Classics Books

This autobiography was written very well. The author was committed to getting the facts out without glorifying himself. Done very well. I appreciated being told about the genocide in Rwanda without all the gore. I understood perfectly what he was describing without seeing it on screen. I learned so much from both his experience and his trials trying to get help from other nations. Great book!

My product arrived in time and in very good condition!

would definitely purchase again

Paul Rusesabagina is an ordinary man. He feels sadness and joy, fear and hope just like the rest of us. He is not a superhero in the ordinary sense of the word--he cannot fly, he does not have an agility belt, and he cannot scale walls. He is an ordinary man by all accounts, but in 1994 when the dark cloud of tense hatred between the Tutsis and the Hutus that had been brewing for decades in the small country of Rwanda erupted into a genocide that left eight hundred thousand dead, Paul Rusesabagina's actions as described in his biography An Ordinary Man were anything but ordinary.
Rusesabagina was born in a small village in the countryside in 1954. His mother was a Tutsi, and his father was a Hutu. According to Rwandan tradition of heritage passing through the father's bloodlines, Rusesabagina was considered a Hutu as well. Rusesabagina's father was his inspirational role model growing up, and his philosophy that "kindness and justice did not know ethnicity" was embedded in Rusesabagina's actions later in life (12).
Rusesabagina learned early on in life to fight with his words, not with his fists. He found that by speaking to people face to face, he could connect on some level, and convince them not to do him harm. This technique worked with schoolyard bullies, and later on with murderous, fanatical generals. Rusesabagina found work at the hotel Mille Collines, and eventually became manager of its sister hotel Diplomates.
After the plane carrying President Habyarimana was shot down, the extremist radio station RTLM began to use powerful diatribes to convince Hutus that it was their duty to murder the Tutsi "cockroaches." Rusesabagina, a moderate Hutu with a Tutsi wife, was able to negotiate, bribe, and flatter those carrying out the murders into sparing the lives of the 1,268 refugees that had fled to the hotel Mille Collines. The world turned a blind eye to the genocide and for a long seventy-six days, Rusesabagina had only himself and his words to save his family and the refugees from certain death. It is estimated that about five people were brutally murdered every minute. Rusesabagina managed to save approximately four hours worth of people. Eventually, he and the refugees were evacuated. Rusesabagina and his family moved to Belgium, where they reside to this day. In 1999, the movie Hotel Rwanda depicted his actions during this "dark bead" in Rwandan history.
This is one of the most remarkable books that I have ever had the pleasure of reading. It's so morbidly fascinating that even though at several times I felt physically ill, I was unable to put it down. Rusesabagina has a special skill as an author, and is able to paint an accurate and horrifying picture of the events that occurred, but at the same time is able to insert his whole-hearted and stubborn belief in the "triumph of common decency" over evil (203). Rusesabagina is able to argue this in the face of heartache and bloodshed. He is even able to provide concrete examples of people in the book that hacked their neighbors with machetes but still had a drop of human kindness desperate for an excuse to show itself.
Rusesabagina unapologetically criticizes all the nations that ignored the genocide for far too long. Rusesabagina not only provides criticism but also possible solutions that could have staunched the bloodshed quickly and effectively in the genocide's early stages. He also provides an excellent rhetoric on how extremists were able to convince rational, calm people to take up machetes and kill their neighbors and friends. Rusesabagina is able to counter the extremist rhetoric with words of his own, and uses this same skillful mastery of words that saved so many from slaughter to narrate this fantastic and moving book.
There are very few weaknesses in An Ordinary Man. Yes, the gore that is described twisted my stomach and left me feeling tainted and disgusted with mankind. After reading too much, I was almost unable to continue, but then again the mass genocide of men, women and children is not supposed to be neat and digestible. The descriptions are meant to shock and sicken. At the end of the novel, I felt ultimately dissatisfied and furious with the abject lack of justice. But this is a specific tactic used to irk the reader, because justice has not occurred in Rwanda and murderers still walk the streets. There is little justice to be found in that, and there is no reason why Rusesabagina should candy coat the issue to make the reader feel better.
Rusesabagina leaves the reader feeling hungry for more knowledge of the Rwandan genocide. His book inspired me to do outside research on the Rwandan genocide, and all of the other humanitarian crises that have occurred since then. Rusesabagina believes he is an ordinary man because to him saving all of these people seemed the most normal thing to do, something every man ought to have done. His message is a simple message of hope, a message that every man has the capability to give a "Rwandan no" to evil (203). His book serves not only a testimony to what happened in the dark days of the Rwandan massacre, but also serves as a means of getting people to care. He cautions that if the world cannot overcome apathy, then the phrase "never again" will be "one of the most abused phrases" and the "greatest lies" of the time. The book leaves the reader with a sense of hope that ordinary men like Rusesabagina will continue to say "no" to evil and do these extraordinary things as if they nothing more than ordinary.

This book was chosen by Middle Tennessee State University for their summer reading book, and being a student there I decided to jump in with all the freshmen and read it as well. I'm excited that he will be speaking at our convocation ( our program to start off the year.)

The thing that interested me most about this book is that he knew not to expect much from his country. He had pride, and he had hope for a better future, but he knew better than to expect anything more than the current situation.
This book is definitely something to be read by those who are very involved in world politics, sociology, and psychology. Rusesabagina delves into each one with vigor, and I very well believe he could be a professor in any one of these concentrations.
I am proud to say that I share the world with people such as Rusesabagina.

I purchased this book two months before I had the courage to read it. I feared it would be too upsetting and entirely depressing to engage myself in.

The book begins with a wonderful history of Paul's life. His vivid descriptions of The Land of A Thousand Hills, the banana beer, the family, his path to hotel management. It is an interesting story about a young man growing up in Africa.

The middle of the book approaches and details the horrific genocide of 800,000 people in as little as three months. The terror, the worry, the perseverence is all conveyed beautifully (if that word can be appropriate). I found inspiration in his ability to use words and intuition to communicate with people who could have taken his life. I felt connected to Paul's belief that nobody is 100% evil, and nobody is 100% good. I like his description of human nature, and felt he truly "gets" what being human is.

The ending of the book focused on his life in Belgium, among other Rwandan expatriates. And the decision to start a business in Africa. What a truly interesting person. I was fascinated by this story. It also shares much of the pre-1994 and post-1994 politics.

Whenever I gently give someone "the kindhearted blow-off" in my mind, I now think, "that was a Rwandan 'no'" I appreciate Paul's sharing of his culture and political environment.

I would enjoy seeing him speak. I appreciated his also sharing a little bit about how the movie came to be.

I really felt the storyteller is a person I could sit and have a beer with, and truly enjoy an afternoon chatting.

The last few pages of the book include a wonderful reference bibliography with information and suggestions on additional books to be read on Rwanda. I appreciated that, and plan to read several.

Roses for Mama is my distinct favorite of Janette Oke's Women of the West books. Angela is so sweet she is just about perfect. Yet, there is enough story to move along. If you read nothing else by Janette Oke, choose this book. Enjoy!

Angela Peterson was only 14 years old and her older brother Thomas was only 16 when they were both left to care for their three younger siblings after their both parents died.
Angela's family moved to the west because their mother wasn't feeling very well and the doctor said that the cooler air might be better for her lungs. Their father sold their farm and they were searching for a new land to build another farm in a region with clear air that would improve their mother's health. Their mother felt better for a while, but when the winter cold made her feel sick again, she knew that she had only months to live. Nobody knew that their father will die even faster.
Now three years had passed. Angela is now seventeen and with the help of her nineteen year old brother Thomas, she worries that she won't be able to raise her siblings to be good people and struggles to teach them what they need to be taught, as her mother would have. Angela also worries that Thomas might soon get married and she'll be left on her own to take care of the children. Angela wishes her mother was still there to guide and help her, but she trusts God and relies on him.
Angela begins to think about her future too. Meanwhile her neighbor's son, a wealthy man from the city moves in and begins to court her. As she begins to know Carter Stratton more and more she realizes that he's not perfect for her, and marries Thane who has been Thomas's best friend ever since Thomas and Angela were little.
I think this book was very interesting and touching. It was also very easy to read. The author described beautifully every point in the story. It's a wonderful story of how God changed their plans, but at the end everything turned out to be even better for them.

This is the third Janette Oke novel I have read, and her books have been consistently good. I think I especially liked this particular novel because the romantic male leads were introduced early, and there were two of them vying for the heroine's attention, which made for a more exciting read. The story begins with Angela and her older brother Thomas running the farm, managing the household, and raising their younger brother and two sisters. Their parents have previously passed away. Enter romantic lead number one - Thane is a good friend of Thomas and the family who works at his father's store in town. It's obvious to the reader Thane is interested in Angela, but she just doesn't seem to see past the old friendship and familiarity to recognize it. Enter romantic lead number two - Carter is the very rich and sophisticated gentleman from back East who comes to town after his estranged father has suffered a stroke and is on his death bed. Angela is taken with Carter's fine appearance, and he makes it know that he is quite taken with her. Obviously, she ends up with one of them, but which one will it be? Finding out is a entertaining read.

My only real complaint about the novel is that it gets a little preachy at one point when Angela explains the salvation process to an elderly neighbor, Charlie. In my opinion, this interupts the flow of the rest of the story. I don't understand why Christian authors feel the need to preach in their novels. Isn't their primary audience already Christian? Wouldn't that audience already understand the basics of the salvation process? It makes me wonder to whom they think they are preaching. I wouldn't expect a casual reader to select a Christian romance novel. Perhaps I am mistaken, and I think this is probably my own little personal irritation anyway. Overall, Roses for Mama is an easy and entertaining read, and the quality is consistent with the other Janette Oke books I have read. I think most readers who enjoy Christian romance novels will enjoy this novel as well.

Janette Oke is a wonderful author and this is a well written series. The reading level is for ages 4-8. My concern is whether it is wise to introduce romance to girls at such a young age? I don't think so and hence my lower rating.
There are plenty other excellent historical fiction series and clsssics for that do not contain romance that I would rather see my daughter reading.

I first read "Roses For Mama" when I was 13 (many years ago), and was completely "hooked" on this story from the start. I have read it over and over and keep thinking about the characters and events even though it's been about a year since my last read. This is excellent fiction for readers of all ages - particularly for teenage girls, as it provides good moral lessons that are strongly needed today.
Though I do agree with some reviewers that Angela is a bit on the perfect side, you can't help but love her. The love that gradually develops between Angela and Thane is very sweet and memorable. One of my favorite scenes between them is after her birthday party, when Thane gives her the necklace (swoon!).
This book is really a page-turner. Thank you, Mrs. Oke, for this story...I wish there was a sequel!

Vera Brittain (1893-1970) was raised as the daughter of a mill owner in the north of England. She was an intellectual who dreamed of majoring in English Literature at Oxford University's Somerville College for Women. In the post-World War I period Vera would return to Oxford taking a second in History and later winning a Master's degree.
The first third of this book deals with Vera's autobiographical description of her raising in a conservative Edwardian home. She was close to her brother Edward; fell in love with poet Roland Leighton and enjoyed poetry. She and her generation were not ready for the horrific reality of the war which would kill over 10 million people.
During the war Vera temporarily dropped out of Oxford to serve as a
V.A.D. (a volunteer nurse). She would serve in London, Malta and France.
She would minster to German Prisoners of War as well as serving with distinction. Vera's beloved Roland was killed in battle as was her brother Edward who fell in the last summer of the war. Vera was seared by these overwhelming tragedies. And yet she went on with her life serving with bravery.
As the war ended she returned to Oxford becoming a feminist and pacifist. She lectured all over England on behalf of the League of Nations Union. Vera married a World War I veteran who became an academic.
Vera would write over 25 books becoming a beloved and popular author in her native England.
This is a long book over 600 densely printed pages. It is also one of the best books about non-combat, civilian life ever written about the war. Many of the scenes in which Vera is serving as a nurse are graphic and touch the human heart with the sadness and tragic loss of a bright generation of young Europeans. This book has become a modern classic which should be required reading in any course on World War I. Several years ago it was broadcast in a miniseries by BBC appearing on Masterpiece Theatre on PBS. This is a book which will remain lodged in your memory. Do your self a favor and purchase a copy soon!

I clearly am in a minority here but I did not like this book. A peer of other notable young British writers like Robert Graves and Wilfred Owen, Britton's book stands out among the male writers of the period as giving a woman's view of the war. The problem, at least for me, is that Britton is so over come with bitterness that she flogs the reader with it from the start.

An early feminist Britton had strong views and supported her male friends and family going off to the First World War but as they fell to the german guns she, like many of her generation, became disillusioned. This is understandable but in writing her book, Britton cannot set aside her bitterness and it makes the reading ponderous and heavy. For example noting a fete in her early childhood and the bunting and flags put out she says "If only I knew then it was all meaningless." we are taken from a little girl's views to a bitter adult in the blink of an eye and it just gets too much.

By comparrison the autobiography of Robert Graves, Goodby to All That, starts out with the childish illusions being enjoyed as a child and slowly the bitterness slips into the writer's world view as he matures and is exposed to the horrors of the war. this is far more subtle and easier to read, meaning you are guided to the ponit he wants you to reach, instead of trying to bludgeon you into the mindset as Britton does.

This is a fascinating, insightful book that it would behoove many of us modern folk to read. Learn about the harder times of the past, while sipping latte in a comfy chair. You'll be thankful for today's comforts -- and today's modern attitudes towards the capabilities and intelligence of women -- after you read what it was like for one woman early in the 20th century. Simply a great book.

The word "classic" gets thrown around a lot these days. Many so-called "modern classics" are not that important, but "Testament of Youth" deserves this reprint as a Penguin Classic. Brittain tells of her early life in the north of England between 1893 and the start of World War I in 1914 in beautifully clear prose, and her clarity of thought and powers of observation make the bulk of the book, dealing with the war's impact on her, painfully vivid without ever lapsing into self-pity. Like too many others of her generation (and the next and the next) Vera Brittain learned almost unimaginable lessons about life and her own inner strength. To that extent, "Testament of Youth" can serve as both example and inspiration.

Vera Brittain came from an upper-middle-class background shared by millions of young women in late Victorian England. One thing that made her different was her great intellectual curiosity and determination to escape a truly suffocating existence that few of today's Western women can easily imagine. What made her like most citizens of the time (and of later times)was her complete ignorance of the meaning of "war." Patriotism, her social conscience, and a desire to take part in the bigger world led her to volunteer as a nursing sister with the British Army. Her grueling hospital experiences were a revelation to her. Her personal losses are even more powerfully revealing of the human condition. Brittain was a "survivor" in every sense of the word.

"Testament of Youth" is just as fresh and moving today as it was when it was written 75 years ago and Vera Brittain tells a story that must be told and retold to each generation. For every reader who finds the book "too long" by current standards (its almost 700 pages), there will be two who wish they could follow the author even further. But even if you find yourself skipping ahead, particularly in the early part, you will not be able to forget Vera Brittain or her story. "Testament of Youth" is one of the great autobiographies of the past 100 years.

Vera Brittain enrolled in Summerville College, Oxford, in a time before degrees were granted to women. This was just before The First World War changed almost everything for almost everyone. When it was over, her best friends, her fiance and her brother had all been killed. She also personally witnessed the agony of thousands in the surgical wards where she worked as a volunteer nurse.

In response, she became a suffragette, a feminist and a liberal writer and lecturer. She sought to prevent such tragedy from reoccurring.

The answers to the political and social questions with which she struggled elude us still. But Vera Brittain's autobiographical account of her generation's trials, Testament of Youth, remains both a stunningly-honest portrait of a courageous young woman and a vivid chronicle of a time almost out of living memory. Through her words we see what we might have thought, felt and believed, had we been born into her era.

A book that covers the nooks and crannies of lower Manhattan. Oddball characters are brought to full
bloom under the author's pen. He knew how to listen! Towards the back some great essays on
growing up along the Carolina coast.

Up in the Old Hotel is a masterpiece. I've read it so many times (it is my ultimate desert island book) and have yet to tire of it. The essays (and the few short stories that are included) are timeless, generous works of genius. Joseph Mitchell captures his odd and wonderful subjects as richly realized individuals, and appreciates the smallest of beautiful, dark and humorous nuances. His vision is presented so humbly and offhandedly, yet with absolute precision and so much respect. You truly feel a part of the experience. I'm not sure there is anyone who could write better. All of the essays are amazing, but my favorites are Mr. Hunter's Grave, The Old House at Home, Mazie, and Up in the Old Hotel. The short stories in Section II of the first book are heart wrenching. This book also makes a really great gift.

Are you going to visit "the City"? Have you been to NYC (and loved it)? Up in the Old Hotel was written before most of us were born but still delivers the savory secrets of this great metropolis. Characters abound who could only exist in NY. Meet them before you go. And be sure to eat a slice of Ray's pizza on Sixth Ave. and 11th Street!

This writing puts you right into a time and a place and makes it real.. This is one of the most charming collection of writings I have read so far.. Joseph mitchell's characters of New york are so endearing.. From irish saloon keepers to gypsys to stubborn old men who swear by their diet.. this is great story-telling.. this is the legend of new york..the legends of the real people and eccentrics who inhabit its streets..

Whenever I can't think of something to read, I pick up Up in the Old Hotel and read a story or two out of it. I've probably read it 4-5 times and never get tired of it. It captures a lost era of American life that is what I think of when I imagine America in its finest light. Reminiscent of Tortilla Flats and other Steinbeck and even On the Road in a way - a gentler time in our history.

This book was more than what I expected...a very attractive appearance, without breaking the bank. It was purchased as a gift, and he is ecstatic about it!!

They don't make books like they used to - or, so i thought, until i bought this elegant edition of The Arabian nights. Beautifully bound, printed on high-quality paper, with an erudite introduction, and clear, but stylish font, I thought how appropriate for the publisher to release a classic such as The Arabian nights in such a 'classic' style, hearkening back to a time when great care was put into published books.
Congratulations on a great edition.

Excellent translation, from the oldest known manuscript of the tales. True to the original, it captures not just the letter, but the spirit of the text. Clearly, Haddawy is a talented writer on his own accord.

A very good place to discover Arab culture as well.

I have been reading this to my 8 yr old and changing or leaving out the inappropriate parts. She loves to hear it, and with the cliff hangers she is always asking for another chapter.

As I took a trip to Egypt over the new year, I thought it fitting that I should read books pertaining to the culture there. So I picked up this authoritative copy of Arabian Nights from the library and took it with me for some reading.

This edition is followed by a second edition that includes the better-known stories (including Aladdin and Sinbad). I didn't recognize any of the stories in this edition. Granted, I didn't read every story.

I think the trouble with getting together an "authoritative text" on the Arabian Nights is that the stories were never meant to be compiled into a book and read straight through. The stories were part of a rich oral culture that involved sitting around a fire with fine musical instruments, good food, great company and a storyteller who could draw in extra details and add in any embellishments that he thought the crowd would appreciate. Meaning- you never really heard the same story twice.

All of this is lost in a print copy. The stories begin to seem repetitive (which they wouldn't, if they were told over the course of a few years by a traveling storyteller) and the language becomes onerous- every section begins and ends with the same two phrases over and over, again and again.

However, the stories are a lot of fun :-) If you're interested in the Arabian Nights, I would certainly recommend this edition- Haddawy does well in his translation. But I'd also only read a story or two here and there, so that you don't become tired of the book. That way, the magic will still hit you. Or maybe, you can become the storyteller and read it aloud to someone else- it would probably be excellent in that form as well!

Wodehouse is perhaps the best antidote I know for depression. His novels are literally unreal, for Bertie inhabits a world of leisure, servants, and privilege, an Edenic world where even the threat of pain, suffering, and mortality have no place, and Jeeves is always there as a deus ex machina. But ultimately we return to Wodehouse (again and again!) because of the language--quite simply, the man cannot write a bad sentence.

I am a big P.G. Wodehouse fan. This series of books is especially fun as each book is easily read and enjoyed. The print size is perfect. Great nighttime reading to relieve the stresses of the modern world.

What can I say that hasn't already been said about the inimitable P.G. Wodehouse???

Carry On, Jeeves is a great starter book for those who are intimidated with the amount of J&W books available (or rather, don't know where to begin). The first story in this book is about the first day Bertie Wooster met his personal gentleman (or valet, if you prefer), Jeeves. The stories easily stand on their own; with the exception of characters being mentioned or being part of the plot, the book is not a novel you have to read front to back. Consider it a literary sitcom, where new scenarios and conflicts arise with each story you read.

My favourite bit about reading Carry On, Jeeves was the last story of the book, where it takes a refreshing twist and is narrated by Mr. Jeeves rather than Bertie Wooster. It was great reading from Jeeves's perspective.

Lots of chuckles throughout and a few hardy laughs. Overall a perfect read.

This volume of ten stories originally hails from 1925. I read them in the 1999- 2000 Penguin paperback edition. While many readers like the covers by Ionicus on earlier Penguin paperbacks, these recent editions with covers by David Hitch are my favorites. They are very well done, reasonably priced and just the right size, which is to say, perfect for the novice or seasoned Wodehouse reader. The stories are also among the absolute tops in the Wooster/ Jeeves canon, and give the back stories that Bertie meditatively refers to in so many of the later books.

As Richard Usborne notes in his invaluable guide, Plum Sauce, five of these stories appeared earlier in My Man Jeeves (1919). Two of the stories there told by Reggie Pepper are here transformed into Bertie's ruminations. Carry On Jeeves was the next collection following the ten stories in The Inimitable Jeeves (1923), and Wodehouse was on a roll. Here's Bertie's first engagement to Florence Craye, and his first encounter with her younger brother, Edwin, the Boy Scout, who rapidly renders unsafe house and home. Enter Biffy and Bingo Little, later fixtures in the Wooster ouvre. Here also Bertie pens his oft- mentioned "piece" for his "good aunt" Dahlia Travers, and her struggling paper, Milady's Boudoir. The last story in this collection is somewhat questionably narrated by Jeeves, but Wodehouse fortunately reverted to telling tales in first person Bertie in the later shorts. Some of these tales also found their way into the Jeeves and Wooster TV shows with even more riotous results. All in all, a capital collection.

Carry On, Jeeves is another classic from P.G. Wodehouse. It follows in the same kind of humorous hiliarious vein of his other books that involve Berty Wooster and his Man Servant Jeeves. This is a book that should not be missed. In fact,
all of P.G. Wodehouse's books involving Jeeves and Berty Wooster
should be thoroughly enjoyed by every one.

This is a real treat: the classic story and a very talented man reading/performing in all its characters as if there were a whole host of different voices. A favorite to hear every year.

I bought this on audio cassette tape 15 years ago. I have also seen Mr. Stewart's one-man show in LA. I have listened to this 100's of times (literally) and it never fails to move me. I could listen to Patrick Stewart read the phone directory, and probably find it enjoyable, but his performance of this classic work is nothing short of amazing. I feel like I am in the story myself and it is so entertaining. My cassettes died the other day so I am happy to see that this brilliant work is still available in some form. Thank you, Patrick, for this wonderful gift, and thank you Amazon, for carrying it. I would have been heartbroken not to be able to replace it.

With the myriad excellent film and stage versions of "A Christmas Carol" out there, the enduring power of Dickens' prose is often overlooked. Mr. Stewart's reading puts they focus right back on the text itself (in his stage performance, he opens the prop-less, set-less show simply by holding aloft his script like a trophy). The pointed social criticism--still relevant after 150 years--and wry wit of Dickens' work comes through loud and clear in Mr. Stewart's commanding voice.

Sitting down and listening to this version is like hearing a beloved uncle tell your favorite story. A fine way to spend a quiet holiday evening.

As a huge fan of Patrick Stewart in his various movies, I was curious of this audio-performance. And I wasn't disappointed. His rich voice and his stage-trained intonation give his performance such a superb quality that I can actually SEE the small fire, SMELL the food in the kitchen and SHIVER in the cold, while the ghost takes Scrooge to the various stations of his life. All is so very authentic that it gives me shivers and gooseflesh is crawling up my arms while listening...Get your copy if you like Dickens. To me it is the best performance ever.

Stewart does an amazing job reading the story. It must be an incredible one-man show. He does all the voices and the sound effects. For example, he just says "ding" for the ringing of the clock as it strikes the top of the hour, but in the way Patrick Stewart does it he pulls you into Scrooge's nervous anticipation of the striking of the final bell. Using different intonations and voices, Stewart draws you into the story. His enthusiam for the story is infectious. His voice is mesmerizing. I can not recommend this audio book enough.

This is a book that was read to my older brother my sisten and lastely me. I have read this to my children and I was happy to find it still in print for my Grandson. It was out of print for some time but it's back. Hardcover, great colors, the origional illustrations still intact. This is an absolutly wonderful book, I was glad to stumble across it on Amazon.

As a boy I had studiously avoided Lindgren's more famous creation Pippi Longstocking, partly because it was about a GIRL ("The horror! The horror!"), but also because it struck me at the time as just too silly. "Mio, My Son" is neither, but I had never heard of it before stumbling upon it in the list of chapter books reprinted by Purple House Press, which specializes in reprinting OOP children's classics. Since they had started by reprinting no less than FIVE of my favorite books from my childhood, all long out of print until they came along, I was inclined to trust their judgment sight unseen. "Mio, My Son" at least, did not disappoint.

Perhaps because it began as a short story of Andy and the genie, which Lindgren later expanded into the current novel, "Mio, My Son" starts rather slowly. I know that I began to wonder when "something" was going to "happen" after Mio arrived in Farawayland, but be patient. Lindgren is slowly drawing you into her world, making you care for characters that shortly will be plunged into terrible danger in the rousing climax. The charming illustrations by Ilon Wikland nicely complement the story. After this I am looking forward to reading PHP's other Astrid Lindgren title The Brothers Lionheart with greater interest.

Note: The publisher claims the reading level as 6-12; IMHO it's better classified towards the younger end of that scale, ESPECIALLY for boys. The Purple House reprint of Mio, My Son is worth picking up even if you own an older edition because of the smooth new English translation by Jill Morgan (the publisher herself?).

I had forgotten about this book until someone just asked me to name my favorite book. I read this book again and again as a child and found it absolutely entrancing. I highly recommend it to anyone who dreams of living in a fantasty world of their own.

I am so happy to find this book in English so that I can share it to my little American friends. In Germany, where I was born in 1983, Astrid Lindgren is a 'must-have' in every children's bookshelf. I grew up with beautiful characters like Mio and Madita, Michel and Ronja. I think the other reviews speak for themselves, I just wanted to add one more thing from self experience:
I think these bed-time fitted books (chapter length chosen for a 15 to 30 min reading session) are what made me dream as fantastic as I still do.
Astrid Lindgren knew the secret of how to catch on to children's interest, and how to pack messages of value in understandable words for them...

From E.A. Solinas' review: "It's never really dark or genuinely thrilling..."

Absolutely no offense intended, but try saying that if you're an 8-year-old girl who loves horses and fairy tales! This book has haunted me for years. I checked it out time and time again from my school library, and tried to find it as an adult, but I couldn't remember the title, the main character's name OR the author. All I remembered was ..."a horse called Miramis"... but that was somehow enough to track it down on a lost books site.

I remember the story as being mystical and full of entrancing descriptions. The story of a journey to destiny is timeless, and really captured me back then. I'm just thrilled to have found it again, and can't wait to get another copy.

Easy to order. Arrived on time.
A funny book for us old folks. I have ordered copies for my aging friends.

This is a great gift for all your friends turning 50!
Lets them know exactly what to expect in the coming years.
No one could say it better than Dr. Suess.

I first saw this book while visiting friends in a retirement home. When I got home I immediately ordered it from Amazon and placed it on my coffee table. If you are even on the verge of getting older, you will understand Dr. Seuss' adventure to the doctor's office, and appreciate the humor he injects concerning the many tests, etc. one sometimes must tolerate as we age.

The family has given this book to friends for years as a gift on their 60th birthday. It is a fun look at the aging process and brings laughter from all who have received the book. Usually we have the friend sit on our laps and we read it to them as we would a child. Great stuff..

What more can be said? There will never be another Dr. Suess. I'm never disappointed when it comes to Dr. Suess. And Amazon has great service, by the way.

i loved the pippi books as a child. i love sharing them with my children. this is 3 books in one, hard bound, coffee table style book. very sturdy and has lots of black and white illustrations throughout.

pippi is a wild child raising herself without parents (her mother is in heaven and her dad is a pirate king). she has a house, a horse, a monkey, and lots of gold. she is very unconventional, yet endearing. she doesn't go to school (she tries it once, but it's just not her thing) and is full of wisdom and worldly knowledge. she has lots of stories to tell the neighborhood kids about her adventures on a pirate boat, meeting cannibals and such. they are so over the top and fantastic you never know if it's true or not (and you'll have to read the books to find out).

reading it again as an adult, i find some things are a bit passe (pippi talks about spanking herself when she's been bad), but i just skip over or reword the parts I don't like when reading it to my children. it's still very entertaining and funny.

It was one of my favorite book when I was a little girl.

Pippi is darling, funny,and adventorous!

I still love to read the story to myself.

I found this book, when I started looking for the Pippi books I remembered from my childhood. Pippi is still as fun and entertaining as ever. I enjoyed reading the stories as an adult as much as I enjoyed them as a child. The book is beautiful with wonderful drawings. This is one of the rare books, where the illustrations bring to life what I imagined. I will enjoy it for many years to come!

Very good book with hilarious stories about Pippi. Great for kids and adults.

It was very empowering for me as a child to read Pippi's adventures. Her independence, common sense, strength, resourcefulness, and compassion were a tremendous inspiration to me and continue to be very commendable qualities. I don't believe much was lost in the translation of these books because the storytelling flows superbly and is exciting, engaging, and enduring. As a youngster, my favorite elements of these stories included Pippi's horde of gold, pet horse, physical strength, fantastic adventures, and red hair. As an adult, I am drawn to the heroine's wisdom and goodness of spirit. For adults who read Pippi as a child, I recommend a revisit to her world for a fresh view of her character as well as delightful reminiscing. This is terrific reading for all ages both girls and boys.

J.H. Sweet, author of The Fairy Chronicles