Cartooning Books

Exhaustive variations, small printing and illustrations, pages jam-packed with examples. Good for the price; some readers will probably prefer a more modern volume. Talented author. Worth a look.

This the best cartooning book around. A classic. A must for entry level cartoonist or professional.

I'm always looking for the perfect book of whatever variety, & speaking as a former library employee, a cartoonist & art teacher, Jack Hamm has written THE book on cartooning. It is so packed with examples & not so much text, as it should be, it has tips & then TONS of examples. The style ranges from early American cartooning style to 50s/60s modern style. Fantastic examples of different expressions, hand positions, walking positions, drawing women, all of it. All good. If you want a great guide for old fashioned American cartooning, this is the one to get. Then get the Preston Blair book from Walter Foster.

This book is full of great ideas and tips. There's plenty for the beginner, like little tutorials on highly-stylized eyes or noses or mouths, or straightforward examples on common poses, but it's not just a book for beginners. There are a lot of highly-finished drawings as well, and examples of moving from simple to more complex drawings. Plus tips on various penciling and inking techniques, and various cartoon genres. All in all, there are literally thousands of examples and sketches, enough material to keep anybody busy for a long time. I've pulled this book down from the shelf more often than any of my other numerous drawing books, and I've filled page after page with exercises based on the material. A classic and worth far more than its price.

If you're a cartoonist this is a book you have to have. It has been in publication for quite a while but nothing better has been created in the way of a great, all-purpose reference book. I've gone through a couple copies of this book and no matter how many times I looked at it I was still able to come up with ideas. Whether you're just starting out or have been doing cartoons for years you should have a copy of this book.

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

A great fun book that really gets you inside drawing the "Marvel" way. It has tools to work with. You'll love it.

Gift material 110% I love it. I have taken drawing courses in school and online and through the mail, and my mother taught me to draw, and I learned from DRAWING ON THE RIGHT SIDE OF THE BRAIN, and THIS DRAW..HEROS is fantastic both from a teaching methods standpoint, and from an artist's needs standpoint. It can teach you to refresh some of your old drawings with movement and power, and MOVEMENT! WHhhham! ZOOoooMmmmm!!

I am giving this to deaf friends as I am always trying to show them I appreciate their special abilities.

Purchased this as a Christmas gift for my nephew. My 14 year old would like it after reviewing. Shows how to draw characters; first by shapes - and then adds in details, including hands and feet.

This is a great product. It is small and self contained, comes with drawing tools stored in a zipper pouch so it is perfect for travel. The easy to follow, step by step instructions create the sensation of instant success. Great for all ages - even adults can have a bit of fun with it!

I can't walk past this book in a store with out picking it up (heck, I couldn't see a link for it with out clicking it).
This is single handedly, the most influential book I have ever picked up.

I first got it when I was 6, and it laid the ground work for the rest of my entire life. I'm an art student, I'm going to be an illustrator, I want to be in comics. This book is why and how.

Everything in here is solid and where EVERY ONE should start if they want to do this thing right. Give this to your kids, give this to those friends of yours who want to do art, but never had any teaching or talent, give it to that rival who needs a refresher on the simplest of simple. Buy it for yourself, as a clear reminder of what you should be doing, and of the foundations that everything you do is based on.

This isn't Burn Hogarth, but it is still a must for ANYONE getting into drawing. I can not recommend this enough. This book will always hold a special place in my heart and on my shelf.

The Epiplectic Bicycle ia a unique piece of literature and illustration. Such simple images, almost childish although not infantile or naive. Gorey's complex mind takes us though an amazing impossible world with infinite possibilities.

What is there to say about Edward Gorey's works but that he was a Dr. Frankenstein of reality. This book is Gorey to perfection, odd in all the right places.

My Dad bought me this wonderful little book when I was young, & I have always loved the truly off-center humor of it. In response to the query about the meaning of epiplectic, I found a quick online search produced the same type of results as reviewer RHS got--mostly references to epileptic & apoplectic. Oddly, I have a clear memory of looking it up decades ago (one of my father's favorite admonitions was "look it up!") and finding a definition that related it to apoplectic, and described it as referring to something that suddenly and somewhat violently falls to pieces. In fact I have often cited 'epiplectic' as an apt description when watching the Blues Brothers' faithful retired police car burst into bits once they make Daley Plaza, LOL--so this definition, though unconfirmable at the moment, has been clearly emblazoned in my memory for these many years (right or not)! Now if I could just find that dictionary of my Dad's to confirm...

THE EPIPLECTIC BICYCLE is one of the Gorey's usual stories told through ink drawings accompanied by pithy captions. This tale concerns Embley and Yewbert, two children who are distracted from their pastime of hitting each other with croquet mallets by a sentient bicycle that appears out of nowhere. Thereupon they hop on and go through various adventures, ending in a shocking revelation that seems right out of the "Voyage of Bran". The story is one of great whimsy and a love of nonsense, and amusingly contradicts itself at several points.

While THE EPIPLECTIC BICYCLE is quite funny, I don't rate it among Gorey's most substantial works due to the sparseness of the drawings and the fact that it lacks the macabre tone common to Gorey's greatest work. If you've never read an Edward Gorey book before, start with THE OTHER STATUE or THE BLUE ASPIC, grim stories whose drawings are of astounding quality.

I decided to try and find out more on this word and found a definition on http://www.willamette.edu/~blong/Words/EpiI.html

It is as follows:

"Epiplexis/Epiplectic

..the word behind epiplexis is epiplessein, meaning "to rebuke" or "punish" or "chastise." Epiplexis is then a Greek word meaning "criticism" or "rebuke." It was taken over into English, however, in a rhetorical context and first defined in 1678 as a "figure in Rhetorick which by an elegant kind of upbrading, endeavours to convince."

An epiplexis then would be a gentle chiding, or possibly a statement that seeks to shame the hearers into performing better next time or to spring into action right now. "His epiplectic address to the crowd backfired on him." Or, "epiplexis is one of the strongest motivators known to us." Or, to use words that we might be more familiar with, "Don't get apoplectic over his epiplectic fit." Also you need to distinguish epiplectic from epileptic. The latter literally means to "take over" or "take upon," and refers to a disease of the nervous system characterized by serious paroxysms. The condition just "takes upon" a person and often leads to falling on the ground and passing out. It was known in English of a few centuries ago as the "falling sickness."

Ultimately, it seems to me that epiplexis is really a form of asteism--a gentle way of trying to persuade others to see things your way and act accordingly."

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

I highly recommend this book! It is a fun and easy read. It breaks down the drawing process step by step, body part by body part getting you on your way to start drawing caricatures like a pro!

Keelan, I am so happy for your success selling your great "How To" book. I have shown it to curious youngsters and it's a wonderful starting point for future Face Hustlers. Concise and fun to look at.

Thanks for the inspiration. I am trying to get mine for sale here as well. Wish me luck!

All the best and Watch out for those Hurricanes!

Sam Klemke
Gypsy Caricaturist

Keelan is a master a simple caricatures, cartooning, and creating abstract design within the face. This book will show a beginner how to understand and create caricatures as well as equipping a novice with the knowledge and tools to sell caricatures in a retail or party environment. This is a great beginner's manual and perfect for anyone trying to understand the "why and how" of basic line-based caricature.

As a seasoned illustrator, character designer, caricaturist, and author of my own caricature book (REJECTS: the Extreme Art of Retail Caricature), I can safely say that my experience in the field has shown me that one of the hardest thing to do is train a new artist to draw a caricature and explain why you make the choice you make. This book is great and will show you just that.

Yap it's a useful Book..it help me a lot in improving my drawing.. learn a lot from this book.. it's a great book to buy! Pic is more than the word, not like others like writing grandmother story.. word more than pic..that would be boring but this book won't..overall this book is very useful to me for drawing pic for my teachers..

For a complete novice who suddenly realised it would be fun to have a go at drawing caricatures, I cannot recommend this book highly enough. Other "how to" books on the subject left me feeling inadeqate and incapable of drawing anything resembling my victims. When Keelans book safely and quickly arrived to me here in the UK, the easy step by step illustrations immediatley gave me the confidence and skill I was lacking and my results have rapidly improved.

I now find myself staring a strangers trying to decide how I would tackle their caricature by wondering what their head shape is and how their features are arranged. Thanks Keelan!

If you quickly glance through it, it might not seem like a great book. But it's really good, it just uses simple drawings to show idea's. If you want to start a comic strip artist this is a must to add to your collection. If you want to pretty pictures by a comic book, this is to learn to create them.

Before I finished my third book I decided it needed cartoons to visually explain some ideas (a picture is worth 1000 words) and provide humor to a tough subject. I started checking with hiring a professional artist (or student artist) to do the work. It quickly became clear the task would be time consuming, expensive and I may not get what I wanted in the end.

First, it would be difficult to find someone who would be able to take what was in my mind and transfer it to a cartoon

Second, it became painfully clear it would be expensive (even with a student artist). I wanted around twenty five cartoons drawn.

Third, some individuals wanted to discuss contracts and usage.

My best option was to learn how to draw cartoons myself. I figured it would be less expensive (only the cost of books and art supplies), and frustrating and I would get exactly what was in my brain. It would take some time to become proficient, but it sounded like a fun project. I was fortunately right.

The Cartoonist's Workbook by and a couple other books helped me learn how to draw cartoons good enough to put in my latest book.

Robin Hall's common sense approach to teaching drawing made the challenge fun. There were also a tremendous number of different sketches in the book that helped jump start ideas for potential cartoons.

Robin Hall provides many excellent sections that helps teach drawing techniques. Some the sections that I found especially helpful were: The Expressions section, The Useful Outdoor References and The Gag Situations.

After finishing my sketches, I used Adobe Elements software to polish up the work. I was very pleased with the final cartoons that went into my book...and there have been many positive comments about the cartoons from people who have the book.

Overall, this is a great resource for learning to draw cartoons!

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

Drawing on the Funny Side of the Brain : How to Come Up With Jokes for Cartoons and Comic Strips

Everything You Ever Wanted to Know about Cartooning but Were Afraid to Draw (Christopher Hart Titles)

This book is very helpful. I've had some experience before with attempting cartooning and I've been drawing seriously for years. However, this book teaches a different method for cartooning and drawing that is different than what I've been using before and reading it inspires me again to do more cartooning.

The way he writes is just encouraging, friendly and it is quick to get to the point. He accompanies his writing with illustrations that look comfortable and accomplished. The author is obviously a capable cartoonist and it allows you to feel like you are being taught well. He assumes you know nothing and I'm certain that his methods would seem comfortable to even the most inexperienced artists.

The gag writing section of the book is interesting too but it isn't as good as the rest of his book. This is understandable given the nature of writing humor. Even though it doesn't do as well as the drawing sections, it still is the best guide to writing humor I've ever seen. Like the rest of the book, it inspires me to write humor of my own. It's shortcoming though is that unlike the cartooning section, the examples don't seem accomplished. Though the methods he teaches seem promising with practice, his own stuff is not very funny.

Regardless of the flaws in the humor-writing sections, the whole of the book is just so inviting that it makes the book a great purchase. It's a useful and fun book and I'd have gladly paid twice what I did for it.

the cartoonist's workbook is a great book that just about goes over every thing needed to make a cartoon. of course since the book is only around a 100 pages it doesnt go into great detail on every issue. its a great recourse as it has around 20 pages of just gag ideas, useful poses etc...

Anyways the book teaches you a very 90's looking type of cartoon which i happen to like. I would recommend this book for anyone trying to draw some cartoons. This book assumes you know almost nothing and cant draw so its for absolute begginers. i highly recommend this book.

I've worked with fine art for years, and I was looking for a way to loosen up a little, do some simple sketching. Among art books there isn't much to choose from if you want to draw loose! I came across this book at a bookstore and I just liked the drawing style. I brought it home and within hours the looser style I wanted to achieve had emerged. If it's helped me this much, I can imagine what it would do for someone who actually wants to draw cartoons! It's a great reference for the simple basics of drawing everything from people to common objects. A great book!!!!

Reading all the praise here, I was pretty anxious to receive this book, EVERYTHING YOU EVER WANTED TO KNOW ABOUT CARTOONING BUT WERE AFRAID TO DRAW. I expected to get inspired and learn techniques in writing and drawing I had not perhaps even considered before. In this respect, I can't hide my disappointment. I had not read for long before I realized that what this book had to offer would not be of much use to me. I am a self-taught cartoonist, I've been doing comic strips my entire life and all the advice this book provided I found to be completely obvious; not without relevance, certainly, but I didn't purchase this book to be told that "monsters get more effective if colorized green," or to study the contrast between a happy face and a sad face. Also, the drawings used to represent the points in the text are just about as stereotypical as they can get; I'm not saying I expected it to do the process of creating original characters and ideas for me, but in a book of this kind I find it of invaluable importance that the author is able to really inspire the reader to go ahead and make something good. After all, we've got HI AND LOIS and U.S. ACRES already, or what?

However, if you have just discovered that you got a knack for drawing and want to try it out as a cartoonist, but need guidance in the (very) main rules, this is a good book. If you have been part of this medium for a while and seek new opportunities to get inspired or learn new tricks, try elsewhere. Your own mind for instance.

I love how Christopher Hart really delves into the hard things to draw. Like hands and feet and expressions. This is a wonderful art resource. The pictures are fun and will help you generate many of your own ideas.

This would make a great gift!

I have never done any kind of drawing other than when I was 8yrs old for fun. I wanted to learn how to draw cartoons and this book was my first purchase on my road to drawing.

I thought the instruction was simplified for the beginning artist like me. I am very visual and so I was pleased with the tremendous amount of examples included. I also thought that the lay-out of instruction was helpful, step by step.

Over all this book was very helpful, to the point, and interesting to read. Christopher Hart kept my attention while teaching me the basics of cartooning.

thanks

Before I finished my third book I decided it needed cartoons to visually explain some ideas (a picture is worth 1000 words) and provide humor to a tough subject. I started checking with hiring a professional artist (or student artist) to do the work. It quickly became clear the task would be time consuming, expensive and I may not get what I wanted in the end.

First, it would be difficult to find someone who would be able to take what was in my mind and transfer it to a cartoon

Second, it became painfully clear it would be expensive (even with a student artist). I wanted around twenty five cartoons drawn.

Third, some individuals wanted to discuss contracts and usage.

My best option was to learn how to draw cartoons myself. I figured it would be less expensive (only the cost of books and art supplies), and frustrating and I would get exactly what was in my brain. It would take some time to become proficient, but it sounded like a fun project. I was fortunately right.

Everything You Ever Wanted to Know About Cartooning but Were Afraid to Ask by Christopher Hart and a couple other books helped me learn how to draw cartoons good enough to put in my latest book.

Christopher Hart has done several books on drawing comics. He provides excellent common sense content, and teaches the skill very well though his words and cartoons.

Some the sections that I found especially helpful were: Expressions, How to Draw Hands, The Art of Character Design, Body Types, Principles of Layout, Layouts from a Distance, The Special Effects Lab, Explosions and more.

After finishing my sketches, I used Adobe Elements software to polish up the work. I was very pleased with the final cartoons that went into my book..and there have been many positive comments about them from people who have the book!

Overall, this is a great resource for learning to draw cartoons!

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

Drawing on the Funny Side of the Brain : How to Come Up With Jokes for Cartoons and Comic Strips

The Cartoonist's Workbook Drawing, Writing Gags, Selling

Far more detailed than the How to Draw Cartoons book by this author. There are examples of heads, eyes, noses, mouth, hands, and many other elements in good detail.

The book was better than I expected, and arrived before I expected it to.
Great buy. Thanks. :D

This book is so much fun. I'm a digital artist and use Illustrator as my tool. I learned so many techniques from this book. The pictures are big and bold and the author teaches without making you feel like a novice.

I bought this book for my husband and he loves it. He is constantly drawing little pictures for me. It will certainly bring out the inner artist in you. This book is easy to follow along with.

A casual glance through this book originally made me think it looked too cutesy and not what I wanted. I'll still say that too many of his characters and examples are cutesy, and rather stilted. But there's a lot of excellent material here. I found several tips that I (so far) haven't seen in several other books. I've had several nagging questions: Exactly how do I get things done? How is a finished cartoon created? On what size and kind of paper, using what tools? Blitz walks you through all of that stuff. The section on drawing backgrounds and perspective was also really handy.

I'd say this is the single best book I've seen to get started on cartooning. Even if you want to draw some other, very different style (like, some kind of dark Batman comic or something), if you have little or no cartooning experience, this book will be helpful.

I don't consider my self to possess any artistic abilities when it comes to drawing. I wanted to enter a contest on YouTube where I had to draw pictures of things. I got this book. Followed the easy to use instructions, drew my pictures, entered the contest and won the $5,000 grand prize. I would definitely say I got my money's worth from this book and much much more. Highly recommended.

Will there ever be a new edition of this title? It's been ten years. Any info. would be much appreciated.

I'll start this review by saying that, in fact, I haven't read THIS book, but I own Grant's older book from the '80's of the same title (which I bought from a used book seller for $3!), and I assume that this is the same material, but with some new stuff added. I plan to buy this newer book, because I can't wait to see this author's views on the subsequent movies that came out.

John Grant's description of the Disney movies and cartoons is amazingly detailed, and he profiles every character, from Mickey Mouse to obscure supporting characters that most people have forgotten about. While reading the entries, I remembered several movies and cartoons that I had seen as a kid, and forgotten about. It made me want to run out and buy all the old movies on DVD, so I could watch them again and relive this simpler time!

While Grant is definitely a Disney fan, he does look at the movies with a critical eye, and is willing to admit some of the shortcomings they had, including some of the racism that appeared in the earlier films (although I think he was a little too soft on this, which could be seen as insensitive to many people). He also has this charming, very British style of writing, that's addictive to read. Great escapist fun for any Disney fan!

This is almost certainly the best book on Disney animation ever published - it is difficult to think of superlatives that other reviewers haven't already (quite rightly) used in their praise of it. (To the reviewer who complained about the omission of Eega Beeva: Eega Beeva is a character in the comics, not the animated movies.) Astonishingly comprehensive, beautifully illustrated, and written with the kind of stylish wit that makes the mere act of reading the text a joy in itself, the Encyclopedia deserves all the praise that has been heaped on it.

I have only one complaint. This is the third edition, and was published in 1998. Why oh why has there been no subsequent edition? What has gotten into Disney's corporate head that they have not begged Mr. Grant, well known for his extensive writings elsewhere, to bring the story of Disney animation up to date? Such a book is desperately needed!

This is a definite must-have for any Disney fan. The book is divided into three basic sections: Characters in shorts, characters in television shows, and characters in features. Each category has a mention of every Disney character created until 1997 including interesting articles about them. This is also a great place to find information on lesser-known or forgotten Disney characters such as Spike the bee from a number of Donald Duck cartoons and Little Hans, a star of his own wartime propaganda film. Combine this with hundreds of pictures from the films and you have a book that is sure to be a favorite of any Disney fan.

First, while the title of this book is accurate, it is also misleading. This is no fluffy, flimsy book containing some fun descriptions of Disney characters from the latest popular films. This is an intense, in-depth look at EVERY Disney animated character since Walt began his career. The book is divided into two parts, "Shorts" and "Feature Films". The shorts have the usual gang, Donald, Mickey, Goofy, Pluto, and so on. After each characters bio is a list of every Disney short they've appeared in. Don't be worried or fooled by by this truly encyclopedic book - it is not a boring A to Z book. Color photos pop off of every page, including some from rarely seen Disney shorts. The feature films section not only includes detailed character bios, but plot summaries and "making of" details, cast and crew credits, and more. You buy this book, you will have a list of EVERY Disney short ever made (including the early "Alice" shorts and Oswald the Lucky Rabbit), every feature film in chronological order, and enough information about each one to be the champ of any Disney trivia game!