History Books

"The Past through Tomorrow" is a collection of short stories, novellas and shot novels written by Robert A. Heinlein. They all have a common context, Heinlein's Future History as conceived by the author during the 1930s and 40s. It was during this period, the author created a timeline of mankind's progress into space.

To the best of this reviewer's knowledge, this was the first attempt of anything like this on this scale. Several of these tales are considered to be classics of their genre.

We start with "Lifeline" the first published short story written by Heinlein. Hugo Pineiro has created a machine that can tell you exactly when you are going to die. Of course the insurance industry and various other interests are not amused.

Another is the classic "The Man Who Sold the Moon". Delos David Harriman was a reluctant businessman. He couldn't go to the University of Chicago to study astronomy because he had to support his family. He started in real estate then prefabricated housing on to ballistic hypersonic transport. Now he thinks the time is ripe to make possible his true ambition - a trip to the moon. Harriman has only ever wanted to go to the moon but he winds up created an interplanetary business empire and a victim of his own success.

There is "the Green Hills of Earth" where we are introduced to "Noisy" Rhysling, the blind singer of the space lanes. Blinded in an engineering room accident, he is forced to change professions and becomes a traveling musician ultimately writing the songs that defined this era in human expansion.

In "Logic of Empire" two wealthy drunken dilettantes sell themselves into indentured servitude on Venus. In "The Roads Must Road" (voted one of the greatest science fiction stories of all time) a civil servant must head off a labor strike that will cripple the U.S. economy. "The Menace from Earth" deals with young romance while indulging in a distinctly lunar past time, flying with strap-on wings.

There other stories in this volume but the reviewer will mention just one more, "Methuselah's Children". This is where we are first introduced to the Howard Families, a secret group bred for longevity. They approximately 2.5 times as long as their more ephemeral brethren. This is where RAH first introduces Woodrow Wilson Smith better known as Lazarus Long, the oldest man alive. The Howards make the mistake of revealing their existence to the world at large. Humanity drops its veneer of civilization and arrests the members of the Howards in order to torture their secret of longevity out of them.

The problem is there is no `secret'.

If you enjoy science fiction and/or Robert Heinlein, this collection is required reading. It doesn't get any better than this in any genre.

Though I greatly enjoy Heinlen's writing, I didn't think I'd read very many of his short stories. Surprisingly, I had read "Life-Line", which is the first story in this book. But I didn't mind re-reading it one bit! One thing I had not realized before was that it was the first short story Heinlen had ever submitted for publication. I think the book is worth getting for it alone.

Now, not only is this book just an incredible collection of plain good 'ole fashioned story-telling at it's best, but the stories actually proceed in chronological order in the same timeline, which creates an incredible fluidity between stories. You find yourself trying to figure out how far in the future from the last story you read you are in the one you've just started.

I think of the stories in the book, "Life-Line", "The Green Hills of Earth", and "Methuselah's Children" are my favorites, though I think I enjoyed every one of them. And you have characters that flow from one story to the next, so every now and then you get to spend more time with a character that you found you enjoyed.

Do I recommend this book?! Absolutely! And despite it's thickness, it's actually great for people who aren't much into big books - because it's a collection of short stories. You can sit down and read for a half an hour or an hour and then put it down without regret. Awesome book!

"I wonder why nobody reprints it: look at all the good marks it gets!!! "

Fantastic book, but holds way too much in the way of stories that can be (and are) printed and sold seperately.
It's unfortunate for new Sci-Fi fans, very hard to find a decent paperback copy somewhere. Mine is so worn, I need to rebind it.

John W. Campbell, editor of the sci-fi magazine "Analog" coined the term "future history" about the chain of characters and stories written by Robert A. Heinlein. It's a brilliant term, because Heinlein literally created a fictional history of an entire people, from Earth, to early space travel, to settling the moon, to moving out among the stars.

This book, astonishingly out of print, contains many of Heinlein's best short stories and novellas, filling in the gaps for his major novels such as "Time Enough for Love" and "The Moon is a Harsh Mistress."

Heinlein apparently kept a complicated character-and-time chart in his study. This book has a copy of the chart, plus the award-winning stories and short fiction.

Included here: "Methuselah's Children"--the beginning of the story of the Howard Families that is taken up in the sweeping novel "Time Enough for Love." You'll also find stories that explain the founding of Luna City, pioneering space travel, and the revolution against the theocracy begun by Nehemiah Scudder.

If you are a Heinlein fan, this is a great book to have--fills out the gaps in his complete works. If you aren't a Heinlein fan, start with "The Moon is a Harsh Mistress" or "Starship Troopers" to find out how great Heinlein's science fiction is.

The Past Through Tomorrow (1967) is an omnibus collection of the relatively short SF stories in the Future History series. These stories were originally published between 1939 and 1962. Many were first published in Astounding Science Fiction, but others first saw print in a variety of other venues. This edition includes an introduction by Damon Knight.

Life-Line (1939) tells of the man who could predict the time of death of an individual; this was Heinlein's first sale. The Roads Must Roll (1940) is about an illegal work stoppage on the mechanical roads. Blowups Happen (1940) depicts the tensions among the workers in an atomic breeder plant. The Man Who Sold the Moon (1949) relates the story of D. D Harriman and his efforts to establish a base on the Moon. Delilah and the Space-Rigger (1949) recounts the tale of the men who constructed Space Station One and the woman who came among them.

Space Jockey (1947) describes the perils of piloting a passenger ship in space. Requiem (1939) reveals the story of how D.D. Harriman finally got to the Moon. The Long Watch (1948) is a tale of duty, honor and death. Gentlemen, Be Seated (1948) tells of three men in a tunnel on the Moon that starts leaking air. The Black Pits of Luna (1947) concerns a lost child on the Moon.

"It's Great to be Back!" (1946) is a tale of homecoming for two Luna City residents. "--We Also Walk Dogs" (1941) discloses how General Services performed an unusual task for the government. Searchlight (1962) concerns another lost child on the Moon. Ordeal in Space (1947) is about a man who is afraid of falling. The Green Hills of Earth (1947) depicts the last voyage of Rhysling, the blind poet of the spaceways.

Logic of Empire (1941) exposes the reasons for slave labor in the colonies. The Menace from Earth (1947) relates the story of Holly Jones of Luna City and the beautiful tourist. "If This Goes On--" (1940) describes one man's role in the Second American Revolution against Nehemiah Scudder, the Prophet Incarnate. Coventry (1940) tells the story of a rebellious young man who defies the Covenant. Misfit (1939) portrays a young man with an unusual talent.

Methuselah's Children (1941) concerns the troubles of a group with greatly extended lifespans. This tale introduces Lazarus Long, one of Heinlein's most popular characters. This version of the story is much longer that the original and has been further extended into a series of novels.

The book also includes a chart of Heinlein's Future History upon pages 622 and 623. The chart includes the stories Universe and Common Sense, which are not contained in this omnibus. However, this chart also omits several full-length novels in this series.

Although Heinlein wrote many other stories and novels, the stories in this omnibus are probably the reason for his initial popularity within the science fiction community. Stranger in a Strange Land led to his fame within the general population, but was not treated as a cult book by SF fans. We understood a lot more about this novel than did the general public and accepted it as just another of his major works.

Highly recommended for Heinlein fans and for anyone else who enjoys classic tales of high technology, highly competent people and human values.

-Arthur W. Jordin

tHE PRODUCT ARRIVED IN RECORD TIME AND IT WAS IN GREAT CONDITION. i WILL SHOP WITH THEM AGAIN. THANKS!

For me, listening to a good band can can completely change my mood. It's hard to put a price on being energized and uplifted in such a simple way. This book has turned me on to a number of my now favorite artists. Thus, I consider it invaluable.

An outstanding resource for music lovers interested in expanding their collection and listening experiences. Ari's book provides insightful commentary on all types of music and artists.
I especially appreciated the Appendices, where the Ari suggests specific artists and albums to fit pretty much any mood or activity. I highly recommend this to anyone serious about his or her music.

I'll admit it -- I haven't bought much music since I graduated from college in the mid 1990s. In my defense, it's in large part due to my complete lack of knowledge -- I'd hear something I like but never seem to get around to learning the band's name or the other music they've done. This book solves the problem by making recommendations of artists from my post-college years based on bands I already know -- it provides not only a blurb on the band but also highlights seminal works within the artist's catalog. I've been pleasantly surprised at how spot-on the recommendations have been!

This is the best resource that I have ever seen for discovering music. It's a must have for everyone ranging from die hard music connoisseurs to the average listener. It covers a huge range of genres including classic rock, pop, jam bands, jazz, country and more. Such a fast way to learn about SO MUCH music!!

It has opening me and my friends up to so many awesome artists that we would have never thought of checking out. It's just fun looking up my favorite bands and reading the informative, entertaining and concise reviews. From there you are linked to other artist's that you may like and on and on. It's like "choose your own musical adventure" and quickly you will have advanced your knowledge of music - It's just remarkable.

Perfect entertainment for dinner parties, road trips, camping, the beach and an evening on the coach.

If you want to discover more great music to listen to and need some guidance, this book is for you! It's a must have!!!!

Ellul's study still stands out as one of the greatest achievements in the history of the study of propaganda, in terms of how it is practiced, how/why it is effective and how it is inescapable and tied to the very nature of democratic society. Ellul's picture is not a pretty one. He views propaganda as ultimately dehumanizing, necessary and inevitable at the same time. Propaganda, ANY propaganda, regardless of motives or veracity, serves to reduce the individual to function as a meaningless syphon. Whether one agrees with his conclusions or not, it is still a well-argued, compelling and frightening look and modern societies.

The biggest drawback is that the book published today is the same as that published in 1965 (Ellul died in 1994 and no real updated edition was ever produced), and the cases analyzed may seem obsolete, in that he focuses primarily on National Socialist, Maoist, Soviet and US cold war propaganda. But the analysis of is still second to none. For those familiar with the study of propaganda, Ellul's work was by far the most comprehensive and penetrating study of propaganda to that point. It was a HUGE and monumental advance from the previous research into propaganda of Bernays, Lambert, or Fraser. This book ought to be required reading for anyone who wishes to consider themselves even remotely literate or intelligent. Although one may not agree with all his conclusions, it nonetheless provides a compelling argument and portrait of modern man and how frighteningly easy it is to systematically 'persuade' him. Any thinking person cannot but attempt to be cognizant of how we are influenced.
This book is relevant for several reasons. 1) The student of history will appreciate the Ellul's examples. 2) The book analyzes what are, essentially, the beginnings of modern propaganda making it important for anyone studying the phenomenon. 3) Ellul breaks the phenomenon down into easily understood categories and places them in the context of the modern 'technological', urbanized society and what Ellul calls the predicament of modern man. 4) The research and sources that went into writing this book are as comprehensive as they could have been. 5) It provides an excellent explanation of much of 'modern life'. 6) Ellul was also an interesting writer and individual (simultaneously an Evangelist and Anarchist).


Again, the only real drawback is that some might find the examples obsolete and there are more recent studies of modern propaganda techniques, which have naturally advanced since from those used during the cold war. One would also be well served to read the more recent studies of propaganda by Chomsky, Cialdini (a more psychological approach), Jowett or Cunningham. I would still give Ellul's book more than 5 stars if I could.

I've witnessed the phenomenon of bright people falling for propaganda, hook, line, and sinker, on numerous occasions. I'm sure I'm taken in by much of it as well, but even I can't be fooled all the time.

Still, the answer is not to simply give up. On a few topics, I actually am well enough informed so that (while I still may be susceptible to propaganda myself) I can recognize the symptoms of others falling for it. And this is definitely a phenomenon one ought to look for in others if one wants to cure oneself! I do think we ought to try to become so informed about at least a few topics that we can recognize nonsense. On these topics, we ought to listen, but we also ought to be unafraid to state facts and make judgments. On other topics, we ought to be much more careful.

Perhaps the most dramatic examples for me have been some truly amazing statements about the Arab war on Israel made by some rather well-educated and generally skeptical people. It makes me wonder why those who are ready to challenge all sorts of claims in so many other areas accept some extremely dubious, afactual, and illogical nonsense about this topic without question, and repeat it to me. Are they unaware that they are making statements that may well be false? Are they unable to discuss this issue without making very controversial comments as if they were not only accepted and indisputable facts, but relevant facts as well?

On one occasion, when I suggested to a colleague that I happened to know quite a bit about the Arab war against Israel, hoping to politely give him a way to defer to me, temporarily, on a couple of facts, I merely got an outraged reply. Was I not aware that my colleague was a highly intelligent and well-informed person? What made me think that I knew something he didn't? I was more than a little surprised by such a reaction: normally if a person claims to know something better than we do, we listen, even if we disagree.

This book, written over four decades ago, helps explain a little of what is going on. It shows how intellectuals can be so horribly susceptible to propaganda. As both the book and Konrad Kellen's preface to it state, intellectuals absorb a great deal of second-hand and unverifiable information. They often feel a need to have an opinion about such information. In addition, they consider themselves so smart that they can "judge for themselves." And they seriously underestimate their susceptibility to propaganda given that they can see mere idiots reject some of it with ease.

The truth, as Ellul explains, is that high intelligence, a broad culture, constant use of critical faculties, and access to and use of sources of information are indeed the best weapons against propaganda. They simply aren't used often enough.

Ellul shows how propaganda can have a powerful effect if one is saturated with it. It is useful, he explains, to have someone from one's own frame of reference come up with it. The German National Socialists were careful to put Englishmen on their radio. Anti-Zionists, by the way, are very proud to have Jews state their case, although we should all know that there is no objective reason to trust every Jew, any more than there is to trust every person.

We readers see how propaganda is most useful when it reinforces earlier biases and misconceptions. And how it becomes extremely powerful once a person makes an active commitment to a cause: that person finds it very tough to recant.

The book also shows how propaganda gets one to come up with strange ideas about what is relevant material to support one's arguments. That has the effect of precluding dialog with those who disagree with you. That's why my colleague "knew" better than to take anything I said seriously or reply to it coherently. And it is why careful and cautious statements on my part sounded not merely like admissions that truth was fiction, and vice-versa, but evidence that I was hopelessly biased, impervious to reason, and hooked on rather wild propaganda myself.

This book is fascinating. It made me realize that propaganda is indeed more effective than most of us might realize. And that it is dangerous. Ellul implies that propaganda may well be the most serious threat we humans face. And I think we ought to treat it as such.

Jacques Ellul is meticulous and thoughtful, so this book is occasionally dense and hard to follow. In addition, most of the examples and allusions will strike modern Americans as dated and obscure. Nonetheless, Ellul saw long ago where moderns were headed. He saw that authoritarian use of modern technologies would mesmerize, stultify, and reduce humans to thralls, just as Orwell and Huxley, in far more hysterical prose, had dramatized.

Orwell's electronic miracles monitored citizens directly or indirectly. Huxley's miracles were far more therapeutic or medical. But routine surveillance or treatment is inefficient and overwhelms any state that would depend on omniscience or envelopment. Ellul foresaw tools both electronic and human that would so condition subject-audiences that close monitoring and careful prescriptions would be unneeded.

Ellul also argued that this "Brave, New World" could not but subvert democracy and decency. Once the will of the citizen is not his or her own, then democracy in any meaningful sense is at least devalued and perhaps transformed into reassuring internment.

Perhaps Ellul's most important insight was that the educated believed themselves immune to propaganda when, due to their proclivity for reading and watching news and other governmental outflow, such "intellectuals" were actually far more vulnerable than masses who did not receive propaganda as often.

So turn off the set and log off the internet and settle in with a truly life-changing read.

If one has read George Orwell's 1984 1984 (Signet Classics) you will have an idea of how powerful propaganda, or mind control, can be. An updated version of that is when one listens to or reads the daily news and the Orwellian doublethink that currently comes out of Washington (war is peace, etc). In his work, Propaganda, Ellul's analysis of propaganda as a tool of government control is unmatched, with the possible exception of Bernays' Propaganda Propaganda.

Ellul is a French writer and theorist, therefore verbose. However, if you get past that and think in terms of his analysis, a bleak picture of how the public is treated like so many cattle, can be drawn. We are inundated with information at an increasing and alarming rate on a daily basis. What is truth, what are lies and what is propaganda? As Ellul points out, propaganda is often a thinly veiled "story" - a combination of both truth and lies, about what some entity, whether it be government, advertising companies, the media, etc., want us to believe.

The story of bending minds to a single will is as old as history. We don't have to look much further than today to see it in action. Hitler, Stalin and Mao were masters of mind control. War makes it an absolute necessity for control over the populace. The problem is, as Ellul saw, that increasing technology makes it easier for the "controller", or propagandist, to do his or her work, which, as several have noted previously, obviously undermines the very basis of democracy.

This was one of the books I used when working on my Master's thesis in political science. However, I have read it since and it actually makes even more sense today. Read it, be afraid, but above all, be aware of what is going on in your name.

Ellul has written a marvelous volume on the topic of propaganda. He has covered every aspect of this political socialization machine that has been impregnating, manipulating, and corrupting our society with pseudo-ideologies, education, and attitudes in order to perpetuate complete control over the people by the elites and the propaganda masters.
Individualism, ideology, myth, literacy, and technology make the essence of this powerful and successful propaganda that brainwashes every recipient that is exposed to it. Ellul's book is mesmerizing as well as enlightening and would leave you spellbound and flabbergasted.
I would strongly recommend this book for every reader who is interested in comprehending the dynamics that mobilize our society and the strategies that form our attitudes.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

Attorney Lieber deserves high praise for his objective, informative presentation of the antitrust criminal case vs. Archer Daniels Midland, the agribusiness giant, that ADM, its powerful lawyers and Clinton's Justice Department did not want published. To his credit, he continued to pursue this case after most reporters backed off and swallowed the dizzying spin and disinformation that ADM's CEO Dwayne Andreas and his aggressive lawyers gave the media, crying crocodile tears as the "victim" of an allegedly deranged ADM executive, Mark Whitacre, who became the FBI's mole, and made hundreds of tapes incriminating ADM executives fixing prices in world markets with their competitors. Lieber correctly smelled the stench of a cover-up and adroitly guides readers to make their own
conclusions after compiling evidence, omissions from court records, and other factors that allow readers to infer that the judicial process was compromised by ADM's widespread political
influence before the trial even began. Although Dwayne Andreas,
the infamous political fixer and king of corporate welfare, got immunity in a highly secretive plea bargain to Justice in 1996,
after ADM agreed to pay a record fine of $100 million, his son
Michael was convicted and imprisoned with Terry Wilson for a
mere 3 years, and Dwayne (thanks to outraged and courageous ADM
shareholders) finally resigned. Tragically, Whitacre was
convicted, fined and sentenced to a harsh term of 9 years
because of ADM's swift retaliation against him as whistleblower, for exposing to the FBI the ... corporate culture of
ADM...(anything goes-but don't get caught-and here's your big
bonus (not reported on books)to keep silent, the unspoken words
being that an employee would be fired and crucified if they
blew the whistle.
Lieber's chilling comment (p. 322)should concern every citizen
or future whistleblower who believes in due process and our rule of law: "It was expected that ADM's attorneys would savage the
snitch. What was highly bizarre in the world of criminal law was the way the Justice Department joined in the frenzy to destroy Whitacre. This was an aberration...the perpetrator was a
politically wired corporation whose law firm- the president's law firm- had unbridled entree and influence at Justice. The
mole's lawyer had none."
Lieber makes a strong case that this American corporate history- "one of the most important antitrust cases of the century"- should be closely examined. Rightly so. Why was the court record sealed, why were key witnesses (e.g., Wayne Brasser) not deposed, who could have validated Whitacre's claims that the hidden bonuses were a quid pro quo for engaging in illegal price-fixing? The author's appendices are very helpful. ADM and Dwayne Andreas not only have lobbied for years to emasculate our antitrust laws (the "Magna Carta" of free enterprise) but know that the massive soft money donations to key politicians can grease not only the wheels of justice, but also ensure that ADM continues to get huge subsidies for ethanol and other favors from Agriculture Dept. (high fructose corn syrup,peanuts) that have cost taxpayers billions of dollars.
Rats in the Grain is highly recommended, and was a difficult book to write because of the case's complexity. James Lieber should be considered for a Pulitzer Prize.

I have not read this book, but it seems that the publisher's statement here at Amazon should include some mention of what this book can tell us that Kurt Eichenwald's exhaustive, prizewinning book, _The Informant_, does not. Eichenwald's book covers exactly the same material, and Eichenwald (the _New York Times_ reporter who covered the case) had the same access to Whitacre and other sources that Lieber had.

For obvious reasons, I would prefer not to give a "number-of-stars" rating to a book I haven't read. But Amazon demands it, so I've chosen a neutral "three."

Jim Liebert gets to the truth. Dwayne Andreas and others at ADM are not kind folks. Their ties with murderer/dictator Fidel Castro are real. Their contemptuous involvement with the illegal extraction of Elian Gonzalez from freedom and his subsequent delivery to slavery in Castro's communist prison is also very real. All in the name of appeasment to Castro. These people are stench and deserve to be imprisoned, if not worse. Thank you Mr. Liebert for telling the truth.

Lieber possesses a unique blend of talents to investigate the price fixing trial of the century.

The book chronicles ADM kingmaker Dwayne Andreas's rise to business and political power, charts the evolution of US antitrust law, and dissect's the testimony of key witnesses in the trial.

The chapters on the trial delve into ADM's chief defense: its executives were white-hatted American heroes intent on destroying an "Asian" cartel. You will find the race baiting and "we-are-heroes" defense surreal, especially since audio and video tape caught the conspirators red-handed and potty-mouthed.

Lieber presents shocking evidence to build a solid case that the US Justice Department often subjugated itself to ADM's political power and well-connected attorneys in the prosecution of informant Mark Whitacre for fraud and tax evasion. For example, Whitacre still maintains the nearly $10 million of ADM money he stashed in Switzerland and the Cayman Islands was "off-the-books" bonuses given to him by Michael Andreas with the approval of ADM president James Randall. Lieber provides multi-layered facts that endorse Whitacre's story.

The book's final chapters contain even more revelations: alleged document shredding by ADM chairman Andreas after the June 1995 FBI raid; ADM's hiring prostitutes to help steal competitors' technology; the never investigated role of ADM president James Randall--or Chairman Andreas--in price fixing conspiracies; the Justice Department's refusal to release public documents, and other sordid facts of sex, lies and videotape.

As you will discover in reading this book, justice was plea bargined away and the wishes of the Andreas crime family boss Dwayne were granted, one of which was sending Whitacre to jail for 10 years.

Lieber is to be commended for this historical document which will explain to generations to come how corporate crime destoyed our country.

Rats in the Grain is a tale of corporate criminals from Asia, Europe, and the U.S. whose price fixing conspiracy was finally exposed by a government witness working undercover for the FBI for over two and half years. The FBI tapes and documents sow ADM was involved in fixing prices, technology theft, prostitution, systematic campaign voilations and the transfer of corporate funds without the proper signatures to senior executives' overseas bank accounts to avoid taxes. ADM paid a $100 million fine and was allowed to keep the USDA business worth $85 million, which was unprecededented for a corporation who pled guilty to a criminal felony. THe second conspiracy involved ADM, the Department of Justice and ADM's lawyers working together with the media to paint a picture of Mark Whitacre, the government witness, as the real criminal. Whitacre who worked undercover for the FBI was also receiving illegal bonuses. Records show ADM was aware of this, yet the government and ADM claimed that no one except those around Whitacre were involved. The FBI agents with whom Whitacre worked while recording the crimes at ADM turned their backs on him. All the departments of government in place to administer justice for the people were administering the wishes of ADM's chairman Dwayne Andreas. ADM and the Andreases have spent millions in donations over the years. Adding that to the millions spent on lawyers clearly showed that justice was for sale. Part IV of the book the cover-up is a real eye-opener. It tells of people who sold their souls aiding and abetting in the obstruction of justice which included sending the government witness to jail at the request of ADM. Lieber's book serves notice that all is not well in the heartland and conditions are even worse in Washington.

A very nice book, with remarkable trees, however, from the cover I suppose I wrongly assumed they would be beautiful trees. Quite a lot of the book is spent on African trees of a very strange nature, and to my husband's suprise, very little was done on the banyan tree. I was looking forward to large, ancient trees myself. All in all, it is still a wonderful book, it just wasn't what we were expecting.

Great Book will enough the wonder hopefully they have it in the school systems or county systems

Trees are grouped by various, sensible categories that other books on trees might neglect: Giants: Gods, Goddesses, Grizzlies; Dwarfs: For Fear of Little Men, In Bondage; Methuselahs: The Living and the Dead, Shrines; Dreams: Prisoners, Aliens, Lovers and Dancers, Snakes and Ladders, Ghosts; and Trees in Peril: Do the Loggers always Win? and Ten Green Bottles. Pakenham's text is great fun to read, as can be viewed from those sectional titles, and individual tree titles such as "Tie up my feet, Darling, and I'll live forever" for the Bonsai tree that is the In Bondage section.

I suppose coffee table books really shouldn't be considered exceptional items to read - view, yes; read, not so much. This is an exception. Tolkien's Ents are invoked for a handful of trees, and rightly so; geography students who get a core borer stuck and (somehow) get permission to cut down what had possibly been the oldest tree in the world just to retrieve it are warned against; and, of course, it is mentioned that any fool can climb a gum tree. I've read this about six times this year, high time I count it officially.

beautiful book. Bought it as a gift for my brother.
I already have a copy for myself.

In fall 2006, Lansing's forestry department planted a tiny gingko biloba tree between the sidewalk and the street in front of my house.
It had four and a half branches, all oriented in one plane like the candlesticks in a menorah. You could barely roast a wiener with it.
I scrambled into the house for a book I had bought, by sheer coincidence, the previous day -- Thomas Pakenham's "Remarkable Trees of the World."
Yes! There, sprawling across pages 110 and 111, was a gingko nearly 1,000 years old, still living in Tokyo, measuring 30 feet in girth and 66 feet high.
Pakenham, a British historian with Irish wanderlust and a gentle sense of drama, has traveled the world to photograph and research the history and lore of 60 of the world's most remarkable trees.
This oversize book, just now out in paperback, is so relaxed and un-sensational you picture Pakenham walking from tree to tree, a Haydn string quartet playing in the background, not minding the continents and oceans in between. It's a follow-up to another book that's just as good: "Meetings With Remarkable Trees," in which Packenham confined his wanderings to the British Isles. The response to "Meetings" was so warm that Pakenham packed his bags and expanded his search to global proportions.
Pakenham's style is that of a curious, intelligent pilgrim. He pairs generous full-page or double-page images of his subjects with un-fussy, lightly conversational background information. He clearly respects local lore and legend, but doesn't go overboard with it, nor does he bog the text down in scientific details. The result is almost a set of personality profiles.
The images are spectacular -- given the subject matter, most of them can't help it -- but sensitively chosen and framed, with an eye toward the unique setting, mood and attributes of each tree.
It's a low-key approach, but if this book doesn't awaken your sense of awe, nothing can. That little stick of a gingko in my front yard, for example, belongs to a hyper-ancient species/order/family that predates dinosaurs. Its peculiar lineage (it's related to ferns) is betrayed by unique, fan-shaped leaves that have no central fold.
Of course, trees have their own agenda, and don't care whether they get into a coffee-table book or not (it's tempting to think they'd rather not, insofar as books are made of paper). But it was hard not to think of Pakenham's gargantuan gingko as a thundering encouragement for my little tree's stressed-out, brown-fringed leaves and spindly trunk.
For one thing, Japanese Buddhists believe the gingko, not the Bo tree of India, was the tree under which Buddha found enlightenment.
If lore doesn't thrill, Pakenham serves up history and science. For example, a gingko 800 yards from the epicenter of Hiroshima threw up new sprouts even after the atomic bomb hit.
But enough about gingkos. In this book, the reader will meet a panoply of the world's most amazing creatures: General Sherman, a mega-giant sequoia in California that weights 1,500 tons and is probably the largest living thing on Earth; ancient teapot-shaped African baobabs out of a Dr. Suess illustration; the leaning Italian cypress said to have been planted by St. Francis; wind-lashed cypresses clinging to the rocky California coast; great oaks with hollows where 20 people can sit down to a banquet; bristlecone pines now into their fifth millennium of existence.
Some of these magnificent trees are near roadsides or chained off in parks, all but ignored by passersby. The wonder of this book is that it tunes the mind to the low-frequency, centuries-long chords only these creatures can hear. Looking at trees that have lived the better part of a millennium make you wonder whether there will be a California -- the home of a disproportionate number of these giants -- or a Lansing in 1,000 years.
My bet's on Lansing, which is far less likely to slip into the ocean before my gingko grows up.

A ROAD WE DO NOT KNOW takes the reader on the June 1876 campaign against "hostile" tribes that ended, as every schoolboy should know, in the defeat of the 7th Cavalry at the battle of the Little Big Horn, a river also known as the Greasy Grass to the Sioux. Mr. Chiaventone's first novel is not a great work of literature but it holds up pretty well against a lot of other historical fiction. A ROAD is told from the perspective of captain and corporal, chief and warrior, indian and trooper, white and red. Wrapped in fiction, the author provides a plausible explanation for why and how the battle developed, a puzzle debated by historicans for over a hundred years. The novel explores General Custer's decision-making prior to the battle, when presented with information from his scouts, and during the battle, when pressed by overwhelming numbers of warriors. It makes for a fascinating read to be especially enjoyed by history buffs. Mr. Chiaventone also is able to get into the motivation and thinking of the Ogala, Hunkpapa, Cheyenne, Arapaho and other Indians engaged at the Greasy Grass, showing the reader how these native Americans viewed the world without dragging down the novel with unnecessary and distracting "spiritual" discourse. A ROAD is a realistic novel, describing the rigors of the campaign as well as the violence of battle. A side note is that some 7th Cavalry survivors of the Little Big Horn were later killed at Wounded Knee, where a total of 26 troopers were killed and 35 wounded. Highly recommended.

I've read this book with great interest and excitement. I also comuunicated with the author by email several years ago, and consulted many "experts" on Custer after I read the book. Most of the stories we've heard about GAC are pure trash. GAC was a great hero in the Civil War, for which he has not been given near enough credit due to the despicable stories that have been told about him in the years since the Little Big Horn.

His dear wife, Libby, spent the rest of her life trying to correct the defaming and hostile stories written about him. Because most of his family died at the Little Big Horn, only his enemies, such as Benteen and Reno, were left to tell the story. They were both jealous of Custer, and all the evidence points to Reno as the biggest flaw in the campaign, as he and his troops turned and ran in the face of an assault. This is explained in several writings about this event.

Custer did what most any soldier would have done in his situation. This book explains some of that, so I will not repeat it here.

Suffice it to say, read the book with an open mind, forgetting all the "disinformation" you've heard about him.

Why wasn't this book made into a movie? Well, if it had been an anti-Custer, or anti-American book, it would have been The left-wing, socialist, anti-American pukes in Hollywood would have seen to it. But, it is a realistic story not indulging in mythology or hate-mongering against a true American hero in the Civil War. Custer's conflict with the Grant administration over treatment of the Indians is also a truth Hollywood would not want to tell. That would undermine their hate for him.

With "A Road We Do Not Know" Mr. Chiaventone takes us, on both banks of the Little Big Horn River, as close to what really happened there June 25, 1876 as anybody will ever get. Chiaventone achieves this partly through extensive historical research and partly through empathy for the men involved in the events, all of whom, Indians and cavalrymen, emerge from this story as real people: There are no Noble Savages in this book nor is Custer represented as a fool. Chivaentone understands the "fog of war" and how it can blind otherwise valiant and experienced commanders: Eighty-nine years after the Little Big Horn the 7th Cavalary got itself into a similar debacle at a place called the Ia Drang Valley in Viet-Nam, and in 1965 they had air support and artillery. The only quibble I have about this excellent novel is the large number of footnotes throughout. They do not belong in a novel because they distract from the flow of the story. Someone at Simon & Schuster needs to be reminded of that: put 'em in the narrative, in the mouths of the characters, or in an "Historical Note" at the end of the book, but NOT at the bottom of the page.

I gave this two stars but it is a matter of taste. I was looking for straight historical fiction. To enjoy this read you must really be an avid fan of military fiction. For people with this interest, this might be five stars. For my taste, the author dwelt too much on the details of the military custom and practice that he reconstructed for the circa 1870s Seventh Cavalry. This amounted to the first half of the book and I got bogged down in it. But this preoccupation with military details ran through the remainder of the book and I think had the effect of dampening the climax. It seemed like there was more militaria than characterization so it was hard for me to be personally drawn into the climax. But I realize that this is exactly what some people want. I also felt that the characterization of Custer was a little too charitable based on the history I have read. I am a Native American and I got the impression form this book that Custer was almost benevolent in attitude towards Indians -- just a little egotistical. That's a stretch.

Not since May 29, 1981, the day I finished The Killer Angels, have I been so overwhelmed by the ending of a military action novel as I was by this book. It is fiction only because it supplies lotsa dialogue for June 25, 1876--the day of Custer's Last Stand. This book presents all the events as very concentrated in time, whereas I before reading it had the impression the events were spread over several days. I am confident this book is pretty accurate as to what happened. This is a very poignant book, and made me feel I was with the people on that fateful day. Most worthwhile reading.

"Sailing into the Abyss" by William R. Benedetto is to the Merchant fleet what the "Perfect Storm" was to the sword-fishing fleet.

The book gives "arm-chair" sailors like me, uncontrollable shakes and chattering teeth even...with a hot cup of coffee in hand! Benedetto's writing abilities plunges the reader directly into the cold sea next to the unfortunate struggling seaman who has just abandoned his sinking ship.

This is the riveting story of the Merchant vessel "S.S. Badger State" that was taking its deadly cargo of bombs and munitions to Da Nang to help support our troops and the war effort in Vietnam. Shortly before Christmas of 1969, the "S. S. Badger State" runs into two gargantuan storms that seem to converge directly into the men and cargo of the "S.S. Badger State." The bombs break loose in their cargo holds, and then...
you must read the book!

The author is really a superb writer and nautical historian. However, he sometimes gives too many historical examples of similar events to intensify the fate of this particular ship and incident. His examples are extremely interesting but...often too long. These constant historical vignettes only serve to take the readers focus away from the main events at hand. Much of that ancillary information could easily be put into another book on historical ship wrecks.

William Benedetto deserves the highest praises for sharing his expertise and love for those who suffer peril upon the seas.

A truly good book and one that all sailors, past and present should read.

Aye--Aye Captain!

This book is spell binding, excellently written and so full of history that it makes you want to reach out for more info.

A true story for our time and one that needs to be shared. If you want to know more about the Coast Guard and what it's like to be at sea, this is the book to read. I'm having trouble putting it down.

This book is superbly written. The amazing story of the SS Badger State is magnetic, and even more fascinating because it's true! I will recommend this book every chance I get, and I will keep my copy as a prized possession.

I recently sailed with a person who was a crewmember on the S.S. Badger State when this tragic incident occurred. Your book brought the story full circle, thanks for writing such an illuminating account.

Paul J. Gunis

Very few people are likely to have heard of the loss of the American merchant ship Badger State at Christmas of 1969. She was carrying a load of bombs to resupply the Air Force in Vietnam, and a chain of unfortunate events--poor stowage of the explosives, carrying an insufficient amount of cargo so that the ship rode high, bad weather--combined to lead almost inevitably to tragedy.

Benedetto, in very simple and unadorned prose that is not bogged down by a great deal of nautical jargon, provides a workmanlike rendition of the last days of the ship and crew. He draws heavily upon the documented testimony of survivors before a Board of Inquiry and received very significant input from Charles Wilson, the captain of the late vessel.

He also throws in a great deal of material (which at times verges on simple padding) about the tragic experiences of many other ships of the U.S. Merchant Marine over the last two hundred years, particularly about their destruction by, or, in some cases, escape from, Axis forces in WWII.

A small number of black and white photos are included. The diagrams of the ship and of the bomb pallets would have been better placed at the beginning of the book for easier reference.

This is not a lyrical and haunting masterpiece of man's struggle against the hostility of nature, but it's a serviceable enough rendering of an otherwise forgotten disaster and a nice primer about the sacrifices of the merchant marine.

A visually stunning body of work. This book shares rare and unusual images not seen in the series of children's books Dr. Seuss penned. Some of the images are dark and disturbing but then that's what makes it worth seeing. A wonderful and beautifully written forward by Maurice Sendak, another children's author, adds an interesting insight to the quirky and unique personality, of my beloved childhood hero, Theodore Geisel aka Dr. Seuss.

I recommend this book for kids and adults and anyone interested in animation or comic art.

this book is moving. in the way that a rainy day or a kitten effect your mood, this book too, will leave you changed.

i love this book.

I've always been fascinated by Dr. Seuss's illustrations & the art pictured here just adds to my interest.

This book gives you some of the everyday images from Dr. Seuss' children books and sketches for those characters, but also invites you into a secret world of other at that he created, some reminiscent of his popular books, but some much more abstract and interesting.

This book is a good buy for those who want to see more of who Dr. Seuss really was and what other art he created.

Ted Geisel, more widely known as Dr. Seuss, was a consummate writer and illustrator. His children's books have sold millions of copies; it is a near certainty that few children grow up in the United States without being exposed to Seuss books. This book contains some of Seuss's art that has not had a great deal of exposure. Most are paintings, although there are some works of three-dimensional art.
There are some very subtle messages in these paintings. On page 67 the image has the title "A Man Who Has Made an Unwise Prochess (sic)." A sad-looking man is walking from a distant building along a trail where there are sharp drops on both sides. The image caught and held my eye as I tried to determine what was so familiar about it. Then I realized that the man looked a great deal like Adolph Hitler. The eyes, hair, mustache and shape of the face all match.
Most of the other works contain characters similar to those that have appeared in his books. They are all well done, exuding a brightness and joy so typical of the Dr. Seuss books. Geisel was just as much an artist as he was a writer, perhaps even more so. If you examine this book, you may also reach that conclusion.

As I read this book I could almost feel the track clicking below the engine, hear the chuffing of the engine as it labored to pull the cars, listen to the lonesome sound of the whistle as the engineer arrived at the crossing and feel the power as the fireman put the coal to the firebox and the engineer pulled the Johnson bar. All in all a great read and a book that anyone interested in the steam era would read with relish.

One of the most compelling railroad books I've read - the narrative is compelling because of Orr's consistent, insightful commitment to doing his job well and discovering the most efficient way to get his train over the road. Of course hardcore railfans will enjoy this book, but I think students of industrial history and those interested in the way people go about their jobs (a la Studs Terkel/working) will get something out of this book as well.

The detailed descriptions in "Set Up Running" will have you smelling coal smoke. Even though I have been a rail fan for all of my 65 years, was an NYC-PC employee, and I'm a native of Pennsylvania, I learned something new on nearly every page and thoroughly enjoyed this book.

Although "Set Up Running" deals almost exclusively with operations on a PRR branch line, ferroequinologists (students of the iron horse) everywhere will love this book. It has the unique quality of making you wish it would go on forever.

When I read a book or article about railroads it is easy to tell when the writer is over his head. Not here. This book is authentic.

The time covers a great period of growth of steam locomotive development. PRR classes from the old class R through the M1a are run and evaluated. Which one is the engineer's favorite? You might be surprised.

The book is a labor of love. It is human as well as technological. Here you find the enthusiasm of the young man, the confidence of the mature man, and the feelings of being squeezed out of the retiring man. As I finished the book I sat and thought about the family for a long time.

Set Up Running is simply the VERY BEST railroad related book which I have EVER read! If you don't have it GET IT! PERIOD! (PS: I have NO financial interest in this book or any organization/company which sells it). I'm doing YOU a favor by rating this book and advising YOU to get it!)

ceh