William Shakespeare Books
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A working dichotomy of three distinct theatrical approachesReview Date: 2002-03-09


Hamlet One VoiceReview Date: 2002-03-20
Davies gives a reading which is true to the original language, yet modern in tone and enunciation. Though the readings are faithful to Shakespeare's language, Davies' pacing and pitch is modern-so the listener follows the dialog as easily as if he or she were listening to persons talking on a TV program, for example. The high technical quality of the recording and the tape also contributes to the favorable listening experience. Because Davies' readings make the play so accessible, "Hamlet One Voice" could be used for classroom or individual student study of the play; although anyone interested in the play or exceptionally controlled and elucidating readings of literature would find this work rewarding.
Henry Berry, reviewer
The Small Press Book Review

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A luminous new HamletReview Date: 2007-02-16
She shows how for the past 200 years many aspects of the play that were important to Shakespeare's contemporaries have been buried under the later obsession with interiority: the pensive, dilatory Hamlet of today's tradition. In this later critical evolution, a long procession of thinkers from Coleridge to Freud to Lacan have reinterpreted the play in an ongoing attempt to solve its (apparent)central question: why does Hamlet delay?
But de Grazia shifts the ground convincingly to more pragmatic and earthy concerns. She also shows that because the past two centuries of scholars have seen in 'Hamlet' a yawning question-mark, they have kept the play in the forefront of the modern by filling it with ever-new solutions based on Hamlet's inner conflict.
In 'Hamlet without Hamlet' professor De Grazia, while still honouring the power of these later interpretations, performs the miracle of recovering what they - and modern consciousness - have subsumed. Surely a landmark book.

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You will be absorbed into the storyReview Date: 2006-09-16
You can take time to scrutinize and pick apart many underlying themes or may of the phrases that now challenge Bible sayings in today's sound bites. But the real fun is in just reading the story and you will find that it is not as foreign as you may have thought.
A quick synopsis is that Old Hamlet conquered Old Fortinbras seizing his land. Now that Old Hamlet is dead, Young Fortinbras wants his land back and is willing to take it by force. Meanwhile back in Dänemark Young Hamlet who is excessively grieving for the loss of his father, gets a now insight from his fathers ghost. Looks like he was a victim of a "murder most foul"; it looks like his mother and uncle were in cahoots on the murder.
The story is about what each person felt and acted or did not act upon the situation.
You will find many movies and perverted imitations of the story but nothing will replace the original scripts that were intended to be watched.
Rosencrantz & Guildenstern Are Dead

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It makes Shakespeare readable without trashing the originalReview Date: 1999-05-27

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Shakespeare Made EasyReview Date: 2006-02-18

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Great for all readers!Review Date: 2005-02-10
Whether you're a student, a teacher, or just someone who loves to read, I think you'll find this side-by-side book fantastic.

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Bloom still controversialReview Date: 2006-06-11
This anthology was recommended to me by someone who loved Bloom's huge
book Shakespeare and the Invention of the Human. The recommender hadn't
read it, but thought it would be a celebration of Bloom. It partly is, but mostly
it takes up the controversy over Bloom's role in the literary reception of Shakespeare over the last twenty years. Most of the essays are very readable and enjoyable. Particularly good are essays by Hawkes, Fahmi, Desmet, and Charnes. Linda
Charnes' concluding essay "The Two Percent Solution: what Harold Bloom forgot" is
a knockout, a tour de force on what's wrong, and right, with Bloom, and with literary criticism in general these days. Anyone interested in the controversy over Bloom and the Bard would greatly enjoy reading through the essays in this book.

Brave HeartReview Date: 2007-09-12

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A Great "Can't Miss" Presentation of ShakespeareReview Date: 2007-02-20
We all need our Hals and Hotspurs. And, yes, we need our Falstaffs as well.
An exceptional presentation of an exceptional work.
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Lavneder focuses on three of the great contemporary theatrical visionaries and places their working methods under a sharlply focused scholarly microscope. His remarks on Brook's working methods are particularly insightful when reading The Shifting Point concurrently.
This is a fine piece of work and one that any student of directing, contemporary theatre practice or indeed Shakespeare would do well to read.
Andy didn't pay me to say write this. Go buy it!