North America Books

This new edition of Francis Parkman's early American history is a first rate republication by "The Library of America" and what a book! Parkman writes history like he was there when the events took place . You can see the Indians war paint and hear the great orator Pontiac as he stirs the tribes to follow him . Watch as the The British army learns hard lessons in the American wilderness . Watch as pioneers begin to spread across the Appalachian mountains . Parkman walked many of the trails he describes and much of his details come from eyewitness. His books are heavily footnoted with not just the source , but quotes verbatim in support of his writing . His histories are written in the style of the great epics of old like Romulus and Remus . This book goes to the passions of the participants , both sides . To be sure he writes from the veiw point of a Proud American but that does'nt mean he ignores the other sides veiw point and thankfully these were written before political correctness became to dominate veiw point . I have read no modern history better written or more in depth as to its subject. I recomend all his histories . This one in particular as it covers a little published time in American history .

Parkman's magisterial work on the role of France in the New World must surely rank as one of the high points of 19th century American literature. Certainly the editors of the highly-esteemed Library of America made that determination when they selected the complete set of Parkman's works to be included in the ongoing Library of America series. Only a partial read is required to understand why this multi-volume work, written over a thirty year time frame, is regularly compared to Gibbon's "Fall and Decline of the Roman Empire," for Parkman's mastery of narrative historical storytelling pours forth from the earliest pages in prose that is rarely seen in today's written works. This is truly a monumental work, and should likely be considered a critical component for anyone trying to truly understand the development of the New World from the European perspective.

Parkman begins his saga with the founding and settlement of the area we now call "St Augustine" in Florida, arguably the oldest continuous settlement in the United States, and routinely billed as the "Oldest City in The United States." To visit St Augustine today is to make Parkman's narrative come to life, for there we visit and see Ribault's monument, the Castillo de San Marcos, Fort Mose, and the so-called "Fountain of Youth." To those who are more familiar with US colonial history in Massachusetts, Pennsylvania, and in greater New England, this is a story that greatly predates the Revolution, and unfolds the stormy rivalry between Spain and France's claims in the New World. It is often a brutal epic, but also contains the awe and wonder of Europeans who for the first time explored the unknowns found therein after the long trip across the Atlantic.

After this difficult early series of episodes, the story turns to LaSalle and the many other French explorers who explored and settled in the area of the St. Lawrence Seaway, and the issues and battles that ensued as these early explorers met the indigenous peoples of the region. Any map of the United States will yield an abundance of French names through Illinois, Michigan, and all around the Great Lakes (the word "Illinois" itself is a great example, and "Detroit," actually "d'étroit," or "of the straights"), bearing witness to the history of French exploration and settlement in these early years.

Parkman's narrative is superb, a example of historical writing at its best. His source documentation is so thorough that the work can serve as a primary resource for a seemingly endless series of derivative studies. But whether you are a historian or not, Parkman brings the story alive, and lets you be a virtual guest through the centuries. Make sure you get both volumes.

Francis Parkman is one of the most talented writers of our country's history that one will read. He writes as if he is hovering about the situation and describes it so you feel as if you were there, not bogging you down with details. This is a must read for all history buffs.

Parkman is thorough and comprehensive, but the amount of information that this throws at you is almost overwhelming. Reading his books makes War and Peace seem like a quick read...lots and lots and lots of information.

Parkman's (multi-volume) account the of the struggle of France and England for North American dominance remains the classic history. It is commodious in scope, majestic in vision, and equal with Thucydides in tragic magnitude. Parkman describes what North America once was (with invaluable discriptions of natives), and what still lies below the surface of what we've become.

There are other valuable sources. Morison [The Northern Voyages 500-1600 (1971), The Southern Voyages 1492-1616 (1974), Samuel de Champlain (1972)]. Anderson (Crucible of War) and Eccles (The French in North America). None are as eloquent as Parkman, though Morison's Voyages are equally worthy.

This book is beautifully illustrated and very helpful. I have shared ideas from this with friends and family.

Have you ever wondered why front yards in North America consist mainly of lawn? Is there a law that demands this? The writer starts by briefly reviewing the history of our love/hate affair with the front lawn and pointing out how costly they are in labour, water and poisonous chemicals.

The writer then explains how she changed her ordinary, lawn-filled front yard into a garden, working around the objections of her husband. From there she explains the groundwork that must be undertaken when a plain front yard is changed into a garden. Most of the remaining chapters discuss different types of gardens - cottage gardens, minimalist gardens, small city gardens and so on. The writer presents each topic and then introduces gardeners who have developed variations on this theme. The final chapter "Overcoming Obstacles" shows how gardeners have coped with dry soil, steep gardens, a garden that must incorporate a fire hydrant or a power pole and so on. There is a reasonable resource list at the end.

This is a very useful book for people who are tired of the front lawn but don't know quite what else to do with the space. The approach is relaxed and personal and has examples of gardens from Ontario to Texas. The advice is practical, the illustrations are relevant and show the gardens at different seasons. The writer knows her topic thoroughly and has given us a very readable and attractive garden book.

Liz Primeau has written an inspiring guide that can help you transform that bland patch of lawn between street and house into a rich landscape. Front Yard Gardens tells the stories in words and beautiful photographs of dozens of front gardens in various styles. The gardeners behind these wonderful front yards have coped with budget and space constraints, although most have dedicated considerable time and energy to their projects. Almost all of the gardens are Canadian, a plus for those of us who live in colder zones: many books about front yards emphasize styles that can only be achieved in milder areas like Southern California, where gardens remain lush year-round. Ms. Primeau's book is refreshing because it deals with the strategic and emotional challenges of introducing a front garden into a neighborhood where front lawns are the norm. The book also discusses the evolution of these gardens over time, encouraging the reader to simply start somewhere and implicitly acknowledging that for an enthusiastic gardener, the garden is never "done." Liz Primeau has given us a terrific book, although she has omitted photos of front gardens in winter and as part of streetscapes.

So many gardening books focus on the high-end gardens of a few wealthy people. This book is practical, whimsical, and full of photographs and stories about real front-yard gardens. The owners have to contend with problems like streetlights, copycat neighbors, variances, etc., and many of them are redesigning and planting on a budget. This focus makes the book truly inspiring as well as useful. A great investment in getting rid of your boring lawn!

I love this book. Two years ago I was inspired by this book to rid my yard of lawn. I had a designer design a cottage style garden for my front and back yard. It took my kids 2 months to dig up all the grass and then we started working on the design. We were novice gardners, so along with this book and about 12 others we have completed our yard.
My neighbors who are lawn lovers, have been very interested in our progress.
We wave and smile at everyone who pass as we work in the yard, and this seemed to ease some of the neighbors anxiety about our odd doings.
The kids are now 18, 15, 13, 12, and 6, so seeing the whole family working together has been a big plus.
So far we are still the only family in our subdivision with no lawn, but We get nice comments,and see more people gardening.
I am asthmatic so no lawn mower fumes are great, and this is a great "green " project for the whole family, and the kids are so proud of themselves, and the positive feedback they get.
This is a very expensive investment in time and plants but worth it.

If you are not a Robert Utley fan you soon will be. This second in a two volume series, Utley shows once again why he is the king of frontier US history. This is an excellent piece of scholarship and writing.

Recounting the final, massive push by the Regular Army to subdue the American Indians, this volume covers the 25 years after the Civil War when control of the Plaines was wrested from the Indians, from the first skirmishes with the Sioux over the Bozeman Trail to the final defeat and subjugation in 1880.

Proud of the Unites States Army and is accomplishments while simultaneously sympathetic toward the Indians, Utley traces the campaign directed by Major General William Tecumseh Sherman. The result is a very evenhanded account resting comfortably between the "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." The people we meet are simply a group of ordinary men doing the very best they could under remarkably trying circumstances that were often under equipped and ill supplied.

A great deal has been written about the United States Army during the Civil War. But tales of the postwar army can be just as thrilling as stories from the war, though this portion of military history is, sadly, often overlooked. Robert Utley attempts to correct this oversight in this excellent book, which deals with the nature, structure, and activity of the portion of the army engaged on the frontier from immediately after the Civil War until Wounded Knee. Arranged in an order that is easy to follow and is logical if not always strictly chronological, each major military operation against the Native Americans is handled with skill and sufficient detail. The result is a fascinating look at the army as a whole.

The main value of this book lies in the fact that it provides an outstanding overview of military operations as a whole (as opposed to books that treat just one battle or campaign). The work fills in many holes that will undoubtedly exist for anyone who has studied a part of the Indian Wars, and who would like to have a more general overview available to them. Anyone who has studied the Little Bighorn, for example, will find in this book a wealth of information that will explain in great detail many of the factors that led up to that action and also many of its ramifications. This book is essential to any study of Western history, especially military history.

Robert M. Utley offers the sequel to his _Frontiersmen in Blue: The United States Army and the Indian 1848-1865_. In this second installment, Utley attempts to eradicate the myth of the frontier Army as blazing a path of glory westward that has been portrayed in Hollywood movies. Rather, he argues the frontier regular Army was only one of several contributing factors to the subjugation of the Native Americans. Other determinants such as westward expansion by waves of immigrants, and professional buffalo hunters attributed as much, if not more, to the Indian demise as did the soldiers. In a sense, Utley offers the antithesis to Dee Brown's _Bury My Heart at Wounded Knee_. The author highlights the Army's role as a frontier police force carrying out civilian policy that lacked cohesive strategy against the Native Americans. Utley begins with a general survey of the United States Army in the post-Civil War years. The author outlines the relationship between the War Department, its near autonomous bureaus, Congress, and the Executive Branch, with brief discussions into the tenures of Generals Ulysses S. Grant, William T. Sherman, command-staff functions, and logistics. Chapters on weapons & equipment, and outpost life round out the first half of the book. Utley remains objective and unsympathetic at times to Blue Coat and Indian alike. For example, in his discussion of General George Armstrong Custer's defeat at the Little Big Horn, Utley, a noted Custer scholar, blames the boy general for the debacle. The author cites several reasons for the defeat of the 7th Cavalry. On the surrender of Geronimo in 1886, Utley credits both Generals George Crook and General Nelson Miles equally for their improvisations in overcoming logistical hardships in the harsh Sierra Madre Mountains. Acknowledging that the elimination of the Chiricahua Apache from Arizona was the prerequisite for re-establishing peace to the area, Utley does not sympathize with Geronimo's plight. It was only after the removal of the Chiricahuas, hostile and neutral alike, argues Utley, that peace was finally brought to the Southwest. In the final episode of the Indian wars: Wounded Knee, Utley engages in mere semantics. The author depicts Wounded Knee as a "tragedy" not a "massacre," the term generally preferred by the Indians. Utley feels the idiom inappropriate because "massacre," points to "deliberate and indiscriminate slaughter" which, he feels this occurrence was not. Utley believes, the soldiers tried to restrain from firing on women and children, however, in the melee, hitting innocent non-combatants was unavoidable. In the chapter titled "The Problem of Doctrine," Utley sees the Indian wars of the late nineteenth century through lensesmirroring the war in Vietnam (this book was first published in 1973). Utley observes the U.S. Army applied conventional tactics in an unconventional war. He illustrates how hostile Indians were oftentimes indistinguishable from peaceful reservation Indians. The hostiles utilized guerrilla tactics-hit and run raids and disappeared into the night. By day, the warrior factions would easily blend back into the general Indian population. If this be the case, it can be argued that the United States military had learned nothing from its own history. Robert M.Utley, often seen on the History Channel, and preeminent military historian of the period, has once again consulted a vast array of archival material. His evidence is equally balanced between primary and secondary sources, with endnotes after every chapter. The author consults an impressive collection of Government documents including a detailed list of Congressional and Senate papers in an impressive bibliography. Generous, easy to read maps, and a peppering of period photographs make this an essential addition to any library.

Utley does an excellent job of showing what post-Civil War Indian fighters faced. First was the transition from the Union Army fighting Confederates to the U.S. Army fighting Indians.

Utley documents how that work was made much harder by the cheapness of the War Department and Congress. Downsizing the Army drastically to save money wasn't enough. Congress stuck most the infantry with leftover muzzleloaders rather than repeaters, meaning that their Indian foes usually (Winchester-armed themselves) could bring superior firepower to bear.

Meanwhile, the frontier Army had to go through the twists and turns of War Department, or Interior Department, twists and turns on Indian dealings, and in different high-level officers having different approaches not just to Indian fighting but to Indian truce and treaty negotiations.

Meanwhile, the grunt work, as typical, was to be done by the infantryman, not the cavalryman.

Read the whole story of his struggle to do his job in this book.

This is a good book about the US Army, Indians and the early west after the civil war. It follows events and gives points of view that are not clouded by the normal politics or attitudes. It is a clear account with facts, the probable intentions based on facts, and the actions. It allows the reader to get a good sense of the period and actions. The book gives enough detail to back up the facts but does not go overboard. This is a good start at studying the time period and the US Army at the time. Being into history, it was highly informative. It is a great book for those who want to read about the period but not get heavily into research. It goes deeper than just a brief summary but I think it gives just enough to allow understanding. It is easy to read and flows from chapter to chapter.

Until very recently, there were no large press picture books about contemporary Native children written by Indian authors. For this reason, Jingle Dancer is particularly notable. The story of Jenna, a member of the Muscogee (Creek) Nation living with her family in Oklahoma, is written by a Native author. Rather than focusing exclusively on Jenna's Indian identity, however, the book presents Jenna as an average American kid, living in suburbia, who calls on her Native sensibilities and her broad community of supportive females to overcome a problem as she tries to put together her regalia for the Jingle Dance. Readers who are not familiar with the customs presented here will learn much, but above all, they will learn that Indian children are alive, well, and living rich lives amongst them, a lesson infrequently taught, and rarely so pleasantly. Rich, bright, cheerful watercolor illustrations by husband-and-wife team Cornelius Van Wright and Ying-Hwa Hu enhance the presentation and bring Jenna to life. A significantly informative Author's Note and Glossary make the book even more effective.

What? No teepees or war paint? Bravo! Cynthia Leitich Smith's JINGLE DANCER is a refreshing story about a Muscogee-Ojibway girl wanting to participate in a powwow by performing a traditional dance. This contemporary picture book story is free of the stereotypes sometimes associated with Native American tales, and instead shows Jenna watching her grandma dance on a video tape, visiting a friend in a new duplex in the community, and talking with her lawyer aunt. The reader is also introduced to information about a traditional story, game, foods, and dance. Smith's lyrical narrative and captivating story makes this a perfect read-a-loud -- as my five-year-old daughter will attest to. As an Asian-American, I'm always thrilled to see contemporary stories with multicultural characters shown in real and positive ways.

Beautiful illustrations by Cornelius Van Wright and Ying-Hwa Hu!

Cynthia Leitich Smith's, JINGLE DANCER, is a delightful book. Ms. Smith weaves a lovely story of the strong female ties in Native Ameicans matriarchal societies. Smith celebrates the loving, sharing spirit of friends and families. The passages of Jenna dancing through her day from dawn to moonlight are pure poetry. Cornelius Van Wright's and Ying-Hwa Hu's bright lively illustration are a perfect match. Cynthia Leitich Smith's writing is to be applauded as a great addition to the world of children's books.

Watching her own grandmother dance the traditional jingledance,Jenna hopes to carry on the proud tradition.

In order to makeher own dress "sing," however, Jenna will need four rows of jingles. There isn't enough time before the next powwow to mail- order the tin beads, but Jenna doesn't loose faith. A Muskogee Creek story about a bat that she is told by her Great Aunt Sis shows that no one is too little to make a difference.

Rising sunlight reached through a window pane and flashed against... what was it, hanging in Aunt Sis's bedroom? Jingles on a dress too long quiet. "May I borrow enough jingles to make a row? Jenna asked, not wanting to take so many that Aunt Sis's dress would lose its voice. "You may," Aunt Sis answered, rubbing her calves. "My legs don't work so good anymore. Will you dance for me?" "I will," said Jenna with a kiss on Aunt Sis's cheek. Now Jenna's dress needed three more rows.

With the assistance of those in her community who cannot dance at the powwow, Jenna finds enough spare jingles to make her dress sing. With patience and practice, her hope is fulfilled.

In JINGLE DANCER, Cynthia Leitich Smith honors the tradition of jingle dancing, a ritual of the Muscogee (Creek) Nation, which has been celebrated for generations. Jenna is a delightful, ambitious child with great pride---a wonderful heroine for this picture book story. Not only does the author capture the feel of Native American heritage through the exposition and resolution of the story, but she adds to the mood by using the position of the sun in the sky to describe the passing of time within it. The author's note at the end of this picture book provides the fascinating background to this custom.

Cornelius Van Wright and Ying-Hwa Hu's brilliant watercolor illustrations are the perfect medium in which to bring this endearing Native American story to life.

A reading of JINGLE DANCER is sure to inspire a jingle in the reader's heart.

Writers Moon reViews (WritersMoon@aol.com) P.O. Box 182, Nesconset, NY 11767-0182 Copyright (c) 2000 Lynne Remick LynnRemick@aol.com) Reprinted with permission from Lynne Remick and Fantasy, Folklore & Fairytales