That's a rare commodity in most modern mysteries.

This is, at once, one of the best books in the series and one which translated brilliantly to TV on the A&E series.

Rex Stout decides to deal us a little shock in this one: Nero Wolfe, woman-hater, has a daughter he's not seen since she was a baby. She comes from Yugoslavia to New York, unknown to her pops, and gets into a real tight spot involving murder by "coldymort."

When Archie learns this, he considers resigning on the basis of his boss's morals. You just have to read this one to find out.

Or, again, buy the A&E series - they did a great job here.

I don't typically give reviews on books, but I really felt compelled to do so for Paranoia. As somebody who wasn't sure if I had lost a loved one in the attacks (I didn't, and my heart goes out to those that did), I found the premise to be interesting. The characters seem to come to life in your mind's eye so easily that it really let's you focus on what is taking place in the story. The writing style of the author flows nicely, making the book that much easier to read.

The chapters were long enough to tell a good portion of storyline, yet short enough that you could flip ahead and say "OK, I'll read one more chapter before bed" several times before actually going to bed.

I would highly recommend this book and am looking forward to future writings from this author.

After reading the reviews for J. E. Braun's novel, I needed to see for myself it lived up to its hype. I can tell you it undeniably does. In addition to a well-crafted and intriguing storyline, the novel possesses a remarkably compelling inner dialogue. As the main character, Jim is simultaneously fragile, sardonic, insightful and oblivious. Through his multifaceted personality, we find one frank, and pleasantly wry, man's struggle to keep himself together, despite his tragic experiences. Both a round and dynamic character, Jim is relatable, likeable and humorous. As we read, we yearn for him to overcome not only the events of which he was a victim, but also his own missteps. Despite his extreme circumstances and choices, Jim comes off as someone we all could know, showing how close to the breaking point we all really are. As we root for him to overcome, we also embrace the idea that we all can overcome these tragedies. This is a riveting look at the psychology of the human mind and endurance of the human spirit!

On the morning of September 11, 2001, Jim is sitting at the desk in his office, playing solitaire, bored with what has become the unchallenging routine of his job. It just so happens, though, that his office is located in the North Tower of the World Trade Center in Manhattan, and when he hears the unmistakable sound of an approaching jet engine, he, like the others who rush with him to the window, can never imagine the full scope of the horror they are about to experience.

Barely escaping with his life, Jim soon begins to struggle with the enormity of the events that comprised the worst terrorist attack ever waged on American soil. Understandably, the entire foundation of his well-being is shaken to the roots - an apt metaphor for the United States citizenry at large. Rather than lose his mind in a swift snap of insanity, though, Jim slowly descends into an increasingly introverted world of psychic shadow, one in which the certainty of the present yields to both the haunting spectre of the past and the instability of the future.

What follows in Paranoia, the debut novel by J.E. Braun, is a series of disjointed flashbacks to which Jim surrenders mind, body, and spirit. Each flashback highlights, in vivid detail, a defining moment in Jim's life that signifies yet another twisted turn down the inward spiral of his devolution: his escape to his aunt's remote Colorado farm; his continued efforts to rationalize the reasons for his worsening neurosis; the departure of his wife and son, who can no longer traverse the emotional distance required to connect with him. Through each subsequent "phase" of his new existence, Braun, by degrees, pulls the reader further and further into Jim's increasingly darker world, deftly intermarrying his physical reactions with the spiritual impetuses that give them life.

Ultimately, Jim yields to his self-serving paranoia, even going so far as to charge himself with the duty of tracking potential terrorists. His justification: there were people who knew and unwittingly interacted with the airline hijackers in the days leading up to the September 11th terrorist attacks, and, if they had been more vigilant, the entire tragic ordeal could have been avoided...in his patriotic haste, though, Jim fails to realize that the appearance of guilt doesn't always equate to actual culpability - and when his actions lead to the shedding of innocent blood, he is forced to ask himself who the true terrorist really is...

Paranoia is an interesting, engaging read that touches on significant topics and issues that many would prefer to avoid. Rather than serve as an incendiary call-to-arms against ideological extremes, though, it actually pulls off the opposite effect of forcing the reader to question why such action ever becomes necessary - regardless of the circumstances that spark it. Through compelling storytelling, Braun skillfully manages to engender just the sort of raw introspection that is so quickly - and needlessly - avoided in this era of obsession with all things politically correct.

I would highly recommend this novel. Aside from finding it incredibly entertaining I found it to be a poignant look at one of the most significant events of recent times. The author took an extremely sensitive topic and told an emotional and intriguing story with a great deal of grace and skill. I particularly enjoyed the interesting style in which the author intertwined multiple storylines which made the book nearly impossible to put down. I am truly looking forward to reading future works by this author.

As someone who lives in the NY/NJ area that had family and friends directly affected by the tragedy at the World Trade Center, I wasn't sure how I would react to this book. However, the premise was intriguing to me--"what if the terrorists won with just one man," so I decided to give it a chance--it was a decision well-rewarded. Braun's style of writing was concise and visual, and he crafted his characters in a way that made them entirely believable and even vaguely familiar. I've read a number of books over time and I can give this book the best praise I have; I didn't want to put it down, and looked forward to my next chance to pick it up to follow along on Jim's journey as he coped with terrible circumstances. I definitely recommend it!

I was so dissapointed at how quickly I read half of an 800+ page book. I did not want this book to end due to the fact it is such a marvelous read. If this is not the authoritative book on Patton it should be. This book is a window into the mind and thoughts of Patton in the heat of battle and I can think of no other book that comes close in bringing this to light. Based on the way Martin Blumenson pieced together all of Patton's personal communications and diary entries in chronological order makes this a very unique biography. I read volume I of the Patton Papers and although it is very fascinating it does not come close to volume II. This is because volume II deals exclusively with Patton's WW II exploits and his infamous incidents. Although Patton had his imperfections and despite some of his views being distasteful, I can think of no other military leader in modern times I would want leading our troops into battle. If you love American history and WW II in particular this book on an American legend definitely belongs on your shelf. Martin Blumenson did a masterful job putting this book together.

Martin Blumenson's has created a fascinating and surprisingly readable biography of the World War II hero, General George Patton. Blumenson has taken the General's diaries, personal and official letters and combined them with letters written to him and newspaper articles written about him. These are arranged in chronological order.

The period covered by this book was the most active of Patton's lifetime. In the last three years of his life, Patton had adventures enough for several lifetimes. After playing a major part in the conquest of North Africa, then Sicily, Patton was sidelined for nearly a year after the slapping incidents. During this time a disinformation campaign was put forth to convince the Nazis that Patton would command a non-existent army group that was to invade the south of France. A month after D Day Patton took command of the recently formed Third Army and drove across Europe, playing a pivotal role in the Battle of the Bulge.

In this book, Blumenson splices together the actual documents written by and about Patton as the actual events unfolded. Despite being an amalgamation of material from so many different sources, the book reads like a novel. Blumenson very rarely adds his own editorial commentary. This is done in a way that enhances the flow of the narrrative. My only complaint is that it frequently is difficult to determine where these asides begin and end. This readability is what makes the book great and unique. Having read many other biographies that over-analyze and inject the authors' personal opinion into the narrative it is refreshing to simply have the facts laid out in front of you.

Patton had an amusing tendency to give sarcastic nicknames to his rivals and adversaries. Omar Bradley is "the tentmaker," both for his Arab name and his tendency towards caution, Eisenhower is "divine destiny" for his political ambitions. General W. Bedell Smith, Eisenhower's hated chief of staff, is variously referred to as Beadle and Beetle. At the same time he is privately mocking these people, Patton takes great pains to praise and flatter them publicly. He even admits to himself in his diary that he is a shameless bootlicker and rear-end kisser when necessary. Patton justifies his actions because he feels he must be a sycophant to fulfill his destiny of leading men in battle. Patton even advises his son (who was a West Point Cadet at the time) that the way to advancement at the Academy is to seek out the Commandant and Superintendent and suck-up to them and their wives as much as possible.

I had low expectations for this book. Every other collection of the letters of famous men I have read has been interesting in spots but unreadable as a whole.Even the famous collected letters of Pliny the Younger are mostly dreary reports to the emperor and uninteresting notes to friends. For Blumenson to have created such an entertaining and informative document from similar material is a remarkable achievement.

This second volume of his memoirs deals with World War II and the battles that made Patton a legend. Author Martin Blumenson lets, "Ol Blood and Guts," tell his own story through letters and official correspondence giving the reader an intimate view of the public and private man that captivated the world's attention for four years.

All of the big battles are here: "Torch" in North Africa; "Husky" in Sicily; "Cobra" in France and Bastogne which some call, "his finest hour." Patton played a key role in each of them. His tactics, featuring rapidly moving armor and mechanized infantry forces supported by mobile artillery and air wrote the book used for decades to come. However, he never overlooked the human element. Machines could never replace well trained and highly motivated soldiers personally led by competent commanders. His success was undeniable but he often proved to be his own worst enemy.

Patton's well known slapping of a shell shocked soldier followed by his unintended slight of our Soviet allies made headlines. Newsmen jumped at the opportunity to sell papers by printing anything controversial about a man whose name evoked emotional responses from friends and enemies alike. This was an "enemy" Patton couldn't comprehend. It was the one "fight" he was destined to lose.

General of the Army, Omar N. Bradley said in his book, A General's Life, (Simon and Schuster, New York, 1983) ". . .I believe it was better for George Patton and his professional reputation to die when he did. . . . He was not a good peacetime soldier. . . In time he probably would have become a boring parody of himself-a decrepit, bitter, pitiful figure, unwittingly debasing the legend."

An unknown poet said it best:

"In times of danger, not before, God and soldiers all men adore. Danger's past and all is righted. God's forgotten, the soldier slighted."

No truer words could describe Patton's career. Relegated to a desk job; his primary function was to serve as grist for political and journalistic mills, a truly sad ending for an outstanding military career.

This work is an outstanding history of World War II and of the man himself. You can't call yourself a serious student of WWII unless you have read both volumes. A GREAT read. 5 stars!!

Harold Y. Grooms

When I saw what a project of a book this was at 857 pages, I wondered if I would ever get through it. It took no more than 15 or 20 pages to convince me that I would enjoy every page of it. This is a great read, especially if you are already a Patton fan. His diary entries and letters are honest and blunt, and offer great insights into Patton's winning style and strategy, his distaste for putting allied considerations over American interests, his frustrations with the press and his superiors, and his deep distrust of the Russians. Blumenson weaves these innumerable entries and letters into a seamless and easy-to-read narrative of Patton and his heroic exploits. Fans of the movie will love seeing lines taken word for word from his diary entries. I truly loved this book -- one of my favorite reads of all time.

I used this book while writing a paper for my Graduate level International Relations class. Although it is not considered a classic, it possess and delivers enormously relevant information regarding one of the greatest and most controversial master of war acknowledged in modern history. I commend this book as an pleasurable read, as well as an highly effective intellectual reference instrument.

I read this book first in the 1980s, while I was actually working in the theater (and I had met a few of the people talked about in the book). What I like about it so much is that Goldman expresses his opinions, especially about the fare on Broadway at the time (not so good), the deficiencies of some of the actors and actresses and his sweeping view of the whole milieu. I don't always agree with him, but he's so incisive that you gain enormous respect for him, particularly when he's writing about Judy Garland, Sandy Dennis and Tom Stoppard. Students of theater history should turn to this book to find out what a bygone era (before huge corporations and nonprofits took over Broadway) was all about.

This book is it. It's just it. If you have any inclination at all to work in the theatre in any capacity, this book is required reading. Do not move to New York without it. I did, and I barely barely survived the few days it took me to find a copy. Order it now while you still have time! I'm serious!

William Goldman is not only a great screenwriter, but a wonderful writer of prose/criticism, as evidenced by "The Season," probaby the smartest, if not funniest, book ever written about the (sorry) state of Broadway. Here he tells you all you would want to know about the making of a Broadway show--all the compromises, betrayals, fits of ego, and under-the-table deals that keep the "fabulous invalid" (a phrase, by the way, that makes Mr. Goldman want to vomit) alive for another season. As a lover of theater, you may become depressed at the cynical machinations that go on to get what is, after all, usually pretty mediocre material to the stage; however, Mr. Goldman's prose is so crisp and entertaining that your spirit is ultimately lifted by his keen analysis. Although the patient is very sick, here's a doctor who has a prescription to offer. And all through the book, he does offer suggestions on how Broadway can better serves us, the theatergoers. Alas, the advice wasn't followed then (the late 60s), and it's not being followed today.

This is an extraordinary book. It is written by an author with a first class mind and genuine curiosity about his subject. Whilst one may not agree with all of it, the writing is a delight and he does not shirk dealing with controversial issues such as the influence of homosexuality on the stage and the corrupt financial practices in relation to theatre tickets, etc. Even though it was written for the 1967-1968 season, it still resonates and viewed in retrospect, it provides crucial evidence relative to the aetiology of the culture wars.

William Goldman's groundbreaking book The Season is all it's cracked up to be and more. Though a number of the people he deals with are no longer with us, many of the shows have been forgotten, and the ticket prices are quite a bit higher, it's astonishing how much the Broadway of the late 1960s resembles the Broadway of today. The same problems, the same headaches, the same disappointments, and the same triumphs are all still a part of the Great White Way. No Broadway enthusiast should be without this book; The Season is a stunning history--and current events--lesson on Broadway theatre.

We've Come This Far is an insider's inside look at a pillar of African American Christianity, Abyssinian Baptist Church. Bob Gore's skill as a photographer and his commitment to his faith are evident on each page of this lovingly crafted work. In some cultures in the world, taking a photograph of a person is looked at with trepidation because it is believed to be an attempt to capture the subject's soul. And that's exactly what Mr. Gore has done in this book and there is no need for fear. The pictures and accompanying essays capture real life/real time moments in the broad scope of the life and spirit of this historic church.

I've never been to New York, and I've never been to a black Baptist church. But the spirit of this institution- its leaders and worshippers- absolutely radiate off the pages of this book. It is unbelievably inspiring. It would make an excellent gift for any liberal Christian activist you know, for a pastor or clergy member working hard to integrate the church into the community, or for yourself. The text is also beautifully formatted, and the history and descriptions are very accessible. The primary focus is always on the black and white photos found on almost every page. Beautiful.

The rich and vibrant history of Abysinnian Church and the Harlem community is revealed in this work by Bob Gore. The photos are of such superior quality that you can feel the message conveyed in the picture without using the text. With the additon of text there is a wonderful account of the Harlem experience, chock full of information about the history and the individual personal expressions of those who were there when it happened. This photographic journal is vibrant and colorful in both word and image. There are real accounts of Abysinnian Baptist Church's history, including it's spiritual, political, social and economic relationships with the communities that it serves. I urge you to consider this book not just for reading but also as an important addition to your library.

I've been to Abyssinian only twice, but was almost overwhelmed each time with the power of commitment and community. Bob Gore's book captures with warmth and intimacy the spirit of this special place and its people. It is the only church I've been to where I felt that power of love which Christianity must have carried through the centuries.

this book will move you. i have viewed many photo books and exhibits and have found many to be interesting and technically proficient. this book easily jumps those hurdles, but more importantly, the images on these pages reach out of their simple wood pulp shelter to touch your heart.

white, black, or blue; gospel lover or country western, you owe it to yourself to spend time with this group of deeply felt images.

buy two copies.

When you sensibly order this deal of a book, don't be surprised to find yourself promising to make EVERY SINGLE RECIPE as you flip through. The pictures are delectable, and the recipes easy to follow. They also include sidebars with both general information and that which is specific to the dessert at hand. I also enjoy their suggestions for alternate flavor additions. There are 6 sections of recipes: The Classics, Simple Desserts, Summer Fruit Desserts, Holiday Desserts, Special Occasions, and Chocolate Decadence. There are 7 recipes per section, and the book ends with basic dessert tips, glossary, and index.
Note that they use chocolate rather than cocoa in the chocolate-based desserts. I have a double boiler, but still generally prefer to use a metal bowl sitting atop a saucepan with gently boiling water. The bonus is that you can then use that as the main mixing bowl for zero chocolate loss.

I really love this book! The pictures are great and the recipes are what I was looking for! I highly recommend it!

Excellent book for anyone interested in desserts. I can't cook, but for some reason I can make excellent desserts. The berry fool is very easy to make and you can change it up a bit and put it in individual graham cracker pie plates. This book is loads of fun. Read the whole thing first though.

Most of the recipes in this book are suitable for bakers of any level.

What makes this book a standout, is the fact that even the simplest recipes look expensive and difficult, when complete. For example:

The Poached Pears With Raspberry Coulis, is simple. It looks like a million bucks when properly plated, though.

My boyfriend made the Lemon Curd Squares in the middle of the night. He isn't known for his cooking or baking skills (unless Noodle Roni counts). They came out perfect. From the way he carried on, you would think he solved cold fusion.

If your baking challenged, significant other, reads this book and is motivated to make just one recipe, then your money was well spent.

This book is a must have.

I have not even tried a recipe yet but I've read it cover to cover. You can usually tell a good cook book by how well it's written. The authors explain in great detail each recipe which is very easy to follow. To top it off a picture accompanies every dessert so you know exactly what to expect. In the back of the book is a guide for baking novices, like myself, on the importance of preparation before baking and some other tidbits as well.

The same day I received my copy I watched a program that aired on the Food Network: Good Eats w/ Alton Brown. He made Crème Brulee, Pear Coulis', and a Soufflé. His method followed the book to a tee. As you can see I highly recommend this book.

In his book, The Wounded Body, Dennis Patrick Slattery weaves together wounds and meanings, intertwines psyche and soma, and plaits mimesis and memory into life stories. If, as he believes, our origins and our destinies are within the poetics of our bodies, then who would turn away from tracing origins through memory and destiny through desire? Who would not unravel some of the knots of their body's images? Dennis Slattery heeds Shakespeare's teaching that our wounds are mouths and teaches the reader to listen, as he does, with rapt devotion to their stories. His imaginative discussion recalls works by Homer, Sophocles, Shakespeare, Rousseau, Dostoevsky, Melville, Tolstoy, Flannery O'Connor and Toni Morrison. Slattery reminds the reader that wounds and fissures mark the places vulnerable to penetration by unknown deities. Our wounds are "where the hinge is located that marks the pivot of our history and destiny" (15). He poses the archetypal question: What is the wound asking of us? What story does it want to tell? The wound's meaning cannot be teased out logically. Only imagination will lead us to the story. Our wounds want to be recognized and dialogue with us. They want to matter, want to be incarnated. And as Hamlet teaches us, "perhaps the fullest form of embodiment is to be remembered in a story, for it is as close to immortality to which a mortal can aspire" (73). Read this book slowly, savouring its poetics, its reveries, its meanderings, and its gaps. The gaps invite the reader's memories to intertwine past with present and mingle with Slattery's reflections in a confluence of healing spider's webs for our wounds. Pay particular attention to the stories that resonate, for "the essence of mimesis is somatic, visceral, a shared physic element wherein we feel the action, the wounding, the marking of a body, in our own being" (13). Dennis Slattery, whose namesake is Dionysos -- the god of tragedy, reminds us that we must delve "deeply into the wound, the infection, the pollution that tragedy forces us to face; to escape from it is to invite its doubling intensity" (72). Then Dionysos leads us to Hermes, whose value "lies in being a mediator, an in-between figure who gives imagination depth and allows the ordinary things of the world to be remembered fully and experienced deeply" (143). By bowing deeply to both these gods, Slattery writes a vibrant and meaningful book about the wounded body. The most important part of writing a book is asking worthy questions. This author draws upon the most profound literature of twenty-five hundred years to refine his questions. If our wounds have stories to tell about our origins and destinies, who would dare to ignore their every imaginative appearance? Dennis Slattery never suggests that the wound's story will be redemptive. He cautions the reader that "the theory used to guide the study was itself wounded" (237). For in listening to our wound's stories, we hear about fragmentation, not integration. And I wonder, is fragmentation indeed redemptive?

In a society where technology is becoming the predominant timepiece, Slattery reminds us that the body is always there recording. In this remarkable exploration rooted in some of literature's greatest works, Slattery dares us to remember. He encourages us to peel off another layer, to turn off the machines and sit in ourselves with our woundedness. He believes that in exploring our wounds,we come to know ourselves. For Slattery,wounds are the way in and the way out. They mark the point of suffering while divulging the site of healing. A man of his word, he wears his perspective on his sleeve, introducing his book with a tale of his own woundedness. His book teaches that the body holds the memory and all possibilities are therein contained. This book is dressing for anyone who has been wounded. Applause, applause, applause . . .

In a day when we are awash in advice about how to fix our bodies, and advice about how to heal them and discover our long-supressed spiritual selves as well, this book by Dennis Patrick Slattery comes as a welcome antidote. Reading about these great stories, with Slattery's provocative and insightful commentaries, we can better meditate on our common humanity, especially our common bonds of suffering. For all the pain and grief they entail, our wounds, personal and collective, appear to be at one with the Muses, and they bring forth poetry. I recommend this book to psychologists as well as to others who are interested in great literature.

Even in a world as worshipful of the body such as ours, the ancient split between matter and spirit, between body and soul is still so pervasive that it is an anomaly to think that the body is our way -- indeed the only way -- of existing in the world. Humans are not spirits condemned to the prison of the flesh, waiting for their liberation from matter and escape into the spiritual paradise. Rather they are incarnated spirits and ensouled bodies. They can achieve their wholeness only though their bodies -- and more precisely, their wounded bodies -- since the world in which they live is marked by diseases, pains, psychic sufferings and ultimately death. Through a series of insightful and profound analysis of literary, psychological, artistic and religious masterpieces -- from the ancient Greek tragedies to contemporary American novels -- Slattery offers us a way of imagining our wounded bodies, and through this imagination, reconnect them with the spirits. We owe Slattery an enormous debt for his powerful imagination. No one who reads this book will remain unchallenged and unchanged by his way of seeing the human body as an icon of the divine. I most strongly recommend his book to those seeking wholeness and spiritual transformation.

What a joy it was to turn away from a discussion with a psychologist who believes in psyche as quantifiable brain extrusion (how come these hermetically sealed folks are always the politically correct ones as well?) and get lost in this wondrous work by a marked man known to frequent the Pacifica Graduate Institute, one of my favorite hangouts and a delphic magnet for depth-oriented subversives.

The author has given us a finely researched prose-poem pulsing with creative insights and daring questions: a psychology of the gut for a malnourished time when so much psychology has become gutless as well as bloodless, dismembered and disembodied. A time that has recorded the inversion of Jung's dictum that the gods have become diseases, for when "the cry for myth" is strangled in the rationalist throat, diseases inevitably become our gods.

A few quotations from the book:

"The wound is a special place, a magical place, even a numinous site, an opening where the self and the world may meet on new terms, perhaps violently, so that we are marked out and off, a territory assigned to us that is new, and which forever shifts our tracing in the world."

"Identity involves suffering, a suffering into the self through soul."

"Where we have been marked is where the soft spot of our being is, where we are most finite; but it is also where the hinge is located that marks the pivot of our history and our destiny."

This book won't catch you if you're into trance-ending your wounds and weaknesses, flying over them into a stratospheric spirituality that gleams with powdered sugar and positive thinking: a Promethean leap that disregards the shadow over which it later stumbles into a deflating, angry bitterness akin to that of Captain Ahab, the idealist-gone wrong who raged, "There can be no hearts above the snowline."

But if you want to listen to the spaces opened up by hurts ("Invulnerable am I only in the heel," wrote Nietzsche), then this enfleshed poetic journey through literature, myth, and psyche itself will stir your blood and get your soul in motion.

Readers of Frederick Forsyth, Jack Higgins and Tom Clancy must get their hands on this brilliantly written thriller of a potential nuclear catastrophe in NY city. This book seems especially plausible today and adds to the impression. The characters are believable and the plot unfolds superbly, no let-ups or loose strings! A must read for all thriller readers, you will not be disapppointed. I read this book at a stretch and it is at the top of my all-time favorites list (and I've read quite a few thrillers!)

I first read this book almost 15 years ago. It is practically bleeding with researched technical facts to enhance the plot, which is also captivating. Two main characters, Whalid and the President, seem to change their outlook later in the book.

It is a must read, especially now. A TLC broadcast from 1997, Doomsday: On The Brink, shows that as decades pass, such an incident might be inevitable. In the last 30,000 years, every other weapon the human race has invented has proliferated and been used. Decades? Centuries? Millenia? When the people who remember Hiroshima and Nagasaki have passed? Who might be tempted to push the button then? Not just political or military leaders, but terrorists?

A terrifying must read.

Definitely this book deserves SIX stars, it will keep you reading from the first page till the last one, involves all the presidents of the world and even with that is an easy book to read, but here are my questions:

Why could this happened 25 years ago and not right now? I think that this book is timeless.
What does the president will really do?
What does the Police, FBI and CIA among others will really do? They really know how to handle this kind of problem?
All the countries will respect the president's decision?

Read this book and think about these questions.

I paid 25 cents for this book and it was the best quarter I ever spent. This book grabs you at the beginning and does notlet go of you to well after you are done reading it. The subject matter is so topical that the 22 years from original press does not matter at all. Buy it used, find in in the library, or if you have money to burn buy it from a Zshop. You won't be disappointed.

This was a book that will keep you on the edge of your seat.
The ultimate villain Mommar Quadaffi is able to hide a nuclear
bomb in New York City.He also has a team of terrorists who are
loose in New York.He is then able to use the bomb as a means of leverage against the President of the United States.In the mean-
time the FBI,CIA, and the New York Police Department are searching high and low to locate the bomb.The clcok starts to
click down on the time left to find the bomb.The President and
the law enforcement agencies are under the gun.Quadaffi plays the
role of the villain very skillfully.This is a very scary book
that is indeed a page turner. Read it.