Animals Books

As a doll and critter knitter from way back, I have a shelf full of knitted toy and doll books and loose patterns, but this one tops them all! What a great collection of well illustrated, patterns, clear and easy to follow. For those of us addicted to 4 dpn knitting in the round, most of the head-body and leg and arm directions are easily adapted to that method as. Patterns call for double knit yarn but also work well with sport weight yarn. I've learned a few new and very useful tricks as well. Somewhat experienced beginners should have no trouble turning out critters they'll be proud of, and the rest of us will knit critters we never expected to. I've only made 4 so far, but am well on my way to at least a year of knitting fun with this book.

This book is packed with wonderful patterns and projects. There is every type of animal in all range of sizes. Best of all the designs are wonderful and detailed so that you can easily tell which animals are which (other patterns I've seen you can't tell a dog from a bear). These are great! What fun for the knitter and the person receiving the knit gift of love!

This book is packed with adorable animals to knit. I am knitting the Kangaroo right now for a gift for a two-year old little boy, and it is coming out really cute so far. My recommendation is to take the pattern and write notes, line by line, to keep track of how many stitches you should have on various rows and what the number in Parentheses should be (it might say, "with the number in parentheses 1 less each time or 2 more each time). I wrote out line-by-line instructions for myeself and use a stitch counter and am doing well with this pattern. Her pictures are beautiful and she is so creative!!! A must have for any knitter who likes to knit toys.

There are some cute ideas in here, but the major fluctuations in scale are just annoying. Also, none of the patterns are knitted in the round, which would make much more sense and you wouldn't have these big ugly scars on one side of every animal.

I have been knitting for about a year & found these patterns to be very manageable. I showed the book to my sister to see which animals my niece & nephew might want & she said, "I don't know about them, but I want the platypus!" I made it for her & she loves it. I'll make something for the kids next.

There are a lot of seams to sew after you knit up all the pieces, but if you knit in the round instead of flat you can eliminate a lot of the tedious seam work.

This is one of those books I found as a child AFTER seeing the Disney movie and reading that it was based on a book. As usual, the book is so much better! If you've never read this book, but you're fond of the movie, or of dogs, you will love it. The story is truly heart-warming, and I love that certain scenes are oh-so familiar if you've seen the movie, but so much of the story is completely new! Did you know Perdita is NOT the name of the "leading lady"? That's all I'll say about the actual story, but please, read it for yourself, even if you don't have kids. It's a wonderful read-aloud book, too--the first time my husband ever heard about this book was when I made him lie down and let me read it to him. We didn't have a child then, so now we get to share it with our son, too. Truly, a wonderful book. However, just so you know--the second book is not nearly so good! I own both of them, but I probably won't read the second one more than one more time, when I read it to my son. It's just not at all the same thing--aliens in London? Anyway, read 101 Dalmations and I know you'll enjoy it!

I loved this book I read it when I was very young, I fell in love with it then, I lost the book and for years thought of getting it again. I feared that I would not like it as much, it was as I remembered, and not the Disney version. I still love the book it did not let let me down. It made me laugh, cry and now understand my dog a little more (ha ha)

I owned this book by Dodie Smith when I was a boy. I loved it and from this story I developed an even stronger love for dogs and animals in general. Written in a most loving way, the story takes us beyond the later Disney film's watered down presentation of the story and dives deep into the realm of dogs. We discover the magic of "dogdom" and how dogs of every kind communicate with each other and with their humans (as Dodie states, and I am certainly paraphrasing, dogs own their humans, but let them think they own the dogs because it is so sweet!)

I have only one complaint about this publication of the book. the illustrations are just short of atrocious. I had an earlier edition of the book that had wonderful drawings that clearly were created with a real understanding of the story and what Dodie was trying to say. The illustrations in this edition look like they were pulled from someone's generic dog clip art. They are technically fine in their own right (I could NEVER draw like that), but they just don't capture the magic of the book.

If you can look past the illustrations, this is a wonderful story and a well written book.

101 Dalmations has appeal to dog lovers of all ages, breeds and sizes.

Dodie Smith - Thanks for leaving this gem for all to share.

This is a charming and delightful book that is deserving of its status as a classic of children's literature.

It takes a dog's eye view of the world, and features as its heroes Pongo and Missis, a pair of Dalmatians whose litter of puppies disappears one day.

As they set off to reunite their family, they find themselves in a struggle against the illegal coat-making operation of one Cruella Deville, an iconic villainess whose name and passion for high temperatures hint that she may be the devil incarnate.

The book becomes a fantastic quest book that takes place in the heart of England. The adult dalmatians find friends and foes along their path, and end up liberating nearly a hundred little puppies.

Smith has fun with the details and logistics of feeding, disguising, and transporting the refugee puppies, and young readers will enjoy learning the particulars of the secret lives of dogs.

The original animated movie adaptation is a good and fairly faithful movie in its own right, but the book is better by far.

Some parents might shy away from the book because of the gruesome idea that Cruella literally skins her young charges, but I think that the darker elements are an integral part of the winning tone, which refrains from talking down to children.

Highly recommended!

I won my tattered, dog eared, Disyned-fied copy of "100 Dalmatians" in a school auction when I was 7 years old. I learned to read late because I'm dyslexic (hence any bad spelling you may notice) so this was the first real chapter book that I ever owned and the very first I read.

It was great. This is a fabulous novel for all ages but especially for kids. I'm not going to re-hash the plot because I think the whole world knows it by now. The themes of good parenting, loyalty, and of course, good, intelligent, kind dogs are things that every child should learn. It is true that this book contains some talk of puppy killing, which didn't disturb me, and I'm guessing that today's 7 year olds wouldn't be scared by it either.

Another reason to read, or let your child read this book is that it will encourage a love of dogs, and having grown up with dogs every minute of my life, I can tell you having one (or more) helps immensely in all kinds of situations, social and otherwise. It provides an example of love and loyalty, as well as the responsibility involved in feeding and caring for a dog. However on that note Dalmatians, contrary to the lovable Pongo, Missus and Perdita in this book, do not make good dogs for children. They don't have the temperament for it. If you read this book and decide to get a dog for your child (an excellent idea) I recommend a good old fashioned mutt (they're smarter because they're not inbred) or a border collie, which can actually be trained to be nannies for children because of their sheep herding instincts.

Anyway, five stars. Great for the whole family, and an excellent way to encourage reading in a child of any age. At 18 years old I still love reading this book. And the sequel, "The Twilight Barking" isn't half bad either.

I liked Alaska's Three Bears beacause it taught me a lot about Alaska's Three Bears. Thanks for coming to Ashley River.

This is another book we read to our students at our summer reading program. They loved it. They thought the drawings were terrific, and especially liked the borders on each page. They enjoyed learning more about bears, and they thought it was a neat twist on the original story of the three bears. I highly recommend this book to any teacher who wants to do a unit on bears - it's a book that successfully merges entertainment and educaational components.

I liked the way she tells how the bears survive and how tall they are.I liked your visit to Ashley River.

We picked this book up in the Anchorage airport gift shop in 2001 on our way to visit our Alaskan relatives in Nome. It is a delightful and very informative book about bears for both adults and children, although the focus is on children.

This is not the traditional Three Bears story. Alaska's Three Bears is about the three kinds of bears one might find in that great state and North America: the grizzly, the polar bear and the black bear. The opening sentence begins, "Once upon a time...", but in an box below the story line on every page is valuable information about bears in general and each of the three species of bear in particular.

The first information paragraph states: "There are three species of bear in North America. Grizzlies used to roam from Ohio to California, now the big brown bears have been driven north onto the last pieces of remote land. Black bear can still be found in forests throughout the U.S. but only in Alaska and Canada can you find all three bears; the grizzly, polar bear and black bear, living in the wilderness we call bear country." Did you know all that?

The book tells how each bear chose the place where he wanted to live. The polar bear liked the cold, snow and ice so he stayed in the far north. The grizzly liked the frolicking river with its salmon, the roots he could dig and animals he could chase. The little black bear finally chose the forest with its bug-filled stumps and places to hide. In the end, no matter how far each roamed, they could always find their way back home.

At the back of the book is a Teacher Resource Guide with suggestions on how to use the book. There's a page of dos and don'ts for traveling about in bear country, and also a lovely page of colorful covers of other titles available from Paws IV published by Seattle's Sasquatch Press.
Published in 1992, this book remains a popular one for youngsters of all ages. Though far from being a youngster, I find myself taking it off the bookshelf from time to time to reread the valuable information it contains and to enjoy the magnificent illustrations by Shelley Gill.

Carolyn Rowe Hill

I like this book because it is full of interesting facts about bears.I also like your visit and how they tell you how tall they are. My favorite prat is when the the brown baer went home to his forest.Even thoe he was the smallest.I even found out some new info like Blak bears just eat the heads of the fish because they have to eat a surtin amount of fat.

So you could go borrow the book at the library or buy the paperback, get the content down, and be done with it. But for same reason people buy very expensive European cars, there is something attractive to looks of a exterior that makes the consumer want to own, not rent, but possess. I love both books by Orwell, and this edition is one to show off.

When I saw that Chris Hitchens wrote the intros to this I was optimistic that he would shed a great amount of light on the subjects. Unfortunately, the intros are too short to get into much depth.

This is a handsome republication of Orwell's two most renowned works, Animal Farm and 1984. Even if you're just looking for 1984, this edition is to be commended; it comes with a fine introduction by today's leading Orwell enthusiast, Christopher Hitchens, and the reward of including Animal Farm requires very little in the way of additional effort or expense on your part. At 80-odd pages, you may as well pick it up in the same volume, and you're virtually certain to be glad that you did.

I'm not alone in being of a generation that was first required to read Orwell in my student days (Middle School, in my case.) It seems that there was a lot of literature churned out then, accessible to if not directly aimed at children, with the horrors of totalitarianism as its theme. In addition to reading Orwell, we were also reading Huxley, Bradbury, and Verne -- the youth-oriented John Christopher books being yet another example. The generation that lived through Nazism and Stalinism clearly wanted the younger set to be aware of the horrors that could be, and to remain on guard against them.

It doesn't seem to be quite that way anymore. Orwell's name is invoked today, but often in trivializing contexts: "Big Brother" is now a brain-numbing reality show, and "Orwellian" is a convenient and often hysterically-applied charge to political opponents. Some complaceny does seem to be inevitable: we are now further removed from the days when the likes of Hitler and Stalin killed tens of millions. Still, regimes arise that are nearly as horrific on a local scale, from Pol Pot to Saddam Hussein to the Taliban, and are real enough that Orwell's book is no joke. Orwell deserves attention if for no other reason than to sensitize us to the bad form associated with invoking his name in a trivializing context. There was a political ad on Youtube last year from an Obama supporter that cast Hillary Clinton on a giant Big Brother-like screen. I'm not in the least a fan of Senator Clinton, but associating her image with those of 1984 -- as was also done in an infamous Apple Computer ad -- trivializes Orwell's message in a deplorable way. Orwell wrote his novel to warn against real dangers that his generation lived through, and which others might yet, not as a marketing ploy to be used in selling either computers or nearly indistinguishable democratic political candidacies.

The main reason I am writing this review, however, is that re-reading Orwell in my 40's is a stark reminder that his novels are more than political parables, but are worthy literature. I hope that those reading these reviews will be aware of this, and not shut their minds to a rewarding literary experience.

As a kid, I was able to perceive the pedagogical intent of these books, but less so was I able to appreciate the literary artistry. 1984 in particular passes the Nabokovian test of creating a fully believable, if terrifying, alternate world. Beyond that, on nearly every page, Orwell leaves an image that just might stay with you forever. Small wonder that so many of the terms in 1984 ("Big Brother," "Newspeak") have burrowed their way into our lexicography.

Orwell was a man of the left who understood something that many of his compatriots did not; that what had arisen in the Soviet Union was a regime unprecedented in its horror (arriving before, and ultimately outlasting, its horrific mirror image, Hitler's Third Reich.) At a time when others on the left simply refused to believe in the reality of the USSR, he looked at it unflinchingly and wrote what it was really about.

Also, in childhood, I was not able to fully appreciate that Orwell's books simply weren't negative-utopian nightmare-fantasies, but paralleled actual events in the USSR with chilling accuracy. I knew, at some level, that he was satirizing certain events and characters in the Russian Revolution, but only in adulthood was I able to closely recognize nearly every episode and character in Animal Farm. Those familiar with USSR history will find it all here in the two books: the rewriting of the past to reaffirm the infallibility of the Party, the sudden reorienting of national propaganda to suit the latest twist of foreign policy, and the complete elimination of all references to those unfortunate souls decreed never to have existed.

Truly, the thing that makes 1984 terrifying now, is not what was imagined in the novel's construction, but what was real in its sources. It exaggerates even relative to the Stalinist state -- but not by much. It is this recognition that makes it a chilling read today.

1984 is the more vivid and evocative of the two novels. Excepting one passage (Goldstein's dreary history lesson about 2/3 of the way through) it is riveting almost throughout its 300 pages.

A few notes for younger readers: The moral of Animal Farm is not that Napoleon was simply a bad apple, but rather that the system adopted by the Animals ensured that ultimately such a tyrant would dominate. (I find the end of Animal Farm to be something of a false note; in the end the pigs prove no better than, and resemble, the humans they replaced, but this understates the tragic reality that the USSR was worse still than that which it replaced.)

As I close, I leave you with one random question about 1984: how come it never occurs to Eastasia and Eurasia to combine against Oeania? Given that Oceania keeps flipping its allegiance from one to the other, you'd think they'd ultimately catch on and both decide to attack Oceania at the same time.

Silly questions aside, this book is highly commended. Worth re-reading again, especially if you only have read Orwell when as immature as was I.

Many of us were assigned these books to read in school by thoughtful teachers. All of us should read them. In both, George Orwell gives us the tools to see exactly what liberty means and why we cannot afford to lose it.

In "Animal Farm," the fable is sufficiently removed from human experience that you can read this one to quite young children, just as you can "Alice in Wonderland" or other classics which say more each time you read them as you grow up. Even a first-grader could see the relationship of the politics of the barnyard to the politics of the playground. The jeering refrain of "Surely you don't want Jones back" can easily be recognized as the propaganda fallacy called "Reductio ad Hitlarum." Whenever the ruling pigs ran out of useful things to say, they fell back on slogans which meant nothing, but which could be molded to mean whatever they wanted them to mean in a given circumstance.

The completely classic "All animals are equal, but some animals are more equal than others" is one we must keep in mind whenever politicians start using words as if they mean the reverse of what they do mean.

1984, too, has its beautifully classic lines. The main characters are all members of the Ingsoc Party (English Socialism). It is not until well into the book that we learn they are only some 15% of the population; the rest are proles. The proles are easily dismissed as insignificant: "They can be granted intellectual liberty because they have no intellect." Use that line the next time someone tells you it's not important to educate our entire population to the best of their capabilities.

When the main character, Winston Smith, attempts to placate his tormenter by saying "You are ruling over us for our own good," he is scorned as "stupid, Winston, stupid." The party big shot responds with one of the most chilling lines I have ever read: "If you want a picture of the future, imagine a boot stamping on a human face--forever."

Through the medium of conversations in the lunch room of the "Ministry of Truth," Orwell is able to tell us much about the creation and preservation of a totalitarian state. One key is the control over language which the Party exercises: "Newspeak." One of the people working on the Newspeak dictionary explains it to Winston: "You think, I dare say, that our chief job is inventing new words. But not a bit of it! We're destroying words--scores of them, hundreds of them, every day. We're cutting language down to the bone." He brags that very soon "all real knowledge of Oldspeak will have disappeared. The whole literature of the past will have been destroyed. Chaucer, Shakespeare, Milton, Byron--they'll exist only in Newspeak versions, not merely changed into something different, but actually changed into something contradictory of what they used to be."

Putting these two in a single hardbound volume and adding a thoughtful introduction by Christopher Hitchens was a stroke of genius on the part of Harcourt Books. It will make it all the easier for professors of political science, literature, history, psychology . . . indeed, if it was not such a contradiction with regard to books so dedicated to liberty, I'd say make them required reading.

Animal Farm and 1984 are classic literature. You've probably already read them.

This edition presents them in a classic manner -- it is a lovely book, lovely dust jacket, and Christopher Hitchens does the intro. I usually find him funny and a little snarky, but in this intro, he is serious, high-minded, informative, and respectful.

I wanted to read 1984 again, since so many people are kicking around the terms "Orwellian" and "Big Brother" regarding current politics. I'm so glad this is the volume I bought. I know I would have gotten the same *words* in a flimsy paperback, but this was a really nice read.


I read both novels again. It has been... 20 years? Maybe longer since my first read-through. I'm a different reader than I was before.

Now it seems to me that the people who shout "Orwellian" the loudest, the people that warn of "Big Brother" most fiercely, are the ones who really want to be Orwellain Big Brothers. Interesting.

I've got that grisly Room 101 scene back in my head -- I had forgotten that one. Thanks, Mr. Orwell.

This is a lovely edition. Treat yourself.

This is one of the earlier Berenstain Bear books, and it shows. As you can see on the the cover, the bears are less stylized and cutesy than the bears in the newer books, and the story is an early reader instead of a longer read-aloud.

It's a cute little story about several cubs (sharing a bed - cosleepers take note!) who sneak out of home one night to investigate a mysterious WHOOOOOOO.

There are only a few words per page, with a basic vocabulary, so this one is perfect little-little ones learning to talk as well as for early readers. The vocabulary is largely prepositions of direction - up, down, in, out, that sort of thing. And the illustrations really sell it, very cute.

This book was a favorite of my children 38 years ago and now I'm buying it for my grandchildren --- and they love it too. It helps teach words of place: over, around, between, down, out, up. Plus it is a gentle "scary book."

This book is so magical when you're a kid. The illustrations are wonderful and just scary enough. I love the last page where the kids are all snug back in bed. Kids can read this book because of the repetition. It's a great way to learn to read!

We had this book when our children were small. Our youngest boy had it memorized in short order and would correct his father if he left anything out while reading. Now our daughter asked for it for her new little boy. We bought it for him for Christmas. He has already listened to it several times (he is 9 1/2 mos old). We love the book.

My kids (girl 8,boy 7) love the Berenstain Bears. I grew up with these books and now my kids are, too.
We all enjoy reading these stories and In the dark is a keeper.

If I could give this book 6 stars I would. My children love this book and it is so much fun to read. The story is very interactive as the kids shout out "Salsa!" and "Ole!" etc. I have read this to my own children and groups of children and it never fails to capture everyone's attention (even the adults) and make everyone laugh. I don't think there has been a single time that I have read this book that I was not asked to please read it again, and again, and again..

Chicks and Salsa is a delight! Our little ones loved the story, funny names for familiar southwest food (Quackamole), and especially the refrain: "Olé."

Great gift book! We bought two as gifts for grandchildren, then two more for other friends, and finally one for the kindergarten teacher, along with a grocery gift card, since her classroom's certified for cooking. She loves it too. Chicks & Salsa's so ... "Ooo, la la!"

Wonderful read aloud. Illustrations are super and so is the vocabulary. You can't go wrong with this one. Wacky farm animals who are tired of the same old, same old. They are cooking up some interesting recipes. My daughter loved it and so did my 5th graders.

I picked this one up at the library because the title caught my attention. This book has been read every day since we checked it out, and had to buy our own copy. Wonderful illustrations and the cadence of the story is fun and easy for kids to get in to.

A pig can eat only so much slop. Fowl may need to part from their feed. Even a duck might tire of fish.

This is the premise of "Chicks and Salsa," a celebration of culinary diversity in general, salsa in particular. The "salsafication" of the farm animals is the brainchild of a rebellious rooster, although there's a rat (literal, not figurative) who--behind the scenes--supplies the ingredients. The rooster is the face of the salsa revolution, but the rat, lurking stealthily on most pages, is the muscle.

Like a great chef or musician, Aaron Reynolds riffs on salsa within a structured format. AS the zest for salsa spreads from one species to another, the recipes change. The rooster and chickens pick farm fresh (naturally) onions and tomatoes, the ducks dine on cilantro and garlic, and the pigs go for beans and chopped chilis. Paulette Bogan gives these mischievous animals distinctive personalities and emotion. She draws a bored chicken like no one else. A pig turns fier red after eating chilis, while another pig proudly juggles them. Bogan's seems to thrive on low-light scenes; the animals become luminescent, and their glow warms the barn and surrounding farmland. Her shadows and shadings use unusual color combinations, and the fiesta preparations are vivid and rich.

Sadly, the fiesta never takes place, as the humans, who finally wake up and smell the animals' spices, seize all the ingredients for a tamale entree entry at the state fair. The conclusion is a little bit abrupt, but it's clever: The rooster sneaks into the kitchen, and with the rat's help shifts from one cuisine to another, becoming a master at crepes. The fiesta turns into something of a salon, and--zut alors--the animals done "French" clothes, a bit of attitude, and share the hors d'ouevres. "Chicks and Salsa" is delightfully entertaining, with mugging animals and other silly stuff alternating with keenly observed humor. The very talented Bogan gives the reader a visual feast on every page; the animals look as welcoming as teddy bears. 34 pages long, with a book cover that can be made into a poster, and three recipes to try: "Hog Wild Nachos," "Quackamole," and "Rooster's Toasted Salsa."

Robin Jarvis's Dark portal is an exiting, action filled thriller.Some might say it is a weird and an odd topic,but the characters being mice and rats gives the story an extra push, rather than cats and dogs.Everybody reads about cats and dogs.I like this book mainly for 2 reasons:1.there is lots of violence and action. & 2.when you read certain parts where she refers to other events it kind of makes you reread the event she is talking about so you can completly get understand what is going on.
Children 10 and younger probably shouldn't read this book because of the major violence and gore(fighting and blood).

I really enjoyed reading this book and found it nearly immposible to put it down and I would think about it during the time I wasn't reading it. I don't generally enjoy books about animals, but this one was fantastic. The society of mice and bats and rats were fantasticily conciveed by Jarvis, who clearly delivered all aspects of the story. I plan to purchase the second one as soon as possible!

it is the first book in the trilogy and is a great book. the end leaves you thinking that there isn't anymore, but just wait till you read the Crystal Prison. anyway, this is one of the best book having talking mice and other animals. way better than what i have read of the Red Wall series.

The Dark Portal by Robin Jarvis is 5 stars for excitement and survival.
Albert's life is on the line and his daughter Audrey would risk her life to save him. Albert is very kind hearted and is near death in the scariest place that any mouse would want to go! Will Audrey be able to save her father or will they be eaten by those horrific rats?
I life this book because it shows us that mice have a life that is just like ours.
This book is recommended for all kids that love excitement and really dark places.

I just don't like rats. They are vile and digusting creatures. I don't like planet Jupiter either. It is a dumb name.

My 1st grader hates to put it down, he would rather read Magic Tree House books, than play video games. He even reads them to his class and explains the story for show and tell. In his kindergarten class the teacher would also let him read the Magic Tree House books out loud, not to give her a break, but to promote reading out loud. Great books!

In this story, Jack and Annie go to the beach and find a mini-submarine. They explore the ocean and learn about coral reefs. Coral reefs are made of skeletons of tiny sea creatures. Jack and Annie look out the big window of the submarine and see two dolphins. Annie names them Sukie and Sam. When they look at the submarine's computer, they find out that the submarine is cracked. They are being squeezed by an octopus. They start to swim to shore because of the cracks, but when they look back, they see a fin and think that it might be a shark. When they realize they are looking at the dolphins, they ride on the dolphins backs. The dolphins take them safely to shore and they go back home in the magic treehouse.

I liked this book a lot because it has a happy ending. I like dolphins and I wish I could ride on one like Jack and Annie. I recommend this book to kids who like dolphins and who like to read about magic. This book is also good because it teaches you about the coral reef. This is a great book to read during the summer. -by JG.

If anyone is looking for a good book, here's one!
Feel the detail spray into your mind with excitement.

This book is very, very exciting!

Enjoy!

Dolphins at Daybreak takes place at the Magic Treehouse, on an island and out at sea. Morgan le Fay, the master librarian, sends Jack and Annie to an island to look for three riddles. They go there in the Magic Treehouse. The first riddle they found was a pearl inside an oyster. Jack and Annie need to fins the riddles because they want to be master librarians like Morgan. A mini-submarine takes Jack and Annie to find the next riddle. It has cracks init and begins to leak.There are two dolphins nearby that save Jack and Annie from drowning. They also save them from a hungry shark. When they returned to the Treehouse, Jack and Annie found out that the Oyster was the correct riddle that they needed. Jack and Annie were on their way to becoming master librarians. I like the book !



This review is by Maryrose Wintroath

Dolphins at Daybreak is a story about two kids that go own an
adventure. The story takes place in a magic tree house with two kids named Jack and Annie.

The story starts out with Annie wanting Jack to go to the magic tree house. There they
meet Morgan Le Fay and she is the master librarian for the tree house and gives Jack and Annie
a folded piece of paper with a riddle in it and an ocean guide
book. Next Jack and Annie are in Hawaii and jump into a
mini-sub. Their sub came upon an octopus and the octopus
put his arms around the mini-sub. Then the octopus let go of
the mini-sub because sharks started to circle the mini-sub.
The mini-sub started to have problems and Jack and Annie took
it to the surface of the ocean. Whth the sharks still close
by they swim for their lives. Just as they start to tire, two
dolphins pick them up and take them to the island and reef.
Back at the reef, Annie finds an oyster on the beach. Jack
said that this oyster could be the answer to the riddle from
Morgan LeFay. Then Jack and Annie went back to the tree house
and found Morgan's scroll. It said oyster on the scroll and was
the answer to the riddle. The story ends with Jack and Annie
going to back to their house after they solved the riddle.

Peter T.

Wonderful - the shots were amazing. I really enjoyed just leafing through the book and let the visions just wash over me.

Frans Lanting does it again in Eye To Eye--a brilliant collection of intimate portraits and daily activities of various animals. Like Jungles, it's a book that no natural photographer should be without. When you can see the individual hairs in a courgar's fur coat, it makes you kind of wonder what it would be like to be that close to one.
Looking at Lanting's work is always like looking through a book of artwork, as if he is the Picasso of photography and we are looking through his masterpieces.

From the elephant up to the insect, from the cayman up to the seal every animal looks us in the eyes deeply. "Less than the human being: - the monkey follows in the system of zoology according to an immense ravine. If one, however, once wanted to organize the animals after her bliss, cosiness etc., then some people would come to stand anyway apparently under the miller donkeys and hounds ... ", 250 years ago the nature scientist Georg Christoph Lichtenberg already wrote. However, he did not have a camera yet to hand to cover this. Frans Lanting, however, shows us the determination with which snow geese and ibisses, penguins or zebras are away to something, shows us her family care and the dignity of animals in liberty - at times, when more and more people feel caught - a book which reminds us that "upright walking"- that synonymous of the philosophers for courage and self-respect - that you can make it true even on all four paws...

Frans Lanting is one of the great wildlife photographers of the world. He has published many books showing wild animals but "Eye to Eye" is certainly one of his most famous. It consists of dramatically close-up photographs of animals, always concentrating on the eyes of the subject.

The book is divided into three parts: "One on One" shows photographs of single animals, often so close that the frame is filled completely with just the animal's eyes. "Two by Two" usually shows pairs of animals, although there are occasional shots of larger groups. Often the pictures are of mother and child, or mates, but a few shots show conflict. "All in All" shows shots of larger groups of animals. The book also contains a two page section called "Behind the Camera" in which Lanting discusses his photographic philosophy but provides few hints that will allow others to copy his style. Finally, perhaps because the text of the main sessions is limited to species name, there is a section of thumbnails with a brief statement concerning the picture. I found this section to be particularly inadequate since I often said to myself "How did he do that?" but got no help in finding an answer.

These are amazing pictures, primarily because Lanting has managed to get so close to his subjects. In a few pictures we can see that that is a result of enlarging and cropping, but in most cases the pictures are sharp enough so that so that we realize he was really close to the animals. Moreover, with a few exceptions, these are not captive animals. I for one would not like to take a picture of a wild lion at a distance of twenty feet. At least one critic has suggested that this book raised the bar for all wildlife photographers, forcing them to get closer to their subjects, and placing more stress upon photographers and subject.

There are moments of great intimacy, particularly in the "Two by Two" section, where the pictures of parent and child tug at our heartstrings. It's hard not to see human characteristics in these photos. The book also benefits from its layout, grouping its subjects by actions. Thus there are pictures of a huge flock of butterflies followed by pictures of ibises, penguins, snow geese, zebras and elephants all purposefully on the move to some destination. I also particularly enjoyed facing pictures of a lion and a leopard, moving toward the centerfold in mirror image.

These are great photographs because the photographer got so close to his subjects. But they are also mostly documentary. Few of the pictures rise to the level where the form rather than the subject makes them art, although I was particularly struck by a picture of Oryxes carefully treading their way across the Namibian sand dunes. But when I compare Lanting's photographs to the work of other wildlife photographers like Art Wolfe, I can see the difference. The pictures in Wolfe's "The Living Wild" show each animal in its environment, where Wolfe was better able to concentrate on the composition of his subjects to create a more artful picture.

Not withstanding this quibble, "Eye to Eye" is a great book, and readers are unlikely to soon forget these close encounters with the other living inhabitants of our planet.

Wow !!! How can anyone get so close?!

These photographs are stunning. The talent of Frans Lanting oozes from these pages.

There is a closeness to the subjects here that borders on the intimate. In some cases, one wonders how he actually managed to get the shot.

The focussing and exposure is spot on and the composition is perfect.

I have tried to follow this type of photography and I am only too aware of how difficult it is to obtain these sorts of images.

I take my hat off to Frans Lanting. This is a brilliant work. A completely unique approach to wildlife photography. His behind the scenes narrative to the shots is illuminating.

This book is a valuable reference for all nature photographers. Sensational !

I found "Your Disgusting Head" on the clearance rack and just had to have the rest of the series. These books make for great conversation and are actually interesting coffee table books. Giraffes Giraffes tickles funny bones you never knew you had.

This is art and one rarely comes across art that is this beautiful and this close to being relevant. It's hard to deny the randomness in the order with which thoughts, figures, questions and answers appear in this book but that's what makes it so much more enjoyable. The story seems to be powered by a secret source of energy that exists at the boundary between "real" and "imaginary." The authors frequently cross this boundary on either direction without missing a beat, reminding us how great it is to think freely. What's really great is that this story has no beginning and no end so you can really go back and read it over and over again. Just make sure you don't read it 12 times...

I bought this book yesterday and haven't stopped laughing. I work at a zoo and we just got Giraffes so I thought it might be educational. Boy was I right! It's the funniest book I've read in a long time. I highly reccommend it if you are wanting a good laugh or need to know how to make sandwiches for them.
As for the reviewer who gave this book one star (the only negative review I might add) Are you disappointed that you didn't read what the book was about ahead of time or just unable to laugh at anything? You act like this book was in the reference section! This book is hilarious to humans and giraffes!

Watch Video Here: http://www.amazon.com/review/R15GVECJQ1T8V5

Simply one of the most informative books ever written. I would recommend "Your disgusting head" as a good second read.