Fish Books

I highly recommend this children's book about the Christmas story for all ages! The story is told well for even young children to follow, but is profound enough for adults to enjoy. The illustrations are my favorite part of this book!! They are so colorful and inviting and bring the story to life. I specifically like the broad ethnicity Bettoli uses for the characters, as many cultures can see themselves in the pictures, and I believe this would allow many different people to personally relate to the story, no matter their background. The Holy Family actually looks like the region where they lived. I plan to use this book for many years with children and adults of all ages! Thank you for such a wonderful redering of the Christmas story!

This is the sweetest Christmas book you'll find anywhere. Its easy rhymes and poignant pictures will enchant you and your child. My three-year-old son has already memorized parts of it and will read it along with me. It warms my heart to hear him recite the story of Jesus' birth. I have given this book as baby gifts several times, and the parents have all loved the book as much as I have.

"This is the Stable," is one of the most refreshing books I have seen on the birth of Christ. As an adult reader looking at these enchanting pictures and reading these simple words, I couldn't wait to turn the page to the next illustration. As I read and delighted in the images, I felt a lightness of being, a hopefulness and a joy. I can only imagine the impression of what a young child would feel being introduced to the birth of this wondrous being of light through this book.

The simplicity of the words of Jesus's birth are so sweet and dear and the illustrations speak volumes.They embrace a magic and universality that is so needed in our world of separation of religions. The large voluminous angel wings wrapped around this story lets one know there is a divine order in all things. My hat is off to you Delana Bertoli and Cynthia Cotton for creating this little masterpiece that shines the light and wonderment we so need in this world for our children. A must for all young readers!

This is the PERFECT Christmas book - I bought two dozen copies to give away as Christmas gifts. The traditional Christmas Story is told in a simple yet engaging manner. The artwork however makes the story come alive - it's amazing. When one of my grandchildren (who happens to be half African American) saw the picture of Baby Jesus she said "Look Grammy, Baby Jesus is the same color as me - light brown!" and indeed he was. I especially loved the angels who appeared to the shepherds: Miss Bettoli had each dressed in a glorious bright colored flowered robe. When I saw that picture my first reaction was, "I knew my mother (since deceased) wasn't wearing a boring white robe in heaven - she wouldn't have worn bland colors when she was alive so I'm sure she wouldn't do it in heaven"! Can't rave enough about this book.

This is a captivating telling of the Christmas story for youngsters. But for me, the illustrations are what make this book stand out from others. Kids will be drawn to the gorgeous colors and the rendering of all the characters - human and animal - so that they're immediately likable and comforting. There's so much rich detail that every page encourages the creation of its own little story beyond the brief text. And there's something there for adults, too. We big people can appreciate these illustrations as artwork, admiring and enjoying the rendering and composition. I'd like to think that kids with a creative eye could learn something about art as well as experience this lyrical rendition of the Nativity, which makes it a twofer in my book.

Craig Mathews' brief but detailed writings for each water is just great and stating plain facts. It's simply fun to read. Also, his store "Blue Ribbon Flies" is probably the best in West Yellowstone. Fly-fishing guides are very experienced and the store has lots of fly-tying material in high grades. I also recommend to review Craig's other book "Fly Fishing the Madison". That's also well-written with his smooth and detailed explanation. SY

Craig Matthews gives you great information and helps the reader pick and choose where to fish in YNP. With Matthews knowledge of the Park and insect activity it's hard to go wrong with this book. Great information on hatches,locations and whether the hike is worthwhile to take make this a great book. If you are planning on fishing YNP you need this book. I would also purchase his dvd on fishing Yellowstone National Park and on fishing the Madison.

This guide provides very detailed information on the rivers, streams and lakes in Yellowstone National Park, the fly hatches and terrestrials found on each (by month of year) and the best patterns to fish with. It also shows which fishing areas can be accessed by car and which require a long hike. I found it invaluable for planning a fly fishing trip to Yellowstone.

The "Go to Book" for fishing in the Park. Has all the information one needs to find "backcountry waters" as well as the "hotspots". I've fished Montanna for the last 7 years, but have never fished in the Park until last year. This book cut the learning curve by a considerable margin. Not only does he unleash his considerable knowledge of the "spots". He is very complete in informing the angler of the certain flies and times of the year to use them. I read this book practically every time I sit down to the flybench. Just to jog my memory on what to prepare for the coming trip. I wsih I had bought this years ago and fished the park alot earlier in my years. Could have cut alot of corners! Thanks Craig---great job!

This book is easy to use and extreamly useful. It splits the park up into four regions, tells you where (or not to) fish, and where to start looking in your flybox. I have used it the last 3 or 4 years and will use it as long as I vacation in Yellowstone. I have looked at several books on fishing in Yellowstone and this is by far the best that I have found.

This is the third in the Ribbons series (...Well from Robin's point of view, anyway).
You do not have to read any of the other books to understand and enjoy this story.
Other reviews do a great job explaining what the book is about.
Just know this, if you read the other "Ribbons" books, you will enjoy this book.
Robin and her Grandmother are wonderful characters and they just keep growing.
Read this book.

If you like to dance or you like fish or you like to figure out mysteries about people this book is for you. I read the book Angelfish, By: Laurence Yepp. It's about a girl named Robin, who just won a role in a ballet recital, when she trys to hit her friend with her dance bag accidently lets go and the bag goes flying through a store window. Afraid of being grounded and loosing the part in the ballet, she goes behind her parents back and agrees to work in the pet fish store to pay for the broken window. Unfortunately the owner turns out to be a grumpy man who calls her a half person, because she's only half chinese. yet behind Mr. tsow's beastly self, Robin sees some kindness when he cares fir his fish, especially for the beautiful Angelfish. He seems just like the beast in the ballet she is rehearsing. Curious and eager to help, Robin and her feisty Grandmother search for clues about what might have turned Mr. Tsow in to a beastly man. To their horror, they discover that he was a victim of the chinese Cultural Revolution. Can Robin help end his nightmare?

I am a dancer and when I looked up "dancer" in the library's book finder, I saw Angelfish. I checked it out and loved it. Also, if no one buys this book soon, then I am definitely going to try to buy it.

Want a great fish story without getting wet? Then you should try diving into Angelfish. Angelfish is a great story! If you're a dancer, part of the Chinese race, or if you just want a great book to read, Angelfish is the book for you! I definitely recommend this book!

Angelfish teaches a good moral to young readers. Robin, the main character, faces hard comebacks from "The Dragon Palace"'s owner, Mr. Tsow. But Robin knows that Mr. Tsow can't hate everything. Robin tries to find the real person Mr. Tsow is. Robin, after being bantered by Thomas, says, "Though I was still proud of being a dancer, I didn't want to give Mr. Tsow any ammunition for his usual insults." I recommend this book because it gives you an idea how people were hurt in the past and an idea how people may make racial comments about you. My favorite part of Angelfish is when Mr. Tsow is with the angelfish. He seems so gentle and careful. Angelfish is a great book.

Angelfish is a great story. Angelfish has characters that had feelings in the past but have been taken away from them. It shows a lot to young children/preteens. I definitely recommend this book! Read Angelfish now! It has a great plot, great climax; great everything! Angelfish is the book for you!

I read Angelfish for an English book project. I LOVED THE BOOK! I thought that the book would be stupid, because we had to do something about different race writers. I chose Angelfish because I judge books by their covers. I never knew that I would fall in love with a book I thought I would hate.

BUY IT!!!

I have been a preschool teacher for 15 years and this is one of those books we read often - sometimes every day! It is sure to become one of your child's favorite stories, too!

My 3 year old loves fish, and she was immediately drawn to this book. The illustrations are soft, and the story, about a scary looking fish who is really nice, is a good message.

This has a charming story, and wonderful illustrations. Kids can learn about being themselves and being a good friend by Big Al's example. It has a heroic main character who saves the fish who had refused his friendship. What I think could have been done better/differently is to play up the ideas that no matter what you look like, you can be a good friend, and that it's important to be yourself. Clements ends the story a little too suddenly to explore that idea, in my opinion. It does, however, leave room for classroom or parental discussion once the story has been read. This is a sweet book, with a nice message, even if it's not terribly obvious.

Big Al is truly the scariest-looking fish, but - like all of us - he just wants to be accepted by his peers. In fact, he does everything to be accepted: Wraps himself up in seaweed, puffs himself up, hides in the sand so others will come close, changes color to match a passing school of fish, but to no avail. Then comes Al's chance to save the day and make some friends.

Yoshi's illustrations are rich and give life to Al's world underwater.

I've used this book in my classroom for kids to understand how we are all unique in our own way, but we each have a strength to offer others.

So many kids books that deal with real life issues often cop out by having the character solve the problem in a way that kids couldn't possibly apply to their own life. This book is a shining example of how to achieve what so many authors cannot: solving a real problem in a real way that can be applied to real life. Beyond the beauty of the lesson, "Don't judge by appearance", is the beauty in the way the story is told. The artwork is a superb extension of the text. Buy this for every child you care about.

I ordered this book in April but didn't get around to reading it until now. I found the book interesting and absorbing if a bit depressing, but I got to page 56 and the next page after that was a repeat of page 25 from earlier in the book, and this duplication of pages from the previous chapter went on like this for 30 pages and then...it skipped ahead to page 89.

I'm rather annoyed that I've missed out on 30 pages of the book, and I can't return it since it's been more than 30 days since I purchased it.

an amazingly insightful and well written book that covers all angles without bias. an indispensible read for every serious living being. you will be delighted and mortifed by the events which take place in this in this fast paced incredible journey into the depths of what seems to be the undeniable self destruction of one of our most precious resources. those with week stomachs beware. i am not easy make queasy but this book which is part monster movie and part homers odyssey had me cringing a lot. a must must read. it will change your life.

Science hurts my head. In college I couldn't make it through a semester of biology. The textbook was incomprehensible and the teacher's carefully prepared PowerPoint slides wasted. It was all just gibberish. Science, especially life sciences, was definitely not for me.
(Science was somewhat redeemed the following year in my astronomy and geology classes. Still tedious and boring, but at least I `got' it. Whereas I'm still unable to remember basic parts of cells or DNA. Ribosomegolgibodynebulei what?)

But I try to be a good little environmentally-friendly girl and recycle, bring fabric bags to the grocery store, buy vegetables at farmer markets and patronize local businesses rather than big box corporations. (Amazon remains my huge weakness and exception to that rule.) Bottomfeeder was impulsively requested because of the catch phrases "eat ethically" and "vanishing seafood." I love to eat fish, but I never really cared about where it came from. There's plenty of fish in the sea, right? This book has completely revolutionized my thoughts.

A combination o travel writing and scientific research, Taras Grescoe hunts down local seafood delicacies from around the world (Bouillabaisse in Marseilles, bluefin tuna sashimi in Japan) and traces the fish's journey from the ocean to the dinner table. In addition to mouth-watering descriptions of exotic dishes, he has written a condemning exposé of the world's destructive over-fishing. By decimating the ocean floor with massive bottom-trawlers and wastefully throwing hundreds of tons of bycatch (fish caught in giant nets with fishermen's intended prey but are too small or the wrong species to sell) the fishing industry is on a collision course with disaster.

But Grescoe isn't all bad news. In each chapter he focuses on a certain species and shares the best way to get it with minimal negative impact. If there is no good solution to be found he suggests tasty alternatives. He also highlights possible suggestions and experimental attempts to bring fish populations back to sustainable levels. His message is dire; if the industry doesn't change we're looking at a future of not sushi and salmon steaks but "peanut-butter-and-jellyfish" sandwiches. (When a natural ecosystem is upset due to key species removal or pollution, algae and jellyfish are often the only creatures left.) But it is not without hope. Take the time to read this book; with seafood consumption on the rise and TV shows like "Deadliest Catch" gaining popularity Bottomfeeder contains information that all consumers must know.

While I was reading Bottomfeeder, I was sometimes craving fish (sardines, especially!) and sometimes thinking I never wanted to eat another fish (farmed salmon) or shrimp again.

Bottomfeeder is a real eye-opener about where our seafood comes from and how its future is in jeopardy. Ever wonder how Red Lobster gets sooooo many shrimp to feed soooo many people all over the country? And ever wonder why those shriimp all exactly (pretty much) the same size?

Surely you've heard that salmon is plentiful because there are salmon farms. Want to learn how gross those farms are? Read this book.

Luckily, as a seafood lover, Grescoe writes about sustainable fish populations and does give very good, clear direction about what sorts of fish -- what species, and how and where they are fished or produced -- one can eat without feeling like one is contributing to the eventual demise of species, and isn't harming one's health with too much mercury, antibiotics or other nasty chemicals.

I loved reading about Grescoe's adventures in eating seafood around the world. Descriptions of sardines made my mouth water, descriptions of pufferfish made me recoil. This is an adventure in eating good food, and an education in how (as the subtitle says) to eat ethically in a world of vanishing seafood. I hope everyone who eats a lot of seafood will read it.

The Monterey Bay Aquarium Seafood Watch guide has been tucked into my wallet for a couple of years now, but even with its straightforward green, yellow, red categories, I've found myself staring at restaurant menus in bafflement. How can salmon fall into all three categories and how do I know which one I'm ordering???

Grescoe's book has thinned the fog surrounding the world of seafood. In interesting and easy to read chapters, the book explores the oceans from the bottom of the food chain all the way to the top, and provides a well-rounded explanation of the issues facing the seafood industry and the environment.

Though I had anticipated a doomsday narrative that would shatter my love of seafood, instead it has left me feeling empowered to ask the right questions and make better choices.

Such a beautiful book to read. It really taps into how children (of any age!) can use their imagination. My 5 yr old boy really loves this book. Even his 7 yr old brother drops what he's doing when we're reading this. Perfect read for any child, boy or girl. And a pleasure to read at bedtime...perfect dream starter!

book was in perfect condition and didn't take too long on shipping.

My 18 month old daughter asks for this book every night. The pictures are absoultely delightful.

My personal favorite pictures are the dreamy imagines of a little girl and her imaginary friend floating on bubbles in the sky.

It is a book that I love reading over and over again. It is enchanting.

While it doesn't have that wondrous vintage animation look that highlighted his Caldecott Medal winning "My Friend Rabbit," Eric Rohmann has another winner in always the classic motif of a girl and her fish. That's part of the fun here, we can imagine a girl or boy and his dog, or horse, or even pet rabbit--but a fish? With the exception of "Finding Nemo," "Mr. Limpet," and a few other famous fictional fish (and the former are both movies), the finned set is hardly the stuff of which dreams are made of. Yet, that's exactly what Rohmann does, and his enormous talent as storyteller and illustrator makes this seem almost as familiar and stories featuring animals that are more typical.

Rohmann pulls off this by setting his fish tale within a standard kids' book formula: The youngster who has fantastic dreams about some object encountered while awake, often a toy. Even within this context, Rohmann shows his originality, for the referent is not some household plaything, but the fish that form the base of a fountain seen by the young girl at the park.

The next problem with fish is that some people think they're slimy, ugly creatures akin to other people's image of snakes. So...how do you make a fish look loveable? Rohmann's oil paintings are uncluttered, fresh, and surprisingly light for their medium. The fish's big eyes and friendly face, it's very buoyancy, make it seem like a Macy's Parade float or a giant kite, rather than some dark, ugly-mouthed lunker bottom-feeding in some briny seawater. The fish actually looks huggable, and so when the little girl hugs her imagined fish, it looks real and seems--well, warm and cute. Rohmann also draws his well-known panoramas, including one where the giant (but floaty-friendly) fish takes her on a ride through the skies, planting her safely back to the bed from which she dreamed him. The dream device, by the way, is done in a subtle that permits a toddler audience to suspect that the gentle adventure might be more than "only a dream."

As with "My Friend Rabbit," Rohmann the storyteller provides a little twist at the story's conclusion: When a big alligator shows up next at the girl's window, the most watchful of readers/listeners may remember seeing a toy alligator several pages earlier. Another simple yet imaginative outing from Rohmann.

Amazing, amazing illustrations. Simple yet intriguing writing. Clara and her imaginary friend, Asha, tell a story most kids know and live in their minds. The flow of the pictures, characters and words allow one to delve into the mind of a child and relax to their thoughts. This book made me want to buy it for all the kids I know and read it to them together to watch their expressions as the pages turn.

The Complete Angler - Izaak Walton and Chalres Cotton

This book deserves a place in a collection of great angling books, such as those of John Geirach, Henry Middleton and Scott Waldie. It is really two books and an odd sort of middle section on property rights and fishing (funny how some issues have not changed much since the late 17th century). It has some wonderful discourses on not just fishing but the lifestyle and philosophy of fishing. There are some sections and descriptions that can be tedious but they minor compared to the overall wonderful dialogue of the majority of the book.

The first section is written by Izaak Walton and, to me, was Canterbury Tales-esque, is it's older English language (which is entertainingly preserved) and its format. Three travelers - a fisherman (angler), hunter and falconer meet. In the course of discussing the merits of their activities the angler convinces the hunter to come along fishing with him (after seeing a hunt with hounds). Over the course of a few days on the rivers of England, the angler turns the hunter to the quiet joys of angling. He goes through the fish in England and all the baits and methods of fishing for them as well as how to prepare each of them. I had never through of carp of chubs and fish to eat, but after some of the descriptions in this book, I may have to give the a second look someday. The first book is as much of a celebration of the social and contemplative nature of angling as it is descriptions and methods of fishing. Interspersed are encounters with the local farmers, milker and inn-keepers as well as the talking over of the days activities among friends. But the highlight of this first section, and in my opinion the entire book, is the parting words of the angler to the hunter of how angling is a life philosophy that departs sharply from the hustle and bustle of the capitalist life. The first book is replete with references to early Christianity and its admonitions against looking to wealth for happiness.

There is an odd middle section about property rights and fishing which serves as a rather odd bridge to Charles Cotton's section. This book focuses on fishing for trout and graylings in a small section of England. If found the wordy descriptions of the flies by month to be tedious and the lack of philosophical discussion of fishing to be a little disappointing of an end.

Five days of fishing along the river Lea which joins the Thames near London is the background on which the cheerful narrative of The Compleat Angler is laid. The splendid civil conversation of Latin named Piscator, Venator, Auceps, Viator, and Piscator Junior is a joy to hear. Shakespeare was just publishing his first work when Izaak Walton was born in 1593 in Stafford. Walton retired in his early fifties and traveled about rural England visiting friends, fishing, and writing in his easy-going fashion. After publication of The Compleat Angler in 1653 he continued to add to it in his leisurely way for the next quarter century. Samuel Johnson praised the book in the eighteenth century and later Charles Lamb recommended The Compleat Angler to Samuel Taylor Coleridge. 'It breathes the very spirit of innocence, purity, and simplicity of heart,' he noted. 'It would sweeten a man's temper at any time to read it; it would Christianise every angry, discordant passion; pray make yourself acquainted with it.'
The Compleat Angler is a true classic of English literature that owes it's esteem not to advice about fishing but to Izaak Walton's pre-occupations and exquisite manner. Subtitled The Contemplative Man's Recreation the pages glow with delight in the hills and dales, woods and streams of the beloved countryside. Walton conveys a message of meek thankful fellowship and peace to all "honest, civil, quiet men". 'The Compleat Angler is not about how to fish but about how to be,' said novelist Thomas McGuane. 'Walton spoke of an amiable mortality and rightness on the earth that has been envied by his readers for three hundred years.'

This is surely one of the earliest books available to the modern angler. But it's worth distinguishing 'anglers' from 'fishermen'. I take 'anglers' to be people who go after fish for fun or sport or pleasure and 'fishermen' to be people who go after fish for work.

The first thing to be said about Izaak Walton's book, is that it is a play followed by a text book. The second thing, is that it's in a foreign language even to the English, because it was first published in 1653 when the author was 60. A ripe old age in England in those days.

Walton was essentially a biographer. He got paid for it - often commissioned as a good artist might. He wrote 'The Life of Donne' - a poet who even I've heard of. He's alleged to have been a prosperous merchant, but it doesn't really matter. Great angling writers like Richard Walker were engineers. Old school writers like George Skues, were public school educated solicitors in London practices who took the train to the chalk streams of Winchester in Hampshire at weekends, tying flies as they went.

The play concerns three people who meet by chance and get into conversation about their interests. They're travelling at a walk, and so they lighten their journey with convoluted conversation. Before long, it develops into a bit of a competition. Walton is the angler (Piscator). Another gentleman is keen on falconry (Venator) and yet another is keen on hunting (Auceps).

If you tire of 17th century banter, skip forward to the chapters on each particular species of fish, which will ring true immediately. To me it's a revelation that these friendly old fish will still fall for the same tricks as Walton was playing on their ancestors over 350 years ago.

Three hundred fifty years ago Izaak Walton wrote of the curious blend of inner peace and giddy excitement which the amateur naturalist finds at streamside. He invites us to stroll with him through the countryside, discussing the mythology, superstition, and the science of England's aquatic fauna. It is an unrushed journey, though we often arise at sunrise, and the author introduces us to many of the local inhabitants. Indeed, if our fishing is successful, we might exchange our catch for the song of a pretty milkmaid. The Compleat Angler is a brief book, and Walton's intent is to hook the reader, and encourage him to try fishing for himself: "I do not undertake to say all that is known...but I undertake to acquaint the Reader with many things that are not usually known to every Angler; and I shall leave gleanings and observations enough to be made out of the experience that all that love and practise this recreation, to which I shall encourage them." Interestingly, Walton starts off on the defensive, since the fisherman's passion was even then caricatured. By the end the reader has joined the "Brotherhood of the Angle," making artificial flies and enjoying the poetry of fishing: "The jealous Trout, that low did lie, Rose at a well-dissembled fly." To the modern ear Walton's literal belief in naturalists' old wives tales may seem humorously anachronistic, and it comprises a remarkably large part of his affection for his subject. We are also frequently reminded of the book's timeline with comments such as "...the Royal Society have found and published lately that there be thirty and three kinds of Spiders," while we now know that there are thirty thousand species of Arachnids. And the Brotherhood of the Angle is a genuine fraternity to Walton, "...I love all Anglers, they be such honest, civil, quiet men." The prospective reader must also be disabused of the misconception that Walton was a purist for artificial lures; he strongly recommends worms, minnows, and live flies. In Walton's watery world there is no dry humor, only fresh. Following his description of the twelve most effective artificial flies he says, "Thus you have a jury of flies likely to betray and condem all the Trouts in the river." And here he compares the beautiful coloration of a living trout to...well, you'll see: "Their bodies [are] adorned with such red spots, and...with black or blackish spots, as give them such an addition of natural beauty as, I think, was never given to any woman by the artificial paint or patches in which they so much pride themselves in this age." At the risk of taking some of the surprise out of the book, I here present a sample of Walton's fishing secrets: "Take the stinking oil drawn out of Polypody of the oak by a retort, mixed with turpentine and hive-honey, and anoint your bait therewith, and it will doubtless draw the fish to it." I would guess that Walton wasn't much of a cook, however, and I do not recommend his recipe for eel (partially skinning it, packing the viceral cavity with nutmeg and anchovy, cutting off the head, slipping the skin back over the body, and sewing it together where the head formerly was, then barbecuing it on skewers). Walton's affection for fish and fishing extends beyond the aquatic nobility of trout and salmon, to the often ignored commoners: gudgeons, sprats, bleaks, herns, tench, roach, umber, loach, and sticklebag. And as for the importance of fishing in Walton's world: "I envy not him that eats better meat than I do, nor him that is richer, or that wears better clothes than I do; I envy nobody but him, and him only, that catches more fish than I do."

Walton uses the perspective of an enthusiastic angler to promote a lifestyle of reflectiveness, gentle humor, and appreciation for nature. The book is easy to read, despite being first published in the 1600s.
The Coachwhip Publications reprint edition (ISBN 1930585209) is inexpensive and contains Cotton's "Part 2," written at Walton's request for the fifth published edition of "The Compleat Angler."

This is a magnificent work, weaving the history of the Phillies and A's through the socioeconomic changes in Philadelphia during the tenure of Shibe Park/Connie Mack Stadium. Although I am not a Phila. native nor am I a Phillies fan, I found this work fascinating, and could not put it down! An absolute must for any library of information about historic stadiums - WELL WORTH THE MONEY AND TIME!

The author did an outstanding job in writing this book. I've visited Philly several times on business. The nature of my business took me to the distressed areas of North & West Philadelphia. I visited 21st & Lehigh where Shibe Park formerly took & now has the church covering part of the grounds. I only wished that I could have seen the park during its existence. I had the opportunity visiting Philly on a weekend pass when some Army buddies back in 1968, but unfortunately we didn't think about attending a ballgame at Connie Mack Stadium. My loss.

If your a native Philadelphian, Phillies, or a baseball fan you must read this book. It talks about not only the A's, but the Phillies, and even the Eagles and their ownerss. It talks extensively about the immediate neighborhood, North Philly, and the problems that both Connie Mack & the Carpenters faced owning the stadium. I didn't think the book would be as near as enjoyable as it proved to be. The Amazon reader's star ratings are usually grossly over graded, but not in this instance.

The best baseball books earn their sentiment. Bruce Kulkick's book does just that. It is a grown-up story written with passion and anger and affection. The author knows the game, knows that IT IS a game and does a balancing act that should satisfy fans of Big League ball, 20th century American history, and any city planning student around. Baseball is said to be a perfect game in its dimensions; if the distance between bases were any shorter, far too many hits would be produced, if the distance were longer, nobody would ever get aboard. Kuklick is a writer who carries off the same tricky balance. Elegaic and important.

THIS BOOK GIVES A VERY NOSTALGIC AND DETAILED LOOK AT THE HISTORY OF SHIBE PARK AND THE SURROUNDING NEIGHBORHOOD. MUCH DETAIL AND DRAMA IS GIVEN TO THE EVENTS THAT GRACED THIS GREAT PARK. ALSO COVERED IN DETAIL ARE THE SHORT STAY OF THE EAGLES, THE RIVALTY OF THE A'S AND PHILLIES. THE BUNGLING AND MISMANEGMENT OF THE MACK FAMILY AND OF THE CARPENTERS IS ALSO VERY WELL DOCUMENTED AND WELL DESCRIBED. THE TRANSPORTATION PROBLEM SURROUNDING THE JOUNEY TO AND FROM SHIBE PARK AND THE DETERIORATING NEIGHBORHOOD ARE ALSO A VERY WELL COVERED PART OF THIS MUST READ NOVEL. I REALLY LOVED THIS BOOK. I HAVE NEVER BEEN TO PHILADELPHIA, BUT THE AUTHOR MAKES THIS HISTORIC PARK INTO A STAPLE IN BASEBALL HISTORY. VERY RECOMMENDED.

University of Pennsylvania historian Bruce Kuklick has written with "To Every Thing a Season" a masterful analysis of the role of the relationship of Major League Baseball (MLB) to the city of Philadelphia and its culture in the twentieth century. He takes as his nexus one of the most significant of the concrete-and-steel stadiums built by various teams in the first part of the century, Shibe Park, home to both the National League Phillies and the American League Athletics--A's for short--for much of its history. Shibe Park, built by Connie Mack and others for $301,000, opened its doors in 1909. It was the home of the Athletics until they departed the city for Kansas City in 1954 and the Phillies between 1938 and 1970 when they moved to Veteran's Stadium.

This is sophisticated history, not the once-over-lightly narratives of many baseball histories. Kuklick emphasizes the interrelations of the A's, the Phillies, and the residents of Philadelphia with Shibe Park as the point of convergence. Connie Mack, the owner of the A's, provides the human face of much of the description in the book and his successes and numerous failings on and off the field give "To Every Thing a Seasons" much of its dramatic power. Mack built two great baseball powerhouses with the A's, the first time in the years surrounding 1910 and again in the years around 1930. In both cases he dismantled those teams and sold the players to other Major League Baseball (MLB) franchises. The Phillies had far fewer good years than the A's, but did manage to win a National League pennant in 1950, and came close in 1964 when a late season collapse allowed the St. Louis Cardinals to take the pennant.

Kuklick does not recite too much of the on-field activities of the Phillies and A's, but instead focuses on the role of Shibe Park, and by extension its occupants, in the life of the Philadelphia. As such "To Every Thing a Season" is quite excellent urban history, and at some level also business and economic and social history, rather than sports or baseball history. Kuklick is correct to conclude, and this very fine book emphasizes it: "Part of the story of Shibe Park is one of proprietorial rapacity, cynicism, and the limitations of even admirable people in an industrial society" (p. 190). Kuklick's epilogue is a superb contemplation of the social function of MLB teams and their home cities, using Philadelphia as a model. It helped generate a shared identity and taught camaraderie and patience and acceptance of the world and its fortunes. In the end, Shibe Park served as a collector of memories for the city, of both good and bad events. It became, over time, the city's equivalent of the family kitchen table.

There is no question but that any reader will learn quite a lot from this book, and I recommend it as the starting point for serious investigation of MLB and its relation to the homes of its various franchises.

I have wanted to read a Halldor Laxness novel for awhile, since he is Iceland's national author and I enjoy Iceland and what literature of the country I've read (which is not much). I read a few pages of his most well-known work, Independent People, but couldn't really engage with it. I read a fairly significant amount of Salka Valka, which I someday hope to read all the way through, and really enjoyed it but for some reason just couldn't finish it (it was summer vacation and I was pretty busy, though). So I found myself searching for a Laxness novel I could read all the way through and enjoy all the way through. My school's library has a wonderful collection of Scandinavian texts and virtually all of Laxness' oeuvre, although only a small section of those has been translated into English. I found myself leafing through the first few pages of each of his English translations and finally settled on one.

The Fish Can Sing captivated me immediately, catching me up in its plot from its first line (which is something like "A well-known author once said that apart from losing one's mother, it is most fortunate to lose one's father") and enchanting me with its first chapter and continuing to do so throughout the novel. This is a delightful and pretty easy read, although the philosophical issues it addresses are relatively complex and stimulating. I also have to comment on how well-chosen the English title is, and I think it is far superior to the original Icelandic title, which is very generic and doesn't tell much about the novel itself, although I suppose it is significant. The English title has its origin in one of the poems within the text, which I believe is a sort of proverb and used as a mantra throughout much of the book. Alfgrim, the narrator, wants to be a lumpfisherman like his grandfather, Bjorn of Brekkukot (a farmstead and free-of-charge inn on the outskirts of Reykjavik where many interesting characters come to stay), who is considered one of the poorest men but who is rich in spirit. Alfgrim also finds himself inexplicably connected to the famous singer Gardar Holm, and the two perspectives - fishing and the land-holding and simple lifestyle and the spiritual and material aspects of singing, music, and being a singer - merge in the narrative.

One of the elements I liked about this book is that, as I was reading it, it reminded me of the one of the books I used for my thesis, the Faroese novel The Lost Musicians by William Heinesen, which, I believe, is contemporaneous to The Fish Can Sing (published in the 1950s, taking place a few decades earlier). The Lost Musicians centers around the commercializing fishing capital of the Faroe Islands and how some of its residents, a band of musicians, combat the shadowy forces brought upon their lives largely by the sectarians and their temperance society inhabiting the islands through their music. There are musical references throughout the novels that take music, inscribed in nature, to a higher plane (the novel is also where I gleaned my user name from), and The Fish Can Sing does the same thing. There are many references to ships in each novel, coming and going as a means to improve oneself and seek fame, but in the end what takes on the most importance is that spiritual world of music itself and all that it represents, the deepest wishes, hopes and thoughts (for The Lost Musicians) and finding one's "true note" (for The Fish Can Sing). Money and material possessions are of very little value in both novels, and a world beyond our own takes precedence, as embodied in artistic forms. Both of the novels also center on many different characters in one small area of a small town, providing many contrasting points of view, although since The Fish Can Sing is in first person there is a slightly more narrow scope to the direction of the action. In the end of each novel, also, both the last lost musician, Orfeus, and Alfgrim, sail off on a ship to Denmark to pursue what they may, but one gets the feeling that they will transpose the values of their everyday lives onto their new inhabitance rather than succumbing to the fashion of the times in their colonists' stead.

I would highly recommend this book to anyone who likes "good literature", however you may define that. This book is written by Iceland's most well-known modern/early contemporary author, so I suppose it could be considered popular literature, but it is not overly sentimental or trite. It's a bit like a modern Charles Dickens, or maybe that's just what the translation makes it out to be, but that is the calibre I consider it. You need not know too much about Iceland or its history to fully enjoy The Fish Can Sing - I myself don't know too much - but you will definitely benefit and enjoy it all the more if you do. One scene I find entertaining is the Barber Bill, in which a town assembly discusses whether or not public shaving should be allowed, and if it should be, at what time of day this activity should be able to take place. Luckily, the novel explains a bit of the background so it's not terribly confusing, and the references to saga characters and whether or not it was "proper" for them to shave is an amusing anecdote.

Laxness' book, "The Fish Can Sing" is a remarkable book. At first, it seems like a random series of vignettes about early 20th-century Icelandic life, full of detail and life, but appearing loosely bound at best. But by the end of the novel, the reader realizes he is in the hands of a master craftsman as the rich detail provided in earlier chapters come back to play important roles in the culmination of the book and its plot.

There's an endless array of well-defined, complicated, and vivid characters. There's the lavish countryside painted simply - evoking the same feeling you get from a good watercolor. Then there's the plot, which is mysterious and complex, but leaves you with much to ponder.

A nod to the translator, Magnus Magnussen, because the prose is fertile and poetic. It's unbelievably rich, yet brilliantly sparse. This is the way prose should be.

Laxness and Magnussen have given us a beautiful, soulful book. It's a remarkable read.

What a wonderful book. If you loved Independent People as much as I did, you will love this book too. It has the same wit and some similar themes. The book does have a plot (despite what a couple of other reviewers say), but the author develops his story slowly. Once you're "into it" (be patient!) you will be glad for the pace. There are so many marvellous details here to savor. I just loved it, and plan to read it again in the near future.

The charm of this book is in its atmosphere. You get a wonderful feel of early C20 Iceland and the characters that inhabit it, from the old-fashioned fisherman who ignores market economics to the admirer of modern cesspits. The age of the novel, like its hero, progresses from child to early-adolescent. A particularly charming thing about this novel is the way rather grimy adult features of adulthood are transformed by the place and its people. The cesspit-admirer, for instance, sees modern cesspits solely as an exciting new invention; and the farmers, when they discover barbed wire, just string it up in purposeless and harmless lines across the country.

The plot involves an orphan boy (Alfgrimur) who might be a gifted singer, his experiences while growing up, and his relationship with the elusive "famous Icelandic singer" Gardar Holm. But "fame" appears to be something petty, the god of Danish shopkeepers (Danes, of course, are grown-up) -- and the "one true note" which Alfgrimur seeks can be attained just as well while singing at funerals in the local churchyard.

...and this is the one of his sixty novels in which he sings most whimsically and lyrically, somehow transforming his usual deep pessimism into an affirmation of the vigorous and unmaterialistic life of his beloved/detested Iceland. This is a light-hearted, funny book in its sardonic Viking way. It was the first Laxness I read, and it would be a very good choice for anyone who doesn't know the work of the Nobel Prize winner - one they got right! It's a story of a boy and an old man... and aren't a huge number of the world's most touching stories exactly that, stories revealing each of our starts and finishes? It's also quite a travelogue; I'll bet more people plan vacations in Iceland after reading this book than after any amount of brochures and travel agency flyers.

I haven't just finished it, I confess. I read it some ten years ago, and then searched out every novel of Laxness I could find in English or Swedish. Laxness ranks for me among the top five novelists of the 2oth Century. I'm reviewing this now because I'm reading the Penguin edition of Gisli Surson's Saga, and I can't help thinking of the richness of the literary tradition of the people on that Ultima Thule island of fire and ice.

We seem to have lost so much original and adventurous cuisine during the past 100 years. The recipes here are fascinating, and every page contains something delicious, something mysterious (Boiled Samp), and something just plain crazy (Peanut Meatose: a combination of peanut butter and tomato juice!) Would make a great gift for a foodie.

I purchased this book and it was a pleasant combination of history and cooking. I also like that the book was reprinted mistakes and all and it includes contextual information from the time and photographs.

Rufus Estes made a great accomplishment yet I first learned about him on Amazon when I purchased this book. This is a great look back into a turn of the century kitchen and the at the food served to a President and rich patrons on the Pullman line. I was married at the Hotel Florence(named in honor of Pullman's favorite daughter) in the Historic Pullman district in Chicago as I was reading this I could actually visualize his food being served there; who knows he may have cooked there.

A friend borrowed my copy and did a dinner from this book for Black History month and it was delicious. Great for history or cooks who like to bring historic recipes to life in the modern kitchen.

Usually, I consider reading a cookbook somewhat like reading the telephone book. But not "Good Things to Eat". "Rufus" conveys his joy of cooking in a natural, matter-of-fact manner, lean of descriptive narration, lending eloquence to the food itself. Many of the dishes in his book seem quite exotic to us now - Salmi of Game, Orange Fool, Snippodoodles, Spawn and Milk, Pineapple Marshmallows ("This is a good confection for Thanksgiving.") - but the way Rufus puts them together makes them seem eminently doable.

D. J. Frienz should be commended for making "Good Things to Eat" more than just a list of recipes by way he has interspersed Rufus's writings with illustrations, placing in context Rufus Estes's service as a star Pullman attendant and chef during the Gilded Age, when dining in a private railroad car was considered the height of luxury. Rufus's was a state-of-the-art American cuisine, good enough for presidents and plutocrats, and to have this formidable gentleman of a bygone era commune with me through a medium we both love - good things to eat - is a special privilege. Hey, I'm getting hungry just writing this!

Usually, I consider reading a cookbook somewhat like reading the telephone book. But not "Good Things to Eat". "Rufus" conveys his joy of cooking in a natural, matter-of-fact manner, lean of descriptive narration, lending eloquence to the food itself. Many of the dishes in his book seem quite exotic to us now - Salmi of Game, Orange Fool, Snippodoodles, Spawn and Milk, Pineapple Marshmallows ("This is a good confection for Thanksgiving.") - but the way Rufus puts them together makes them seem eminently doable.

D. J. Frienz should be commended for making "Good Things to Eat" more than just a list of recipes by way he has interspersed Rufus's writings with illustrations, placing in context Rufus Estes's service as a star Pullman attendant and chef during the Gilded Age, when dining in a private railroad car was considered the height of luxury. Rufus's was a state-of-the-art American cuisine, good enough for presidents and plutocrats, and to have this formidable gentleman of a bygone era commune with me through a medium we both love - good things to eat - is a special privilege. Hey, I'm getting hungry just writing this!

Usually, I consider reading a cookbook somewhat like reading the telephone book. But not "Good Things to Eat". "Rufus" conveys his joy of cooking in a natural, matter-of-fact manner, lean of descriptive narration, lending eloquence to the food itself. Many of the dishes in his book seem quite exotic to us now - Salmi of Game, Orange Fool, Snippodoodles, Spawn and Milk, Pineapple Marshmallows ("This is a good confection for Thanksgiving.") - but the way Rufus puts them together makes them seem eminently doable.

D. J. Frienz should be commended for making "Good Things to Eat" more than just a list of recipes by way he has interspersed Rufus's writings with illustrations, placing in context Rufus Estes's service as a star Pullman attendant and chef during the Gilded Age, when dining in a private railroad car was considered the height of luxury. Rufus's was a state-of-the-art American cuisine, good enough for presidents and plutocrats, and to have this formidable gentleman of a bygone era commune with me through a medium we both love - good things to eat - is a special privilege. Hey, I'm getting hungry just writing this!