Classics Books

This is an outstanding story, well told. I think it should be required reading at the high school level. I also think every member of Congress should read it. It is not only heart warming, but really significant that one person can accomplish so much and to know that there are so many muslims that share or value of education for both boys and girls. It was also very educational about what is going on in that part of the world.

Good book but i have some questions about the book, but who will not have the. Overalla good book but the writer should keep one thing in mind that its hell lot of difference bw himalayas and USA. even in NYC whats right is totally obnoxious in West virginia!
100% recommended!!! worth reading!

This book was absolutely amazing. I don't have much to write as others have already done great reviews. I want to say that part of the book's intent is to convey that education for remote areas of Pakistan and Afghanistan is essential in reducing/preventing extremist sects. However, I think is it also essential for the rest of the world to read this book as education on the importance of these values and as a great look into an insider's view of the culture in Pakistan and Afghanistan. I was blown away by this book and if you can read it, you should!

This is an incredible story of how one man was inspired through the events surrounding a mountaineering failure to attempt and achieve what was otherwise thought impossible. Greg Mortenson has not only built and financed a school in one of the poorest and most remote parts of Pakistan, he has done it with grace and respect that is lacking from so many humanitarians in the world. Furthermore he has replicated this feat dozens of times.

This book is a must read for human beings all over the world. It is highly instructional especially for those in positions of power to help us make intelligent decisions.

My only very minor criticism is that the writing was a bit dense in parts with a few of the details and stories leaving me thinking "that didn't add to the central story, was it really necessary?"

Nevertheless it is otherwise an inspiration to what one person with a clear goal and determination, a bit of luck, and love in his heart can do for world peace.

If there is any justice, Mortenson should get the Nobel Peace Prize.

Insightful and inspiring! I have spent many months living and working in different parts of the Middle East and I will go back next time with a different view - for the better. Greg Mortensen should be highly commended for his compassion, dedication and selflessness; and so should his wife, Tara. I have never been so inspired to want to help others that are much, much less fortunate than I am.

i absolutely ADORE this book. i fell in love with it for the first time when i was 12. i am 18 now, but the storyline and the characters are endearing to me every time i read it i must have read Ella enchanted about five times. the romance between ella and char is innocent, but it captures my heart every time. I was very disappointed when i saw the movie. I dont think the movie captured the essence of Ella and the magic that Levine bestowed in her book. If I could, I'd create a movie that is true to the book and its characters. Even though it is a children's book, it is still accessible to adults (though i am still kind of a child at heart- i LOVE fantasy stories)

1000000% RECOMMENDED

I actually saw the movie before I read the book and I loved the movie, but it's vastly different from the book. It was interesting to see the differences. I can see why some of the changes were made for the movie, but both are great in their own right.

I liked the treatment of Lucinda in the book better than in the movie. In the movie, Lucinda never learned or understood what she did to people, but in the book she did when Mandy tricked her into experiencing what she put Ella through.

I also liked that Ella had to find the inner-strength to break the curse, opposed to having an easy quick fix of undoing it. To be honest, Ella would have probably in more trouble if Lucinda had reversed the spell, so even if she wanted to obey at times, she would then be under a curse to never obey.

I also like that the prince was treated as a real person and given a real personality. Rewatching Disney's Cinderella as an adult, I was shocked how truly vapid the prince was. He had no personality. He was just a stereotypical pretty boy.

It was also nice reading the progression of Ella and Char's relationship, instead of her going to a ball and just falling in love with him.

This is a great book, which I'll definitely read again.

Romance, although also could be fantasy. Upper elementary to middle school. Reading level is supposed to be grade four, but it seems higher to me. 232 pages.

I read quite a bit of this book before I started to enjoy it, but because the librarian recommended it, I stuck with it. The book is the back story of Cinderella, although the reader doesn't realize it until near the end. Instantly, the story of Cinderella--which I never really liked--has a profound truth I now see: When we walk in another's shoes, our perceptions change. Honor book. No illustrations.

Ella Enchanted
By Gail Carson Levine

Ella only wanted to be a regular girl. But instead the day she was born, a curse was bestowed upon her. The gift of obedience. The fairy Lucinda does not think before she gives these silly curses and so when Ella is told to do something, she has to do it. If someone told Ella to kill herself she would have to obey. When Ella's mother gets very sick and dies, Ella is left with Mandy her cook that is her fairy godmother and her father. Ella's father traveled all the time and he doesn't know about her curse. Just like her mother said "Don't tell anyone about your curse." Ella had to obey.
But when Ella's dad introduces her to Dame Olga and her dreadfully bossy daughters, Ella realizes that the elder one, Hattie knows that Ella will do anything she says. Hattie commands Ella to give her the necklace that Ella's mom gave to her. But there is a silver lining on the story. Ella becomes dear friends with Prince Charmont, or as his friends call him, Char. Just when Ella thinks that Char and her are becoming great friends, Ella's father ships her off to finishing school so she can become a true lady with Hattie and the spoiled Olive (Hattie's sister).
Finishing school is the worst place for Ella. She must obey every command no matter how awful or difficult. When Ella cannot stand it anymore she runs away, and decides to quest for her fairy godmother and reverse the spell. But Hattie had forbidden Ella to see Char. So how will she be able to tell him how she really feels when he thinks she never wants to see him again?

Many young girls dream of having a fairy tale life just like the ones that appear in Disney movies such as Cinderella, but what happens when these girls grow into young ladies and expect a little more than your usual fairy tale? In her novel Ella Enchanted, Gail Carson Levine adds a whole new twist to the familiar story of Cinderella. With the use of point of view, characterizations and themes, she achieves to appeal to a budding, young female audience that already has a love for the classic Disney tale.

Point of View
Carson presents a first person point of view that allows Ella to narrate her own story. Her thoughts, her commentary and each of her actions are plain for the reader to enjoy and experience a first hand look into Ella's world. The reader is allowed to relate her character, as she seems more realistic (as far as a fairy tale goes) than ever before, as she goes through every day teenage trials with boys (a prince, to be exact), friendship, fitting in, envy and such problems that still happen today.

Characterizations
Ella
While Disney's Cinderella is an upbeat, optimistic girl that seems to have the whole world set out for her, Levine's Ella is given a whole new dimension as a character. Ella, as a child, receives the "gift" of obedience by the wayward fairy, Lucinda. Forced to do everything she is told, Ella develops a strong, rebellious character determined to become her own person, despite what others command her to do. She may subdue physically, but mentally and spiritually, she is a character that is intelligent beyond her years that refuses to conformity, aesthetics and propriety for the wrong reasons. Carson develops Ella in such a way that her flaws and struggles with herself and others are present. Ella is not a glorified storybook character that has everything going perfectly for her; she fights for what she believes in, she makes mistakes to learn from them and goes through the motions just like her young female audience.

Prince Charmont
When the thoughts of a charming prince come to mind, what is available is only the idea of a charming prince who is just there to both save the day and marry the girl. While in most fairy tales, the female lead character usually overshadows the male equivalent; Prince Charmont is far from hidden. Carson develops Char (as he is cleverly nicknamed) in such a way that he breaks away from the usual princely stereotypes by adding a little more to his personality but still maintaining the characteristics that would most likely still make any female weak in the knees. When Ella first meets Char, she keeps her distance in a demonstration of respect of his nobility, but he refuses to be regarded of higher ranking and asks to be addressed as any other person. He is kind hearted and humble but still he holds strong and true to the convictions that he is instructed as a young ruler. One example of this is when he pauses the beginning of a military journey to get on his hands and knees to help a merchant whose cart is overturned, instead of leaving off and ignoring the lower class. Another defining characteristic is that he, like Ella, struggles to create his own identity under the overpowering shadow of his future as the ruler of the kingdom of Frell. Char's authentic infatuation for Ella and his deep respect for her are what make the reader believe him as the true charming prince.

The Fairy Godmother
One may expect a flick of the wand and a bibidi boppidi boo to describe a fairy; Carson declines to this generic view. Mandy, Ella's fairy godmother is described as aging, overweight, speckled with freckles and frizzy hair. She hides her true identity from Ella and for the first 16 years of Ella's life, she is known as the kitchen maid and nanny. Her real self is only discovered after Ella's mother died and Ella is left to the care of no one but her father. The way that Carson portrays Mandy is in a stern, parental way so the reader can see her as a mother figure for Ella, more than just a fairy godmother that provides every single wish. Carson makes Mandy out to be a lovable character towards the reader because she nurtures and takes care of Ella while still remaining firm to what she thinks is best for her goddaughter.

Themes
In this novel, Carson explores themes that are of interest to a young female audience. One of these is the search for an identity and a place in the world. Carson develops her main theme as Ella is trying to establish herself as a person with her beliefs and convictions, and not just become a pawn to anybody's game that has knowledge of her curse. She demonstrates to the audience that they do not have to conform to a popular idea and encourages the reader to form opinions by gaining knowledge by Ella's example of maintaining her integrity and refusal to ignorance.

Another theme that goes hand-in-hand with the one mentioned before is integrity, being true to who you are. Carson encourages this by making Ella such a strong character that even though she is forced to be someone else, in her mind, she is determined to be who she truly is. Char is also another example of integrity. He is a prince, a trait that may give way to arrogance and to discrimination by status, but he denies any association of himself as a person to his nobility.

With these different literary aspects, Gail Carson Levine creates a fairy tale all her own that only alludes to the commonly known storyline. She creates a story for young girls to be immersed with such believable characters in a fictional world that teach very valuable lessons while also having those key elements that happen to draw the audience in.

A tale of growing up and acceptance with a strong female lead who shows, without being ultra feminist, that girls can accomplish anything that boys can.

Admittedly a huge fan of the "women-warrior, disguised as a man" characters, I have been disappointed time and again by peoples take on them, but not this time. The take on magic, the involvement of the gods, and the world, which holds different morals, gave to a very interesting atmosphere for the books to be set in. Alanna is a character that I couldn't help cheering for, and identifying with.

Granted as others point out, this is very obviously a first novel that will kick-off a series. And while I did enjoy it, I do prefer to have series of novels have the ability to be stand-alones.

A terrific kick-off, to what I hope to be a wonderful series.

My Mom bought me the series 10 years ago when I was 13... Since then I have read them over and over and over... I find them impossible to tire of and once I start reading I don't want to put it back down... although by now I have half the books memorized.
I started reading these books when I was 13 years old and loved them... now at 23 years old- I still love to read this series.
The Immortals series is excellent as well.

I did not realize when I bought these books that they were for young adults, I still thoroughly enjoyed reading about Alanna's adventures, friends and family. Alanna proved to the men again and again that "anything you can do I can do better". A great message to put out there for young girls. And even though it took me 1 day to read each book I just couldn't stop until I was done!

Is no one bothered by the essential lack of values in this book? Getting what you want is more important than honesty or respect for others. The main character threatens others with horrible, supernatural punishment, tricks her father, lies outrightly, and that's just in the first chapter.
What about integrity, justice, truth as foundations of doing right?
Compare this heroine with Jonas in The Giver, Frodo in The Lord of the Rings, Andy in Wolf Rider, or Karana in The Island of the Blue Dolphins.

I read this in an unabridged edition (117 chapters, circa 1400 pages), which I don't regret. However, having plowed my way to the end, I am tempted to classify this along with "Dracula" as a "classic" novel whose reputation rests more on its great beginning than on its middle and end. It was great up to about chapter 30 (describing the betrayal, imprisonment and escape of the hero, and the reward of his friends). However, once the story starts to sink in to the prolonged revenge, it starts to lose its way for me.

After chapter 30, the hero becomes a sort of divinely inspired madman, who imagines himself to be, and apparently is, a mere tool and agent of God's justice. His behavior transcends moral laws, his plans transcend human intelligence, and he becomes impossible to identify with as a character. Fortunately, there are plenty of other characters, and the story, from this point on, is rarely told from the mysterious Count's point of view. If you are willing to settle in and be patient, you can have some fun watching the weaving, interacting sprawling plot threads. Even so, when it was all said and done, it was wrapped up in a way that left a bad taste in my mouth.

I would not, however, recommend reading an abridged version. Too many threads intersect, and you cannot trust an abridger to like the same parts that you will like.

Having never read The Count of Monte Cristo and only faintly recalling a movie of some years ago, I was prepared for a swashbuckling epic of swordplay and derring-do. My expectations were entirely inadequate. The Count of Monte Cristo is rather a tale of revenge through the artifice of intrigue and cold calculation. Dumas creates a broken man, betrayed by a trio of duplicitous schemers, and devotes the bulk of the book to the complex machinations employed in retaliation.

The phrase "intricately detailed" does not begin to describe the plots and sub-plots which carry this classic forward. Like all novels of its period, the author relies on what the modern-day reader would consider implausible convenience. This doesn't detract from its worth. To create such a tightly-laced weave, some liberties must be granted. The reader gladly forgives Messr. Dumas.

On par with The Brothers Karamazov, Anna Karenina, and the works of James Fenimore Cooper, The Count of Monte Cristo is wonderfully thick and magisterially constructed. Set primarily among the preening social elite of post-Napoleanic Paris, yet ranging from Rome to Normandy, it is a 5-star reading experience.

NOTE: I really hate that Amazon includes reviews from several editions of the same book under one heading. Some editions are abridged for this novel, and that truly is an injustice and the reviews show that. The Oxford Classics version - which I read - is an UNABRIDGED version, and my review is based on that.

This story revolves around Edmond Dantes, a young man who seemingly has everything going for him. His employer has much regard for him and is about to put him as captain of his own ship, he is about to marry the woman he loves, all is right in Dantes world. Unfortunately, this type of happiness and success breeds jealousy and envy, and Dantes finds himselft falsely accused and imprisoned. He does escape, and therein the true tale begins.

The story weaves back and forth and entangles lives - but central is the thirst for revenge. Dumas certainly has a way of telling a story, even a long one, and keeping it interesting a fresh. There are twists and turns and an entire host of interesting characters. One moment I found myself cheering for Dantes and the next I was hoping he wouldn't do what I thought he would. However, one can never be too sure of what might happen next or where the story might go.

I had put off reading this novel because of the length for so long, and I now regret having done that. Although the tale of revenge is an old one, Dumas has managed to weave a story filled with mystery, adventure, and excitement with just a touch of romance - what more could a reader possibly want?

I saw the recent movie, (The Count of Monte Cristo - 2002, staring - James Caviezel) and loved it so much, I ordered the book, and this is the version I choose. Unfortunately, this is the first book I've ever read that the movie is actually better! The abridged version is so limited it misses the very crucial points in this wonderful insightful story. If you're an adult I suggest reading an unabridged version in order to get the profound message this book addresses.

I bought this book for one of my children for a summer reading project. I needed a specific version and was glad I could search Amazon by ISBN. The book arrived quickly and the price was reasonable. I'm sure other family members will enjoy the book when the projcet is complete.

What a summer ride I've been on reading Lonesome Dove. I don't know where I've been the last 15 years to only now discover this absolutely amazing story. I smiled, laughed, and cried my way through it. I will surely miss the Hat Creek Cattle boys keeping me up at night. What an adventure!

It took me several attempts after several years to get through the first chapter -- don't ask -- but I am so grateful I persisted. What a wonderful book and great masterpiece. Simply satifying on every level. What a joy!

I wish I could have given this grossly over rated book zero stars. Even one star is being too kind. Having heard so much, I felt totally let down. Lack of development of characters, slow pace, no excitement. Come on, when we read a western we want a John Wayne kind of a western. Good story, emotions, actions. Want to read westerns? Try finding the SUDDEN series. Now thats what was required. What we are handed out is trash. Do yourself a favour. Avoid at all costs.

This novel is like the Rio Grande river, where the story begins: Long, wide, but only a few feet deep.

I read almost 400 pages, waiting to be gripped, but then I gave up and rented the miniseries on DVD instead. It's terrific -- four stars!

The next time I want to read a Western, I'll get a Louis L'Amour. Fun, well-written, packs a punch, and done in two days.

I need the book-equivalent of methadone to wean myself off the the genius that is Lonesome Dove.

This was my son's favorite book when they were toddlers and I loved reading it to hem. I
just purchased again for my 5 month old grandson. This book helps children tap into their personal power within through the use of likeable imaginative monsters. Ce Ce

Sometimes we just can't seem to settle down before bed. During those times, I reach for "Where the Wild Things Are" so that my two sons can roar their terrible roars and gnash their terrible teeth and roll their terrible eyes and show their terrible claws.

The book is short -- perfect for bedtime reading -- and very interactive. The story follows Max and his wild imagination to a magical land. I use the book to reinforce in my sons that they need to settle down in the evening and not get into the type of mischief Max falls into.

This is a great addition to your bedtime reading collection.

I loved this book as a child, so I bought it for my 4 year old. I had forgotten how great it is. It's truely a spectacular little adventure. Not too long to even read two or three times...you know how four year olds are...

This one is a classic, of course. Chances are that you remember it from your own childhood, what more is there to say?

My nieces love this one. It's not too wordy, so it's great for very little children and for those nights where you really want everybody in bed five minutes ago! But the words that are there are perfectly selected, nothing is missing. Lyrical is the word I'd use.

And the story about Max having his time-out and repenting (or, for that matter, his mother changing her mind about her over-reaction) is one that most children can relate to, I think.

If you want something really wild read the Adventures With Boys series! It's as good as this book!

I started reading this book to my son when he was 12 months old and since then he has always loved reading it. The words are flowy and interesting enough to capture his attention. A definate must have in a toddlers bookshelf!

This was one of my son's favorite books!
It brings back a lot of memories!

I read this to my hyper-active 3 year old daughter. The repetition of the rhythm helps calm her down before going to bed as if hypnotizing. If that sounds a bit weird-out, don't worry, it doesn't really hypnotize your kid but I'm sure many of you parents might think that might a good idea at around bed-time.

We bought this book for my 3y.o. son a couple of days ago and he loves it. Though it is very simple compared to what we usually read (he's a big Seuss fan), the pictures are colorful and very creative, and it's a great introduction to animals and colors. Plus, because of it's simple lines and rhymes, it's easy for him to remember and he likes to "read it" himself... as he is interested in "reading" stories to us this is a great experience (with his favorite Seuss books such as The cat in the Hat this is not so easy). I was a bit doubtful about buying this book because he is used to more complex stories, but I'm happy to say that it was a great buy! :-)

I bought this when my son was only a year. I had it on the shelf for a few years without much use. He picked it up one day, and we read it together when he was 3. He wanted me to read it again. That was all he needed, he started to read it back to me.. and to his brother.. and to anyone who would listen. He even recites it when the book is far away. What an impact it has had. A good buy, but wait until they are a bit older than 1. ;)

I am going to make this simple. I read an old paperback copy of the original "Hitchhiker's Guide to the Galaxy". Having enjoyed reading the original, I found the "Ultimate" version in the discount section at Barnes and Noble. What a great buy for ten dollars.

Not all may like the series. For those that do, I highly recommend all additional books to the original. You will not be let down, as (the late) Mr. Adams continues to entertain again and again as things move on. Just about any science fiction fan with a sense of humor will love these books.

Great read, I didn't even know about the Zaphod short story (my own words) that was included in this book. Happy to have all of the stories all in one book and makes it easy for me to go back and reference parts from the earlier stories, especially since I enjoy noting the really good lines.

I've lost track of the number of times I've read the Guide novels over the years. This compilation of a 'trilogy in 5 parts' makes it nice and easy to read them all as one continuous story. I don't really need to elaborate on how good these stories are as those who have read them will already know. But to the uninitiated I strongly urge you to purchase a copy, prop yourself up against your towel, and eat plenty of peanuts. And most importantly, Don't Panic!

If finding out your house is about to be bulldozed to make way for a highway bypass is unnerving and life changing, imagine finding out the same is about to happen to your planet. Thus begin the adventures of human Arthur Dent in The Ultimate Hitchhiker's Guide by Douglas Adams.

Of course Adams is not the first writer to use science fiction to satirize the foibles of the human race and its institutions and culture (including science fiction), but he does does so with a rare combination of sophistication, style, and humor. His description of why the bypass is being built and why Arthur doesn't know about it alone starts the series off on a scathing note. In the universe of The Hitchhiker's Guide to the Galaxy (the book within a book), people sometimes survive government and corporate bureaucracy and personal greed and thoughtlessness, but more often destruction and waste seem to result.

Throughout his post-Earth adventures with Ford Prefect, the two-headed Zaphod Beeblebrox, fellow human Trillian (Tricia McMillan), and Marvin the perpetually downcast robot who takes lows to new highs, Arthur is the proverbial Everyman, whose struggles to make tea (and thus achieve some sense of ordinariness) in his new life result in near-destruction. At one point, he happily serves as "Sandwich Maker" on a pre-technological world that views this skill with awe.

Adams is perhaps strongest in his numerous asides in which he talks about The Hitchhiker's Guide to the Galaxy, the publication for which Ford Prefect researches and writes, and the Encyclopedia Galactica; the nature of improbability; the humorously and seemingly invariable and inevitable tragic histories of various planets and races; and various theories surrounding such things as time, space, and infinity, almost always with a slyly serious wink about the absurdity of it all. These digressions allow his imagination and his intellect to soar and in many cases are more interesting than the story itself. This may go back to how The Hitchhiker's Guide to the Galaxy begins--that people want to move between Points A and B very fast, and that people at Point C in between (Everyman Arthur Dent) "often wish that people would just once and for all work out where the hell they wanted to be." There seem to be no Points A and B in Arthur's new universe; there are infinite points and lines and continuums, most of them absurd in one way or another.

With the exception of Trillian, Arthur's fellow travelers are well drawn. The most amusing is, sadly, Marvin, whose programmed depression is annoying and whose perception is accurate.

There are ingenious ideas scattered throughout the six stories, including the irony of a lorry driver who hates the perpetual rain that follows him no matter where he goes because, unbeknownst to him, he is a Rain God.

The problem is that many of these ideas, like life events, crop up randomly, play themselves out, and then seem to fall flat in the end. Undoubtedly, this is part of the universe as Adams sees it; it is made up of absurdity upon absurdity, which may not have neat Point A to Point B progressions. Some of this lack of cohesion also may be the result of transforming material written for episodic radio into book form; a certain sense and continuity may have been lost as the author diverts his tale to Points E, M, and T.

The first two books, The Hitchhiker's Guide to the Galaxy and The Restaurant at the End of the Universe, are the best in the series. Life, the Universe and Everything is, almost as the title promises, too contorted and meandering. So Long, and Thanks for All the Fish, which takes place on Earth, lacks an engaging focal point, which makes it seem long and tedious at times. "Young Zaphod Plays It Safe" appears to be a throwaway story reflecting the author's views. Mostly Harmless, written at what Adams admitted was a bad time in his life, lacks the élan of the earliest books; it is more downbeat in attitude than its predecessors and borders on determined and grim. Marvin is long gone as comic relief; the weakest character, Tricia/Trillian, now moves to the forefront but without further development; and even Ford Prefect has sobered up, quite out of character. It as though Adams wanted his characters, most notably Random, to reflect his anger and depression and his universe to end without possibility of resurrection--in the same way that Arthur Conan Doyle tried to kill off Sherlock Holmes.

Underneath the satire, the humor, and the bitterness, The Ultimate Hitchhiker's Guide is imaginative and thought provoking, revealing a rare story-telling and writing gift that is brilliant both on the surface and in the depths.

As usual the movie can't live up to the book. This is a must-read -- one of those points of cultural brilliance that will still be read three hundred years from now. Be prepared for very dry humor, British-style...

I made Scorpion part of my advanced summer reading program because of its description and the awards it has won. The story is about the life of a boy who is a clone of a drug-lord. I think the book won the awards for the issues it raises such as morality, cloning, and prejudice rather then the quality of story or writing. I found the characters uninteresting especially the dialog. The writing did not transport me to this foreign location and time period. Overall I found the book a chore to complete. I recommend some of my other summer choices: The Book Thief, Octavian Nothing, To Kill a Mockingbird and Skellig. I really felt House of the Scorpion was a waste of my time.

This was a nice one, a fast, easy, interesting read that I got to after reading a few heavy, slow-moving books. When it's taken me a week to read each of the last two books, I really need a one-day read as a pick-me-up, and that's what this was. The House of the Scorpion is a very interesting little dystopia: the drug lords of Mexico, led by one Matteo Alacran, managed to swing a deal with the US and Mexico whereby they were given the area around the border between the two countries as their own sovereign territory; in exchange, they agreed to stop completely the flow of illegal immigrants, and also promised not to sell their drugs in either nation, but go to Europe, Asia, and Africa with their product. So now, 100 years later, Matteo Alacran is still alive, owing to the fact that he keeps growing new clones of himself in order to harvest their organs. He's not unique in this, the other drug lords do the same, but what is unique is that Alacran allows his clones to retain their minds, to learn and experience life until he needs to cut them open and take their still-beating heart, so to speak. The novel is the story of the last of these clones, who goes by Matt.

The author does a nice job of portraying life as the complete outsider. She also created excellent characters for El Patron, who is the original Alacran, and Tam Lin, the IRA terrorist-cum-bodyguard who befriends little Matt. It's a nice little idea that Alacran gets his security personnel from other countries, since, as he tells Matt, that means it's harder for them to plot against him; his most recent hiring was a group of English soccer hooligans. There's also a nice idea of how the country turns the captured illegal immigrants into mindless slaves to work the fields, and I love the depiction of the Alacran family and its infighting and scandal and hatred of themselves and pretty much everyone else.

The problem, if there was any, was in the last part of the book; it's a nice little chapter in the story and it has a good resolution, but the only problem with it is that it has no connection to the rest of the book: the last section is about Communist oppression and government corruption, and the first parts of the book are not. It disappoints because the themes in the first section are so strong, so immediate -- drug cartels, illegal immigrants, cloning; it is about what makes one a human being, what makes people into a family, and also gets deep into the purpose of a nation and a government. These were all explored, all fascinating, all done with an adept touch as the book never got too profound or preachy -- and then they were all abandoned as the setting shifts. I suppose we could see the last section as offering an alternative to the nation of Opium, and trying to show that every nation has its problems, but that is rather a different idea, and not one that connects well with the other main points.

Despite my henpecking, however, the ending of the book was fine, and the first three-quarters of the book were excellent. This is a great recommendation -- especially for boys who aren't big readers, as it was recommended to me by one such. It's science fiction and action, but both are thoughtful, and neither is overwhelming.

This book is simply amazing--fluidly well told, with none of the typical "coming of age" tawdry sexualization, no offensive language, just an interesting take on contemporary issues. The realistic characters and well-paced story make this book worthy of all the awards it garnered. Buy your kid this book--then read it yourself!

I found the storyline in this book to be very bizarre to the point where at times it gave me the creeps. Yet, I could not put it down. The characters were compelling as were their struggles in life. The book was packed with moralistic sub stories and character twists that all seemed to come together to make this book a fantastic effort from the author. Highly recommended.

A real page turner, I can see why its now on many schools summer reading lists.

I read this before I read the other series (Song of the Lioness)so I really had no background info on the setting. The plot is intriguing and the details back it worthwhile.

Daine is a young girl, newly orphaned who applies for work at a horse fair. The horse trainer, Onua doesn't want to take on such a young girl but gives her a chance and sets her in among the horses she has already purchased. It's not a problem for Daine that those horses are wild, untamed and unruly because Daine has wild magic and can speak to the animals.

Onua takes her on and they set off for the capital of Tortall because Onua is the horse-mistress of the Queen's Riders. Daine makes herself invaluable on the way by keeping the horses in line and fighting off immortals.

She meets Numair who plays a huge role as her teacher in the rest of the series. Numair is 27 at the start of the series and Daine is 13 so there is a huge age gap there.

Daine's magic grows leaps and bounds under Numairs tutelage and Daine's wild magic becomes instrumental in saving Tortall from Carthaki invaders.

Daine is probably my favorite character in the Tamora Pierce world of Tortall. She's got this natural thing with animals that I would love to have... She's not overly stubborn (like Alanna) or boring (like Kel - she was my least favorite heroine) or mischievous (like Aly, who is my second favorite (^_^) ) or even determined (like Pierce's newest heroine Bekka). Daine is just nice and has a lot of common sense and is brave.

This is the most disappointing thing I have ever bought online. Actually, I don't know because it hasn't come yet. I ordered it over a week and a half ago and it still hasn't come. Why sell when you don't deliver?

Wild Magic, a book by Tomora Pierce and the first book in the series The Immortals, is about a girl named Daine. Daine was always good with animals. Then she leaves her home and realizes she is more than good with animals; she has magic. Her magic allows her to talk to them and they obey her. Her magic is about to run away with her when her new job sets her in the company of a kind mage named Numair. Numair helps her learn how to control and use her magic.
My favorite part was when all the birds in the story help Daine fight off several Stormwings. Even though they all die, Daine's powers seep out and bring the birds back to life, fix broken wings, and heal their wounds. This book would be great for anyone in to fantasy and fiction books, more for someone in 6th too 8th grade. I don't really know, older groups of people might like it as well. I give this book a 10 on a scale of 1:10.
This book has sparked my imagination. I am always thinking about how life would be if we had magical powers. This book is very entertaning and keeps the adventure going. I hope you read the other books in the Immortals series. This book captivated me. I hope you enjoy/ enjoyed it as much as I have.
-- Skylar Rowan

This is an excellent book. Tamora Pierce is a great author. I just bought another copy of this book because I misplaced my first copy.