California Books

This is probably the best political biography I have ever read. Phil Burton was a fascinating man, and Jacobs does a terrific job of profiling him. Whether the reader is liberal or conservative, he will enjoy this book.

Burton was out there. Great book though despite the author being overly enamoured with the subject. Good info and California politics.

The best background piece on California politics. Similarly, a fantastic insight into a legislative master whose personal vices cut short a meteoric rise to power and influence.

As a San Franciscan who grew up hearing about the exploits of Burton and other more-or-less mythical characters, I feel I owe Jacobs a serious "thank you" for providing this view of what went on inside. The man who nearly became Speaker, who wielded and exercised his power lustily and well, who was known for both creating environmental protections and shunning nature, is now a lot more real.

John Jacobs has done a spectacular job of capturing and relating the career of Congressman Phil Burton, a swaggering, ruthless liberal from San Francisco who came within one vote of serving as House majority leader in 1976. For anyone who wants to understand the history of the contemporary Congress, they need only read "A Rage For Justice," and "The Ambition and the Power," by John Barry, which tells the story of Congressman Jim Wright, the man who beat Burton by that one vote. Both books are chock with candid interviews and revealing anecdotes, and written with style. Each serves as a model of congressional biography.

A beautiful, informative and spectacular oversized book on the Salton Sea. A place that needs to be saved and understood. This book will start your journey.

I think it is remarkable that a rather small part of California could produce such a fascinating (and visually stunning) book but the Salton Sea is a quite remarkable place, especially considering it's only a few decades old. One bit of information that grabbed me is on page forty where a graphic profile of the Sea reveals that it is, on average, only fifty-one feet deep compared with Lake Tahoe which is 1645 feet at its deepest.

The Atlas is sectioned into five chapters: Physical geography, Cultural history, Limnology, Ecology, and Maps. The first four take up about half the pages and assorted maps, index and bibliography the rest. The main strength of the book, I think, are the non-map pages because they present a lot of complex information in a beautifully designed graphic format. Old maps and photographs, charts, illustrations of marine and bird life, cut-away graphics of land and more are all laid out with very clean typography on the large page size. Add quality paper and printing (with a 175 screen) and anyone looking through these pages will be easily drawn into this on-going story of the Salton.

The map pages are equally interesting and there really is a lot of technical data here but still presented in an accessible format. The range of information is quite comprehensive, for example: public land ownership, recreation areas, commercial facilities, energy usage, property values and median incomes, early exploration, earthquakes, soil types, surface hydrology right down to four maps showing the Sea's sediment grain size distribution. The nice thing about the maps is that they not only detail the Sea area also large parts of southern California.

This Atlas is a credit to all those who worked on it (and should really be template for any similar publications) for making the Salton come alive in such a stimulating way.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

This book is wonderful! I highly recommend it.

The Salton Sea Atlas covers the complex issues facing this very special body of water in a clear, yet comprehensive, fashion (use of graphics and illustrations over exhaustive use of text). It's a beautiful book, and the most wide-ranging piece about the Salton Sea that I've been able to find. You will not be disappointed with it.

Buy this book

--Just wanted to second the comments of the other reviewers regarding the quality and presentation of this book. It's a scientific work undertaken by the Salton Sea Database Program of the Redlands Institute of the University of Redlands, but it's enclosed within a lovely and large glossy coffee table book. It also includes much information about the cultural history of the Salton Sea and its region in a remote part of the southern California desert. I especially enjoyed the beautiful wildlife illustrations and biological information, though most of the book covers the physical science of the Salton Sea. I gave a copy to someone at a Christmas party held many miles away at the Orange County coast, and people literally were waiting and nagging for their turn to look through this beautiful book about this mysterious and controversial inland subtropical sea.

The Salton Sea Atlas explores issues and information regarding California's largest lake and most valuable environmental resource -- the Salton Sea.

This book is a must for those interested in the Salton Sea, environmental change, water issues in the American Southwest, history, or geography. Its graphical synthesis of complex social, scientific, and geographic information is superb and can be appreciated by all audiences. This is a wonderful publication.

I recommend it wholeheartedly

Excellent. Had picture of house next door to us that we referred to as the mansion!

I grew up in the Mission and thoroughly enjoyed seeing photos from the home of my youth. It made me want to run down for a Whizburger & strawberry shake. ... and Nickel Pool - Lord that water was COLD! The photo of La Palma Market on 24th reminded me that my mother used to send me there to buy hand-made corn tortillas; so good. The Miracle Mile - I haven't heard Mission Street called that in ages. The memories come flooding back. Ms. Hooper did an outstanding job portraying the heart & soul of the neighborhood.

This pictorial treasure belongs on the shelf of every person who loves San Francisco.

Well, I got this book from the library at SJSU...and couldn't put it down for days and days...just kept looking at the pictures, and reading the captions over and over. I grew up in the Mission and went to school at Immaculate Conception Academy..Hello Barbara Bottarini. I remember your name! Anyway...seeing pictures of the old St. Anthony's Church before it burned down...priceless, because I totally forgot how it looked like, outside and inside. As a little girl, we'd be outside on a Saturday afternoon going to shop at Mission, and seeing all the brides coming out of the church dressed in splendor was such a fun "girly" thing for me, my sister, our friend Elena, my mother and grandmother. Shopping at Willow's..wow..forgot all about it. Check it out. A must have for your library.

I enjoyed the book very much. The history was very informative. For those of us who lived or went to school in the area, the pictures brought back lots of good memories. The book made a wonderful gift at Christmas.So many friends and family members were able to relieve some great places and times as well.

Since I grew up and went to school in the Mission district, it brought back many pleasant memories. I graduated from Immaculate Conception Academy in 1956. Since the school was featured in the book, I enjoyed the pictues of the school and the neighborhood where I spent my youth.

The Santa Cruz Mountain Trail Book is concise, well-written, accurate, well-organized, and comprehensive. Tom Taber has done an excellent job of providing the right information on city, county, and state hiking trails of the peninsula, from south of San Francisco to Santa Cruz, and from highway 101 to the ocean -- an invaluable resource.

There is no other guidebook focusing on the coastal mountains immediately south of the city of San Francisco, a rich mosaic of open-space preserves. Taber's diligent research and love of the area make this an essential reference

We live in Bay Area and have been using 9th edition of this book for several years exploring Santa Cruz Mountains. It has been a great experience!

The book has a map of Santa Cruz Mountains at the beginning of it, with the parks marked on the map and the list of the park names. There are pictures for you to get an idea of the area, and very good educational description of the park.

This is a great book for people living (or intending to visit) the bay area, who like to go hike, bike, picnic and camp.

I've bought several books in the past, but this one covers a lot more of the trails in the area and with better detail. It tells you if trails are open to bikes and/or horses, talks about the camping facilities, details how long a walk you will have and the types of things you can expect to see out there.

There are also little sections on the local history, how the geology stuff works and many more useful snippets of info.

Definately the best book I've found for picking places to go walk, but then, it is somewhat targetted to the area where I live.

It says a lot about a book that it is continuously in print and updated for 30 years. This edition, the 10th and printed in 2006, preserves the nice features of previous editions and also offers the author's reflections upon what remains to be done for conservation and recreation in the Santa Cruz Mountains.

The general format of the book has not changed. Every county park, state park, open space preserve, or land otherwise available to public access in the Santa Cruz mountains is described (in alphabetical order) with special attention to the hiking opportunities in each. Trail descriptions are a bit sparse, but Tabor includes a decent map of each area to allow you to find your own way. The book is also chock full of "Special Sections" which detail local and natural history and also discuss such practical matters as where you can actually walk a dog in this part of the distinctively 'canine unfriendly' Bay Area.

Tabor's suggestions for the future of the Santa Cruz Mountains are worth noting. He urges the construction of more campgrounds and backcountry trail sites, an absolute necessity. It is almost impossible to get camping reservations on weekends. He also suggests practical ways to extend trail systems and increase the salmon and steelhead runs in mountain streams. I'm less sympathetic to his demand that the gun club near Castle Rock be shut down. I'm not a gun owner, but I never felt I was near a "war zone" when visiting this state park. In my opinion, antagonizing outdoor sportsmen will not promote conservation, but I could be wrong on this. On the whole though, this book is an excellent guide to the region and hopefully it will inspire more efforts at conservation and preservation in the area.

It is refreshing to read a new spin on an old problem. The information provided wihtin this book is exceptional and can be used by parents, teachers, administrators, legal institutions, and the like. Very impressive compilation of data. I especially apreciated the book format. The ability to remove specific pages to include in research presentations, is very important. The resources and bibliography are extensive and impressive. Highly recommended for everyone interested in identifying violent behavior and treating it.

There was a shooting at a school in Oklahoma on Dec. 6,1999 by a thirteen year old child. This book gives clear statistical data that shows that there is an identifiable link between adolescent and juvenile violence and the mental disorder schizophrenia. How timely can any work be. Excellent job!

I am very suprise at what this you woman has thought and put down on paper. Because it a lot better that what she started with.

How can any of us hope to truly understand what goes through the minds of those that choose to use violence as a response to what they believe to be alienation. This book provides real life examples, statistical and scientific data in laymans terms. This book while filled with hard facts can be understood by a novice. The resource pages, reference pages and website information, along with data tables, charts, graphs and color brain scans are top notch. A must read for all that are puzzled as to why adolescents, juveniles and adults result to violent behavior against others and themselves. This book provides a list of identifiable violent behavioral traits and how they can be delt with to some degree. Very important for anyone with a troubled family member, whether he or she is daignosed with schizophrenia or not.

This is a comprehensive look into the minds of those suffering with schizophrenia and those and their families experiencing troubles with adolescent and juvenile violence. With all the school shootings, teen and adult suicide that has occurred within the past few years. This book comes at a time when most of us are wondering why these young people have chosen violence to express their anguish. The enormous amount of statistical data and scientific and medical data that has been pulled together in this book. Is mind boggeling. Usually, an author focuses on one aspect of an issue. This author has attacked this problem from all angles. And has been able to provide very concrete insight into the problem of adolescent and juvenile violence and the identifiable correlation with the mental disease schizophrenia. Oustanding piece of work. I especially appreciated all the color images and the book format which allows the reader to pull out pages for their own use. The bibliography, resource and reference section is extensive. It is refreshing to see a writer actually take the time to research a topic.

This is a decent overview of the science of making wine. It is occassionally a bit dense (lots of buzzwords), and the author avoids taking positions on anything remotely controversial (biodynamics, UC Davis' impact on winemakine, etc). But it does contain information you are unlikely to find elsewhere.

I am in the wine trade and a MW student. This book compiles some very high-tech arguments on various topics in an organized, compelling, and clearly-written style. It was a joy to see all of these topics in one book, rather than searching 100s of journals and university studies on the web! I was able to use my new found knowledge immediately in discussions with colleagues--sounding like a true expert.

A great read for true "wine geeks".

I'm not much of a scientist. In fact, my career as a doctor ended abruptly in the first week of college when I discovered that a required chemistry course also required my attendance three days a week at 8:00 AM. So I approached this book with trepidation on several levels. Would it be pitched too heavily in science-speak for me to understand? Was it really more of a textbook than consumer's guide? Was it a soulless sucker punch for the reductionist school of winemaking so hideously embodied in companies like Enologix that use modern "science" to manufacture high-scoring Parker wines? Truth be told, I would probably have never gone near it but for a favorable blurb in a recent issue of Decanter magazine.

Well as Johnny Carson might have said, "Wrong, brettanomyces breath". This is in fact an astoundingly wonderful book for anyone with a passion for wine. It's too detailed and complex for beginners or people who don't really care about some of the factors that affect the taste and quality of wine. But it's also a remarkably humane pitch for the application of the scientific method to wine growing and wine making without in any way denigrating the mystery or romance that enshrouds the subject. Maybe a better quote would come from Joe Friday: it's "just the facts, Maam," wherever the facts that underlie the magic of wine can be ascertained.

The chapters in The Science of Wine systematically address the major factors and issues that contribute to the quality of wine from the vineyard to the winery. Each one is structured like a consumer-friendly, mini-version of an article in a refereed scientific journal. The author starts out with a description of what he will talk about, states his hypothesis, and then examines the evidence before ending with a conclusion. After a while I picked up the rhythm and realized it reminded me of the hundreds of clinical study write-ups I read while working in the marketing department of a pharmaceutical company.

What's really cool about this book is the way it tackles so many controversial subjects head-on, assessing the available evidence on the way to proving its points. It seems at times like the author has read and interviewed everyone who has written a scientific paper on wine anywhere in the world (especially Australia) in the last 10 years, and he quotes these authorities extensively. Here are a few of the critical topics he systematically examines and a quick summary of his findings (close your eyes now if you don't want to know the answers):

Brett-it's everywhere-you can run but you can't hide
Terroir-sorry, no one's ever proven you can taste the soil in the wine, so stop thinking the minerals come from the Kimmeridgean limestone
Sulfites-they don't cause headaches, try drinking less
Global warming-the Rhone will be making Algerian wines and Burgundy will have 15% alcohol before much longer
Tasting-humans can't discern more than about 4 flavors at a time (don't tell Parker or the Spectator)
Terroir-oops, since it isn't the soil,you're probably tasting reduced sulfur compounds
Actual rate of cork taint: about 5%
Best closure on the planet right now: screwcap
Average effective lifespan of a synthetic cork closure: 2 years
Biodynamics-no proof yet

Just to prove I'm not a complete spoil sport, here are some of the other subjects you'll get to learn about (this time without the answers):

Impact of oak
Micro-oxygenation
Wine and health
Precision viticulture
Regulated deficit irrigation
Pruning and trellising systems and more!

I suppose the major weakness of the book isn't what's covered, but what's still undiscovered. If you come to it hoping for the definitive answer to every question you've ever had about wine, you'll be disappointed. A lot of what we'd like to believe is the truth about wine has yet to be definitively proven, so many chapters end with the promise of future revelations instead of a real resolution. That certainly leaves room for a revised edition in 5 years! And truthfully, a few chapters have passages that are written in impenetrable scientific jargon that most of the book assiduously avoids. Finally, while it's a pretty book from an art director's viewpoint, the layout often presents massive amounts of block type on a page and the many sidebars, while illuminating, are as visually distracting as they are helpful.

All that being said, this book is well nigh indispensable for a wine lover. If you meet this criterion, and you know who you are, you need to get your own copy. Me personally? I feel like I need to start re-reading it right now to figure out how to scientifically approach the lovely bottle of A-F Gros Echezeaux I'm drinking tonight.

I echo the praise for this book. As a wine geek with a liberal arts background, I was a bit hesitant to get into this book for fear it would lose me quickly. Quite the opposite. While there is plenty of "science" in the book, the book is written in a way that non-scientist types can fully follow and understand everything. There are snippets that go beyond the layman (like me), but overall, the author gets into just enough science without getting overly technical.

And, I greatly enjoyed the organization and structure of the book. I found the process of starting in the vineyard and going through the process up to the glass the exact right approach.

That approach also makes this a book one can do in stages, as each chapter/section is essentially a complete read in itself. I took probably 3 months in total to complete the book. And, having done so, I am ready to start all over again!

Highly recommended for anyone who wants a better understanding of what it takes to actually put the stuff in the glass and make us want to come back for more.

A generally well-written, informative, balanced, and certainly provocative look at a wide variety of subjects. Brings a welcome dosage of reality to wine, a topic that tends to produce flights of fancy in those who discuss and comment on it (me included), but at the same time the author is careful not to destroy our dearly-held beliefs. In other words, reading this book will enhance your drinking and thinking about wine. I did find myself wondering about how well some of the studies/experiments cited in the book were designed, and I kept hoping for the author to comment on that subject...

I loved reading this book. It made me laugh and cry at times. Very well written.

I enjoyed reading this book as it told of one man's struggle and how he coped with Cancer. I appreciate the fact that he did mention other types of surgey and this provided the opportunity to read other books. I decided not to follow in his footsteps but we each have to decide what we think we need to do. Talking with my Doctor and using this book helped alot. Thanks for a good book.

A great book! Prostate cancer, and possible treatments, are not subjects that are easy to explain. However Dr. Dorso is able through his position as not only a physician, but also a patient, to explain possible cancer treatment options in a clear and understandable way. His story is personal and compassionate. Thoughout the book I found his experience became my experience. His sincerity and authenticity shine throughout. "Seeds of Hope" is definitely a must read for anyone who has cancer or who knows someone that has cancer. If I were a doctor I would prescribe it!

This is an excellent book, written by a physician, but from the perspective of a patient considering the many options available for prostate cancer treatment. It is particularly beneficial in describing the details of the seed implant treatment, and the impact of this disease on spouse and family. It should be read by every man who has been diagnosed with prostate cancer before a treatment choice is made.

This is an essential source of information if you are diagnosed with prostate cancer. This has certainly been a real eye-opener for me, here is a doctor, who suddenly finds himself as a patient. So well written, so personal, and yet so easily understood, none of the "latin" that we sometimes get from doctors, you feel as though you are actually sitting there with him, or even in his brain. He shares ALL his worries, frustrations, anxieties, relief's and his joys too as he moves forward in his goal to be truly the master of his own destiny. I highly recommend this book, to anyone who is having to cope/deal with prostate cancer. Doctor's too, cancer affects so many people, this book can even give you the professional a lot of insight into patients perspectives. BUY it NOW!

Having been brought up in a liberal culture which automatically assumed (and taught) that the adolescent rebel Rimbaud was a far more important poet than his old fuddy-duddy "conventional" lover, Paul Verlaine, it is very interesting to read Verlaine's actual poetry and compare it with the so-called poetry of Rimbaud, and to realize that Verlaine was, by miles and miles, the greater poet of the two.

As often is the case with general volumes of poetry, or books available in many editions, a good reveiw necessarily consists of two parts: first a review of the original material, and then a review of the specific edition.

For the original material, Verlaine is an amazing poet. He represents possibly the first and greatest lyrical poet to be initiated into modernity. His lyricism is not baroque, whimsical, or decadent - it is haunted and beautifull. It is like the music of Chopin (as it could be said that Rimbaud's is closer to that of Liszt). He represents a unique tract among the many poetic styles gestating in a Paris newly thrust into what we call modernity. There was the cynical and disolute Baudelaire, the ribald and frenzied Rimbaud, and then the melancholy and lyrical Verlaine. These three writers could easily be seen as a trifecta of greatness: they together represent the principal moods that have dominated literature to follow in their tracks.

The editions of a poets works, however, should certainly be considered independent of the poems themselves. Translation and selection of poems from such a broad body of work is both highly prejudicial, and (perhaps as a result) also creates a unique beauty in each seperate edition.

This edition, though, is a stand out among others available. First, because it probably is the largest English collection of Verlaines work (170 poems or so) and second because it's assembly, tranlations, and annotation reveal a very profound thoughtfullness on the part of the translator and editor, Martin Sorrell.

Most selections of Verlaines work are contrite and myopic, pick only certain early poems which have been translated and anthologized ad nauseum with no greater depth than that of a poem-a-day desk calendar or the litterary equivalent of easy listening music. In contrast, Sorrell's presentation is symphonic. The poems he has selected are true to the life of the poet - complete with ragged edges and blissfull moments.

How could one appreciate Verlaine's true genius if he is only shown in an artificial, sacrine, sanatized way? Sorrell boldly includes a large amount of poems from Verlaine's later work, largely disparaged by other critics, and provides very thoughtfull annotations about the inspirations, impacts, and ultimate relevance of each poem.

In this way Sorrell has created a very thoughtfull meditation on the life and work of Verlaine, and shares it with his audience so even a layman can appreciate it.

There is also a parallel French Text, which I find indespensible. Although not all of the translations are done the same way I would, diversity is what makes literature beautifull, and I am very interested to see the relationship between Sorrell's scholarship of Verlaine's life and the way in which he translates Verlaine's verses. This is a valuable tool not found if you were to simply read a French edition of Verlaine's poems or preuse an anthology.

In the end, this book is a excellent illustration of why translations and collections can be usefull even to people who have already read Verlaine in French.

[...] At any rate, for those who are not familiar with the movement, I would suggest reading, in this order: Baudelaire, Rimbaud, Verlaine and Mallarme, as that is the sequence in which they came to the fore of French Lit (though you could make the case that Veralaine and Rimbaud were contemporaneous, I would suggest that Verlaine's most important work came after his interchange with Rimbaud). Since these are the most influential French poets of the modern era, and had an impact on every modern "movement" that occured in literature thereafter, you can not go wrong with any of them. There are those who contend that poetry especially is lost in translation. I would agree, yet all these poets are represented by "facing" texts these days. The original text is mirrored by the translation on the opposite page. Oxford and Penguin both are good choices. The translators are uniformally well-educated and erudite, the printing is excellent and the overall scholarhip, including introductions, is top-notch. You can't go wrong with these editions.

Verlaine is perhaps my favourite poet--many of his poems are exceptionally beautiful, salacious even. However he wrote prolifically, and as is often the case with prolific artists, his work is of uneven quality. Nevertheless, at his best, Paul Verlaine's poetry is among the most remarkable that I've ever read. I highly recommend this collection.

'The reader seems to have some disaster of far vaster import than he can fathom. That is the mysterious effect of Mallarme's poetry. One gets a strange emotional effect past analysis'. So declares translator C.F. MacIntyre of a typically impenetrable Mallarme sonnet. Unfortunately, it's an effect the non-French reader will never experience. In translation, somebody like Robert Frost once said, what is lost is the poetry, and no other writer exemplifies this truism more clearly than Mallarme. Most translations will at least yield some sort of broad narrative or imagistic or intellectual sense. Mallarme's self-contained, bookish, exquisitely artificial poetry (Borges was a fan) exists on a plane beyond sense. It is an intensely intricate agglomeration of sounds, forms, distorted grammar, codes and riddles whose 'meaning' is not literal. Mallarme is usually compared to a costumier, jeweller or musician, such is this artisan's devotion to the poem as crafted object. The only real way to translate Mallarme is not to find literal English equivalents for his words as printed, but to find new word-constructions with sounds and resonances that transmute the originals' spirit, rather than sense. But if the translator had that kind of gift, s/he wouldn't be wasting it on Mallarme translations. Despite MacIntyre's best efforts, then, literal Mallarme in English sounds like the worst kind of sub-decadent pot-pourri, like the imitations of French Symbolism Oscar Wilde churned out in his youth. [...]This does not mean the volume is useless. French students struggling with the originals can use the translations as a kind of grammatical glossary, and will find MacIntyre's synopses and explanatory notes, with background and critical infomration, helpful, if dated. The casual reader, however, will find much to enjoy. After a few poems (including the famous 'Herodiade' and 'L'apres-mide d'un faune'), I gave up struggling with Mallarme, and gave into the pleasures of MacIntyre's annotations. A real-life Charles Kinbote, he doesn't even seem to like Mallarme very much: one poem 'is built up of so much nothing, like a fragile pastry of whipped cream. It is artful in the worst sense of the word... He should have had a stern editor! (As I have)'; 'Line 4 is particularly good, [a critic] insists, because it suppresses the classic caesura! I don't think many readers would suffer if the whole sonnet had been suppressed'. He refers to Mallarme's art as a 'dead end', execrates 'his miserably bungled up French', and cheerfully admits that he doesn't really understand the poems! So what qualified him to translate them?! A delectable egotism blows through the pages, from its overheated, homoerotic dedication, and the unwarranted, though very welcome, detours into autobiography and war memories, to the Olympian sneers at previous commentators. Published in sexually unliberated 1957, MacIntyre is forced to euphemise Mallarme's detailed and relentless erotics, which leads to some splendid tongue-twisting; the frequent suspicion that MacIntyre himself misses the point of a poem like 'What silk...' ('the mouth will not be sure/in its bite of finding savor,/unless he, your princely lover,/breathe out, diamond-like, in your/considerable tuft the cry/of Glories stifled as they die'), which he says is about a woman brushing her hair at the mirror (!), is quashed by his mocking one persistently misreading critic: 'Really now. I wish I still had Herr Wais's niaive innocence. I really do'. Barmy, endearing and delightful.

I enjoyed this book. It give a fine first hand account of what life was like in the California gold mines at the beginning of the gold rush. The letters are well written with great attention to detail.

Edited with an Introduction by Marlene Smith-Baranzini, The Shirley Letters: From The California Mines 1851-1852 by Louise Amelia Knapp Smith Clappe presents the contemporary reader with vivid first-person accounts of what it was like to live in the midst of the great California gold rush. Written in the form of letters by a doctor's wife who lived through the thick and thin of boisterous events, The Shirley Letters encompass mob violence, summary justice, a duel to the death, a rowdy July 4th celebration, and much, much more. A first-rate primary source, The Shirley Letters offers especial insight to American history and is highly recommended for both personal reading lists and academic reference collections.

This book is a marvelous true story of what it was like, in California, during a time which will never come again. The author's detailed descriptions and wonderful style of writing takes the reader there, to the Old California, when it wasn't a state, it was a wild untaimed country unto itself. Truly beautiful.

I have one of under 200 original copies, signed by the author, it is my treasure. I am so glad to see it here, offered to the general public. I obtained it just last month, and wanted to share it with every woman, man, child I know! I thought I was going to have to type the entire book just to give a copy to my mother. I thought that because of the small number printed that there wasn't any way I would find another one, but low and behold, here it is, reprinted only this year, on Amazon. A must for any Californian.

Stunningly vivid work. I've read many books that cover the Gold Rush era. This one is by far the best at bringing it to life. It was written by a woman who lived right where it was happening, when it was happening. Written for the popular (newspaper) press of the time, her stories paint a picture of the setting, the people, and the values of the day that is simply unmatched.

Even better, the editor has done an admirable work of putting the author's life and work into context, with a helpful introduction, endnotes, and glossary of place names.

Dame Shirley's classic (and often humorous!) letters portray the California gold rush in all its excitement and ethnic diversity. At last an edition has appeared that sets her writings in context! Editor Marlene Smith-Baranzini has done students, researchers, and history buffs a huge favor by putting together THE definitive Dame Shirley collection, complete with excellent introduction, interpretive footnotes, maps, photographs, and even a glossary. Reccommended for anyone interested in California history or just in search of a good read.

From LONDON FIELDS [1989] by Martin Amis: "Features include fool-the-eye dent-marks, a removable toupee of rust on the hood, and adhesive key-scratches all over the paintwork. An English strategy: envy-preemption."

From SHOW AND TELL [2001] by John Lahr: "In fact, [Wallace] Shawn, who admits he's actually 'a very arrogant and vain person', preempts envy by constantly spoiling any picture of his own distinction."

As a lifelong subscriber to The New Yorker, I have especially enjoyed reading Lahr's various "Profiles." Fifteen of his best are anthologized in this volume. The subjects are Woody Allen, David Mamet, Frank Sinatra, Arthur Miller, Liev Screiber, Roseanne, Irving Berlin, Wallace Shawn, Eddie Izzard, Neil Labute, Bob Hope, Ingmar Bergman, Mike Nichols, and the author's parents, Mildred and Bert Lahr. My personal favorites are those which discuss Sinatra, Miller, Roseanne, Hope, Bergman, and Nichols but I was pleased to re-read all of the others also. Lahr has a somewhat specialized form of genius for crafting what are indeed "profiles" rather than portraits, much less in-depth character analyses. Even when fondly discussing his own parents, he seems to have no limiting biases, "baggage" or predilections. It is high praise to note that the reader feels as if she or he is a "fly on the wall" during Lahr's conversations with his subjects...and at other times, as if the reader can hear him thinking aloud while alone and in reflection. Lahr's is a naturally casual style (so sophisticated that it seems effortless), perhaps most evident when discussing Bob Hope. According to Lahr, Hope's wife Dolores and the children were "extras" in his life. "It was hard for anyone in the family to get much of Bob Hope." Lahr shares this without judgment, suggesting implications without manipulating inferences.. With Hope as with each of the 14 others, Lahr's objective is to capture the essence of his subject, the esential qualities and characteristics which are revealed in "defining moments" of inimitable behavior or utterance. Lahr's reader (at least this one) is left to wonder what he would have to say about so many others such as Saul Bellow, Hillary Rodham-Clinton, Joe DiMaggio, Bob Fosse, Jackie Gleason, Sam Peckinpah, Jackson Pollock, Martha Stewart, and Oprah Winfrey.

In these days when performers are celebrated -- and demeaned -- for being famous, every little tidbit of information is up for grabs by the media. I say this as someone who was a journalist for nearly 20 years (and is now an entertainer). What's missing on the market: candid performers' profiles that still convey WHY great performers are GREAT performers and -- sometimes -- great people or great creeps. Show and Tell contains 15 of John Lahr's BEST New Yorker show biz profiles. The zest and verve of these creative folk and Lahr's excitement writing about them is all here. The subjects: Woody Allen, David Mamet, Frank Sinatra, Arthur Miller, Liev Schreiber, Roseanne, Irving Berlin, Wallace Shawn, Eddie Izzard, Neil Labute, Bob Hope, Ingmar Bergman, Mike Nichols, and his parents Bert and Mildred Lahr. You don't have to even know who these celebrities are (you'll enjoy this book if you're in your early 20s) to love these profiles: each chapter tells you how they got from point A (childhood) to point B (becoming great entertainers, playwrights etc) -- and about all the joys and obstacles along the way. Don't expect simplistic tabloid journalism but more detailed interviews. The Bob Hope profile was controversial when it was first published since it not only hinted at adultery but etched a portrait of a man who created a corporate comedy machine -- and even needed cue cards when performing at a private party. But there's tons of info amid these revelations. My other favorite profiles and tidbits include: Woody Allen (his casting method for movies sometimes boils down to him looking at someone for a few seconds), Bert Lahr (his frustration at not having made many movies, unlike some of his vaudeville colleagues), Roseanne (her rage-based comedy; how she wrested control of her t.v. show from what would have been sit-com mediocrity),Irving Berlin (the 20th century's most prolific and perhaps great composer adapting to all kinds of music from the century's beginning UNTIL rock...which finally did him in). There are many others but the point is: these are unlike any other profile's you'll read. They celebrate the joy, creative "juice" flow, toil, and heartbreak of show biz and performing arts creativity -- and you'll want to read them again and again.

Celebrities are fair game it seems for every hack, two bit journalist, and paparazzi. Their names are money and their pictures, weight loss, ageing, personal crises, and habits appear to be of endless fascination to the reading public or a fair proportion of it. What about Sinatra's links to the mob? What about Woody Allen's prediliction for young women? What about Mike Nichol's anger? What about Igmar Bergman's womanizing and tax evasion? Give me a break! There is much tosh, pap and babble written by those not fit enough to sharpen the pencils of the subjects of these profiles by Mr Lahr, but you will not find it in SHOW AND TELL. Mr Lahr is a writer worthy of these legends and that, dear reader, is indeed saying something. Revealing, interesting, incisive, entertaining and gripping, Mr Lahr and his editor at The New Yorker, have done a brilliant job. Perhaps the best short pieces I have ever read on the subjects contained therein. Brilliant.

The New Yorker is famous for its witty prose, "casuals," and most of all---its Profiles of famous and not-so-famous people. The New Yorker is also famous for unbelievably long pieces (sometimes taking up the entire magazine) and occasionally being so "in" that the readers are left "out."

John Lahr has all of the virtues: elegant, thoughtful writing, and he leaves you wishing for more. Mr. Lahr specializes in Entertainment Profiles, a difficult undertaking. He avoids the landmines of sound-bytes, scurrility, fawning and trivia. He delivers fifteen gleaming, sharp-edged Profiles on disparate personalities.

I feel the best are the ones that are not contemporaries and/or friends of the author with the exception of the lovely word portraits of his parents, father Bert, and mother Millie (who might or might not have had an affair with Joseph Cotton!) Mr. Lahr needs a certain amount of distance to do his best work. He is clearly an admirer of Woody Allen, and it shows. I felt we were seeing the brushed up and shiny side of this highly complex entertainer. Bob Hope is given the finest dispassionate treatment; Lahr steps back and allows Mr. Hope produce his own cause and effect. The reader can judge for himself. I was left thinking, as my grandmother would say, "this is NOT a very nice man." To me, Roseanne was frightening with her rage and skewed perspectives. It wasn't what Mr. Lahr said about her; it was Roseanne being herself. The Profile on Frank Sinatra left me with a emotion I would never, ever thought possible in conjunction with Ole Blue Eyes: pity.

I read this book straight through, almost at one sitting. I found it that fascinating. But it can be read at leisure. Just start anywhere; there's not a loser to be found!