Cartooning Books

Prompt delivery, perfect condition, excellent product. I've waited a long time to get me hands on this gift for my wife. She's a Far Side nut!

After years of glancing at Far Side from the Library and the occasional Newspaper, this collection is a highly valued addition to the few personal posessions that I hope a few of my descendents or friends will appreciate.

Darned straight. And it's a bargin at that. Timeless, hilarious, and a fantastic respite from serious thinking. If you're not amused by this, you must be a "Ziggy" fan.

The Complete Far Side is enough to keep you in laughs for a very, very long time. An incredible collection! And Amazon had the best price!

I orderd this for my 27 year old son. He was thrilled with the set. The binding and overall structure will ensure this set is enjoyed for many years.

I bought three of these books as gifts for three retiring teachers -- they are so funny. An ABC book of odd outcomes for students. Love them.

This book has made me cry with laughter. I work with kids and THEY think it's funny.

The Gashleycrumb Tinies is macabre yet hilarious. It's about children meeting untimely absurd demise but with a sense of dark humor. it needs to be taken the way it is meant. It really is quite clever with the wording and causes of death It is done by alphabetical names. examples are S in for Susan who perished of fits, L is for Leo who swallowed some tacks and N is for Neville who died of ennui(boredome). See very clever. By the way I am a 38 year old mother of two and find this hilarious. My kids don't really get it though. Oh well I geuss their sense of humor is not as developed as mine:)

Hahahha I actually read this online because its so short... if you want to take a break from the stress of life for 10 minutes its great fun. The illustrations are very well done and the rhymes are genuis! i think my favorite kid is Basil who was assaulted by bears.. \hahhahhahha... that makes me burst into laughter again! seriously, if you like macabre hilarity, take a few minutes off and ENJOY THIS BOOK! (There is no graphic or adult images but the ideas would be very frightening for young children. I say 11+ because theres a girl with an axe in her head and some blood thats cartoonish but gross.)

This book is great! No matter how many people tell you how horribly sick it is. Read this book.They only say that because they dont have a sense of humor. So any way read this book! Its both sickining,funny, and tasteful.

Exactly what I was looking for! The perfect guide for the beginning (and the more experienced)animator.

Anyone remotely interested in animation should pick up this book. It is amazing. It is truly the perfect reference book for anyone who wants to animate, and do it well.

This is one of the best books on frame-by-frame 2D non-vector animation. The only problem is, Richard Williams overdoes it by a large margin. He is a man possessed with talent, and he demands perfection of himself. That is a hard way to do things, no? In every other respect, this book is excellent. By the way, the culmination of Richard Williams' style of work is the movie The Cobbler and the Thief, available online on [...]. The exact title to search for is this: The Thief and the Cobbler (2007 Recobbled Cut) [v2.0]

This is one of those books that has helped me out alot. If you are a beginning animator in need of learning the principles of animation or if you have had difficulty figuring out how to create walk cycles and facial character animation, then this book is for you.

I give this book 5 stars simply because it was written in a style that's easy to read and understand and uses common terminology. The best part about it is the readability and resourcefulness of the content. Everything a student needs to learn the subject matter in a motivating format!

Mythology collects the stellar art work of Alex Ross showcasing the worlds finest images of the major DC characters such as Superman, Batman and Wonder Woman. This book highlights key points of the characters beginnings and evolutions with clear and informative writing. Gorgeously illustrated by Alex Ross coupled with wonderfully laid out design work the reader will find it quite difficult to put down this handsome book.Mythology: The DC Comics Art of Alex Ross

An amazingly illustrated montage of Ross's work. A beautiful book for fans of comic book art and art in general.

AMAZING. Totally worth buying. If you like Alex Ross, you will not regret this purchase. The book includes Ross' comments on inspiration, collaborations, thoughts, insights, and much more. Truly inspiring.

It's a great work, detailing all the work of Alex Ross in DC Comics. In this book, we get the notions of how he figures out the characters, their concepts and ideologies, etc. Moreover, with this book we can see how the Art is transported from the artist's mind to the paper.
There's just one book better than this one: it's hardcover version, much more beautiful.

Wow. I love Alex Ross, and he has soooo many beautiful pieces that they shouldn't have had any trouble finding classic, beautiful images.
This calandar is half filler. Some months are nothing more than pictures of toys based on Ross's paintings. That's ridiculous. I could have settled for the design art that the toys were made from, but I didn't buy a calandar of the artist's works to see lame products several times removed from the actual art.
High hopes led to great disappointment.

What more could a Peanuts lover ask for?! If you're not yet a Peanuts lover, you will be if you get this book:) Definite multi-gen bridge-gapper!

One of my favorite books that I own is Peanuts: the art of Charles Schultz. Its rich, close-up photography of the yellowing newsprint pages are so warm and inviting. It also includes a biography, rare memorabilia, sketches by Shultz as well as images of the original inked artwork from the strip. Even though I've had the book for a few years now, I never get tired of immersing myself in the evolution of Shultz's talent and the Peanuts characters.

There was a time in my life when I very much wanted to be a syndicated comic strip artist. Occasionally my fancies take me down that path even now and usually it's encounters with this book that trigger such wanderings.

Muy lindo, sobre todo el formato!
Además de las historietas contiene fotos de los primeros muñecos que se hicieron en su momento.

This is my first Peanuts hardback, and it's already taken a special spot in my heart. I've been a Peanuts fan from my childhood, and this book gives a glimpse not just into the history of the strip, but also into the history of the creator of the strip. As I understand it, in this book are never-before-seen examples of Mr. Schulz's sketchpads. Some that were never published before in their raw, unfinished form.

Throughout this beautifully bound book are pages that chronicle "Sparky's" life and career -- childhood photos of his family, his page in his high school yearbook, his sketchpad from his time in the Army, various pictures of his first strip "Li'l Folks"... the list goes on. There are also pages here and there showing some of the Peanuts collectibles such as slateboards, games, comic books, ViewMaster reels, and figurines etc. And of course, this 336 page book is full of Peanuts strips --in black & white and in color-- taking you through the years in your memories.

Also included is a touching introduction written by his wife, Jean Schulz, and his 'signature' on the inside cover. If you are a Peanuts fan, you won't be disappointed with this book.

The Peanuts are pretty much everywhere you go. It is kind of sad in a way that their creator, Charles Schulz, is not. Makes you kind of appreciate the fact that our creations go on long after we have departed. Like the Chinese Philospher Lao Tzu said, "We will never know the results of our actions..." Contemplate this for awhile and it will really begin to blow your mind. We don't really know who we will affect in life with our thoughts, with our words, and with our deeds. We all have an inward duty to be the best that we can be, because the world is just a bunch of individuals and if each one of us decides to think better and do better with the gifts we've been given, then the world will be an even better place to live.

Charles Schulz and his comic strip, The Peanuts, bettered my world and it continues to do so. He has been gone almost six years now and I still miss him. Isn't that strange? I never met the man. I never heard him speak. The only thing I really know about him and his life is through his comic strip.

I was introduced to the Peanuts when I was four or five years old. My dad used to read me his comic strips and do the voices of Charlie Brown, Linus, Schroder, and Lucy...his impression of Lucy still makes me crack up when I dip into my fondue pot of memories.

I got this book because I wanted to really know more about Charles Schulz. What kind of man was he really? What drove him? What inspired him? Turns out that he, himself, was baffled by the Creation Process just like all "true" artists are. True artists are very humble beings. They know deep inside that they are not responsible for their creations, they are merely the channels through which the power of creation takes place. Being an artist and a writer myself, I know that sometimes I'm in this zone where the process of creation is moving through me so powerfully that all I need do is surrender to It and everything is all taken care of. Not to be preachy, but that's Spirit, that's Love, that's the Light we were all created in and out of. And because all of us are made in the Image and Likeness of Light, of Spirit, of Love, we are all creative and we are all creators. The question then becomes, "What am I willing to create?"

This book makes me cry. Not in a sad way, but in a way that just makes me miss my friend. And although I see evidence of his being here all around me, I know that this world is never going to be the same without him.

Peace & Blessings, Mr. Schulz.

I am very satisfied with my purchase.The book itself is a pleasure to look at.The drawings are just as funny as I found them as a kid.The writing itself is new to me,but superb.It will allways be among my favourit books.Again marvellous

Indispensable depiction of the face of the Second World War. War and the pity of war. The humour is in the pity.

I really enjoyed the experience of reading and viewing "Up Front". My parents had the book in our home and I remember having the same experience in the early 50's. I truely enjoyed the art work of Bill Mauldin. It was around that time that I became interested in World War II history and drawing and I think I was influenced in both areas by this book. Over the years and as a result of several moves the book disappeared. I was recently reminded of it's existence by a recent issue of World War II Magazine which had a article about Bill Mauldin, "Up Front" and showed several of the cartoons. I immediately purchased it on amazon.com. It bought back so many memories. The hard cover was the same as the book in our home so many years before. If you are a WWII buff you will definately enjoy Mauldin's insight into the lives of the infantry soldier in the front lines. It's a great book.

It's a gift, the ability to draw, to have perspective, to create, to be able to portray human misery as humor, for a reader to see the image and words and turn to laughter. Bill Mauldin had this gift that gained prominence in a time of war where talents rise to their greatest heights or sink to their lowest depths.

Truth is portrayed in humor or the humor isn't funny. Sergeant Bill Mauldin, an infantryman, barely twenty, and serving in Italy picks up a pencil and anything he can draw on, and begins to sketch two characters named Willy and Joe, two, brave, disheveled, irreverent, likeable and crusty infantry soldiers that give meaning to the names infantrymen were referred to as: ground-pounders, dogfaces, legs, and grunts. Mauldin portrays their grim and grimy existence with fatalistic pictures and captions--or grunts. One called "Breakfast in Bed" finds one of them waking up under a cow's utters, or the one where both are in a rain-filled foxhole and Willie touches Joe's shoulder saying, "Joe, yesterday ya saved my life an' I swore I'd pay ya back. Here's my last pair o' dry socks," or with rain pelting down on a scrawny dog facing the opening of their make-shift shelter, one of them says: "Let'im in. I wanna see a critter I kin feel sorry fer." My all-time favorite is a drunk German staggering toward a hidden Willie and Joe, holding a bottle of schnapps, unaware that he is wandering into American lines: "Don't startle `im, Joe. It's almost full."

These cartoons show the comradeship that soldiers developed for each other that would last a lifetime. Each man knew each other better than his own family or spouse ever would, and they could see the good and the bad in everything. They would carry a wounded lieutenant back to safety because he wasn't a "salutin' demon," or curse the Germans as vile, evil Nazis for scuttling a large keg of cognac before their retreat. These soldiers were miserable without being despondent. They were scared without being cowardly. They complained about their predicaments, but carried out their mission as American soldiers always do--attacking silently. The viewer cannot help but feeling empathy and admiration for soldiers who sometimes spent thirty months "in the line."

Mauldin goes further than just making us laugh at the miserable existence of two men trying to stay alive. His real success is that his humor defines the very best and most humane in the human character when it is engaged in its most destructive behavior. It is also timeless. Seventy years later, civilians and servicemen can still see the gallows humor in Willie and Joe's death-defying predicaments.

"Up Front" is Mauldin's account, of what he was doing when he created a particular drawing, why he made sure to include medics, engineers, chaplains, and even Tommies. The writing is matter of fact, well-written, and interesting, but without fascination. That was saved for the cartoons. The author is explaining each one in his text. It's the drawings and the captions that make this book a winner and a conversation piece.

Bill Mauldin died January 22, 2003. Willie and Joe occupying a foxhole filled with water and several cubic feet of complaints, live on.

Think about this the next time you put on a pair of dry socks, and marvel at the simple pleasure of just how good they feel.



May 26, 2008 Memorial Day (observed)

In Memory of the Fallen and all our Gold Star Mothers--especially today.

Of course, this is not a novel. It's a collection of cartoons as they appeared in the Armed Services newspaper Stars and Stripes. The cartoon began to appear in 1944 as the invasion of Europe was underway and millions of Allied troops were fighting their way through Italy and France and into the heart of the third reich.
After a few false starts, Mauldin settled on two characters, Willie and Joe-infantry men. Willie and Joe (who were barely distinguishable from each other) were concerned with all the things that veterans said concerned them during the war. Lousy food was as much of a concern as enemy artillery, fear of cold, wet feet as annoying as the fear of death.
The cartoons, and Mauldin's self-effacing recollections together form a kind of narrative that is at once immensely personal and deeply historical. Mauldin was a pioneer. It was ten years before Cornelius Ryan The Longest Day: The Classic Epic of D-Dayturned personal narratives into history and almost forty before Ken Burns came along.The War - A Film By Ken Burns and Lynn Novick
Mauldin was, in effect, the only war reporter who was relatively uncensored. Since his cartoons carried no strategic information, his only worry was the military's possible perception that he might be lowering troop morale with his swipes at the brass and the rear-echelon. Fortunately, some American sensibility that 'it's good to laugh at the boss even if the boss is us' prevailed.

Up Front was one of the few books that my parents kept by their bedside. This is the book that helped the post-war generation remember the war as it was fought by the men who did the hard work. A quiet masterpiece.

Lynn Hoffman, author of bang BANG: A Novel

When my grandparents got me this book, I didn't think it could help me. I was looking for a "How to Draw" not a "How to Write". This book proved me so wrong. I couldn't believe how much fun it was to read, and it helped me a lot too. Almost everything I thought I knew was proved wrong and after reading it I felt like I understood comics so much better. As well as making me better at writing comic books, it made me a better writer altogether. I strongly recommend this book for anyone who is interested in comics or in just plain writing or art.

Well thought out, well written, quality throughout. I like this book the best so far; the previous weren't as appealing as this but were still very well done. The author really practices what he preaches as far as his message and the book speaks for itself. You won't be disappointed. Looking forward to the new books!

This is the best cartooning and illustration
book that has EVER been created. It accomplishes cartoons and
illustrating and explains everything. THIS is
the only book you will ever need. Don't let this
book escape you, you will NEVER forgive yourself if
you let this treasure get away. It is total visual
instruction. Easy to understand. Easy to attempt.
It is the book I keep on the drawing desk next to me
because it is so complete. Wow!!!!!!---- Luisa Felix

What I like about this book is the fact that it is not only instructional for comic book artists but also for all artists. He writes and draws to enhance what he is teaching so that it is not even noticed by the reader that he is being taught. I have met Scott and he is as entertaining and funny in person as he is in his book.

Great book for beginning comic artists. You will not be taught technical details for how to draw or lay out panels, but you will be shown how to pace comics, shown some basic face anatomy in the context of emotion, given a few inspirational tips on choosing characters, and so on. Probably an interesting read even for people who aren't sure that they want to get into comics.

"Spider-Man: The Ultimate Guide" is a must-have book for all the wall-crawler's fan! It has information about lots of characters and a fantastic spidey's time-line! The illustrations are as good as well, and you can even find information on alternative Spider-Man series, like Spider-Girl, and Spidey 2099. Although the book is very nicely done i still missed more detailed profiles, anyway you will sure not regret for buying this one!

I never read a Spider-man comic book, but I wanted to know all about Spidey, his allies, and his enemies. This ended my search!

We bought this book for our five year old who loves Spiderman, but our whole family has enjoyed learning more about the villains and other characters in Spidey's world. It is fun to learn the origin of characters we are familiar with and some we had never heard of before. There are lots and lots of illustrations to keep the kids' attention, and the stories and bios are interesting enough for adults as well. The binding has fallen apart on our book- which may have survived better under normal wear and tear- but that is mostly because my son takes it to bed with him since he loves this book so much. Overall, a great book for kids and adults too.

Tom De Falco's comprehensive SPIDER-MAN guide is one of my favourite spidey books, covering everything from the comic's origins in the 60s to the recent movies. With some great insight into the characters in the world of comics and good layout, this guide tells you all you need to know about Peter Parker, Mary Jane and assotment of villians (Green Goblin, Doc Ock, Venom et all). DeFalco's extensive research has paid off, making this an essential addition to the already bookshelf-breaking collection of comic book guides. This is a must-have book for any SPIDER-MAN enthusiast.

I have been a rabid Spider-Man fan, reader, and collector for the past 13 years. In that time, I've seen some of the best (1980's to 1993) and worst (Clone Saga) this hero has to offer. IN addition, I have collected every issue ever published. So, I'm very knowledgable about SPider-Man and his world. Still, this book is a delight to read. I didn't learn anything new, but it is well written, spectacularly illustrated with original comic art from some of Spidey's most legendary artists (Ditko, Romita Sr., Romita Jr., Frenz, Andru, Sal Buscema, Gil Kane, McFarlane, Bagley, Larsen). New fans will learn a lot from this book, but no matter how long you've been a fan of Spidey, this book is a treasure trove for you!!

What a visially stunning book. Bruce Timm's artwork is sensationally brought to the reader through Chip Kidds fantastic use of photo design. This book thoroughly examines the behind the scene design concepts of Bruce Timm and Paul Dino and company with insightful reading on how they got to create one of TV's best animated series. A valuable piece of work collecting wonderfully laid out illustrations. Highly recommended for the curious and pure fans of the Batman character.

A very good buy, i was waiting to have this book in my hands for a long time and i finally have it, it's just excellent for those who love the batman animated series and animation. It has a lot of tips and information "behind the scenes" of the series.
very recomendated, the only bad thing is that it was the only book this kind, i'm still waiting for something similar but of justice league and batman beyond.

"Batman: The Animated Series" was one of the most revolutionary and influential cartoons ever created. This book, written by B:TAS writer/producer Paul Dini, is an essential look into the creation and phenomenon of the series. While a little slim on actual reading, what is there gives you that most coveted "behind-the-scenes" info on what it took to make "Batman". (For another perspective on the show's creation, check out the "Modern Masters: Bruce Timm" interview book.)

The real meat of the book lies in its visuals: photos, line art, animation cels, background keys, licensed toys, etc. The layout of these materials seems a bit haphazard (for being done by the "design-god" Chip Kidd), with captions sometimes hard to correlate with their images and numerous fold-out pages (which I really don't care for). However, the sheer number and quality of images is amazing, and some of the full-page renderings of production key art is breath-taking. I question some of the image choices in the character-design section, particularly the villians. But, again, there's a lot of ground to cover here and the quality and quantity of pictures is overwhelming.

The book was published before Batman Beyond and Justice League, so the ending comments might seem a little off. Still as a retrospective on the "B:TAS", you can't ask for much more. This would have been a 5 star review, if only there'd been a little more reading and a bit less visual confusion.

Bottom line: Love "Batman: The Animated Series"? Buy this book.

Who best to write a book about this justifiably award-winning animated series than one of the series writer/producers--Paul Dini (who wrote one of my favorite episodes--"Heart of Ice")? And with graphic designer Chip Kidd involved, you have a book that looks great on the coffee table. The best word I can use to describe this book is "thorough." It contains superlative art in full color, storyboards, character designs, in-house memos, licensed products, an episode guide from the animated series, plus great information on why the series was created, why the censors said no to certain aspects, as well as facts about the movies based on the series (SUBZERO, MASK OF THE PHANTASM). My only complaint is that the book isn't longer. But that's not the authors' fault. They put together such a great book, you'll want as much insight into the creation of this series as you can get (like a good DVD provides). And these guys deliver! This is a great "backstage" look for fans of the series.

I really was blown away by how meticulously put-together this book was. Besides the animation being great, this documentive source included everything from the episode guide title cards, merchandise (including ice cream and bubblegum cards), storyboards, character concepts, and a hell of a lot more! It also includes a great photo of Bruce Timm's drawing desk- complete with all the references he uses such as G.I. Joes & knick knacks. Color photos are adorned throughout, but besides that, there are also great stories of what the animation department went through with the head leaders of Warner Bros. There is even a charicature drawing that includes everything that the animators were restricted to draw (a nude, smoking Catwoman, a boozin' Joker, Batman strangling his foe, etc- it's really a treat!)
Even if you've had the misfortunate of not being familiar with this cartoon series, owning this book will make you realize how much effort is needed to create something this vast, and how much more we need to practice to ever reach this level!

To be precise, this is a perfectly fascinating book. I've been a Tintin affionado for decades, along with my children and now my grandchildren, and had no real understanding of how Herge's work intersected with 20th century history. Learning this in detail, and getting a notion of how the stories and their portrayal evolved, have greatly increased my already great appreciation for Herge's genius.

If you are a Tin Tin fan then you will love this book. I have to confess that I have not read the whole thing but what I have read is insightful and interesting. It gives excellent information about each Tin Tin story as well as a unique insight into Hergés life. I high recommend this book for any serious Tin Tin devote.

My kides are a little geeky and are enthralled by any of the series. It is good clasis sci fi for them. Suggested if you kids like adventure kid stories and sci fi.

This book has used the extensive archive of Herge, to which the author was granted unlimited access. The book is certainly enlightening and offers great insight into Herge's mind. The author rightly presents each Tintin adventure in its proper historical context, and exposes fascinating parallels of the adventures with Herge's own life. Most of the illustrations are juxtapositions of Tintin frames and concepts against the source material from Herge's archive of newspaper clips and books. Some comparisons are very convincing. Some comparisons are stretched, for example, the alleged inspiration for the carnival costumes of Les Joyeux Turlurons in Tintin and the Picaros. Groucho Marx amongst the crowd ogling at a blonde? I don't know about that... Please note that some of these comparisons are extracted by the author, who tried to read into Herge's mind. We will never know for sure what inspired Herge.

The criticism of the stories occasionally is uneven. The author knocks Flight 714 for stretching reality with its extraterrestrials and flying saucers. How about the Shooting Star, where a meteorite the size of an island drops out of the sky? Giant popping mushrooms and mutant arthropods, I don't know about that...

The text sometimes is dry, and sometimes too esoteric and only relevant to readers of the English editions of Tintin. I have read all Tintin books in French, so I could not care less about the subtleties of the English translations of French names. For other readers, this trivia may be interesting. Finally, the book ends abruptly, without as much as one paragraph of an epilogue, a reflection on the total Herge oeuvre.

Why the small print? The print is so tiny you almost need a magnifying glass. This is not a physics paper, it is a book about comics, and in comics readability is paramount.

Overall, this book undoubtedly was well researched. It definitely was worth the money. I came out with a renewed appreciation of Tintin and Herge. I wish the author was a more compelling writer.

A strange book! The information and illustrations in it is great, but there are curious qualities to it. The writer is a native speaker of English, but from errors in sentence structure and some obvious mistakes in word usage, this publication was translated from French. There are curious recurring preoccupations and repetitions, almost suggesting that each chapter appeared separately, possibly in a magazine. For example, the comparison of Herge's work and that of his studio with that of Raphael and his assistant Giulio Romano occurs at least three times! The reproduction of pictorial archival material from Herge's collections and elsewhere alongside panels from the books is fascinating. But Farr often dedicates a lot of space to discussion of the source of a particular image or set of images -- and then there's no illustration. At other times there are illustrations that are scarcely mentioned in the text.

Still, we have to be grateful for all the data given here. I remember an old Tibetan lama looking at "Tintin in Tibet" with my children, and pointing out corners he knew in the panoramic picture of Katmandu, being puzzled by the Abominable Snowman, and laughing at the pictures showing levitation. In the '60's I camped all through through Yugoslavia; my young kids were reading "King Ottakar's Scepter" and constantly pointed out details in the landscape that matched the book. Herge did his homework, and it's great to have the sources laid out.

Despite its flaws, this book is a keeper.