Social Studies Books

A very intense story of a family's history. The author told everything, she did not hide any of the family problems. It was very hard to put this book down once I started to read it. What it was like in Alaska before any real public services were available. The depth of drinking and diseases that came with the white man. And the other social problems that existed because of no government or social structure to help the people deal with these problems.

All I can say is that it was hard to put down. I enjoyed learning about her life's experiences and her "coming of age" as a Native in the "modern" culture. Highly recommended read.

This is Velma Wallis' third book. Her previous works, "Two Old Women" and "Bird Girl & the Man Who Followed the Sun," deal with traditional stories told by the Gwich'in people of Fort Yukon. Her latest, "Raising Ourselves: A Gwich'in Coming of Age Story from the Yukon River" is an autobiographical account of her growing up in Fort Yukon, Alaska. The book offers a very open and candid look inside not only the community of Fort Yukon, but also into the intimacies of her immediate and extended families.

For thousands of years, the Gwich'in people lived semi-nomadically along the Yukon, Porcupine and Black rivers until, within the course of two generations, they found themselves settled into a static community surrounded by evidence of modern day life. Wallis represents this "lost generation" caught between wanting to move forward into the modern world and yet yearning to retain the traditional ways of hunting, trapping and other forms of traditional knowledge. Through her, an outsider can see the struggle within the village and it's people as they are forced to adapt and evolve to the new ways.

The major issue that strikes the reader squarely between the eyes is the epidemic of alcoholism in Fort Yukon. It is not something that only affects the adult community, but as Wallis points out, teenagers and even children in some cases. One paragraph in particular brings the issue home:

"After days of drinking and fighting came the slow, painful task of sobering up. My mother's swollen face would gradually heal. My father's face would go blank as if nothing had happened. That was an emptiness about our cabin as in the aftermath of war - a war no one had won." (p. 107)

As a result of her parents' almost continual drunkenness, Wallis and her siblings were forced to quite literally raise themselves as best they could. Relying on their ingenuity, and each other, she and her fourteen siblings managed to make it to adulthood (a fifteenth child had been killed in a tragic accident).

"Raising Ourselves: A Gwich'in coming of Age Story from the Yukon River" paints a fantastic story about growing up in bush Alaska. Descriptions of children cutting firewood, hauling water by the bucket from the river to the cabin, and even the family outhouse hold the reader's attention and keep the pages turning.

Wallis herself paints a picture of being a self-reliant, rebellious individual who, right from the start knew that she would have to take on the world on it's own terms. Somehow she managed to avoid many of the pitfalls through her own tenacity, and win. In the end, the book is obviously an attempt to deal with not only her past but that of her people as well, to begin the process of breaking away from the demons and healing the wounds of alcoholism.

I can't really say anything else. Just Thank You. My mother grew up during the "Great Depression" here in the USA. She raised several children alone. Your story is very much like hers. My oldest sister doesn't "read books" (????!) but I made her read the book jacket on this book, and she cried.

Oh the trials and tribulations we go through as human beings. And all the feelings we share. I look forward to more stories from you, and THANK YOU AGAIN, lovey. Thank you.

This story reminded me of my own growing-up years, not in Alaska, but on a reservation, nevertheless. It is a powerful book and reminds me of the strength our people have to survive, despite the odds, and interference of another culture. Velma, thanks for sharing in an honest and sensitive way, and letting us know we were not alone.

What an amazing book. Marvelously written, highly informative, i was shocked and entertained, page after page.

A compassionate, humorous, meticulous and nothing short of brilliant piece of writing.

One most definitely does NOT have to be transgendered as am i, to marvel at what is in this book. As a matter of fact, since we already know what we are going through, it should be required reading for the part of humanity that needs to know, that is not transgendered.

Bravo Deborah, bravo.

Jamie Antonia Symonanis - author of 'You're Lost Little Girl'

I was most impressed with the information that was included in the book relative to my own identity problems (?). It gave me some insight into the emotional battles that have brewed within my self over the years. I wish that I had this information many years ago. We are really not male or female, rather, we are a blend of human nature.

Thank you,

Herb

This is the best Gender-related book I've read thus far. It delves far beyond the woman-in-man's body metaphor to cover historical and current theories about gender and why, like any other human phenomenon, gender is represented best by a biological diversity not necessarily aligned with one's natal genitalia. It also delves with style into recent history offering a chilling echo from Nazi Germany into what intolerance holds towards gender variance. This is a book that everyone over age of 18 ought to read. The personal accounts were also very telling. Great book.

For the past couple years, I have been devouring every book I can get my hands on about gender variance, and I have read some really good ones. The one I just finished is among the very best yet. It's a recent offering (published 2005) by Deborah Rudacille. It's called The Riddle of Gender: Science, Activism, and Transgender Rights.

It is refreshing in that it has no axes to grind, and it is written by someone who is sensitive to the subject matter (she began the research when I friend chose to transition); knowledgeable of the general body humanistic thought that comes from feminism, postmodernist philosophy, gender studies and queer studies; and who knows reaearch and science (she's a science writer working at Johns Hopkins). What's more, she is uniquely knoweldgeable about the special area of environmental estrogens and endocrine disrupting chemicals like DES. Rudacille is a powerful advocate, and I believe her so proficiently bringing together the science, the history, and the voices of transpeople will have a profound effect.

As a science writer, she is, first and foremost, a talented writer. The book is especially valuable for presenting lots of different perspectives and distinctive forms of information and thought without recourse to jargon or the conventions of speech typical of academic publications.

Each chapter includes an extended interview with a trans person. Most of these subjects are successful professionals and/or activist advocates. They are articulate and experienced voices that manage to say, in their totality and unity, "We are not mentally ill. We are not moral degenerates. We are products of biochemistry, and we are interesting human beings worth getting to know."

I thoroughly enjoyed this book, and I learned a lot I didn't know!

Dan Mouer, Ph.D.

As somebody in the midst of transition myself I have devoured many of the "must read" books on this subject and more besides. At this point I have started to be cautious about my selections since similar information is often duplicated, especially in the non-biographical works.

What a joy then to read this book, which introduced me to so much new information without ever feeling like hard going!

If you think this is purely looking through research for why we (TG's) exist you are grossly underestimating the author. True, she examines that research, but puts it in the context of politics, public opinion, and ethics of the time. She also asks some tough questions that made me re-consider my position on several issues.

Whether you identify as transgendered or are interested in understanding you have to add this to your compulsory reading list!

As made clear by the subtitle, this is the story of the César Rincón, arguably the best Colombian torero in history, one of the best ever to emerge from the Americas, one of the best -- without respect to origins -- performing anywhere in the second half of the twentieth century.

This is the story of César Rincón the torero (not a biography; we learn little here about César Rincón the man -- quite possibly the only aspect of the book that leaves the reader wishing for more, though we learn plenty about César's view of toreo, his personal take on its hows and whys, the nature and price of the vocation and its demands) who, in 1991, burst onto the taurine scene from nowhere (or, seemingly so -- he was so little known on the day of his first triumph in Madrid that the program listed him as Venezuelan), managing performances that saw him carried out through the Puerta Grande in Las Ventas on four consecutive appearances, a feat unequaled by anyone, before or since.

Just how good was César Rincón? The inescapable impression given by this book is that he was a taurine epiphany:

Josephs is without doubt a full-blooded Rincóncista, but Ritual and Sacrifice in the Corrida is no tendentiously edited hagiography. The judgments it contains are not just his -- they're from the pens of some of the most important taurine critics of Rincón's day (Andrés de Miguel, Vicente Zabala, Norberto Carrasco, Joaquín Vidal, Michael Wigram and José Carlos Arévalo), writing with Rincon's performances still vivid from the previous days' events. Josephs gives us his eye-witness accounts whenever possible, but generously supplements them with the opinions of other commentators.

This is a stunningly successful book, unlike any taurine work published in English in decades. Without question, Josephs has given us a work that will, for years, sit comfortably alongside the best of Hemingway, the best of Conrad, the best of Fulton and Tynan -- destined to be one of the more re-read works in any taurine bibliophile's library.

Rincón was essentially unknown to Josephs in 1991, and the germ of this book took root slowly as Rincón began to stun the Spanish afición (and Josephs) with his performances during that year's Iberian temporada. The idea for the book chrystalized in the spring of 1992, in Plaza Santa Ana -- a Madrid neighborhood dripping with taurine history and activity -- during a chat with Michael Wigram. Josephs set out to follow Rincón, documenting his career trajectory, from Spain back to the Americas, back to Spain, to the Americas, over and over until the end of the 1995 season when Rincón, suffering from a resurgence of hepatitis "C," announced his retirement, intending to swap the role of torero for that of ganadero.

Written with the aid of unusual access to a torero's inner circle, this is not simply an insider's view of the taurine circuit (as might be, for example, a detailed diary kept by a torero). Josephs didn't travel as part of Rincon's entourage. But it is likely as intimate a view as anyone will soon provide. Josephs shadowed Ricón, his manager and cuadrilla for four years -- benefitting greatly from their assistance, attending every corrida he could manage, describing in great detail what he saw (how the public reacted, and how the authority and critics judged). He had access that only a personal relationship with a torero can provide -- to hotel suites before and after successful and disastrous corridas, to sorteos, to the callejon, to tientas, to family gatherings on ganaderias and in Rincon's home, to hospital/infirmary rooms, to post-corrida de-briefings with critics and ganaderos, and more.

Faenas are described in near photographic detail, both the good, the bad, and the all-too-commonly mundane. Although the degree of taurine detail may prove more-than-a-little daunting for anyone outside or new to the mundo taurino, Josephs has seized on a clever way of avoiding bad translation of taurine terms while simultaneously keeping the narrative clear of repeated explanatory asides. All terms that would not be done justice by clumsy translation into English are left in their Spanish forms, accompanied by explanatory asides only the first time they appear in the text. Supsequent appearances remain in Spanish and an index of defined appearances is provided for readers who didn't absorb the meaning of a term the first time around.

Althouh this is Rincón's saga, Josephs' eyes aren't focused on Rincón alone. Had they been, no proper assessment of Rincón would have been possible. Though bullfighting isn't a contest between matador and bull, one can't really judge a matador's mettle without seeing him alongside his peers, each trying to tease the best out of the unpredictable complexity of the animals drawn each afternoon. Fortunately, Josephs doesn't slight Rincón's rivals (most noteworthy among them, Enrique Ponce and Joselito), giving everyone their due. We're provided a very balanced view of years of performances, the good and the bad, solidly retained in the natural context. To back every judgment we're given dates and locations (no need to take Josephs' word alone for the quality of performances observered; we're everywhere pointed to sources that can confirm the observations made) and detail that could only be noticed by one steeped -- as Josephs is -- in Spanish history and geography, taurine lore and fact.

All this is done without any of the dry, ponderous, academic heaviness that made Josephs' last major work (White Wall of Spain (c) 1983) so nearly impenetrable. Here the writing often seems to dance along with the improvisational pas de deux between Rincón and his partners of the afternoon.

I can't recommend this book too highly.

There are many ways to explore and come to begin to understand the fascination that many find in the corrida. It absorbs those that have come to know the bravery exhibited through ritual that lies at the heart of the corrida. The best way to reach some understanding is the way found by Alan Josephs. Josephs tightly focuses on the life of an individual, great torero. Josephs provides an intimate and satisfying examination of Rincón. Along the way, he brings all into the spirit and essence of the corrida.

Ritual & Sacrifice in the Corrida
For many Americans bull fighting is the one of the most misunderstood phenomena. The title of this fine book by Allen Josephs best explains bullfighting to the uninitiated Bull fighting, or toreo as Josephs correctly prefers to call it, is a ceremony of ritual and sacrifice.

The relation between man and the bull is lost deep in the fog of prehistory. Some say it was the bull not agriculture that domesticated man. The corrida is one aspect of that relationship, a sign of respect and honor to a noble enemy and friend.

The book is much more than a story of bullfighting. It is a classic saga of courage and perseverance as Cesar Rincon, a Colombian, against all odds succeeds in a foreign sometimes hostile land. From the plains of southern France, across the mountains of central Spain to the difficult rings of Andalusia, Allen takes us on a whirlwind adventure that criss-cross the breath and depth of Spain as he follows Rincon in his quest for the perfect corrida.

Josephs writes in a lyrical style more in the mode of Garcia Lorca than Hemingway.

Josephs, author of the White Wall of Spain, has an innate understanding of Spain and the Spanish which he imparts to the reader.

Read Hemingway, yes, but Ritual and Sacrifice in the Corrida is a must read for anyone even vaguely interested in that most Spanish of Spanish phenomena.

As made clear by the subtitle, this is the story of the César Rincón, arguably the best Colombian torero in history, one of the best ever to emerge from the Americas, one of the best -- without respect to origins -- performing anywhere in the second half of the twentieth century.

This is the story of César Rincón the torero (not a biography; we learn little here about César Rincón the man -- quite possibly the only aspect of the book that leaves the reader wishing for more, though we learn plenty about César's view of toreo, his personal take on its hows and whys, the nature and price of the vocation and its demands) who, in 1991, burst onto the taurine scene from nowhere (or, seemingly so -- he was so little known on the day of his first triumph in Madrid that the program listed him as Venezuelan), managing performances that saw him carried out through the Puerta Grande in Las Ventas on four consecutive appearances, a feat unequaled by anyone, before or since.

Just how good was César Rincón? The inescapable impression given by this book is that he was a taurine epiphany:

Josephs is without doubt a full-blooded Rincóncista, but Ritual and Sacrifice in the Corrida is no tendentiously edited hagiography. The judgments it contains are not just his -- they're from the pens of some of the most important taurine critics of Rincón's day (Andrés de Miguel, Vicente Zabala, Norberto Carrasco, Joaquín Vidal, Michael Wigram and José Carlos Arévalo), writing with Rincon's performances still vivid from the previous days' events. Josephs gives us his eye-witness accounts whenever possible, but generously supplements them with the opinions of other commentators.

This is a stunningly successful book, unlike any taurine work published in English in decades. Without question, Josephs has given us a work that will, for years, sit comfortably alongside the best of Hemingway, the best of Conrad, the best of Fulton and Tynan -- destined to be one of the more re-read works in any taurine bibliophile's library.

Rincón was essentially unknown to Josephs in 1991, and the germ of this book took root slowly as Rincón began to stun the Spanish afición (and Josephs) with his performances during that year's Iberian temporada. The idea for the book chrystalized in the spring of 1992, in Plaza Santa Ana -- a Madrid neighborhood dripping with taurine history and activity -- during a chat with Michael Wigram. Josephs set out to follow Rincón, documenting his career trajectory, from Spain back to the Americas, back to Spain, to the Americas, over and over until the end of the 1995 season when Rincón, suffering from a resurgence of hepatitis "C," announced his retirement, intending to swap the role of torero for that of ganadero.

Written with the aid of unusual access to a torero's inner circle, this is not simply an insider's view of the taurine circuit (as might be, for example, a detailed diary kept by a torero). Josephs didn't travel as part of Rincon's entourage. But it is likely as intimate a view as anyone will soon provide. Josephs shadowed Ricón, his manager and cuadrilla for four years -- benefitting greatly from their assistance, attending every corrida he could manage, describing in great detail what he saw (how the public reacted, and how the authority and critics judged). He had access that only a personal relationship with a torero can provide -- to hotel suites before and after successful and disastrous corridas, to sorteos, to the callejon, to tientas, to family gatherings on ganaderias and in Rincon's home, to hospital/infirmary rooms, to post-corrida de-briefings with critics and ganaderos, and more.

Faenas are described in near photographic detail, both the good, the bad, and the all-too-commonly mundane. Although the degree of taurine detail may prove more-than-a-little daunting for anyone outside or new to the mundo taurino, Josephs has seized on a clever way of avoiding bad translation of taurine terms while simultaneously keeping the narrative clear of repeated explanatory asides. All terms that would not be done justice by clumsy translation into English are left in their Spanish forms, accompanied by explanatory asides only the first time they appear in the text. Supsequent appearances remain in Spanish and an index of defined appearances is provided for readers who didn't absorb the meaning of a term the first time around.

Althouh this is Rincón's saga, Josephs' eyes aren't focused on Rincón alone. Had they been, no proper assessment of Rincón would have been possible. Though bullfighting isn't a contest between matador and bull, one can't really judge a matador's mettle without seeing him alongside his peers, each trying to tease the best out of the unpredictable complexity of the animals drawn each afternoon. Fortunately, Josephs doesn't slight Rincón's rivals (most noteworthy among them, Enrique Ponce and Joselito), giving everyone their due. We're provided a very balanced view of years of performances, the good and the bad, solidly retained in the natural context. To back every judgment we're given dates and locations (no need to take Josephs' word alone for the quality of performances observered; we're everywhere pointed to sources that can confirm the observations made) and detail that could only be noticed by one steeped -- as Josephs is -- in Spanish history and geography, taurine lore and fact.

All this is done without any of the dry, ponderous, academic heaviness that made Josephs' last major work (White Wall of Spain (c) 1983) so nearly impenetrable. Here the writing often seems to dance along with the improvisational pas de deux between Rincón and his partners of the afternoon.

I can't recommend this book too highly.

I knew the subject matter of Ritual and Sacrifice would hold some general interest, but I had no idea that the book would be so lively, so entertaining, and so damned dramatic, from Rincon's opening of the Madrid gates to the story's heartbreaking "surprise" coda. Josephs makes what was obviously a Herculean literary undertaking seem easy and natural, and the writing's terrific--fluid, confident, passionate. Equally thrilling are the hundreds of superb photos, also by the author. Aside from Hemingway's masterpiece--an inevitable but impossible comparison--this is the best book on toreo I've ever read, as well as being a provocative and engrossing cultural study.

I knew nothing about this memoire but the title before i picked it up so you can imagine my suprise as the plot became clear.

I enjoyed this book more than i expected because the characters pulled me in and the pace seemed to be more like a mystery than a memoire. Knowing that the story was not dreampt up made the characters feelings weigh a bit more heavily.

I really enjoyed the journey the author goes through...knowing he's venturing down the wrong path but going anyway, for the immediate satisfaction that lays there.

Benderson, Bruce, "The Romanian: Story of an Obsession", Tarcher/ Penguin, 2006.

An Intellectual Triumph

Amos Lassen and Literary Pride


If you are in the mood for a serous book that will indeed make you think, pick up a copy of Bruce Benderson's "The Romanian: Story of an Obsession" and I can promise you that you will not be disappointed. I knew nothing about it and the more I read the more surprised I became and the more I loved this book. Written as a memoir, it is really more of a mystery. It s one thing to go down the wrong road but it is something else when you knowingly do so. The book is honest (sometimes too much so) and realistic (because it really happened).
Anyone who has ever loved a person or a place with pain and obsessed, fantasized, felt not at home, or thought about the concepts of history and fate will have a pleasurable read. Benderson takes Romanian history and enmeshes it with the love story of a forbidden hustler. Benderson's obsession with a Romanian rent boy parallels the scandal of a royal family and in doing so takes us with beautiful insight into the modern perspective. Benderson has created a whole new form of travel memoir with this book. He transforms his obsessions to matters for the intellect and we get a psycho-sexual soap opera where danger and truth hide in run down hotels, dim cul-de-sacs and unknown foreign landscapes. The titillation he could have provided his readers by writing this as a soft-core porn novel is instead relates as depraved, masochistic luminous and comical story. There is no hint of redemption and no patented wisdom. The style of the author is depressing and decadent and seems to be infused with mind altering drugs but this is what makes this book so great.
Benderson is at times self-indulgent but we never lose interest. It seemed to me that the author was trying to exorcise some of his guilt feelings about exploiting a young hustler but this is not really of importance as we see when the book draws to a close. Everything is just dirty and the man brought about his own fate.
Benderson felt that his mother had suffocated him emotionally and it is through this knowledge and his relationship with a young man that he begins to realize that everyone of us carries some kind of flaw and that above all, we are human. In learning this, the book shocks us into the reality of the way we live and we start to search within ourselves. Benderson shocks us out of any preconceived notions we may have about the nature of sexuality and we learn that we are mainly responsible for our undoing.
The layers of the book are plentiful as past and present intertwine and the passion of Benderson becomes the passion of the person reading his book. The language is beautiful and the way three different themes are bound together is nothing short of amazing. The descriptions are lush and I bet that Romania has never looked so good before. Benderson uses his beautiful narrative to tell us of things that should ordinarily shock us but his way of relating what he has to say is absolutely gorgeous.

I loved this book. It was honest, although at times it did teeter on the pretentious. I'm not sure if there really was a valid point to his parallel tale of Romania's last king and mistress and Benderson's affair with the his Romanian hustler. Perhaps Benderson was just trying to displace some of his guilty feelings over exploiting a poor and desperate young man. By the end it really doesn't matter - his rose tinted glasses are off and it's all just grime, grit as dirty as uncut diamonds. I came to realize that everyone is an accomplice in their own undoing.

I am straight and was wonderfully surprised how "The Romanian" depicted facets of my own love life and how Benderson's relationship with his mother was similar --the same suffocating control and tenderness. Benderson jolts us right out of our outdated heterosexual and homosexual bourgeois notions. Whether it is his mother or a shameful street hustler, Benderson is only too aware that we are all flawed; that we are only all too human. A shocker for sure but almost right from the beginning, we stop judging and start to search, along with Benderson, deep into our own souls.

"The Romanians," multi- layered intertwines the past with and present in such a brilliant way that we not only learn something about ourselves but also about several cultures. A smart director like Paul VERHOEVEN or TARANTINO would be smart to snatch up the rights.

While I may like this book partly because I know its main locale, anyone who has ever loved a person or a place with pain, obsessed, fantasized, felt exiled, or contemplated history and fate, will find this a fascinating read.

you can make this as easy or as challenging as you like. You learn words when they keep popping up in the stories

A book of short stories from famous Russian Authors, Half in Russian and Half in english. The book loks intimidating, but the stories are selected to appeal.
The stories were capitvating and all were easy to follow except the cave. I did attempt to read the russian and the layout makes this easy.
I have now been introduced to different Russian authors that I will follow up.

I bought this book as part of my ongoing acquisition of the Russian language. The layout is excellent and typical of these types of book; the stories are well selected and entertaining, with a wide range of vocabulary and grammatical usage.

But...

Anyone wanting to use this book as a booster to their contemporary Russian language skills should bear in mind that a Russian person learning English would not be best served by heading for the library and taking down Dickens, Tennyson, and Gaskill. Languages shift, change, and evolve and today's spoken Russian is as different from that of Gogol as English in San Francisco is different from that of Thackerey. Arguably the English spoken in San Francisco is fairly nasty ("He was like, that was so totally awsome, and I was like, cool...") because it is imprecise and unfocused and in fact fails to convey much meaning; nevertheless a solid grounding in Henry James wouldn't prepare someone for a close encounter with the local natives of the Sunset District. Likewise, the stories here won't really help you much with contemporary Russian as spoken by a teenage girl in Peter or a xenophobic hoodie near Red Square.

But as a pleasure in itself, this book is a gem and a worthwhile addition to the library of anyone who is just establishing a beach-head in the language.

This book works on two levels: One, these short stories are by the Russian masters of the genre. In English translation, they are powerful, evocative, and moving, on their own. There is a reason why Pushkin, Chekhov, and Dostoevsky are still popular: Those guys didn't write any garbage. They set the bar for all writers as high as it could go. I would especially recommend "Sleepy" by Anton Chekhov. Read it on Halloween night, as I did, for a good old fashioned fright.

Secondarily, for those of us learning Russian, these short stories provide fascinating and very challenging works to translate. Be advised, this is a high level of Russian literature, written for educated and literate native speakers, so it's a big challenge. Pack a lunch.

The short story format is especially beneficial. If you can get through one story, believe me, you are ready for the psychological reward of starting a new story.

Got this book a while ago, its way too hard for me for my level but the good thing is you can work through at a slow pace and still get a lot out of it. Stress marks are very helpful, would have been useless to me without them basically, and the glossary is also helpful although it doesn't include everything (good to have a dictionary nearby). Layout is good, that is, having the english on the adjacent page, makes for very easy reference to the english. Archaic language is usually noted and explained as such, which is useful. Great for reading practice, highly recommendable book for all skill levels (i have only been learning for around 6 months but have still got a lot out of it so far). Good selection of stories and enough to keep an beginner reader going for a long time!

Reifenberg does a fantastic job with this memoir. The stories of the orphans he works with are engrossing, and his own story is quite interesting to follow as well. He also writes about the brutal dictatorship in Chile which is very much tied to why his orphanage is so important. I would highly recommend this book, especially for people who are interested in international service.

I read Santiago's Children after returning from a long-term volunteer placement in Latin America, and was thoroughly impressed. This book provides an unusually realistic account of volunteer work in a developing country. Although Steve Reifenberg occasionally sees dramatic results, he also learns to appreciate slow changes and small-scale victories in the lives of the children with whom he works. He depicts Chileans responding to political oppression not with heroic displays, but with quiet acts of kindness, courage, and generosity.

Fortunately, you don't have to be an international traveler to enjoy this well written and engaging story. Its protagonist, the young Steve Reifenberg, is a complex, down-to-earth, and entirely likeable character. Steve offers honest, self-deprecating accounts of his successes and failures, enthusiasm and frustration. His love for the people and places he discovers, and especially for the children of Hogar Domingo Savio, is apparent in every anecdote. He comes away from his experience in Santiago with a universally useful lesson: "I learned to believe that maybe it was not a bad thing to have big dreams, even if sometimes they fell short."

I read Santiago's children coming from two places :

First as an avid reader of autobiographies. This one will remain a gem in my memories. It is seldom that one finds a life story so well written, funny, terribly moving, sad, authentic and yet so humble. Reifenberg takes you from the first chapter to the very last page through numerous simple - yet incredible - everyday life stories in Chile. This book combines epics from the childhood of Chilean orphans, their wonderful "mama", Chilean history and includes Reifenberg's own story in the background. I roared with laughter, was moved to tears, even sobbed and did not want this unforgettable book to finish. A must read for anyone !

Secondly relating to the book as a career counselor. I wish that the choices my clients made could often take this path of self-reflection, as long, thorough and difficult as it may be. But where in the end one senses that the person has found his or her core values, the ones that will enable them a fulfilling career and life. Reifenberg seems to have set the ground for a lifelong self-understanding and calling during those two years in Chile.

In the years I spent working for an international volunteer organization, I was often asked whether volunteers benefit more from their experience than do the communities they serve. Steve Reifenberg's lovely memoir, Santiago's Children, provides the perfect answer: everyone benefits. Young volunteers who are often seeking guidance for their careers and lives come home with open minds and vastly broadened horizons; their families and friends at home learn with them and are given an opportunity to contribute from afar; and the children and communities in which the volunteers work acquire knowledge, skills, and affection for people from other countries. Reifenberg has written a funny, compelling, and thoughtful account of his experience in a beautiful country at a troubled time. Reading it, I came to care deeply about the orphanage and children he describes and to respect him for the quality of his observations. His book will be of value to anyone considering going overseas to live or work.

One of the most difficult things for persons who engage in meaningful international volunteerism is balancing the reality of the limitations on what they can actually accomplish with the idealism, energy and commitment to doing good that brought them to the decision to volunteer in the first place. "Santiago's Children" is a wonderful narration that paints one international volunteering experience with honesty and insight across the what will be for potential volunteers and others curious about international volunteering a surprisingly broad mix of experiences, successful and unsuccessful, that this particular volunteer had during his years at the orphanage in Chile. Probably even more importantly, this book shows how the volunteer experience can transform the volunteer in unexpectedly profound ways.

As the Executive Director of an NGO that sends volunteers to teach in developing countries, I have been looking for a book to send to our incoming volunteers to give them a realistic sense of what sorts of experiences lie ahead for them, as well as to show them how serious service can change their lives. We have decided on "Santiago's Children."

Hannah Breece was an amazing woman--strong, independent, and driven by her desire to help the people of Alaska during the early 1900s. This book is well-written, interesting, and informative. If you love reading about early Alaska, you will love this book! You might also check out a new release, When the Water Runs: Growing Up With Alaska.

When the Water Runs: Growing Up with Alaska

This book is a great read. I was swept along by this story of a single woman working in the Alaskan back country. She takes a matter-of-fact approach to all sorts of alarming situations (e.g. being buried in a snowdrift and having a bear and her cub wandering about outside her tent).

A great adventure story. Fascinating snapshots of turn of the century Alaska. Many of the most interesting parts of this book are those which talk about Alaska's relationship with Russia, particularly the power of the Czar and the Russian Orthodox church. Reading about this, Alaska seems more like a colony than a part of Russia. Maybe the Alaska America purchased wasn't Russia's to sell.

The book presents attitudes as they were without varnishing or apology. Some are decidedly racist. Hannah definitely saw her job as 'civilizing' the natives (nobody seems to have asked them if they wanted to be civilized). She talks about communities who lived underground - this was dying out as the US government didn't approve - the story of colonization the world over...

An excellent story with plenty of meat. Hannah Breece is a woman both of her time and ahead of her time. This book, although covering the early 1900's, really tells of a time when the balance and control of Alaska was switching from Russian influenced culture to American influenced culture. It is interesting to see that what was "correct" then is now "incorrect" and reminds the reader that values and judgements are culturally bound.

The action of the book takes place over most of the major regions of the state including the gulf coast, the interior and the southeast.

Jane Jacobs the editor did an excellent job of organizing and illuminating Hannah Breece's story. Without her careful introductions the story would have not had quite the same postive impact.

This book is largely alone in covering the topic of teaching in the early 1900's. For those of you interested in the early history of teaching in English in Alaska then this is your book.

In 1904, Hannah Breece (1859-1940), was recruited by the Department of the Interior to teach in Alaska. Alaska at that time was quite different than today. Preferring to work in poorer, more backward areas, she saw a side of Alaska that does not normally appear in the history books. This is Hannah stories, as told by her, and edited by Jane Jacobs.

This is a really great story. I found its depiction of life in 1904+ Alaska to be quite enthralling; Hannah certainly found her way into many fascinating adventures. The book shows life in 1904+ Alaska, as lived by the common people, including dealing with wild animals, sled dogs, fish famines, earthquakes, racism at many levels, and so much more.

All I can say is that Hannah Breece must have been a formidable woman. I have never said this before of a book, but I actually felt honored to be able to look in at Hannah's life. I highly recommend this book!

I fell in love with Alaska as described by Hannah Breece. She told an amazing story of a time that is long gone. She also showed great restraint in not "telling tales" on those who were her contemporaries. Her niece, Jane Jacobs, who compiled and edited her memoirs, fills in the "gaps," after Miss Breece's personal story is complete. I recommend this book to lovers of history, Alaskan history, early American history, education history and those with a romantic notion of how the "good old days," really were.

This is a touching book. Although the descriptions of the author's self centered friends are nauseating at times, the exploration of the bizarre bond between mother and son is very illuminating. I highly recommend it to anyone out there who has a mother.

Nicholas Weinstock's book plainly delivered. It made me see the relationship my son and I have now that he is 'grown up', married, and out of my home, in a whole new light. The feelings expressed from sons of all ages were illuminating. Mothers, read this book and learn that out of sight is not out of mind.

One heck of a great read. Captures the truest truths, and spits them back at you in a manner that evokes Orwellian insight and Dickensian wit. Read it and weap, or guffaw.

This is one of the best books I have read in the last 10 years. Although it is written mostly from a son's point of view, as a mother of a 32 year old male, the feelings described in the book helped me so much to better understand my own experience with my son. Nicholas Weinstock's mother deserves serious accolades for raising a son with the SPIRITUAL AUTONOMY to write such a book. It is filled with heart and a loving humanity. A beautiful book and one of maybe 5 or 6 in my collection that I will own 2 copies of: one to refer back to and one to loan to my friends who also have sons and want to understand more about this singularly unique and profound relationship.

You could have knocked me over with a feather at the intensity of my feelings when my son was born. The oldest of seven siblings, I had never had such feelings for my brothers. I had been much closer to my sisters. My own firstborn was a daughter, and I love her dearly. But there was something about the way my son seemed to adore me that creeped into my heart and made him so very, very special, in spite of my "feminism" and my need to rage, rage against the Patriarchy. In fact, it was the Patriarchy itself that put him most at risk, and one I did not want him to become a part of, if I could help it.

Nor did I want to become the kind of mother who emasculated her son. His father was out of the picture, for our own safety. I did not want him to grow up like so many of the men I saw around me. I wanted him to discover and unfold whoever he really was, and I wanted him to be happy with that.

Now, he is 24 years old, and we are so close it scares us sometimes. I wonder if I was wrong, and he assures me that though it was difficult, he's sure that I was right. He can make me laugh with his magnificent insight into my soul, he sees things about me that no one else can see ... and sometimes, I swear he doesn't see me at all, even though he's sure he does. And then there is that terrible awkwardness when we push each other away because neither one of us wants to suffocate the other...

Such is the beauty of this book. Written from the point of view of a loving and devoted son, I now have a much clearer sense of the cautious territory in which I am privileged to tread. Written like the true love story that it is, Weinstock puts words together so beautifully (with the help of his mom ;-) that I no longer feel like I am walking blindly into a mine field. I understand the rhyme and reason of this madness that pulls us together while it keeps us apart, and I have a clearer sense of what to expect. I may not agree with everything the man says about the inevitable definition of what it means to be a man, but I can respect it, because if I cannot respect the man's point of view, I have no business mothering a son at all. It's been a tightrope walk from the beginning. Thanks to the awesome gift of this author, I am no longer walking on eggs.

this a terrific book telling why these sick individuals did their horrific crimes etc, worth the money.

This book was an unexpected surprise...I thought it would be another compilation of headlining true crime cases from a Court TV reporter's perspective, and instead it was a psychological journey into the background of the cases and participants. Some reviewers opined that Velez-Mitchell blames the victims/victims' families (as in the case of the Laci Peterson case and exploring the triangulation of Laci, her mother Sharon, and Scott), but I disagree. Ms. Mitchell takes pains to explain that she is not blaming the victims or families for the violence perpetrated against them, rather she is is searching for an explanation for the crimes, what may have led up to the crimes from a family systems and relational perspective. Instead simply claiming that a crime occurred because of an evil or insane perpetrator, she actually delves into the family secrets behind well-publicized cases and provides insight into how intergenerational family secrets can create havoc generations later~hence the title.

Ms. Mitchell examines well-known cases, (such as the aforementioned Laci Peterson murder)Phil Spector, as well as some of the highly publicized teacher-student rape cases. I highly recommend to true crime fans and people interested in exploring crime from a family systems perspective.

This book and some details are just too much for me to absorb like "modern day movies" with too much gruesome detail but Jane Velez-Mitchell is just reporting the truth rather than providing mega-bucks hollywood slock aka "entertainment". This book is crucial to be read and for our law makers to make changes nationwide to better protect women from abuse and murder. What is clear are these murderers where giving off plenty of signals or even had criminal records that were neon signs. I hope her book brings change to people's awareness, safety and the "the system" which does not protect the victims. Velez-Mitchell points out that "economic abuse" plays a role in the abuse of women and it can be found at all socio-economic levels. Her point about the how women can be the harshest judges of fellow women blaming them for their own rapes and murders is right on. "Why was she out so late?" "What was she wearing?". I hope this book raises awareness and brings national changes in our legal system, in protecting women and children and state of the art technological warning systems to alert communities of the movements of repeat offenders that our on the outside and we need to ask ourselves how and why the legal system continues to set free people that are so violent. Why is so much hostility and rage towards women accepted in this culture. Read this book and find out Velez-Mithcell's answers and the sad truths about why so many women stay home in what I call "good girl prison" but as she points out men do not stay home because they are not afraid of being harmed. Read this book and I hope Jane Velez-Mitchell "Secrets can be Murder" helps to bring change and prevent unacceptable hostility and rage towards women that is very much accepted in America to successful reforms to protect the innocent and successfully prosecute the guilty. Jane Velez-Mitchell ends on a spiritual uplifting note and she has a list of important resources and she urges readers to get involved! Read this book!

This is not the kind of book I usually like, but I couldn't put this one down. I don't like those CSI-type dramas, or the forensic crime shows, but this book was truly interesting. If you like CSI and crime dramas, then you must read this book. If you're interested in high profile crime, but don't generally like the "blood and guts" part of it (sort of how I feel--I don't like blood and gore) than you may really still enjoy this book. I'm not saying it doesn't describe the violence. The author tells the background stories, the psychological aspects and the secrets that were kept between the killers and the victims leading up to the crimes.

I am a true crime story/psychology enthusiast and I have seen the author Jane Velez-Mitchell on t.v. many times.(Nancy Grace, Larry King, etc.) As an author, she really has the talent to keep the reader captivated in every detail of each crime and the possible psychological explanations for them. She did an outstanding job on this truly "can't put it down" type book. Bravo!

I wish I'd read this book 30 years ago when it came out. It's still as relevant today as it was then--and in many ways just as revolutionary. I'm not black, but it applies to anyone who does not run with the crowd and has a strong desire to look at things honestly in spite of the personal discomfort involved. Things need to change in the US--we need to see ourselves as in this thing together(life, the "American experiment"),and this book drives that home.

If you are looking for some consiousness raising, inspiring, and honest words - then this is the book that will bring that to you.I highly recommend it.

Audre Lorde is a black woman, a feminist, a lesbian, mother of two children, daughter of Grenadian immigrants, and a cancer survivor-yet none of those descriptives paints the complete picture of who she is, or how her words will undoubtedly transform all of those who read them. "Sister Outsider" is a collection of writings-including reprinted magazine articles and speeches- that spans 15 years and includes the famous riposte to Mary Daly after Lorde read "Gyn/Ecology: The Metaethics of Radical Feminism" and the oft-quoted article "Poetry Is Not a Luxury". Those who ponder the difference between eroticism and pornography will find the distinction elucidated in the piece "Uses of the Erotic". In the selection "Grenada Revisited: An Interim Report" the author meticulously details the U.S governments' affinity for imperialism, propaganda, and hypocrisy as exemplified by the invasion of the tiny island nation of Grenada. Readers will find the obvious parallels between the invasion of Iraq in 2003 and Grenada in 1983 unsettling, especially in light of the fact that this book was published in 1984. This collection is imbued with Lorde's personal experiences yet you will feel as if she is speaking directly from a place within yourself that has longed to find words of expression that until reading this book remained unspoken. When Audre Lorde writes of racism, sexism, and imperialism she is truly writing for everyone. This book is an excellent choice for someone seeking an introduction to Lorde.

No poems this time around, folks: prose that gets under your skin and into your head. The late, great Audre Lorde, known primarily for her poetry over the years, wrote what is one of the most compelling books on sociology, sexuality, racism and the nature of human character and existence in the last 20 years. Her charges are damning, but dashed with more than a spoonful of hope when appropriate, and it is impossible to walk away from this book unchanged.

No New Age-isms, no agendas...just common-sense reactions to everyday experiences told in a way that not only everyone can understand, but in a way everyone SHOULD understand.

"I have come to work on you like a drug or a chisel" wrote the late Audre Lorde. Her passing created a hollow space in my soul that is now full again, thanks to Audre Lorde. Despite the fact that 'Sister Outsider' is assigned in virtually every women's studies and gender studies 101, do not think it is dry, ultimately a mere 'academic' book. Audre Lorde lived in and for a radical poetics and a radical pedagogy. If you have not discovered her work yet, please get a hold of a copy. It might save your life the way it saved mine, and I am white, male and straight, with a fierce hatred of white supremacy, patriarchy, and homophobia. But never mind my repeating a mantra you have heard, simply read this book as soon as possible.