California Books

I tried every way shape and form to lose weight. I thought I'd give it a try.

This is the way weight loss should be approached - by a real person with real emotions. Carole is so honest that you can't help but laugh in recognition of your own foibles. But she found a path to fitness and the rest of us can do it too. Better yet, our whole communities can become supports for health. Highly recommend!!!!!!

This book offers a lot of information for any reader who has struggled with their weight. Its filled with great ideas, and a whole host of professionals to give you motivation to loose weight the right way, the healthy way. Carol Carson's story of her transformation is one we all should read and use it for motivation to get fit and stay fit.

Carole Carson took our already wonderful community and made it even more wonderful! She has struggled with issues many of us have had throughout our lives. Her book has humor, helpful suggestions, and examples of people challenging themselves. Not to mention a map on how to loose weight and stay fit.
A must read for people interested in being fit.

Susan Michalski

I actually met Carole Carson and THEN read her book. Believe me, seeing the "after" first had a great impact on me. I never could have imagined the "before" Carole. She went from a pleasantly round grandmotherly type to a toned, energetic, athletic and strikingly attractive woman who looks like she could take on the world! Oh, did I mention that I met her on a tennis court in the Hawaiian Islands? My group was so impressed with her play, confidence and effervesence. Imagine my surprise when I read her book. After only a few chapters, I decided, "I want that!" Her ideas are easy to implement and I love hearing, "Are you thinner--you look great!" Better yet, I have new-found energy and confidence. Her story can be your story. You'll laugh out loud as you read how an entire town jumps on board as Carole motivates them to healthy living.

FADE IN...You network, network and network some more. Just keep smiling as you get S%$@!. The book really is excellent and a must read before taking the leap to LA. As part of the rules, I really shouldn't be letting you know about it. The book will not tell you how to get that luck break, but it will save you some pain along the way. I would also suggest Hollywood 101: The Film Industry for a excellent break down of the various jobs that are need to make a movie. FADE OUT

When I bought this book, I was prepared to read the words of someone who had watched Swimming With Sharks and The Player one too many times. However, this is not a book that teaches you how to be a player. This is a book that teaches you how to get noticed. You can tell that "Anonymous" knows his or her stuff about how to set yourself apart in Hollywood-- by playing by the right rules. There are insightful tips in this book that it would take three years worth of meetings to realize yourself. It is like the Hollywood version of Strunk & White's Elements of Style. Don't leave the east coast without it.

I am a writer and found this book to have helpful information in it for me. It is geared towards the film industry but is a good read with some good information if you are a writer, actor or in the entertainment industry or want to be.

This book not only specifically applies to how one should comport themselves in "the Biz", but has lessons that apply to all industries across the board. A must-read for all who choose to succeed. Buy it! You won't waste your money.

The Hollywood Rules - this book has a special aura about it. It encourages you to understand your talent and how it will most likely be perceived and handled by those in power who can enhance/create your career in movies. It brings Hollywood to your living room for some brief moments, making you believe that you can find the way to whatever you're striving for. And not only that - it shows you the way, providing that you are prepared to work hard, play by the rules, break the rules, and dream on until you make it [...]

This book was a little wordy, even for someone who has incorporated a for-profit before. But the information is very consistent, and the forms provided and website references make this a very handy book to start with. Just make sure you want the right kind of 501(c)(3) that this book is written for first (public benefit), or he continually reinforces that this book is not right for you!

I find this really helpful and well written and organized as a book. The CD ROM with the forms are really helpful too (though I found an editing error in one of the forms..but nothing too major...just a spelling mistake (a typing error), that's all). I'm quite ready and less confused now that I have read this book. It also helps me to stop and think more about my organizational plan and such, so that it'll fit with the regulations about incorporation of non profit and the tax exempt status.

I was looking through the books on non-profit formation in a local bookstore, in downtown Palo Alto and ran into this title: my jaw dropped at the fact that there was such a perfect title for my needs. Not only was the book appropriately titled but the content helped me and my wife through the unfamiliar steps we had to take in order to incorporate our non-profit, Diabetes Hands Foundation, in California.

I recommend, along with it, The Budget-Building Book for Nonprofits: A Step-by-Step Guide for Managers and Boards and Managing a Nonprofit Organization in the Twenty-First Century. These three titles have been at the heart of the non-profit-related instruction we have picked up on in the past couple of months.

This is an excellent manual which answers all of the procedural and operating questions anyone could have about this topic. I heartily recommend it.

I am in the process of forming a nonprofit organization to benefit people with brain injury. An attorney friend suggested that I purchase this book which gives guidelines for setting up a nonprofit organization in California. Being a novice in the field of start up companies I have found this book to be without exception easy to understand and follow and gives you samples of forms and detailed explanations on how to file them with your local, state, and federal government. I would recommend this book to anyone who is in the process of beginning a nonprofit even if you have previous experience. It gave me the assurance that forms would be filed properly and the advise on writing the bylaws to the company.

This book is informative and very well made. Hundertwasser is one of my favorite artists and I own several books about his life and work. This is one is (so far) the best. The Taschen book reproduces his work beautifully, showcasing the washes and color use that make his work truly sublime. It also contains some wonderful photographs of the buildings he designed, which make one wish all construction could be so imaginative. This book was more than I expected for a very fair price.

This book really shows off Hundertwasser and is a great addition to any art collection. This is another hit by Taschen.

REVIEW SUBTITLE: A Serendipitous Purchase

While I had come across references to "the art of Hundertwasser," because I knew only of him as an architect and consider architecture an art, I assumed that the colorful work adorning the cover of this book was one of the Gaudi-esque architect's occasionally fancified plans. As a number probably know, however, it is not. Rather it is but one of Hundertwasser's many paintings.

Though I'd expected a book on architecture, I was not disappointed to receive one focusing on H's development as a painter. In fact, I was elated, for splashed across approximately 2/3rds of the 197 pages of this book are what had originally attracted me to him: the "lush opulence" of what I now know are his watercolors and paintings.

This book, however, is not just a visual feast. In addition tracing his development as an artist, the text includes and discusses H's thoughts on topics such as those noted in the Table of Contents I've included in the commentary following this review. And while some may seem esoteric, the discussions are not. In fact, they're fascinating.

That most of the focus of Taschen's retrospective of H and his work is on water colors/painting is not surprising, for so few of his structures were ever realized. However, approximately 30 well-illustrated pages are devoted to H's theories about architecture, his architectural models, and the utopian structure he was commissioned by the city of Vienna to build.

I was certainly correct in one assumption I made when I ordered HUNDERTWASSER: With the words "Taschen 25th Anniversary" attached to its title, I could not go wrong. Nor will anyone who purchases it.

Note: Lest you give any weight to L. Egan's comment about the book's "downsides," please read my response to his review.

I am a quilter, and bought this book largely because of my love for batiks,(which are cotton fabrics hand dyed)and on recollection of a show I saw 32 years ago on Hundertwasser in Toronto's ROM.I like it,big time.Yep,there's no gold leaf in them thar hills and curves of Hundertwasser repros,if it bothers you enough,grab a gold leaf marker and add it yourself.Taschen offers value for your money,if you want gold leaf,you may have to add another 20.00 to the cost of the book.I have no problems about the quality of the repros.Anything that looks like pale brown,try and doublecheck,it is likely it is gold leaf. The artist may not have alot to say as other painters,but his designs,and color sense are really got me going into my studio.
I am glad I got it!

Any book about art or an artist that doesn't make me fall asleep gets five stars from me. The only downside (but it still gets five stars) as that you don't get the full representation of the pictures and need to look at the description to see the medium. For example the foil overlay. Still wonderful. (Feb 17, 2008)

I eventually found a small, beautiful, cloth-bound catalogue of his Australian and New Zealand exhibitions (the one I have was produced in 1973 by cicero, gmbh and titled 'Hundertwasser 1974 Australia') and there you get glimpse of the phosphoric metallic brilliance that I find missing in many of the books about Hundertwasser - although for the price of these books, no complaint. This book and the catalogue are a good combination. The catalogue I was able to find at a very reasonable price of $30, but it took a bit of searching. (April 16, 2008)

This cookbook has some really great recipes. My new daughter-in-law is from California, and I am making a big hit finding recipes she is used to that appeal to our whole family, as well.

I bought this because I wore out my old copy that I was given when I worked selling the Times door to door in my teens. I was able to check it out at the library from time to time but then it disappeared. What a relief to find it on [...]. I couldn't wait to get to those favorite recipes again! Some of them were so great I had them memorized like the recipe for turkey that I've used every Thanksgiving for the last twenty years, gaining the reputation of having the juciest turkey anyone's ever tasted. I love that some of the recipes came from famous restaurants or even celebrities. My family can now enjoy their old favorites again that I stopped making when my original cookbook fell apart and was lost.

As a mother of four daughters, I would call this a legacy cookbook. My personal favorites are the Ribs Diablo (to die for...sweet and just a little spicy), banana bread recipe, Chicken Dijonnaise...I could go on and on.) I have found copies of this at Orange County swap meets occasionally, and have given them all away. If you have a chance to get a copy of this cookbook, snatch it up. Nothing I have tried in this cookbook has ever been a disappointment.

I use the California Cookbook at least once a month, mostly for recipes that are a little too West Coast-centric for Joy and the other oldies, but too old-fashioned or boring for Epicurious. Browsing through this collection of 650+ recipes from the paper's archives, it doesn't take long to stumble across dishes from one-time celebrities -- Mahalia Jackson, Lawrence Welk, Polly Bergen -- and popular restaurants of yore. (Remember The Velvet Turtle? The Hungry Tiger?) Each recipe has a little piece of marginalia that introduces its source, adding a bit of backstory and flair

A friend gave me this cookbook and it quickly became the source of some family favorites. I lost all of my cookbooks in a house fire in 2002 and this was the one cookbook I missed the most. My family LOVED the Lasagna pg.167 and the Chicken Enchiladas pg.215 and no one was happy with any other recipe I tried. I've already received the replacement I found on Amazon.com and I'm thrilled. For only 85 cents plus shipping my family and I are celebrating!

This book contains recipes from my favoriate casual restaurant in Napa Valley. You should go. In the meantime, this book has a good selection of the kinds of food they serve - well-seasoned, relatively simple, dishes that emphasize fresh ingredients.

I love this book. I collect cookbooks and read them for fun. I love her chatty style of describing recipes. She gives you such a good idea of when they are good to use, what equipment you will need. Also, her combinations are quite unique. Over and over I came across unusual ideas that sound fabulous. I recommend this to anyone who loves to cook, it's a great resource.

we are fortunate to be able to visit the restaurant several times a year the favorite of my family for their visits esp the pork chop and the ribs and the amazing lemon lime pie now, they can do these at home was a perfect gift for my sophomore and jr college grandchildren, who love to cook, and do these in their apts at school. mom and dad, too

Love the cookbook and am looking forward to cooking from it right away. Thanks

I was given this cookbook for Christmas and was a little intimidated by it. It looks more like a coffee table cookbook at first glance -- something fun to look at and read but too challenging to actually use. However, I have fallen in love with this cookbook!! The Jack Daniel's Pecan Chocolate Cake with chocolate sauce is divine AND easy (and for those who don't eat wheat or gluten, totally flourless). The House-Made Ketchup is extremely good and makes a great bbq sauce (recipe also included). Even though the recipes are not hard, this is no canned-mushroom-soup cookbook. If you're the king (or queen) of fresh and don't mind spending a little time in the kitchen now and then, you might just love it. Kudos to Mustard's for sharing their best.

I've been fascinated with the 200" Hale telescope on Mt Palomar since I read "The Glass Giant of Palomar" as kid. "The Perfect Machine" meets the highest standard you can apply to a non-fiction book--it reads like a novel. Not only does it correct the many errors and omissions of "The Glass Giant of Palomar," but it weaves interleaving stories in a fscinating and riveting way. There's the story of the glass blank of Pyrex and the difficulties casting it, the extraordinary vision of George Ellery Hale, and even the Surrier Truss design first used on this telescope tube. Then there is the site selection, constuction problems, and most of all a vivid portrait of the personalities involved in the construction of this giant. It is even more mind-boggling to realize that all this happened in the first few decades of the 20th century!

After reading this book I finally made my pilgrammage to Mt. Palomar to view the monster for myself. Knowing the details of the telescope's construction added even more to the sense of awe I felt standing in the visitor's gallery gazing in disbelief at this huge, huge machine, and knowing all the discoveries made with it over the years. It was an incredible experience. No photograph of the Hale telescope does it justice.

This is an extraordinary book.

Not only does Ronald Florence give a vibrant account of the design and construction of the Hale telescope, he manages to make the reader share his fascination for an admirable project and an awe-inspiring science machine. The book is better than well written, it is captivating. Having been closely involved in a major telescope project, I can only state that his account of the production of the "giant eye" rings true. Rarely has a science writer shown so much understanding of the intricate processes, technologies, and human relations underlying a large science project. Still, there are a few disturbing inaccuracies in Florence's story. On a number of occasions, the author wrongly gives credit to the Palomar telescope designers for innovations that had been experimented long before, such as the principle of the support of the primary mirror, actually due to Lassel (Malta, 1861). The account of the in-situ finishing of the primary mirror sounds completely implausible, the metrology of the time (I saw the Hartmann screen on the occasion of a privileged visit in 1995) being of too low resolution to allow any meaningful verification of local refiguring as reported by Florence. The post-1950 period would also have deserved a somewhat broader and fairer account; the Russian 6-m may not have been a success comparable to the Palomar but paved the way for modern mechanical designs, and the advent of entirely new and far-reaching concepts, such as active optics, in the hands of European designers and suppliers is completely ignored. Still, the vision and the endeavour underlying the making of the Palomar telescope emanate from every page; it is a nearly perfect book about a nearly perfect machine.

I purchased this book at the telescope gift shop on Mount Palomar back in 1996. I read it in the next few days. It is the fascinating tale of George Hale, a remarkable man who had to battle personal demons (in the form of debilitating mental breakdowns) to build the world's largest telescope--then do it again and again! I can't remember the first one offhand, but the 100-inch Hooker Telescope on Mt. Wilson was next, then the 200-inch Hale telescope on Mt. Palomar. This book talks about all the technical, financal and other difficulties that were overcome to make the giant telescope possible. It explains large earlier telescopes and how the problems encountered in their construction provided lessons for the designers and builders of the Palomar telescope. Anyone interested in the history of technology or astronomy should give this book a look.

I have no trouble pinpointing the splendid-ness of this book. All I have to do is mutate a cliche and say that "the angel is in the details." Florence's full, dramatic account of the various attempts to create the mirror for this enormous telescope -- first by General Electric and then by Corning -- is worth many times the price of admission. What you get is an exciting story of engineering hurdles met, overcome, and sometimes not overcome ... I am not an engineer, but probably should have been one. My father _was_ an engineer and, while reading this book, decided he would probably find it enthralling, and I was right.

Florence is such a careful and masterful writer, that this tale of seemingly-insurmountable obstacles and struggles should appeal to anyone. He makes molten glass come to life. Bravo. One of the better books I've read in the past 5 years - and I read a lot.

Florence's narrative brings alive the fascinating saga of the great Mt. Palomar reflector, in its time the world's largest telescope and a pioneering example of "Big Science." The instrument's gestation period, beginning in 1928 and interrupted by the second World War, was so long that three of the principal figures didn't live to see it dedicated in 1948. Included in this group was the project's founding father, George Ellery Hale, for whom the telescope is named. The author uses Hale's remarkable abilities and seemingly unending physical and mental travails as a unifying theme throughout the book.

A renowned telescope developer and respected solar astronomer, Hale had the establishment clout and scientific connections to launch such a grand project and assemble a team to carry it out. While suffering from a chronic nervous condition that often left him isolated in a darkened room, he was nevertheless able to lead the program through its most critical periods and help rescue it from a multitude of financial and organizational crises.

The immense 200-inch (nearly 17 ft) diameter of the Palomar telescope's main mirror gave it twice the theoretical resolution and four times the light grasp of its Hale-inspired predecessor, the 100-inch reflector on Mt. Wilson. Everything about the 500-ton machine was Brobdingnagian, perhaps best symbolized by the fact that an observer at the prime focus actually sat inside the telescope tube, with plenty of clearance for starlight to stream past him to the mirror some fifty-five feet below.

In the hands of Florence, what might have been a confusing welter of facts becomes a coherent and utterly engrossing suspense story. He seemingly overlooks nothing about the relevant issues of Astronomy, optics, engineering, business, politics and personalities; yet there is no sense of overkill and one always feels eager to begin the next chapter. The dozens of interacting characters are portrayed with enough subtlety, irony and humor to make them seem real and familiar. I have seldom gotten so much pure enjoyment from a book.

I wish Nora Gallagher lived next door to me. I'd like to hear more about her courageous faith. I wanted more about practicing resurrection. She left me hungry. What a great title! Gallagher writes so wonderfully about matters unspeakable, ineffable, silent and deep. She puts words to hidden yearnings. The glimpse into the clerical side of the Ep[iscopal Church was fascinating too, and her critique enlightening. It's so gratifying to read a book about God that is real, touching, and grounded.

In Practicing Resurrection, Nora Gallagher writes movingly and spiritually about the various crises facing her and the world around her. Her book has a lot to say about living in community and finding spiritual direction; unfortunately, the structure of her tale does not contain a similar direction. It is riveting in the middle, but suffers from a muddled, boring beginning and a rambling, uncertain ending. It contains a lot of good thoughts hidden in the midst of irrelevant chatter. Perhaps the problem is more than structure, for Gallagher seems to travel from uncertainty to uncertainty and, though this is a journey, in the end, doesn't change all that much. Maybe she just wanted to write another book.

In this sequel to her bestseller Things Seen and Unseen (1998), Nora Gallagher continues to explore what a life of Christian faith marked by authenticity and integrity might look like in our contemporary world. She compares her journey of faith to the swimming lessons she took as a child: "The life of faith [is] amorphous, ephemeral, a glimpse, a moment. Trusting it [is] like my early swimming lessons learning to float." In particular, her brother Kit's diagnosis of bladder cancer, a prognosis for a "zero percent" chance of recovery, the horrors of surgery and chemotherapy, and eventual death all forced her to ask life-altering questions about God's call upon her own life.

The themes of vocation and call loom large in Practicing Resurrection. Through her many involvements at Trinity Episcopal Church in Santa Barbara, Gallagher began to wonder what might God have for her. To what could she devote her passion and considerable skills? Where did her joy and gladness intersect with the world's needs, as Buechner once put it? Sensing a possible call to the priesthood, her church formed a "discernment committee" of four saints. They met once a month for three hours across the year, plying Gallagher with questions, telling their own stories about vocation, reading the Scriptures, praying, and, perhaps most important of all, "honoring listening." What voices should she listen to? Which ones should she tune out? What about her husband's deep ambivalence? Was the priesthood any more sacred than her identity as a writer that she had nurtured for over thirty years? After negotiating the labyrinth of the Episcopal bureaucracy and its application process, Gallagher was "exiled" to a very different parish with a very different priest for a year as a ministry-study student. At first she felt like she and the priest were on a "bad blind date," but across the year she gained a deep appreciation for her mentor's faithfulness.

While Gallagher was trying to discern how she might hear God's call, Trinity Episcopal grappled with how as a church they might extend a call. Their interim pastor had informed the vestry that he was gay. Should that impact whether they called him as their regular priest? How did they guard issues of confidentiality once the vestry knew but the congregation did not? How to tell the congregation? What about feelings of distrust and betrayal? Should the church wrap the different but related matter of gay marriages in with the possible call of the pastor? How might the denominational officials respond, if at all?

You'll have to read this fine memoir to learn about Gallagher's call to church and the church's call to their pastor. In the end she likens herself to a friend who was listening to an unctuous priest ask, "what do you really want for Christmas this year?" Her friend responded, "What I wanted to do was to stand up and call out, 'I would like to really believe in the resurrection.'" Her remark reminded me of the words of the eminent church historian Jaroslav Pelikan, who near the end of his life said, "If Jesus rose from the dead, nothing else matters. If Jesus did not raise from the dead, nothing else matters." In practicing resurrection we thus inaugurate a tiny bit of God's eschatological future into our lives today.

Gallagher's fans, and their numbers are considerable, will want to note the release of her first novel, Changing Light, in early 2007.

I bought this book totally on the recommendations of all the previous Amazon reviewers. Nora G. is a very gifted and insightful author. I love the way that she is master weaver with her insights and honesty.

I am at the other end of her theological spectrum and disagree with all most all of her conclusions and positions. I find it amazing that in her spiritual "Christian" journey she rarely refers to scripture. So many of her insights bring clarity to the scripture and other points they disagree.

I will not keep this book and have no people I know interested in reading the copy I just read and will send it to anyone free" no postage fees.

tim@twright.co.uk

Nora Gallagher tells a wonderful story about the everyday as well as the "big" events of life. Through a year of searching for answers and asking the needed questions, she goes beyond the usual metaphors to look at how to deal with the death of her brother, how to reconnect to her husband and most significantly, how to make an decision about which road to take next in her life. Readers - don't be put off by the religious words and subtext of this powerful book! It is not a book about going to church, but rather about the value of people, prayer, introspection, respect and bravery in all our lives. Relish its beautiful language and poetic flow. It is well worth your time to live in the world created by Ms. Gallagher!

I loved the author's imagery and descriptive use of language. While reading Ruby Rest, I felt as though I was seeing the world through the eyes of the author. Discovering the secrets of the cottage and the wonders of this quaint coastal town was candy for my mind.
I was carried on a journey that is mysterious and suspenseful, but sweet and beautiful all at once!

I have not finished this book yet, but so far I have really enjoyed it. I didn't want to put it down, but did so reluctantly when my eyes could hardly stay open anymore. I bought it to take with me on vacation this week - I may finish it before I leave town!! :)
Great job, Tyler! You are a beautiful woman with a beautiful book!

A very captivating story told with colorful imagery...vividly describing California's coastal beauty along the seaside of Carmel.
Ruby Rest is a compelling story of fine art, great food and mystery, all of which I thoroughly enjoyed.

As I read Ruby Rest I was taken away to another time and place, a place that was romantic and mysterious, a time that was contempary yet historical. I wanted to devour the whole book without stopping the read. Tyler Oaks is a gifted writer and should continue on writing these type of novels for women who like to be taken away to another time and place, to excape the world around them if even for only a few hours.

Ruby Rest reminded me so much of my recent trip to Carmel. The cottage, the town, the scenary in Oaks' description was absolutely descript. As a traveler I picked up this book at a Border's in San Francisco because I needed a good read for my trip to NY. After landing in JFK I was on the last chapter and prayed that there would be a delay so I could discover all the pieces of the puzzle. I highly recommend this book and can't wait until her next...

Robert Irwin has lived his life as both a solitary creator and unrelenting seeker to the same consummate degree that only Dante Alighieri, Agnes Martin, Meister Eckhart, Lao Tsu, and a handful of others have sought. If you haven't heard of him, you should read this anyway. Remember, it even took Bach two centuries to get his proper due. Regardless, this book changed a lot for me. I am forever grateful.

Weschler's prose is Irwin's lighting. His book good as this biography junkie has ever read, and he does it in only 203 pages. As I write this, you can buy this book used for the price of a Domino's pizza - that's all i'm saying.

If you're an artist, you need this book. Even if you don't like Irwin's work (or never heard of him.) Remarkably, this biography of the most minimal of minimal artists contains no abstruse language, no mysteriously self-important pronouncements, nor even a single reference to any French esthetic theorist. Not only is this written in clean, straightforward prose; you can hardly put it down. It also raises critical, fascinating questions about the nature of art, and of the way we see. I've recommended this book to several people. It's never what they expect. They've always thanked me.

*

I am fascinated by the creative process. I am fascinated by physical manifestations born from the spark of an idea. I am fascinated by the complex psychology, rigorous philosophy and simple backbone evinced by those devotees of method. And I am blown-away by Robert Irwin.

My first contact with Robert Irwin's work came in graduate school when a few friends and I drove from Philadelphia to Manhattan to visit the Dia Center for the Arts. There on an upper floor I encountered a truly shocking, yet subduing, experience. Irwin had taken over the entire level and divided into rooms demarcated with translucent scrim. I walked slowly, from space to space, enclosed but not, silent in presence yet bursting with internal applause, and in awe. I marveled at the solidity of light that slid through the Dia's industrial steel windows, tracing its way across two layers of the thin white fabric and gently landing on the concrete floor. My eyes were tickled by the subtlety of color emanating from the vertical fluorescent lights wrapped in gels. There must have been thirty others there at the same time, meandering like ghosts whitened by one, two, three layers of scrim, yet the space was absolutely quiet. This was the first time that I truly understood the word ?perception.? It came in a space filled with exacted simplicity.

Since then I have tried to follow Irwin's work, both past and present, only to find that it is rarely photographed, as the medium cannot do the work justice. However, Lawrence Weschler's biography on the artist is a tremendous piece of writing that will give you much more appreciation for Irwin than any catalog ever could. Weschler spent years interviewing the artist, tracking down collaborators and researching the works. He exhibits an amazing understanding of Irwin's intentions and adds much needed commentary to keep the story straight while tracing the complex and highly personal evolution of the man and his art. From descriptions of Irwin's self-imposed eight month exile in Ibiza, to his two year long rigorous exercise (and again, exile) to create what amounted to twenty lines, Weschler gives us an in depth look at the zen-like disposition of the artist in his search for the perceptual (and hence, not conceptual). Irwin's diligence and rigor will stupefy even those most devoted to their process, and discussion of his material experimentation will act to spur imaginations. Robert Irwin supplies the majority of storytelling, however, and lets the reader in on often humorous tales of the art world from the point of view of a very personable and highly influential artist.

In short, I highly recommend that anyone devoted to design, be it fine art or architecture, read this book. I also recommend that you travel to San Diego to see the first major exhibition of Irwin?s work since 1993, "Robert Irwin: Primaries and Secondaries" at the MCASD through February 23rd.

Note: The installation at the Dia Center was reviewed thoroughly, with an included history of the artist?s work, in an article entitled "Robert Irwin?s Doors of Perception" by Carol Diehl in Art in America magazine, December, 1999, findarticles.com

This is simply the best book about art I have ever read. Like other reviewers, I can say that this book permanently altered the way I see the world (and art). Irwin did it and he still does it.

I picked up this book in 1984 because it was on a reading list for an Art History class I was taking at Oberlin College. I stayed up all night in the library that night. I couldn't put it down. My mind has never been the same.

I still often think of it,tell stories from it and give it as a gift. I always say "skip the first chapter-it gets much better." If I remember right, the book begins with a description of Irwin's perfectionism when cleaning the engine of his car. I figure that will bore my friends.

I tell my students about Irwin's many years attempt to make the perfect line, to his wife's chagrin and his painting the back side of his paintings because it matters to him. They like the story of the riots that occured in South America due to the disorientation of his discs-concave and convex-the viewers couldn't tell where the wall started and the disc stopped. I have given the book as a graduation present.

I thought about this book at the mechanic the other day. My engine is very, very dirty.

I will never forget,forgetting. Great book.