Literature Books
Related Subjects: Series Poetry Classics Mythology and Folklore
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IT'S NEW YORK!Review Date: 2008-03-16
Terrific Gift!Review Date: 2008-01-12
Not just a "holiday," but Christmas!Review Date: 2008-01-07
Great Pop-up about NYC Christmas HistoryReview Date: 2007-12-26
A great gift for everyone from 0 to 90 years oldReview Date: 2007-03-08
I really love it.

Holds its own, after all these yearsReview Date: 2008-08-20
And I want to go back - and I will.
Poetry I like.Review Date: 2008-04-02
We love it!Review Date: 2008-02-05
We love it!Review Date: 2008-02-05
The Hobo PhilosopherReview Date: 2007-09-06

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SoothingReview Date: 2008-01-14
Complete works of William BlakeReview Date: 2006-03-09
William Blake, with a excellent introduction
of Harold Bloom. An priceless tool for students
and teachers
outstandingReview Date: 2006-02-23
SAYONARA......IT'S BEEN FUN!Review Date: 2007-11-22
Yes, it's that large. I was hoping to make a large home library some day. Books have been my life: Even though I write mostly about Asian films. And I was glad that VHS films came into vogue, as they afforded me the opportunity to begin amassing a large collection of Japanese films which I have a soft heart for. That got real big too! Anyway, back to the question as to what to write for my last review? Well, I just happened to stumble across this book last night, one of many. There is a poem by the gifted and enigmatic poet, engraver and painter William Blake. I do recommend the book by the way. Events in my life have gone in a very negative way, therefore, I have decided to impart a poem as my last review. Hope you like it. It's one I have remembered from my childhood. There are too many great things to write about, and I figured this would not be a bad goodbye. It is William Blake's "THE TYGER"
THE TIGER
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
William Blake (1757-1827)
It has it allReview Date: 2006-11-03

A CLASSIC AND A MASTERPIECE.Review Date: 2008-02-27
Federico Tejada
PS: You can change the pronouns to adapt it to your personal gender or orientation.
One thing else: Math is about doing it for yourself, not only reading what others did.
Excellence is TimelessReview Date: 2008-02-11
Not the 3rd editionReview Date: 2008-03-15
# ISBN-13: 978-1603860499) is not the 3rd edition of the text. It is a copy of the first edition, which has entered the public domain. There is no indication of this on the product description page. If you want the final edition that Hardy revised, look elsewhere.
Let's Not Go OverboardReview Date: 2007-11-06
Dated and verboseReview Date: 2007-10-28


Fun for the familyReview Date: 2008-07-13
COWS IN THE KITCHENReview Date: 2007-03-14
Don't miss out on this oneReview Date: 2007-01-20
Illustrations as Fun as the Song-like StoryReview Date: 2007-01-09
Cows in the KitchenReview Date: 2005-01-03

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good sophomore effortReview Date: 2008-04-03
Interesting sleuths are not as easy to find as you might think, and gay ones are even tougher to locate. That's one reason I wish these were lengthier--when you find a sleuth you like, it would be good to really read a lot more about him. Alas--Adrien English comes and goes far too quickly, at least for me.
I like various aspects of this novel. One is that Adrien gets away from the bookstore he owns and which was the main setting for the first novel. This time, Adrien gets away by going to a ranch he'd inherited from his Granna. You'd think that means that Jake Riordan won't be an issue, but he is. He follows Adrien to that ranch when English gets into trouble (he's remarkably good at finding trouble and rolling about in it to the point that his life is in danger), and the relationship they've both been dancing around becomes somewhat closer to reality. I won't spoil it for you.
That's one of the strongest parts of this second book in the series: Adrien and Jake actually get to interact in meaningful ways, and as a result, they become far "rounder" characters. Neither is a stereotype, and that makes the book a far more successful one than it's predecessor.
Another thing I like about this book is that the setting is interesting and different from the staid, predictable bookstore. We get introduced to non-LA characters, and while some of them ARE mere stereotypes, at least they're different from the LA stereotypes.
What don't I like? 1) the length, as I noted before; 2) the bad proofreading throughout (argh! just because it's a small publishing house, that doesn't mean that the proofreading should be crappy!); and 3)the relatively-easy-to-unravel plot (well, except for the very end, which I didn't see coming in some respects).
All in all, a successful effort from Mr. Lanyon. I can't wait for the fourth book!
Must ReadReview Date: 2008-02-22
The series really heats up!Review Date: 2008-04-19
It's wonderful to see these two characters working together, thrashing out their relationship as well as the identity of more than one dead body. The characters of Adrien and Jake are very well realized--the chemistry between them is perfect-- and the mystry is full of fun little twists, red herrings and discoveries.
It's a great book in an wonderful series.
Great follow up in the series!Review Date: 2007-10-24
Highly addictiveReview Date: 2007-07-30
It's a quick read, witty, well plotted and fast-paced. On top of that the central characters - Adrien and Jake are higly addictive. The revised (may I say - further improved) edition will satisfy the readers who can't get enough of the "on/off relationship" of Adrien and Jake. The added part made the book more erotically (and emotionally) charged... it also allows readers to understand Jake better (if that's possible, cos he's such a mysterious, misunderstood character).

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Novel of IdeasReview Date: 2008-07-03
Recently I read the book again to see if it was as good as I remembered. I'm happy to say it's even better. "Darkness at Noon" is the story of an Old Bolshevik who is forced to re-examine his life's work in the communist party when he is caught up in the purge trials of the 1930s. As such, the book is a great analysis of the pathology and twisted logic that corrupted mid-20th century communism. But it is also a broader exploration of ends-justify-means morality, exposing the traps and contradictions we fall into whenever truth and common decency are thrown overboard in the name of social utility. "Darkness at Noon" easily transcends old controversies about communism. Indeed, in an age when the U.S. government has secret torture camps to fight terror, its message has lost none of its power or relevance.
The story is gripping. The writing is superb. The characters are vivid. Dialogues of near-Dostoyevskian intensity alternate with passages of sad introspection and guilty memory. Read it. It may even make you feel 17 again -- and wide open to the impact of great literature. Six stars.
Heck, seven stars....
Brilliant, insightful pessimism.Review Date: 2008-03-23
Rubashov is a victim, but not an innocent victim. He was an architect of the repressive regime that has turned to devouring it's creators and enablers. His own ruthlessness and duplicity in support of the Communist ideal has destroyed any sympathy we can have for him, but what Koestler is aiming for is understanding, not sympathy. We can empathize with Rubashov without feeling pity. We are not shown monsters, but people whose morals and ethics are weakened by fear and ambition, and who make critical decisions at the intersection of hopeful idealism and grim reality.
After reading this sobering book, you can almost understand why this great mind (Koestler), who observed first hand, the atrocities perpetrated by regimes under Hitler and Stalin, would take a decidedly dark and pessimistic view of society, especially in it's political concerns, and would turn to metaphysics and parapsychology to find a reason for prospective hope in the human condition.
Psychological Examination of Stalinist Show TrialsReview Date: 2008-04-05
Koestler explores the journey of Rubashov from the knock at the door through the final denouement. The reader observes Rubashov, who plays the role of narrator, as he undergoes the psychological change from a determination to resist to nearly total capitulation. Rubashov manages to hold to some crumbs of self-respect, but yields to the logic of the revolution as more important than any individual even when the accusations are complete fabrications.
`Darkness at Noon' is precisely imagined with its details of Rubashov pacing the floor of his small isolation cell, the coded tapping between adjacent cells, and the deprivation of physical comforts that make the subsequent small graces, such as limited outdoor exercise, become precious by comparison. This much of the tale was informed by Rubashov's experiences as a prisoner during the Spanish Civil War. Koestler's examination of the psychological destruction of the prisoner is fascinating, although at times it briefly lapses into stultifying disquisitions on the distorted Stalinist political philosophy.
Koestler himself was a German communist through much of the 1930's before immigrating to Britain, leaving the party and becoming an influential ex-communist. George Orwell's excellent essay about Koestler is readily available on the Internet (google `arthur koestler orwell').
Darkness at Noon was the middle book of an unusual trilogy of loosely related subjects: Gladiators and Arrival and Departure (20th Century Classics). Readers may also wish examine Victor's Serge's The Case of Comrade Tulayev (New York Review Books Classics).
Highly recommended for anyone interested in the era of communism in its Stalinist form or more broadly in the perverse ability of humans to place greater meaning in abstract and abstruse ideology than in the actual lives of other humans.
"1984" in 1938Review Date: 2008-04-19
"Darkness at Noon," his excellent novel about an aging revolutionary awaiting a show-trial and execution in Stalin's Soviet Union, is so thoroughly compelling and readable, alive with ideas and general brilliance, and so widely recognized as Koestler's masterpiece, that I fear his other books will be disappointing by comparison.
This, on the other hand, may well be my favorite book. Ever. Despite the fact that my "to-read" pile is a paper stalagmite that grows faster than I can chip away at it, I ripped through this one twice in under six months, and if I were somehow locked in the bathroom with only this on the toilet tank, and forced to start it a third time--I can't imagine this actually happening, but bear with me here--I can't say I'd be all that disappointed.
This reads like "1984," but it preceded Orwell's book, and presumably greatly influenced it. More importantly, although the real 1984 eventually rolled around to make Orwell's dystopia seem at least somewhat absurd (in execution, if not idea and desire), this still feels incredibly realistic.
And scarily, this is more relevant to today's America. While our level of freedom and political discourse may be completely different than that of Stalin's Soviet Union, the methods they used would not be unfamiliar in Guantanamo or Abu Grahib--or in some police precincts. Not the shrill and scary tactics of "1984," but the soft and simple: psychological games, sleep deprivation, and the like. Sleep deprivation may seem downright kind in the pantheon of torture, and I'm sure it starts off relatively innocuously--"They're terrorists, they're criminals, so why should we coddle them? Why should they get a good night's sleep?"--but any tactic whereby one compels the body to betray the mind is torture. And the sad thing is that torture doesn't work. Forget all the crazy ticking time-bomb scenarios, the fact is simple. Torture. Doesn't. Work. It does not provide reliable information or accurate confessions. And this book shows why. Rubashov, kept up for days on end, becomes willing to say or do anything for a few blessed moments of sleep. He will sell himself out. He will say anything. He will lie.
The strange peculiarity of Soviet Russia is that the victim and the torturers both know these lies are lies. But he says them, and they listen, because they both have their roles to play. The show trial is not really a trial. It is only a show.
But the great thing about "Darkness at Noon" is that it isn't just a polemic about tactics or a lesson about history; it is a powerful meditation on good and evil, and the extent to which we allow the latter in the short term because we believe it will somehow help us get the former in the long term. One reads this and feels sympathy not just for Rubashov, but for his interrogators, because they grapple with a timeless question: can we, and should we, make today difficult and imperfect and unjust for the sake of a better tomorrow?
This is a weighty question, and the book abounds with such meditations: like Dostoyevsky's works--to which it is clearly in debt--it is a philosophical novel with true weight and depth. In "The Grand Inquisitor", one of the most famous chapters in literature, Dostoyevsky concocts a prison scene in which the head of the Spanish Inquisition discourses to Jesus on why the Church felt it necessary to behave in ways contrary to Jesus' teachings. And this book feels like "The Grand Inquisitor" writ large. Though it revolves around ideology instead of religion, the effect is similar--disciples explaining to the master why they needed to stray, why they needed to corrupt and pervert their beliefs in order to save them from external enemies, why they needed to destroy the movement in order to save it.
On this and many other issues, Rubashov ponders but--importantly--does not always come up with clear answers. "How can one change the world if one identifies oneself with everybody?" he muses early on, then asks, "How else can one change it? He who understands and forgives--where would he find a motive to act? Where would he not?" I don't think Koestler wants to give us answers. Like the best artists, he's not so much interested in telling us what to think as he is in making us think. It's not always about finding answers; it's about remembering to ask questions. And that's something we need to remember today.
An Intriguing Consideration of the Struggle of Man Between Honor and IdeologyReview Date: 2008-03-01
This perennially question of all philosophy, the question of the One and the Many touches the core of our questing for the Truth and easily makes one sympathetic to the trials of the reformer who desires both to enact the noble goals of the revolution but also realizes that so much has been lost on the way that it is quite possible to question the result. In the face of cold, hard, systematic logic which easily leads one to believe with certainty in the questionable fate of the future, Rubashov quavers both against his own questioning as well as against his own self-assured innocence in the face of charges against his devotion to the Party's cause. Such a duality of confidence is naturally found in all of humanity and retains a poignancy for all readers who have considered the noble weight of the Truth against the dangers of liberty-destroying force. The story of a confused Marxist is not that different from the story of any person, even the most devout of Christians who desires for adherence to the Truth of Faith while dually acknowledging the necessity of freedom, an acknowledgement which leads to difficult choices and seemingly-insurmountable contradictions. For this reason, Darkness at Noon is a read of great importance today, even for those who are furthest from the philosophical social materialism of Marxism.

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TODO UN MAESTROReview Date: 2008-07-29
Sr. Noah, con humildad le digo: desde hoy me convierto en uno de sus discípulos.
SuperbReview Date: 2008-07-04
a dash of styleReview Date: 2008-01-12
Not your typical grammar aid book!Review Date: 2008-01-02
Definitely a book for all writers!
A great user-friendly punctuation bookReview Date: 2008-01-22
The good and bad examples of good punctuation usuage ultimately helped me understand how to correctly use puncation to improve writing. Also, the author explained the differences and similarities between the punctuation marks quite well. The examples were interesting; the danger of overuse and underuse of various punctuation kept me glued to the book; overall, a must read!

dominique moceanu is the greatist gymnast of all time!Review Date: 1999-06-08
America's SweetheartReview Date: 1999-06-27
Also recommended: Dominique Moceanu: An American Champion: An Autobiography Dominique Moceanu
A great book, interesting and heart warmingReview Date: 1999-06-30
Amazing Biography!Review Date: 2003-02-15
AWESOME!!!!!!!!!!Review Date: 1999-07-28
Also recommended: Dominique Moceanu: An American Champion: An Autobiography Dominique Moceanu

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Wonderful BookReview Date: 2008-08-26
An Egg is QuietReview Date: 2008-03-21
Exquisite, accurate, addictive, perfectReview Date: 2008-03-09
Beautiful bookReview Date: 2008-01-30
Diana and Sylvia's most amazing adventure with eggsReview Date: 2008-08-27
The end pages (found on the back of the covers and facing page) first demonstrate to the reader, not only the amazing beauty of one egg, just one egg, but also the devotion to duty of the illustrator for showing us this beauty.
The next two pages display the amazing variety of egg patterns, from the cylindrical shape ending in tendrils on both ends of the Dogfish`s egg to the simple elegance of the Emperor Penguin's egg.
Inside the actual informational pages, the reader learns that:
An egg is quiet
An egg is colorful (these two pages get a Wow!)
An egg is shapely
An egg is clever
An egg is artistic
An egg is textured
Next we learn through a lovely comparison chart the growth patterns of a chicken, a fish, and an insect. My favorite concept of the book comes last. In the beginning are the eggs and their patterns. Now we are shown the birds (and a few insects, fish, amphibians) that come from those eggs. Frankly, to use the vernacular, I was blown away!!!
As a librarian on the lookout for creative informational books, I was thrilled to find this book and add it our collection. However, I want to be clear: There is no story here, other than the story of life, but that story is inspiring and awesome. In fact, another concept on display is the Creator's fecund imagination and creativity.
I would like to recommend this book for every home library , but only if someone sits down with the child to explain things. For school libraries "An Egg Is Quiet" is a must-have! Diana and Sylvia will take you on a most amazing adventure with eggs!
Related Subjects: Series Poetry Classics Mythology and Folklore
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