California Books

BLOSSOM RIVER DRIVE is a multi-level literary masterwork that can be appreciated by everyone from mid-readers to James Joyce scholars. Now I read that it is being banned by California schools. Incredible! Why do we always run from what we really need?

Banned in California schools because ultra-conservative parents are afraid of having their children discuss its marginally erotic contents, this novel deserves to be read and re-read. One way I evaluate the value of a book is by its ability to tolerate multiple readings. This one does--for any one serious about discovering childhood's unspoken secrets or serious about literature that dares to shed light on areas where fiction has not previously been permitted to go.

A great novel about childhood secrets, love, life, identity, and heartbreak. This one will last as long as books are treasured as inroads into the otherwise hidden forest of human truth.

The author of the controversial novel BLOODROCK has done it again. BLOSSOM RIVER DRIVE is, as the current ad in Atlantic Monthly says, the one novel of the year you have to read. I found it irresistible, devouring it at one sitting and then going through it again to savor everything I'd missed. Read it NOW--you won't be disappointed.

This book boldly leaps into the heart of childhood secrets that the culture tells as are taboo, untouchable. Childhood is the time of grave danger and unthinkable exploration; anything is possible, including sex. This book explores these ideas in an extraordinarily direct and honest manner. It is indispensible and should be #1 on everyone's bestseller list.

This book is beautifully illustrated and very comprehensive. I know I'll be using it for many years to come. It is a cut above the others.

A beautifully written and edited book that is a must have for the avid gardener. Possibly the 'Bible' of California native plants. I keep it close by for reference or when heading out to do my buying.

I bought this book several weeks ago and am very happy with it! Lots of helpful and useful information...and great photos too. This book is definitely a great resource if you are interested in landscaping with California native plants.

In additon to a wonderful collection of native plant profile which you'd expect from a book of this kind, this book also provides plant selection recommendation for different function or desired feature which I found to be most practical. You also get a list of nurseries for purchasing, botanic gardens or similar for learning native plants. That's not all. The short yet informational introduction of the history, design and care of native plant is educational. It's a great book for an out-of-state person like me, native plant beginners, or even professionals.

This is one of two must have books if you are interested in gardening with native California plants. This book is definitely the 'guidebook' half of that collection (the other being Designing California Native Gardens). It does an excellent job of getting you acquainted with all the different plants you may be wanting to bring into your garden, and in giving you actual photographs of the plants! One giant peeve of mine in gardening books and guidebooks is the use of hand done illustrations- in other contexts they are charming but you really can't get a feel for a plant unless you are looking at its' actual picture. It just gives you a much better feeling for the plant- the texture of it's leaves, the weediness of its' growth habit, that kind of thing. This is a book you will find yourself using as a reference again and again. Five stars are given enthusiastically.

This is simply the best Tex Mex /authentic recipe cookbook out there. I have made a number of recipes already and find the recipes to be true and as good as described. I even bought one for my Aussie cousin who visited for Xmas. Buy it now

I checked this out from my library and just had to get my own copy. McMahan spends a lot of time telling stories about her family history and the food memories particular to her California upbringing. The recipes themselves are straightforward, simple, tried-and-true, and delicious. I recently tried the recipe for spicy chicken at a barbecue and got great reviews--the chicken was moist, the preparation was simple, and the flavor was complex and satisfying. One of my favorite cookbooks of all time.

In my 30+ years of cooking and buying cookbooks, this is the first cookbook I have found that every recipe is perfect. Want to have a successful dinner party where every guest goes home thinking you are the best cook ever? Then buy this book. Not only are the recipes fantastic, but you will find yourself completely mesmerized by the splendid history of the Californios and their small, but amazing, time period in California history.

What a great book. I moved from the east coast to California about 6 years ago and I have been wanting to cook more californian. What a great resource this is to learn not only the recipes but the history of each dish. The stories are interesting, the recipes look relatively easy. I can't wait to start experimenting. I am especially looking foward to homemade tortillas. The only reason I didn't give this a five star rating is because a lot of the recipes are deep fried.

Cookbooks have a critical audience. A five-star book must not only have recipes that produce great dishes, but recipes that read well, producing in the reader's mind a dish that the reader can virtually see and taste. A great cookbook is also more than just a listing of recipes grouped by beef, chicken, and desserts. California Rancho Cooking hits on all these points. Through these recipes we get a glimpse into an early Californio family and through them into early Californio history and life. An additional benefit is that the author lets you in on how she modifies recipes into something new and different. As a cook myself, I know that this is how you really advance in your understanding of the art of cooking... and the fun of cooking.

Two recipes especially piqued my interest in this regard: Chilena Pie and the old stand-by and oft poorly made, Chiles Rellenos Con Queso. Her (family's) Chilena Pie makes me ache to get started. In addition, I've already got thoughts on how to (hopefully) make improvements. For those who are similarly inclined, always make the base version first so you really understand the baseline, be careful you do not overuse a individual spice, and never try out your new creation with company first.

For me, Chiles Rellenos in gringo-style restaurants are awful; the coating is reminiscent of white bread and then the poor things are covered in a bland ranchero sauce. McMahan's basic version is akin to mine, but her variations of wrapping them in tortilla is great, and I love the idea of the breadcrumbs. What great ideas. All I can add is to consider that you have other stuffing options than cheese. Oh, her Chiles Rellenos Con Queso are on page 125; it is listed in the index under cheese, not chiles, not rellenos.

The only areas where I could suggest an improvement are:
- Some of the recopies expect the reader to have the author's understanding of the technique to be used. This expectation should not bother most readers, but a new cook could experience some frustration.
- As one who must watch his intake of fats, especially saturated fat, I appreciate it when the nutritional information is provided. This is really de rigueur for modern cookbooks.
- To roast chiles/peppers, many cooks recommend rinsing the charred chiles under running water. McMahan's technique is to place the charred chiles under a wet paper towel to steam and then to wipe off the charred skin. Both techniques are fast and easy, but I prefer to steam them in a small paper bag or a small covered bowl and use the back of a knife or a spoon to remove the charred bits. It is more labor intensive but there is a lot of flavor in the liquid left over from the steaming that I am loath to loose.

These are very minor points, and I really enjoyed this book.

While I was lucky enough to live in Berkeley, the Cheeseboard was a legend in every sense of the word. The Cheeseboard is THE place by which I judge all other breads and baked goods. I made the scones and they were declared "f@%*ing amazing" by people who normally eschew "dry, brittle" scones. Next, I made my own sourdough starter and it's awesome. Afraid I'd screw it up, I emailed the coop to see if I could buy some of the Cheeseboard starter the next time I was in town. Their reply: "We offer starter as a neighbor would offer a cup of sugar." This is more than a business, it's a community project. These people are Berkeley at it's best. I never made it back to the Bay Area, but I did start my own as per their directions and it's really, really, really good. This book is awesome and everything I've made (scones, sourdough, focaccia) has exceeded expectations. It's well-written and contains excellent instructions for fool-proof bread. The only time my bread failed is when I struck out on my own. I make the City Bread on weekends and enjoy a slice every morning with some butter and jam. It is moist and lasts about 5 days without losing too much texture. The older it gets, the longer I toast it. I actually get cranky when I miss out on it. My thanks to Cheeseboard for writing this great book for those of us who are no longer able to walk to the "Gourmet Ghetto" but keep a place for it in our hearts.. and stomachs!

I bought this book at the original Cheeseboard while on vacation. It was an impulse purchase, but I one I'm glad I made. I've had a lot of failures with bread, but the directions and observations in this book have vastly improved my baking skills. The recipes seem to be fool-proof, and the results are excellent. Bread making is now a relaxing and enjoyable hobby.

This is an excellent source for beginning bakers. Making stellar bread isn't that difficult, and is actually a lot of fun. No more bread machine for me.

As someone who grew up in Berkeley and now only gets to visit a few times a year, I use this book whenever I get homesick for Cheeseboard goodness. Not only do I get raves for every single recipe from non-Berkeley-ites, but the recipes are dead-on in replicating the scones and breads I grew up with.

I love this book. I have been searching for the perfect scones for 25 years. I have found them in the Cheese Board's new book, along with myriad other phenomenal recipes (brioche, shortbread, pizza, etc.). The humor and affection of the bakers/writers for each other and the subject matter are also infectious.

I spent 6 years in Berkeley and I still go back occasionally. The one stop I always make is the Cheeseboard. Not only are they famous for wide cheese and olive selection, but their bakery is out of this world. I remember the days where I would get Brioche and munch on it on the way to class. Or getting the fresh baked sourdough baguettes on the way home from the market. This cookbook describes in detail how to work with the dough, measure out ingredients, and how to bake bread properly. I learned a great deal about baking from this book. I have made a few things (such as the shortbread, sourdough baguette, brioche, muffins, etc) from the book and was very satisfied. Now, this is not for the beginner bakers, I don't think. Also, this is not a speed baking book. I would rate this book as a medium skill book, but with a help of Kitchen Aid mixer and patience, you will be able to get the same great products you find at the Cheeseboard Collective. Definitely recommended for anybody and everybody.

DeeDee and Gabby have been best friends for most of their lives. And for the majority of their friendship, DeeDee has been the idea person. DeeDee concluded whom each of them should marry and that neither of them would have children. Until DeeDee-approaching her fortieth birthday, changed her mind.

Gabby has been a mostly happy accomplice. After all, DeeDee's plans just made sense. So Gabby plays the supportive friend role through two years on DeeDee's rollercoaster ride through infertility. Just when DeeDee's reproductive life decides to comply with her wishes, Gabby begins to notice that DeeDee isn't really DeeDee anymore.

This is a wonderful book about the love and personalities that bind a friendship together. It is one of those books that I wish I could have written. Sharon Souza handled the infertility aspect of the story with such humor and grace-and by painting it from Gabby's perspective, she was able to get the emotion without too deeply plumbing the depths of despair.

If you are looking for a good and somewhat funny book about infertility, this is it. If you are looking for a good book about friendship, this is it. And, okay, I can't call it a good book about Early Onset Alzheimer's, because that disease is far too depressing to be described in any way as "good," but the end was highly satisfying, anyway.

Armchair Interviews says: A book that is very "satisfying" on many levels.

Sharon Souza's debut novel captured me from the first chapter. One thing I loved about this story is that it told of a beautiful, loving relationship between two women modeled on the love between David and Jonathan in the Old Testament. Sometimes even loving the most lovable person in the world isn't easy, and Souza illustrated the blessing of doing just that.

Scenes of self-doubt and frustration that revealed the character of Gabby as a flesh-and-blood woman who wrestles with doing the right thing were beautifully written. The story drove toward an issue that would disturb the seemingly perfect lives of her characters to create the ultimate conflict. I was curious about what that would be and how it would play out, and I was satisfied with the turn the story took.

This story ended up being a love story between friends and illustrated the ultimate love story between God and his people. Well done!

Every Good & Perfect Gift "adeptly portrays the strengths of friendship, and the wonderful but often difficult relationships between mothers and daughters," as the Publisher's Weekly review says.

What the review doesn't mention is how realistic the characters are and how significant the story is. Written in the first person, but as much about another character as the "I," the novel gives unique voices to both women. And makes the reader care for both.

This book is not light weight. It "adeptly" deals with serious issues (not just friendship, though in saying "just" I'm not implying that friendship isn't a worthy topic to explore. Rather, this novel goes beyond that scope and treats something bigger) and "Souza laudably refuses to succumb to a pat ending that neatly ties up all the loose ends." Rather than frustrating, this ending seemed to me like the only one possible.

At one point, the PW review called Every Good & Perfect Gift "poignant." That's a good word to describe the story. "Sad" is inaccurate because the story has more to say than "what happened in the end." Besides, in places, the journey to the end is itself poignant.

At times I was laughing, at other times I wanted to shake one or both characters, but in the end I cried. And cried. If one sign of a successful novel is that it evokes emotion in the reader, then Sharon Souza has written one very successful novel.

Mind you, it is most definitely women's fiction. It is contemporary, and it may touch on some raw edges for some people. But in so doing, it also might help those readers process what is almost an untouchable subject (or subjects) among Christians.

Yes, this book is also overtly Christian, but without any platitudes or pretension. It is simply a moving story, one that touched me even though I am far from the target audience. Good books have a way of doing just that.

I loved Sharon's book. Her prose was fresh and original. She wrote it in first-person point of view, which is my favorite approach. It's challenging to do, and she made it look easy. She wrote with such depth and heart, I have to applaud her! I highly recommend "Every Good and Perfect Gift."

In her debut novel, Sharon Souza introduces herself as an author of depth, compassion, and faith. Her first book, Every Good and Perfect Gift is a beautiful look at friendship and sacrifice.

Gabby Whitaker and DeeDee McAllister have been best friends since sixth grade. Theirs is a rare and beautiful friendship born of time and shared faith. Gabby always considered DeeDee the strong one and herself the follower.

Not only are they best friends, but they married best friends. As they near their fortieth birthdays, DeeDee announces her decision that she does want to have a baby, despite her adamancy for the past twenty years she didn't. The four embark on a journey of infertility, tests, trials, failures, and the birth of a beautiful baby. Through it all, Gabby and DeeDee's friendship grows ever stronger. After the birth, Gabby becomes increasingly concerned over disturbing changes in DeeDee's behavior. The diagnosis changes everyone's life forever and challenges their faith. Gabby finds the greatest joy is in sacrificing for your friend.

Sharon Souza has written a modern day story similar to the friendship of Jonathon and David in the Old Testament. This heartwarming story will make you laugh, make you cry, and make you want to call your best friend and say 'thank you.' The characters are as real as your next door neighbors. I highly recommend this book. Maybe give it to your best friend and read it at the same time. Sharon's debut novel leaves the reader eagerly anticipating her next one.

I read this book after visiting Arcata this summer. While there, I went on a BLM ranger-guided hike into the Headwaters, the "lush, mysterious, ancient, holy" (p. 82) subject of Dunning's book. I wanted to see for myself what all of the protesting was about. Enjoy this book, then experience the Headwaters' redwoods.

Dunning's book is about many things. Trees. Community. Redwood politics. Bearing witness. The destruction of "one of the most magnificent ecosystems on Earth" (p. 3). Saying "enough!" Non-violent civil disobedience. Protecting America the beautiful. It is also about Dunning's personal journey, or "metamorphosis" as she calls it (p. 239), from naturalist to activist. "What is an 'environmentalist'," she reflects, "but simply a citizen who has shed denial, who has opened his or her eyes and said, 'it does matter nature does not have an infinite capacity to heal herself, himself, itself . . . I am responsible'" (p.228).

Dunning's book reads like an insightful journal, in which she sets out to tell it like it is. "This book is not about happiness," she warns her reader on the first page. Rather, it is about "yielding to conscience. It is about a forest, and it is about us" (p. 1). She reveals that the destruction of old-growth forests like the Headwaters isn't someone else's problem, but our own. Dunning reports that in 500 years, we have destroyed more than ninety percent of our country's ancient forests, leaving only 3.5 percent to protect (p. 263). By saving the redwoods, we save ourselves. Dunning writes, "I want nothing more than to dissolve the polarity that plagues this county and this country, to bring us all back to center--the owls and the pussycats, the loggers and the environmentalists, the business community, everyone--to put us all in the same life raft, which is our Earth" (p. 61).

Dunning also reports that redwood civil disobedience is nothing new. We learn, for instance, on November 19, 1929, Laura Perrott Mahan (1867-1937) lay down in the area now known as Founder's Grove in California's Avenue of the Giants to halt redwood logging. Dunning also writes, and her collaborator, Doug Thron's photographs show that clear-cutting "is an act of violence that affects trees, rivers, air, water, earth, and every person, owl, toad, or human who lives there" (p. 88). "Our whole earth is suffering from the cumulative effects of a million minute daily actions" (p. 240).

Although much of Dunning's book is downright depressing, her real message is this: "Find a corner of the world and fix it" (p. 240). Turn your driveway into a garden. "For each of us," Dunning says, "regardless of where we live, there is a valley, a mountain range, a beach, a whale, a peregrine, a gnatcatcher, that if we merely give our time as a witness to the loss, will gradually unite the being of its existence with our own, will ground us by putting us in touch with what is wild and speechless, will empower us when we speak out in defense of the powerless" (pp. 14-15). (Those interested in how each of us can make a difference might also enjoy Thomas Berry's, THE GREAT WORK (2000), which I also recommend as one of my favorite books.)

In addition to Thron's amazing color photographs (note the cover photo), Dunning's book is also illustrated with her own drawings of redwoods (p. 17), salamanders (pp. 25, 174, 179, 260), a banana slug (p. 41), flying squirrels (p. 56), frogs (pp. 67, 187) and an owl (p. 103), among other subjects.

In our world of "Cars. Cars. Cars." (p. 124), Dunning's book triumphs in showing the value of silent, "dark, dripping, ancient" (p. 37) redwood forests, that tell us to "Be still." For its insights, photographs, and drawings, this book about the wonders of tall trees should not be missed.

G. Merritt

I learned so much by reading this book. Joan Dunning has a way of tackling difficult, cumbersome and emotionally charged subject matter and making it easily digestible. It's a compelling read and the photography by Doug Thron is extraordinary.

No book has ever moved me the way this one has, I have tears in my eyes as I write this. I've just read many of the other reviews, and I don't have the way with words that some do, but they tell it like it is. Joan tells it like it is. Books don't get any better, and this one will change your life, like someone said it isn't all about happiness, and I have become informed and aware of too much to not so something about what is being done to our Redwood Forests, and what is being allowed to be done to our envirnment and watersheds. It's a true story, happening right now, this book documents it succinctly with amazing one of a kind pictures. It will open your eyes. Something needs to be done about Charles Hurwitz from Houston, Texas and his company MAXXAM. He is savaging The last of the Virgin Redwood Rainforest in California. I cannot beleive the CDF and the department of Forestry are "letting him get away with it." Not to mention the way he "aquired" the land, which is explained in the book. Please read this book. This book will light a fire in you, and like me you will have to do something. There are several websites listed in the back to point you in the right direction. I beleive this book is THE BEST one on the subject and if you plan on reading only one this should definitely be it. It has the most facts, information, and insight and is so well written, I couldn't say enough. And 57 pages of priceless color pictures! I am buying used copies for people, I would give one to EVERYONE if I could, and I have only said that about 2 books, and I read alot. The book is priceless. Thank You Joan

I had the opportunity to listen to Joan read from this book. It touched my soul, and I have started to give it to some of my friends to read.

This book explains in simple terms the descruction that P.L unloads on our earth. We are all suffering from the greed of hurwitz. When they "take" a tree alongside a stream, the sun hits the water. Then the water becomes silted, and the water heats up. Then the salmon do not come anymore. Then the eagles have nothing to eat, so they leave. With no trees, no air is cleansed, and with bad air we die. Somone else needs to leave.

A superb look a the Greene Brother's masterpiece ultimate bungalows. It includes some of the best Greene and Greene photography I've ever seen, and has a very good look at the details of the architecture, and the internals of the Greene and Greene houses. This book focuses more on the houses themselves, and the fixed appointments therein, rather than the furniture itself. Influences on the Greenes are coupled with a well laid out timeline give you a real view into the evolution of their style.

Excellent! The best book on this subject I've ever seen...

Superb photoraphic illustration depicts the design genius of the Greene brothers. A comprehensive study of leading architects of the Arts & Crafts movement...a high compliment to the monumental craftsmanship of those who executed their designs.

The book is beautiful, filled with both architectural ideas and furnishing ideas for items done in the craftsman style. I purchased the book for these ideas and was delighted with all the pictures. Some of the stonework illustrated is breathtaking in its beauty.

We were very disappointed at the quality of printing, inferior paper stock, and lack of clarity in the photographs. At the "coffee table" price we were expecting much higher resolution in the color photographs and better quality paper.

What a candid book. I read it in one night. I volunteer in Los Angeles County Juvenile Hall. I read this aloud to the wards, 15-16 year old boys. That was last year, some are asking me when am I going to read it again. Some books about incaceration glorify the situation, but Mr. Abbott's account of an innocent childhood to a downhill spiral of abuse and survival really strikes a cord with the reader.

this is a great read. though much of it is tought to read through, the material is important and needs to be circulated!

The author of this book states that he wrote it while in solitary confinement. It's a trip into his childhood, where he came of age in California's Juvenile system. It takes place throughout his childhood years, beginning with an early stay at age 6 (along with a rape by a counselor). The rest is his teenage years spent trying to survive the brutal system of rape, violence, and sadistic counselors (also known as prison guards).

It's very chilling. I couldn't peel myself away from this book, even though it has graphic descriptions of rapes and brutal fights between gangs of boys not even old enough to shave. The fact that the author even survived that system, which incidentally took place in the 1960s, impresses me. When I was a teenager, a few friends of mine ended up in a juvenile drug rehab center at Horsham, PA, and afterwards they were extremely shaken up. It turned out later they had been raped. Not much has changed in the last 40 years.

Abbott and his companion quickly rise to the top of the ruling prison gang, which he uses to attempt several escapes. Each time, he nearly makes it. It's amazing that he goes for his parents, who are totally excluded from being able to help their boy. He forms a love relationship with his companion which he must hide in order to survive. The counselors maintain the order by daily beatdowns and shake-ups, and when it comes down to it, the boys are treated exactly like adults. The prison system makes people have to fight for their survival almost daily, or be pushed to a fate of worse than death.

It makes the reader wonder why anyone thinks that prisons can reform any person. Trapping someone in a room and punishing them for years with the most sadistic people doesn't seem like a good way to reform anyone. In the end, prison, for adults or kids, really just sweeps the problem of emotional disturbance underneath the carpet. Nowadays, a few million reside in United States prisons, the largest such population in the world (even more than China, which has 5 times the population). We're at a time when the ruling classes think it's better to completely separate millions into boxes than to even give a carrot to oppressed communities.

Dwight Abbott remains in jail today, and he says he wouldn't be there unless the Juvenile Youth Authority had twisted him as a human being to the point where the only place he could exist was in a prison. They destroyed him as a teenager at a critical point in any human being's development. Why? If you want a window into how a person can be destroyed, read this book. At the same time, if you want to see how a person can keep some amount of love and hope for a better day (away from the prison), read this book as well.

This plain autobiography is written with such directness that it is difficult to doubt the veracity of even the smallest incident. More important, it is difficult to doubt that these incidents (or similar ones) are fairly common place, not just the events of some freakish horror story.

The story is told with great specific purpose, to expose institutions so completely rotten, but one is aware that much is not being told. The author concentrates on what must be said to bear witness to what is wrong institutionally, and does not allow himself long divergences into his own feelings and ideas. The title is a bit ironic; it's about tears shed long ago, and mere personal understanding can no longer change much.

The book speaks clearly to the need for, at very least, massive alterations in the juvenile (and adult) justice system in this country, above and beyond any very small reforms made since this story occurred. Ultimately, one must question our reliance on "professionals" to do our thinking and social organizing for us. Every terrible action detailed in this book, each so obviously misguided and clearly bound to have exactly the opposite effect of it's supposed intention, is a reminder of how we as a people have turned our freedom and control over to institutions that serve only the dictates of cynical and uncaring power, and which operate directly against the interests of individuals and society in general.

Whatever tiny changes have been made in California's juvenile system must be looked at against the fact that America has few (or perhaps no) growing industries other than it's prison system, which cannibalizes the society it purports to serve, and is already a bloated hulk, claiming more far people per capita than that of any other country, two, four, or 10 times as many as any other major nation today.

I cried, You Didn't Listen was absolutely breath taking. The whole time I wanted to stop reading the horrors, but didnt stop looking at the text the entire way through the book. It placed a new perspective on a lot of things for me and I thank Abbott for such. This is a must read for anybody looking for some perspective on juvenile punishment within the Califonia Youth Authority. It is a tough one though if you have a passion for living beings, especially children.

I work a lot with Welsh Gods and I have to remind everyone, this is THE source of what we know about Welsh mythology. I am not sure if persons not interested in deciphering the stories would enjoy them, but if you want the mystery and challenge, buy this book. Too many people claim to worship Rhiannon or know all about Ceridwen, and have never read the original sources of what we know about them which drives me nuts.

I received this book the evening before departing on a trip. After settling in on the plane the woman who was seated next to me asked, "What are you reading?" I showed her and was greeted with an immediate "Oooooh.... ugghh." I must admit that I understood her reaction. Although I have steadfastly slogged my way through them, many translations of ancient works have left me wishing for the touch of a modern bard. This one, however, did not (or perhaps it had, indeed, benefitted from such a touch!). Ford was my companion on both the flight out and the return trip. He was informative, entertaining, insightful, and (I am told by others who would know), quite accurate. I recommend this book highly.

Patrick Ford's translation is the best that I've read. It appears to be the most accurate translation and the easiest to read and understand. Anyone who is interested in Welsh mythology or mythology in general should read this book. The tales themselves are interesting and entertaining. They give us a great glimpse into the world of the ancient Welsh people.

How does the handsomely bound new rendering by Sioned Davies, Chair in Welsh at Cardiff, compare with the standard version often used and widely praised, Harvard professor Ford's? I consulted my 1977 copy as Ford's new printing has not yet been published. Will his "30th Anniversary" U of California paperback reissued edition find itself in a dead heat with Davies? The race may prove a photo finish!

I compared their translations of a favorite passage of mine early on in the First Branch, Pwyll's tale. Arawn's just been reunited with his queen after the year's test by unwitting yet steadfast doppelganger Pwyll. She wonders, post-coitally after a long year's lapse, why it's been so long since her husband made love with her.

Here's Ford (1977 ed., p. 41) first at the starting line.

"Shame on me," she said, "if from the time we went between the sheets there was even pleasure or talk between us or even your facing me-- much less anything more than that-- for the past year!"

And he thought, "Dear Lord God, it was a unique man, with strong and unwavering friendship that I got for a companion." And then he said to his wife, "Lady," he said, "don't blame me. I swear to God," he said, "I haven't slept with you since a year from last night nor have I lain with you."

And he told her the entire adventure.

"I confess to God," she said, "as far as fighting temptations of the flesh and keeping true to you goes, you had a solid hold on a fellow."

"Lady," he said, "that's just what I was thinking while I was silent with you."

"That was only natural," she answered.

--You can feel the hesitant insertion of the teller's dramatic pauses implied with the "saids." These intensify rhythms of the poet's strong, confident prose. A few contractions and the well-placed dashes quicken the dialogue's pace. The language avoids the flowery exactitude and chivalric diction that marked Gwyn and Thomas Jones' 1949 Everyman edition. But, neither does Ford choose an entirely modern register. He keeps a slightly elevated style while emphasizing verve and a gently sophisticated voice for the couple.

--Compare and contrast Davies (2008 ed., p. 7). As in other pages I spot-checked, the two professors run neck and neck and overlap considerably-- a sign of how both scholars channel what Ford calls the "restraint" in this passage as well as its humor and tension.

"Shame on me," she said, "if there has been between us for the past year, from the time we were wrapped up in the bedclothes, either pleasure or conversation, or have you turned your face to me, let alone anything more than that!"

And then he thought, "Dear Lord God," he said, "I had a friend whose loyalty was steadfast and secure." And then he said to his wife, "Lady," he said, "do not blame me. Between me and God," he said, "I have neither slept nor lain down with you for the past year."

And then he told her the whole story.

"I confess to God," she said, "you struck a firm bargain for your friend to have fought off the temptations of the flesh and kept his word to you."

"Lady," he said, "those were my very thoughts while I was silent just now."

"No wonder!" she said.

--Davies in her preface emphasizes the "performative" qualities in her edition. In this passage, she appears to let the lines go longer rather than reining them in to English syntax. They drift away slightly before coming back to us. Perhaps this echo demonstrates Davies' own scholarship in the medieval Welsh interplay between orality and literacy. The author of two books on the Mabinogi, she stresses the "interactive" nature of the manuscript to be read aloud for the "acoustic dimension" embedded in the Welsh texts and through alliteration, tone, and beat, she tries to give us a feel for this tempo, albeit imperfectly conveyed perforce into our clunkier English.

--Both Davies and Ford include the four branches: Pwyll, Branwen, Manawydan, and Math. Both include Lludd & Llueyls. But, reflecting textual differences in the original manuscript anthologies, they also differ. Ford's tales attributed to Gwion Bach & Taliesin, Culhwch & Olwen, and his appendix on Cad Goddeu do not appear in Davies. She provides Peredur, The Dream of the Emperor Maxen, The Lady of the Well, Geraint, and Rhonawby's Dream.

--Both editors explain their textual choices and open with prefaces. They both add glossaries, pronunciation guides, and bibliographies. Ford situates the tales in Indo-European contexts and Davies delves into their delivery as recited stories. Ford begins each tale with a short introduction; Davies adds explanatory notes in a detailed appendix, keyed to asterisks in the body of the text. Davies keys her "Index of Personal Names" to pages in the text while Ford does not. For study and teaching, it looks like the competition may result in a dignified and spirited draw. Most serious readers doubtless will want to consult, as I have, both fine efforts side-by-side.

(This review's, fittingly, also at the Davies listing on Amazon US. May both translations flourish.)

An excellent and accessible translation of most of the stories normally included in the Mabinogion (minus the three Arthurian tales, Macsen Wledig, and Rhonabwy), plus "The Tale of Gwion Bach/The Tale of Taliesin" and the hard-to-find "Cad Goddeu". Includes introductions, a glossary of proper names, and an index.

The book "Maverick's The Big Story of Big-Wave Surfing" by Matt Warskaw is one of my favorite books. This book is about surfing and its mishaps and adventures. The title of the book is Maverick's, this relates to the book countless times because it is a gigantic storm of waves in California that come every year. There are many different stories, some that are good and some that are sad or not that interesting. This book talks about how surfing has changed over the years. Also how far it has come since 1914. It has some very fascinating stories from surfing a 25-foot wave to drowning and having your last ride. I would rate this book a 5 out of 5 because of how interesting it was. I would also recomend this book to all ages because it is such a good book.

This book gives you a feeling of "look at that wave!". If you really want to get an idea of big-wave surfing, find an IMAX theatre showing "Extreme". Then read this book. The photographs are good and the historical information is presented well and has some depth to it. You also get to see pictures of one of the biggest wipeouts ever!

Growing up in Montara just a few minutes north of Mavericks, no one I knew even talked about surfing there. The surfers from the coast surfed the Jetty, and the stronger surfers went to Montara. There were many places around that one could surf, but no one considered Mavericks a surf mecca. No one mentioned it's name.

Seeing is believing. If you have NEVER seen big wave surfing except in pictures you are missing out!...

Enjoy the book. It is a great piece of history about the location and surfing in general!

Look for DVD's and Videos of Mavericks at [their website], taken by locals Eric and Kurt at Powerline Productions.

Not just a nice coffee table book, but also a great story about big waves and big wave surfers. Some of the shots are absolutely spectacular. And what would a book on big waves be without a chapter on Greg Noll - what a character.

This is a fascinating look at the history and sport of big-wave surfing, focusing primarily on Maverick's but also discussing some of the other big-wave spots in the world, such as Todos Santos and Cortes Banks. If you have fond memories of the classic travel and surf-bum movie from the 60s, "The Longest Summer," about great surf spots around the world, you'll probably enjoy this book.

My review concentrates mainly on the dangers, since I was interested in researching that, but overall it's a beautifully illustrated and well-written account of the sport. The author starts with the early history back in the mid-1850s (when a legend has it that a Hawaiian was supposed to have ridden a tsunami back to shore).

I was interested because I used to live for many years near Maverick's, one of the premier big-wave surfing spots in the world, and I was curious what it had to say. I've never been a board-surfer myself, but grew up in southern Cal and did a lot of body surfing when I was younger. One time, I foolishly tried to body-surf a storm-driven 18-footer at Gillis Beach in southern California and got ground into the bottom and held down long enough so I thought I might not get back up to the surface in time. But I survived, and am now older and wiser.

I've had a few other misadventures, such as having been pulled out by a couple of riptides (including one that pulled me underneath the water briefly), so I've always had respect for the ocean, and I figured big-wave riding must surely be even more dangerous. Photos of lone surfers dwarfed by enormous waves have always amazed me and sent shivers up my spine, as I remembered my own scary encounter with a wave. Oddly enough, the author goes to some pains to dispell that notion by recounting various statistics and many anecdotal stories about the sport.

For example, although it's possible for a big-wave to hold a surfer underwater long enough to drown, this is very rare. More likely is for a surfer at the more crowded small-wave sites to get knocked unconscious by someone else's board who wiped out and to drown that way. Or there's the possibility of an unsupervised and inexperienced surfer drifting into a strong riptide. And as the author says, "No big wave surfer ever tested the odds as boldly as the untrained, pot-bellied, beer-staggered, citizen body-surfer."

Mark Renneker, a UCSF physician and avid big-wave surfer, gathered data and compiled statistics on injuries and concluded that cheerleaders were injured more often than big-wave surfers.

Peter van Dyke, another big-wave fan, had some other comments, pointing out that in one recent year, a half dozen Grand Prix racers were killed but not one surfer, and many more bull-fighters were killed. He said that big-wave surfers were so unconcerned about their fitness that they trained on "cake, Kool-Aid, ice cream, and cigarettes." He also pointed out that the last surfer to die at Waimea was Dickie Cross back in 1943. By 1994, no-one had yet died at Maverick's (although that would soon change with Mark Foo's death).

The book also contains a full chapter going into the events preceding and following Mark Foo's death. One of the things that becomes apparent there is that surfers aren't so much killed by the waves as by occasionally getting their ankle straps caught in underwater reefs so that they can't surface. Although no-one to this day knows what killed Mark Foo, it's possible this was part of it, and one of the other surfers had the same thing happen that very day, although he was able to get free just as he was running out of air and get to the surface.

Still, because of the perceived dangers, out of 5 million surfers world-wide, only about 100 are regular big-wave riders.

But as I said, the book also contains a more general discussion and history of the sport from the early days to the present, using Maverick's as its point of departure. There are many spectacular photos, including a fantastic two-page spread of Mike Parsons riding what's thought to be the largest wave ever ridden at Cortes Banks, an open ocean reef 100 miles to the west of San Diego.

By the way, I agree with the previous reviewer about possible huge waves up in Alaska. In fact, in Puget Sound they sometimes get 60-foot waves, and they can get 20 or 30 foot waves at the mouth of the Columbia river in Oregon, where the Coast Guard trains captains in the heavy surf handling of boats. Also, off the tip of South Africa there is an area where, because of the way the ocean currents travel up from Antartica combined with a sea floor that funnels the wave energy, it's thought that 100-foot waves can occur. (In fact, it's one of the few places in the world where large ships occasionally disappear, and it's suspected huge "rogue waves" may be responsible). There was also the finding of the underwater quake that caused a tsunami to go 2000 feet up the mountainside at an uninhabited bay up the west coast of Alaska. No-one saw it but the devastation was so dramatic it wasn't hard to figure out the cause when it was discovered later.

The largest wave ever recorded (at least by a reliable observer) was by the USS Ramapo back in the early 1930s. The ship was about 120 feet long and completely fit on the side of an enormous sea wave that passed under it in the mid-Pacific, and was estimated to be 134 feet high. Now that's a wave any surfer could envy.