Kangaroos Books

My kids are two and one and they LOVE this book. It has such a catchy tune and they really enjoy singing along with the CD. It also introduces them to words they ordinarily wouldn't use, such as thyphoid, pneumonia, and colic! I bought three more copies for friends and their school! We have most of John Lithgow's kids' books and this is our favorite by far.

This is a fun book with good repetition and some "big" words. It will make it a book you can revisit when your child is older. I bought it for my 3 1/2 year old who is very picky and talkative. The cd is narrated by the author in front of a live child audience so it is a bit spontaneous and entertaining.

Marsupial Sue is a great song/book for kids. The message of being you is important, and the song sticks with the kids. Having the CD to hear John Lithgow narrate is a must to do this book justice.

My granddaughter introduced me to this book...and it has become my favorite piece of children's literature! I try to give it as a gift to as many children as possible. Perfect for the three year old....and great music for moms to listen to over and over and over...THE GREATEST!

John does it again! My 3-4 year old preschoolers LOVE this book! I love this book. I find myself actually singin along with the book and the kids absolutely love it. One of the best books I have bought them! (and his other ones too!)

My four year old son is in love with this chapter series! A friend suggested it to us since he seemed ready for a more advanced reading material at bedtime. My husband reads him a chapter every night...sometimes more because they don't want to stop. It's become a great tradition for them, and something they both look forward to. We love that there are so many in the collection! Start with number 1 and just continue. :)

My daughter loves these books and this one is the only one she was missing. Happy to have found it through Amazon!

My 1st grader hates to put it down, he would rather read Magic Tree House books, than play video games. He even reads them to his class and explains the story for show and tell. In his kindergarten class the teacher would also let him read the Magic Tree House books out loud, not to give her a break, but to promote reading out loud. Great books!

Jack and Annie are helping Teddy get all four presents. They're going to Australia to find the last present. They go on all kinds of adventures like helping a little kangaroo get back to its mother. Will Jack and Annie help the little kangaroo find its mother? If you want to know, you'll have to read Dingoes At Dinnertime. I like this book. It's good because I like the Dingoes because they remind me of my dog Paco.

Jack and Annie are trying to get the last present to free Teddy from the spell .Can they get the last present? My favorite part was
When Teddy helped Jack and Annie to get out of the wild fire.
I really liked this book you should too!

I like to travel and to observe the cities, landscapes, the plants and animals and the human inhabitants of the countries I go to. So does Levy-Strauss, and he is a fantastic observer, much more sharp-eyed than I could ever hope to be, and a highly entertaining writer. In this classic he talks about a wide range of observations from a number of corners of the world, but mainly about South America.
The book deals with Levi-Strauss' time as a teacher in Brazil and his trips into the South American hinterland; his escape from Nazi-occupied France; His later expeditions to visit remote tribes in the Amazon; and an assortment of observations about such diverse topics as the frustration of the traveler to never encounter the true, pristine state of a culture, the Indian caste system and the division of public and private space in different parts of the world. The book is full of fascinating anecdotes: My favorite one is how a native chief from observing Levy-Strauss grasped the social importance of writing, but not its role in information storage and transmission. He bluffed to impress his underlings and drew freshly invented line configurations on a paper. This leads Levy-Strauss to observe that from the invention of writing to its universal knowledge a few millennia passed, during which it did not serve to liberate the masses, but to control them. Such wide-ranging philosophical associations are frequent and were very enjoyable to me. The book is, however, definitely not only a collection of anecdotes, but in parts a very detailed description of the life of some of the native tribes he visited in the Amazon. Drawings of artifacts, patterns used in body-painting and photographs supplement the text. We are given both anthropological descriptions of the lifes of these peoples, their social organization, attitudes and material culture, as well as Levy-Strauss' personal experiences when living among them, sometimes his friendships with members of these tribes. Of course these people were strongly affected by the contact with European civilization, often to the worse. We also learn about these developments. There isn't really much direct explanation about his theoretical approaches to anthropology. This is the kind of book which made me wish that I could have been an expedition member of Levy-Strauss' team. Highly recommended.

I often review works which I have read long ago. Upon beginning to write about them I invariably discover how much time I gave to something which seemed so worthwhile at the time, and which I have almost completely forgotten. I then ordinarily do some catch- up learning about the book. And my review becomes an amalgalm of distant past and most recent present impression. And meanwhile the heart of the book is forever unknown to me and lost. And my review is only a minor tracing an impression both of the book itself and what of my mind knew when reading through it.
This certainly applies to my reading of this particular work, ,the one work of Levi- Strauss which I remember reading with any degree of real understanding and pleasure. His making of a life and career as an anthropologist which are a good part of the first part of the work interested me then.
The long travelogue and explorations into Amerindian society and mind, interested me less.
I understand though that the real voyage is into and along with the mind of Levi- Strauss itself, a mind much more complicated than I was ordinarily used to meeting and ingesting .
I do remember however the somewhat majestic tone, the tone of restrained sadness of quiet mourning which seemed to go through the work as Levi- Strauss met with worlds being lost and deterorating , in part through their meetings with the very kind of Western mind he himself exemplified. It is the mind destroying the object in the process of knowing it , as the Western explorers of these tribal societies transformed them out of their own natural state by meeting with them.
For Levi- Strauss and this I remember, the ' primitive mind' is not ' primitive at all' and may be in its linguistic complexity and social structure far more intricate than the ' civilized ' as it were sophisticated worlds we believe we live in.
I read this work as a way of being acquainted with a great mind, a mind which to my mind proved to be quite elusive and even distant.
But clearly the exploration made by Levi- Strauss of his own inner and external worlds is one which calls to the curious human mind and heart in its quest for understanding ' of the other'
Montaigne took a trip in the Brazilian jungle in the twentieth
century, looked in the mirror and saw the face of Levi- Strauss.

One way to gauge who's in among fashionable academics is to read the catalog for the "Writers and Readers' Documentary Comic Book" series. Sartre has an entry, and so does Derrida, and Lacan. Thirty years ago, you would have expected to find an entry in this index for Claude Levi-Strauss. No more. Translations of his principal works appear to persist in print, but the sales numbers are look low, and he seems almost to have disappeared from the trendy book reviews and such. This is perhaps a matter for at least idle curiosity: Levi-Strauss is surely no more abstruse than his magisterial contemporaries - but no less so; one is perfectly willing to be relieved the obligation of ever picking him up again.

With one exception. In style and temperament, Tristes Tropiques is so different from almost everything else Levi-Strauss wrote that it is hard to believe it is written by the same man. Oh, the primitive tribes are there, and a brief personal intellectual history, that offers a bow to Freud, and Bergeson, and Saussure. In my own copy, which I first read about 1980, I even have a pencilled notation "structuralism" - this at page 375 (Pocket Books edition, 1977). But there is almost none of the portentous vacuity that you had to cope with in the so-called "serious" works.

What you get instead is Levi Strauss the raconteur, full of travelers' tales. He dines on roasted parrot, flamed with whisky. The termites make the earth rumble. Virgins are made to spit in pots of corn, to provoke fermentation - but "as the delicious drink, at once nutritious and refreshing, was consumed that very evening, the process of fermentation was not very advanced." You almost expect the anthropophagi and the men whose heads grow beneath their shoulders, that you meet in the Voyages of Sir John Mandeville, Knight.

Laced through it all, you get a kind of austere sadness which is either (a) a tragic view of life; or (b) a kind of self-indulgent posturing, depending on your temperament for skepticism. "Every effort to understand," he says, "destroys the object studied in favor of another object of a different nature." Or: "Anthropology could with advantage be changed into 'entropology', as the name of the discipline concerned with the study of the highest manifestations of [a] process of disintegration."

Well, call me anything the like, they say, as long as you call me for dinner. It might even be an elaborate con. But so, for that matter, might the stories of Herodotus were you get the same mix of the eclectic and the tolerant, the surreal and the sly. Herodotus, we may note, is one of the first great works of Western literature. Let's hope that Levi-Strauss is not one of the last.

This is Levi-Strauss most readable book, and it is a fantastic introduction to the "why" behind his interest in structuralism. There are hints of the various methods and approaches that he uses in later works, but this book shows why he was to develop structuralism in later works. The writing is clever and eloquent, and various conclusions he made about cultural diversity address contemporary concerns in a highly articulate and responsible manner. Read this book before delving into the other writings of one of the 20th Century's most important anthropologists.

Tristes Tropiques, surely one of the great books of the twentieth century, is Levi-Strauss at his intoxicating, idea-overloaded best and an elegy for a world that colonialism and then globalisation have doen their rational best to annihilate.

Levi-Strauss, like most thinkers who come up with new ways of describing the world-- those who Richard Rorty calls "inventors of philosophical vocabularies"-- has of course been mis-read and his ideas mis-applied, as we see with the much-hyped "creation" and then "demise" of "structural anthropology." The real pleasure of this book, which mixes fascinating accounts of Levi-Strauss' travels in Brazil in the '30s with autobiography, and adds chapters on the Maya and ancient Hindu (Indian) civilisations, is in its sheer mass of artfully arranged detail and its endless, provocative play of ideas.

Levi-Strauss stays conversational, descriptive and straightforward, avoiding academic jargon and obscure references. He assumes you know the basics about people like Freud, Marx, Darwin and the Buddha, and then shows you a trip through largely non-industrial societies which unfolds from anthropological description into deep philosophical speculation on the meaning of society and life.

In Brazil, Levi-Strauss watches an illiterate but canny chieftain use his anthropological fieldnotes to intimidate his illiterate tribesmen subordinates, and speculates on the parallel origins of writing and slavery. In Matto Grosso, he meets a butcher fascinated with elephants, since "he could not imagine so much meat in one place." On the banks of the Amazon, a non-industrial tribe is dying, hypnotically lost in the symbolic intricacies of an ancient social system that makes its citizens inbreed. In India, Levi-Strauss watches Islam and Hinduism-- the "locker room" and "mother" religions-- wage symbolic and then real war post-Independence.

The book starts as anthropology, turns into philosophy, and ultimately becomes a critique of the West, driven by "reason" and technology to shake off what Levi-Strauss calls the "thick blanket of dreams" with which non-industrial civilisation arranges the Universe into Meaning, which remains for the industrialised world the greatest and unanswered question.

But Levi-Strauss does not idealise the primitive. His point is that through the study of those and that which are different, a kind of "ideal model" of society-- one which will never exist-- can be built in the imagination, and people can evaluate their world by reference to this community of mind.

This is a remarkable book-- easy to read, engrossing, and endlessly thought-provoking.

This is such a cute funny book. My girls love it and love to say " you throw him out!!" My husband had this book when he was a little boy and now my girls have it and i know it will be passed down forever. Great book for years to come

I've owned this book for twenty years. I was a small child when I first got it as a present, and forced my parents to read it to me again and again and again. Now that I am an acting and storytelling teacher for young children, I was looking through old books to use in my class. I came across this one, read through it again, and was won over all over again. Whether you are a young child, a parent of a young child or a teacher of young children (or perhaps just young at heart) you will no doubt have a wonderful time reading this book. (And, even if you're all alone, I suggest reading it out loud.)

What to do? Great introduction to problem solving and the silliness of animals. A joy to read using your best animal voice!

This book is on the Kumon required reading list. Wonderful illustrations, amusing, and easy to read. You and your child will laugh.

This was the longest book my two-year-old would sit through... again and again and again. She loved acting the part of the little heroine and readily recited "you throw him out!" with much enthusiasm. The drawings are entertaining and the end is lovely. I would whole-heartedly recommend this darling story.

It's a long title, to be sure, it is so terribly important that more people know who the great Hecky Krasnow is, and what he has made possible, that even those who read the title can get the idea.

He should be a household name, considering that, if not for him, we would never have heard the songs "Rudolph, the Red-Nosed Reindeer," "I Saw Mommy Kissing Santa Claus," Frosty the Snowman," "Here Comes Peter Cottontail" or one of my favorites, "Suzy Snowflake." He believed in these songs when others did not. He bucked the Columbia brass when they and every other label had no use for Johnny Marks' "Rudolph" song. Even Gene Autry was reluctant. The song made added millions to Autry's bank account, as well as those at Columbia who first rejected it. The only one who did not become rich was Krasnow, who was, like many of us, a corporate worker bee with a wife and children to support.

But as this book makes abundantly clear, Hecky Krasnow was rich in the ways that really count. In an exhaustively detailed account of growing up in a suburban household where Dad often took the kids to work, where the likes of Gene Kelly, Rosemary Clooney, Art Carney, Bob Keeshan, Paul Tripp or Jackie Robinson was doing a children's recording, Judy Gail Krasnow deftly shares her storytelling gifts by providing as many sensory details as possible. You really feel like you're having dinner at the Krasnow's, right down to the tasty roast beef with pan drippings.

The anecdotes run the gamut to the absurdly funny (a party at "Tubby the Tuba" composer George Kleinsinger's Manhattan penthouse, which is a living jungle of wild animals, bugs and shrubberies) to the frightening (personal accounts of racism and a kid's-eye-view of McCarthyism). Either Judy has one astonishing memory or she kept a very copious diary.

When rock & roll and the youth market began to change the face of mass entertainment, the "golden age" of children's records as Krasnow experienced it (with kid discs like "Little Red Monkey" hitting the charts and crossing over into mainstream pop) were fading. (And yes, the success of Disney's venture into recording also crowded out most of the competition -- what can I say?)

Fortunately, Judy Gail Krasnow has created this loving tribute to her father so we can all appreciate his contributions to our lives. It's also reassuring to learn that this man was such a kind and decent human being. It would have been so disillusioning to find out that the person behind these records really cared about what he was doing and who was listening.

His work may not have made him rich, but we are all the richer for it.

This book was a wonderfully written biography of a father, extremely talented, and a period of time - the 40's and 50's - and its music - how it came to be acknowledged and published. Hecky Krasnow, father, husband and friend was a remarkably talented man. I am so glad to have been able to share in his life and the music business at that time, through the excellent storytelling of his daughter Judy. It was a joy to read!!!

I have just finished reading "Rudolph, Frosty, and Captain Kangaroo", Judy Krasnow's loving memoir of her father, Hecky Krasnow. His career in the children's music recording industry of the 1940s and 50s as a writer, producer, and all-around cheer-leader is described in such colorful and interesting detail, that I came away from the book wishing that I could have been Judy's best friend, or even better, a brother or cousin, growing up with her and sharing all of the wonderful adventures that she had being involved with her Dad as a pre-teen in the recording sessions, parties, etc. This book brought to life the very large collection of vintage kiddie records which I own, including just about all of the records produced by Hecky. Prior to reading this superb book, the records on my shelves had an inanimate quality to them. That reality has been radically altered as a result of Judy's sharing of her personal account of the stories behind the records that Hecky produced for Columbia records. But the book goes way beyond just the discussions of the records themselves. It is a great look into an era of "innocence" in our nation's history as seen through the eyes of a kid growing up after World War II in the New York City area. It has been my distinct pleasure to know you, Judy. Thanks!

I met Judy Gail Krasnow as a fellow author in the South Florida Writer's Association. When she began to describe the book she was planning to write about her father, I knew the story would speak to me and I couldn't wait for her to complete the project. This book was worth waiting for. As others have noted, it brings back an era in vivid detail. I found that I was enjoying the book so much that I forestalled finishing it as long as I could because I didn't want it to end. The book gives us an inside peak at a very important time in children's music and it also permits us to appreciate the stories behind the stories of Hecky Krasnow's personal and public worlds and Judy's experiences being a part of it all. Judy is, of course, a master storyteller and she brings us into her story most magnificently. I told my seven year old grandson that I knew the daughter of the man who discovered Rudolph the Red-Nosed Reindeer. His eyes widened in awe and the two of us strode up Broadway singing the song. You will sing when you read this book. At times you will laugh out loud; at others you will cry. It is a terrific read. I bought it for everyone on my holiday list.

Here is a unique contribution to the bookshelf of behind-the-scenes memoirs
about the recording industry. Though millions of children grew up listening
to "kidisks" in the decade following World War II, Judy Krasnow is one of
the few kids who actually witnessed them being recorded, and the only one to
write about it. Her narrative is told with childlike enthusiasm, and her
memories are enhanced by several scrapbooks-worth of primary documents.

Judy relates many anecdotes of growing up in the recording studio alongside
her father Hecky Krasnow, a Juilliard-trained musician who headed the
children's record division of Columbia Records from 1949 to 1956, and whose
biggest claim to fame is having produced Gene Autry's megahit recording of
"Rudolph the Red-Nosed Reindeer." He was also the music man behind Captain
Kangaroo, and dozens of popular children's records in between.

There is something in these pages to satisfy almost anyone with an interest
in American popular culture. In addition to the great singing cowboy, we get
a few famous crooners, a very important baseball player, the haunting
specter of McCarthyism, a psychologist and his healing machine, a gig on a
really really big TV variety show, bookburning, payola, Chef Ed Norton, a
totally bizarre party at a composer's penthouse atop the Chelsea Hotel, a
guitar lesson from a Frosty folksinger, and quite a lot more.

We come away with a loving portrait of a very decent, talented man, who,
unlike many of his peers in the record biz, didn't get filthy rich. He did
better than that.

A perfectly written, cheerfully and creatively illustrated book. I wouldn't hesitate to recommend it...

Also good for occasionally grumpy grown-ups to read;)

Wonderfully illustrated in a big book format that really keeps a child's interest. My son loves this almost as much as "Double Trouble in Walla Walla".

My son (3 yrs) loves this book...especially the topsy turvy curvy text that we read in a silly way. We've been reading this book for about a year now. He used to frequently wake up in a bad mood, just like the joey in the story, and this book always cheered him up. To get a smile out of my son, this book is a sure thing. I love it when he smiles!!!!!! This is now a family favorite.

We discovered this book at the library. We love the story line and have added this book to our home collection. The story ending is sure to bring laughter to every child.

Fast becoming my nephews favourite book the illustrations are typically great by Charles Fuge, little Roo looks funny with a grumpy face.

Only complaint is the background looks more like an English garden than the Australian bush.

I bought this book while expecting our daughter, who we know will have to spend a fair amount of time in the NICU. I had never heard of the concept before, and after reading the book, am convinced that it is a wonderful concept and I can't wait to try it!

Kangaroo care is an excellent book for people with preemee's. It takes you through all the aspects of what is happening during the first few days or months of your young ones life. Nothing is left to the imagination.

Upon reading this book, one finds that it's very clear the author is extremely supportive of the use of Kangaroo Care to cure just about whatever may ail your premature baby. Despite the repetitiveness of this, the book is chock-full of just about everything you'd need to know about Kangaroo Care.

I also found it was quite informative in the realm of not only the care of preemies (and their signs of distress/contentment), but of full-term infants as well. So, if you're wondering how best to help your small and/or sick baby in the NICU, or are wondering just what benefits the act of such skin-to-skin contact can bring to both you and your full-term newborn, the book is a very good--and helpful--read.

I discovered this book in January, 1995, when it was very little known. My son was born 8 weeks premature in a Honolulu, hospital that had never heard of Kangaroo Care. He was transferred to NICU at a military hospital after 11 days so I never did the KC there, but I did pass my book on to my son's neonatologist in hopes that this would be available for future parents/premies. I did KC as often as I was able at the military hospital and my son came off all meds and monitors 3 wks after his early birth. All he had to do was gain weight. He come home a mere 4 weeks after his birth, and 4 weeks before he original due date! I continued to Kangaroo him at home, all day long some days and he gained so fast it was miraculous!
Two and a half years later I gave birth to a full term daughter but used KC again because, "it couldn't hurt" and we never suffered those backwards hours that newborns have and I bounced back faster after this birth because I was resting more. Kangaroo Care is worth buying, in fact buy two so you will still have one when you pass one on!! :-)

Our full-term (37wk) son was in the NICU due to a birth defect. This method was explained to us as we started to be able to hold him and I was trying to teach him to nurse. All I can say is IT WORKS. He was able to go home at 6 wks when we were told he would probably be in for than 3 mos. min. When you think about it it makes sense...this baby was inside you and close to you for however many months you carried him/her. Don't you think dropping the child in a "box" with no human contact would be a shock to the system? I think that "normal" babies could probably benefit from this too. Lord willing, I'll get a chance to prove my theory. :-)

There is something a bit unusual about this book.
Under the section, Special Interest Pot Pourris, there are pot pourri recipes, but they seem to be telling us more about Mary Magdalene in coded form than about flower mixes.
My copy is dated 1988. That is eighteen years before the Da Vinci Code was written. Maybe the 'code' is in the roses afterall?

This is a really lovely book to relax with. I love old roses and was pleased to find this one. Roses don't date and nor will this book.

What a fun book. The roses are described in a personal way that makes them interesting to me. I have learnt to love heritage roses because of this book. Watercolor plates of the roses are superb.

Informative, interesting and entertaining. A lot of information about the old roses and a 'How-to' regarding pot pourri and other rose crafts. Beautiful watercolour plates of twelve of the old roses. Delish!

'Heritage Roses & Old Fashioned Crafts' is a charming, witty book written in the style of Jane Austen. It relates the history behind the name of the rose. The medieval crafts are delightful. The watercolour plates of the roses rivals Redoute. A true rose classic!

This book is fun and educational! The rhyming prose is delightful and has wonderful pictures accompanying each letter of the alphabet. There are lots of objects in each picture that begin with the letter (except X and Z, but really, can you think of many items that start with those letters?)

We stumbled across this at the library (literally, the baby had thrown it on the floor). It must have been destiny!

This book is just plain fun. The text is funny and flows easily. Each letter has a creative rhyme and then pictures to go with it. BUT they've included lots of other pictures which start with the same letter so you can spend hours (we have) hunting through each picture trying to find everything. It's very similar to Graeme Base's Animalia, only his is much more 'artistically' detailed and this is more cartoonish. (I strongly recommend you check out Animalia too.)

What I like best about this book is that it works on so many levels. It's a fun read-aloud. It's fun to look at. My beginning readers (7-years-old) can look at the pictures and find all the 'extras'. My 3-year-old can find the ones listed in the rhymes. A great find for a fun family time. Thanks baby!!!

I use this book as part of circle time in the special ed class I teach. The kids are still completely hypnotised by it and some have it memorized from cover to cover. I've used it for six months to the point that the book is wearing out, but my kids still want to hear it everyday. Great choice for all kids and a must have for classrooms!

The collaborative effort of author Giles Andreae and illustrator Guy Parker-Rees, K Is For Kissing And A Cool Kangaroo is an ABC book that offers young readers ages 2 to 6 with a delightful and rhythmic text that covers all the letters of the alphabet. Filled from cover to cover with humor, cheerful illustrations, and vocabulary development, K Is For Kissing A Cool Kangaroo is a perfect addition to any family, preschool center, or kindergarten collection.

and big busy bumble bee below blossoming branch barely buzzes by beaver's blue balloon.

OK, OK. I am exaggerating. The balloon is red, not blue.

This book is another winning co-production by the gifted writer/illustrator team of "Giraffes Can't Dance." Cheerful, amusing, entertaining and educational in an unobtrusive way, it is a genuine pleasure for kids and parents.

Learning the letters of the alphabet has rarely been so much fun. Max's favorite is the letter "B" because he likes his dad to enact the slightly absurd drama of a bull in a boat who is rowing frantically to escape a grinning bumble bee about to pierce the balloon of a beaver who sits next to the bull. Add to that the third passenger in the boat, a phlegmatic bear munching on a banana, and you have the right stuff for a great bed-time story. Trust me.

Rivaling "B" in popularity is the letter "R" featuring a rabbit in a carrot-shaped racing machine, a raccoon riding a rocket-propelled scooter (any boy's dream!), a rolling robot, a running rhino and last not least a rat holding a rose. The rose is red. Just for the record.

For obvious reasons my favorite letters are K and L: "K is for kissing a cool kangaroo - L is for loving, like Daddy loves you."

On June 23 1943 the author, Jack Champ, was marched into the German prisoner-of-war camp designated Oflag IVC, these days better known as Colditz Castle. Colditz was Germany's seemingly escape-proof castle prison, where hundreds of the most determined and resourceful prisoners of World War II tirelessly carried out an unending campaign to achieve the seemingly impossible - freedom. By the end of the war, twenty Australians had spent time in Colditz, and this book looks at life in the ancient castle specifically from their point of view. Colditz was a very special camp - the guards outnumbered the prisoners, and the castle was floodlit at night. Initially the Germans boasted that Colditz Castle was escape-proof, but they were wrong. By the end of the war, there had been more escapes from Colditz than any prison of comparable size during both world wars. Jack Champ was a reluctant prisoner who took part in two of the most spectacular mass escapes of the war. This book describes in vivid detail how these indomitable and resourceful Australian servicemen tried, and at times succeeded, in turning dreams of escape into reality. Colin Burgess has interviewed many of the survivors and carried out extensive research to create this gripping account of the full story - from tense days in the care of the French Underground through to the only recently resolved fight for proper compensation.

On June 23 1943 the author, Jack Champ, was marched into the German prisoner-of-war camp designated Oflag IVC, these days better known as Colditz Castle. Colditz was Germany's seemingly escape-proof castle prison where hundreds of the most determined and resourceful prisoners of World War II tirelessly carried out an unending campaign to achieve the seemingly impossible - freedom. By the end of the war twenty Australians had spent time in Colditz, and this book looks at life in the ancient castle specifically from their point of view. Colditz was a very special camp - the guards outnumbered the prisoners, and the castle was floodlit at night. Initially the Germans boasted that Colditz Castle was escape-proof, but they were wrong. By the end of the war there had been more escapes from Colditz than any prison of comparable size during both world wars. Jack Champ was a reluctant prisoner who took part in two of the most spectacular mass escapes of the war. This book describes in vivid detail how these indomitable and resourceful Australian servicemen tried, and at times succeeded, in turning dreams of escape into reality. Colin Burgess has interviewed many of the survivors and carried out extensive research to create this gripping account of the full story - from tense days in the care of the French Underground through to the only recently resolved fight for proper compensation.

This is a great story of what determined men can achieve with severely limited resources. Much has been written on Colditz Castle, the men who were imprisoned there and the few who escaped. I visited the castle in 1999, and what I saw confirms the stories in the book. This book is great reading for those who prefer real adventures and exploits to fiction.

Great story of what determined men can achieve with severely limited resources. Lots has been written on Colditz Castle and the men who were imprisoned there and the few who escaped.

I visited the castle in 1999, and what I saw confirms the stories in the book.

Great reading for those who prefer real adventures and exploints to fiction.