New York Books

I have just finished "Stone City" and like all the other reviewers, it had a profound impact on me. This is where mere entertainment fiction crosses over into the realm of great literature. I was very happy to see that after almost 20 years, it has just been re-issued in paperback. Order this immediately! Mitchell Smith leaves novels like "The Green Mile", "The Shawshank Redemption", and even the story of the Birdman of Alcatraz lying in the dust. Here we have an author of uncompromizing genius, comparable to Kafka, Celine, and Jean Genet. This is true art at its very highest peak. The plot has been well mentioned by the other reviewers: A college professor is sentenced to prison for killing a young girl while driving drunk. (Attention! Do not drive drunk!). While inside, he is enlisted by the state's attorneys general office to investigate the rash of homicides inside "State". And this having been discovered by the Lifer's Association and white supremacist leader of the "joint", he is extorted into being a double agent, as the LA leader strongly suspects that a guard is behind at least one of the homicides. This is not a novel for the weak of heart. Lawyers, prisoners, and everyone else who can bear it must re-discover this almost forgotten classic. I would be very hard pressed to list on one hand the books which have made such a deep, lasting impression on me.

Like a previous reviewer, this book also broke my heart. I went out and purchased every book I could find by this author. They all were wonderful. Then he seemed to drop out of sight. An internet search revealed he hasn't written a book since 2004. Please don't give up, Mr. Smith. There are still a few of us out there who love great books.

I have been to prison and this book in its day to day descriptions of life inside are rivetting and true to form. I can almost relive my time inside with the vivid words. The interpersonal relationships are colorful and acurate. Would think this auther did some time!

Shhhhh. Be quiet.

Can you hear that? It's the sound of my heart breaking.

I first caught wind of this book from Marcus Sakey over at the The Outfit. He had this to say about STONE CITY:

"... the book is astonishingly good. Achingly good. Painfully, how-the-hell-does-he-do-that good."

I love Sakey's debut novel (The Blade Itself: A Novel)... and his influences (namely, Dennis Lehane). So praise like this made me sit up and take notice.

He was right. STONE CITY is that good.

A college professor, Charlie Bauman, goes to prison after killing a teenage girl in a drunk driving accident. It's a short hitch, but prison is prison. He manages to make an unassuming life for himself in the can by teaching inmates to read and write. With a year left on his sentence, things look pretty good for him.

That is, until two otherwise disconnected inmates are murdered in similar fashion.

It's then that Bauman gets recruited separately by both sets of prison leadership---the State's Attorney and Warden, and the heads of the convict factions---to find out who the killer is. The State thinks it's an inmate. The inmates think it's a hack. Either way, Bauman is in way over his head... but his investigation begins nonetheless.

With the help of a punk with ties to one of the recently offed inmates, Bauman navigates the, at times, extraordinarily complex political and social prison landscape to find the killer. At every turn, things are never what they seem and the threat of death is ever present.

Keep in mind, the story takes place entirely in prison, and Smith makes sure we see it all. This book was funny, and sad, and frightening. Most of all, it was surprisingly human.

I'm not kidding... it broke my heart.

I read this quite a few years ago; the little details that have stuck in my memory illustrate the power of Mitchell Smith's storytelling. Like [presumably] most people who will read this book, I have absolutely no idea what the inside of a prison is like, but I know when I'm reading a masterfully realized plot & characters---and when I'm not. I've read books involving police procedurals, for instance, where what was supposed to pass for cop dialogue sounded like it was based on TV cop dramas from the 60s. In stunning contrast, everything in "Stone City" rings utterly true, which is why the story is so disturbing.

This is writing of rare power and feeling. I've read a few of Smith's other novels---"Due North" comes to mind---and I've found each one to be strikingly different and original, yet similar in his uncanny ability to evoke far-out places and situations. A solid read.

When researching my novel THE SHAPE: A NOVEL OF INTERNATIONAL SUSPENSE (available on this site, incidentally) I used HOW TO MAKE WAR for my research so as to make the ordnance section of my novel authentic. This is a well-written and well-thought-out book, and I highly recommend it.

This book seems to be very complete and the author highly qualified in war technology, strategy, logistics... For that one is easily convinced by almost all his affirmations but one: it's about the tanks: he says them are impressive war machines, but you must don't trust very much on his power: these steel monsters have demonstrated to be very vulnerable and his use are best when infantry have destroyed the main opposition, against residual resistence ¿¿??. Dunnigan trusts much more in war aircraft. I confess these paragraphs are astonishing for me after the Panzer campaigns, and today, in Middle East. As it were one must expect that also there this book must be read and serve for the ceasefire for once.

Excellent review of how military operations occur. I differ with the other reader below that says that the author assumes only two armies, the US and the USSR. He proposes that two different models exist. In the US/Western model the units are more equiped with the talents required to be self reliant. In the Soviet model the field units use the services of experts in other units because of lack of human resources with the needed skills. This got me thinking about the way we organize our businesses and how one model has proven more effective in the battlefield.

Background

1. 'How To Make War' is as the title suggests is aimed to be `a comprehensive guide to modern warfare for the post cold war era'. This, the third in the series of 'How To Make War' books written by the author James Dunnigan is a comprehensively revised edition published in 1995. The author has gone on to gain much acclaim through his later titles including the well-known `How Not to Make War'.

2. After the end of the Cold War, the world has seen major upheavals in the politico-military arena. The emergence of the United States as the only superpower and recent events such as the Gulf War in 1991, have changed the threat perceptions of most countries and as a consequence military policies. This has invariably lead to a rethink in warfare methods and techniques, in addition to the continued advancement in terms of warfare technology. Dunnigan has written this revised edition of 'How To Make War' with special emphasis to the above changes in the post Cold War scenario.

The Book

3. The author begins by acquainting the reader with the universal `principles of war'. The book is structured into four major sections, the first three being the obvious air, land and sea theatres. More importantly however, is Dunnigan's emphasis on the human factor involved in war, which has a section by itself devoted to it in Part Four of the book. In addition there are four other sections dealing with special weapons, numerical warfare, and transportation logistics. The final section is a summary and statistics of the weapons and armed forces of the time. The sections are interspersed with as many as 48 different charts and tables displaying a vast array of data, which help the reader in assimilating the text. The sections on Ground Combat, Air Operations and Naval Operations introduce and discuss the composition, roles, conditions, developments and future trends of their respective components. This helps the reader to understand and comprehend the facts presented subsequently.

4. In the part dealing with ground combat, the author has brought out the changing role of the infantry with the advance in technology. At the same time he clearly brings out it's indispensability with respect to occupation of enemy territory, which continues to be the final determinant of victory. Dunnigan also charts out the material developments in ground battle methods, by providing details of the armory of the major players of today. The tremendous development in artillery weapons is well documented and interesting, while the factual account of the same is fairly precise and informative. This section also has a chapter devoted to the increasing role of the paramilitary forces and reserves.

5. In the section on Air Operations, the author tries to substantiate his theory that the air force is primarily an information gathering service whose warfare role evolved to destroy the enemy air forces. He does dwell on it's emerging importance in softening of enemy targets for the infantry, while contending that this role is being taken up by air support divisions of the latter. He also elaborates at length on the air force's "simple missions" but complex "means". A separate discussion on Air Defence in the following chapter contains a wealth of information and statistics.

6. In the section dealing with the Navy, the author stresses the importance of control of commercial shipping lanes through naval might. The importance of technology upgrades for the US despite the indisputable superiority of its forces is dealt with at length. Submarine warfare and naval air operations are also discussed separately in different chapters.

7. The author has laid great emphasis on the human factors of war. He has dealt elaborately on the psychological, professional, motivational and leadership aspects of this major constituent of warfare. One cannot dispute his contention that "when it comes to fighting, warfare is not waged by numbers, but through the courage, determination, skill, and leadership of individuals. As a part of this section the author has included a brief discussion of the peacetime role and pressures on the armed forces.

8. The discussion on special weapons includes interesting details on electronic warfare and the opening up of space as the new dimension in warfare. The dangers of biological and chemical weapons and the tendency of Third World countries giving in to this low cost option is clearly brought out. The author also raises relevant questions about the viability of Nuclear Weapons and their relation to the conventional options. Dunnigan also raises important issues of economics and the logistics of war. The reader is given a concise picture of the quantum of mobilisaton of supplies and the related costs.

Comments

9. The book as a whole provides a fairly comprehensive picture of the world's weapons and armed forces. It also attempts to give an insight into the tactics employed. The information provided is interesting and educative without going into specifications of armaments and weapon systems. The author's credibility is enhanced by the fact that warfare developments and results of wars, have conformed to his predictions in earlier books. This book should not however be in any way mistaken for a book of reference akin to Jane's. It is more of an educative tool in the hands of a young officer who wishes to improve his understanding and comprehension of the various aspects of warfare.

10. At the same time the reader may be cautioned that the author's viewpoint is primarily based on information and intelligence derived from a majority of US sources. Some of the theories enunciated and assessments are based totally on US perceptions. Additionally the concepts enunciated in 1995, may require some revision in the fast changing world scenario. The length of the book and its text format (622 pages of fine print) does tend deter the prospective reader. However, the book provides the discerning reader (the service officer and the layman alike), an opportunity to expand his horizons, by enabling a fairly in depth insight into all the important aspects of warfare while increasing his knowledge on weapons and systems. 'How To Make War,' undoubtedly needs to be included in any Naval officers `should read' list.

Very thorough. Excellent knowledge of the arms and methods of modern warfare as used around the time of the Gulf War and Cold War. Graphs and charts comparing Western and Russian /Third World armies and arms. Discussion of everything from strategies to morale and the intangibles of modern war. Gives insight into warfare and you understand why anyone who's been there doesn't want to go there again. Yet it gives the necessities and analysis of war. It's got alot of information, which the average reader may find more information than they need or want to know. Yet the readability is good. An excellent book.

When you pick up a Janet Dailey book, you know it will be a good read.
I have thoroughly enjoyed all the books in the Calder saga.

The great Calder empire stretched across the Montana plains as far as the eye could see. Everyone knew a Calder's word was law and that one day Chase Calder would carry the family name to new glories. But for handsome, arrogant Chase Calder there was also beautiful Maggie O'Rourke, who came to him in innocence and stirred in him a deep, insistent longing.

(...)

Out of all the Calder books this is probably the most touching romance and least sappy cliche story. Chase Calder and Maggie O'Rourke are believable as young paramours and later as mature adults reunited through their son, Ty.

The book was written in 1981 but Dailey did a great job in keeping it contemporary and evergreen. For those who have read all the other Calder books, it seems to start in 1968 and end in 1983, but as you go along the events could happen now or in the '90's. The only clue that this was a somewhat period romance is that their are no references to the Internet and more modern technology devices. One does get the sense that Montana is a wild teritory where cowboy values stand the test of time. If you're into rance romances and western sky settings, this is the one Calder book that you shouldn't miss. I grew up near the Montana border before heading East and the descriptions of many scenes in the plains are accurate and do evoke that western feel.

The story begisn with Chase Calder, the 22-year-old heir to a cattle fortune. Warning - vegetarians you won't be too thrilled with all the references to beef. Chase Calder first notices 15-year-old Maggie after she throw an Irish temper tantrum at him after falling off a horse. Statutory assault charges aside .... that is the beginning of a western style Romeo & Juliet tale. Hidden meetings, sneaking out at night, all sorts of romantic getaway with Chase the cowboy.

The romance gets threatened with Maggie's jealous father begins stealing Calder cattle and selling them on the black market. Tragedy happens when Chase's father discovers that O'Rourke is the cattle thief and in old style Western Justice ... hangs him and makes it look like a suicide. Maggie and her brother see the whole thing and Chase loses Maggie and their son when she runs away to Los Angeles pregnant.

Maggie forges a new life for herself in California. She changes her name to Elizabeth. Tells her aunt that the baby's father was dead, and eventually marries a wealthy worldly doctor who raises Ty as his own. Fate brings her back to Chase after her husband Phillip dies and Ty discovers that his real father is Chase Calder. Now 15, Ty runs away to Montana to confront Chase. It works and Maggie and Chase are drawn into each others' lives full of fury and resurrected passion.

The drama takes on an intrigue when a jealous farm and confidante of Chase tries to steal the Calder Ranch. Chase, Maggie, and Ty bond together to save the Triple C and pave the way for the sequel ... Calder Born, Calder Bred.

I read this book way, way back in 1981 when it was originally released. (I was in the 8th grade but very precocious!) I don't remember all the details, but I know I loved it and have read every book about the Calders Janet Dailey has put out since. This one, the first one, is still the best! The romance between Chase and Maggie sizzled, and the suspense/adventure part of the book was really good, too. This book starts a long series of books about the great Calder family, and I recommend reading them all.

I gave "This Calders Sky" five stars, because I believe it is one of the best books I have read in a long time. I am not much of one for reading, but when I started reading this book, I was finished by the next day. I could not put it down. From the beginning of the book it gets you hooked. I have always said that if I am unable to really get into a book by the first three or four pages, then I will probably not stick with it.
This book is a love story, but more. It is based in Montana, and two seperate families. The Calder family, and the O'Rourke family. Maggie, is a young, innocent, and inexperienced in some ways, young lady. Chase, on the other hand, is not much older, but you get the feeling that he is more experienced in the ways of the world. In the town they live, the Chase family is the name everyone knows.
Maggie and Chase, in certain ways, are two totally opposite people. They both are set in their own ways, but they are madly in love with each other. Of course, they have times when you would think that it is the end of their life together, but it always turns out for the best.
Maggie is experiencing love, hate, trust, and intimacy, and she must decide whether to stay with the man she really loves, or leave and never turn back. There are family issues that are standing in their way of happiness. Chase is attempting to take it slow, as Maggie is experiencing love and being intimate. As the love grows between them, you can feel the passion growing as well. Just as you think nothing can come between Maggie and Chase, problems between the families develop, and it causes pain and hate to develop. Chase really loves Maggie, but it seems as though they are fighting their emotions for one another. Maggie and Chase eventually end up in the same house together, but the way they act towards each other, you would think it was a battlefield. Chase and Maggie eventually give in to their emotions. Chase, Maggie, and their son finally bond as a family should. They face the world together as a family. Maggie and Chase were meant to be together, and after all of the heartache and pain they went through, their love ended up being strong enough to pull them through.
I can honestly say that I would recommend this book to anyone. There are continuing books beyond this one, but I have not had a chance to read them yet. If they are anything like this one, I know I will like them.

The book disclose many backstages tales of opera. I enjoyed it pretty much.

I found this book absolutely fabulous. Mr. Volpe is to the point and shall we say, extremely honest, in his account of his years at the opera, including via himself. One finishes this book with a greater understanding of what goes on behind the scenes. It reads well, with enough details to keep the average reader riveted and without the unnecessary clutter found in some of those books that insist on giving us an hour by hour acount of events. I especially liked the way the book was subdivided. If it does follow a certain chronological order, each chapter focuses on a specific subject matter, for example signers... that serves as the guide thru the different events. Hence, this book is delightful and I strongly recommend it to all and especially, if not exclusively, to opera lovers. Even ones who do not know a lot about opera will love this book.
Marie Kirouack

Opera is dramatic and bigger than life on stage and back stage. Now we learn about all the drama that also goes on in managing the Metropolitan Opera, the largest opera company in the world and an arts organization that puts on more opera performances each year than any other company on earth. Its budget is more than $200 million for something like 240 performances per year. I was quite surprised to read how the monies to fund this huge budget are raised. No, it isn't the government, corporate, or even the richest donors that provide the bulk of the money as I had suspected.

The 2005-2006 budget was $221 million. The Box Office receipts were $101 million, the endowment of $300 million provided another $18 million, parking and commons revenues provided $10 million, and the support from the Federal, State, and City governments was only $375,000! Where does the other $92 million come from each year? 125,000 private donors, 2/3 of whom live outside New York City, provide donations ranging from $60 to more than $500,000 and total $80 million. The 300 members of the Metropolitan Opera Club provide another half-million, and the board members each provide substantial contributions to the met each year. I found this fascinating and quite a different mix than I had expected.

The author, Joseph Volpe, has run the Met for the past 16 seasons, but has worked at the met for more than four decades. He joined as a carpenter and worked his way up from the back of the house to operations. While he showed great skill in getting the shows on stage, he was passed over more than once for the job of Managing Director because of his blue collar background. But after floundering through some poor appointments, Volpe got the job. He admits that his personal style is more, well, frank than most other arts managers and the scowl on his face on the cover photograph (and in some of those included in the book) let us know that he is all about getting the shows on stage and at the highest level rather than getting us to love him as a person.

Volpe came to love opera while working at the Met. True, his grandmother had him listen to "Cavalleria Rusticana" with her when he was a child, but it was getting the magnificent sets to work and to hear the great singers, choruses, and see the dancers, costumes, and even the guests, that got him to see what grand opera is truly about and fall in love with the greatest of all art forms.

The book is part his own biography, part the history of the Met, and part about the great singers he has worked with while at the Met in his various capacities. The book has dozens of interesting photos from all the eras of the Met and the stories of the singers are well chosen and very entertaining. Pavarotti, as you might expect, provides some wonderful anecdotes when he is trying to help Volpe lose weight and includes Volpe in his "yoga" lessons.

The book is quite a pleasant read and I enjoyed it a great deal. It is interesting to hear about the whole of the opera company including everyone it takes to make the shows rather than just the great soloists. Coming from a blue collar background myself, I enjoyed hearing about the working guys and gals that make the show work for those fabulous artists who create the great music with their voices and hearts. The magic wouldn't be nearly as powerful without all those sets, costumes, lights, and the performers on the chorus or the dancers.

Recommended!

Joseph Volpe was a tough as the job he took on when he grabbed the reins of the Metropolitan Opera House, having to deal with the likes of James Levine and Luciano Pavarotti.
But as in the phrase beloved of behavorial psychologists, his was a "tough love." He started as a carpenter at the Old Met with but a passing interest in opera, but by the time he left, music infused his very blood with a passion for his work and the people who populated the space he called home.
The autobiography details the years, the failed marriage, the battles with superstars, the triumphs and disappointments with a candor perhaps unique in this type of memoir, where the authors tend to be either diplomatic or, as with Sir Rudolph Bing, unrelentingly acerbic.
Volpe tells his story in lean, plain-spoken language that reveals the inner workings of the gargantuan Met and makes that place of mazes and convolutions an environment the reader can understand.
Joe Volpe (after reading the book, it's hard to think of him as Joseph) dragged The Met kicking and screaming into the 21st century without violating the traditions that surround opera, and his book is refreshing, entertaining and revelatory.
It should be read by anyone interested in opera, politics or the big business of show.

Joseph Volpe's "The Toughest Show on Earth" is a remarkably comprehensive look at the recent history of the Metropolitan Opera as told through the eyes of the retiring general manager, himself. Volpe has the best "view" in the house and no wonder...he's been there for over forty years.

From the start it's clear that Joe Volpe is not a man to be crossed lightly. Tough as nails (and nails were part of his business) he rises from an entry level position to the top job...and reveals much along the way. There's just enough "dirt" in this book to tickle the senses of the reader and anyone who has ever been in opera knows exactly what Volpe describes...in order to be associated with opera personalities it is sometimes required to act like one.

The longest chapter in "The Toughest Show" is devoted to Volpe's firing of Kathleen Battle and one can just see the steam building in the author's ears as he amasses stories of misbehavior on the part of the "embattled" diva over a period of years. Finally, he acts, much to the delight of the cast and crew. It's a juicy chapter and one of the best in the book. While Volpe offers reflections on just about anyone with whom he has come in contact, he reserves the nicest comments for conductor James Levine and (whom he calls the "Siamese Twins") tenors Luciano Pavarotti and Placido Domingo. Without these three would there be a present-day Metropolitan Opera?

There are occasional bouts of self-serving given over to by the author and often he feels a need to defend himself based on some past controversial decisions, (which I found rather astounding given the fact that he is departing the scene) but what makes "The Toughest Show" such a wonderful book is the comprehensiveness of the Met story. It's not only onstage and backstage but everywhere else, too. "The Toughest Show on Earth" is the greatest guided tour around. It's a terrific read and Volpe deserves much credit not only for this book but for a lifetime of service dedicated to one of the nation's treasures...the Metropolitan Opera.

This is a stunning book from a been-there done-that tugboat captain. Great photos, great stories.

Outstanding book, probably the best I ever saw.
I'm a retired Tug captain and pilot [Pearl Harbor & Hampton Roads],but I grew up in NY. The author knows his stuff, I learned things about the industry I didn't know.
If you have any interest in the subject this is a must have book if only for the excellance of the photos.

This well written book and its fascinating story brought back many a memory, some good and some not so good, from my time at sea on a salvage tug. The research which the author has obviously done is impressive. The only problem with this book is its dimensions.

As soon as I'd read the New York Times Book Review of this book, I had to have it. Because I was brought up in the New York metropolitan area I was able to enjoy riding the Staten Island ferry to and from Manhatten to enjoy the sights and sounds of the harbor and the tugs going about their business. I also listened in on a short wave radio to the messages relayed through the New York Marine Operator as the tugboat captains got their orders from their bosses on what barge to pick up, where to take it and so on. This book is delightfully written by someone who certainly knows the towing business and who seems to cover every conceivable aspect without becoming excessive. The photographs chosen are of the highest quality and taken by some of the top names among photographers of that era. Many of them are so good, they are "suitable for framing" as the saying goes. Their rendition in the book are of equally top quality and the captions are full of interesting facts and are not just taken from the text of the book but can stand on their own. Very informative and at the same time, easy to read, I thoroughly enjoyed this book and recommend it to all, especially to those of us who still carry that little boy or girl inside of us.

I love tugboats and if I get the chance I'm buying one and I'm gonna live on it. This terrific book was a holiday present from my girl friend who knows I want a tug. Did you know tugs are pretty much a NYC invention? - me neither! I do now. Great photos, marvelous history of the NY waterfront.

Seriously, I think a lot of this book. The artwork is wonderful; the story is wonderful. We had to buy this copy because we wore out our first one.

Another great book by Munro Leaf and Robert Lawson. Nice story and great artwork. Recommended if you already own and like Ferdinand.

So glad it's back...this classic book on how different people can get along. Not just for kids.

"Wee Gillis" is a classic of children's literature, and this is an excellent new reprint. There is no dustjacket, but the book has a very strong cardboard cover and good quality paper.
The book combines an interesting commentary on the cultures of the Scottish highlands and lowlands with a simple and rather old-fashioned story of how a boy takes his place in the adult world.
The black and white illustrations complement the text beautifully, and almost tell the story on their own.

Originally published in 1938, this one is a delight to see back in print thanks to New York Review Books. The Scottish setting is charming and the central message, to be who you are, is important. Not content to be a hunter like his father's family or a farmer like his mother's family, Wee Gillis finds his own place in this world as a bagpiper. Baby boomers will be familiar with Robert Lawson's illustrations from such children's classics as Rabbit Hill, Ben And Me and The Story of Ferdinand, also written by Munro Leaf. I adore this book so much I named my dear and very independent Cairn Terrier puppy Wee Gillis.

First time I read this book was 15 years ago. Great fiction, seems surreal at times due to the current geopolitical tensions.

I first read this book almost 15 years ago. It is practically bleeding with researched technical facts to enhance the plot, which is also captivating. Two main characters, Whalid and the President, seem to change their outlook later in the book.

It is a must read, especially now. A TLC broadcast from 1997, Doomsday: On The Brink, shows that as decades pass, such an incident might be inevitable. In the last 30,000 years, every other weapon the human race has invented has proliferated and been used. Decades? Centuries? Millenia? When the people who remember Hiroshima and Nagasaki have passed? Who might be tempted to push the button then? Not just political or military leaders, but terrorists?

A terrifying must read.

Definitely this book deserves SIX stars, it will keep you reading from the first page till the last one, involves all the presidents of the world and even with that is an easy book to read, but here are my questions:

Why could this happened 25 years ago and not right now? I think that this book is timeless.
What does the president will really do?
What does the Police, FBI and CIA among others will really do? They really know how to handle this kind of problem?
All the countries will respect the president's decision?

Read this book and think about these questions.

I paid 25 cents for this book and it was the best quarter I ever spent. This book grabs you at the beginning and does notlet go of you to well after you are done reading it. The subject matter is so topical that the 22 years from original press does not matter at all. Buy it used, find in in the library, or if you have money to burn buy it from a Zshop. You won't be disappointed.

This was a book that will keep you on the edge of your seat.
The ultimate villain Mommar Quadaffi is able to hide a nuclear
bomb in New York City.He also has a team of terrorists who are
loose in New York.He is then able to use the bomb as a means of leverage against the President of the United States.In the mean-
time the FBI,CIA, and the New York Police Department are searching high and low to locate the bomb.The clcok starts to
click down on the time left to find the bomb.The President and
the law enforcement agencies are under the gun.Quadaffi plays the
role of the villain very skillfully.This is a very scary book
that is indeed a page turner. Read it.

This book is fantastic! I live in Australia but I'm going to be living and working (hopefully...) in New York in a couple of months.
The book includes sections on practically every aspect of life - from cheap food, medical care, and general merchandise, to hairdressing, public toilets, and internet service providers.
I would say this is one of the most useful books I have ever read, and I can definitely recommend it to anyone planning on making a move to New York City.
It is extremely easy to read and not at all like trawling through a guidebook. The sections are well organised and easily located in the table of contents. I particularly liked the book and music store 'reviews'.
It also felt as though it was written by a person that I would actually like in real life, and while this is not entirely relevant, it gave me even greater faith in the advice.
I feel a lot more confident about my trip now that I know where to go and what to expect as I attempt to set up house.
This has certainly relieved me (at least temporarily) from my increasingly frantic google searches.

Wile some of the info offered may be slightly out of date by the time a reader gets their hands on this book (addresses and phones can change, etc.) the wisdom and experience of the author comes through very well. Anyone who is headed for the Big Apple as an actor should read this book.

This book is good, but even better if you plan on living in Hell's Kitchen (midtown west). As the author refers to that area often. Overall, i liked it though. I'd say it helps speed up the process of getting comfortable living in the big city, not working, but LIVING.

Actor or not, this book is a huge help in finding the cheapest of everything in New York City. Listed by category, the author gives listings and phone numbers of the cheapest of it all. There are hints and tips on how to make it in New York on a budget, how to find a place to live, and even where public restrooms are available!

What a gold mine! This book isn't just for actors--it is a meticulously-researched, up-to-date and readable guide to living well in Manhattan without watching money flow through your fingers--it covers everything from haircuts and clothes to great deals at the opera. I'm recommending it to all newcomers, regardless of profession. If I had to find one small flaw, it's that I'm not quite confident about his recommendations for women, as--and he freely admits this--they rely on the judgment of his female friends, and the reader can't gauge whether these women share the author's ability to find the best, the least expensive and the most hard-to-find secrets of New York. Regardless, a minor detail in a worthwhile book.

I find that I agree with all of the positive reviews, but indeed what most haunts me about Mutis is his deeply introspective writing style. I read the book in Spanish (my native language, btw) and the language is enthralling and personal... If you took away the background, most of Macqroll's fears and feelings are rather universal, and as you read the book (especially that WONDERFUL! first chapter) the book becomes an introspective exercise, made bearable simply because Mutis takes you there with the gentleness of his writing, the magic of the geographical settings (and their descriptions) and the company of the most human and flawed characters (Ilona being my personal favorite).

Ah, this is a wonderful book for a sunny or rainy day. It is so perfect in all does. The stories are fascinating and amusing -- often poignant. You will never forget ANY of the characters, especially Maqroll. And Bashur. And the Mirror Breaker. And Jamil. If, since childhood, you have dreamed of tramp steamers and ports around the world, as I have, your ship truly has come in in this book. Well, I could go on just spitting out adoring adjectives, but, like all the other reviewers here, I enjoyed this book immensely. It won't be long till I pick it up and read it all over again. A book I'll always remember. A classic.

Alvaro Mutis wrote several superb short novels about the travels and trials of his creation, the wandering sailor Maqroll, gathered here in one volume in an excellent translation. Adventure, friendship, obsession, loyalty, bad judgment, and hilariously (sometimes tragically) desperate situations play out in obscure and exotic locations. "Maqroll" is an excellent companion for your own world travels.

It is densely written and discursive . . . relentlessly so, for 700 pages. Perhaps you will find this poetic, profound, or even titillating. Perhaps not. Perhaps, instead, you will think that Mutis is a brilliant, verbally gifted man in need of lithium and a good editor, or both. In all fairness, he gives plenty of warning up front. Page 17: "Our mistake is to think it's going somewhere, . . ." Page 19: "makes his sentences difficult to understand until we grow used to the rhythm of a language intended to conceal more than it communicates." Page 20: ". . . filled with long, rambling circumlocutions that made no sense." I think this award winning "emperor" is feeling a bit chilly, but laughing his chillies off.

Yes, I agree with the other reviewers who have asseverated that this is a great book. But they don't seem to want to spell out why exactly it is a great novel, or, rather, series of picaresque adventures. - Perhaps they're simply tired due to the 700 page literary trek. - But, come now, a great novel because of tramp steamers and the sea? While the sea is certainly the element in which Maqroll feels most at home, there are, literally, hundreds of novels about the sea and the love of it (In particular, there's one author who's made himself into a multi-millionaire by churning out these books like a sausage-machine).

No, what makes this book great is the underlying fatalism of the work sweepingly on display in Maqroll and the several other characters, and in the finely wrought passages on what this life offers us, picaresque vagabond or not. Many comparisons have been made to Don Quixote. - But not in the right way - Maqroll is Don Quixote's Twentieth Century doppelganger, or spectral double: Spectral, as is the case with many doppelgangers in fiction, in that he is the Knight's opposite. Where Don Quixote is chaste, Maqroll is licentious, where Don Quixote is naïve, Maqroll is instinctively wise to the ways of the fallen world etc. etc. --- In literary terms, Don Quixote is a Romantic. Maqroll is Tragic.

I wonder, reading the other reviews, if the other readers may have just possibly skimmed over the philosophical passages that glower at one on every other page or so. It is these passages, these lyrical, defiant, essentially dark reflections that make this much more than any mere sea novel or rollicking picaresque.

For Example, for starters:

"...it's not worry I feel but weariness as I watch the approach of one more episode in the old, tired story of the men who try to beat life, the smart ones who think they know it all and die with a look of surprise on their faces: at the final moment they always see the truth - they never really understood anything, never held anything in their hands. An old story, old and boring." P.24

And again:

"He thought that the real tragedy of aging lay in the fact that the eternal boy still lives inside us, unaware of the passage of time. A boy whose secrets had been revealed with notable clarity when Maqroll withdrew to Aracuriare Canyon, and who claimed the prerogative of not aging, since he carried that portion of broken dreams, stubborn hopes, and mad, illusory enterprises in which time not only does not count but is, in fact, inconceivable. One day the body sends a warning and, for a moment, we awake to the evidence of our own deterioration: someone has been living our life, consuming our strength. But we immediately return to the phantom of our spotless youth, and continue to do so until the final, inevitable awakening." P.261

And again, and again, and again...

Yes, there are mad illusory enterprises throughout the book- And jolly fun they are to read - But, like a requiem continually droning in the background, we are given, in Maqroll's reflections, that he is aware exactly how mad and illusory these enterprises are.

Fatalistic literature has never been popular, in America especially, which was founded on principles contrary to it, and where the recurrent mantra is, "You can be anything you want to be." This book shows, time and again, that you can't. It's no wonder Maqroll is enamoured of, among others, the Ancient Greeks.

Summing up, this is a great book because Mutis does the seemingly impossible here, giving us the pleasurable, lilting melodies of the sea yarn and adventure story, all the while beating the steady drumbeat of mortal doom.

I enjoyed this book. It is a good light hearted chick lit novel. Lindsey Miller was a great character. She started out without a direction in her career and love life. Her boss Liz was demanding and very direct. Liz did give Lindsey a great opportunity to start in a new career and excel. What a dream! Lindsey always had a great network of friends that helped her get a job and navigate her relationships with men. Carmen was a great friend but, I wonder what happened with her and the baseball cap guy. Lindsey's relationship with Victor in NY was similar to Carrie and Mr. Big(sex in the city). Victor was rich, elusive and fun. Danny in CA was the vast opposite(Adian from sex in the city). He was laid back, sincere and loving. The ending left you wondering and I liked the idea of not knowing. Maybe there will be a sequel!!!

I never thought I would ever find myself reading a chick-lit book. I even gave up on the movie Bridget Jones. But I was honored when Ms. Langston asked me to read her ARC. I figured I could stomach through it and give her a few words of encouragement on her first book. I didn't expect to really enjoy it, but I was pretty impressed by the whole thing, and is a wonderful first effort from Langston.

This is the story of Lindsey who lands a job as a trend identifier who jet sets between LA and New York. She finds a love interest in each city, struggles to make it in her job, and keep up her separate lives on both coasts. I think the story line is average and in itself not terribly exciting. But, what makes this story good is that Langston likes to pontificate questions and problems in life and love that plague Lindsey throughout the book. It's these ramblings that bring life to the story and where the humor really comes into play. These bits of prose really showcase the writer Langston is destined to become.

Obviously, this book is the first in what could become a series of Lindsey's continuing struggles in love and job on two coasts. Her first effort is well done, yet leaves room for her to grow. I look forward to seeing more from Langston in the coming years and to see how her writing matures. She's a good writer now, and will continue to improve.

I went to college in Los Angeles and worked in Manhattan. Ms. Langston's portrayals
of these cities are accurate, astute and thoroughly enjoyable.

In the first chapter alone, there's plenty of evidence to prove that Ms. Langston is an outstanding writer. The novel has a classically-structured conflict, as the heroine must choose between two eligible bachelors. There are many funny, yet truthful moments along the way. More importantly, the story never veers into trite or implausible territory.

This book is perfect reading for the beach, the plane, or anywhere else.

If you are like me and have read just about everything out but are still searching for a book that is original and fun - this is it! It is well written and uses a story line that you haven't read a million times.
Cynthia brings her characters to life and describes both LA and New York in vivid detail. You will not get bored reading this book. In fact, you won't want it to end. Luckily, she has left enough story and developed the characters in a way, readers will just beg for a sequel - or a series!
SO - BUY THIS BOOK TODAY!!! It's one of the best!
and if you don't want to read it - I'm sure it will be made into a movie - it is that good!

This may honestly be the funniest book I have ever read. I found myself laughing OUT LOUD on almost every single page -- which is not an easy feat to be accomplished! And not only is it funny, but it is incredibly insightful about human nature as well. Langston has concocted such a lifelike character in Lindsey Miller -- you find yourself nodding along on every page, saying to yourself, "Yep, I totally get her. That is so true. That's exactly how I would be thinking." Lindsey Miller reminds me a lot of Bridget Jones -- clumsy, unsure of herself, but underneath it all is really one tough smart cookie. This book is super-fast reading: you can blaze through this fun-to-read book in just a couple of days. I loved every page of it, and am hoping for a sequel!