Literature Books

I had not heard of James Thurber (I'm not from Northern America :)) until one of my friends on a study abroad program brought this book to our apartment and we started reading it out loud to each other. I loved it so much that I've read it three times already. Thurber's playing with the language is so amazing, cute and fascinating that it makes you speak "his way" after you read the book. :) And all his ideas are wonderful! This all makes the book one of a kind, really.

read it, lest you end up being slit from your guzzle to your zatch! a book for all ages, and any age. Fairy stories with a twist of Thurber.

I really do like this book. I like fairy tales, especially the kind like Ella Enchanted and Fairest by Gail Carson Levine. In the pictures the wicked duke looks so hilarilously silly! The prince is handsome and the princess pretty, of course! The Golux's hat is indeed indescribable and the woman Hagga cries jewels instead of tears. He! He! He!

The Thirteen Clocks, by James Thurber, is a perfect book. The only way it could be better would be by being longer. The story is classic in its simplicity, so elemental that anyone can easily find a way inside. The big setting - a castle - the big players - a Prince, Princess, and wicked Duke (very wicked) - the big themes - courage, redemption, selfless sacrifice, and just a whiff of magic. Best of all, the big problem - time is frozen. Our enterprising Prince must do the impossible to win the hand of Princess Saralinda. This is road-tested material but Thurber breathes new life into it, making it fresh and irresistible. The musicality of his language is delightful, there is so much joy and play in the words, they giggle and dance like water gliding over stones in a stream. His rogue's gallery of secondary characters is just too good; each is slightly more improbable and splendidly cracked than the last. Most of all, this story ends exactly as it should, the resolution is not forced, it's simply correct. The Thirteen Clocks is a slice of heaven that can be enjoyed by anyone able to read. Thurber, it turns out, really was as good as he claimed. This lasting jewel proves it.

Watch out for the Todal

James Thurber's The Thirteen Clocks is a delightful tale for people of all ages. I was first introduced to this seemingly conventional story at age five when my father read it to me as a pleasant bedtime story. It was not until I could read for myself that I began to notice what sets this story apart from so many other children's stories--its characters and great dialogue. Even re-reading it now, as a college student, I immensely enjoy its refreshing humor. Thurber uses a simple storyline, poetic devices, and clever characterization to make The Thirteen Clocks enjoyable to any and all ears.

The Thirteen Clocks is enjoyable for kids of all ages (meaning grown-ups as well) because it follows the basic and familiar "prince saves princess" storyline. Prince Zorn of Zorna must win the hand of Princess Saralinda by bringing back a thousand jewels to her uncle in "six and sixty days" (32). Though it seems that six and sixty days are not ample time for him to complete such a task, Zorn of Zorna miraculously succeeds. This follows the plot of most classic fairy tales I can think of (excluding Rumplestiltzkin and Beauty & the Beast). There are so many prince-princess stories because every child (and deep down, every adult, too) wants to be a prince or princess. There is something appealing to human nature about glory, fame, wealth, beauty, and general happiness, all of which are presented as direct benefits of being royalty. Also, everyone loves a happy ending where justice is served--the good guys win and the bad guys suffer. The Thirteen Clocks does indeed include a happy ending of this nature. Not only is the story simple enough, but it is also relatively short (my copy is seventy pages with fairly large text) and includes pictures. Bedtime stories are, by nature, short stories. When parents concede to read just "one more bedtime story," they do not want it to take all night. Furthermore, it is simply easier to understand a story when you sit down and read the entire thing at once. Children admittedly have short attention spans. The rest of us adults do too, but we pretend to have a more mature mind, especially when it comes to paying attention. The Thirteen Clocks appeals to everyone, young and old because it is a familiar and somewhat simple tale.

All audiences can also appreciate The Thirteen Clocks for its musical language as seen by the poetic devices of rhyme and rhythm. In the beginning of the story, Prince Zorn of Zorna disguises himself as a minstrel and sings of various things whose mention are forbidden by the evil Duke. A villager tells the Prince that one of the Duke's spies will "die because to name your sins, he'll have to mention mittens. I leave at once for other lands, since I have mentioned mittens...You'll never live to wed his niece. You'll only die to feed his geese" (17). The rhyme combined with the absolute hilarity of this statement amuses the reader and is rhythmically pleasing. Smaller children may not catch or understand the substance of this passage completely, but they will enjoy hearing the rhyme scheme (AAABB) and rhythm pattern (8-7, 8-7). Literary enthusiasts will take note and admire the patterns evident in Thurber's writing. Another great example of Thurber's amusing and rhyming style is, "'It's odd,' the Golux muttered to himself. 'I could have sworn that she had died. This is the only time my stomach ever lied'" (54). Here again, Thurber amuses his audience by using this constant pattern of rhyme and rhythm. Humans love to find patterns--it brings sense and order to the sometimes chaotic world we live in. By creating this literary and somewhat musical pattern, Thurber's tale appeals to both the young and old.

The Thirteen Clocks is appealing because its characters, the likes of which have never been seen before in literature, add excitement and flavor to this familiar story. There are three truly out-of-the ordinary characters--the Golux, who is "always on hand when people are in peril" (18), Hagga, the weeper of jewels; and the unpleasant Todal. Of these, the Todal is the most outrageous character. The Todal is "made of lip," "looks like a blob of gulp," and "smells of old, unopened rooms" (36, 29). This creature is "waiting for the Duke to fail in some endeavour such as setting you a task that you can do" and is "an agent of the devil, sent to punish evil-doers for having done less evil than they should" (29, 30). There is no monster as quirky, interesting, and terrifying as the Todal in real life or in a book. By presenting his readers with such bizarre characters, Thurber appeals to their sense of humor, as well as to their sense of terror. The creativity and flair for language possessed by Thurber are most obvious in the descriptions of his characters. This sets his tale apart from others with similar, but seemingly less lively stories. More than anything else, The Thirteen Clocks is enjoyable because of its uniqueness in characterization.

This truly wonderful and shockingly good fairy tale is full of enough excitement and goodness to be appropriate for a bedtime story. Yet Thurber's true talent lies in his creative and imaginative abilities which allow for readers and listeners alike to enjoy this book. It is set apart from other fairy tales by its clever use of words and unparalleled characters. Buy this book (though I would suggest the hardcover edition with colored illustrations) or run to your local library before the Todal gulps you!

I'm a big fan of these annotated books, not only for their visual appeal on the bookshelf, but for their ability to transport me away from the everyday world. And you may think you know Oz because you can sing "Over the Rainbow" and "Follow the Yellow Brick Road", but I assure you, this book will take you farther into Oz than you ever went before. Unlike The Annotated Alice: The Definitive Edition, which is dense with text, this volume is packed with art and illustrations, including a lot of full color pages. The movie images floating in your brain take on a different hue when you see the illustrations which actually brought the Ozian creatures to life. As with all the annotated works in this "series", this one has crisp, cleanly printed pages, an artsy dust jacket that is pleasing to behold, and tons of Baum biographical information, and of course, lots of notations. If you are an Oz fan to begin with, you owe it to yourself to buy this book. If you just like children's stories and the history behind them, this is also for you. And don't forget: the book is better than the movie, anyway!

This is a wonderfully informative book. It has its biases, but they're of the harmless, author-worship variety. The only caveat I'd add is that this isn't the book to have as your sole copy of The Wizard of Oz. It's nearly impossible to read the actual story amidst the annotations. That's not a criticism: that is, after all, the purpose of the book. But if you've never read the story, or want to read it to your children, get a simple copy of the book as well.

The "Annotated" series is simply wonderful. Best of all, they are getting better and better all the time. My first was The Annotated Alice: The Definitive Edition and since then, I've gained a small collection of annotated books. These books were the original DVD commentary track. Now, it just seems strange when I'm reading a book and there's no footnote for further insight!

This was the second Annotated book I bought. The first two books I bought in this series represents the top two lifelong obsessions within fantasy: Wonderland and Oz (now, if only they'd do Neverland to complete my personal trilogy!).

Upon first reading, I'll admit -- this was a bit hard to start. Sure, it was interesting, but compared to the introduction to the Alice book, it seemed a bit rambling. It seemed like I'd never get through to the actual book!

Recently, I decided to give it another go. So, starting from the beginning again, I read. Age must change my opinion on things. It was no longer so rambling. I rather enjoyed the introduction -- in fact, wish it was longer!

When your first introduction to the Annotated series is Alice, a highly satirical book with a lot of symbolism, you may have expectations of all the secret meanings revealed. Don't expect it here. As is stressed in the introduction, this was a story purely meant to delight. While there are similarities in the ultimate purpose of writing it -- a boredom with the children's books of the day -- the two are completely different in their approach. Carroll used the book to make fun of the children's books of his day. Baum just wrote a good story.

So, therefore, the annotations have more to do with what was going on around Baum at the time, things in his life that may have had some influence, and criticism rather than the hidden symbols found within. You'll get a history lesson of turn-of-the-century America that we may not hear much. You'll learn about changes to the book made over the years.

The greatest thing about this edition is that it's a facsimile of the first edition. The pages aren't perfect -- there are age marks every now and then. But you'll finally be able to see what exactly made this book so novel in 1900 -- colors and text are reproduced in a way most editions do not. Most other editions using Denslow's drawings are usually incomplete with a more modernized setting for the fonts. This causes many pages of illustration to be omitted as the illustrations are a bit more difficult to reproduce when the original text is overlapping.

The accuracy of the reproduction may be a huge downfall for the annotations, though. Unlike most annotated novels where you'll find the numbers within the text and the annotation in the margins of the book, the numbers have been moved to the edges of each line of text with the annotations on a separate page. Probably, this was done to interfere with the original text, but it means that some confusion might come in when to look at a note. Two numbers may try to squeeze into a single line, which is a little awkward. Or, because the note numbers are no longer attached to the text, we won't know what words those numbers are attached to until we look at the next page (or a few pages ahead, depending on how long the note is).

This isn't quite enough for me to take any stars off, though. It may be an inconvenience, but it's no way to judge the quality of the book. In fact, the rarities -- bonus story, reproductions, and art in the Deslow Index -- more than make up for the structure.

This is an over-sized book, so if you want to add it to your Oz collection, it might be out of place a bit -- if you want an edition to fit in perfectly with your other Oz books, I'd suggest getting The Wonderful Wizard of Oz (Books of Wonder) along with this just for casual reading or completeness on the bookshelf.

This book was purchased for my grand daughter who is 18 years old. She thoroughly enjoyed receiving it as a gift. She liked reading the "annotated information" while reading the story. It was a hit as a Christmas gift.

This is a wonderful story told by a master. The illustrations are just beautiful. I've been watching the film since I was five years old and have always loved it. Now I love the book.

This edition is particularly useful in that the forward includes notes from the author's journal as to her thoughts as she planned to write this novel. It is mammoth is scope, and reads very well. Anyone who is serious about giving Ayn Rand's ideas a fair reading should consider buying this edition, as it is a well made hardcover with clear text, and will endure a great deal of physical handling.
Anyone who remembers the childhood tale of the little red hen can relate to Ayn Rand's ideas. The little red hen was the only animal in the barnyard who worked and provided for others, until she decided to go on strike to protest the laziness of the other animals. This novel is somewhat more sophisticated in the development of a similar theme.

Long book, but well worth the time to read. Very prophetic of where our country is heading now.

A wonderful epic told by a master story teller. I was held joyously captive by this book.

Atlas Shrugged should be thought of as a sequel in imagery only to her other classic -The Fountainhead. This novel fortells the destruction/implosion of American society by our fatalistic approach to living without concern for others and society at large. Mrs Rand style of writing is somewhat gossip columnish in frank style but is still effective in portraying the major characters faults, aspirations and actions with vivid color. The novel denotes the struggle of a brother (Jim) and sister (Dagny) Taggert who run the family business of the Taggert Transcontinental Railway headlined by the Luxorious(?) Comet train. She vividly portrays Dagny Taggert's acumenal and better business management as being the only reason why their railroad line is still operation. Jim Taggert is only a figurehead at best with a few personal problems (he beats his wife and calls her a whore about a year into their marriage) he is a poor excuse for a human being in just every facet of your imagination. He should be restricted to a neighborhood cocktail lounge. But little at a time close friends and lovers of Dagny are introduced and expertly developed. The millionaire Reardon steel magnate who is married but bored with and out of love with his spouse. The idealist character-John Gault. An automotive engineer who develops an engine which runs on ambient light and heat energy. Dagny discovers this engine as it is left after the automobile factory closes and she becomes obsessed with finding its creator. There is a running line said well before and after she discovers this motor-Who is John Gault? The novel is 1168 pages long but it is captivating and obviously had a profound effect on societies intelligensia of the 1950's and 60's. It is a book were the pages tear easily and my binding is very weak after one read and the pages are soon to fall out. I wish this novels was housed in a better binding.

Fourteen years after The Fountainhead, objectivist pioneer Ayn Rand wrote an even bigger epic novel that would end up being her most definitive book on her polarizing philosophies. She again wraps her perspective in a powerful, often melodramatic character-driven story, this time on a more sweeping landscape and with a pervasive mystery suspense element. It's a fulsome story that dares the reader to envision an intellectual revolution where the great thinkers disappear to avoid the complete destruction of their spirits. Rand populates this fanciful world with her trademark Baroque-style characters beginning with her beautiful protagonist, Dagny Taggart, a young railroad VP driven to run Taggart Transcontinental as she fends off the looters. She is surrounded by a bevy of conflicted men - great steel industrialist Hank Rearden who creates an alloy that renders steel and aluminum obsolete and whose ruthlessness marks the way for his own self-destruction; flamboyant Francisco D'Anconia who converts himself from an innovative copper mining baron to a hedonistic playboy; failed philosopher Ragnar Danneskjold who becomes a pirate stealing for the rich; and self-sacrificing composer Richard Halley.

Through the fray comes the pivotal character of John Galt, who actually does not appear until about two-thirds into the dense story. As the brilliant mind behind an automobile engine that will convert atmospheric static electricity into motor power, he witnesses his invention lie dormant under the ignorant leadership of the factory's owners. Galt masterminds the strike of the world's great minds, and gradually, the greatest thinkers and most ingenious engineers find their way to Atlantis, the hidden valley where they can escape the persecution of the bureaucrats exploiting them. Their absence means that the industrialists lose their social and economic leverage and fall prey to each others' machinations until they lose control completely. It is only at this point of desperation that the philosophers become accepted as honorable citizens worthy of respect. Told with Rand's familiar verbose writing style intact, it's an audacious, often compelling story that carries far more plot convolutions than necessary to carry through on the author's convictions.

At 1,192 pages in the Centennial Edition, the book could have realistically used the hand of an equally strong-minded editor who would have seen through the repetitive nature of Rand's didacticism. Still, the story is arresting, and Rand makes it clear that the highest goal in life is one's own productive achievement, that individual rights must be upheld over any form of collectivism, whether social or political in basis. Whereas in The Fountainhead, she focuses her philosophical application to the somewhat rarefied world of architecture, here she takes a much more grandiose look where the ideas of independence and personal liberty have even greater ramifications. At the same time, there is no denying that the world Rand paints is palpable and more relevant than ever as CEOs today are reading the book to justify their positions of self-interest from a moral as well as economic perspective. Even at its most basic level, the book is about deciding what's important in life, i.e., the choice between self-reliance and dependence, and going as far as one can to fight for it. Rand succeeds in bringing vivid life to these arguments in a most eminently entertaining way.

If you do legal work at home, this dictionary is essential to have there. As a law student, I have unlimited access to the Westlaw version of Black's, but there are a great deal of missing entries in that format. I have literally never tried to look up a word in the hardbound version without finding it--not so with the online or pocket versions. It is also an excellent citation source for basic legal facts, something you can't do with the internet version because of the lack of page numbers. Perhaps a little expensive for a student, but this sturdy, long-lasting volume will pay for itself by saving you time.

I am very pleased with this purchase. It will be used for a long time.

I am studing to become a Legal Translator at university in Argentina and this dictionary is one of the best I have ever been able to consult.

All law students must have this. It is a great help in learning the law language.

If a lawyer doesn`t have Blaskey, he isn`t a lawyer.
I really love this book; in Russia it costs nearly 300$, so i ordered it here. Thanks Amazon, a got Black`s law in 10 days in great condition via DHL. Thank you!

This book appears to be written for young people, but gives a good picture of the life of a Maasai boy, as well as his family. It is a quick read, not political, and very enjoyable. Having recently visited in this area, I wondered if our view of life there was accurate. Facing the Lion reassured me that what we saw was real and so was the charm of the people.

I really liked this book. It is one of several that I purchased after coming back from Tanzania, and I have recommended it to others. The author is straight-forward about his situation, so I wouldn't recommend it to children under, say, 12, but it is quite moving as an adult book, though he wrote it for young people.

Facing the Lion is the amazing TRUE story of a Maasai boy growing up in Kenya. I first heard about this National Geographic book from my son's 8th grade world history teacher - it was on a summer reading list. B-O-R-I-N-G - right? Well think again. You will not be able to put this book down! The boy grows up tending his family's herd of extremely valuable cows - and that means standing guard at night when lions literally leap from the bush to decimate the livestock. The lessons that the boy learns from incredible adventure, adversity, and challenge in his African upbringing only serve to give him the drive, determination, and power to succeed at HARVARD. My husband read the book on a plane and now uses a number of examples in his consulting practice. A FUN read and a WONDERFUL book for ANYBODY - teens to adult.

Narrated in the voice of a child as he grows up in a Maasai village, this is a quick, easy-to-read book for learning a lot about the Maasai culture (ie; before traveling to Africa, or for general interest). It was recommended by my travel agent and, while very simple, I will agree it is very well worth the read!

This book was absolutely fascinating to adults as well as younger readers.

I have a hard time deciding what to write here. Orson Scott Card is able to write passages that literally take my breath away. There was one in "Ender's Game" and there was one at the end of a chapter in this book (you'll probably know it when you read it, and rather than spoil it I'll merely say it reminded me of the famous "For want of a nail the kingdom was lost" bit).

Make no mistake, this is a dark fairy tale. While he doesn't go into overly graphic details, he gives enough so that the reader can clearly 'see' what's happening. There's blood, sex and violence (sometimes all three at once) throughout. The characters are memorable. The writing is clear and sharp. The connections between the main characters are somewhat complicated, making them even more interesting. I felt the choice of 'summarizing' the chapter in the voice of the narrator, at the beginning of each chapter, to be a somewhat odd choice. In many respects this ties into the ending, but it removes much of the suspense. Still, there were other twists that kept things fresh.

Two things kept me from giving it 5 stars. The first is that the book meandered a bit in the middle. Yes, most of the meandering had elements in it that became important later, but the flow bogged down a bit.

But the ending failed for me and is what kept me from giving it 5 stars. There were a couple of elements here. The first was quite simply a typo in the very last paragraph that forced me to stop to see if I'd misunderstood the thrust of the sentence. I hadn't, but it broke the flow of a well written piece of writing.

*mild spoiler alert*




The book also tried to throw a twist in at the very end. The interesting thing is, I'd been thinking about the twist beforehand because I'd just discussed a similar concept with a friend about the use of the 2nd person 'voice' in writing. It was a clever idea, but the execution just didn't work for me, mainly because I never 'identified' with the character I was supposed to, to make it work properly. Now, maybe Card just meant for the reader to feel like he/she was reading a story written, rather than hearing a story spoken, in which case it may have worked better. But I ended with the latter impression not the former, and it just didn't mesh.

Finally, the story introduced a couple of characters as friends of one of the main characters, but they were almost completely absent at the climax and were brought up again briefly at the very end making me wonder where they were at the climax itself.



* end mild spoilers *



This was still a very good book, and had a couple of clever writing ideas, but the problems (or at least what I perceived as such) dragged it down a notch.

Burland's king Nasilee's reign is destroying the country, so Palicroval is urged to overthrow him for the good of the country.

He defeats Nasilee. Then, to solidify his position, he takes Nasilee's young daughter Asineth as a bride, publicly consummating the marriage (rape, in other words) so there's no doubt. He can't, however, bring himself to kill her, though his advisors all agree he should. Instead, he sends her away with the wizard Sleeve, and turns to Enziquelvinisensee Evelvenin, the most beautiful woman in the world, whose hand he'd won before his quest.

Asineth, bitter and bent on revenge, is pregnant with Palicroval's child, which ends up being a 10-month baby--magically significant. She sacrifices the child and uses it to become Queen Beauty, turning Sleeve into a court jester and taking Enziquelvinisensee Evelvenin's appearance for herself, turning the real Enziquelvinisensee Evelvenin into a hag.

She returns to the capital and takes over, allowing Palicroval to go anywhere in the land but the capital. She magically watches him and torments him for her amusement.

Finally, the gods take a hand and cause Palicroval to father a child, Orem, whose task, though he's unaware of it, is to set things right.

This is a rather unusually written story--told as an epistle to Palicroval, with the epistle-writer's commentary and advice along with the narrative. It took me a while to get used to the style, but once I did, it added to the feel of the story. It's distant--the omniscient POV doesn't allow the reader deeply into any of the characters' thoughts or emotions--but the story is epic in scale, spanning centuries and involving gods and the fate of a nation; and it's a morality tale as well, so the style fits the story.

The action is gritty, from the rape to the torments Queen Beauty visits on Palicroval, to the events Orem endures on his unknowing quest. Nothing is sugar-coated or coyly avoided, and that too serves the story, showing how even good intentions can result in evil and victims become villains.

And it shows the dangers of attracting the attention of the gods. Isn't there a famous saying about that? Or perhaps its just a truism. The gods' intervention led to the changing fortunes of Palicroval, and the existence and eventual fate of Orem.

It's not that much of a spoiler to say that the ending is open-ended. That, too, serves the story, giving a reason for the epistle to Palicroval.

I'll be re-reading this one more than once, I'm sure.

My only complaint was an annoying sticker on the cover, but I got it to come off with minimal residue. Overall, a solid, strong service. Average speed but great quality of the product itself.

In typical Orson Scott Card fashion, Hart's Hope does not disappoint. One of the things I love about Card is that each one of his books are entirely different, yet they are instantly identifiable as a book that he authored. What's even better is that he always exceeds my expectations. I could build up a book of his in my head for five years, and it would still be better than I could ever imagine. The man is magical with a pen (or a computer) and with Hart's Hope, he has written a truly magical tale.

Orson Scott Card has describe Hart's Hope as the most classic fantasy novel he has written, meaning that the book holds all the elements of a traditional fantasy. It takes place during an unstated time, yet seems medieval in fashion. It involves magic, sorcerers, kingdoms lost, kingdoms fought for, kingdoms saved, vengeance, and kings and queens. It's quite the epic novel wrapped up into a little under 300 pages.

Hart's Hope is the story of Orem, the unknown son of the king, Palicroval. Palicroval has killed the current king and taken the king's daughter as his wife. The king's daughter then decides to take vengeance and becomes Queen Beauty through a truly horrifying ritual of blood and sorcery. Queen Beauty in turn has put the king, Palicroval under a horrible spell and sees his every move. The Hart is a stag of 100 horns, a god of power. The Hart leads Palicroval to a woman who fathers Palicroval's son, though Palicroval is unaware of it. The child is named Orem and has powers that are unknown to anyone, even to himself. All of these storylines interweave into a very complex but surprisingly easy to understand plot that takes us on a truly magical, wondrous, and at times horrifyingly graphic, yet beautiful story.

As I mentioned in a previous post, I've never been disappointed with Card. I've read nearly his whole library and find it very hard to rank books of his in order of which I like best, though I must admit that my favorite book of his is still Speaker For The Dead, the sequel to Ender's Game. The great thing about Card's novels is the love we feel for his characters. He has a gift of bringing a touch of humanity to all of his characters. I care about his characters like no other author's. Hart's Hope was no exception.

I enjoyed this one very much and would recommend it to any fans of fantasy. And for those that aren't crazy about that genre, you may still like this book. The writing and the story itself stand alone without being classified into a genre. Beautiful book!

This book was a complete surprise. I have been reading Orson Scott Card for about the last 15 years, but this amazing little book is quite a wonderful departure.

"Hart's Hope" reminds me of a classic, non-politically correct fairy tale with violence, magic and allegory. Underlying the story are the questions of what is good and evil as well as the power of words and the wonder of making and unmaking. These are classic themes but expressed in such a strong inventive voice.

Since this book is a pretty quick read, I am actually considering going back and re-reading this because I was really intrigued with the way Card plays with the different religions and Gods who are so real in the world of this novel that they have their own faults.

This is a fantasic fantasy read, unlike anything I have read in quite some time and very different from anything from OSC. Highly suggest this one.

There are an awful lot of dead bodies per capita in this book, and quite a bit of fairly mindless violence, but that said, it's a page-turner that is extremely well written. Unlike other reviewers I found nothing confusing about the elements of the plot, just found some of them unlikely in the extreme (both the ostensible pre-historic Chinese settlers of the Americas and the ostensible pre-historic Phoenician settlers just happen to have come upon and used the same underground and under-river storage caverns? Wouldn't proof of Phoenician settlers of North America alone have been enough??) This is clearly a read oriented more towards boys, but girls who like adventure stories will enjoy it too.

I have to agree with another review the cover of this book just hooked me. This came into the library where I work (5/6 grade) and I immediately snagged it. Read it in one night and have not seen the book on our shelves since!!! It has been out constantly since we put it in the collection. Our kids like it (mainly the boys and our teachers love it!!). There's action and creepiness. The scene in the cave was so vivid I could feel the cold damp and the spongy feel of the body as our hero, Tom, groped his way around in the pitch black. Excellent!!

N.D. Wilson's LEEPIKE RIDGE tells of a preteen who has always lived next to Leepike Ridge - but who finds himself lost beneath it when he escapes the man set to marry his mother and finds his escape raft has left him underground. His discoveries under the ridge - of a body, a dog and more - will answer questions and challenge his survival skills in a riveting adventure kids will relish.

I read a review that made comparisons between this book and Louis Sachar's Holes. This kind of comparison always makes me skeptical. "We'll just see about that," I thought. I read it. I saw. And I get it now. This one is worthy of that comparison -- and then some. And this book will definitely appeal to fans of Holes.

Leepike Ridge is a book for every kid (and every grown kid) who played in refrigerator boxes, caught critters in the woods, and floated down creeks on homemade rafts. It's a fantastic story with a grand adventure, a heroic boy, bad guys that you love to hate, a loyal dog, and a hidden treasure. The fact that it's beautifully written with magical, transporting descriptions is gravy.

If you know and like a boy between the ages of, let's say 9 and 13, Leepike Ridge would make a fantastic gift!

Great fun and very hard to put down.

I have no clue how it would go over for younger readers, but if you're a not-so-young reader, it's a real treat.

This is a wonderful and touching story. It is a good read, and I recommend it to anyone who has ever had a pet. I especially like that it has a jack russell in the story.

This book is the story of Willie Morris' childhood companion, a dog named Skip. Willie recounts his adolescent years and all the fond memories of his dog and friends as they grew up together in small town Mississippi. The story is heartwarming and the author paints a very clear picture of all the shenanigans, good times and bad that he and his dog had together over the years. I liked this book; but I think a male reader would appreciate the bond between a boy and his dog more than I can.

This was a great book! It was so touching and heartfelt. I love dogs and this book is an example of someone who loves dogs like me so I can connect! Greatly recomended!

Willie Morris was a truly great author! This story of his childhood with his dog was really heartwarming. It is so simple and warm and humorous, you will just love it. Warning: you will cry your eyes out at the end, but it's worth the pain. One of the best animal stories ever, I hope many kids read this in school. If you loved the movie "A Christmas Story" you will love this book. The movie version of "My Dog Skip" is also quite good, though it is kind of upsetting that in order to create drama the wonderful father of the book is kind of nasty in the movie. Willie Morris was a great author who also wrote a cat book entitled "My Cat Spit McGee" and several books about his life that remind me a little of Russel Baker's memoirs. One is entitled "North Toward Home", another "Good Old Boy" and one is about life in New York City.

Willie Morris has recounted the life of not just a boyhood pet, but a dear and close friend.
The Story of Skip's life as told by his owner is full of mythic adventures of childhood. Where every new day was full of joy and wonder. Morris' storytelling brings the dog, his family and the lush southern landscape into full and brilliant view.
When you read My Dog Skip you can just feel how much this young man loved and revered his dog.
Any of us who have had a much loved pet know that the bond between animal and human can reach so much further than just "pet and owner". Willie Morris makes the statement that Skip wasn't just his dog, but his brother... that is a beautiful thing. Morris grew up an only child but did not feel alone by any stretch of the imagination. He was loved deeply by and deeply loved his dog Skip.
Another great point made in this book is how Willie Morris learned so much from his dog Skip. He clearly states that the most lasting lessons he has learned about love and loyalty came from knowing his dog.
This book captures so well the love a boy or any human being can have for a pet... I loved the story and highly recommend it!

Of all the books I received as baby gifts, this book has had the longest lifespan. It was my daughter's favorite book as soon as she was old enough to turn regular pages, and almost a year later, it still is. Unlike shorter board books which become very repetitive, this book still has poems that seem "fresh" to me. Everytime we read it's a different experience, depending how many pages we turn at a time. It can be a short book or a long book, depending on the day. The illustrations are incredibly detailed. Even after what seems like a thousand reads, I'm finding clever twists and recognizing characters from elsewhere in the book. This book is a classic and offers lots of bang for your buck.

The illustrations for the rhymes are all of cats and other animals as stand in for humans and are very cute. As for the rhymes, there are not many of them and some are truncated.

When my kids were small, I went into a "Mother Goose" kick. I bought and checked out from the Library every Mother Goose I could find, we read them all, and THIS was by far our favorite. The selection of poems was varied, with old favorites and new poems I'd never heard from my childhood as well. The illustrations are beautiful and very fun, Rosemary Wells knows just how kids minds work!

This is a very good book, but it's not quite what I'd imagined. Most of the rhymes were not familiar to me. The illustrations are beautiful, though, and it's fun to read. We enjoy it, but if I had seen it before buying, I probably wouldn't have bought it.

Publisher's Weekly called this book "exuberant" and that's exactly the right word for it. Bright primary colors make up this book, and Rosemary Wells' adorable characters populate the rhymes. Unlike some Mother Goose books, this one is meaty -- it boasts 108 pages, with a rhyme on almost every page. That's a lot of nights of Mother Goose at bedtime.

Nursery rhymes help build phonological awareness, an important pre-reading skill. Research has actually shown that children who memorize nursery rhymes go on to become better readers than those who do not.

This book makes a great baby gift, and a terrific birthday or holiday gift for a toddler or preschooler. It's the one I grab first when I recommend nursery rhymes to library visitors.

I am very happy I could locate this book. It is one of my favorite books, and one I insist being on my shelf. Thus, my copy was missing and I was pleased I could replace my copy. I am happy with the condition of the copy I just recently received; it arrived quickly, and I'm glad to have it in my personal library.

A fascinating and horrifying account of a slave woman's experience. While fiction, the story appears to be based on the life of an actual Hannah. Don't be put off by the long introduction. It becomes more significant after reading the narrative itself.

This book gives a great emotional account of the horrors of slavery. It is amazing the vocabulary the author had without being formally educated.

This book will stay with me for a while.

In her novel, Crafts illustrates her life as a slave over the course of many years. Starting at a place cursed by a linden tree, things only seem to get worse. Though she is taught to read, her teachers are punished and banished from her life. Her early years are filled with much more than learning, however. She witnesses many horrific aspects of slave life, which are depicted vividly by use of imagery and her colorful similes. In her story she attempts to obtain freedom with her new mistress, but the success is cut short.
By the middle of the story, the reader can easily assess that slave life is neither desirable nor easy. Crafts and her mistress are captured with only more hardships following. Crafts depicts for the reader her passing from one master to the next after her mistress's death. Things only continue to get worse until she brings the reader along with her on her flight to freedom.
Though met by a series of mishaps throughout the novel, Crafts finally obtains freedom to live life with her husband and her recently found mother. No doubt, the reader is happy to see something pleasant finally happen for Crafts. The reader is left with not only a sense of happiness for the author, but with a vibrant image of what it took to get there. The Bondswoman's Narrative is most certainly a good choice for anyone wanting a harsh, yet inspiring, account of what slave life was truly like.

As background for this slave's narrative, we are introduced to John Hill Wheeler, writer, who had published HISTORICAL SKETCHES OF NORTH CAROLINA, 1584-1851), who served as assistant secretary to the U. S. President Franklin Pierce (always one of my favorites) in 1854. There is a good photograph of Wheeler and a painting of his wife, Ellen, with her two sons by Thomas Sully who made the youngest look like a sleeping angel.

There is also a photo depiction of the abduction of his slave, Jane Johnson with her family, off the Steamer Washington on July 18, 1855, in Philadelphia "by force" by a gang of Negroes led by an abolotionist. Since he was unable to locate and reclaim his servants, Jane was subsequently replaced by Hannah -- who escaped in the Spring of 1857. He must have been a hard taskmaster.

One interesting thing (for me) was a mention of John Brown's (of Harper's Ferry, West VA fame) hanging in Charleston, VA. It was observed that he died as he lived, "game." He certainly was no coward.

I found too much redundancy in the introduction by Henry L. Gates, Jr., and the narrative itself. Absorbed in finding and preserving black culture in written form, he spends a lot of effort propounding on his conclusions, instead of the facts. Like a local writer involved in uncovering ancient history, he uses too many "that's" proving he is not scholary. To me, it shows a definite lack of education and too much emphasis on self promotion, so that whatever is printed will be thought or taken as the truth, the whole truth and nothing else.

As with all autobiographical material it is hard to tell what is fact and where the fiction begins. An old acquaintance now deceased who had been in the Merchant Marines in his younger years and received much enjoyment in bewildering strangers with his detailed stories, told me how he manufactured "truth." Add a few relevant facts which can be substantiated and names of real people and presto! it's history -- not fiction.

As with science, the individual authors are expounding on their own theories, not facts per se. It's the same in any field and any "case" history. Mr. Gates wanted to prove this narrative was authentic; therefore, he spent more effort with his "proof" than the slave's account itself.

Something that old can never be proven beyond a doubt. Now Clifford Irving's bogus biography of Howard Hughes was ill-timed. Had he waited until after the person's demise, there would always be doubt and nothing to prove he was a liar.

I don't believe a slave would know some of the words used by this writer. By including family background and descriptions of events, it is taken as the authentic tale of a real Hannah Crafts. He did too much surmising "what if's" to have run down the actual writer to New Jersey -- to have been the runaway slave from North Carolina.

I found the marked out words and phrases to be distracting (also detracting). It would have helped to have the edited parts left out; the 21 chapters would have sufficed without so much explanation and additions (in brackets). Instead of making this clearer, it befuddles the story itself.

I'm not a user of the word "that" which is grossly overused in newspapers today. About ten years ago, I typed the lengthy "memoir" of my ex-husband, a college English professor, and edited at intervals throughout. Of course, he proof-read every page before having the entirety copied and bound to distribute to members of his family. Sometimes, he agreed to my "clarifications"; at others, he'd say, "but we didn't talk that way." Growing up in a tiny hamlet between Shelbyville and Chapel Hill (where he'd been born) in Middle TN, and being about fifteen years my senior, he'd experienced things and feelings totally opposite to what I had in Knox County (East TN). My reasons to "edit" were for the benefit of those who'd be reading his memories, not to change events -- and he finally agreed with me.

Perhaps I should have left things exactly the way he expressed them, no matter how grammatically incorrect they were, as now that is what I am wishing Mr. Gates had done with this manuscript. The things he marked through seemed inconsistent vocabulary for such a young, uneducated woman confined in "the peculiar institution", and I'd have preferred not to have to think about them.

The textual annotations did not add to the story and were a bit too detailed. You can analyze a situation "to death." Some things are better left to the reader's imagaination.

This story is as old as the hills. Didn't he see the similarities between characters of this narrative and those in SHOW BOAT? Sad but true. Life is not always easy for those without power or money.

This book may have great value as a historical document, however, I evaluate it from the 'fun to read' point of view. I did not find it a greatly enjoyable read. It is written in the old novel style- "Perils of Pauline" comes to mind. Neither did I find that I learned much about it was like to live like a slave during that time. I am now reading a historical novel in which there are a few pages describing a slave market in the USA during the Revolution; which gave me a much clearer picture than Bondwoman's Narrative did. The description of how the field hands lived left me wishing to read more about that, and in fact, I felt I did not even get a good picture of how the house servants lived. There was quite a bit of philosophizing during the entire book so the author came across as an intellectual. In this respect, her comments about the death of a fellow runaway slave towards the end of the novel were very interesting to me.