North America Books

"A Geography of Oysters" is the guide that I've been looking for. I love raw oysters, but they have a mind-boggling number of names and farming methods that I never could sort out. The people selling them are of limited help. I've read books about oysters, but they said little about particular species or origins. Now Rowan Jacobsen has made sense of it all in this practical guide to oyster eating in North America. Like European wines or single malt whiskies, oysters taste like the place they come from, so Jacobsen takes us all over North America to learn how and where 132 common oysters are farmed. Although there are some recipes in the back, "A Geography of Oysters" is primarily dedicated to raw oysters, so this is for those of us who like to slurp the slimy things out of their shells.

The guide has three parts. The first, "Mastering the Oyster", tells us about the 5 species of oyster that are cultivated in North America, explains the life cycle of an oyster, oyster harvesting, farming, and hatcheries, how different methods of cultivation affect texture, taste, and shelf life, how and why season and place affects taste, and how modern aquaculture has created an environmentally beneficial, diverse oyster industry. It's a solid introduction to oysters. The meat of the book is the second part, "The Oyster Appellations of North America". This is where we get an ostreaphilic tour of the continent. For each region, state, or province, Jacobsen provides a history of oysters in that region, followed by how, where, and other particulars for the major oysters in that area.

The final section, "Everything You Wanted to Know about Oysters but Were Afraid to Ask", gives advice on how to choose an oyster, storing oysters, shucking oysters, serving oysters, wines that go well with oysters and those that do not. Jacobsen prefers his oysters raw but offers 21 recipes -which will presumably be reserved for those unfortunate occasional bland oysters. There are several recipes for mignonette to top your oysters, oyster stew, and oysters roasted, baked, fried, pickled, and even drunk. That's followed by notes about safety, nutrition, and a helpful list of oyster bars, festivals, and growers that ship direct. As the man says, we don't eat oysters because we are hungry. We eat them to experience them. "A Geography of Oysters" will help you experience more oysters.

It is salty, sultry and seductive and it is always cause for a celebration."

Rowan Jacobsen knows his oysters, and this wonderful one-subject book can make you an expert too.

He focuses on taste. "Different oysters suit different occasions and different people. If you haven't yet been wowed by oysters, you may well have been dallying with the wrong ones." One of the most useful sections urges you to discover what kind of taster you are; Jacobsen then recommends the types of oysters you should try.

For example, I personally enjoy oysters with wine. "For the Wino: Those potent, briny, musky oysters are as overblown as an Australian Shiraz. You like to savor oysters with wine, so you want subtle mineral flavors, not metal and salt and mud.

"Kumamotos are Sauvignon Blanc's best friend; their clean melon flavors bring out its fruit. Westcott Bay Petites and Stellar Bays are both creamy and mild, not too salty, with no clashing bitterness. Eastern oysters are tougher matches for wine, but buttery Watch Hills have a full-bodied flavor that can be terrific with sharp, flinty wines, and Rappahannock Rivers bring out the minerals in some white wines. Beausoleils have a supreme lightness that is heaven with Champagne."

He makes specific suggestions for other types: the Shrinking Violet (or beginner), the Brine Hound, the Sweet Tooth, the Grail Seeker (or most adventurous), the Connoisseur, and six other types.

He describes many different types of oysters and where they are found. His list of 12 oysters you should know include: Beausolei, Belon or European Flat, Colville Bay, Glidden Point, Kumamoto, Moonstone, Nootka Sound, Olympia, Penn Cove Select, Rappahannock River, Skookum, and Totten Virginica. (These oysters and many more are described fully in his book and also on his website: Google " oysterguide " to find an extraordinarily rich source of oyster information.]

Jacobsen has sound arguments for observing the "R Rule" of eating oysters only in months with that letter because oysters from warmer water do not taste as good and can be a health risk when not cooked. Those who resist the notion of eating a living creature should remember: "Left in their natural environment, most oysters would be eaten by something: why shouldn't it be you?"

Virtually all oysters are now farm raised. Jacobsen is eloquent on why oyster farms are ecologically friendly. "Oyster farms are thriving in Virginia, New York and New England. On these aquaculture operations, billions of oysters spend one to three years in metal cages that function as artificial reefs. They filter water. Their shells provide habitat for numerous species. Sport fishermen have learned that striped bass, shad and other species congregate around them.

"Aquaculture has a bad name. We picture fish farms with tons of feed being dumped into the water, creating the same algae-promoting conditions as pollution from cities and terrestrial farms. But the situation is reversed with oyster farms, because oysters are little filters. The farms provide far more water-cleaning benefits than all the government programs put together, don't cost taxpayers a cent, and support coastal economies. They also make better oysters: a farmed oyster is plumper, sweeter and prettier than its wild cousin." [From a piece on "The New York Times."]

Jacobsen provides excellent advice on shucking oysters. "The New York Times" recently alerted me to "a new protective glove knitted from a polyester fiber used for bulletproof vests. It provides a nice cushioning and a line of defense when gripping a craggy oyster and inserting a knife. It is made by Microplane, the company known for its graters, and is labeled as ''cut resistant.'' I liked it for opening clams, too."

For further reading (or not), Jacobsen discussed three books in an interview with "Seven Days". Oysters by Joan Reardon "is a cornucopia of the worst oyster dishes imaginable. Oyster mousse, oyster pancakes, oyster croque monsieur." Consider the Oyster by M.F.K. Fisher "is the classic". The Oysters of Locmariaquer by Eleanor Clark, "which won the National Book Award back in the '60s, is the best."

Jacobsen provides a couple of dozen recipes, much oyster lore, and an enormous amount of pleasure in these pages. You don't have to be a connoisseur to enjoy this excellent guide to oysters.

Jacobsen has turned the art of eating oysters to a higher level.

You can't wait to finish the book so you can start trying out his great recommendations. Whether you're an oyster novice, blindly feeling your way around the oysters beds, or, a seasoned connoisseur, this book is a must read. Great work Rowan!!

I love oysters. I don't know why, but I just do. Every now and then I get strong cravings and I just have to have them. I also have a lot of books about oysters because of it. "Consider the oyster" a great book, and others. But they are all mainly cook books with very little detail about the oyster, where it comes from and it's history.

This book is incredibly well written, witty at times and very informative. You can learn how oysters are farmed and their various techniques. Things I didn't even find on wiki. I learned how they get to harden those shells. I purchased some Carlsbad Blondes, and those shells would just snap in half. Terrible oysters. I know why because of the book.

I'm not sure how the author did it, but it seems he has had the incredible opportunity to sample a great many oysters. I can see his tax return $1000 spent as "research" for his book. What a great way to do research. Upon one of the authors great descriptions, I ordered three dozen Hama Hama's. They were fantastic.

The author picks five or six farms and gives incredible detail about the location, the owner/farmer and his/her history and the oysters themselves. This is a book to own now, because it is relavent now with the current oyster farmers listed. It is a chance to learn about the worlds best and to learn how to sample them.

The only thing I would have loved to see in the book, would be a travel guide on how to visit the various farms the author so nicely listed. That's one of the things I plan on doing is to travel up and down the coast visiting oysters farms along the way. I would have loved this book to have a guide like that.

There is a section on "what kind of oyster" person are you? But I didn't find that very useful or informative. A very minor drawback for an incredibly informative book on oysters. Every connosieur(sp?) should have a copy. A book for oyster lovers by an oyster lover.

This book was one I bought as a potential reference book, however once i picked it up I just kept reading it. This is far from a dry review of oysters it is funny and insightful. My oyster vocabulary has blossomed.

Three friends have requested that I stop talking about oysters and buy them a copy for their birthdays.

It tells about the oysters and then how to get them delivered to your door for dinner. I love this book.

I truly enjoyed reading the book and learning of my Aunt Alma's point of view. I have grown up hearing of Pretty Shield and truly am blessed with having an aunt that shares her story and pictures.

I have been blessed not only to read this book but to have met the author. She is both fascinating in person and in printed word, and her story is enlightening, educational, and entertaining. If you have any interest in Native American history, you'll be glad you read this book.

I truly enjoyed this book. It was written in plain language and seemed very personable to me. It is a true story about Alma's life growing up on the Crow Indian Reservation in Montana and how she was deeply influenced by her grandmother Pretty Shield who taught Alma the old ways...she was a grandmother's grandchild. Pretty Shield was pretty smart I think. She had an appreciation for the natural world not seen too much anymore in our modern lives. I found these "old ways" interesting. This has influenced Alma for sure and she is able to reconcile this as well as the hardships of life with her deep Christian beliefs. God Bless you too Alma!

Grandmother's Grandchild,Alma Snell, shares memories of one of the first recorded Female Indian Elders..Pretty Shield. Pretty Shield was written about in the 1930's when women were too often overlooked. Pretty Shield saw the buffalo leave and the reservations begin. Alma shares the experience of making the transition to Reservation life with Pretty Shield by her side. This book is a refreshing and deeply personal life story that manages to state facts without undertones of judgement. BEAUTIFUL! READ IT!

A wonderful book! While much of the poverty and oppression of Indian people is painful to read, one can see the wonderful connections between families in Ms. Snell's book. The love and care for Indian children by extended families is probably one of the greatest reasons the Indian people and traditions have survived. We in the "dominate culture" could learn much to change the disintigration of American families by learning more about Native American people.

This is a well-researched account of the last two years of the Civil War (1863-1865). The harsh realities of the battles and living conditions are especially given great detail here. The final days of the war and the surrender of General Lee are extremely poignant as the author examines the tattered remains of the once invincible Army of Northern Virginia. The exchange between the victors and the vanquished at Appomattox is the highlight of the book. The author also takes pains not to overlook any of Grant's military blunders such as Cold Harbor and gives an even-handed viewpoint throughout. I recommend this book for anyone who is interested in the darkest days of our nation's history.

In this superb second volume on Grant's war-time service, Bruce Catton shows how Grant devised and executed the grand strategy that ensured we'd be one country.

Beginning at Chattanooga, Catton chronicles Grant's successful battle to save a beleaguered federal army there and his selection as head of all of the armies of the Union.

The strategic plan, the overland campaign, the investiture of Petersburg and the finale with Lee at Appomattox are chronicled well.

What Catton does very well here is focus on Grant the General-in-Chief. We see how Lincoln and Grant are drawn toward each other through a shared and fundamental understanding of what it would take to win the war and the will to do it -- incredibly a trait Lincoln could find in no other General selected to head the Army of the Potomac.

The actual management of the Union's armies and efforts is given great attention. Even the Civil War devotee who knows a lot about the battles of the war will appreciate this focus on grand strategy, army management and the particular and singular attributes possessed by Grant to manage the affair to a successful conclusion.

A wonderful book, as is it's predecessor, "Grant Moves South."

"Grant Takes Command" is the second of two volumes by Bruce Catton on Grant's Civil War service and the third volume of a trilogy on Grant's military career (beginning with Lloyd Lewis's "Captain Sam Grant"). However, this volume can easily be ready by itself. Catton picks up the story in the fall of 1863 with Grant's successful raising of the siege of Chanttanooga, following which President Lincoln picks him for a third star and command of all the Union armies.

Grant is the latest in a long series of Union commanders, most of whom have been badly beaten by General Robert E. Lee and his Army of Northern Virginia, and none of whom have been able to bring superior Northern resources effectively to bear on a slowly weakening Confederacy. In fact, as Grant takes command, the war has not yet been won and could still be lost.

Grant will be the commander that Lincoln has long sought. Lincoln's telling exchange with an aide, repeated by Catton, lays out why. Grant is the first general to take the supreme command who will work in harness with Lincoln and in full acceptance of Lincoln's constraints as President of a democracy in the midst of a civil war. Grant is prepared to take full responsibility for the conduct of the missions of the armies, and without setting up an alibi in advance for possible failure. And as it becomes apparent in the course of Catton's absolutely superb narrative, Grant understands the terrible math. Lee and his army are too proficient to be easily beaten; great persistance will be called for. Grant grasps the essential truth that Lee's army is the Confederate center of gravity, and the corallary that Lee's requirement to protect Richmond ultimately limits his ability to maneuver. Further, Grant is able to cause the Union armies to work at a common design, denying Lee the ability to reinforce Virginia by drawing on other theaters of war. The result will be a long, grinding, and exceedingly bloody campaign stretching from 1864 into 1865, as Lee's army is slowly bludgeoned to death.

Catton's narrative does not spare Grant his errors; in the 1864 campaign, Grant underestimates both Lee's abilities as a general and the difficulties of conducting campaigns on such a huge scale. Grant has to learn the job of Army commander in chief on the move; the unnecessary casualties of Cold Harbor and the repeated failures to flank Lee out of position in Virginia are proof of the learning curve. But Grant's great gift is his refusal to be deterred from his objective; he pins Lee at Petersburg and uses the Union armies of Sherman and Sheridan, among others, to destroy the Confederacy's means to make war.

"Grant Takes Command" was first published in 1960, and the details of the history of the Civil War have evolved since then. However, Catton's prose has stood the test of time. This is a truly magnificently told story on an epic scale and a highly recommended treat for the Civil War enthusiast and the casual reader alike.

A change in Focus--Grant takes the Reins

Until 1864, the Army of the Potomac had never won a campaign. Each Union attempt to capture Richmond drove south, was repulsed, withdrew to Washington, found a new general, and tried again. After his successes at Vicksburg and Chattanooga, Grant came east to a promotion, to general in charge of all Union Armies.

Grant brought a different focus, and Catton defines this superbly in this book, drawing on many of Grant's memoranda to other officers, as well as President Lincoln. Catton captures the essence of a Grant campaign: hold on to the enemy, grasp and retain the initiative, and always move your logistics aggresively forward.

Catton also tries, albeit weakley, to show that Grant was not a "pure" attritionist. He offers examples of Grant's desires to push west and sever Richmond from the Shenandoah. Catton explores the political reality of uncovering Washington to a Confederate thrust, while attacking the logistics that sustained Confederate armies, while Sherman simultaneously attacked Atlanta and its strategic railhead. Catton states that after the battle of Cold Harbor Ggrant's numerical superiority was at its lowest level, but he does not provide the hard math to support this stance. On the other hand, Catton shows well the manuever warfare used by Grant to slip away after Cold Harbor, steal a march, and get across the James River before Lee, stripped of his cavalry, could discover the move and react.

This book does a very solid job of capturing Grant's determination, his unyielding efforts to impose his will on the leaders and staff of the Army of the Potomac, and to integrate the political realities of volunteers, political appointee generals and a presidential election with the cold hard reality of constant campaigning.

A good read not just for students of the martial art, but for any leader who must address the Sisyphean task of invigorating old "we've always done it that way" people with a new ethos and drive.

It is almost amazing that even after nearly 40 years, this book still stand the test of time as one of the best studies of General U.S. Grant's tenure as the military commander of all Federal forces. The book starts off from the Chattanooga campaign in late 1863 and moving on to his promotion as overall commander and his attachment to the Army of the Potomac for the rest of the war. By this move he clearly determined that General Robert E. Lee's Army of Northern Virginia will be his primary target and a key to overall victory for the Union. Bruce Catton does a wonderful job in narrating each event in a clear and colorful way that make this book a joy to read.

Best part of Catton's writing is the way he make individual characters stand out in a way that most pertaining to the event at hand. We understand how Lincoln and Grant bonded so well, how even Meade and Grant worked well on surface and why Grant kept his eye on the ball when grinding Lee down to earth.

This book is a follow-up to Catton's earlier work, Grant Moves South which was published 7 years prior to this book and captured Grant's military activities from the beginning of the war to end of the Vicksburg campaign in 1863. As part of the two book set, Bruce Catton continued to captured the essence of Grant's military chronicles with clarity and understanding that any reader can appreciate.

For anyone interested in the American Civil War, this book is sure to be part of your mandatory reading material and the best part is that its really is a great reading book.

To read a book numbering 945 pages of fine print is a luxury these days. It took me such a long time to read the Fourth Edition of Paul Horgan's wonderful, Pulitzer-Prize-winning "Great River: The Rio Grande In North American History" that sometimes I felt as if I were experiencing 10,000 years worth of history in real time. At the tail end of the epic, when President Wilson hesitates to send troops across the river to pursue bandits, citing his personal shame regarding the United States' "invasion" of Mexico during the Nineteenth Century, I felt able to "remember how it actually happened" - how U.S. fear concerning France's courtship of then independent Texas coupled with its distaste for Mexico's ethical transgressions (e.g., mistreatment of Texan prisoners of war) made U.S. annexation of Texas, Arizona, California, and New Mexico seem almost righteous.

The Preface to the Fourth Edition is dated 1984. But the book, initially authored in the Forties, reflects the philosophies of its times. Written well before the feminist era, the book, whether dealing with Pueblo peoples, Spanish Conquistadors, Mexican revolutionaries, or American generals, mostly follows the pursuits of men and ignores women. In Pueblo times, one glimpses Pueblo women washing garments in the river. Centuries later, several pages focus on Maud Wright, an American frontierswomen who must have been ferociously brave to have endured unspeakable horrors at the hands of bandits yet survived to provide U.S. troops with knowledge that was "valuable to know." And yet, passive adjectives describe her - "helpless" or "thankful to be busy" - before the narrative again turns its attention to colorful male warriors, raiders, politicians, navigators, or thieves.

Similarly, the book displays a Forties-style awe of "machine technics." Technology, it explains, had a positive effect on river cultures, liquidating "all indigenous aspects of the river's three [Indian, Spanish, Mexican] societies." Half-a-century later, it seems a day doesn't pass when "you Rio" isn't in the news, whether sporting a new, angry-looking border fence (to hold back hordes, who wish to ford the river and flee a still troubled Mexico) or failing to reach the Gulf thanks to global warming. Alas, technology, as Henry Adams feared, is proving to be the river's enemy.

One can't reverse the course of a river, but one can reverse the course of policies made in the heat of whatever political moment. This book should be required reading on both sides of the border.

The level of detail amassed by Horgan for this book is nothing short of incredible. Roughly half the book is dedicated to historical events; the other half covers culture, the role of religion, native living conditions, and a hundred other nuances of day-to-day living by peoples (both native and the later Spanish/American cultures) along the Rio Grande.

Readers who want a VERY in-depth history of the Rio Grande can't do any better than this book. However, readers looking for a more general overview of events might want to consider other sources.

I probably fell into the latter category; I found myself skipping 2-5 pages at a time because I just wasn't that interested in knowing every single detail of (for example) how the Indians dressed and meticulously prepared bits of food for a ceremony to welcome the growing season. Or details covering 5 pages of how Spanish missionaries held a typical mass in the settlements in 1650.

That said, I recognize that this book is about as complete a works as could be published. I'd much rather skip over detail than have an account which isn't thorough.

This book is the best ever written on the history of the southwest along the Rio Grande. Horgan manages to capture the shared history of New Mexico, Texas and Mexico as no other historian/writer has ever done. This one will be around as long as readers want to understand history in the borderlands.

This two-volume series was my inroduction to Paul Horgan who became one of my favorite authors. It is interesting to note he and Frank Waters ('the Man who Killed the Deer') died recently just two weeks apart. They were both 92, and among the greatest authors who dealt with the Rio Grande. Mr. Hogan's dedication to detail set him apart from Willa Cather whose fame rests upon her book 'Death comes to the Archbishop,' using Lamy as her subject. She rejected the aproach of Paul Horgan who at the time was writing his own history, 'Lamy of Santa Fe.' Willa Cather was a novelist; Paul Horgan an historian, and of the two I prefer the truth. Anyone interested in the history of the Rio Grande will be delighted with Paul Horgan's two-volume introduction to it.

One of the major materpieces of American historical writing. The two volumes are a continuing delight, far better than any historical novel. Scene succeds scene, filled with movement, passion and unbelievable heroism. Won the Pulitzer and Bancroft Prizes for History, and is considered the greatest history of the Rio Grande from pre-Columbian time to mid 20th century.

Filled with black-and-white photographs and a brief insert section of color plates, Guide To Rock Art Of The Utah Region: Sites With Public Access is a singularly comprehensive, illustrated, informative, and descriptive introduction to Native American rock art, as well as a thoroughly "user friendly" travel guide to the viewing of rock art found in Utah that has endured since before written history. Chapters cover not only the artwork found throughout Utah, but the accessibility of sites and proper etiquette and conservation that traveling viewers should observe. Highly recommended for students of Native American studies, rock art history, armchair travelers, and people with a simple zest to visit Utah and see these amazing drawings for themselves.

This is the best and most responsible guide to the rock art of Utah I have seen. It is well written and researched, the maps are excellent and so are the directions. It's a winner.

I'm not easily satisified with guides, but this one appears to be an exception. It fits the need of those of us who enjoy and appreciate indigenous art and the wilderness that typically accompanies it. There are numerous maps, excellent directions, a section of color pictures, and good insights.

This is the best and most responsible guide to the rock art of Utah I have seen. It is well written and researched, the maps are excellent and so are the directions. It's a winner.

Usually when I buy a book, I feel I get my money's worth as long as I can get something out of it. It is very rare when the entire book becomes an invaluable resource. This is such a book. This book contains excellent maps and directions and includes numerous B&W pictures and illustrations. There is also a color panel in the middle. When I say detailed directions I mean DETAILED. The author tells you what landmarks to look for, what exit to get off, how the road winds and breaks the distances down to a tenth of a mile. It is also written in a very easy to follow and understand text. The highlight of the book for me is the detailed breakdown of Nine Mile Canyon. I was not intending on doing nine mile canyon due to a shortage of time and thinking I would need a guide to find many of the sites. The book describes the trip in such detail you feel like you are on a tour. Besides Utah, the author also writes about some sites in Nevada, Arizona and Colorado. Before I purchased this book, I thought I would only get to see a few rock art panels at the more popoular destinations. After reading this book, I now know that there are many more sites I can visit. Hopefully, those who are intersted in this book will also heed the authors plea to be respectful of the sites. His book speaks about way to many instances of idiots vandalizing these treasures and destroying them for the future generations. Bottom line is that this is a must have for anyone serious about seeing rock art in Utah.

John McDermott has done a fantastic job with this book. The first half is a wonderful in-depth look at life on the frontier during the 1800s that goes back and forth with comparisons of the living conditions, clothing, social beliefs, etc., of Native Americans and the whites who were moving through/into the West. The second half gives a good overview of sites of historic interest, museums, battlefields and more. The one thing I found frustrating (and I can't think of a good solution McDermott could have employed) is that the "guide" section of the book does include some good history information, too: It seems that these instances were included in the second half of the book to discuss localized events that might have seemed out of place in the more generalized first half of the book.

I was introduced to this book after I had already done quite a bit of reading on the Indian Wars, and I was sorry that I had not found it earlier. It provides alot of basic information in a very readable format. I now keep this book on hand as a reference when I do any other reading on the subject. I had the privilege of meeting John McDermott this summer when he served as historian guide for a tour of the battlefields of the Sioux wars. It must have been very difficult for him to condense his vast knowlege of the Indian wars into this simplified format, but it works very well. I strongly recommend this book to anyone with an interest in the Indian wars, or someone who would just like an introduction into that period of American history.

John D. McDermott writes well and knows an amazing amount about the wetsern indian wars. The first part of the book, background material, is hard to top. I learned several things I didn't know from it. The second part, the travel guide, can be helpful because the West if so big that not many people will know about places in every area. But there are a few mistakes in the second part, things like wrong phone numbers and maps and descriptions that might put you in the wrong part of a state. This seems to be from carelessness and not ignorance. The book is certainly worth buying, but if you are set on going to some fort or battlefield you might want to phone ahead for information and also have a good map to be on the safe side.

This is more than just a Guide to Indian Wars, it is a well written and very informative and importent piece of literature for anyone interested in the history of Native Americans.

I live in England so I doubt I will ever see most of the places mentioned in the book, but having read it, my knowledge has been increased, the little "potted" history of Army Life etc really made for interesting reading, a wonderful little book, but a big addition to my library of Native American literature.

This book provides a concise historical perspective of the Indian Wars of the West with the second section providing sites of interest based on geographical location. There is a lot of detail on the different tribes, their geographic locations and differences, their relations with the "whites", lifestyles of Native Americans, lifestyle of the soldiers, weapons of each and a review of literature, movies and TV shows on the West. Reminds me of a lot of Robert Utley mixed in with Paul Hutton's Custer Reader.

The second part organizes points of historical interest geographically and by tribal history detailing what you will see (actual structures or replica and scenery) and a mini biography of the site. This book is a great companion for touring since you can organize what you want to see easily since the sites are organized by states and region. For example, if I were in Colorado, one of my goals would be to see Brent's Fort particularly if I was there during the annual rendezvous. How great to not only see Fort Apache if you are in Arizona but also to be able to detour to Cochise's Stronghold.

I just wish the text had pictures of the tour sites or a portion of them and an index. It's a modest book of 200 pages but a walloping amount of information. It's also a great reference for further reading.

I've got it and you don't! Too bad. It's outta print. I called the publisher and they are not reissuing. Go find it used. It is worth every penny ($85 I paid) if you need or desire to ID gulls.

This book is a must have for every birdwatcher! If you have problems with indentifying gulls, this is the book to have! It anwers all my questions I have about gull distribution and indentification. Now I know how to Indentify those Ring-billed Gulls that I see in the parking lot. Also I have a better outlook on where they came from as Well!

The size and massive detail in this new book on identifying the gulls of the Northern Hemisphere is likely to deter most readers from more than a cursory leafing through its lovely paintings and photographs. But if you're curious to learn more about these common but highly varied, many-shades-of-gray birds around us, and you happen to live in a coastal area as I do, with more than a few gulls that are hard to identify during the winter, this might be a book to look into more thoroughly.

A caution though: gulls can be notoriously difficult to identify accurately, since they have so much finely detailed, age-related plumage variation. But an effort to simply knuckle-down and learn more about all this, such as this book amply provides, can pay off greatly in much greater detective-fun trying to figure out all these heretofore anonymously gray gulls sailing and prowling around us here each year. It's already helped me develop better skills in figuring out nearly all the varied groups of gulls around us here more quickly than I would have heretofore thought possible. And to more quickly decide which birds you can or cannot more accurately identify...and why.

The detailed accounts and maps of the distribution and relative abundance of various gull species have also helped me better understand where the gulls that migrate through or winter in our area are likely to have come from. And, finally, as you delve more deeply into what's known about all these gull species, and their European and Asian counterparts, it becomes obvious that the series of beautiful, comparative paintings and color photographs provided in such detail for each species in its various age-plumages, subspecies, and hybrid-forms is worth the price of the book alone.

Well....maybe not easy....but, not through any fault of this book! The book starts with a lesson on the various body parts, as you will need to know many of these in order to ascertain what gull you have sitting in front of you. A comparison of the wings comes next. Then, it goes through each gull species and all of its plumages, including the months you might expect to see them in that plumage. It ends by discussing the various hybrids. If you ever hope to get beyond referring to gulls as "gull sp.," this book will do it. When you hear other birders refer to "the gull bible," this is it!!! However, don't think that this is a field guide you might want to carry in a fanny pack...it's a heavyweight!

growing up with the knowledge that there are just a few "kinds" of gulls and realising after a while that all the gulls you knew are now called somthing compleatly different (the whole herring,yellow legged,caspian,armenian,lesser black backed,sibirian etc. complex). this is the book we were all looking for, easy to use and extremly proffesional.
another good birding book to have around.

Russell S. Smith was the Police Chief in San Angelo, Texas for years. He was an outstanding officer. There were many twists and turns in this book, it kept my interest and eyes on the printed page. He is a true detective, enjoying the chase as he traced the facts in order to find the truth.

What a great book! Author, retired Texas Police Chief Russell Smith, has a unique way of talking to the reader. This is an interesting account of the "Caveman Bandit" - in a time much like the Wild West but in the 1960's. Most certainly all those who have roots in West TX would be interested as well as Texans everywhere. As a Californian, who has never been to that part of the country, I referred to a TX map to visualize the expanse of land that the Bandit inhabited. Wow - it is really incredible to think that a human was capable of covering such an enormous territory. Also incredible is the way this man slinked in and out of businesses, houses, rugged terrain, in and out of Mexico and Texas -without detection - sometimes underneathe the noses of those who so desperately hunted him. Yes, the bandit was incredibly animal-like: digging for shelter in caves, surviving off the land, outwitting and outrunning his prey. You will have to read this book for the interesting details and to see how the story ends. Bravo Chief Smith!

Russell Smith has a way of telling a story so that you see every event, almost as if you were there when it happened. You see the rugged country and the people very vividly in your mind. You feel the suspense as the caveman bandit enters a home at night while the occupants are sleeping. You laugh as two macho teenage boys decide they will be heroes and catch the bandit one dark, cold night. I got so involved in the story, I didn't want it to end.

What a great book. I could visualize the caveman bandit, his hiding spots, the rough land, the houses and the people. Russell Smith brings the characters and the landscape to life. Chapter 1 was a great way to start the book and it hooked me. I can't wait to read his next book.

"The Gun That Wasn't There" is an interesting true story about a man who lived off the land, the ranches, and the businesses of the area he was in. The local people knew about him, had often seen him, but it wasn't unusual for "illegals" to cross their ranches so they didn't pay much attention to him until he broke into a house while the people were home and attacked them. This is a story about man against man, one wanting to be left alone to survive the way he knew best, and those who wanted to stop him.

The book includes several original photographs as well as recent photos of the area. The author paints such a vivid description of the area that you already know what is there without seeing the photographs. There are numerous endnotes that historians and genealogists will love.

If you want to get your mind around Thoreau's mind and the more significant facts of his life, buy and read this book. Because the chapters are brief but meaty, and because Richardson's an accomplished prose stylist in his own right, this book is a joy to read and, I have found, is wonderful to come back to periodically, particularly when looking for a great way to spend ten to twenty extra minutes profitably.

Robert D. Richardson takes the busy-bodied world of Thoreau and places each of his accomplishments into context starting with their respective intellectual origin. In the process of doing this, Richardson constructs the world of Thoreau's Concord and creates it for us vividly and realistically. This is by far the best Thoreau bio out there and serves a perfect book-end with his Emerson bio, The Mind On Fire.

As a young man my Holy Trinity was: Emerson, Thoreau and Whitman. Emerson's essays are pure poetry; Thoreau's "Walden" and "Civil Disobedience" became a blueprint on how to live and why to write; and Whitman's life and "Leaves Of Grass" taught me about myself.

"A Life Of The Mind" filled each page with the authenticity and richness of a life well lived. Thoreau, the humanness, the naturalist, the friend and son; the poet of the unraveling, entangled soul beating within the humdrum of everyday and ordinary life, leaps from every page. I have read other biographies on Thoreau which never captured the mind and writer of "Walden". Here the man and life equalled and qualified the literature.

Richardson is more than a biographer of Thoreau; he's made from the same stock. He didn't simply tell of a man and his life, he savored, and shared in the same poetics and struggles as the man he researched. The theme of Thoreau's life was an opportunity to express his own convictions and struggles.

It was while reading an anthology of Thoreau's work that I first understood why some poets and writers must write. I came to understand how every sentence could be layered with meaning and timelessness. After reading this biography I must reread my annotated "Walden". I must sit in my backyard amongst the leaves and flowers and shapes and densities I've not paid attention to in some time.

This book remains the best biiography about Thoreau. There is much here to interest both the detail-seeking scholar and the casual reader. Richardson does an admirable job in bringing Thoreau and his ideas to the fore. I found this work very useful when editing my own volume - Profitably Soaked: Thoreau's Engagment With Water, which presents a more bodily than conceptual Thoreau.

In the concluding chapter of "Walden", Henry David Thoreau offers a parable of a great artist in the city of Kouroo "who was disposed to strive for perfection." In Thoreau's story, the artist spends eons working to carve the perfect staff. By the time the artist was satisfied, his friends had died, Kouroo was no more, the dynasty of the Candhars had ended, the polestar had changed, and "Brahma had awakened and slumbered many times". Yet, the artist saw that "for him and his work, the former lapse of time had been an illusion, and that no more time had elapsed than is required for a single scintillation from the brain of Brahma to fall on and inflame the tinder of a mortal brain. The material was pure, and his art was pure: how could the result be other than wonderful?"

This parable of the nature of the self, freedom, and high purpose, told in the language of Eastern thought, is one of many aspects of Thoreau that Robert Richardson illuminated for me in his biography, "Henry Thoreau: A Life of the Mind." (1986) Richardson's biography of Thoreau is the first of what has become an outstanding trilogy of studies of American thinkers. Its companions are "Emerson: A Mind on Fire" and, most recently, "William James: In the Maelstrom of American Modernism." These three biographies cast great light on intellectual and spiritual life and their continuing influence in the United States. Richardson was a professor at the University of Denver when he wrote "Thoreau". He is now an independent scholar.

Richardson's biography of Thoreau (1817 -- 1862) does not begin until its subject reaches the age of 20 and returns from Harvard to Concord, Massachusetts to teach school. Thoreau becomes friends with Ralph Waldo Emerson who encourages the younger man to keep a journal, a habit that will remain with him throughout life and which will constitue the best evidence we have of Thoreau's inner life. Richardson's study draws heavily on the Thoreau's Journal, which when completed ran about 2,000,000 words and which was the source, with Thoreau's other notebooks, for much of his published work.

Richardson aptly characterizes Thoreau as leading a "life of the mind" and his study focuses on Thoreau's intellectual development and on the books which he read. Richardson uncovers and elucidates Thoreau's broad reading over the course of his adult life. Thoreau read broadly in the ancient Greek and Roman classics, and he was greatly influenced by German writers, especially Goethe. His transcendental philosophy was heavily German in origin, as mediated by English writers such as Coleridge. Thoreau read copiously on the history of New England and Canada and on the Indians. He was a careful observer of nature, as is well known, and was influenced by Aristotle's writings on biology, as well as by the classification work of Linneaus, and Agassiz. After the publication of the "Origin of the Species", Thoreau was won over to the developmental theory of Darwin.

I was particularly struck with the influence of Hindu and Indian thought upon Thoreau. This influence is shown in the parable of Kouroo, discussed above, and throughout "Walden" and "A Week on the Concord and Merrimack Rivers". Richardson also made connections between Thoreau and writers and friends on an individual level. For example, Richardson discusses Melville's "Typee" and the influence this book had upon Thoreau in its depiction of human nature, and allegedly primitive peoples. Melville's influence appears lasting upon Thoreau. Richardson discusses Thoreau's friendship with the former Unitarian minister, Harrison Gray Otis Blake, and the letters the two men exchanged. (These letters have been compiled in a volume titled "Letters to a Spiritual Seeker.") As a final example, Richardson also discusses Thoreau's meeting, late in his life, with Whitman and how these two writers came to view each other.

Richardson's book brings home Thoreau's conviction that human nature is basically the same everywhere and throughout time. Thus, for Thoreau, persons in his time or our own, are capable of leading a life of freedom and meaning upon the making of effort. Even though Thoreau was fascinated with the Greek, Roman, and Indian past, these sources taught him that people retained the potentiality of living for themselves. Richardson emphasizes the love of wildness in Thoreau, in man, animals, and nature, just below the surface of what he regarded as some of the superficialites of civilization. In addition to Thoreau's self-sufficiency and love of freedom, Richardson emphasizes Thoreau's love of good companionship. Richardson also argues that following the publication of Walden in 1854, Thoreau's interests turned from the self-sufficiency and freedom, to a recognition of the interconnectedness of all things in nature.

The strongest effect on me of Richardson's book was in making me revisit and rethink the inspiring conclusion of "Walden". After a paragraph devoted to life and the ever-present possibility of regeneration, Thoreau concludes Walden as follows:

"I do not say that John or Jonathan will realize all this; but such is the character of that morrow which mere lapse of time can never make to dawn. The light which puts out our eyes is darkness to us. Only that day dawns to which we are awake. There is more day to dawn. The sun is but a morning star."

Richardson's book inspired me and it encouraged me to want to read and reread Thoreau. Those readers who are also moved to rediscover Thoreau may want to explore the two large volumes of his works available in the Library of America.

Robin Friedman

I enjoyed this book very much. Tarleton's deductive and vainglorious writings are very informative yet do not dwell on American victories but rather American humiliation. I would not recommend it if you are not altogether serious though.

A fascinating book, plainly and well written. It took a moment or so to get used to the vernacular but it's a smooth read. I was particularly interested in Tarleton's say on what happened during the Buford Massacre because he implies (in my opinion) that the slaughter of the American troops was not ordered by him but rather, a circumstance of war and the crazed emotional upheaval that accompanies the heat of battle. The book presents an interesting view of the American War of Independence from the "other side". Well worth it.

After over 113 years of being out of print, Banastre Tarleton once again speaks (at an affordable leavel no less) of his experiences and knowledge of the battles he and his British compatriots went through. Mind you, it is a bit of a dry read as that his legal style of writing shows through the whole thing. If you ever wanted insight as to the British side of the American Revolution,here's your book!

The style of the antique font is most appealing to devotees of British Militaria. It is though one is reading the dispatches from "Bloody Bana" himself. This is the point of view never learned in America. If you enjoyed "The Patriot" you will enjoy this book. Refers in the 1st part to Major Patrick Ferguson, the inventor of the Ferguson Breechloading Flintlock rifle. The descriptions of the terrain and hardships as well as surrender terms and stores captured are thoroughly detailed.

A very detailed history of the Southern Campaigns of the American Revolution. At times a little self serving. It is enjoyable in eighteenth century text. Detailed maps.