History Books

This book is a must read for Christians who are not satisfied with their spiritual life and a MUST READ for those in churches considering major capital expenditures that will serve only the members. It will change the way you think about how you and your church can best serve Jesus.

For many years I have felt disenfrancised from the church, even though I have spent my entire life in it and even raised my family in it. Now that I am nearing fifty, I have found myself seeking ways to spread my faith that are real and substantive. This Present Future has given verbal affirmation to what I've felt all along, and to what I've always known to be true. But in Churchian circles, the only truth is the one they tell you, and to think outside the box is frowned upon. But now I understand why, and I understand what I must do to change and effect my world for Christ.

Thank you Reggie McNeal.
Lonnie Friesen
The Homeless Heart

Reggie McNeal writes a thought provoking book that will either excite and challenge you or anger you. Not everyone is ready for the truth that is laid out in his book. But it is the truth none the less. The American Church has lost the right to be heard and this book gives us some tough questions we need to ask ourselves in doing a self-evlaution and earning the right to share the important message of Jesus Christ and be heard by those who need to hear it. This book was a great confirmation for our church in who we are and why we don't seem to fit in with the other churches in our community. God is doing a new thing and this book has shown our church we are part of it. I am now taking our entire church leadershipo through the book. I highly recommend every Christian who is tired of "doing church" and maintaining the status qou read this book.

Fantastic book. Really makes you reflect on your ministry and the questions the book asks gives a structure for evaluating the overall focus of your church. I would highly recommened this book for someone seeking to bring about revitalization within their congregation and personal ministry.

Excellent book which speaks to the problems the modern church faces. Gives specific information and direction to deal with current issues. I have found this work tremendously useful in advocating change for the church I serve as pastor.

This is a book of fabulous pictures. We bought it to inspire paintings and other artwork for my brother. He absolutely loved it. You will look at it over and over. It's big, heavy, so colorful, and great for all ages. A good book to leave sitting out to inspire conversation, fill time, or appreciate the world around you.

Even people who aren't as avid about nature as I am have found this book to be simply spectacular. It was given to me as a Christmas present and promptly got passed around the room. People who only take a glance have bought their own copy! The large, professionally printed photographs will take your breath away, and the captions and stories are just as entertaining. This book is organized neatly into chapters, and its layout is stylish and modern.

Worth more than what you will pay, the images are pristinely clear, colorful, large, and just plain amazing. I am giving it to my 11 year old animal-loving son for Christmas, but I must confess, I want my own!

A perfect gift for that hard to shop for person on your list, or...the person who 'has everything!' This beautifully illustrated and timely piece of literature uses imagination, intoxicating photographic talent, and intreague creating this work of art, with everlasting beauty for all ages. The distinguished global vastness pulls the reader into its clutches and keeps them craving for the next page. The accompanying CD highlights the haunting sounds of the Rainforest and echos it's melodic and transcendent voice, escorting the listener to the very heart of the...Rainforest! A+++ Highly recommended.

When I purchased this book at the bookstore, I couldn't wait to get home to "devour" it! The photography is stunning, capturing the glistening water on the feet of a rainforest frog, a bug's terrifying view of a hairy tarantula, and the inquisitive look on a chimpanzee's face. Some photos focus on the details of a creature (like the patterns on a caterpillar) instead of the whole animal to provide a different, often-overlooked, perspective. In some areas there are series of photos to show the reader what is normally shown in video - leaf-cutter ants demolishing a leaf, cut-by-cut; the molting and emergence of a katydid from its old skeleton; the lazy-day movements of an orangutan in a tree.

Although the focus of the book is definitely the photography, the items are arranged under topics such as Diversity, Predators, Survival, and Cycles with accompanying educational articles. The reader definitely has an opportunity to learn and well as enjoy the wonderful photos.

The quality of the photography in this book is absolutely spectacular - Thomas Marent is tremendously talented. This photographic journal of his journey through the rainforest will truly fascinate and enchant the reader!

After finishing McCullough's Masters of Rome series, I yearned for another historical fiction series to fill in the void. I assumed it was a tough act to follow, until I picked up the first book in this trilogy "Here Be Dragons". The narrative sucked me in, mesmerized me, and put in me in complete amazement of the cast of characters that surrounded me. Reading Penman makes you not only a virtual eyewitness to the momentous events of Medieval Wales, but grafts you into the families involved--so much so you mourn and grieve with the deaths as if you've lost a loved one. It's rare for books, for author's to be able to do that. Then you realize these characters were real persons that shaped history, your sense of loss and awe magnifies exponentially. She continues the trend skillfully, without letting up, in "Falls the Shadow". This final installment left me with my jaw on the floor. It's not a happy ending, but Penman's skill is in how she takes tragic events of history, vividly paints them by fleshing out the players involved so that you feel the blood that runs through their veins...you even feel like you bleed when they do. If there were a way to make tragedies beautiful, like a sad symphony, Penman has discovered it. The proof is this trilogy. Everyone I've recommended these books to has become a fellow believer.

Completing the trilogy that began with Here Be Dragons and continued with Falls The Shadow, this novel,almost impeccably historically accurate, depicts the struggle by Welsh national hero Llywelyn ap Gruffydd to maintain sovereignty for Wales against the machinations of the ruthless and unscrupulous Edward I of England.
After Simon De Montfort is defeated and killed, his charter of freedoms is destroyed and King Edward reigns supreme as England's king.
After his bride Ellen , the daughter of the late Simon De Montfort, is captured by pirates hired by Edward and imprisoned by the English king, Llywelyn takes the field against England and is defeated and forced to submit to Edward's humiliating terms.
Meanwhile Llywelyn is hindered by the three-time treachery of his mercurial brother Davydd.
These events lead to eventual tragedy for Wales and for Llywelyn and his family.
Dafydd Ap Gruffyd's execution at the hands of the English was very similar to that of Scottish patriot William Wallace 12 years later, also on command of Edward I.
Edward I was a tyrant who crushed Welsh national self-determination, tried to subjugate Scotland, and expelled the Jews from England.

The book has a glittering cast of characters, and traces the lives of Simon's widow Nell, and her family, as well as Llywelyn's family, including his vibrant niece Caitlin.
It is filled with action and emotion, as the author gets into the heads of the characters involved, making for a truly human drama.
This is historical fiction at it's most alive.
The book mends with a prophecy of the restoration of Welsh sovereignty by the Day of Judgement, that on the Direst Day of Judgement no race but the Welsh would give answer to the Allmighty for this corner of the earth.

The Reckoning picks up where Falls the Shadow ends. Edward "longshanks" the first is waiting to take the throne once his father Henry passes and is in Italy on a crusade. The de Montfort house is regrouping after the loss of Simon and Harry at Evesham - Nell and Ellen are in France, while Amaury, Guy and Bran are in Italy. Llewelyn's grandson is the Prince of Wales still fighting against his brothers to keep Wales united against the English.

SKP once again does a great job in transporting the reader to 13th century Wales and England and reuniting him/her with their favorite characters.

This is a trilogy not to be missed by any historical fiction lover! - Here Be Dragons, Falls the Shadow and The Reckoning.

It has been five years since Simon de Montfort and his followers died at Evesham in their ill-fated rebellion against the English King Henry. Henry's charismatic son rules England in all but name. Simon's family is slowly rebuilding their lives. His wife, Henry's sister, Nell, is seeking a marriage for her beautiful daughter, Ellen. Although betrothed at 12 to Llewelyn, ruler of Wales, her engagement was ended by Simon's rebellion and death. Simon's youngest son Bran still struggles to cope with his guilt over failing to reach his father before Edward's army butchered Simon and Bran's older brother, Harry. In Italy, Bran's clever older brother, Guy, has married the ruler of an Italian province and is gaining fame as a soldier. On the surface, the de Montforts appear to be getting on with life; but the hatred and guilt created by Evesham will prove too strong to save all the de Montforts. In Wales, Llewelyn has reluctantly named his faithless younger brother, Davydd, as Llewelyn's heir. But Davydd's ambitions and his reckless disregard of the dangers of plotting with Edward set in motion events which will destroy Wales. Penman has written a sad, magnificent tale of courage, boldness that illuminates the inevitable clash between two cultures: the proud, independent Welsh and the determined England. She is most adept at creating the minor characters who are swept up in events not of their making: Hugh, the loyal squire to the doomed Bran de Montfort; Caitlin, Davydd's illegitimate daughter torn between her father and Llewelyn, the generous uncle who raised her. Through Hugh and Caitlin, the reader experiences the tragedy of the battle between Edward and Llewelyn. It is the human face of history that endures for the reader; the people who die; the places that are destroyed.

This final novel in Sharon Kay Penman's Welsh trilogy chronicles the last throws of the Welsh resistance to English takeover. The beloved Prince of Wales, Llewellyn ap Gruffudd leads the charge in a final but futile attempt to unite the quarrelsome Welsh to the common cause of defeating the English invasion. He faces down Edward I, the brutal English King who will stop at nothing to make England a complete island nation. Meanwhile, Llewellyn's double-dealing silver tongued brother, Davydd, is the wild card in this equation and changes loyalties whenever the wind blows.

Sharon Kay Penman has created a fast paced, emotional roller coaster. The characters are complex and multifaceted. She brilliantly gets inside their heads to portray how each is convinced of the justness of their cause. There is war, killing, and horrible brutality, yet none of the characters are portrayed as either saints or devils. They are simply human.

The Welsh trilogy begins with Here Be Dragons, follows with Falls The Shadow, and ends with The Reckoning. Individually these are some of the best novel's I've ever read but in order to appreciate them to the full and understand the complexities and depth of the characters, you must read them as a trilogy.

Ms Muir is a great storyteller. I was interested in the topic and prepared to slog through boring text to learn something, but this was AMAZING. Read like a novel. She sees inter-relationships and draws conclusions which taught me a lot. Now I want to read everything she's written. I was sorry when I finished this book.

It is hard to imagine how Reflections in Bullough's Pond could have been better written. Diana Muir gives an account of the interplay between New England's economic history and its environment in a lapidary prose which never leaves the reader behind. By the end of the book we are enlightened about the ebb and flow of these matters over the five hundred-odd years from early European settlement to modern times without ever being overwhelmed, for Ms Muir always wears her erudition lightly.

She breaks new ground in her treatment of the environment as both an economic resource and as a complex-often vulnerable-amalgam of ecosystems. Her thesis is that we are living on capital, be it fossil fuel, topsoil or forest-she is particularly compelling on the vulnerable biochemistry of these last. Unusually, however, Ms Muir is scrupulous in her use of statistics and fastidious in her argument. She never seeks to undermine the legitimacy of the economic impulse, though she does not flinch from her conclusion: an argument for restraint in economic activity and population.

Nor does she lose sight of the propensity of ecosystems to renew themselves, albeit often in new forms: she is pleased-almost amused-by the return of the beaver and the moose, while regretting the extinction of the elm and the emergence of local spruce monocultures. Indeed Ms Muir expresses herself more forcefully on the loss of flora than fauna. Perhaps this is because the long life cycles of the former make it harder to take an optimistic view of their capacity to renew themselves. Alternatively it may be because the collapse of agriculture in New England following the opening up of the West, has stimulated the return to southern New England of so many species formerly evicted to Canada.

Reflections in Bullough's Pond is no naïve elegy for a Paradise Lost; it never loses sight of a human interplay with the landscape which long antedates industrialisation, not to say European settlement. In a particularly ingenious section of the book, Ms Muir reminds us that in the middle of the nineteenth century, the courts and legislatures altered common law doctrines of liability to free up industrial activity. This reflected the climate of the times. Ms Muir argues that the climate of our own times may well give rise to more extensive liability concepts to restrain the corporations, notions very much with the tail wind of popular and professional thinking.

Given the book's generosity and elegance, it seems curmudgeonly to cavil at any part of it. But a couple of issues do arise. First forests. Since the invention of agriculture, we have cleared them for the simple reason that we have better uses for the land. This has been going on in the Old World for millennia. Of course there have been local environmental disasters, eg in North Africa and Mesopotamia, but nothing sufficiently general to justify veneration of forests as a precautionary measure. This is an artefact of late-twentieth century sentiment in the New World. There such virgin forests as have not lost within living memory are being destroyed even now, thus the local salience of the issue. Over the past fifteen years their defenders have sought to enlist support by arguing that they served one or another vital purpose: producing oxygen, acting as feedstock for drugs, now Ms Muir points to their role in topsoil. The first two arguments are infrequently heard these days. As to the last, let me point out that where I grew up in the eastern part of England, the ground was cleared eight or nine hundred years ago, but the topsoil remains sufficiently fertile for the local farmers to get out record yields.

I was also left uncertain as to the course Ms Muir might prescribe for the several billion who have never seen Bullough's Pond, and whose habitats have been profoundly altered by economic activity for millenia rather than centuries. The residents of Asia's great river valleys cleared the forests long before Columbus saw the New World. They have to eat-with luck raise themselves above thoughts of the next meal. Ms Muir has practical suggestions as to how the courts might restrain US corporations, but nothing on how to restrain the aspirations of those who dream of a fraction of American prosperity. I suspect she is wise enough to know that there is nothing to be done on this score. In a rare nod towards the nether reaches of environmental alarmism, she hints that she expects nature to impose population restraint, if we do not. I am more sanguine. In whatever might come to pass as in what has come before, we will wade through. As we must.

Other reviewers have discussed the virtues of the book, so I will only add that the lessons to be learned from this well written and fascinating study are relevant to the entire planet, not just New England. As such, the book is highly recommended to anyone anywhere who is interested in mankind's relationship to the environment and its effects on culture and economics.

This is one of the best books I have ever read- period! At the core of the book is Ms. Muir's message that we are part of nature, not separate from or above nature, and we have a great responsibility to maintain the integrity of the environment. Granted, this message is not new. Where this book is very different is how Ms. Muir leads up to this message. She shows how the New England landscape changed from one where farming dominated to one that was a mixture of many different types of mills and factories. You learn the consequences of everything that was done along the way: the consequences to fish and birds of damming rivers; the consequences to forests and to the air we breath of heavy logging; the consequences of catching too many of one type of fish, etc. What is great about this book is that Ms. Muir does not deal in hazy generalities. She takes you step by step and shows you specifically how certain actions cause certain changes in the environment, often unforseen. There is nothing simplistic in her observations and she knows there are no easy answers. She lays out the data for you and you can come to your own conclusions. But what really takes this book to another level is the fascinating biographical information that Ms. Muir provides concerning the many, many New Englanders that invented the machines of the Industrial Revolution and kept the economy vibrant as the importance of agriculture diminished. The way this book is put together is very unusual, due to the combination of all of the above factors and in the space of 248 pages you will learn a great deal of information. The research Ms. Muir must have done in writing this book is staggering and her knowledge across many different areas is amazing. Don't miss reading this book.

Using a pond near her home in Newton, MA as a backdrop, Diana Muir weaves a compelling view of New England history, which she argues is a series of ecological crises.

From pre-Columbian times, Muir says, New England was populated by individuals struggling on a land that was not conducive to making a living. Radical solutions to unsolvable problems were their only escape. In the 1790s, when farming was the only occupation, a growing population and a soil spent by generations of misuse, resulted in a dearth of farmable land. With no prospects and no future, individuals like Eli Whitney and Thomas Blanchard, were forced to look for creative solutions to society's problems and set in motion an industrial revolution.

I was particularly intrigued by the story of Frederick Tudor, the man who in 1806 introduced ice to Martinique. It is one thing to sell ice to people who because of their location, understand the concept. It is quite another, to sell ice to people who have never experienced it, to say nothing about the practical necessities of ice houses to warehouse the product.

His father's real estate speculation losses left Tudor with nothing but ambition and a house with a pond in Saugus, MA. He succeeded after two difficult decades. There was always a wrinkle to be solved before a fortune could be built. Iceboxes had to be designed and then marketed in southern ports to people who had to be taught how to preserve it.

This phenomenon explains why there so many Crystal and Silver Lakes dot the New England landscape, relics of an enterprising age. Savvy ice dealers understood that attractive names sell products. For a brief period even Muir's Bullough's Pond was briefly renamed Silver Lake.

Diana Muir e-mailed me twice during the past two years introducing her book to me. Having read her book, I am grateful for her persistence. If you enjoy reading unique looks at our history, I implore not to wait for her to contact you. Read her book; you will not regret it.

Much has already been said about the quality of the book. I personally find that the book is a due tribute. I also must say that I have not found something on Kubrick of comparable depth.

On the content side, I would have liked to see more info on the projects that were not realized, especially on "Napoleon". And I didn't find a lot of value on the CD, since it's a spoken track instead of some audiovisual material. Nevertheless, as I said before, I haven't been able to find anything comparable to this book on Kubrick. The written material is of excellent quality, as are the pictures and graphics.

I see that Taschen is issuing a new version for it's 25th anniversary. As I understand it, it will be out on Oct/2008.

In conclusion, I am the proud and happy owner of an excellent piece of work.

I have been a Kubrick fan since I was 7 and saw "Paths of Glory" - it was the only film I ever saw that I NEEDED to know who directed it, and, what other movies of his were out there. That was 30 years ago, and I still keep all his films seperate from anything else in my collection! This book is simply INCREDIBLE! Buy it if you can.....no true Kubrick fan should be without this......it is MIND BLOWING! A true work of art covering the work of a true artist. We will not see Stanley's talent and caliber in any other film maker, at least not in my lifetime. Bravo, Stanley!

If it wasn't for its hefty weight, the book is one of the items I'd take with me if my house was on fire - without hesitation. I can't even imagine how long it took for the Taschen team to assemble this incredible book; it tries to do justice to recollect Kubrick's body of work in the form of a portable archive. Seeing this book in person is an experience in itself. The conceptual design is simply impressive: details like the texture of the binding mimicking that of a real archive is a start.

A CD of a rare uncut interview with Stanley Kubrick included in the book is a real gem. The interview takes place during Kubrick's career in its earlier years, and it provides an insight of the director that no other text interview has been able to accomplish - precisely for the reason that you hear Kubrick's voice and his unfiltered opinions. Then, of course, you have a piece of 2001's film strip as an added bonus. It's just too much for a book! And I say that gratefully.

The first part of the book is filled with glossy stills of all the films made by Kubrick. It's nice, and glossy, but the real reason I purchased this book is for part two.

Part two, or "The Creative Process", is filled with a lot of archival materials for each of Kubrick's films - especially pre-production materials: production notes, correspondences, and etc. You learn a lot about how Kubrick prepares for his films by seeing just a tiny fraction (undoubtedly) of what he does before he actually goes into production - it is one of the reasons that explain the long intervals between the director's releases. In addition, the book has an extensive collection of interviews with the director from various sources. But it is little treasures like the former that make this book special.

If you are a serious fan of the master director that is Stanley Kubrick, this is the next thing to have in your possession after the DVDs. Taschen made a serious effort in paying homage to Kubrick's work as a book publisher, and they have succeeded. They could've made a lazy effort in disguise to simply profit off of Kubrick's name, but they didn't, and for that they have my respect.

Amazon now has this book available for pre-order for an October 1, 2008 release date, for $44.10 from a $70 retail cost. Look under 'The Stanley Kubrick Archives [ILLUSTRATED] (Hardcover)'. I would like information on book dimensions as the first print run was on average 40 by 30cm.

Lucky me! I scored a copy of this and I have to say it is the best book on a film artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.

A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.

A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.

I've used Wiesenthal's The Sunflower as a text in college courses several times. On each occasion my original high estimation of Wiesenthal's narrative grows, while my dissatisfaction with the chorus of responses that takes up nearly two-thirds of the latest edition deepens.

Wiesenthal asks exactly the right questions that all of us need to confront about forgiveness. Is forgiveness always ours to bestow? Is it permissible or even possible to forgive on behalf of others? Should forgiveness be tied to repentance on the part of the transgressor? Should the transgressor try to atone for his/her wrongdoing? What if, as in the case of the dying SS-man Wiesenthal meets, the performance of overt acts of atonement are impossible? Are there certain actions that are unforgiveable, or is the philosopher Jacques Derrida correct when he insists (On Cosmopolitanism and Forgiveness) that the only kind of forgiving that makes any sense is the kind that forgives the unforgiveable? And in a godless world--a world where, as several characters in The Sunflower say, wickedness is so rampant that God seems to have gone on leave--is forgiveness necessarily a different kind of phenomenon than it would be in a Godded world?

Weisenthal doesn't pretend to answer any of these questions, but he and the other characters in his memoir discuss them, presenting different perspectives and coming to different conclusions. The very real value of The Sunflower is that it encourages readers to think about the questions.

Which brings me to the responses. Most are impressionistic, unanalytical, platitudinous, and hence totally out of step with the brutal authenticity of Weisenthal's text. A few stand out from the others: Robert Coles', Rebecca Goldstein's, Abraham Joshua Heschel's, Primo Levi's. But most can be given a pass. My suggestion would be to focus first and foremost on Weisenthal's text and forget about the responses. A nice cinematic complement to the book is the documentary "Forgiving Dr. Mengele."

Summoned to the bedside of a dying Nazi who had willingly participated in the systematic annihilation of Europe's Jews, concentration camp inmate Simon Wiesenthal found himself the captive, solitary witness to this 21-year-old SS man's confession of responsibility for committing acts of unspeakable cruelty.

Kurt had asked a nurse to bring him a Jew (any Jew would do); quite by chance the nurse selected Wiesenthal from the work detail assigned to the hospital that day. Against his will, he listened to this man recount his experience of packing a house full of Jewish men, women, and children and then setting the house on fire while lobbing grenades into the inferno and shooting at anyone who had attempted to escape this hell. Kurt watched a father, mother, and small boy leap from a window to their certain death. Before the leap, the father had shielded the child's eyes.

The image haunted Kurt, who was unable to fight again. Instead, he froze on the battlefield and suffered and injury that first cost him his sight and then took his life. Before he died, though, he wanted to confess his sins to a Jew that he might be forgiven and die in peace.

Wiesenthal, who was about the same age as this soldier, heard him out but refused to forgive. Instead, he offered silence in response to the story and returned to the concentration camp.

The experience haunted Wiesenthal; soon after it happened, he discussed it with his friends back at the camp, with a Polish Catholic seminarian. Much later, he presented the story to theologians, political leaders, Holocaust survivors, and victims of other attempted genocides and asked each of these persons what he or she would have done in the same situation.

The story itself is first book of The Sunflower; the responses to the question, "The Symposium," are the text of the second book in this volume. Broadly grouped, the respondents are Jews and Christians, primarily. There are two Buddhist respondents and one Chinese respondent who makes no reference to religion though his response is in keeping with Buddhist thinking. Within these broad categories respondents reflect on different facets of the experience Wiesenthal describes and facets of their faith and life experiences and knowledge to make a response.

The Jewish respondents point to the fact that only the person against whom a sin has been committed has the right to forgive the sinner. Therefore, Kurt cannot be forgiven; his victims are dead. The Christian respondents point out, first, that they feel they have no right to address the question because they have never been on the receiving end of genocide. Then they point out that God alone can forgive and that it is incumbent on each of us sinners to find forgiveness in our hearts for others. The Buddhists respond, as Buddhists do, in the present tense and with an eye on enlightenment--a release from suffering. Each perspective reflects a different concept of individuality and therefore of the nature of accountability.

For this reader, The Sunflower accomplishes the important task of bringing the reader into the concentration camp alongside one of its victims, into the hospital room of the dying SS man, and into the heart of the questions the Holocaust raises about responsibility, accountability, forgiveness, restitution, and grace. These are questions that refuse pat answers and therefore remain alive and active in our minds. Wiesenthal's book challenges our ability to empathize with those who suffer and our ability to think about how and why we believe what we do about ourselves and each other. It is a humble and beautiful tribute to those who suffered and died in the Holocaust. We too can honor their memory by participating in the conversation this book presents.

Recieved item on time, right when we were told it would arrive. Book in very good condition.

Simon Wiesenthal is best known as the man who had been indefatigable and single-minded in trying to bring Nazi criminals to justice as long as there was a single one of them left. For him this was an absolute moral imperative and something that he felt he owed to the memory of the murdered millions of Jews, of whom Wiesenthal could so easily have been one: he was the survivor of a succession of concentration camps: the Janowska camp outside Lvov, Plaszow (the camp of Schindler's List), Auschwitz, Gross-Rosen, and finally Mauthausen. It may come as a surprise to some readers that Wiesenthal was sensitive to the moral problems raised by the issue of forgiveness - yet this book is a moving meditation on that theme. According to his biographer, Hella Pick, Wiesenthal had `always considered it his most important book'.

Cruelty and casual murder were everyday occurrences in the Janowska camp, and are described in gut-wrenching detail in the first half of this episode from Wiesenthal's life. While doing slave labour at a military hospital near the camp, he was secretly brought to the death-bed of Karl, a gravely wounded 21-year old SS officer whose conscience was wracked - not just at death's door, but apparently immediately after the event - by his participation in a horrific massacre of Jews in Dnepropetrovsk. The officer got a nurse to find `a Jew', who happened to be Wiesenthal, to whom he could make his confession and from whom he could seek forgiveness. Wiesenthal wanted to get away; but something - apart from the dying man's grip - made him stay to hear him out. A Catholic priest later told him that that alone should have helped the man to die in peace, since confession and genuine repentance are more important than any absolution. But at the end Wiesenthal left the room without saying anything. Quite apart from the sufferings he was himself undergoing at the hands of the SS just then and from his expectation of death at their hands at any moment, it was not for him to offer forgiveness on behalf of the victims of Dnepropetrovsk. But the issue haunted him - had he done the right thing? After the war he sought out the SS man's mother. The young man had come from a devout and Social Democrat family who were distressed when their son had joined the Hitler Youth and even more when he had volunteered to join the SS. But the mother was convinced that her son had been a good man. Wiesenthal said nothing to her about what her son had done... The short but haunting book charges the reader to put himself in Wiesenthal's shoes and to ask himself `What would I have done?'

Before publishing his book in 1969, Wiesenthal sent his manuscript to a number of distinguished thinkers for their response, and the comments of ten of them were included in the first edition. Further contributions were made by others to the 1997 and 1998 editions: there are now 53 altogether, and they make up nearly two-thirds of the book. They include - to name only the most famous - those of the Dalai Lama, Cardinal König, Primo Levi, Deborah Lipstadt, Herbert Marcuse, and Desmond Tutu.

Some of the respondents seem to me to veer away from the question Wiesenthal had posed, and draw a distinction between forgetting and forgiving; others discuss the question of collective guilt (some reject it; others blame all the bystanders) - interesting, but irrelevant in the context of this story. Almost all agree that whilst individuals can forgive offences committed against themselves, no human can forgive in the name of other victims. In such cases, if the victims cannot be asked because they are dead, perhaps only God can be asked for forgiveness - though one respondent says that God was hardly fit to forgive something which He had after all allowed to happen. And the Jewish tradition has it that even God will not forgive the unpardonable sin of murder. It is unpardonable, because it is the one sin for which reparation is impossible. The Christian tradition, basing itself on Jesus asking God to forgive them, `for they know not what they do', and on the idea that you must hate the sin, but not the sinner, shaped the answer of some Christian respondents. Some say that forgiveness is not only a boon to the penitent, but also for the victim, freeing him from the burden and poison of hate. Two Asian contributors, one a survivor from the Khmer Rouge and the other a victim of the Cultural Revolution in China, blame only the top leadership, and have some understanding for those who were brainwashed.

One respondent hopes that Karl will rot in hell; others also refuse to accept the genuineness of his repentance, indeed stress the offensiveness of him putting a Jew - chosen not as an individual but picked at random - under the moral burden of hearing the confession and being asked to forgive. Wiesenthal at least saw Karl as an individual and is capable of some compassion towards the dying man and later towards his mother (but one respondent thinks that Wiesenthal did wrong to shield her from the knowledge of what her son had done).

These are just some of the responses to Wiesenthal's question. It is a question addressed to all of us, and it is not surprising that this book has been used as a text in many courses on the Holocaust.

Multiple issues arrived ahead of schedule and are in new condition.The Sunflower: On the Possibilities and Limits of Forgiveness (Newly Expanded Paperback Edition)

We bought this and "New York Yankees: an Illustrared History,"for a Yankee fan. He keeps them on a table next to his favorite chair and each time we visit, there are more little bookmarks and notes. He had told us how much he was enjoying them, but the sight of that well used books showed us that we chose a perfect gift.

The Olympian

A Yankee Century" ($16, Berkley). Baseball's spring training does not truly reside in the deserts of Arizona or near the sands and swamps of Florida. It resides in the hearts and minds of children-turned-adults, who carry with them years of baseball lore and feelings (rational or not) of intense rivalry.

So the paperback version of "A Yankee Century" is just the ticket for warming up to the first crack of the bat. As one raised on the Baltimore Orioles, I can do nothing else but hate (rationally or not) the Yankees.

That said, 100 years of Yankee baseball is a walk through much of baseball history. Harvey Frommer's book covers so many of the details that fans love to savor that it's irresistible.

Frommer stays out of the statistic pit (although there are plenty of numbers), instead making a winning delivery out of stories and quotes that will help baseball fans stay sane on a rainy late-January afternoon.

The Olympian, Olympia Washington

This N' That with Tony Mack:
BLACK ATHLETE SPORTS NETWORK

BOOK REVIEW: A YANKEE CENTURY\\
***************************************************************

BRISTOL, CONN---Earlier this year, you may have read a book review I wrote on the historic relationship between Branch Rickey and Jackie Robinson. That book was penned by noted baseball writer and historian Harvey Frommer.

Prof. Frommer has since come out with another historic baseball book, this time about the sport's most celebrated franchise.

Frommer, who authored "The New York Yankee Encloypedia", has now penned "A Yankee Century: A Celebration of the First 100 Years of Baseball's Greatest Team".

Not only does Frommer give an oral history of the Pinstripes, but there are several rare photos of Yankee greats past and present.

From Babe Ruth to Derek Jeter, Lou Gehrig to Reggie Jackson, and all those in between, "A Yankee Century" is keepsake dream for fans of the Bronx Bombers and a nightmare for Yankee haters all over.

Even though this review is being written by a lifelong Met fan, I found this to be a very entertaining read.

One of the things that was enjoyable about the book is how Frommer has separate "Yankee Stories" on the well-known and lesser known ex-Yankees.

A humble Chris Chambliss talks about coming over from the lowly Cleveland Indians in a 1975 and then winning the pennant with a dramatic homer in the 1976 ALCS against the Royals.

Frommer also writes about the plight of Elston Howard, the first Black to play for the Yankees. His struggles on and off the field are chronicled along with a review of his very understated career as a player and coach.

The breathtaking and sometimes tumulous career of Reggie Jackson in pinstripes is also well chronicled. "Mr. October" had one of the greatest moments in Yankee history when he hit three homers in Game 6 of the 1977 World Series.

At the time, it gave the Yanks their first World Series title in 13 seasons and he would help them go back to the next season.

Among some of the other African American players that are featured in Prof. Frommer's book are Jeter, current third base coach and ex-captain Willie Randolph, Bernie Williams, and Hall of Famer Dave Winfield.

The book also includes a comprehensive trivia quiz, quotes, anecdotes, and other entertaining features for all baseball fans, Yankee or otherwise.

If you know a true Yankee fan, it's a great addition to their library.

If you know a true Yankee hater, this will be a best way to start an arguement.

BOOK REVIEW: A YANKEE CENTURY
By Tony McClean
BLACK ATHLETE SPORTS NETWORK

BRISTOL, CONN---Earlier this year, you may have read a book review I wrote on the historic relationship between Branch Rickey and Jackie Robinson. That book was penned by noted baseball writer and historian Harvey Frommer.

Prof. Frommer has since come out with another historic baseball book, this time about the sport's most celebrated franchise.

Frommer, who authored "The New York Yankee Encloypedia", has now penned "A Yankee Century: A Celebration of the First 100 Years of Baseball's Greatest Team".

Not only does Frommer give an oral history of the Pinstripes, but there are several rare photos of Yankee greats past and present.

From Babe Ruth to Derek Jeter, Lou Gehrig to Reggie Jackson, and all those in between, "A Yankee Century" is keepsake dream for fans of the Bronx Bombers and a nightmare for Yankee haters all over.

Even though this review is being written by a lifelong Met fan, I found this to be a very entertaining read.

One of the things that was enjoyable about the book is how Frommer has separate "Yankee Stories" on the well-known and lesser known ex-Yankees.

A humble Chris Chambliss talks about coming over from the lowly Cleveland Indians in a 1975 and then winning the pennant with a dramatic homer in the 1976 ALCS against the Royals.

Frommer also writes about the plight of Elston Howard, the first Black to play for the Yankees. His struggles on and off the field are chronicled along with a review of his very understated career as a player and coach.

The breathtaking and sometimes tumulous career of Reggie Jackson in pinstripes is also well chronicled. "Mr. October" had one of the greatest moments in Yankee history when he hit three homers in Game 6 of the 1977 World Series.

At the time, it gave the Yanks their first World Series title in 13 seasons and he would help them go back to the next season.

Among some of the other African American players that are featured in Prof. Frommer's book are Jeter, current third base coach and ex-captain Willie Randolph, Bernie Williams, and Hall of Famer Dave Winfield.

The book also includes a comprehensive trivia quiz, quotes, anecdotes, and other entertaining features for all baseball fans, Yankee or otherwise.

If you know a true Yankee fan, it's a great addition to their library.

If you know a true Yankee hater, this will be a best way to start an arguement.

In the northeast, the winter of 2003-2004 will be remembered as one of the snowiest, iciest, coldest and dreariest in recent memory. A YANKEE CENTURY was the perfect cure for those miserable days. Filled with the baseball history that took place on the sun-drenched field of Yankee Stadium, Harvey Frommer has provided us Yankee [and most baseball] fans with a warm nostalgia and a good feeling for the springs and summers to come.

With equal parts statistics and anecdote, the book is a well-balanced exploration into the most successful sports franchise in history. Peppered with wonderful photos (some that I had never seen before), this 400+ page book moves swiftly. The writing is respectful without becoming sentimental. And Paul O'Neill, who I will always remember as our favorite water-cooler kicking hothead, proves to be a sensitive and articulate commentator. Congratulations to both writers.

A YANKEE CENTURY is a great exploration into the Bronx Bombers, and by extension, to the history of 20th century baseball itself.

Yhis book belongs on the bookshelf of all those interested in the early days of psychedelic research and it's social ramifications. One word for it: Excellent!

Watch Video Here: http://www.amazon.com/review/R2NWFN612DXX3 My video review of Acid Dream. Really great bookAcid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond. ***** 5 stars =)

Can't think of a more informative and interesting way of describing this period of time. I loved this book. Big thanks to the authors!

This was a great book. It was an easy read and a fast read, while at the same time being very informative and interesting. It was everything I was hoping it would be and I would refer it to anyone whom was interested in the topic or anyone whom just wants to be more informed in general. There is a lot of great information is in this book. (I myself am a college student and I would say that this is a great book for my peers but also those who are a bit older.)

This book is perfect - It offered everything I was hoping for when I first purchased it. It covered from the end of the 50's and the Beat generation and how their influence lead into the hippie generation, and it ended in the early 70's tying in the beginning of rock and punk. It is a true spectrum of the 1960's counterculture generation.

It's a large book but its facinating to learn about the history and the culture. Like previous reviewers said, it really ties up everyhting and clearly shows the correalation between the drug counterculture and the govn't & society during that time period. I was born in the 80's and this book really showed me alot about the 60's counterculture and the attitudes towards drug use and young people during that time. I can see alot of correalations between that era with Vietnam as the war that they were protesting versus todays war in Iraq and the amount of US citizens that are against it.

The author also goes into government policies at the time and conspiricys and covert CIA and classified documents. I was amazed by the actions of the CIA and thetesting of LSD on unsuspecting American citizens. It is like the stuff movies are made of but it really happened! Truly and amazing and interesting book - I could not put it down. I reccomend it to everyone, regardless of your view on LSD or drug counterculture - a true wealth of information on 1960's America.

The space race of the 1960's was a crossroads in time that will never be repeated.

Walt Cunningham had a crow's nest view of that period. As a member of Apollo 7, the first Apollo mission and the first successful flight after the catastrophic Apollo 1 fire that almost disbanded the space program, he was able to see the inner workings of the American space program. He has recorded this unique perspective in "The All-American Boys."

"The All-American Boys" is a rare document of what really happened in the early days of the space program. In my opinion, most other astronaut memoirs are cleaned up versions of the truth--all "flag waving" and "ballyhoo." One gets a sense in the All-American Boys that the space race is being presented warts and all, including the social and political quirks of being an astronaut.

This version is an unabridged audiobook of Walt's book, which was first published in 1977 but thoroughly updated for this version. It covers Mercury/Gemini/Apollo but also shuttle/MIR/ISS. Walt himself narrates the audiobook, which is a great bonus. His pleasant narration makes the 22 discs go by very quickly

Unlike most other astronaut memoirs, you get your money's worth with this book. Highly recommended.

Col. Cunninghams's audio CD version of The All American Boys is, simply put a great listen! Having read the hardback, I thought that there would be little to gain in buying the CD version, but I was wrong. His carefully spoken rendition has laugh-out-loud moments, and his tough but thorough thought provoking commentary on the space race, NASA, the Russian's, the International Space Station, and the future of man's involvement in space is a must have. I don't know why, but hearing it 'first person' and in the spoken words of someone who was there, and who made this history, is a remarkable thing. Can't recommend it highly enough.

Absolutely Fantastic!
Walt's voice resonates through you as he recounts his life experiences before, during and after his NASA years. This is a wonderful way to learn about Americas Space Program from the ground up.
Whether you have read the AABoys or not, nothing matches hearing this incredible story with the true life passion only the author and main character, Walter Cunningham, can convey.
A great joy, and true and exciting find! A must have for anyone interested in space history and space exploration. What fun it was to replay parts to hear the subtle inflections in Walt's voice just to gain a greater insight into how this space hero must have felt during the space race years, through to the changes that are on the horizon today.
A most favorite addition to my space collection!

I got the title of this review from Apollo 11 astronaut Mike Collins who described fellow astronaut Walt Cunningham this way. Only a few people have flown in space, and so we would expect astronaut auto-biographies to talk about this, but unfortunately, only Mike Collins book "Carrying the Fire" does it. After reading a few other autobiographies I finally came to the conclusion that it is not really worth the time and money to get their books, with them spending most of the pages discussing petty jealousies, practical jokes, celebrity golf tournaments, and their success or failure in the world of business.. Thus, I was somewhat reluctant to purchase Cunningham's, but the reviews convinced me to give it a try. Fortunately, it was worth it. Cunningham does share the flaw of the others in that he also doesn't describe his Apollo 7 flight in any detail, but the uniquness of his book is that he does give an interesting perspective on the American space program, and his fellow astronauts, not seen in the other autobiographies.
Part of the reason is, as Collins pointed out, that Cunningham received a rigorous scientific education and was involved in scientific research before going to work for NASA. This gave him a greater ability to objectively judge the qualities of his fellow astronauts.
The original Mercury astronauts were good pilots, but one of the most important qualitites that they were chosen for was ability to stand immense stress, because at that time, it was not known how spaceflight
would affect the astronauts, physically or mentally. After Project Mercury proved the stresses were not as bad a feared, new generations of astronauts were chosen who had better education, better ability to understand the increasingly complex Gemini and Apollo spacecraft and a greater appreciation of the importance of the exploration of space in a scientific sense, something the Mercury astronauts did not have so much.
Cunningham also shows that the grind of training took a toll on the Mercury astronauts, and he says frankly that the commander of his Apollo 7 mission, Wally Schirra, who flew outstanding missions in both Mercury and Gemini (piloting the first rendezvous mission with another vehicle) didn't really have his heart in his Apollo mission and it negatively influenced his performance. Schirra repeatedly lost his temper during the mission which gave his whole crew a bad reputation leading to both Donn Eisele and Cunningham being banned from further flights (everyone admits Cunningham got an unfair rap in this). Cunningham also frankly points out that although the crew indeed proved that Apollo spacecraft was flight worthy, they didn't really accomplish nearly as much as they could have during their relatively long-duration flight in a scientific sense.
Other interesting things I learned from this book was that, starting with the two-man Gemini flights, the Mission Commander was the astronaut who controlled the abort initiation sequence, so he had to be significantly better, and management required more confidence in him than in the other astronauts who flew along, and in borderline situations, he had to have the best "feel" for how the flight was going and the spacecraft was performing.
One surprising thing Cunningham reveals was the most astronauts felt that
in the Gemini 8 mission (first docking of a manned spacecraft), astronauts Neil Armstrong and Dave Scott made a serious mistake leading to their spacecraft to spin out of control. Fortunately, they got it back under control and made an emergency reentry. Most histories of the space program say it was a mechanical glitch and that Armstrong's cool response gave Deke Slayton the confidence in him to assign him to be the commander of the first landing on the Moon.
Cunningham feels that ultimately, although all the astronauts were talented and qualified, the flight crews were chose based on Slayton's
feelings of friendship
for the fellow (although it should be pointed out that the great success of the space program shows that Slayton did generally pick the best to fly) and this was more important than ability, physical fitness or other objective considerations. Famous examples was Slayton giving Alan Shepard the Apollo 14 mission without him having served as a back-up crewmember on a previous mission. Although Shepard did an excellent job landing the Lunar Module very close to the desired target, his subsequent performance during the lunar EVA left a lot to be desired and much possible scientific gain was lost. Another example was Gene Cernan crashing his helicopter while he was ogling sunbathing girls. Many people
thought this would wash him out of his Apollo 17 command position, but Slayton covered up for him (it should be pointed out that Cernan did an outstanding job both piloting and carrying out his scientific duties on that flight).

Finally, although he wrote the book before the Space Shuttle first flew,
he points out that many of the astronauts felt too many compromises were made in designing it and that it wasn't safe. Cunningham points out that fighter pilots and astronauts find taking life-endangering risks to be exhilirating IF THE RISK IS NOT TOO GREAT. However, they oppose taking foolhardy risks, and not a few astronauts felt the Shuttle fit into that
category. Subsequent history has unfortunately shows that was the case, and the new Orion spacecraft is going back to an Apollo-like design and getting away from the "space-plane" concept.
All-in-all, I found the book a good read and a pleasant reminder of the
glory days of the manned space program that led to man walking on the moon.

This guy is one opinionated s.o.b. - but this book is all the better for it. Because Walt Cunningham is aware of his limitations, and has the virtue of being right in his strongly-held opinions.

I'd recommend this book even for those not interested in space flight. To see the cut-throat office politics behind a smooth veneer... it's something that relates so much to many walks of life. The fact that it is told here in the golden age of space flight makes it all the better. Wow! A great book.

As the wife of a homebrewer, I often pretended to listen to my husband's dreams of one day starting his own brewery. After five years of pretending, I realized he was serious when he handed me Beer School and said, "If you're ever going to get on board, you've got to read this book." As a medical professional, the idea of reading a "business" book made me yawn. To my surprise, I couldn't put it down. I felt as if Tom and Steve were sitting across the table, telling me their story over dinner. Their honesty was both eye-opening and inspiring. I learned so much from Beer School and enjoyed every second of it. Reading this book gives you a good idea of how difficult it is to be successful in starting and running your own business, all the while making you feel like you can do it.
BTW-after reading Beer School, I finally got on board with my husband....founder of Tallgrass Brewing Company!

I've no great interest in the brewery business, but I do enjoy well-written, instructive tales of entrepreneurship. 'Beer School' definitely falls into that category. One-time journalist and co-founder Steve Hindry can really write. No surprise there. The pleasant surprise is that ex-banker and fellow co-founder Tom Potter's chapters are just as enjoyable. Like their beer, the chapters go down smooth. The arrangement of the book makes it clear who's written what parts - the chapters are given names that start with either "Steve Tells..." or "Tom Tells...". Where Steve has written a chapter, we get Tom's viewpoint with "Tom Weighs In," and vice-versa. Sounds sort of clunky, but it's well executed by the co-authors. They clearly worked very closely in shaping a final, cohesive product. As a result, the format works well.

What drew me to the book originally was the forward by Mike Bloomberg. His endorsement is good enough for me.

By nature, I am not a "reader"... I have a large stack of books that I've picked up over the years to pacify me while traveling. Most still have their respective airline ticket stubs safely marking the spot where I left off reading. So yes, it's a tad ironic that I'm now leaving a book review here... However, I read this cover-to-cover in two (long) evenings (that alone will tell anyone that knows me that this was a really good book!) so I'm at least qualified to comment on THIS one.

I've homebrewed for a couple of years and am in the early stages of investigating the feasibility of trying to make a living out of brewing. The story in the book really struck close to home for me... My potential partner and I work in fields that really couldn't be further from the brewing industry, much like the authors. While I know that the odds are against us, it was refreshing to read a story of someone that took a swing at it and hit a home run.

The book is by no means a step-by-step business plan for starting a brewery. It is much more a story of the trials and tribulations that faced them as they progressed from a crazy dream to a crazy success. It's a story about partnership. It's a story about taking a leap of faith. So don't purchase it expecting a step-by-step recipe for you to go out and quit your day job, but do purchase it and expect a general high-level look at starting a brewery, some good general business ideas that you may not have thought of, and a good story to tie it all together.

I found it to be a very honest, open story... The authors take turns writing chapters, and there were at least a couple of times that they were so honest that I caught myself thinking "Jeez, I'm pretty sure that the other guy's going to read this... Are you sure you wanted to say that?!" As you progress through the book though, you learn that this is just the relationship that they've built over the years... Very honest and open with one another whether it is good news or bad. I think that reading about the partnership was really one of the biggest take-aways that I got out of the book, but it certainly has more to offer than that.

In summary, I really enjoyed this book and would have no issues whatsoever giving it a very high recommendation for anyone that is considering starting ANY new business, brewery or not.

I just finished Beer School and thoroughly enjoyed it. As a beer lover, and a fan of Brooklyn Brewery's products, I enjoyed learning about how the beer came to life, as well as the birth (rebirth?) of craft brewing in the United States. Mayor Bloomberg was right in the introduction, the book will make you thirsty.

As for the business aspect, I teach high school economics and intend to use some examples cited in Beer School to illustrate my lessons. If I taught on the college level, this book would be one of the required readings. It is a great example of entrepreneurship, economies of scale, marketing, start-ups, and business plans.

Just from a title perspective, this book was too good to pass up... Beer School: Bottling Success at the Brooklyn Brewery by Steve Hindy and Tom Potter. But even better, the book delivers the goods on a number of levels. One of the most enjoyable business book reads I've had in awhile...

Contents: Steve Tells How Choosing a Partner Is Like a Second Marriage; Steve Discusses the Importance of Building a Solid Team; Tom Talks about Creating the Business Plan - A Money-Raising Tool and More; Tom Asks, "What's the True Mission of the Business?"; Steve Discusses the Keys to Successfully Motivating Employees; Tom Tells the Story of Their Dot-Com Revolution - Fishing for Finance and Failing; Steve Talks about Building a Brewery in Brooklyn; Steve Discusses Publicity - The Press Wants You!; Steve Reveals How the Revolution Kills Its Leaders First; Tom Talks about Cashing Out and Reinventing the Business, Again; Tom Wants to Know If You Have What It Takes; Timeline; Index

Hindy was a foreign correspondent for a news agency, and Potter was an executive at a bank, but both felt as if they wanted to do something different in their lives. Their love of home-brew beer gave Hindy the idea of starting a brewery in their hometown of Brooklyn, a city rich with brewery history. Potter was less convinced about the whole project until he visited a homebrewer's convention in 1986. This was right at the start of the microbrew phenomenon, and they decided to seriously pursue their dream. The book chronicles their work from 1986 through 2005, while also distilling what they learned about entrepreneurship along the way. And since this is beer "school", each chapter ends with them giving themselves a grade on how they did in that particular area. Unlike many business books that make the principals all-knowning and omniscient, Hindy and Potter are brutally honest about what worked and what didn't, where they were skillful and where they got lucky. It's a fascinating read, both for the brewery story and for the business insights.

There aren't too many business books with stories about being robbed at gunpoint of $30000, visiting a metal fencing operation to get a fork-lift battery charger back, and getting a visit from organized crime and union leadership, intent on getting a piece of their business. Even if you dropped the business lessons, the narrative of the Brooklyn Brewery would be enough to make this a recommended read. When you add in the small business information, this becomes a must-read for anyone dreaming of starting their own business. And if you're already interested in homebrewing or microbrews, then this book will probably end up being read in a single sitting.

An excellent read on a number of levels...