Ancient History Books

This is such a beautifully written book That I read it in one day and now I wish there was another....I love wolf/malamute books but even though Wolf-Woman didn't have that much on the wolves it was Really GOOD....I highly reccommend this book!!!!

This book was the first one I ever read by Sherryl Jordan and I was captured from the moment that I opened the book. Tanith is a wonderful charater with a strong will and beautiful heart. You should read this book if you love romance adventure and the love between animals and humans. Wolf-Woman is one book that you cannot miss!

It held my attention through out the book, it was so realistic and it moved me in so many ways, I think it was just so well-written and it's a real favorite..

Wolf-Woman by Sherryl Jordan

Wolf-Woman is about a girl named Tanith who was an Indian of an unknown tribe. The Indians had put her with wolves to be found by someone else. Ahearn, the leader of a village, found Tanith. Ahearn's village was not an Indian village. Tanith is brought to live in the house of Ahearn. Ahearn's wife, Nolwynn, is happy to adopt Tanith because she had lost her own child.

Later on, Nolwynn dies. Everyone was sad for a few weeks. Then Ahearn got remarried to a woman named Morag. Morag and Tanith don't get along. So Morag sends her on a task. While Tanith is gone, Morag tells Ahearn she ran away. When Tanith returned, Ahearn sends her away. She returns again later and she discovers that when Ahearn had been looking for her, a bear had attacked him.

Tanith is given a medicine in the village to make her think wolves are bad when it is discovered that Tanith has been visiting the wolves again.

She falls in love with a man the same age named Gibran. Tanith goes with Gibran to a village where he was born. When they get there, they are given gifts and presents and have a big feast for Gibran's return. While visiting Gibran's village, Tanith starts to see things and when she recovers she sees that Gibran had a cut on his face, and realizes that she has done it.

She runs back to her former village and finds that four of the wolves that she had known and loved are lying dead on the ground in front of the village. Tanith runs into the forest to the fifth wolf that has not been killed. She finds out that the wolf has mated with another female wolf and that they have wolf cubs.

My favorite character was Tanith because she can understand the wolves, is friends with them, and was living happily with the wolves. Tanith has to choose which cry to answer: the wavering, longing bellow of the human or the steady, beating call of the wolf. I also like Gibran because he is strong, brave, kind, fierce, and soothing to Tanith, and he just seems like a really nice, caring guy. I also like him because it does not seem to bother him that he is not Indian and Tanith is an Indian.

I recommend the book because it is an exciting story. It is an adventure that makes you want to know what is going to happen next. There is sadness and anger in the book but I liked that because it made the story seem realistic. There is also happiness because Tanith gets to be with the wolves again.

My opinion of the book is a 9 out of 10 because they don't explain a few things very well such as not saying from what tribe Tanith comes. I wish they had a sequel for the book.

This book is just that, with a little bit of everything. Set in a prehistoric setting in first person, the reader can really connect with every one of Tanith's (the main character) thoughts. Tanith lived with wolves as a small child before the tribe of Ahear came to kill the wolves and return her to human society, treating her as nothing more than a slave. Soon she begins to long to return to the wolves, who treated her more kindly than any human ever did. But a young man from a neighboring tribe inevitably falls in love with her and offers her a home with his less savage clan. Tanith is left to chose between the worlds of wolves and humans. It's actually something like Julie of the Wolves, but far more detailed in plot and character, and worthy of a wider range of audiences. I've read it at least ten times over since the age of nine, and I'm still not tired of it. I'd reccommend this to anyone, whether they are friends of wolves or not.

It's worth picking up a copy, alot of information in there. Good thick book. Glad i bought it.

This book must have taken a life time of research and work. It is the most comprehensive and complete work on the Maya I have read. I was particulary interested in the Maya Calendar history and their methods of working the calendar.

Had this book been less than half its size readers would end up learning much more about the Maya from it. Unfortunately, there's much too much that belongs in an Archeology 101 class here and by the time you get to some discussion of the Maya, you're half asleep. Those of us who are not reading archeology for the first time will wish the author had just kept his discussion to the Maya, as the title suggests he will, and assumed we understood the basics.

Personally, I'm still looking for a book on the Maya so that as I travel from site to site in Quintanaroo, Yucatan, Guatemala and Honduras, I will have a basic understanding of the site I'm driving to. I just booked a trip that will book me in the area of Chac Mool soon. I'll see what I can find.

By far the most thorough book on the Ancient Maya I have ever seen. It covers all the history and gives a great deal of arceological information. There is also a lot of information on the religious, social, and economic life of the Maya. The book covers in great deal the history of each Mayan polity and it is very well organized. If there is anything you want to know about the Maya it will be in this book.

This is by far the most comprehensive book about the ancient Maya. There are several excellent shorter ones; this is the go-to book for thorough reference. It has become almost as "classic" as Maya civilization. Sharer reminisces about being "hooked on" Maya studies by the third edition (by Morley and Brainerd, 1956); so was I, back when it was newly minted. How much has changed since. Scholars can now read Maya. We now can match written history, sculptured portrayals, and archaeological findings to identify the actual skeletons of some of the greatest and most famous Maya kings, such as Yax K'uk' Mo' of Palenque. We have entire dynastic lists covering centuries, for many of the major cities. We can use bone chemistry to find out what the Maya ate. All of this was almost beyond the wildest dreams of the 1950s.
The Maya turn out to have been as brilliant, original and creative as anyone ever thought, a truly homemade civilization, one of the few in a tropical forest environment. They are said to have "collapsed" due to ecological maladjustment, but this book notes that modern research shows the civilization lasted well over 1,000 years before the "collapse" around 900 AD, and it was a fairly local phenomenon. This local collapse was due to drought, warfare, and some ecological overshoot--too many people doing too much (including burning too many trees to make lime for stucco and cement). The Maya kept on. They took on the Spanish and often won. The last independent state held out till 1697, and Maya continued holding out in remote backlands; in 1846 the Mexican Maya rebelled again, and created an independent state, finally reconquered after 1900 and turned into the Mexican state of Quintana Roo. As for what has happened since, suffice it to say that 3 days ago I saw an election sign painted in huge letters on a wall in central Quintana Roo: "PRESERVE YOUR PRIDE IN BEING MAYA!"
There are very few errors in this book, but some need correcting in the 7th edition. Most are in the very early sections, and are often left over from previous editions. Page 5, 16th-century Europeans are said to be "secure in the knowledge that they alone represented civilized life...." No, they revered China, and knew plenty about India, Persia and Arabia. P. 9, coffee is said to have come "soon" with the Europeans; not till the 19th century, at least as a major crop. 23, Nahuatl loanwords reflecting rise of central Mexico in the Postclassic: Well, a lot of those Nahuatl loanwords came with the Spanish (who had Nahuatl soldiers with them). Page 33, caiman: The book confuses the animal called "caiman" in English, an alligator-like creature not found within hundreds of miles of Mayaland, with the crocodile, which is called "caiman" in Mexican Spanish; also, pythons are claimed as native to Mayaland! The nearest they get is Africa; evidently "boa constrictors" are meant. Then nothing till page 640, where a typo (apparently two decimal places missed) has given us a preposterous yield figure for beans (in the table at the top of the page). The yields of maize are also pretty high, though not ridiculous. There are a few other errors in the book, but nothing of consequence that I can pick up.
The book uses the "new" transcription system for Maya languages, but sometimes slips and uses the "old" system, and sometimes mixes them up in the same word (e.g. "dz'onot" on p. 52). One related annoyance--not Sharer's fault; alas, it is becoming standard--is respelling "Yucatec" in the new transcription system. "Yucatec" is a SPANISH word, with no excuse in Maya, and should not be respelled. (For the record, the Spanish coined "Yucatec" from a misunderstood Maya phrase and a Nahuatl ending. They also popularized some Nahuatl ethnic names for Maya peoples. These names, like Huastec and Aguacatec, should be spelled in whatever system in now standard for Nahuatl--not in a Maya system. Better yet, they should be replaced with the actual Mayan names, like Teenek for Huastec.)
The one place I would respectfully disagree with this book is on ancient Maya population. Sharer has "tens of millions" of Maya in the 700s AD and around then. On the basis of some years of field experience with (mostly modern) Maya agriculture, I don't think this is possible. Granted that the old myth of purely-swidden agriculture is long dead, "tens of millions" would require agricultural intensity of a sort found, in preindustrial times, only in the wet-rice lands of east and southeast Asia. Mayaland is small, and only some of it is at all fertile. Sharer's evidence is a couple of surveys showing high densities of settlement in particularly favored areas; not only are they atypical, there is no guarantee the houses discovered were all occupied at once. I would guess the peak total for Mayaland was between 5 and 10 million; at least, the agriculture I know would support that many, if it had some additional intensification of the sort well documented. Beyond that, all is speculative.
One more thought. The Maya were supposed to be "peaceful" back in my student days. Then, with reading the Classic Period texts, scholars found they were pretty warlike. This led to some exaggeration the other way. Fortunately, Sharer is far too careful and comprehensive a scholar to fall for either the "peaceful" or the "warlike" view. The "warlike" view was justified by the big monuments in the Maya city squares. These commemorated wars and victories, just as do those in town squares in the midwestern US. Alas, we lack the ordinary writings--the equivalent of midwestern newspapers, with their record of marriages, births, corn and hog prices, store openings, and the like. Surely the Maya had their equivalents. What interests me here is the incredibly long life spans of Maya kings. Many lived, and even reigned, for 50, 60, even 70 years. Compare that with the Roman or Chinese emperors or the kings of France. Clearly, Mayaland in its glory days was a pretty peaceful, healthy place--though, indeed, not the paradise dreamed by romantic archaeologists of the early 20th century!
The ancient Maya are still a pretty mysterious lot in many ways, and there is a huge amount to learn. We had better do it soon. Sharer provides a long, excellent, very disturbing account of the looting that has destroyed much of the Maya heritage and will destroy all of it (at least in Guatemala) if a massive effort isn't mounted soon.
On the other hand, nothing is more heartening than the number of Maya who are becoming archaeologists and ethnographers, and studying their own past. More power to them.

"Bullwhip Days - The Slaves Remember, An Oral History" is essential reading for anyone interested in the history of slavery in America. It is edited by James Mellon. But with respect to Mr. Mellon, it is not his story.

During the Great Depression, the US government created work programs for a besieged economy. One of these was the Writer's Project of the Works Progress Administration (WPA). Someone realized that the last generation of African Americans who had been slaves was dying. Writers were dispatched to interview these ex-slaves and record/write their stories.

This work is a selection of transcripts from these vital historical records.

It is suspected some of the slaves may have moderated their comments to appease the interviewers sensibilities. I really doubt that. Having read a number of personal memoirs of people in their later years, I find their candor amazing. Just because an ex-slave speaks fondly of their former owner does not mean they are lying or have skewed perceptions.

There's no definitive slave experience. We have the account of one woman owned by the Vice President of the Confederacy, Alexander Stephens on a plantation operating entirely by slaves (including the overseers). Another woman agrees to be bred only because her `kind' master had agreed to buy her in addition to her parents.

One elderly couple had diametrically opposite experiences. She had an idyllic family existence with gifts and new clothes for Christmas. He was separately from his parents as a child, starved and beaten. Decades later, he hears of a child abused like himself. Despite being elderly, he and his wife take the boy and raise him as their own.

There is one major theme through the interviews. How a slave was treated was entirely a function of their owner. They had no rights, no recourse to the law. If caught without a pass, you were fair game for the infamous "paddyrollers" (patrollers). Even after freedom, the Ku Klux Klan terrorized the fomer slave population.

Another thing that I found interesting was the mortality rate after slavery. In multiple interviews, these old people were alone with no children or grandchildren surviving. A lifetime of slavery did not equip them well for freedom.

This is the first book I would recommend to anyone interested in the subject.

I have used this book as part of my Black history classes for 5 years now. It would be impossible to make up the stories that actually happened to a people held against their will and it is riveting to read about the memories and nightmares. This book gives a name to slaves, personalizes it and makes the suffering immortal. These recollections, though they belonged to individuals, makes the suffering universal. The experience of one is the experience of all. But yet, these people on occasion find some humor in various memories and you can share there collective joy over 150 years later. I highly recommend this book to anyone, not just students and historians.

I first read this book back in 1991. Even today, I will occasionally reread it. It is very informative and very much real. I can truly say that I love this book and this is a must have. You will truly enjoy it. My people have come a long way.

Wow...That's all I can say. This is a wonderful book and a must read for everyone. I read this as part of a book club discussion for Black History Month. What a way to open my eyes to a part of American history. Very moving.

This is the real deal. Ex-slaves telling their own experiences; a few not-so-bad, many extremely heartbreaking. This is one of the best insights into what slavery was really like during the 19th Century. This is the story, in there own words, of how a people were totally dehumanized during America's most shameful period. A country claiming "liberty and justice for all" while denying that freedom to millions of fellow human beings. And many still ask the question, "why do African-Americans still lag behind in so many areas, while other ethnic groups had to struggle as immigrants also?" This book is a reminder that blacks were forcibly brought here, and denied-for-years even the simplest education. Maybe the reading of this book, will help some realize the continual uphill struggle, blacks have tried to achieve in a few short decades since the Civil Rights Movement. Trying to make-up for Centuries of bondage, and inequality. Just as we can never forget the evils of the Holocaust, so it should be equaly true with the era of slavery.

If you're interested in Tibetan Buddhist iconography for whatever reason you can't go wrong with this detailed book. The author's original illustrations provide a wealth of examples of images in Tibetan art, and the text provides rich historical and doctrinal background for understanding why the symbols are important. Highly recommended.

Recieved the book promptly and in the condition promised. The book is an excellent source book. It does suffer from being without an index, for which the author apologizes. A source book without index is less than it should be. Still the images are excellent, and I assume the text is accurate. The author has spent a good portion of his working life in preparation: studying with Tibetan artists and craftspeople; and, becoming accomplished at rendering the brush drawings in an authentic manner. A good compaion book, especially as this does not have a index, is the "Handbook" by the same author

It's a more interesting and authoritative reference for this subject matter. This is due to Rinpoche being a qualified (I emphasise the word 'qualified') Lama and Tibetan scholar. Also at no point does Rinpoche compromise Tibetan Buddhism by giving away restricted information.

I love this book. Having found it a few years back at a tattoo shop in Santa Cruz, California, I was only able to look at it for a short time but I was able to gain so much knowledge as to the wealth of designs and deep meaning found in Tibetan art. This book stayed in my mind thereafter. Here it is a few years and a couple tattoos later and the book resurfaced on Amazon. Great price, great condition and prompt service. This book is great for one who has interest in Tibetan art and it's symbolic nature. The concepts are well articulated and with each 'type' placed into a different chapter it makes refrencing quite simple. If you are interested, get this book!

Great book, with lots of details. If you are interested in tibetan handicrafts, here you can get any tibetan design you can imagine.

As a fiber artist, I am very interested in the history of fiber. Elizabeth Barber's "Women's Work: The First 20,000 Years" is fantastic, both as a history of the use of fibers and as a history of working women. I learned a great deal about women's role in society from her research, and it makes me proud to be a modern woman working with fiber, just as my ancestors did. Highly recommended!

Anyone interested in so-called gender studies, textiles, prehistory, or just in regular people ought to read this book. The authoress, in incredibly simple language (she can't REALLY be an academic, can she?), tells the story of women and the textile work that has (pre-) historically been theirs. Bringing the insight that only a practicing weaver or spinner could have to the dusty world of archeology, she sweeps the reader into the homes of real people. Lots of metaphors, but honestly, it's that kind of book: rich. I only wish I could read it again for the first time.

I ran across this book almost by accident. I was feeling rather glum one day, and I asked my wife to recommend a book for me - something that was out of the ordinary and would cheer me up. She recommended "Women's Work". I was a little skeptical that it would appeal to a techie guy like myself, but soon I was absorbed in Elizabeth Wayland Barber's storytelling.

"Women's Work" tells the story of textiles in human history. In nearly every society, spinning, weaving, and sewing have been done almost exclusively by women, so the history of textiles is also a history of women's work - or one important part of it. That's still reflected in our language, for example, when we refer to the "distaff side" - a distaff being a stick used to hold fiber for spinning.

Wayland Barber tells her story with with wit and clarity. And more than that, she tells the story of the story - that is, she traces not only what we know about textiles in ancient times, but describes how we know it. So, this is not only a fine history, but it's a fine, readable treatise on historiography as well.

I can warmly recommend this book to anyone interested in textiles, or women's history, or how history is written, or who has the blues and just wants to read a darn good book.

Interesting history of some parts of women's work. I enjoyed it very much. Whether you are interested in fabric or not, I think you'll enjoy this book. It is scholarly but still a good read that keeps your interest.

I bought this book on the recomendation of my spinning instructor. I was expecting the documentation of early spinning and weaving techniques, and the discussion of preserved textiles. I wasnt expecting to be inspired to go out and buy a copy of the Iliad and the Odyssey to read about the textile and history references that she brings up! I had no idea that Greek mythologies mention items of clothing that have been found in the area and dated to pre-Greco times....and were stil identifiable items of clothing in the last century.
Basically this book is a textile and history junkies best fix.
If you are a re-creationist,(such as the SCA) or particpating in Lving History demonstrations, you will definately want this book for its discussions of documented cloth finds,
If you like this book, you may also enjoy reading "Salt, a World History" as they mention several of the same places, and historical finds.

It is always difficult and challenging to pick up what is regarded as a classic and read through it in a naive manner, not as a specialist but as an amateur who just wants to learn. There are always surprises.
In contrast to the looser Herodotus, his near contemporary, Thucydides sought to record an "objective truth" of the great war between Athens and Sparta, in the 5C BC. He consulted multiple sources and carefully judged what to include and what not to include, ito establish an idea of what really happened. While some of the forms, such as elaborately made-up speeches as a study in rhetoric, differ from what we would do today, he set a new standard for accuracy. THe result is a work of genius, the first serious attempt at writing history rather than merely storytelling.

Reading this is not always fun. There are long sections that are lists of occurences, with references to individuals who appear and disappear without followup. But there are also penetrating analyses of remarkable characters, such as Perikles, Alcibiades, and other great generals, who became reference points to the present day. Thucydides also broached the subject of political science as history - how institutions actually functioned - in new ways, with demonstrations of how the unleashing of passions led to their corruption or distortion. Finally, there are chilling sections with timeless insight in human conduct in war, with the full horror of the breakdown of all order and law.

THis translation is also sufficintely readable, far better than the turbid one I first read in college. THucydides is quite eloquent in this version.

Recommended as one of the great classics of Western literature. It is a work of genius so great that it is still relevant and vivid.

I used this book for an introductory History class. It is a great supplement to the study of the Greek periods. It has a nice glossory in the back for unusual terms, as well as helpful maps. Some of the text is a bit dry, but the reading is not very difficult.

The history of the Peloponnesian is a brilliant account of a classic war that began as a preemptive attack on Athens by Sparta to prevent the domination of the Greeks by the Athenians. The war began in the year 427 BC and ended 27 years later with the defeat of Athens by Sparta. This history however is only up to the 21st year of the war. Although there are several translations of the work I selected the translation by Thomas Hobbes the 17th century philosopher. It is the first done in the English language. Thucydides was a soldier on the Athenian side which in a sense puts a lie to the common notion that it is the winners of war who write history. The war was finally won by Sparta, powerful on land, and an oligarchy with a communal outlook on life defeating Athens with the strongest navy in the world, and a democracy with an individualistic outlook on life. Ironically it is Sparta's eventual mastery of the sea that defeated the Athenians. Whether or not this bodes ill for America remains to be seen. History is not over.

Thucydides relates not only the battles of the war in some detail describing tactics and the individuals involved, but also the strategy and the politics. There is intrigue, treason, broken alliances, and hubris. The winners of a battle rarely show mercy and treason is dealt with harshly with often entire towns put to the sword or enslaved. Among the combatants there is respect for the strong and contempt for the weak. Truces are often held to bury the dead because the dead are respected by all.

Unlike Homer's Illiad written about one thousand years earlier Thucydides does not mention the gods as having a say in the outcome of the war. While religion is a factor it is not a determining factor in the conduct and outcome of the war. One could argue that Thucydides is a secular account of history whereas Homer is a more religious account.

Thucydides should be mandatory reading and study for all white males between the ages of 16 and 18 of above average IQ. The History will prepares them for war and instill in them the desire and willingness to defeat the enemy. It teaches contempt for the enemy which is a valuable attitude in war. Pericles funeral oration to the Athenians is the most inspiring and most moving speech ever given. The resemblance of this speech to the Gettysburg address is obvious and leads one to conclude that if Pericles could inspire Abraham Lincoln in his thinking then Thucydides' History did so likewise and influenced the strategy and the eventual outcome of the Civil War including the period of reconstruction. The contrast between the Spartan outlook on life and that of the Athenians to the adversaries in all subsequent wars up to the present war on terror is striking indeed. There are lessons still to be learned from the Peloponnesian War and woe to those that fail to learn these lessons.

The greatest of all Greek historians was the Athenian general Thucydides (455-400 B.C.E.). Thucydides' classic work, "History Of The Peloponnesian War", provides us with the historical framework for 5th century Greece, a golden age of intellectual achievement and creativity rarely equaled in human history. This history is by far the best account of the bitter war between Athens and Sparta as well as the only surviving contemporary record of the rise of the Athenian empire. Thucydides as a master storyteller does not just cover the battle scenes; he records the great political speeches of Pericles, leader of Athens, and Lysander leader of Sparta with great acumen. He is recognized as the first historian to actually go and get eyewitness accounts, visit battlefieilds and research documents and records. This work took him over 20 years and it shows!

The lessons he teaches about imperial over reaching and unreasonable peace settlements are prescient today as they were during his times. President Woodrow Wilson, read this book on his voyage across the Atlantic to the Versailles Peace Conference and vociferously fought the other Allies in making unreasonable demands of the Germans. Wilson learned the dangers that the world would be placed in by backing the Germans into a corner politically and economically from Thucydides book.

As a graduate student in philosophy and history, I heartily recommend this timeless classic to anyone who is interested in political philosophy, and history. I also recommend you read it with David Cartwright's "A Historical Commentary On Thucydides."

No book has kept me up at night or occupied my thoughts in the past decade more than Thucydides. The story told here is stunningly and disturbingly relevant for any American. Sparta vs Athens seems an allegory for the conflict between traditional America, of our first hundred years or so, and modern, progressive America from about 1900 onward. Its no allegory of course, and the realization that history repeats itself gives the work an importance that no book can match.

I recall in college taking one of those Intellectual History survey courses required of incoming freshman. We were all assigned to read Perikles funeral oration as an example of how like our society Athens was and of course, how noble that likeness made the two societies. We weren't, of course, assigned the entire book, just the oration out of context. When I finally got around to reading Thucydides years later, I thought back to that course and wanted my tuition money back!

Read the original text. Political writers and propagandists of all stripes make reference to Thucydides to give weight to their views. Don't trust their interpretations. Read for yourself and decide. Skip the commentaries and translations and go right to page one of the text.

Im going to the museum and I know you cant take pictures inside and you can purchase this book at the museum gift shop.The book is large and heavy --so Im buying it now so I can read up on things and dont have to purchase it there and carry it all the way home

The artifacts are arranged from earliest to latest, which creates a greater understanding of the arts and their progression. The arts themselves are mostly jewelry, coffins, statues, and painted carvings. There are many other objects like beds, chairs, etc. A discription of the objects is listed with it's use, material properties, aerchaeological founder, and a story behind each item.

The Egyptian Museum in Cairo is whit out a doubt the greatest museum in terms of Ancient Egyptian artifacts. This book is filled with beautiful images of the most artistically amazing pieces as well as the most historically signifigant with a concise explination. On top of that the contents of the book are arranged in an easy to find in chronlogical order. A must have for all artists and scholars.

IF YOU WANT TO VISIT THE EGYPTIAN MUSEUM IN CAIRO BUT FIND IT INCONVENIENT TO GET THERE THIS IS THE SECOND BEST WAY TO VIEW THE OBJECTS. THE COLOR PRINTS ARE AS GOOD AS CAN BE PRINTED AND THE DETAIL IN DESCRIPTION IS VERY HELPFUL. I HAVE A LIBRARY AND THIS IS THE BEST AND MOST DETAILED BOOK I HAVE SEEN IN YEARS WRITTEN ON ARTIFACTS FOUND IN EGYPT. 5 STARS !!!

This is definitely a cheaper way of seeing the museum in Cairo! When I went to Egypt last fall, we spent an afternoon in the museum. People could spend days in there and see new things. It is so packed full of artifacts that we could only stand to be in there for a few hours. Our brains could only absorb so much! This book is a good way to go back and learn about all of the things that we saw.
The pictures are large and unbelievably clear. I would recommend this book to everyone! Of course, I would also recommend a trip to Cairo...

Roger von Oech is one of the power houses in creativity books. This particular tome is an example itself of a creative endeavor. Perhaps some of these ideas are expressed elsewhere by Oech or others but the presentation here is what makes a difference. I found myself ruminating and thinking of how each of these sayings can help me out of current conundrums and I did find myself at least seeing situations from different perspectives, which can sometimes be the way to start finding a solution. The book is a very quick read and should be a reference in anyone's creativity book collection.

Seems to me a different approach and format with the same recommendations as his other books. Read the authors other stuff along the way and this one is creative in its layout and approach but found it more of the same. Had trouble staying with it.

I am a raving fan of Roger von Oech's creative work as embodied in his books & card decks, namely:

Books:

- A Whack on the Side of the Head;
- A Kick in the Seat of the Pants;
- Expect the Unexpected;

Card Decks:

- Creative Whack Pack;
- Innovative Whack Pack;
- Ancient Whacks of Heraclitus;

I have used all his creativity stuff ever since I started my own strategy consulting (& book store) business in late 1991.

From my personal & professional experience, I would like to say that the entire collection of Roger von Oech's creative work has been designed to serve three strategic purposes:

- understanding - & removing - your mental blocks;
- breaking your habitual patterns;
- shifting your focus & changing your paradigms;

As a matter of fact, once you appreciate & commit to these three strategic purposes in your life, you will soon realise that there is nothing in this world to stop you from getting rid of old ideas & getting new & fresh ideas.

Allow me to quote Edward de Bono: "...the mind is habitually uncreative - it is usually preoccupied with organising masses of incoming data into convenient patterns. Once this pattern is established, then the mind tends to rely upon that pattern in future situations, in order to facilitate decision making & action in an otherwise complex world..." (The Use of Lateral Thinking).

Breaking old habitual patterns is definitely the first & foremost priority in your journey to creativity!

Once your shift your focus, you begin to change your paradigms or the way you look at the world around you. Always remember this: Your brain follows the direction of your dominant thought. Once you focus on something, that thing becomes the foreground. Everthing else will fall into the background. Most opportunties are unfortunately hidden in the background. The moment you begin to shift your focus, you are pushing the 'foreground' into the 'background', & pulls the 'background' into the 'foreground'. Get it?

'A Whack on the Side of the Head' will help you to break through your mental blocks. They will open up your mind for innovation. This book is filled with provocative puzzles, exercises, stories & helpful tips.

'A Kick in the Seat of the Pants' takes you on a guided tour through the four stereotype roles of the creative process - Explorer, Artist, Judge & Warrior. Understanding - & applying - these roles will fire up your personal & professional creativity. Tactically, they will change your mental focus as you change to play each of the four roles. I would like to add one more role from what I have learned from the Japanese creativity experts: Antique Dealer. This singular role will allow you to combine all the four roles into one.

'Expect the Unexpected' uses thirty of Heraclitus' (the world's first creativity master) epigrams as creative springboards. It has intriguing questions designed to topple old habits of thought & fire up your imagination.

All the three card decks are basically extensions of the three books, to allow convenient usage during brainstorming sessions.

From my strategy consulting experience, these three card decks have proven to be inexhaustible sources of inspirations.

In fact, the Innovative Whack Pack combines the creative power of both the 'Creative Whacks' & 'Ancient Whacks of Heraclitus'.

I strongly urge readers to seriously consider having the entire collection of Roger von Oech's creative work added to your Creativity & Inovation Library, & all the three card decks placed permanently on your desk top at all times.

Roger von Oech, the founder and president of a consulting firm that specializes in stimulating innovation and creativity, has written a very enjoyable and mentally invigorating toolbook for unleashing the power of thirty of the passed-down paradoxical sayings of the ancient Greek philosopher, Heraclitus (500 B.C.E.). If you want to improve your ability to "think outside the box," then this little book may be just the right tool for you.

Why Heraclitus, and what is his connection to creative thinking and innovation? According to von Oech, "I've been consulting Heraclitus for many years, and he rarely lets me down. Indeed, if creative thinking involves imagining familiar things in a new light, digging below the surface to find previously undetected patterns, and finding connections among unrelated phenomena, then I believe that Heraclitus is the world's first creativity teacher. His ideas not only inspire us to think in these ways, they also provide us with strategies to understand our problems in a fresh manner. For these reasons, Heraclitus is the guide I turn to whenever I need a new perspective."

The book is well researched with a lot of good supporting stories, examples, and historical anecdotes that brought to life the meanings of Heraclitus' sayings. Von Oech did a great job of showing how these sayings can be applied to everyday situations when creative and innovative solutions to problems and challenges are needed. The book also contained many thought-provoking sketches and good introspective questions to further stimulate individual creative thinking.

Von Oech identified three ways to read and use the book. The first is to read it straight through like a creativity workbook to find some ideas you can apply to your life. The second way is as a source for daily meditation by reading and focusing on one saying each day for the next month. Lastly, you can consult it like it was an oracle to help you break out of your normal thinking patterns when you need a shot of creativity. I read it like a workbook, liked how it made me think, and now I am using it for daily meditation. I will also use it as an oracle to help me deal with some challenging issues.

I believe that this book has the ability to unlock the potential of my creative spirit, and I believe it can do the same for anyone who reads it.

A number of years ago, I read Roger von Oech's A WHACK ON THE SIDE OF THE HEAD. It was fairly early in my career, when the mold is still unformed but the message was poignant. Recently, when I ran across EXPECT THE UNEXPECTED and saw von Oech was the author, I decided to pick it up and renew myself to von Oech's teachings. What a breath of fresh air he offers with EXPECT THE UNEXPECTED.

von Oech draws heavily upon the ancient wisdom of Heraclitus, the Greek philosopher. Heraclitus, like Parmenides, postulated a model of nature and the universe which created the foundation for all other speculation on physics and metaphysics. The ideas that the universe is in constant change and there is an underlying order or reason to this change-the Logos-form the essential foundation of the primary Heraclitean view. Everytime one walks into a science, economics, or political science course, at most any level, significantly all the teachings originate with Heraclitus's speculations on change and the Logos.
Despite this and the fact the ancient Greeks considered Heraclitus one of their principal philosophers, precious little remains of his writings. The passages remaining are tremendously obtuse, not because they are quoted out of context, but because Heraclitus deliberately cultivated an obscure writing style (one that makes one THINK!). However, thanks to von Oech's passion for all that is Heraclitus and his teachings, we are presented with many the ancient 'riddles' and a modern day correlation and translation of each. von Oech recalls being struck with "the Heraclitean bug" while studying in Germany many years ago. Now, he has written a book in which he brilliantly and entertainingly examines concepts such as symbol, paradox, and ambiguity in relation to creative thought.

At the beginning of EXPECT THE UNEXPECTED, von Oech provides the reader with 30 creative insights to consider and explore our creative psyches. von Oech goes through each of the thirty selected epigrams, provides his interpretation along with examples, parables, and questions-the kind that make you go "Hmmm"- all the while stoking the creative being within. von Oech does not attempt to inform the reader that his interpretation is the correct one; to the contrary, he implores the reader to step outside the boundries of conventional thought to find the "correct" answer.

As he was in A WHACK ON THE SIDE OF THE HEAD, von Oech is immensely entertaining. He is an individual who has spent his career assisting others to think creatively. As a byproduct of this career, von Oech has proven himself to be a prodigous creative thinker in his own right. Those in the 'concrete' professions-attorneys, consultants, accountants-will find this book extremely insightful. Thinking in the abstract is incongruent with the 'concrete' professions (I know, I'm one of them). As such, having the fodder to stoke the creative juices, particularly when problem-solving, is a boon to any professional.

At it's small physical size and only 190-odd pages, this book is perfect to keep handy at your desk or any place one engages in thought. I plan to keep it nearby just to refer to when a problem presents itself in an ostensibly unsolvable manner.

Highly recommended.

I cannot rave enough about this book. As I'm sure most translators or more authoritative people will point out, the translation quality here is superb. But, from the angle of the guy who knows almost zilch about that, the book offers guidance and discipline. While the original is short and to the point, this book offers a more 'warm' (if I can call it that) feeling, with photographic, smooth paper and various related pictures from the time.

That being said, this book also features commentary by other guys from the time relating to their opinions of Sun Tzu's words. It's definitely interesting to get perspectives from them and not just the author or translator. I felt that was a unique addition that really added to the book. You can read the whole thing of Sun Tzu's words in a couple days or so, but the deep discussion behind it offers a whole 'nother book in and of itself.

book arrived on time and in condition described

This edition makes for a terrific gift for the college graduate. The illustrations and photos add visual interest; the text layout makes for "easy" reading. Although we already own several editions of this classic, this will be added to our personal collection.

This is a classic work on what works and doesn't work it war. It is from the 3rd century BC and cuts through the BS of modern war science. Must reading for all future Presidents, Secretaries of Defense and General Officers.

As a Chinese, I can say that author grasp the essence of Art of war and the English is beautiful.

I see adiobook on this topic. What no one for this version? strongly suggest and if come out I would buy it firstly.

My wife is a first class Chef and needed information abiout Iraqi Cooking
to prepare and serve at Master classes
On the WWW there was only 11 recipies
So doing a search on AMazon.com walla a book. The book has many recipies and information about Iraqi Culture it is easily to read and is very informative, it is pity that the Americans went in on a false premise and are surely destroying a vibrant culture.

A great cookbook. Easy to follow for those not familiar with Arabic/Middle Eastern Cooking. Good back stories and illustrations. A true one of a kind work. Be sure to buy this treasure before it goes out of print. A delight as the title suggests.

I received this cookbook as a birthday gift two years ago. When I opened it, I was excited to find a Middle Eastern cookbook, but was not expecting it to 'measure up' to the 10 or so Middle Eastern/North African cookbooks in my collection, as the author is not well known as are the authors of many of the other books. After all this time, I have made quite a few recipes from this book, and all were fantastic. That being said, I feel that I haven't even scratched the surface of this book. The number of good recipes in the book is astounding, and the history portion of the book is very interesting. I highly recommend the book for anyone interested in learning more about cooking Middle Eastern food, and learning about its roots.

Thanks to Nawal for writting this excellent cookbook which includes almost all the iraqi recipes in such nice order.

As a kurd I found many recipes that brought back memories from my childhood, even the terms/words used!

I looked through the whole book briefly, the recipes look easy and well written, not many pictures but I doubt they are needed. Can't wait to try more recipes.

I know I will treasure this book for life..

This book is unlike any other cookbook that I have pruchased or read. It is written with clarity and with great efforts to simplify every resipe to anyone who is not familiar with Iraqi cooking. The author explains every dish; its orgion, its flavor and its popualrity in Iraq. I bought five copies and gave them as gifts. everyone got it enjoyed reading it and cooked some dishes